RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author 10 Vol. 1 (1961) ISSN 1991-7295 39 and defeated government troops again and again. They were eventually persuaded to capitulate to the government, and took part in the victorious campaign against another rebel Fang La.1 However, some modern historians believe that after they had helped the government forces, Sung Chiang and his followers were themselves liquidated in their turn. Be that as it may, the exploits of Sung Chiang and his followers soon became the subject of popular legends told orally. These grew in number and came to be written down. At first only short accounts were written, but later, towards the end of the Yuan period, about 1300, the different stories were joined together to form one long romance, possibly by Shih Nai-an, who has been identified with the dramatist Shih Hui, styled Chun-mei.2 By then, the number of heroes involved had grown from the original thirty-six to a hundred and eight. The romance continued to be enlarged and revised by various hands during the Ming period, until it became a work of 120 chapters, published about 1620. Then, at the beginning of the Ch'ing period, in 1644, the critic Chin Sheng-t'an took the first seventy chapters, added a new chapter at the end as well as commentaries, and published it as the "Fifth Work of Genius" in Chinese literature. This edition achieved immense popularity, and it is this truncated version which most Chinese readers have read and which has been rendered into English. 21 Meanwhile, some stories about knights errant found their way into the drama of the Yuan period. The plays of this period were classified by subject under twelve categories, one of which was "long swords and clubs". This obviously corresponded to the two categories of stories "long swords" and "clubs" mentioned earlier. In particular, some stories about Sung Chiang and his followers not included in the Shui-hu chuan were given dramatic treatment in Yuan times. For instance, there were at least a dozen Yuan plays about Li K'uei, one of the followers of Sung Chiang and one of the most colourful characters in popular literature.22 Two of these plays are still extant.23 They present with great gusto this rough-mannered, quick-tempered outlaw with a heart of gold. In plays of later periods, Li K'uei and other 4a. 18 Sung-shih* (SPPY), chüan 22, 3a; chüan 351, 11b; chüan 353, 1 Mou Jun-sun, "On the tombstone inscription of Chê K'ê-ts'un and Sung Chiang's end" 牟潤孫,折可存墓誌銘考証兼論宋江之結局, Bulletin of the College of Arts, National Taiwan University, No. 2. 20 Sun K'ai-ti, Chung-kuo t'ung-su hsiao-shuo shu-mu 孫楷第,中國通俗小說書目 (Peking, 1957), p. 181. + 21 Chu Ch'üan, T'ai-ho cheng-yin p'u 朱權,太和正音譜 (reprinted together with the Lu kuei pu 錄鬼簿, Shanghai, 1957), p. 135. 22 For the titles of these plays, see Fu Hsi-hua, Yuan-tai tsa-chü ch'üan-mu 傅惜華,元代雜劇全目 (Peking, 1957), pp. 406-7. 23 There is another Yuan play in which Li K'uei appears, but only as a subsidiary character. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author 78 Vol. 1 (1961) ISSN 1991-7295 son of Li Ching is Hui-an () who was a disciple of Kuan Yin (Bodhisattva Avalokitesvara), while his name, Mu-ch'a (*), is not mentioned except in one verse, and not in the prose part of Ch.21. This is the name the author of the Fêng-shên Yen-i adopted. The origin of the name Mu-ch'a can be found in chüan 18, Kan-t'ung P'ien (A) of the Sung Kao-sêng Chuan (***) by Tsan-ning (), who was a follower of the Monk Sangha (@). The latter was said to be an incarnation of the Avalokitesvara of eleven faces and died in A.D. 710. Apart from Mu-ch'a, Hui-an was also one of his disciples. Therefore, in popular literature, Mu-ch'a and Hui-an are mixed up into one person and in the "Four Travels" Hui-an remains a disciple of Kuan Yin. It was the author of the Fêng-shên who changed the character ch'a (X) to cha (RE) in his novel so that the name could have the same second character as No-cha. In some popular editions of the "Four Travels" the character ch'a (X) has also been changed. Now, in the Tantric works, though the second and third sons of Vaisravana (Tu Chien and Nata) play rather important parts, his other sons, especially his first son, are not mentioned. I have read through a large number of sutras about Vaisravana and consulted some Buddhist scholars in Japan,1a but they could not give me any definite opinion. In Oda Tokuno's (1) Buddhist Thesaurus (#) and in the Chinese work Fu-hsüeh Ta Tz'u-tien (BAND) edited by Ting Fu-pao (TR) based upon it,19 we find that the names of P'i-sha-mên wu t’ung-tzu (£££7 Five Attendants of Vaisravana) include Tu Chien and Nata, but no origin is given. I think they may be identical with the "Five Yakshas" which appear under the sub-title "Princes and Family Members" (ERB) in Caturmaharaja (19F諸小王及眷屬)in E) in chuan 6 of the Ch'i Shih Ching (). They are, in translation, Fifty-feet (wu-chang £), Wilderness (k'uang-yeh ), Golden Mountain (chin-shan ), Long Fellow (ch'ang-shên ) and Hair of A Needle (chên-mao E). They appear (translated literally from the Sanskrit) also in the Caturmaharaja of the Shih Chi Ching (H) and in chüan 19 of the Dirghagama (£§ÂŒ) as "Five Attending Genii of Vaisravana.” 20 I Dr. Henmi Baiei), Professor of Buddhist Art, Tama University (9) and others. I have also consulted the Chinese Buddhist priest Tan-hsü (1), aged 89, a disciple of the late T'i-hsien (M) of the Tien-t'ai Sect (R) and some Tantric scholars. 19 The 4th ed., I Hsieh Shu Chũ (885), Shanghai, 1939. 20 No. 24, The Tripitaka in Chinese, translated by Jñanagupta. cf. No. 25, Ch'i-shih Yin-pên Ching (#LFXE), chữan 6 & 7. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author Vol. 1 (1961) ISSN 1991-7295 87 ended in a fierce hand-to-hand conflict. At last T'ai-I hurled his powerful weapon, a lamp-shade of nine fire-dragons, into the air, which fell on the goddess and rendered her senseless. T'ai-I clapped his hands and immediately a flame rose up in the shade, and she died in the roaring blaze. The dragon-kings of the Four Seas now got a warrant from the Jade Emperor to arrest No-cha's parents. No-cha, with secret instructions from his master T'ai-I, rushed back to Ch'ên-t’ang Pass. When he saw the dragon-kings, he shouted in a terrific voice: "It was I who killed Li Kên and Ao Ping and I should forfeit my life. How can you molest my parents?" After this, he spoke to Ao Kuang, "I am not to be slighted. I am an avatar of Ling-chu Tzu, the Intelligent Pearl. By the command of Yüan-shih I have descended to this world to fight for the establishment of the coming dynasty. I am determined to rip open my stomach, pluck out my intestines and pick out the bones, to return to my parents what I got from them. Are you satisfied with that?" To this Ao Kuang agreed, and No-cha did as he had just said: he fell down to the ground and his souls dispersed. His corpse was put into a coffin and was ordered by his mother to be buried. (Ch.13) We learn from the commentaries and the expository notes of the Ch'an school (or in Japanese Zen) of Chinese Buddhism that there are many historical and hereditary "cases" (Kung-an or in Japanese koan) handed down from generation to generation by the learned priests of this school of contemplation as material for their followers to study and to reflect upon. Most of these "cases" are metaphysical and to some extent mystical, and as cultivation in meditation involves some experiences which are not subject to communion between the learner and the Patriarch or the predecessors, it has relation with Tantrism.29 The story related in the Fêng-shên about No-cha (Nata) quoted above is one of the cases which appear in chüan 2 of the Wu-têng Hui-yüan (EK), a work written by Monk P'u-chi (#) of the Sung dynasty, and is retold in chüan 2 of the Chih-yüeh Lu (f), edited by Ch'ü Ju-chi (W) of the Ming dynasty. It runs as follows: Prince Nata, rending himself asunder, gave his flesh back to his mother and his bones to his father, and then manifesting 20 Nan Huai-chin (RM), Ch'an-hai Li-ts'ê (THU), Ch. 15, "Ch'an School and Tantrism" (RANER), pp. 205-211, Ching Ming Hsüeh Shê (W204), Taipei, 1955. cf. Daisetz Teitaro Suzuki ( Kil), Essays in Zen Buddhism, Second Series, p. 94, London, Luzac, 1933. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Vol. 1 (1961) ISSN 1991-7295 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author 88 his original body and by his miraculous powers preached the dharma for the benefit of his parents. 邵业 This is a case which was preached as early as the Sung dynasty. But, though it looks like a part of a Buddhist legend with some details probably omitted, it occurs in no canonical texts and is found to be fabulous. In chüan 6 of the Tsu-t'ing Shih-yüan (...), a work composed by Monk Ch'ên Shan-ch'ing (*) about A.D. 1099, it says, In the monasteries there is the legend of his "giving his flesh back to his mother and his bones to his father," but nothing referring to it can be found in the texts of the Tripitaka and no one knows what its origin is. (王子肉濟父母緣 In the Tripitaka in Chinese, I have found two cases which may have some relation with the legend of Nata as adapted in the Fêng-shên. One appears in the Tsa Pao-tsang Ching (# BK), chüan 1, subtitled "A Prince Fed His Parents with His Own Flesh" (±‡Ùƒƒ2R). It was the prince Hsü Shê T'i (F), a young prince aged seven. His grandfather, the king of Varanasi (M) had been assassinated by an usurper who killed also his two sons. The father of the young prince was the third son. Now the young prince when fleeing for his life with his parents, was faced with the problem of food. His father intended to kill his wife. Thereupon the young prince dismembered himself and cut off his own flesh every day to feed his parents until he had only three slices of flesh to offer. He presented two to his parents and the last slice which was so dear to him was given to a hungry wolf who was a transformation of Indra himself.31 The prince was an incarnation of Sakyamuni in a previous life. The prince Hsü Shê T'i in this Buddhist legend was seven, and his father was the third prince. It is quite possible that in the popular mind the jataka story became confused with the Tantric one, because in some Tantric texts such as the Pei-fang P'i-sha-mên T'ien-wang Sui-chun Hu-fa I-kuei (... "Ceremonies In the Worship of the Heavenly King Vaisravana, the Protector of the Army")," Nata is regarded as 30 Nata's relation with Tantrism was still very clear in records as well as in the public mind. cf. Hung Mai (), / Chien San-chih (BEZ) chuan 6, on "Ch'êng Fa-shih" (El), Han Fên Lou (*) ed.; T'ai-p'ing Kuang-chi (XP), chüan 92, 1-sêng Lei (M), on Nata, In most of the Yuan plays, Nata is a fearful god (MME). 91 No. 203, The Tripitaka in Chinese. cf. No. 156, Ta-fang-pien-fu Pao-ên Ching (XSEOREC), chüan 1, Hsiao-yang P'in (442). 32 No. 1247, The Tripitaka in Chinese. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author Vol. 1 (1961) ISSN 1991-7295 95 B (c) The T'ao T'ien-chün ( or Celestial Master T'ao), one of the four attendant-generals forming the retinue of the Premier Wên T'ai-shih in the Fêng-shên Yen-i is an invention of the author of the Fêng-shên for a particular reason.3 In any one of the earlier works before the Fêng-shen, whether Taoist canonical texts or popular literature, we can find the other three T'ien-chün but not this one. This fact strengthens the hypothesis that this particular character was created with a purpose. But he appears also in Wu Ch'êng-ên's Hsi-yu-chi. (Ch.4 etc.) (d) Yin Chiao () in his transformed figure is an ugly and evil god. "His face was as blue as indigo, and he had long projecting teeth" (Ch.63, Fêng-shên Yen-i). He was canonized as the T'ai-sui (✯ the God of the Cycle) in Ch.99 of the Feng-shên. Now in Wu's Hsi-yu-chi there is a line of verse, "The other had a blue face and protruding teeth as ugly as the T'ai-sui.” (56) (e) In Wu's Hsi-yu-chi, when Sun Wu-k'ung ( the Monkey) was repelled by Hsüan-tsang (), he thought of “going to the islands (hai-tao ) but he was rather ashamed to meet those immortals in the three fairy-lands (san-tao chu-hsien l)". (Ch.57) This is probably influenced by the islands and the immortals there (hai-tao tao-yu fă‡) in Chs.38, 47 and 59 of the Fêng-shễn. In Ch.59 of the Feng-shên when Lü Yüeh (BG) was defeated by the troops of Chiang Tzu-ya, he fled to the islands as his last resort. (f) In Wu's Hsi-yu-chi (Ch.60), the Demon-king of Oxen (Niu Mo-wang 4E) rode on a "water-proof golden-pupiled monster" (Pi-shui Chin-ching Shou HR). I think this name was invented after the "fire-spitting golden-pupiled monsters" (Huo-yen Chin-ching Shou ) ridden by Chêng Lun, Chiên Ch'i and Ch'ung Hei-hu in the Fêng-shên Yen-i. (g) In Ch.61 of the Wu's Hsi-yu-chi there are the "four great Vajras" (MAI) which are no doubt an adaptation of the “four great heavenly kings". One of their dwelling-places is in the Chin-hsia Tung ( Golden Clouds Cave) of Mt. K'un-lun. In fact this Chin-hsia Tung is exactly the name of the grotto where the Yü-ting Chên-jên (EMRA Immortal of the Jade Urn) lives in the Fêng-shên Yen-i, and Mt. K'un-lun is the sacred mountain of the Promulgating Sect. 37 Ibid., pp. 251-55. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch ORASHKB and author Vol. 1 (1961) ISSN 1991-7295 99 In general, lay Buddhists have been increasingly active here over the past twenty years, particularly in social welfare work. The Sangha, which had declined almost to the vanishing point by 1949, was restored in size and quality by an influx of refugee monks (estimated at 800-1,000) in the early 1950's. Most of these, however, gradually moved on to other areas. With one or two exceptions the monasteries now tend to be static and withdrawn. Though nunneries, like lay organizations, have taken an increasingly active role in social welfare, the initiative in many cases has come from laymen. Thus we may say that Buddhism in Hong Kong fits into the pattern of Chinese Buddhism as a whole over the past hundred years; revitalization of faith and practice among laymen, sparked by a few really able monks, whose talents stand in all the greater contrast to those of most of their brethren. II. ORGANIZATION OF THE SANGHA The monastic institutions of Hong Kong, like those of China proper, are individual entities, not subject to the authority of a patriarch or any other central organ of the school to which they belong. It is best, in fact, not to think of them as belonging to distinct and separate schools. In any given monastery one monk may "study Ch'an" while another "studies Pure Land". Monasteries are usually classified according to the school of the abbot and a change of abbot can mean a change of classification. Thus the Chuk Lam Monastery in Tsuen Wan was once Ch'an, is now Pure Land, but shelters monks of other schools, like the Esoteric disciple of the great T'aai Hui [T'ai Hsü], who was himself of the Idealist School. Generalizing, one might say that whereas religious tolerance in India and Tibet is usually based on an awareness of the difference between one's own doctrines and those of one's neighbour, tolerance in China is more often based on a desire to unify all religious doctrines and a belief that it can be done. That is why I spoke above of "3,400 purportedly Buddhist laymen." Some of them may be equally interested in or influenced by Taoism or one of the popular syncretistic sects in Hong Kong. This is not to assert that there is no awareness in Hong Kong that Buddhism is divided into schools. At the Tung Wah Hospitals Prayer Meeting, last held September 6-13, 1958, there were separate altars for Wah Yim [Hua Yen]; Pure Land; Mat Tsung [Mi Tsung or Esoteric School]; Faat Wah [Fa Hua]; while monks of other schools participated in prayers at three common altars. The place of honour in the entire meeting was given to the venerable abbot T'aam Huilt [Tan Hsü], whose school is T'in T’oi [T'ien T’ai or Fa Hua]. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f CHINA'S 35 MILLION NON-CHINESE TABLE 1 73 CHINA'S MINORITY POPULATIONS IN ORDER OF SIZE, 1. Chuang 2. Wei-wu-erh (Uighur) 3. Hui (Dungan) 4. Yi (Lolo, etc.) 1953 5. Tsang (Tibetan) 6. Miao 7. Man (Manchu) 8. Meng-ku (Mongol) 9. Pu-yi 10. Ch'ao-hsien (Korean) 11. Tung 12. Yao 13. Pai (Pai-man) 14. Ha-sa-k'e (Kazakh) 15. Ha-ni 16. T'ai 17. Li 18. Li-su 19. Tu-chia 20. She 21. K'a-wa (Wa) 22. Kao-shan (Malay-Polynesian) 23. Tung-hsiang 24. Na-hsi (Na-khi) 25. La-hu 26. Shui 27. Ching-p'o (Singpho, Kachin) 28. Ko-erh-k'e-tzu (Kirghiz) 29. T'u (Mongor) 30. Ta-kuan-erh (Daghor) 31. Mo-lao 32. Ch'iang 33. Pu-lang (Palaung) 34. Sa-la (Salar) 35. Ngo-lo-ssu (Russian) 36. K'e-lao 37. Hsi-po (Sipo) 38. Mao-nan 39. A-chang 40. T'a-chi-k'e (Tadjik) 41. Wu-tzu-pieh-k'e (Uzbek) 42. Nu 43. T'a-t'a-erh (Tatar) 44. O-wen-k'e (Evenki) 45. Pao-an 46. Yü-ku (Sara Uighur) 47. Peng-lung 48. Tu-lung ... 7,000,000 3,640,000 3,559,000 3,250,000 2,775,000 2,511,000 2,418,000 1,463,000 1,247,000 1,120,000 712,000 665,000 567,000 509,000 481,000 478,000 360,000 317,000 300,000 * 286,000 210,000 200,000 155,000 143,000 139,000 133,000 101,000 70,000 53,200 44,100 43,100 35,600 35,000 30,600 22,600 20,800 19,000 18,400 17,700 14,400 13,600 12,700 6,900 6,200 4,900 3,800 2,900 2,400 2,200 450 O-lun-ch'un (Orochun) 50. Ho-che (Nanai) * Found by Fang Jen in 1955 to be 300,000, but Bruk listed 49,000. † From April 19, 1957 issue of Kuang-ming Daily News. † An estimate. § Collectively including the So-lun (4,900), T'ung-ku-ssu (Tungus: 1,205), and Ya-k'u-te (Yakut; 137). Here is the revised response in HTML format using Markdown table syntax for the table: Order Minority Population Population (1953) 1 Chuang 7,000,000 2 Wei-wu-erh (Uighur) 3,640,000 3 Hui (Dungan) 3,559,000 4 Yi (Lolo, etc.) 3,250,000 5 Tsang (Tibetan) 2,775,000 6 Miao 2,511,000 7 Man (Manchu) 2,418,000 8 Meng-ku (Mongol) 1,463,000 9 Pu-yi 1,247,000 10 Ch'ao-hsien (Korean) 1,120,000 11 Tung 712,000 12 Yao 665,000 13 Pai (Pai-man) 567,000 14 Ha-sa-k'e (Kazakh) 509,000 15 Ha-ni 481,000 16 T'ai 478,000 17 Li 360,000 18 Li-su 317,000 19 Tu-chia 300,000 * 20 She 286,000 21 K'a-wa (Wa) 210,000 22 Kao-shan (Malay-Polynesian) 200,000 23 Tung-hsiang 155,000 24 Na-hsi (Na-khi) 143,000 25 La-hu 139,000 26 Shui 133,000 27 Ching-p'o (Singpho, Kachin) 101,000 28 Ko-erh-k'e-tzu (Kirghiz) 70,000 29 T'u (Mongor) 53,200 30 Ta-kuan-erh (Daghor) 44,100 31 Mo-lao 43,100 32 Ch'iang 35,600 33 Pu-lang (Palaung) 35,000 34 Sa-la (Salar) 30,600 35 Ngo-lo-ssu (Russian) 22,600 36 K'e-lao 20,800 37 Hsi-po (Sipo) 19,000 38 Mao-nan 18,400 39 A-chang 17,700 40 T'a-chi-k'e (Tadjik) 14,400 41 Wu-tzu-pieh-k'e (Uzbek) 13,600 42 Nu 12,700 43 T'a-t'a-erh (Tatar) 6,900 44 O-wen-k'e (Evenki) 6,200 45 Pao-an 4,900 46 Yü-ku (Sara Uighur) 3,800 47 Peng-lung 2,900 48 Tu-lung 2,400 49 O-lun-ch'un (Orochun) 2,200 50 Ho-che (Nanai) 450 * Found by Fang Jen in 1955 to be 300,000, but Bruk listed 49,000. † From April 19, 1957 issue of Kuang-ming Daily News. † An estimate. § Collectively including the So-lun (4,900), T'ung-ku-ssu (Tungus: 1,205), and Ya-k'u-te (Yakut; 137). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 54 HERBERT FRANKE peculiarity of the Chinese script, and Chinese script is something that would strike even the most casual observer as something different from any other script in Asia or Europe. Even William Rubruk, who had never been in China but only in Mongolia, gives an entirely correct description of the Chinese writing system. All this has cast some doubt on the contention that the Polo family spent a long time in China. But however that may be, until definite proof has been adduced that the Polo book is a world description, where the chapters on China are taken from some other, perhaps Persian, source (some expressions he uses are Persian), we must give him the benefit of the doubt and assume that he was there after all. Polo tells us that he was "the first Latin" to come to Kublai Khan's court. "Il (that is, Kublai) avait très grande joie de leur venue comme un qui n'a jamais vu aucun Latin." This is another statement in his book that is open to doubt. The Polos were certainly not the first Europeans who came to Kublai Khan's court. This is shown by a passage in a Chinese chronicle covering the time from the eleventh month of 1260 to the eighth month of 1261, that is, the beginnings of Kublai's reign. This chronicle is, at the same time, the most detailed annalistic source for any period of the Mongol dominion in China. There we find recorded under the seventh day of the second month of the second year of Chung-t'ung (June 6, 1261) that an embassy of the "Fa-lang" country came to Shang-tu (Dolon-nor) and was received in audience. Fa-lang is the Chinese rendering of Farang, the Franks, the name by which the Near Eastern peoples called Europeans. The description that these self-styled envoys gave of their country and their travels is very curious, but not more curious than some of the fantastic notions about the East that are found in European medieval literature: "These people came and presented garments made from vegetable fabrics (cotton?) and other presents. These envoys had travelled three years from their country to Shang-tu. They reported that their country is in the Far West beyond the Uighurs. In their country there is constant daylight and no night. It is evening there when the field mice come out of their holes. If somebody dies there, then Heaven is invoked and it might even happen that the person is restored to life. Flies and mosquitoes are born from wood. The women are very beautiful and the men usually have blue eyes and blonde hair. There are two oceans on the route from ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 FOREIGN RELATIONS OF BUDDHISM 11 Yin-shun, T'ai-hsü, p. 213. 12 Eastern Buddhist 3.2 (July-September, 1924), 190. 95 13 Chinese lay devotees went to Japan to learn Tantric Buddhism from Shingon masters. Chinese monks went for academic study (two in 1936 and two more in early 1937; see Chinese Year Book 1937, Shanghai, 1937, p. 73. 14 That is, the Chung-jih fo-chiao hui. At about the same time the Sino-Japanese Tantric Association (Ching-jih mi-chiao hui) was established. See Chinese Year Book 1937, p. 73. 15 Takada, p. 14. 16 Takada, p. 24-36, lists a total of eleven temples established between 1876 and 1937, but on p. 14 he speaks of ten temples having been set up before 1937 and of forty-nine (not forty-six) being in operation as of December, 1942. It seems clear that he does not include temples that have gone out of operation, like those in Nanking and Changsha (see note 2), and possibly those in Fukien. The only temple outside Shanghai that survived from the era before 1937 was the Honganji temple in Hankow, established 1906, which in 1942 had 1,200 Japanese and 150 Chinese parishioners. 17 For example, in 1942 at the original Honganji temple in Shanghai the number of Japanese parishioners was 4,930 and the number of Chinese was zero. This temple was obviously not engaged in missionary work, but exclusively in serving the Japanese community. 18 Two officers of the Ching-an Ssu in Shanghai are said to have been arrested and in Canton the abbot of the Liu-jung Ssu, T'ieh-ch'an, was executed. 19 H. G. Quaritch Wales, "Buddhism As an Instrument of Japanese Propaganda" Free World 5.5 (May 1943), 428. 20 Takada, p. 1, states that the alliance was set up in April 1937 in accordance with the policy formulated in October 1938. Perhaps the first date is a misprint. 21 Takada, pp. 1, 4, 5. The changes in the bureaucratic status of the Great Harmony Religious Alliance appear to have been as follows. After being set up under the military authorities, it was transferred to the liaison office of the Central China Liaison Office of the Office for the Resurgence of Asia (Koain), which had been set up in December 1938 directly under the Cabinet in order to formulate policy on and handle relations with China. In April 1942 the Alliance was placed under the supervision of the Foreign Ministry through its representatives in Shanghai. In November 1942 it seems to have been returned to the Office for the Resurgence of Asia, when the latter was integrated into the Ministry for Great East Asian Co-Prosperity. 22 Takada, pp. 24-36. 23 The most significant absentee was Yüan-ying, the national head of the Chinese Buddhist Association (Shanghai, 1929). 24 H. Hackmann, A German Scholar in the East, pp. 118-119. John Blofeld, who visited Wu-t'ai Shan in 1937, describes a monastery with several hundred monks where "the main pavilion... was arranged in the Chinese way, but many services were held in a smaller building where purely Tibetan rites were performed" (Jewel in the Lotus, London, 1948, p. 97). 25 Fa-p'u, a disciple of Ta-yung, is stated to have reached Lhasa and earned a ko-hsi degree. Yin-shun, T'ai-hsü, p. 17. 26 Chinese Year Book 1937 (Shanghai, 1937), p. 73. 27 Shirob Jaltso, for example, was a member of the People's Political Council (1938-1949); an alternate member of the Kuomintang Sixth Super- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 96 HOLMES WELCH visory Committee (1945-1949); and a vice-chairman of the Mongolian and Tibetan Affairs Commission (1947-1949). 28 Probably he was not one of the two monks sent to Tibet for study earlier in 1937 (see p. 11). 29 An interesting account of one such, Dorje Rimpoche, from Chamdo, who visited Hong Kong in 1935, is given in J. Blofeld, The Wheel of Life, London, 1959, pp. 40-56. 30 The leading spirit of the society was Ch'ü Yang-kuang, formerly governor of Shantung and Chekiang and Minister of the Interior. This Bodhi Society (P'u-ti hsüeh-hui) had no connection with the Bodhi Society (P'u-ti She) established by T'ai-hsü in 1918. 31 Chinese Year Book 1935-36, Shanghai, 1935, p. 1514, Huang was the editor of the Chinese Buddhist, "an English magazine which was to link up China with foreign Buddhists." It ceased publication before he died in 1933. 12 It was a common practice for Chinese monks to take their ordination vows a second or third time in order to strengthen their commitment to follow them, or in order to draw inspiration from an eminent ordaining monk. Hence, from the Chinese point of view, receiving the Theravada ordination meant supplementing, not replacing the Mahayana ordination. 33 Their names were Pei-kuan, Teng-tz'u, Hsing-chiao and Chüeh-yuan. They were supposed to remain in Thailand four years. See Chinese Year Book 1936-37, Shanghai, 1936, p. 1446. 34 Their Chinese religious names, followed by their Theravada names, were: Hsiu-lu (Kondanna), Wei-chih (Bhaddiya), Hui-sung (Vappa), Fa-chou (Mahanama), and Wei-huan (Assaji). Their later histories would make an interesting study in acculturation. Wei-huan disrobed within a few months and returned to China where he married. Eventually he became the principal English interpreter for the Chinese Buddhist Association established in Peking in 1953. Fa-chou married a girl of Dutch descent and eventually became a lecturer at the University of Ceylon. Hui-sung, who stayed longest, became mentally deranged. Wei-chih, after disrobing, went to Singapore, where he died during the war. Hsiu-lu, after disrobing, went to India where he pursued his studies at Santiniketan and/or Nalanda. Only the information about the first two is reliable. Another moot question is who sent them to Ceylon in the first place. Their Sinhalese hosts believed that they had been selected and sent by T'ai-hsü; and it is true that he acted as their guarantor (see Yin-shun, T'ai-hsü, p. 404). But another Chinese source states that their group was "formed by the Chinese Buddhist Association in accordance with the proposal made by the Pure Karma Buddhist Association," both of which were housed in the same building in Shanghai. See Chinese Year Book 1936-37, p. 1446. 35 Liao-ts'an (Dhammakiti) who went to Ceylon in 1945 returned to China about 1953 with Fa-fang's ashes, disrobed and became an instructor in Pali at the Chinese Buddhist Institute in Peking. 36 Today many Theravada Buddhists have a very different attitude and publicly advocate tolerance and respect for Mahayana Buddhism. In 1956 the fourth Conference of the World Fellowship of Buddhists voted to abolish even the use of the terms "Theravada" and "Mahayana" (see Report of the 4th World Buddhist Conference, Kathmandu, no date, p. 2). There are some Theravadins, however, who even today believe that the world would be a better place if Mahayana was removed from it. 37 He had gotten the information at first hand from Liao-ts'an (Dhamma-kiti) who had heard the complaints of members of the 1936 group. They are stated to have been novices (sha-mi) when they left China and the Theravada ordination they received on May 6, 1936 was also, apparently, the novice's ordination. Hence there would have been more justification for withholding the respect due to bhikkhus than in the case of Liao-ts'an and his fellow monk, who came in 1945. More information is needed. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 116 A. L. Y. CHUNG NOTES 1 See H. S. Galt, History of Chinese Educational Institutions (London, 1951) pp. 364-65; also see K. S. Latourette, The Chinese, Their History and Culture (New Haven, Conn., Mar., 1945), pp. 187, 524-25, 2 Huang-ch'ao tz'u-lin tien-ku (64 chüan in 20 ts'e, 1805, reprint 1887), 17:4b-5b, 18:1b, 49:17b-21b. 3 Ch'ing-ch'ao t'ung-tien (ed. by Chi Huang and others, 100 chüan. Shanghai, 1935 reprint), p. 2162. For further understanding of the Nei-san-yüan, see A. W. Hummel, Eminent Chinese of the Ch'ing Period (Washington: United States Government Printing Office, 1943-44), vol. I, pp. 3, 308, 603. 4 Shang Yen-liu Ch'ing-tai k'o-chü k'ao-shih shu-lu (Peking, 1956), p. 129; Ta-Ch'ing hui-tien shih-li (ed. by Li Hung-chang and others, 1220 chüan, preface dated 1886), 70:9a. 5 See Ta-Ch'ing hui-tien (100 chüan in 10 ts'e, 1764 ed.), 84:1b. 6 Ta-Ch'ing hui-tien, 84:5b. 7 Ch'ing-tai k'o-chü k'ao-shih shu-lu, p. 129. 8 Ch'ing (Huang)-ch'ao wen-hsien t'ung-k'ao (edited by Yung Hsüan and others, 300 chüan, 1882, Shih-t'ang ed. from ts'e 841-1000), 47:19a, 9 Ch'ing-tai k'o-chü k'ao-shih shu-lu, p. 129. 10 Ch'ing (Huang)-ch'ao wen-hsien t'ung-k'ao, 50:32a-b; Ch'ing-shih (8 vols., Taiwan, 1961), vol. 2, 1314. 11 Shang Yen-liu, p. 129. 12 Ta-Ch'ing hui-tien, 84:5b. 13 Huang-ch'ao tz'u-lin tien-ku, 24:5a-b. 14 Ta-Ch'ing hui-tien, 84:5b. 15 Ku Ching-te Hsiu-ts'ai, chü-jen, chin-shih (Hong Kong, 1956), p. 30. 16 Shang Yen-liu, p. 130. 17 Huang-ch'ao tz'u-lin tien-ku, 23:21a-b. 18 Ch'u Tui-chih, Wang Hui-tsu chuan-shu (in Chung-kuo shih-hsüeh ts'ung-shu, Shanghai, 1934), pp. 48-49. 19 Huang-ch'ao tz'u-lin tien-ku, 18:1b. 20 Ta-Ch'ing hui-tien, 84:1b. 21 Ch'ing shih, vol. 2, 1375. 22 Ta-Ch'ing hui-tien shih-li, 70:2a. 23 Huang-ch'ao tz'u-lin tien-ku, 21:7a-b. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g THE TRAVELLING PALACE OF SOUTHERN SUNG 37 "the back seat". But before accepting this interpretation, one must verify the identity of the Yunnan Lao with the aboriginal tribe dwelling in Kow-Joon speaking the same language. 6 See my article "The Southern Sung Stone-engraving at North Fu-t'ang" in Journal of the Hong Kong Branch, Royal Asiatic Society, Vol. 5, 1965. At line 17 of the article "before this date" should read "after this date". The Chinese text on the engraven rock was given in my article, but was not accompanied by a literal translation, which now follows: [I] Yen I-chang of Ku-pien (K'ai-feng, Honan Province), being the administrator of this Field (namely, Kuan-fu Ch'ang), accompanied by Ho T'ien-chuch of San-shan (Foochow, Fukien Province), come to visit these two mountains (North and South Fu-t'ang). In the course of investigation, [I found, first, that] the stone pagoda (shih-ta, or colloquially called Ku-shih-ta and abbreviated to Ki-ta) at South T'ang was constructed in the 5th year of the reign of Ta Chung Hsiang Fu (i.e., of Emperor Tsen Tsung of Northern Sung, A.D. 1012). Next, Cheng Kuang-ch'ing of San-shan, piling up stones and chopping down trees, renovated the two T'angs. Again, T'eng Liao-chuch of Yung-chia (Wen-chou of Chekiang Province) continued the work. The ancient stone-tablet at North T'ang was established by Hsin P'o-ting of Ch'uan-chou (Fukien province) in the year wu shen but the reign [of what Emperor] cannot be ascertained. Now, Nien Fa-ming of San-shan and Lin Tao-i of this native place (i.e., Kowloon) continue the work. Furthermore, Tao-i can expand the former plan requesting [me] to establish another stone-engraving for commemoration [of the renovation]. Inscribed on the 15th day of the 6th lunar month in the year chia shu [i.e., 10th year] during the Hsien Shun reign (Emperor Tu Tsung of Southern Sung, A.D. 1274). 7 Yuan Yuan, Kwangtung T'ung-chih, Haifang lüeh, chuan 2, kx. Ak Ma. 40%. Shu Mou-kuan, Hsin-an Hsien-chi, chuan 7, Chien-shu lüeh 建署累 8 Ta-ch'ing Hui-tien, Kuan-chih kao. 76. 9 Research notes by the late Sung Hsueh-p'eng (4) who had done much research work on the local history and geography of Hong Kong and Kowloon. A portion of the notes was generously recopied and given to me. 10 Ibid. 11 T'u-shu Chi-cheng, Chih-fang-tien (811A.AZ) records that "This was the old engraving of Yuan times”. 12 Chuan 18, Sheng-chi-lüeh BAY. 13 Before 1941 there were three streets at this place, called "Sung Street", "Ti (Emperor) Street" and "Ping Street". (Apparently Emperor Ping was mistaken for Tuan Tsung (Shib). As the history of Southern Sung in Kowloon had been rather obscure, the mixing up of the two names was not very unlikely; even the Hsin-an Gazetteer made the same mistake. This whole area including the three streets was levelled during the Japanese occupation to facilitate the extension of Kai-tak airfield. 14 See Jao Tsung-i, Kowloon yũ Sung-chi shih-liao ✯‡, ^*‡‡‡£ #, Hong Kong, Universal Book Co., 1959, p. 105. 15 Wu Pa-ling, Sung-t'ai kan-chiulu 4*. *4434 in Sung Wong Toi, a Commemorative Volume, p. 108. 16 By the side of the cliff a low-cost housing estate has been recently constructed south of the new Fu-ning Street (3##), east of the now Fuk- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1968 https://digitalrepository.lib.hku.hk/catalog/66833948d 124 H. G. H. NELSON tional Chinese rules of inheritance ensured the rapid redistribution of any accumulation of property. Estates could be created only by the injection of external capital derived from bureaucratic or commercial activity; and they were maintained by this device of incorporating them as collective holdings. Naturally enough, the ancestor in whose name an estate was incorporated was rarely, if ever, more remote than the father of the man who actually accumulated the land, so that no-one but his own and his brothers' sons and their descendants ever enjoyed the benefits of the property. Even if estates were concentrated in the hands of local, and not absentee landlords, the capital which created them was derived from external sources: and it may well be that the Treaty Ports stimulated this form of land-concentration by providing opportunities for the accumulation of capital on a greater scale than had ever been known before. There is evidence that this has happened in the New Territories: local men who prospered in business activities in Hong Kong city returned to their homes and invested the proceeds in land. It would have been instructive if Potter had told us exactly how Tang Jui-t'ai, ancestor G in the diagram, was able to accumulate his property. (It is not clear from the book whether he used the schedules of holdings drawn up in respect of private property by the Hong Kong Government a few years after the lease of the N.T. in 1898 which provide a unique source of socio-economic information about its many villages and form a base for later enquiries).* It is worth commenting, in passing, on another feature of the lineage's collective land-holdings, in which it is possible to see an exacerbation of the pre-existing situation. From Potter's description of the private benefits accruing to members of the corporation who are in a position to exploit their control of the land, it is quite clear that by far the majority of the benefits go to a small group of powerful men - political leaders and racketeers: and the poorer villagers, even if they know of this manipulation of property in which they, rightfully, have as good a share, can do little about it. Potter himself points out that this was probably always so, but that it is only recently that economic conditions — i.e. the enormous increase in land values and rents — have allowed such great profits to be made. * These have been utilised by Göran Aijmer in his article between pp.74-81. Ed. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1971 https://digitalrepository.lib.hku.hk/catalog/z029vt43g 150 Kuan-fu Chai Yen I-chang *** Tien-hou AG Sung Wang T'ai 宋王臺 Hsü 墟 Ch'u Chin Fu-ch'ing 福清 Mao-tien 茅店 Kuang-tze # Shek-wan (Shih-wan) Hsi-t'sun # Ch'ü Ta-chün £✯✯ Kwang-tung Hsin-yü ARTH Hsin-an 新安 Hui-yang Hsien & Sek Kong N J. C. Y. WATT ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h the help they have rendered to the Society in its learned and cultural activities: 20th January 15th February 15th March 27th April 19th May 18th October 17th November 15th December Professor L. Carrington Goodrich "The Ming Biographical Project" Mr. James Hayes An informal talk on the scope and activities of the 28th International Congress of Orientalists held in Canberra in January 1971 (illustrated with slides). The Rev. Carl T. Smith "The Emergence of a Chinese Elite in Hong Kong”. Dr. Hui-Ching Lu "T'ai Chi Chuang: Its Principles and Practice", (illustrated by a 15 minute film show). Professor Woodbridge Bingham "The People of T'ang China as we know them today". Dr. F. I. Tseung "Chinese Medicine and its contribution to Modern Medical Science". Mr. M. J. Smithies "Village Mons of Bangkok Province" or "The Survival of Good and Bad Ghosts Beyond the Traffic Jams", (illustrated with slides). Mr. P. H. Collin "A British Officer in China, 1857-58", (illustrated with slides). Council: During the period under review your Council met nine times and, naturally, much of the business dealt with was of a routine nature. There were however in addition a few important matters of general interest which called for the consideration and action of your executive body and these are now mentioned separately here. Hon. Secretary. On the departure of Mr. J. L. H. Webster from the Colony (as foreshadowed in my last Report), Miss E. M. Bellord, also a member of the staff of the local British ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h THREE CHINESE DEITIES: VARIATIONS ON A THEME (With special reference to overseas Chinese communities in South East Asia) KEITH STEVENS* Individual Chinese gods are worshipped universally throughout all Chinese communities and areas, or are worshipped only within limited areas such as a village or linked villages. Some are peculiar to linguistic groups such as the Shanghainese or the Cantonese. Three gods from the immense Chinese pantheon have been chosen and their legends, recognition features, the reason for their worship and where possible the area in which they were or still are worshipped have been described in detail below. The first deity, worshipped in practically all Chinese communities, is General Yin Ch'iao (**太岁**) more frequently referred to as T'ai Sui (**太岁**). The second, Fa Chu Kung (**法主公**), is a deity to be found only within two or three localised communities in Fukien province and amongst overseas Chinese from these communities. However, he is also to be found in a few temples of other overseas Chinese communities who have adopted him to take advantage of his power. The third deity is Cheng Ho (**郑和**), the explorer of the 15th Century who is worshipped only by limited communities of overseas Chinese in areas where Cheng Ho's fleet called during his explorations. These three have been chosen because they are good examples of three different types of Chinese deities. The first, T'ai Sui, is a * Major Stevens is a serving officer at present with the Ministry of Defence. He has been employed in South East Asia and the Far East and has travelled extensively among the Chinese communities of the region (but of necessity outside China) in his search for images of Chinese gods. The value of his article lies in bringing together material from, as he says, 'two and a half thousand temples' in the region, showing the great variety of images in their various forms and continued devotion to the pantheon of gods. I am glad to have this opportunity of publishing it in the Journal. No attempt has been made to impose a uniform romanization which is here given as presented by the author from the various works consulted, and as in the different dialect forms he encountered in the course of his enquiries. Nor have I changed the terms "god-shop" and "god-carver" used by Major Stevens because they are colourful, and therefore appropriate to the subject. Ed. Plates 15-29 illustrate this article. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h 170 KEITH STEVENS combination of an historical hero, with considerable legend surrounding him, and a mythical being who is very popular in Chinese folklore; thus creating a complicated and fabulous story. The second, Fa Chu Kung, was in all probability a historical being, the actuality of his origins lost in time, who now appears as a legendary being. The third, Cheng Ho, is a comparatively recent and well-documented historical being, deified by popular appeal, with little myth or legend added to his story. Two of the three are popular Taoist spirits or gods (†‡) and believed to be beneficent whereas the third, T'ai Sui, is a feared Taoist god. The detail of the development of each cult, the recognition features of each deity, the frequency of sightings and the identities of other deities co-located with the main deity described below are based on sightings and conversations in some two and a half thousand temples, and six god-carvers' shops located in Hong Kong and Macau, Taiwan, the Philippines and in most parts of South East Asia; and also from notes culled from many books, mostly written by Christian missionaries who so often vented their spleen on the subject of heathen idols. One final prefatory note is necessary at this point, a short description of a novel which is one of the main sources of myth and legend about the gods. The novel, the Feng Shen Yen I (#Ħ✯A), The Deification of the Gods*, written in about the fifteenth century about the supernatural, describes the historical struggle between the last king of the Shang Dynasty, King Chou (*†£) and the victor, the first king of the subsequent Chou Dynasty, King Wu (1). The capital of the Shang Dynasty was the ancient city of Anyang, where King Chou, infamous for his tyranny, cruelty and excesses is said to have reigned for thirty-three years, 1154-1121 B.C. King Chou was destroyed with the Shang Dynasty in the flames of his palace at the Deer Terrace after a crushing defeat by a rebellious army under Hsi P'o (‡) on the banks of the Yellow River. Hsi P'o founded the Chou Dynasty and is remembered as King Wu (1). This defeat of the Shang and the inception of the Chou is variously * See (in translation) Lu Hsun, A Brief History of Chinese Fiction, Peking, Foreign Languages Press, 1959, pp. 220-224, where the title is rendered Canonization of the Gods. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h THREE CHINESE DEITIES 171 dated either about the turn of the second millennium BC, or mid-eleventh century BC (ca. 1121 BC) about the same time as the Trojan wars. King Wu's victory is the theme of many Chinese legends and also forms the plot of the Deification of the Gods, which was recounted by story tellers the length and breadth of China. Woven into its historical background are a multitude of supernatural events involving the heroes before they were deified. They were divided into two forces: the benevolent under King Wu, and the malevolent under King Chou. The battle was fought with practically every form of weapon known to man and included the use of flame, gas and germ warfare, together with the conventional swords, spears and arrows. This long Taoist novel is known, either in part or in whole, by the Chinese peasants, many of whom believe quite genuinely that the gods, both Taoist and Buddhist, were first deified at this juncture. It portrays many of the Buddhist and Taoist heroes, describing the events leading to their deification, and it played an important role in Chinese iconography, crystallising the beliefs and characteristics of the Chinese deities. Although several major characters link the events together and provide the thread for the story, most of the heroes appear only in one or two episodes. From this mixture of Buddhist and Taoist heroes in this fifteenth-century novel may have developed the practice of worshipping Taoist deities side by side with Buddhas and other Buddhist religious figures in Chinese temples; and in many a Chinese mind these Taoist mythological and folklore deities are inextricably involved with Buddhas and Bodhisattvas. GENERAL YIN CH'IAO XHT The President of the Ministry of Time and The Supreme Ruler of the Year and the Seasons. Also known as T’AI SUI (★A) Background In the spirit world of Chinese folk religion, the Ministry of Time is ruled over by the deified hero, General or Marshal Yin Ch'iao, who bears the title T'ai Sui. He is a stellar deity particularly connected with the planet Jupiter, worshipped China-wide, and is said to be one of the fiercest gods in the pantheon who has to be placated if one is moving, building or when the ground is disturbed. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h 172 KEITH STEVENS T'ai sui is worshipped to avert calamities and appears on altars individually; although in Cantonese, Shanghainese and possibly in other areas, he is usually to be seen in groups of sixty images, often each with the dates for which they are responsible marked on their base or above their heads. In some areas of China he is said to be also a Member of the Ministry of Thunder, which is the premier Celestial Ministry in the spirit world. No Cantonese devotee of T'ai Sui with whom this has been discussed appears to have heard of Yin Ch'iao; whereas Fukienese and Chinese of the Yangtse will know him as Marshal Yin rather than T'ai Sui. In some eastern and south-eastern parts of China T'ai Sui was referred to as the God of Spring. T'ai Sui was listed in Ch'ing Dynasty regulations in the seventeenth century A.D. to receive official worship as a second-rank deity. The words T'ai Sui mean the "Great Year", the Jupiter Year, the twelve-year sidereal period which the planet takes to travel around the sun. This figure of 12 is extended to include the 12 hours (each of 120 minutes) of the Chinese day, the twelve months of the year, and the 12 constellations of the zodiac which are believed in North China to be all ruled over by this key star, Jupiter. Confusing though it may seem, the actual Ministry of Time is itself called T'ai Sui. Depending upon which part of China you are in, it consists of either sixty or one hundred and twenty officials who rule the hours, days and months. The Story of Yin Ch'iao General Yin Ch'iao was the eldest son of the evil King Chou of Shang. He is depicted in the Deification of the Gods as both a good human and an evil, very ugly deity with a face as blue as indigo, and with long protruding fangs. He is also referred to in another famous novel of the same era, the Hsi Yu Chi (The Travels to the West) as blue-faced with ugly protruding teeth. T'ai Sui, according to the Feng Shen Yen I (The Deification of the Gods) was 1 In order to calculate a person's horoscope by the traditional Chinese method, the two characters for the hour, day, month and year on which he was born and which govern his fate forever, are required. These four pairs of eight characters comprise one from each of two sets: one set of 12 called Branches, the other of 10 called Stems. These combinations of characters produce a cycle of 60, the cycle of Cathay, which are 120 binomial terms. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h THREE CHINESE DEITIES 173 born a lump of formless flesh which so horrified his father, King Chou, that he ordered it to be abandoned outside the city walls. The lump was recognised as an Immortal, the caul split open and the child removed. He was cared for by a hermit and brought up and nursed by one of the eight Immortals, Ho Hsien Ku († plikt). When he came of age, Ho revealed to him his identity and that his mother, as punishment for bearing such a "monster", had been thrown from a high window. Yin then determined to destroy the Imperial concubine who was the Royal favourite and by her calumnies had caused both the death of his mother and his ejection from the city. Yin was presented with two magic weapons by the Goddess T'ien Fei (Ait), a gold club and battleaxe. After the big battle between the forces of Shang and Chou, Yin destroyed the Imperial concubine and was rewarded by the Jade Emperor for his bravery and for his filial piety with the titles of T'ai Sui and Marshal Yin (†). Yin Ch'iao means "Yin (who was deserted in) the suburbs". His child's name, so Doré records, whilst living with Ho Hsien Ku was Chin No Cha (4). This adds further confusion to the legends surrounding No Cha, another deity and one who appears with great frequency in Chinese legends and fairy tales. Another of the legends in The Deification of the Gods tells of Yin Ch'iao first on the side of his father, the wicked King Chou, and then later, switching sides, and fighting with the good King Wu. Yin Ch'iao was decapitated by a general during the battle after being enclosed by the Buddha Jan Teng () between two mountains leaving only his head protruding. He was deified by Chiang Tze Ya (†††), as described in the 99th chapter of The Deification of the Gods during the general elevation of the gods and also given the presidency of the Ministry of Time. In another novel of the same era as the Deification, the Sou Shen Chi (†††2) the Jade Emperor (11) conferred on Yin the title of T'ai Sui, Marshal Yin (★★K) for his services in combating evil. Yet another story describes a jealous rival of Yin Ch'iao's mother who, as a concubine to the King, caused him to order the execution of Yin Ch'iao, his son, for plotting treason. He was saved by the magic of Ch'ih Tsing Tze (T). 2 Record of Research into the Gods (part of the T'ao Tsang). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h 174 KEITH STEVENS A legend in another book, the Shen I Ching (*) says that Chin Ch'ong (†) the son of Pan Ku the Creator of the World, who lived in the mountains of Shantung province, was canonised T'ai Sui for his many good deeds and was made responsible to Heaven for supervising the activities of all spirits (shen‡) and demons (kuei§). Few present-day Chinese with whom I have spoken appear to know of this story. T'ai sui was first worshipped during the Sung Dynasty in the eleventh century A.D. and was first offered official sacrifices during the Yuan (Mongol) Dynasty. Only after The Deification of the Gods popularised the idea was T'ai Sui identified with Yin Ch'iao. Reason for the worship of Yin Ch'iao Yin Ch'iao, or T'ai Sui as he will be referred to from now on, is a stellar deity who in many parts of China is believed to have flood, famine and all good and bad fortune under his jurisdiction. He is worshipped by the general populace to avert calamities, and has to be placated before any enterprise or journey is embarked upon. He was also worshipped by the imperial officials at the beginning of Spring. He is known to control the dates and times of births and deaths, and each one of his sixty images often displayed in rows in temples is dedicated to one specific year in the sixty year cycle of Chinese dating. Chinese place their offerings on the altar before the T'ai Sui bearing the cyclic year date of their birth. Father Doré in his Recherches sur les Superstitions en Chine calls him the "Patron of the Harvests". T'ai Sui is the great Father Time who, presiding over the year, is the arbiter of the destiny of all men. He is very much feared as he destroys those whom he dislikes and those who offend him. He is said to strike when least expected and can injure and destroy the highest and the lowest, at home or on the high roads, but is believed never to injure anyone in the vicinity of his, T'ai Sui's, own person. Therefore it is essential to know where he is at any given moment, and if he is nearby but not immediately present, he is at his most dangerous and precautions against his evil influence must be taken at once. This is done by hanging the appropriate talisman or stellar charm near the front door or facing the entrance. To find where T'ai sui will be during the forthcoming year he is believed to move annually—a device similar to a compass is used by a fêng shui Page 180 Page 181 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h THREE CHINESE DEITIES 175 expert, a geomancer. In general everyday use, prognostications are looked up in the farmer's almanac which is still published annually in Hong Kong and Taiwan and sold widely. In former days the source of information on this subject contained in the farmers' almanac, was the Imperial Calendar, the Hwang Li (). This, until the end of the Empire in 1911, gave the details of T'ai Sui's position every year. Nowadays the birth hour and date of an individual is matched to the movements of T'ai Sui given in the farmers' almanac, thereby obtaining the auspicious and unauspicious dates for most social functions, such as weddings, travel, initiating business, starting building, launching a ship or burying the dead. As can be seen T'ai Sui is important in the life of individuals: but, despite this importance, T'ai Sui is worshipped on as few occasions as possible. Persons fear approaching him too frequently as he is so alarmingly unpredictable and, being so awe-inspiring, he is given a very wide berth. Very rarely indeed, will you see devotees worshipping before his altars in comparison with other altars in the folk religion temples. In the Yangtze Valley, and elsewhere in central and southern China, at the start of Spring, a clay bull and an image of T'ai Sui were carried on a float through the city with the civic officials bringing up the rear. The bull was constructed in a special pattern consisting of sixty separate parts. Hodous3 in 1929 tells of this image of the spring bull, a clay and coloured paper bull, being carried through the streets of Foochow together with T'ai Sui, the tutelary god of the current year. When the procession arrived at the Yamen the district officials formed a circle about the bull and each one struck it with a vari-coloured stick three times, breaking off pieces of clay. The bits of clay and other parts of the bull were picked up by the crowd and thrown to their pigs to stimulate their growth. Hodous also continued that "the position of T'ai Sui behind or in front of the bull tells the farmer whether to begin planting late or early; and upon the position of the tail, or the opening of the mouth of the bull depends the Yin and Yang principles of the year. The tutelary god of spring and of the year is Kou Mang () who holds a whip in his hand. The age of the image, the colour of his clothing and his belt and the position of his coiffure, the holding of his hand over his right or left ear, is determined by the 3 Hodous, L., Folkways in China, Probsthain's Oriental Series Vol. XVIII (1929). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h 176 KEITH STEVENS cyclical characters of the year." Hodous appears either to be confusing T'ai Sui and Kou Mang, or to be giving T'ai Sui yet another alias. In T'aip'ing in Malaya two images of mud bulls are to be seen standing on a pile of paper hell money on the altar beside T'ai Sui. The reason for their inclusion on the altar was not known by the temple keeper nor by the devotees who said that they had always been in that position as far back as anyone could recall. (See Plate 15). The Rev. Wm Milne4 in Ningpo in the mid 1840s noted "the festival of the Beating in of Spring" when on the first day of spring the Chief Magistrate of the city beat the "god of spring", a multi-coloured paper ox, which was then torn to pieces by the crowd, for luck. Milne claimed to have seen this same ceremony elsewhere in Central China, and said that in some districts the bull is made of mud. “The colouring varies as laid down in the Peking annual book of ceremonies. The variations in colours such as red horns, black tail and feet, white body, blue head and neck are regarded as prognosticating the portents of the coming year. The amount of black signifies sickness, blue winds, white rain and floods, red fire and yellow the fruits of the earth. There are also a number of smaller mud oxen mainly sold for household good fortune.” The Rev. Milne also reported that “the "god of spring" was seen in the shape of a youthful human image, the son of an early Emperor. He too is attired in a fashion prophetic of the fortune of the coming year: bareheaded predicted cold weather, and white robe augurs a dry year etc." This youthful image is almost certainly T'ai Sui. In all temples where he was observed in the "scroll or bell-holding" two-armed version, his image was seen very frequently to be balanced on wads, sometimes very high wads, of hell money. This is the paper money purchased from temple keepers to be burnt by devotees for the use of deceased members of the family in the Underworld. This custom is usually only to be seen in temples under wealth gods, but in the case of T'ai Sui, the wads are offerings to T'ai Sui for protection and not for transmission by burning to deceased relatives. Shyrock in his Temples of Anking says hell money is burnt for use by ancestors and is never presented to Gods. It would appear to be otherwise in Central and South China. 4 Milne, W. C., Life in China (London, Routledge, 1857). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h THREE CHINESE DEITIES 177 In Chinese communities in Malaya and Cambodia, T'ai Sui is prayed to for rain, good crops, fine weather and for all the usual hopes of farmers. Also in South East Asia he is presented with offerings 30 days after the safe birth of a child, to ensure that its full life span had been pre-ordained. Alternative names and titles a. Yin Yuan Shuai (陰元帥) Generalissimo Yin b. Yin Tien Chün (陰天君) Heavenly Master Yin c. d. Yin Ing No (characters unknown) (Ch'ao Chow speakers) T'ai Sui Ye (太歲爺) e. Tai Sui Ti Chün (太歲帝君) Emperor Tai Sui す。 Ta Sheng (大聖) The “Great Life,” a nickname in Malacca. g. Chin Ting Nu (真定奴) His name whilst living with the h. hermits Marshal Yin T'ai Sui (陰太歲) One of the 36 escorting heavenly masters.* Feast Days The only identifiable feast date was one given on four separate occasions, three in present day Malaya and one in Shanghai in 1871, the nineteenth of the seventh lunar month. He was officially sacrificed to on the twenty-eighth day of the twelfth lunar month in the Temple of Heaven in Peking. Descriptions of characteristics of T'ai Sui and Yin Ch'iao There are eight basic forms of this deity: a. as a shaven headed youth with a tonsure, in Buddhist monk's robes and sandals, holding either: b. (1) a scroll or split-bamboo plaque in both hands (2) a bell in his right hand (3) his empty right hand above his head, as though holding a raised sword. (4) seated with his hands on his knees as an elderly man in Mandarin's robes: (1) seated with both hands on his knees or (2) holding a bell in his right hand 5 Doré, Father Henri, Recherches sur les superstitions en Chine, (Shanghai 1914-1929, 15 vols.) 6 Grootaers, W. A. Chahar, Peking, Catholic University, Monumenta Serica, 1948). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h THREE CHINESE DEITIES 179 In c. above, he is two different beings, his benevolent form is as a man with two eyes, “ear pressing" tufts of hair, three pairs of arms, and hair standing erect on the back of his head. In his malevolent form he is depicted as a man with a leopard's head, three eyes, a lion's nose, a tiger's mouth, a bear's tongue, a boar's tusks, and three pairs of arms. Again, above his ears are "ear pressing" tufts of hair, and on top of his otherwise bald head is a headdress called a k'ui ying. In the two and a half thousand or so temples visited in South East Asia, Hong Kong, Macao, and Taiwan, the basic forms listed above can be grouped into general categories. T'ai Sui/Yin Ch'iao were seen in 48 temples; among which 11 were Fukienese, 28 Cantonese, 2 Hakka, 2 Ch'ao Chow and two inter-community Buddhist temples. Of these, 18 were in Singapore, 15 in Malaya, 9 in Hong Kong, 3 in Macao, 1 in Cambodia and 2 in Taiwan. The 'youths with a scroll' are mainly Cantonese, as are the majority of the 'youths holding a bell.' The ‘elderly man with a bell' was seen in two Hakka temples and one Cantonese community temple. The images of the 'fierce general' was seen only in Fukienese community temples and a few images of 'youths with bells or scrolls' were seen in Fukienese temples. The groups of sixty images have been seen in Shanghai, Hong Kong and Macao, and in Fukien by Hodous. In Singapore and Kuala Lumpur large but odd numbers of T'ai Sui, including a mix-ture of them with scrolls or bells, were seen in two Cantonese community temples. These images have not been seen in any Hainanese temples. Only in Cantonese and Hakka temples were these images observed standing on wads of hell money. The four charms carried by T'ai Sui, according to a Fukienese god carver, are: a. a seal of office, which, if shaken, causes the heavens to quake. b. two swords, one male and one female, which are able to destroy demons and wrong-doers. c. a bell, called Jung Kuei Ch'ung (*) which causes one to lose the way when rung. This bell causes demons to forget their tasks and to wander aimlessly. It is also a magic teller of time. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h 180 KEITH STEVENS If the image of T'ai Sui wears shoes, claimed a Fukienese temple keeper, a drought is presaged, and if without, floods are expected; but if one foot is shod and the other is bare, then balanced weather will be the lot of the region. Images of T'ai Sui with one bare foot have been seen in temples in Hong Kong, Singapore and Bangkok. Variations from the basic characteristics The youth holding a scroll or plaque of split bamboo is depicted seated, except in a very few sightings where he stands. In the sixty-year cycle of Chinese deities, each year is ruled by a particular image of that year, who is called the “T'ai Sui of the present year" and the scroll has one of the following inscriptions on it: Tang Nien T'ai Sui (††★★). Liu Nien T'ai Sui (*) Chih Nien T'ai Sui (††✯✯) or Chia Nien T'ai Sui (P‡★A) Yin Ch'iao as a fierce general often has three eyes and six arms, wears armour, and a Taoist crown on a bald head, and has fierce, almost vertical, eyebrows. He holds in five of his hands two discs, one with the character for the sun and the other with the character for the moon, a large ring, a fly whisk, whilst his sixth hand rests on his left knee. In Foochow, in the temple of the City Guardian, one of the side altars was devoted to T'ai Sui. His image was dressed in yellow garments, he had a black beard and a necklace of skulls about his hand. The skull necklace, according to Hodous, is a symbol of his authority over the lives of men. Beside him on his left is a trio of small images a foot high representing the present year, last year and next year. Also on either side of him, are the twelve images representing the twelve months or branches and pictures of the twenty-four seasons. In only two sightings, one in Penang and one in Singapore, had he a blue face, fierce fangs, was standing, dressed in armour, and carried a mace in each of his hands. One of these images of T'ai Sui, labelled the Great Year of the Moon (A) was one of the twenty-four Celestial Generals (A) who range down each side of some temples. (Plate 17) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h THREE CHINESE DEITIES 181 He has also been seen as a typical standing image of a civil mandarin, when the only method of identifying him was by the title painted on his stand or pedestal. In Kalgan, as will be described below, he is depicted naked with claws, beak and wings. In some temples, the images of deities known not to be T'ai Sui or Ying Ch'iao, are called T'ai Sui by the temple keepers, and are prayed to as T'ai Sui. Some of these misidentifications are even to be seen perched on wads of hell money. The best example of this are the distinctive images of the boat people of the Pearl River and Southern Kwangtung province which are to be seen in Singapore and Ipoh, labelled as T'ai Sui, and standing on hell-money. One of these seen in Hong Kong is an image of the Pearl River boat people, normally called the Dragon and Tiger General (*). This is an image of a young man with his right arm raised holding a sword, and his left arm hanging by his side. He wears a robe of green with an animal's face as a stomacher, and with a dragon under his left foot and a tiger under his right. On one instance only, as is to be seen in the photograph, he is to be seen labelled the "Tai Sui who flew back" () and is standing on a pile of hell-money. (Plate 18) Father Doré says that images of T'ai Sui in the Yangtse Valley have six arms, are bald with ear tufts, and three eyes; they wear Taoist crowns and hold in their six hands two swords, a ball and flames, a spear, and a branch of a tree. There are thirty-six deities painted as murals on the walls of one Singapore temple, most of whom are Heavenly Masters (A B). Amongst them is Yin Ch'iao, standing, dressed in armour, but with a bare chest and with six arms holding the usual items. Marshal Yin Ch'iao appears, therefore, to be one of the 24 Heavenly Generals and also one of the 36 Heavenly Masters. In several works he is given 10 assistants, the last four being the gods of the year, the month, the day and the hour. Their names are given as follows: Li Ping (李丙) Hwang Ch'eng-i (黃承乙) Chou Teng (周登) and Liu Hung (劉洪) All were said to have been slain at the famous battle between good and ... described in The Deification of the Gods, at Wan Hsien Chen (萬仙陣). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h 182 Co-location of deities KEITH STEVENS In Fukienese temples in Singapore and Malaya, the T'ai Sui images are often seen with Hsuan Tien Ta Ti (***) or with the Goddess of Mercy (##). In Cantonese and Amoy temples there, the T'ai Sui images are occasionally to be seen with the medical deities Lu Tung Pin (†) or Hua To ($) and in one temple with T'ai Shang Lao Chün (LB). In another Fukienese temple in Singapore a triad occupying the centre altar was said by the temple keeper to be three of the Nine Emperors (g). Two were positively identified, one as the second brother of the main deity Chiu Hwang ( ). He is black skinned, bare footed, with one foot on a fire wheel, has protruding eyes, black beard, and his hair is wound into a top knot. His two arms are at his side, otherwise he is very similar to Fa Chu Kung (✯✯2). The second identified image is on the right of the main deity, and he is, without doubt, Wang Tien Kung (1A). The third unidentified image on the left of the main deity could easily be T'ai Sui. He is black faced and bearded, a standing general in armour, holding a bell in his left hand and a sword in his right; he has three eyes, ear tufts of hair, and wears a Taoist crown. In one Fukienese temple in Taipei, Yin Ch'iao was seen together with Ch'ü Kung Chen Jen (AA). (Plate 19) In North China in Kalgan his second brother Yin Hung ( *) is a special deity said to save people from the "fifteen bad deaths". He sits on the opposite side of the central deity, the Jade Emperor (11), from Yin Ch'iao. Both brothers are naked and, surprisingly, have claws, beaks and wings. Grootaers10 says that Yin Ch'iao is never to be seen except as an attendant to the Jade Emperor. It would appear that either the local god maker in Kalgan did not know the identification features of Yin Ch'iao and has confused him with the Thunder God; or that there is a local legend which we do not know about; or thirdly that Grootaers misidentified the two attendants of the Jade Emperor. C. B. Day bought a hand-painted scroll in Hangchow, depicting five Buddhist figures and six Taoist ones. This pantheon chart included T'ai Sui Ti Chün ( *#*#) together with the San Kuan 10 W. A. Grootaers, Rural Temples around Hsüan Hua (Folklore Studies vol. 10). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h THREE CHINESE DEITIES 183 (E), Pei Chi Sheng Ti (1), the Pen Ming Hsing Chün ($*£*) who is the local earth god, and the provincial city god. All five are connected with the fate of mankind. In a Ch'ao Chow temple in Johore Bahru, Tai Sui a youth with a scroll (***) is on the altar of Hung Chün Lao Tsu (#$ *). (Plate 20) Father Doré says that in one temple outside the South Gate of Jukao, in the Yangtze Valley, Yin Ch'iao (F) is to be seen on the right as you face him, with Marshal Ma () on the left. Both have six arms, stand on clouds, and hold swords, amulets, gourds, bells and banners in their hands. Ma has three eyes and wears a hat, whilst Yin is bare from the waist upward and has his hair in a large upswept tuft on the top of his head. Yin is worshipped here as a member of the Ministry of Thunder. Other interesting sightings. In Lavender Street in Singapore a Cantonese temple has sixty-two T'ai Sui images. About half the images hold scrolls and are, according to the temple keeper, the administrators of the fortune; whereas the others with silken slippers, fans, bells, etc. are those who actually provide the fortune. One image of a young man, standing with one slipper on and one bare foot, is to be seen in Bukit Purmei temple in Singapore. He is prayed to for rain, and for good crops. (Plate 21)* Carver's drawings of Yin Ch'iao A Fukienese god carver prepared, on request, drawings of many deities. From memory he drew: a. An image of T'ai Sui, seated, robed like a monk, wearing sandals, a band around his hair, and holding an open scroll with Tang Nien T'ai Sui (****). b. Yin Ch'iao's father, seated astride a large, long-beaked bird, holding a fly whisk in his right hand and a seal in his left hand. He is bearded, with a Taoist top knot and crown. His robes are covered in the Yin and Yang circle pattern. c. Yin Hung(); a standing young man with a spear in his left hand, and a mirror raised in his right, which is flashing beams towards his enemies. * Plates 22-24 also relate to representations of T'ai Sui. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h 184 d. KEITH STEVENS An image in the form of Yin Ch'iao; with six arms, a blue face covered in spots like warts; two fangs, two banners, a bell, two swords and one arrow. Possible Misidentifications The images of Yin Ch'iao/T'ai Sui can be confused with several deities who have similar characteristics. These are: a. One version of the Fukienese god of actors, Tien T’o Yuan Shuai (*), is a standing general with a sword in his right hand and a hand bell in his left. He has or should have, however, a pink face, and his usual identifying characteristic, a crab painted over his mouth or his forehead. b. In a Singapore Foochow clan temple of the Hsu (✯) family there is a seated general in armour, with a blue face and fangs, called Liu Chin Sheng Ho (Hr). He holds an axe in each hand and is prayed to for the good health of the clan and for the rapid recovery of the sick. c. Pu Tu Kung (#2) who releases souls from the Under-world during the seventh lunar month, is often shown as blue-faced and with two fang-like teeth showing. Normally, however, he does not carry anything in his two hands. d. One of the two attendants of Fa Chu Kung (✯È2) is a general with a sword raised in his left hand and a handbell held in his right. He wears a tiger's head hat and is called Hu Ye (A). He has a pink face and a black beard. An image of the Golden Youth (✯✯), one of the assistants to Kuan Yin, could be mistaken under certain conditions with the manifestations of T'ai Sui as a seated youth with the scroll. The Golden Youth has a similar seated pose, the same style head and hair but normally holds a fly whisk in the right hand. If this is lost the image looks at first glance like a T'ai Sui without a scroll. The Indian Buddhist deity of death, Mara, could understandably be mistaken for T'ai Sui, Mara (A) in his Chinese form normally has a greenish hue, has a frightful face with two tusk-like teeth, holds a bell in his right hand, but has bare feet, is bare to the waist and wears a fur skirt. He is usually accompanied by two demon attendants, one black and one white, who are the Yamen runners, the Wu Ch'ang Kuei (❀❀Ą), who collect the souls of ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h Plate 15. An altar in a Fukienese temple in Taiping, Malaya dedicated to Chu Sheng Niang Niang. On the piles of paper "hell money" are perched two images of T'ai Sui, and two "spring" bulls in mud. Plate 16. An array of T'ai Sui images in a Hong Kong temple, 1968. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h Plate 19. In Taipei in a Fukienese temple General Yin Ch'iao with six arms together with two images of Ch'u Kung Chen Jen, 1970. Plate 20. T'ai Sui holding a scroll on the altar of Hung Chun Lao Tsu in Johore Bahru. The second daughter of the Jade Superior is the large deity. In a Ch'ao Chou temple, 1969, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h Plate 21, T'ai Sui in Singapore on a Fukienese altar with one shoe on and one bare foot. Plate 22. T'ai Sui Ye in Ngau Chi Wan, Hong Kong, holding a bell, 1970. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h Plate 23. In a Hakka temple in Chemor in North Malaya, Tai Sui holding a bell on an altar together with one of the Lohan, the Chinese Lohan who subdues dragons, and with Chi Kung, the monk, Plate 24. Images of T'ai Sui amidst others of Kuan Yin. Milafu. Monkey and an unidentified male deity in a Cantonese temple in Singapore, 1967. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 70 CHIU LING-YEONG 7 Hsiang Ta, p. 35; Schafer, p. 20. 8 See Ssu-Ma Kuang *, Tzu-chih t'ung-chien | (TCTC; Peking, 1956), chuan 225, pp. 7228-7237. 9 Chang-Sun Wu-chi £**& and others eds., T’ang-lu shu-i |*| chuan 6; Ch'en Yü-ching, pp. 56-58. 10 E. Renaudot, Ancient Accounts of India and China by Two Moham-medan Travellers (London, 1733), p. 13. 11 Paul Wheatley, 'Geographical Notes on some Commodities involved in Sung maritime Trade', Journal of the Malayan Branch of the Royal Asiatic Society, Vol. 32, part II, 186:28-29 (Singapore, 1961). 12 Chiu Ling-yeong, pp. 504-508; Tao Hsi-sheng, 'Tang-tai ch'u-li fan-shang chi fan-k'o i-ch'an ti fa-ling' ^££# # X ¶¤£***÷. Shih-huo * 4:9:14-15 (Shanghai, 1936). 13 Ou-Yang Hsiu « and others, eds., Hsin T'ang-shu *M† (HTS; 1060 edited), chuan 163; Chiu Ling-yeong, p. 507. 14 N. I. Konrad, 'The Source of Chinese Humanism' (GALEKH Ht), Journal of the Soviet Oriental Studies 3:72-94 (Moscow, 1957). 15 Ch'en Yü-ching, pp. 74-77. 1 16 Ibn Khordadbeh, 'le livre des routes et des provinces', et annote par M. Barbier de Meynard, Journal Asiatique, serie VI, tome V. In this geo-graphical treatise, Ibn Khordadbeh gave a very vivid description of these trading ports: Khanfou, Kantou, Lonkin and Djanfon. Kuwabara was of the opinion that these four place-names are present Kuang-chou ★ ★. Yang-chou ##, Chiao-chou ★ and Ch'üan-chou ##. Cf. Kuwabara J.. 'T'ang-Sung mao-i-ching yen-chiu' ♫ ET &A”, Chinese translation by Yang Lien ## (Shanghai, 1935), pp. 64-154. Of these four place-names, Khanfou in the Khordadbeh's book was identified as Kuang-chou by Paul Pelliot and many other schools. Cf. M. Paul Pelliot, "Deux itineraires de Chine en Inde, a la fin du VIII siecle', Bulletin de l'ecole francaise d'extreme Orient (Hanoi, 1904), p. 205, Place-names in T'ang period and with 'fu' is very common. Kuang-chou was called Kuang-fu . There were also Yang-fu, I-fu # and Chiao-fu X Cf. Li Fang # and others, eds., T'ai-p'ing kuang-chi ★★ (edited A.D. 978) chuan 437; Ts'en Chung-min |, Chung-wai shih-ti kao-cheng *** (Hong Kong, 1966), I, 295-296; Ch'en Yü-ching, pp. 13-18. 17 HTS, chuan 144. 18 Liu Hsü $ and others, eds, Chiu T'ang-shu (CTS, A.D. 945 edited), chuan 198. 19 Chang Hsing-lang, Chung-hsi chiao-t'ung shih-liao hui-pien **££Ħ (Peking, 1933), 3, 132; Ch'en Yü-ching, p. 15; Maejima, S., 'Evaluation des sources arabes concernant la revolte de Huang Chao *‡, a la fin des Tang', International Symposium on History of Eastern and Western Cultural Contacts, Tokyo-Kyoto (1957), pp. 85-90. According to HTS, chuan 43, part I, it says the whole population in Canton at that time was not more than two hundred twenty-one thousand and five hundred. Huang Chao, in this case, could not have killed one hundred twenty thousand to two hundred thousand as the Arabs reported. To this point, see Ts'en Chung-min *, Sui-T’ang shih t★ ★ (Peking, 1957), pp. 503-504, n. 46. 20 Ho ch'iao-yüan †, Man-shu ⚡, chapter 7. 21 Hsiang Da, pp. 48-50. TCTC, chuan 218, p. 6972. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r PERSIANS, ARABS IN T'ANG CHINA 71 23 Ch'en Yu-ching, p. 19; Wang Gungwu1, 'The Nanhai Trade', Journal of the Malayan Branch Royal Asiatic Society, vol. 31, part 2, chapter 7, "The Middlemen and the Spices 618-960 (II), (Kuala Lumpur, 1958). 24 CTS, chüan 89; HTS, chüan 116. 25 TCTC, chüan 203; Wang Gungwu, pp. 75-76. The passage from TCTC follows Wang Gungwu's translation. 26 CTS, chüan 89; HTS, chüan 116. 27 Tung Hao and others, eds., Ch'üan-Tang wen♬ X (A.D. 1814 edition), chüan 291. 28 Hsiang Ta, pp. 38-39. 29 Ibid., Schafer, p. 21. 30 Wang Ch'i±1 ed., Li T'ai-po wen-chi4★ø̇ (A.D. 1758 edited), chüan 3, 'Ch'ien yu tsun-chiu hsing'☀☀f The Chinese version is as follows: 嬰獒龍門之綠桐，玉壺美酒清若空口 催舷梯往與君飲，看朱成碧顏始缸口 胡姬貌如花，當爐笑春風，笑春風， 笑春風，舞羅衣，君今不醉將安歸。 The translation here follows Schafer's. 31 Hsiang Ta, pp. 41-47. 32 Yüan-shih chang-ch'ing chiZAŁA (1929 edition), chüan 24, p. 5, 'Fa Chu'. After Schafer's translation. Schafer, p. 28. 33 Liu Mau-tsaiA†, 'Kulturelle Beziehungen zwischen den Ost Türken (Tu-Küe) und China', Central Asiatic Journal 3:3:199 (The Hague and Wiesbaden, 1957-58). The dictionary is 'T'u-chüeh yü'*A* See Schafer, p. 285, n. 175. 34 Cf. S. W. Bushell, Chinese Art, Victoria and Albert Museum Handbook (London, 1906), chapter 12; Osvald Siren, Chinese Painting (London, 1956) I, 71; Arnold Silock, Introduction to Chinese Art and History (Oxford, 1948), p. 181; Arthur Waley, An Introduction to the Study of Chinese Painting (London, 1923), p. 108; Jitsuzo Kuwabara, 'Zui-To-jidai ni Shina ni raiju shita seikijin ni tsuite'隋唐時代に支那に来往した番域人に就いて Naito Hakase Kanreki shukuga shukuga Shinagaku ronsoAKŁET#***$*£ (Tokyo, 1926; *ˆ†±‡ƒ), pp. 643-644; Chuang Shen#, 'Sui-Tang shih-tai Yü-tien tsu-chih chi fu-tzu hua-chia'MAARTA##, Lishih yü-yen yen-chiu-so chi-k'anAt*7*ƒƒ4N (Bulletin of the Institute of History and Philology), Extra Vol. 4, part I, pp. 403-454 (Academic Sinica, Taiwan, 1960). 35 Schafer, p. 36 Chuang Shen, pp. 408-416. 37 Ibid., pp. 440-443. 38 TCTC, chüan 203, p. 6415. For Ch'in Ming-ho and Li Hsün, I am indebted to Professor Lo Hsiang-lin's stimulating article 'Hsi-chu po-ssu chih Li Hsün chi ch'i Hai-yao pen-ts'ao'±Ùƒ±‡HZ‡❀$$‡ Symposium on Chinese Studies Commemorating the Golden Jubilee of the University of Hong Kong, 1911-1961. F. S. Drake, ed., (Hong Kong, 1964) II, 217-240. 39 For Ch'ung ICTH, chüan 95 see Lo Hsiang-lin's article on Li Hsün; also ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r FIVE ART CATALOGUES BY 19TH CENTURY KWANGTUNG ART COLLECTORS CHUANG SHEN* Introduction: Chinese Paintings and the Compilation of Art Catalogues Although wall painting is the most historic form of Chinese painting, few of them survive today. With regard to other types of painting, Ku K'ai-chih's "Admonition of Court Ladies" (Nu-shih-chen t'u), a work executed in the fourth century Chin dynasty, is the earliest in date and exists in the form of a small handscroll. In the sixth century Sui dynasty, there appeared Chan Tzu-chien's "Spring Outing" (Yu-ch'un t'u), which is a large horizontal hanging scroll. During the seventh to ninth centuries T'ang dynasty, screens (both p'ing, unmovable; and chang, movable) were widely used. Viewing these in terms of practicality, no matter whether the format is a horizontal handscroll, or a vertical hanging scroll, or even a folding screen, they are all paintings with a portable form. Due to this portability and their much smaller size in comparison with wall painting, there has appeared ever since the fourth century a large number of art collectors in China. After the T'ang and the Sung dynasties, collecting ancient paintings became very popular; and when their collections grew to be quite sizable, art collectors began to feel a need to compile catalogues. According to documentary materials that are now known to us, the earliest painting catalogue is Pei Hsiao-yuan's "History of Imperial and Private Painting Collections in the Chen Kuan Era" (Chên-kuan kung-ssu hua-shih). This title, apparently dating from early T'ang, indicates that there was no clear-cut distinction between imperial and private collections, both being considered together for cataloguing purposes. However, by the Sung dynasty, we find this is no longer the case. * Mr. Chuang Shen (S. C. Chuang) is BA (Taiwan) and MA (Princeton) and Lecturer in the Chinese Department of the University of Hong Kong. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 94 R. G. IRWIN Ces trois historiens des MING sont particulièrement distingués à la Chine, & personne n'y révoque en doute les faits qu'ils rapportent; c'est sur leur réputation de fidélité & d'exactitude que le Père de Mailla les a adoptés de préférence aux autres. II a encore puisé dans un recueil de discours & instructions de HONG-VOU, fondateur des MING, que Chun-chi des TSING a fait traduire en tartare pour son usage particulier dans le gouvernement de son nouvel empire & pour l'instruction des grands de sa cour. Ce recueil est intitulé, Ming-kou-lou-hong-vou-han-y-oyong-tatsi-yen; c'est-à-dire, Documens importans de l'empereur HONG-VOU, de la dynastie des MING. These authors and their works may well have been renowned at the time of de Mailla, but two centuries later their very identification presents a problem, the results of which are herewith summarized: 1. Ku Ying-t'ai (T. Keng-yü),3 who is credited with the authorship of Ming-ch'ao chi-shih pen-moa by the editors of the Ssu-k'u ch'üan-shu tsung-mu¤$£$#!' was a native of Feng-jun, Pei-Chihli. After taking the chin-shih degree in 1647 he held a secretaryship in the ministry of Revenue, and later in the Chekiang provincial board of education. The history, a work in 80 chüan, each devoted to a separate topic, carries a preface dated 1658.6 On the whole, it is a well-ordered record of the Ming period. Factual errors, which occur, for example, in connection with Chu Yün-wen, who reigned as Emperor Hui (1399-1402), and again with Chang Ma, better known as Empress I-an (consort of Chu Yu-chiao, emperor of the T'ien-ch'i period, 1621-27), are accounted for by the lack of any such standard source as the official history at the time of composition. But the Ssu-k'u editors are of the opinion that the author has handled the available material well. Whether Ku should be given entire credit for its authorship is open to question, however, since it seems to have been based on Shih-kuei ts'ang-shu♬ §#*, for which he is reported to have paid Chang Tai of Shan-yin, Chekiang, some 500 pieces of gold. Fu I-li# » † (fl. 1862-74), in a colophon, discusses the problem at length, concluding that Chang Tai's material passed through the hands of Hsu Ch'ao-li, who re-wrote it. Ku, in turn, re-worked this, and cannot be accused of out and out plagiarism. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 NOTES ON THE SOURCES OF DE MAILLA 99 NOTES 1 Cf. Robert des Rotours, Traité des Examens, traduit de la Nouvelle Histoire de T'ang (Paris, 1932), 82, n. 1. As des Rotours writes, "C'est cet ouvrage qui a été traduit par de Mailla, en partie sur la version mandchoue.” 2 de Mailla, Vol. I, xxvii. 3 Cf. Eminent Chinese of the Ch'ing Period, 1:426. (Hereafter abbreviated as ECCP). 4 This work's original title (1658) was later changed to Ming-shih chi-shih pen-mo, by which it is generally known. Cf. W. Franke, An Introduction to the sources of Ming history (Kuala Lumpur, 1968), 2.2.11. (Hereafter abbreviated as Franke, Introduction.) 5 Edition of 1930, 49/6b. (Hereafter abbreviated as SKCS catalogue.) 6 This paragraph of appraisal is based on the SKCS catalogue, loc. cit. 7 See biography of Chang Tai by Fang Chao-ying in ECCP, I:53. 8 This paragraph on the origin of Ming-ch'ao chi-shih pen-mo is based on Hsieh Kuo-chen, Wan-Ming shih-chi k'ao (Peiping, 1931), 1/26-28. 9 A native of Te-ch'ing, Chekiang, who graduated as chin-shih in 1673. Hsieh Kuo-chen, loc. cit. 10 A native of Chia-shan, Chekiang, who later moved to Hua-t'ing, Nan-Chihli. He flourished in the last years of the Ming and into the K'ang-hsi period. Cf. Hua-t'ing-hsien chih (1878-9 ed.), 15/38a. On his book, see C. O. Hucker's essay on the Tung-lin in J. K. Fairbank (ed.), Chinese Thought and Institutions (Chicago, 1957), 369, n. 12. 11 See Shang-yü-hsien chih (1890), 11/20b. 12 See Nan-yang-fu chih (1807), 4b. 13 Franke, Introduction 1.3.9. (d). 14 idem. 1.3.9, (c). 15 His biography in ECCP, I:64, is also by Fang Chao-ying. 16 A great favorite of the emperor, he was known to the Jesuit missionaries at court as Cham ym. See P. Pelliot's discussion of the Brevis Relatio (1701) on the rites question in T'oung Pao, 23 (1924), 365. 17 L. C. Goodrich, “Korean interference with Chinese historical records," JRAS, No. China br., 68 (1937), 32. 18 L. C. Goodrich, The Literary Inquisition of Ch'ien-lung (Baltimore, 1935), 138, n. 3. 19 Hsieh Kuo-chen, op. cit., 1/20a; J. J. L. Duyvendak, T'oung Pao, 32 (1936), 343. 20 Franke, Introduction, 1.3.8. 21 SKCS catalogue, 193/6b, sub entry on Ming shih kuei. 22 See Walter Fuchs, Beiträge zur Mandjurischen Bibliographie und Literatur (Tokyo, 1936), 124. The T'ai-tsu shih-lu bao-xun is included in the Ming shih-lu fulu, published in Taipei, 1967. 23 de Mailla, op. cit., Vol. XI, 50. Cf. ECCP I: 109, sub Cheng Ch'eng-kung. 24 de Mailla, op. cit., Vol. XI, 52. Page 105 Page 106 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 The Hong Kong Region 113 fu. In the long entry on hills and streams, which covers three chuan (6-8), only one local feature is named: the Pui To or Castle Peak hill. There is another single entry, for Tuen Mun—the old name for the settlement at the foot of Castle Peak—in the chüan (10) dealing with customs and check points. Only one monastery, the Hai-kuang Ssu of Hsin-an city, is included in the chüan (14) dealing with Buddhist and Taoist temples: by comparison, 37 columns are given to those of Kuang-chou, Nan-hai and P’an-yu, and no doubt with good cause. Only when we come to the chüan dealing with residences (13) and tombs and graves (15) does Hsin-an attract a little more attention from the compilers. The entries in chüan 13 and 15 identify those items that most interested scholars attracted to local history and show how Hsin-an has been notable for two widely different topics. It had been one of the areas that had sheltered the last two boy emperors of the Sung in their flight and final struggles against the victorious Mongol invaders of their empire: and it was a coastal district that had forever been plagued by pirates and bandits. These entries are typical items of Chinese historiography and relevant to the scholar official view of Hsin-an. One item, in chuan 13, relates to the temporary stay of the Sung court and army in Kowloon in the winter months of 1278. A watchtower had been constructed as one of the measures taken to deal with the near-starvation conditions that afflicted the fugitive army. The tower was used as a vantage point from which to look over the encampment. Relief visits were made to any dwelling from which no kitchen smoke was seen to rise in the early morning. This is a graphic and unusual way of conveying an impression of impermanence and suffering. The second entry on the Sung is in chüan 15 which deals with noted graves and tombs. It relates to the grave of Lady Chin-fa, also in Kowloon. The brief statement is that the empress Chi-yuan lost her daughter by drowning, and that she ‘filled the body with gold' for burial at Kwun Fu Mountain.2 1KTKKCY 13/5. Two Sung 'travelling courts' are also recorded for the Hsin-an district in this section. See also Lo 1956. 2KTKKCY 15/2. Lo (1963) renders this as 'made a gilt statue', p. 67. The Government of Hong Kong established a Sung Wong Toi memorial park in Kowloon in 1960, and to mark the occasion the Chiu Clansmen's Association published a memorial volume edited by Jen Yu-wen entitled Sung Wang T'ai Chi-nien Chih which usefully brings together many old writings on this subject. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d MERCHANT ORGANISATIONS IN IMPERIAL CHINA 41 5 Ho Ping-ti, "Salient Aspects of China's Heritage," in Ping-ti Ho and Tang Tsou, eds., China in Crisis (Chicago, 1968), I. 1:34-35; Ho Ping-ti, Hui-kuan shih-lun, pp. 33-34, 37-40. 6 See John Fincher's article on provincialism in Mary C. Wright, ed. China in Revolution: The First Phase, 1900-1913 (New Haven, 1968). 7 Ezra F. Vogel and Tamako Yagai, “Japanese Studies of Chinese Guilds," unpublished paper delivered at the Seminar on Problems of Micro-Organs in Chinese Society, 1963; Peter J. Golas, "Early Ch'ing Gilds,” unpublished paper delivered at the Conference on Urban Society in Traditional China, 1968. 8 Ch'üan Han-sheng, Hang-hui chih-tu, pp. 99-101; Peng Chang, “Distribution of Provincial Merchant Groups in China, 1842-1911," (unpublished Ph.D. thesis, University of Washington, Seattle, 1958), pp. 51-55. 9 The others were from (1) Chihli, (2) Shantung, (3) Nanking, (4) Wusih and (5) the Shansi bankers. See A. M. Kotenev, Shanghai: Its Mixed Court and Council (Shanghai, 1925), p. 253 n. 10 Lai Lien-san, Hsiang-kang chih-lüeh (A brief account of Hong Kong) (Hong Kong, 1931), 115-17 11 For a detailed account, see Fang Teng, "Yü Hsia-ch'ing lun," (On Yu Hsia-ch'ing) in Tsa-chih Yüeh-k'an (Monthly miscellany), 12.2:46-51 (Nov. 1943); 12.3:62-67 (Dec. 1943); 12.4:59-64 (Jan. 1944). 12 P'eng Tse-i, "Shih-chiu shih-chi hou-ch'i Chung-kuo ch'eng-shih shou-kung-yeh shang-yeh hsing-hui ti chung-chien ho tso-yung" (The revival and function of urban handicraft and commercial organizations in late nineteenth century China), Li-shih yen-chiu (Historical studies) 1:71-102 (1965). 13 T'ung-chih Shang-hai hsien-chih (Gazetteer of the Shanghai County for the T'ung-chih reign), ed. Yü Yueh (n.p., 1871), 2:21-28. 14 Ibid. 15 Nan-hai hsien-chih (Gazetteer of the Nan-hai County), eds. Chang Feng-chieh, et al. (n.p., 1910), 6:106-13. 16 Sixtieth Anniversary of the Tungwah Hospital: A Commemorative Issue (Hong Kong, 1930). 17 They were Ai-yü, Kuang-chi, Kuang-jen, Ch'ung-cheng, Shu-shan, Ming-shan, Hui-hsing, Fang-pien, Jun-shen. 18 "Reports of the Special Committee appointed by H.E. Sir William Robinson, KCMG, to investigate and report on certain points connected with the Bills for the Incorporation of the Po Leung Kuk, a Society for the Protection of Women and Girls" (Hong Kong, 1893). 19 E.g. see Hsiang-shan hsien-chih hsü-pien (A continuation of the Gazetteer of the Hsiang-shan County), ed. Li Shih-ch'in (n.p., 1923), 4:18a-20b, in which it is stated that a number were founded during the Kuang-hsü reign (1875-1908). 20 Song Ong Siong. One Hundred Years' History of the Chinese in Singapore (Singapore, 1967), pp. 277, 309, 424, 432; George W. Skinner, Leadership and Power in the Chinese Community of Thailand (Ithaca, 1958), pp. 2-13. 21 Nan-hai hsien-chih, 6:10b. 22 Shang-hai hsien hsü-chih (A continuation of the Gazetteer of the Shanghai County), ed. Yao Wen-nan (Shanghai, 1918), 2:38a. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d BOOK REVIEWS 341 16 This mountain is clearly marked in the map (pl. CXIV of Vol. II) of the book review. In addition, according to Chun kuo ku-chin ti-ming ta tzu-tien "Dictionary of Ancient and Present Place Names in China", edited by Tsang Li-ho and others (1933, 2nd edition, Shanghai), p. 135, Mt. Tien-chu is at the northwest of Chien-shan in the present western An-hui Province. 17 In Tung Shih-heng's Li-tai chiang-yu hsing-shih i-lan-t'u (1914, Shanghai), Map 3 (Chan-kuo ch'i-hsung-t'u A Map of the Seven Strong States during the Warring States period); again in Watari Yanai's Toyo Tokushi Chizu (1934, 3rd edition, Tokyo), Map 3; also in Albert Herrmann's A Historical Atlas of China (1966, 2nd edition, Chicago), Map 8 (The Contending States), the Huai River area is always marked as part of the territory of the State of Ch'u. 18 This is to be seen in Fujiwara Sosui's Chokuoku shoho rokutai dai-jiten, Dictionary about Six Different scripts of Chinese calligraphy, (1960, Tokyo), pp. 615-616. 19 See Chin Shu, History of the Chin Dynasty (1974, Peking punctuated edition), Chüan 40, (in Book V), p. 1366. 20 Ibid., p. 1359. 21 For the latest findings of scholars of this small circle, see Ho Ch'i-min: "Chu-lin ch'i-hsien yen-chiu" "A study of the Seven Talents of the Bamboo Grove", 1966, Taiwan. 22 Po-hsüeh hung-tz'u. This examination, initiated in 731, the 19th year of the K'ai-yüan era during Emperor Hsüan-tsung's reign in the Tang Dynasty was during the Ch'ing Dynasty confined to some limited candidates primarily recommended by the Education Department in each province. 23 For sound scholarship on the economic importance of Yang-chou during the Ch'ing Dynasty, see Prof. Ho Ping-ti: "The Salt Merchants of Yang-chou: A Study of commercial capitalism in Eighteenth century China", in the Harvard Journal of Asiatic Studies (1954, Cambridge), Vol. 17, pp. 130-168. 24 Tsang Li-ho and others, op. cit., p. 923. 25 The edition that the reviewer used is the Yüeh-ya-t'ang ts'ung-shu edition, first wood-blocked in Canton in 1850. 26 The Chinese title reads: "44415447". 焦山看月分得辇字 27 In Chiao-shan chi it is to be found in p. 1b-p. 2a, while in Fan-hsieh shan-fang chi, (1937, Shanghai), hsü-chi (a supplementary collection), chüan 7, pp. 359-360 (In the Kuo-hsüeh chi-pen ts'ung-shu edition). 28 The Chinese title reads: "9493A7”. 同作分得月字“ 29 In Chiao-shan chi it is to be found in p. 9a-9b, while in Fan-hsieh shan-fang chi it is in hsü-chi, chüan 7, p. 360. 30 In Ma Yueh-kuan's own Sha-ho i-lao hsiao-kao (also the Yüeh-ya-t'ang ts'ung-shu edition), it is to be found in chüan III, p. 17a-17b. 31 The Chinese title reads: "宿佛日淨慈". It is to be found in Fan-hsieh shan-fang chi, chüan 7, p. 134. 倪龍瘢痕 32 The Chinese title reads: “晚起 撖上人導行黃萬峯下 倪龍瘢泉 尋龍”. It is in Fan-hsieh shan-fang chi, chüan 7, p. 134. 33 The Chinese title of this poem reads: "...". It is to be found in Fan-hsieh shan-fang chi, chüan 7, p. 135. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q "PATTERNED BANDS" IN THE N.T. OF HONG KONG 89 tinued to wear the style of dress and patterned bands of their own native areas. More broadly speaking, these aspects of women's dress and adornment serve as an assertion of Hakka identity. It is primarily Hakka women in the New Territories who wear patterned bands, the black-fringed hat, and small ornamental aprons. They also use distinctive forms of jewellery. There may be some use of these forms by other groups and individuals, including speakers of some variants of Cantonese, but they are most generally characteristic of the Hakka. With the modern development of Hong Kong and heavy immigration, regional and ethnic distinctions are breaking down, so that these differences in dress are now less significant, and indeed are unrecognized by many people. In Tsuen Wan, only the most elderly of the indigenous Hakka people still wear traditional clothing. Virtually all can speak Cantonese, and intermarriage with Cantonese people is common. Patterned bands are rarely worn, and many of the young people know nothing about their existence, much less the technique of their manufacture. They are astonished to find that their mothers have this skill. The middle-aged and elderly women still have some treasured bands secreted away in their dowry chests, however, and the way in which they show them and talk about them demonstrates the significance they had until two or three decades ago. This is not yet true of the more rural areas of the New Territories. A visit to the market towns of Tai Po, Yuen Long, or Sai Kung will show these traditional forms to be still in use among older women, with some available for sale, although it is unlikely that they will remain as these areas develop into urban centres like Tsuen Wan. Patterned bands are also still being made and worn in Tung-kuan County, Kwangtung, not very far from Hong Kong, according to visitors to a Hakka brigade of a commune there.12 Another visitor saw a different variety still in use in T'ai-shan county, in another part of Kwangtung.13 A large collection of these bands exists at the National Minorities Institute in Peking, according to the anthropologist Fei Hsiao-t'ung.14 However, they are kept there as examples of minority handicrafts, specifically from the Yao, Miao, and Tung peoples. Dr. Fei said that they are also known in Tibet. As the backstrap ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q 128 CARL T. SMITH later to Lilong, where he served under Brother Bellon in the boy's school. Because of his relation to the Rebel King, it was difficult on the mainland so he came to Hongkong until 1878, when he emigrated with those of Shaukiwan. 14 A search of the records of British Guiana might provide details of his later career. Lechler's Day Book under date 12 January, 1871, mentions a visit from Tsau-phoi, a member of the Fung family of Tsim Sha Tsui, and on 18 February, 1871, he notes that Fung A-lin from Tsim Sha Tsui returned to the Girl's School at Sai Ying Poon. It is probable that Fung Tsau-phoi and Fung A-lin were the son and daughter of "a former Rebel King", who is referred to in the records of the Girl's Boarding School of the Basel Mission at Sai Ying Poon. A report dated 10 July, 1866, lists as a student Lyu Tsya, aged eighteen years, "betrothed to a son of a former Rebel King, who long has put away the crown, baptized by the Berlin Missionary Hanspach in her home." Also listed is Fung A-lin, the small sister of the young man. She had been enrolled in 1865, aged seven years. Her mother was a widow and a Christian. Keeping in mind that the Hakka version of the surname Hung was written Fung, and that the entries in Lechler's Day Book were written in a very illegible script, it may be that Fung Tsau-phoi is the same as Hung Tsun Fooi mentioned in T’ai-p’ing t'ien-kuo shih-shih jih-chih Appendix, p.24, as present in Hong Kong after the fall of the Taiping government. Two relatives of Feng Yün-shan, a twenty-one year old nephew A-sou and his fourteen-year old cousin, accompanied the Rev. Issachar J. Roberts to Shanghai in 1853, in an attempt to reach Nanking. A-sou was baptized by Roberts at Shanghai. The Baptist Missionary Rev. Matthew T. Yates became acquainted with the two boys, but in his book The Tai Ping Rebellion, he mistakenly states that they were brothers of Feng Yün-shan. Fung A-sou found it impossible to reach Nanking, so he came down to Hong Kong. From here he went up to Canton where he became a teacher to an American missionary. But he became ill, and returned to Hong Kong where he died on the 21 August, 1855. These accounts of some of the events in the lives of friends and relatives of Taiping leaders and their association with the missionary ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q 292 NOTES AND QUERIES CHINESE PRESERVED MONKS (肉身塑像) The preservation by both Taoists and Buddhists of the bodies of famous monks and abbots by lacquering, varnishing or coating and embalming in clay was not as uncommon as one would think. It is only too easy to see how after the death of a particularly wise and beloved abbot, his presence would be badly missed throughout the monastic community. They would begin to venerate his memory and perhaps even a cult might emerge. Again we can visualise that his contemporary detractors, should there have been any, would eventually die and their prejudice, jealousy or even dislike perhaps, would fade in time. The opposite however, would be true of the memory of his wisdom, piety and gentleness. Another major motive for the preservation of such saints and very religious monks was the very mundane desire to obtain more funds for the religious institution by exhibiting the body to the faithful. In some monasteries such mummies were kept in private apartments hidden from public gaze. They had been members of a community, so their brethren claimed, and only other members had the right to see them. Most monks were cremated after death and their ashes retained in reliquaries in their monastery. Some of the more famous "preserved monks", or 'fleshy bodies' which is a direct translation from the Chinese, displayed or kept for personal reverence, were to be found in the following temples and monasteries: Pai Sui Kung on Chiu Hua Shan, Anhui Tsu Shih T'ien on O Mei Shan, Szechuan Tien T'ai Ssu in the Western Hills near Peking Yuch Lin Ssu in Chekiang Nan Hua Ssu in Northern Kwangtung Tien An Fu below T'ai Shan in Shantung Hui Chu Ssu in Pao Hua Shan, Kiangsu. There is also one such in the Temple of Ten Thousand Buddhas above Sha Tin, Hong Kong. A Danish architect, J. Prip Møller1 spent a considerable time in the early thirties touring around many monasteries throughout China in his research into monastery construction. He referred on several occasions to 'fleshy bodies' set up as images in monastery ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q 294 NOTES AND QUERIES of the Cotton Bag Monk, Pu Tai (), an incarnation of Mi Lo Fu. Pu Tai was said to have died at that temple at the beginning of the tenth century. Another preserved body was that of a Shantung peach seller who dropped dead at the altar and was embalmed in mud and became a deity, Wu Yu Hsien (†), around whom a local cult sprang up and flourished during the fourteenth century. Yet another was the skeleton of an old and holy abbot overlaid with gold foil on Chiu Hua Shan at the Pai Sui Kung“. A preserved body in the Nan Hua Shan Monastery in northern Kwangtung was that of the Sixth Patriarch of Chinese Buddhism (A.D.). It appears to be the earliest recorded "fleshy body". The Sixth and last of the Chinese Patriarchs, Hui Neng (#), died in A.D. 712. His corpse is said to have remained incorrupt and even to exhale a sweet fragrance. His chest maintained its natural position and the skin appeared glossy and flexible. In A.D. 1236 when the Mongol troops pursued the last emperor of the Southern Sung and defeated him in Kwangtung, it is said that Mongol soldiers violated the tomb of the Patriarch and even went so far as to rip open the abdomen with a sword thrust. On seeing that the heart and liver were still in a perfect state of preservation, they were filled with fear and went no further in their sacrilege. Several replicas are to be seen in Hong Kong; a good example is on the altar of Huang Ta Hsien (黄大仙) in the San Yuan Temple (三元宫) in T'ai P'ing Shan Street, Hong Kong. (See plate 27). Incidentally, smaller images of Hui Neng, often seen in curio shops, are easily recognisable by the small dragon in his begging bowl. He is considered to be the founder of the Vegetarian Sects of Buddhism, Ch’ih Su Chiao ( vegetarian ). Another mummy, black faced, covered in lacquer and gilded, sat in a lotus position in a place of honour in the T'ien T'ai Temple south-west of Peking, wearing Buddhist robes but of Imperial yellow. He wore a vairocana five-leaf crown on his head, his face was smooth and full fleshed and his skin black with age. Many thought that he was a wooden image and legend, since disproved, claimed him to be Fu Lin, the first Manchu Emperor of China (1638-1661) better known as Shun Chih who died at the age of 30. The story probably grew from the known fact that he wished to become a monk. The mummy was refurbished annually at a minor ceremony and was a great attraction for pilgrims. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n 46 W. A. REYNOLDS here, the surveillance is curiously haphazard and capricious. We could not see that we were followed on leaving; perhaps they have given up checking on foreigners". We had also been to a large reception given by General Chou En-lai on January 7th which was attended by General Marshall and, from the Kuomintang; Chen Li-fu, Feng Yu-hsiang and Dr. H. H. Kung, together with the Chungking establishment of Ambassadors, Consuls etc. The Journey There The route followed is shown in Fig. 1.* The convoy finally set out on a misty morning on January 21st intending to cross the Yangtse by the upper ferry. Disaster overtook us within four kilometres. Going down a steep slope the driver of the leading truck missed his gear change and ran off the road into a paddy field. The truck finished up on her side (Plate no. 6). With help from the base garage, she was hauled out, (Plate no. 7), the Garage Manager directing. The convoy returned to base, spent a day straightening and reloading and set forth again on January 23rd. The route went through Sui Ning, San Tai, Mien Yang over the Chien Men Kuan or Sword Gate Pass to Kwang Yuan and then over another Pass, Ch'i P'an Kuan or the Gate of Shensi, in the Mi Ts'ang Mountains to Pao Ch'eng.† North of Mienyang the 'new' motor road follows the route of the old Imperial Highway to Ch'eng-tu. Impressive “pai lo's”, fine trees and stone bridges mark the route (Plates 8 & 9). Just after Pao Ch'eng is the famous Buddhist temple Miao-T'ai Tzu, where we stopped for a visit. A place of peace and beauty to which one might dream of retiring for a while. In Pao-ch'eng the scene is very different from the Szechuan towns over the mountains to the south. This was the southern limit of the camel trains coming down from Sinkiang and Kansu, some with loads of dried Hami melon. Perhaps some of the flavour of the place is given in a quotation from a letter home: "We spent one night in Pao-ch'eng and as we came up across the bridge in the late afternoon, the long flatness of the Han-hui Ch'u valley behind us, lines of camels drinking at the river side were mirrored P.54 Plates 6-19 at rear illustrate the article. + The romanisation of place names is that used in the Times Atlas of China since this is the detailed reference most easily available to Western readers. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n TWO ESSAYS ON THE CH'ING ECONOMY OF HSIN-AN 81 buyers and sellers of commodities and to effect a transaction between them.” By the late 1920's, "its importance to the Hopei provincial finance was only second to that of the land tax." It is difficult to weigh the relative importances of the various taxes in Hsin-An, but we do have figures on the revenue collected on trade between local markets in November 1911, which indicate a relatively low volume of local trade (see Imperial Maritime Customs, 1902-1911, Volume II, p.156). Also, refer to Appendix II, which Lockhart credits as a reliable source. The Tangs of Kam Tin and Lung Kwat Tau (A) were apparently farmed the monopolies of collecting market taxes in Un Long Kau Hui (±##4) and Tai Po Kau Hui (£# #). The Tongs who oversaw the markets in turn "sub-leased" the brokerages to traders, merchants, and shop-owners. 4 The CSO files held in the Government Archives of Hong Kong constitute one of the richest stores of first-hand knowledge about local political economy and society in Hsin-An during the period 1890-1910. I am very grateful to Mr. Ian Diamond, Government Archivist, and his staff for their assistance in helping with my research. 5 C. M. Chang, op. cit., pp. 826-828. 6 Lien-sheng Yang, "Buddhist Monasteries and Four Money-Raising Institutions in Chinese History," in his Studies in Chinese Institutional History, pp. 198-199n. 7 Yeh-chien Wang draws heavily on the Ts'ai-cheng Shuo-ming-shu for his research on the land tax in China (Land Taxation in Imperial China, 1750-1911). On the basis of the material presented in this paper, Hsin-An conforms to his general thesis of the declining relative importance of the land tax throughout late Ch'ing. 8 Correspondence Respecting the Extension of the Boundaries of the Colony (hereafter Extension Papers), p. 60. 9 For a fuller discussion of li-chia, see Kung-chuan Hsiao's Rural China, Imperial Control in the Nineteenth Century, pp. 84-143. 10 The annual rotation of these positions (44) constituted the primary mechanism whereby the local magistrate attempted to maintain some measure of centralized power by restricting the excesses of local magnates. 11 Hsiang-kang Teng-ch'u-shui-mau Ts'ung-ch'eng (44¥Æ#*# Z), p. 2: "All together the cultivated land measured 8 ch'ing 3 mau 6 fen 1 li 9 hau 2 ssu 5 hu (i.e., 803.61925 mau) and was registered under the name of Tang Tin-luk, 6th tu, 7th p'i, 2nd chia. In addition, Tang Chi-cheung and others had purchased from Ho Ch'iu-ping and others plots of land at Wong Nei Chung... having a total area of 1 ch'ing 89 mau registered in Tung-Kuan under the name of Tang Chi-fu of the 2nd tụ, 18th p'i, last chia." The formula is often repeated in the land memorials held at the Land Office of the Registrar General in Hong Kong. 12 Kwangchow Fu-chih (1759), ch'uan 4: 43a-b, 46b. 13 Hsin-An Hsien-chih (1819), ch'uan 2. 14 Kwangtung T'u-shuo, Hsin-An Hsien-t'u. 15 Krone, "A Notice of the Sunon District", originally published in the Transactions of the China Branch of the Royal Asiatic Society, 6:5, 41-105. This quote, as all the others, is from the reprinted copy in the Hong Kong Branch of the Royal Asiatic Society V: p. 119. 16 Tung-Kuan Hsien-chih (1797), 10:10b-11. 17 Lockhart, in the Correspondence Respecting the Affairs in China, writes: "Small villages and hamlets often place themselves under the protection of large and influential clans to which they refer all complaints and from which they expect assistance in case of attack, robbery, and ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1979 https://digitalrepository.lib.hku.hk/catalog/2801w5938 197 were killed by the guerrillas. The occasion highlighted the importance of the Chamber of Commerce in Sai Kung Market. Local people could not come out to fetch water, and Mr. Lei Shiu Yam and Mr. Lok Kau Kei of the Chamber of Commerce were given permission to distribute water to the shops and the households.97 "Smuggling" The fundamental cause that gave rise to smuggling on a massive scale in Sai Kung in the years of the occupation was the rice shortage in Hong Kong. Before the War, Hong Kong imported much of its rice from South-east Asia. The outbreak of the War disrupted supply from this source, hence a shortage developed. Rice was abundant across the border in China, in Sha Yue Ch'ung on Mirs Bay and in Wai Chau. But trade was forbidden between these guerrilla-held places in China and Japanese occupied Hong Kong. The trade that developed had to be regarded as "smuggling".98 There were three kinds of people involved, and the first was the "travelling merchant" (shui haak). Not all "travelling merchants" were engaged in smuggling rice. Mr. Shing of Mang Kung Uk, who was a "travelling merchant" with little capital, bought secondhand clothes from the pawnshops in the city, and carried them on foot to Sha Tau Kok. From Sha Tau Kok, he went into China. Then he would buy fish from Yim T'in, in China, which he sold in Lung Kong, also in China. He did not travel by boat because, as he put it, “Only rich people could take the boat."99 Mr. Chan T'in Po of Yim Tin Tsai was also a "travelling merchant". He bought secondhand clothes in Sai Kung Market. He said this had to be done carefully without the notice of the Japanese. He would carry the old clothes himself to To Kwa Ping, where he would take the boat to Sha Yue Ch'ung. The boat was operated by someone from a nearby village. He would sell his goods at Sha Yue Ch'ung or Kw'ai Ch'ung, and return to Yim Tin Tsai with oil, rice, or sugar. Mr. Lau Lui Faat of Pak Kong Au was also a "travelling merchant" on this route. He said he usually boarded the boat at night, and sometimes he came back with cash.100 He ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1979 https://digitalrepository.lib.hku.hk/catalog/2801w5938 NOTES AND QUERIES 201 It would seem incongruous that Na T'o, a Muslim who would abhor idolatry, should be venerated by the Chinese and it would be interesting to know what the Malays themselves would think of such a practice; that is of course, assuming that they even know of his existence. The Chinese, however, see no incongruity in having a Muslim on their altar, and in some areas, particularly around Kluang, he is especially treated with the respect and constraints due to another religion. As a Muslim, he is never disturbed on a Friday and never offered pork. The only other case so far noted of a Muslim appearing on a Chinese altar was heard from a Chinese from Sian who recalled a deity in North China, the Wei Wei Ts'ai Shen (✯✯1⁄2§i†), said to be the Mohammedan god of wealth, depicted dressed in a Tibetan high-crowned cap. Wei Wei, he thought, was probably derived from the Arabic, and, it was claimed that Muslim Chinese offered beef at his altar. Wei Wei however, is possibly a local variant of Hui Hui, the usual Chinese term for "Moslem”. The second cult is that of Miss Lin (✯✯✯) whose image is to be seen on Chinese temple altars only in Southern Thailand. Her legend explains all. Left alone by the death of her parents in her home village near Ch'aochou in Eastern Kwangtung province of South China, she followed her only living relative, her brother, down to a village near Songkla in the far south of Thailand where he worked in the fields. When she arrived she found to her disgust that her brother was just about to marry a Muslim girl and be converted to Islam. She attempted without avail to persuade him not to do either. A Chinese god carver in Bangkok added, with disgust, he even gave up eating pork! The sister knew she could not live with her brother and his wife and in a desperate moment threw herself into the river Patani and drowned herself. The brother, despite being filled with remorse, to demonstrate that he, as a convert, was more devout than born believer, went ahead with his plan to build a mosque and even went as far as to bury his sister beside the site chosen for it. As the last brick was laid lightning struck and destroyed the mosque without harming the sister's grave. However, the brother refused to believe that it was divine retribution for his denial of his parent's gods. Twice more he built, and twice more lightning struck. Only then did he accept the message and renounce Islam. Realizing that his ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 BIBLIOGRAPHY OF TAOISM Yün-chi ch'i ch'ien. Taipei, 1975. 雲笈七籤,張君房輯,台北,台灣商務,1975. 852 p. 201 CA, LC, SA # 6. BIOGRAPHY OF TAOISM Chang, Ch'i-chün. Chih hui ti Lao-tzu. Taipei, 1976. 張起鈞,智慧的老子.台北,新天地書局,1976. 6, 2, 208 p. 6.2, LC Chang, Chih-ho. Hsüan-chen-tzu. Taipei, 1966. 張志和,玄真子,台北,台灣商務,1966. 55 p. SA Cheng, Ch'ang-shih. Hsien hsüeh cheng-chuan. Taipei, 1960. 鄭昌時,仙學正傳,台北,自由出版社,1960. 42, 33 p. LC, SA Chih-yu-tzu. Taipei, 1966 至游子,撰人不詳,台北,台灣商務,1966. 68 p. SA Chung-li, Ch'üan. Chung-Lü ch'uan tạo ch’üan chi. Taipei, 1965. 鍾離權,鍾呂傳道全集,台北,自由出版社,1965. 244 p. LC, SA Hai-ling san-hsien chuan. Shanghai, 1937. 海陵三仙傳,撰人不詳,上海,商務,1937. 9 p. SA Hsiang an tu. Shanghai, 1933. 香案牘,陳繼儒纂,上海,商務,1933. 1, 2, 13 p. CA Hsiao yao ti tzu yu jen: Chuang-tzu. Chung-ho hsiang, T'ai-pei hsien, 1967. 逍遙的自由人:莊子,林耀川編譯,台北縣中和鄉,常春樹,1976. 194 p. LC Hsien li chuan. Shanghai, 1937. 仙史傳,太上隱者輯,上海,商務,1937. 5 p. CA Huang, Lu-tseng, 1487-1561. Chung-Lü ĕrh hsien chuan. Shanghai, 1937. 黄魯曾,鍾呂二仙傳,上海,商務,1937. 2, 2 p. Huang, Yung-liang. Pei-p'ai ch'i chen hsiu tao shih chuan. Taipei, 1965, 黃永亮,北派七真修道史傳,台北,自由出版社,1965. 88 p. LC, SA ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1981 https://digitalrepository.lib.hku.hk/catalog/ff36bt18m 60 JUAN YUAN'S MANAGEMENT OF SINO-BRITISH RELATIONS IN CANTON, 1817-1826 167 Ibid., 1:22b-23. Court letter to Juan Yuan et al., TK 2/5/25 (1822/7/13). 07 After Juan Yuan left Canton, his successor as Governor-General of Kwangtung and Kwangsi, Li Hung-pin, established a system of patrol boats to check on opium smuggling. Each boat received a monthly bribe to permit the illicit trade. Liang, Kuang-chou shih-san hang k'ao, p. 299. Chang Shun-ts'un # Tao-Kuang ch'ao Ch'en 陳 Ch'en-Li shih ★BA chin f chüan-na ‡Ã1⁄4 fen 分 Hsiang-shan J Hsin-hui hsien-chih Hsi Nai-chi 許乃濟 Hsüeh-hai t'ang*** Hu-Kuang Hu-pu 户部 Huang I-ming *** I-li-pu 伊里布 Juan Yuan 阮元 Kuang-tung shih-san hang k'ao Kuang tung tung chi là ki Kung-chung-tang kung-hong 2Ấ Kuo-Liang shih Li Hung-pin 李鴻賓 Liang Chia-pin 梁嘉彬 Liang-Kuang✯ Liang-Kuang yen-chih ch'ou-pan i-wu shih-mo tao-t'ai Ti-tzu chi, for (Lei-t'ang-an-chuɃ‡ƒ‡ ti-tzu chi) Ts'an-chan ta-ch'en ★★★E ts'un += 1/10 Chinese foot) Wai-chi-tang >-*# Wai-chiao shih-liao ££* Wu Kuo-yung Wu-lung-a Wu Shou-ch'ang ££ 3 Wu Ts'ung-yao 14 Wu Tun-yuan {£✶ ̃ yang-hang *{1 yang-shang 洋商 Yeh Huan-shu #£# Yeh Hsia 葉及 Yen-ching shih-chi &*£✯ Yun-Kuei + Nei-wu-fu Pan-yü 番禺 pao-chia 保甲 Ta-Ku # ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 42 JULIAN PAS Webster's Dictionary (1979), p. 1733. 10 Webster's Dictionary (1979), p. 170. Lenormant (1875), p. 18. 12 Lenormant (1875), p. 19. 13 Lenormant (1875), p. 30. 14 Needham (1956), p. 349. Banck (1976). 16 CHENG, Chen-tuo, Editor, T'ien-chu ling-ch'ien (Reproduction of the Earliest Preserved Set of Temple Oracles) Folklore & Folk Literature Series of National Peking University. (reprint), Taipei: The Orient Cultural Service, 1958. 17 19 I have used the cheng-t'ong or Ming edition, as reprinted in Taipei. Eberhard (1970), p. 193. Huang-ti shen-kung Ħ☎1⁄2, Banck (1976), #17. 20 Eberhard (1970), p. 191-192. 21 Jordan (1982). 11 W. Eberhard (1970), p. 195. The Chinese text: 1+X8 23 24 The Chinese text: 高達五十得名 St. Augustine's Confessions, translated by William Benham (New York: Collies & Son, 1909), pp. 141-142. BIBLIOGRAPHY A. Sources (i) Taiwan (& Hong Kong) Oracles, published in booklets B-I B-I B-I B-2 B-2 B-2 Sheng-ch'ien chu-chieh E, Kuan Yin Fo-tsu, T'ien-shang Sheng-mu &Ħ, X_L, Taichung, Jui-ch'eng Bookstore AĦĦ , 1972, (1st ed. date, unknown). K'ai-t'ai Ma-tsu chien-chieh, published by the Feng-t'ien Temple in Hsin-kang, Chia-yi *, ****8. (n.d. circa 1978). The oracle texts are on pp. 1-30. + Ling-ch'ien chich-shuo, with commentaries by Yeh Shan #ll, Taichung: Ch'uang-shih Publishing House, & FURN 1979. + Pai-shou ch'ien-chieh, Published by the Hsing-sheng Temple in Taichung 台中市行聖宮,1977. Ling-ch'ien chieh-shuo *, with commentaries by Yeh Shan #. Taichung: Ch'uang-shih Publishing House, ÷ÞOKRE 1975 (1st ed.: 1966) Kuan-sheng Ti-chún ch'ien-shih chich MESE the Shui-hsien Temple in Nan-kang, Chia-yi, 1 Published by *, 1964, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 73 At first Maang's father refused to go, but Maang said to the pirate, "My father is old and half mad, do not listen to him", and then turning to his father, he said, “Do not weep for me. Go home and look after our family. My younger brother will serve you in my stead as a good son, and he will grow up and rear more sons for you." So the father was hustled back to the shore and the ship sailed away with Maang on board. Then Maang was filled with grief, and crying, “I will never serve these wicked men”, he jumped overboard and was drowned. His body was subsequently washed up at Taipo and buried near by. In the fourteenth year of Maan Lik A.D. 1586 when the district Magistrate Yau T'ai Kin (游太卿) wrote the "History of the Sun On District' he included the story of Maang in it. Twenty-seven years later the then district magistrate Wong Ting Yuet (黃廷越) petitioned the emperor for leave to put Maang's spirit table in the "Heung Yin Ts'z” (鄉賢祠) Temple for worthy villagers, and later on the descendants of Maang's family Tang (鄧) collected enough money to build a special temple at the place where he was buried. This temple has since been destroyed but the grave still remains and a tablet about 5 feet high and 4 feet wide can be seen with the following inscription on it “[written in large characters] Grave of Tang Sz Maang, devoted son of Ming dynasty [then in smaller characters] repaired in the seventeenth year of Kin Lung (乾隆) 1752, the eighth month, lucky day". In the eleventh year of Hong Hei A.D. 1672, two descendants of the Tang family bought from the government enough land round the temple to make a market there. Shops were built and sub-let and the proceeds went to the upkeep of the temple. Thus old Taipo market was started. During the reign of Ka Hing of Ts'ing dynasty 1796-1820 a man named Man Yuen Chue (文元柱) of Man Uk village (文屋村) (See Note 4) wanted to build some shops for himself in old Taipo market. The Tang family objected and a lawsuit followed. The magistrate who judged the case finally gave leave to the Man family to build dwelling houses only, in the village, not shops. In the twelfth year of Tung Chi (同治) 1873 of Ts'ing dynasty a typhoon destroyed the whole of Man Uk village, and the Man family again wanted to build shops in old Taipo market. Another lawsuit resulted, as the Tang family again objected. On the fourteenth day of the fifth month of the eighteenth year of Kwong Sui (光緒) A.D. 1892 of Ts'ing dynasty it was finally settled that only the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 20 secure a writ of pardon for a soul in the Underworld. Buddhists have occasionally accused the Taoists of stealing him from their pantheon. The Buddhist Indra, known as Yu Ti (**玉帝**), literally The Jade Emperor, was, they say, adopted by Taoists to counter Buddhist power. Others suggest that the Jade Emperor was a creation of a Chinese emperor to help maintain the authority and stability of his rule. In one popular version the Sung emperor Chen Tsung (**宋真宗**) in AD 1012, in order to divert his ministers from an unfortunate treaty he had been obliged to sign with some barbarian tribes, announced with great pomp that he had been visited in a dream by an immortal with a letter from the Jade Emperor. In the letter the Jade Emperor explained that he was sending one of the emperor's ancestors in person. The Sung emperor then claimed that a dazzling deity appeared before him in a dream and informed him that he was the Jade Emperor, Master of Heaven and Earth, and the Incarnation of Tao. Later the emperor, having announced that the visit had taken place, ordered that thereafter the Jade Emperor, “one of his ancestors", was to be treated as a major deity. The next year, in 1013, the Jade Emperor's image was cast and placed in a special temple, the Jade Palace (**玉皇殿**) where it was worshipped by the whole court. One hundred years later, the Sung emperor Hui Tsung (**宋徽宗**) built an even more magnificent temple for the Jade Emperor and thereafter the image was portrayed in imperial robes. H. Y. Feng3 claimed that the earliest reference to the Jade Emperor was in a poem by Han Yu (768-824), a Confucian scholar who wrote, admiring plum blossom, "Riding clouds we came together to the home of Yuh Huang', proving, he states, that the Sung emperor's claims were after the fact. However, state recognition by emperor Chen Tsung made the Jade Emperor an important deity in the pantheon. A Fukienese legend describes the Jade Emperor as being born to a queen who conceived miraculously after a visit by T'ai Shang Lao Chun (Lao Tzu) in a dream. When this prince in due course became king, he ruled with great compassion and concern, and was a model ruler who later devoted part of his life to religion and attained sainthood. This was, however, many centuries before the Sung emperor Chen Tsung popularised the cult. Another popular version explains how the Jade Emperor appeared in his visible manifestation to a Sung emperor and told him that he, The Jade Emperor, was the manifestation of the power and thought of Tao, Page 45 Page 46 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 21 to be regarded as such by mankind and to be revered only as the representation of that power. However, over the centuries, he has developed into a god in his own right, depicted as a gilded image of an emperor sitting on a throne, and is accepted by the masses as the ruler of the Heavenly bureaucracy. In T'aishan in Shantung province it was claimed that the Jade Emperor in mortal life had been merely a learned doctor of medicine who had lived during the 12th century AD at the Sung court in Kaifeng. He attended the emperor Hui Tsung during a serious illness and saved his life with a miraculous cure. He was known as Chang Yu-huang, but, on his death, he, like many a hermit, was deified by imperial decree. British representatives met the imperial representative, Li Hung-chang in 1876 in the temple (Yuh Huang T'ing) dedicated to the Jade Emperor to the west of Yent'ai (Cheefoo) in Shantung province to arrange the Chefoo Convention. Another incident involving the British in North China and connected with the Jade Emperor concerned Sir Meyrick Hewlett of the China Consular Service at the turn of the century during the clearing up after the siege of the British Embassy during the Boxer Rebellion. He found in the house of Sir Ernest Satow, HM Ambassador in Peking, a tablet with a background of sky-blue, framed in rich gold and inscribed with the four characters in gold — 'Huang T'ien Shang Ti'. Prince Ch'ing identified it as an item from the Temple of Heaven which had been missing for more than a year. When Sir Ernest asked how to restore it to its rightful place, the Prince begged the Ambassador not to send it round to his palace as should it be placed in the entrance he could neither leave nor enter his home without kowtowing twenty-seven times before it. Another more enlightened official helped out by bearing it off at dead of night in a Peking cart to the vaults of a European bank where it awaited a favourable day for restoring it to the Temple of Heaven. Some thirty-five years later, Sir Meyrick, paying his farewell visit to Peking, visited the Temple of Heaven and asked the attendants whether he could see the tablet, kept with the other tablets sacred to the emperors of the Ch'ing dynasty in a small temple opposite the Altar of Heaven. They replied that this was quite impossible, since even in post-imperial Kuomintang days no-one was allowed to see it. Sir Meyrick related the story of its recovery, upon which the attendants agreed to show him the tablet together with the tablets to the 28 Major Constellations, to Thunder and Lightning, and to the other forces of nature, but said that the tablets to the emperors were all lost after their ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 39 major festival held every five years, hence their title. The ten are Chang (H), Hsu (1), Keng (I), Wu (5), Ho (FPJ), Hsuch (B‡), Feng (B), Chao (#), T'an (M) and Lu (F). The generally accepted leader of the Pestilence Wang Yeh is Chih Wang Yeh (1) who is also known by other honorifics, as are other Pestilence Wang Yeh, as Chih Fu Wang Yeh (b); Chih Fu Yuan Shuai (EBD); Chih Fu Ch'ien Sui (af); Chih Fu Tai Hsun (£FF{X); Chih Ch'ien Sui (-1) or Tai T'ien Chin Fu (RX##). In Singapore and Malaysia a not uncommon title for the Pestilence Wang Yeh is 'Great One' (Ta Jen AA), a title more frequently given to non-Pestilence Wang Yeh in Taiwan. In Ang Mo Kio in Singapore three Pestilence Wang Yeh, Li, Liu and Chin who occupy the main altar are referred to both as Ta Jen and Wang Yeh in temple notices. They are prayed to not only for protection from disease but also for tranquility in the home. In Taiwan and South-East Asia a number of what would be non-Pestilence Wang Yeh in Fukienese communities are referred to as Lao Yeh (Em) and Ta Jen. They are mainly in Hakka communities and are very local deified and revered worthies. Pestilence Wang Yeh are identifiable by the honorific 'Touring and Inspecting on behalf of Heaven' (Tai T'ien Hsun Shou X). The various other titles borne by Pestilence Wang Yeh in Taiwan include Tsun Wang (Honourable Prince), with the three on the altar being the First, Second and Third Honourable Princes (AZE); Ch'ien Sui (Prince or Excellency T); En Wang (Prince of KindnessE); Wang Kung (Prince 4), and 'An Emissary for Disaster Relief' (Hsing Ts'ai Shih Chih 77(K). A number of temple keepers differentiate between a Wang Yeh and a Ch'ien Sui. The former they claim to be permanent whilst Ch'ien Sui are only temporarily on Earth 'for less than one thousand years'. The Wang Yeh are said to be the senior, promoted on orders from Heaven, whilst the Ch'ien Sui are deities promoted by popular acclaim. They are, however, prayed to in the same way, for the same things and with the same results. The latter are also the patrons of sorcerers (wushih ZEL) who use them as a go-between between them and their spiritual contacts. There is little functional differentiation as all are believed to be capable of fending off disasters and curing sickness. In one instance, and probably in others too, the full title of a particular ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 57 The third non-pestilence Wang Yeh is Sui Chia Wang Yeh (隨駕王爺). This Wang Yeh whose title means 'Following the Imperial Carriage' was the general-in-charge of the royal guards during a legendary visit to Taiwan by the Chinese crown prince, later to be the Ch'ing emperor Chia Ch'ing in about 1690. Images of the general Li Yung, and his deputy Wang Fa, stand on the altar of a temple in Nantou in Central Taiwan. The crown prince received reports of a plot by the Hsiao family, so legend claims, who in conjunction with a hill tribe planned to assassinate him, Li Yung attacked the Hsiaos and although he was killed during the battle the Hsiaos were forced to retreat and the crown prince was saved. So much for legend. According to historical records, in 1721 Chu Yi-kui rose against the Ch'ing dynasty in Taiwan to restore the Ming, and Li Yung was appointed Duke by Chu. Both Li and Chu were defeated and captured by the Ch'ing forces and executed in Amoy. The probability is that the temple, which was erected in 1899, just after the occupation of Taiwan by the Japanese, was erected to commemorate Li Yung's, and by extension the people's opposition to foreign (in Li's case, Manchu and in the people's, Japanese) occupation of Taiwan. A fourth example of a non-pestilence Wang Yeh, but from central Taiwan this time rather than the south, is Su Fu Wang Yeh (蘇府王爺), a Tang dynasty official now better known as General Su. In the early days of its development Quemoy (Chinmen) was repeatedly attacked by pirates. Due to the superhuman bravery of General Su they were defeated and Quemoy was pacified. He, Su Yung-sheng (蘇永盛) to give him his full name, and Ch'en Yuan, the Horse Breeding Duke, another official serving T'ang T'ai Tsung, worked together to develop the area. The pirates called Su Yung-sheng 'Su Ta Wang' (The Great Lord Su 蘇大王). In his twilight years Su was transferred on promotion to the mainland where he was appointed a Wang Yeh. After he died a temple was built in his honour in which he was revered together with four of his subordinates, Chiu (邱), Liang (梁), Ch'in (秦), and Ts'ai (蔡), who were honoured with the honorific of Ch'ien Sui (Excellencies). A major temple, the Chinmen Kuan, in Lukang on the west coast of ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 58 Taiwan is dedicated to General Su. He is worshipped by Lukang traders of Quemoy (Chinmen) stock for protection. Two images of him stand on the main altar, one being the main image (Su Fu Ta Wang Yeh *) and the other a secondary image (Erh Wang Yeh Em). According to the temple keeper the latter was carved to satisfy the demand of worshippers for a portable image to take home for private reverence. A third image known as the San Wang Yeh (=E) was placed on the altar of a nearby branch temple (Fen miao). A number of branch temples dedicated to Su as a Wang Yeh, a Ch'ien Sui and as a General or Marshal (Chiangchun and Yuanshuai é) are to be found in many places in central and northern Taiwan. His image on the main altar of his temple in Lukang portrays him as black faced and black bearded, a standard carving of a seated dignitary wearing a scholar's gilded cap. Before him are seated five other images, one is the portable image of him in the centre, flanked by the four minor Ch'ien Sui, Chiu, Liang, Chin and Ts'ai, It is interesting to note that the deities in the temple at Lukang are colloquially referred to as Su Fu San Wang Yeh, The Three Su Wang Yeh. This despite them being but one person, and there being only two images in the main temple whilst the third is in a temple nearby. Finally, some dozen or so small images of standing soldiers in a V formation together with their commander crowd a secondary altar in the temple. They represent the army of General Su. These four are examples of non-pestilence protective deities referred to as Wang Yeh; there are a few other deities, not protective deities as such, who are also referred to as Wang Yeh in Taiwan. A good example is the T'ang emperor Ming Huang, patron of actors and actresses, known also as the Prince of the Western Ch'in (Hsi Ch'in Wang Yeh Еƒ). He fled to Szechuan province in the far west of China after he abdicated which led to him being given this title. T'ang Ming Huang is probably best known to foreigners for his infatuation with the concubine Yang Kuei-fei which nearly lost him his throne. To conclude, the large cult of Pestilence Wang Yeh, almost exclusively worshipped nowadays by the Fukienese and referred to simply as Wang Yeh has been confused over the years with other cults whose individual deities have borne the same honorific which, despite being protective ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 56 appeal to the authority of scripture, and the high moral tone of their scriptures was a decisive factor in securing imperial permission to preach Christianity in China. It is understandable that, presented by Reuben with a summary of the Christian message, the imperial authorities should have approved, or perhaps even suggested themselves, the term 'teaching of the scriptures' for the strange western religion. In 638 the term ching-chiao, 'teaching of the scriptures', is found in an imperial decree as the official Chinese term for Christianity. T'ai-tsung's decree of 638 was issued in response to the arrival of Reuben in Ch'ang-an, and gave permission for the Nestorians to establish a monastery in the capital. The decree has been preserved in the Tang hui-yao, an important collection of documents of the T'ang dynasty, and reads as follows: Truth can be recognised, whatever its name: wisdom can be discerned, whoever its possessor. Every region has its appropriate religion, which by its imperceptible influence benefits the inhabitants. The virtuous Persian monk Reuben (A-lo-pen) has come to our high capital from afar with the 'teaching of the scriptures' (ching-chiao). We have carefully examined this teaching, and find it mysterious, admirable, and tranquil; we have studied its principles, and are satisfied that they lay stress on the essentials of life. Its language is spare and elegant, and its thought is coherent. It is clearly a helpful doctrine: let it be admitted to our empire. Let a monastery be built in our capital by the appropriate board in the I-ning ward, and let twenty-one monks be appointed there. The term 'teaching of the scriptures' also occurs in another imperial decree made over a century later, in 745, by the emperor Hsüan-tsung. This decree has also been preserved in the T'ang hui-yao, and reads as follows: "The ninth month of the fourth year of the T'ien-pao period. The Persian 'teaching of the scriptures' (ching-chiao) originated in Syria (Ta-ch'in). Long ago this teaching was brought here and has been practised in China. When the monasteries were first built, we called ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 66 expression 'brilliant teaching' and its meaning. The first section of the inscription, which describes the main doctrines of the Christian faith and the missionary character of the Christian church, concludes as follows: "This true and unchanging way is wonderful and hard to name. Its merit is so clear and its usefulness so obvious that we strive to express it by calling it the 'brilliant teaching'.” Adam also removed from a quotation in the Sian tablet inscription two inconvenient references to the former official identity of the Nestorian church, the teaching of the scriptures'. As has been mentioned earlier, the emperor T'ai-tsung gave permission in 638 for Reuben to build a Nestorian monastery in Ch'ang-an, and the relevant imperial decree has been preserved in the T'ang hui-yao. This decree is also quoted by Adam in the Sian tablet inscription, but with two slight, but significant, changes to the authentic text. Where the original referred to the virtuous Persian monk Reuben', Adam silently substituted 'Syrian' (Ta-ch'in) for 'Persian' and, carefully altering the original text of the imperial decree as little as possible, transformed the phrase 'Reuben has come to our high capital from afar with the teaching of the scriptures (ching-chiao)' into 'Reuben has come to our high capital from afar with scriptures and images (ching-chang)', by the deft alteration of only one Chinese character. Again, this suggests an effort to promote a new image: if the term 'brilliant teaching' had been firmly established in 781, it would have been unnecessary to take such pains to avoid references in the Sian inscription to the previous official identity of the Nestorian church. Adam and the promotion of the term 'Syrian Brilliant Teaching' It should come as no surprise that a man of Adam's character was determined to ensure that his new term for Christianity, the 'Syrian brilliant teaching', should be uniformly applied by all Nestorian monasteries in China, so as to achieve maximum impact. There is evidence that, once this term had been adopted by the Nestorian church as an official description in 780, efforts were made to apply it consistently and to erase traces of the former official identity wherever they occurred. So far, this process has not been adequately analysed. In fact, a sustained effort appears to have been made in the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 81 in an office which bore the same name and in which there was a staff of clerks etc. It corresponded to all intents and purposes with the western orderly room in which was transacted nearly all the business concerning the force of which it formed a part. Before the Taiping rebellion military secretaries and clerks were all military officers but after it civil service men got the appointments owing to the fact that so few military men could read or write sufficiently well to carry on the correspondence of the force. All offenders against military laws, whether soldiers or civilians, were first of all examined by the military secretariat or a delegate appointed by him. Some viceroys had several such secretaries, each attached to some department with the chief of them styled Tsung-lu Ying-wu-ch'u, i.e., Chief Director of the Army Secretariat. Soldiers in attendance wore the name of the office on their uniforms. In provincial Governors' staff brigades, Fu-piao Ying, warrant officers and NCOs were employed as couriers and runners. Standards and standard bearers were frequently referred to in Mesny's accounts: each standard being displayed to make known the location of the unit or official represented. A number of the petty unit and formation supporting officials had the character for 'flag' [ch'i] within their title. Examples of these were the Quartermaster in charge of ammunition depots and reserves in a Field Force who displayed a red flag and was known as The Red Flag [Hung-ch'i] and the QM in charge of provisions was the Blue Flag [Lan-ch'i]. These officers were subordinate to the Quartermaster [Chün-chuang] who was responsible for all stores and clothing, and who in turn was subordinate to the Headquarters' Commissary Officer [Liang-t'ai]. Coolies were paid three taels of pure silver per month of thirty days [or forty days for An-hui troops], private soldiers four taels two mace, decurions four taels five mace, orderly officers eight taels, vice commanders of companies twelve taels and one servant, commanders of companies eighteen taels and two servants, vice-commander of a battalion received thirty-two taels and three servants, the commander of a battalion received one hundred and eight taels and forty coolies, besides extras, brigadiers got two hundred taels for each battalion in their brigade besides their battalion pay and perquisites. Mesny continued: the company commanders in the Force in which he served in Kueichou made about double their pay every month in perquisites of all kinds. The battalion commanders made about seven hundred taels a month, but added Mesny, he had heard that the company and battalion commanders ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 93 the first anti-foot binding societies in China. Lovatt, W N Ex-Royal Artillery serving in Honan Road in Shanghai. He, with Massagorra, taught Mesny the skills of guns and gunnery in 1864. He later became a Commissioner of Customs in Korea. Mason, Charles H. A. W. A young Imperial Customs Assistant who was the main figure in the 'Mason case'. He joined the Customs in 1887 and after an involved plot was arrested for smuggling arms into China with the intention of providing foreign weapons for the Ko-lao Hui, a secret society whose aim was to overthrow the Imperial government. Massagorra, W Formerly Royal Navy and subsequently mate on one of the large lorchas plying the Yangtze: he, with Lovatt, taught Mesny gunnery. Mayers, W F Chinese Secretary at the British Legation in Peking in the mid-1870s. His best known work was the Chinese Reader's Manual. [Mesny culled a large number of items from Mayer's Manual and included them in his Miscellanies] Richard, Timothy Baptist missionary in Shantung and Shansi provinces. He met Mesny in Taiyuan Fu where Richard was superintending a branch of the English Baptist Mission. Richard was renowned for his humanitarian work during the great famine in Shansi in 1877-1878. Su Chin-wang [Shan-ch'i ## or Shan Ai-t’ang #E#: born ca 1865] The Manchu Prince with whom Mesny had breakfast in Peking in 1892 when Su had not yet inherited his title and was then simply the captain of the Emperor's Bodyguard. A black and white photograph ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1995 https://digitalrepository.lib.hku.hk/catalog/95941j25g Canton He founded the Meditative School, Ch'an Men (9) which taught that the Buddha was to be sought within the mind and not learnt from books. His image is to be seen alone on a number of altars, revered in his own right. The second Patriarch is Shen Kuang (4) the Spiritual Light, who lived some 107 years, dying in AD 593, some sixty years after the death of Bodhidharma. When he was forty he went to the Shao-lin Monastery near Loyang in Honan province following a vision and there received from Bodhidharma the robe and the sacred alms bowl. Bodhidharma also changed Shen Kuang's name to Hui K'o (7) Intelligent Ability. Many years later the emperor T'ang Te Tung bestowed upon him the title of T'ai-tsu Ch'an-shih (). The Third Patriarch, Seng-ts'an (), is said to have introduced himself to Hui K'o and as a result of the conversation the Patriarch realized that he had met his successor. He explained and taught Seng-ts'an all he knew and when dying appointed him as his successor. Seng-ts'an died in 606. The Fourth Patriarch, Tao-hsin (), was a precocious youth who became a disciple of Seng-ts'an and eventually his successor. He lived during the period when the first two emperors of the T'ang ruled China, with the reign of the second, Tai Tsung, regarded as one of unrivalled brilliance and glory, and died in 651. He appointed Hung-jen as his successor. Legend describes how Tao-hsin saw a beggar woman and her child at the side of the road and learnt that she had been driven from her home by her parents having become conceived her child miraculously, it being a reincarnation of an aged wood gatherer who had sought instruction from Tao-hsin. Tao-hsin immediately recognised the child as his successor and having sought his mother's consent to the boy entering a monastery. Tao-hsin instructed him and changed his name to Hung-jen, Vast Endurance. Hung-jen (L), the Fifth Patriarch, died some 24 years after his appointment. Hung-jen, and to a greater extent his successor, Hui-neng, founded the Ch'i-su Chiao, the Buddhist Vegetarian sect. To select this successor he held a verse competition, more a hymn with a moral purpose, and Lu Hui-neng being judged the winner became the Sixth and final Patriarch of Chinese Buddhism. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1997 https://digitalrepository.lib.hku.hk/catalog/wp98g7579 49 In one temporary temple run by Chaochou immigrants in Hong Kong the Fifth Son was portrayed simply by a stylised painting depicting him as a ferocious warrior, unarmed, standing on one foot. This likeness was on a secondary altar whilst the main deity, also represented by a portrait, was of the first emperor of the Sung, Sung T'ai Tsu. The temple keeper explained that the Fifth of the eight sons of General Yang Ling Kung, who is better known as Yang Yeh, was a bodyguard to the first emperor of the Sung. A story related in Tainan county claims that a herdsboy who, having picked up a piece of wood which had the outward appearance of a Buddhist priest, was playing with it. A teacher, having seen him with the odd-shaped wood, requested a medium to clarify whether it was an image of a spirit. He was taken aback when the answer was an affirmative and that the spirit was that of a local man who had been borne off to Heaven in the not too distant past. Furthermore, the deceased had been an incarnation of the loyal Sung "minister" [sic], Yang Wu Lang, who had now become a Buddha. The piece of wood was placed on the altar in the village temple where it is prayed to as the spirit of the Fifth Son, and known as Yang Wu Sai Yuan-shuai 吳賽元帥. An image of a black-bearded general with protruding eyes, five flags on his shoulder rack, and a magic sword raised in his right hand, stands on the main altar of a rural temple in Muar near Malacca. He is only known as Yang Wu Shih is said to be "the Fifth Son of a famous general who lived a thousand years ago". Yang Yen-chao, is known as Yang the Sixth, Yang Liu Lang or Liu Shih-yeh. His image on the main altar in the temple near Taichung is one of two individually identified. The temple near Taichung would appear to be the only temple in Taiwan in which the Sixth Son is the main deity and the temple keeper, proud of his deity's uniqueness, explained that Liu Lang was captured by the Tatars and had even married a Mongol bride. His image has not been seen in any temple in South-east Asia though a story told in Penang claimed that a massacre of Fukienese by an army under a 'cruel general, Yang Liu Lang' continued for several days until, on the 8th of the first lunar month, many were able to escape by hiding in sugar cane fields. Ever since, annually on that date, sugar canes with foliage have been placed ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 FROM THE HON. EDITOR As regular readers of the Journal will agree, I am not a particularly vocal editor. Neither have I, as yet, published any of my own work in the Journal as I believe that one either writes or edits, but not at the same time. I believe, however, that this millennium edition merits a short message. Council of HKBRAS determined quite some time ago that this volume of the Journal merited something special, hence the dust jacket featuring T'ai Sui, the God of Time. T'ai Sui seemed appropriate to the fundamental purpose of this particular volume. Secondly, you will see that it is appreciably thicker than the average. My instructions from council are generally for a volume of about 200 pages. To celebrate the millennium, however, it seemed warrantable to waive this restriction. In this latest volume, I have tried for true variety and have dug deep into my 'box.' I have also put in a generous number of 'Notes and Queries' so as to give exposure to more of those who have taken the trouble to contribute. The prolific and eminently readable Keith Stevens is, as usual, very much in evidence. And now, I will let you get on with reading this new volume and I hope that it gives you much pleasure. I wonder whether council, who asked me to do a special volume for the end of this millennium, is now thinking that it would be a good idea to do one to celebrate the start of the new one?! ii P.E.H. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 65 hand holding a precious object including a rosary, cudgel, jar, spear, pagoda, golden arrow, halberd, or bell, etc. and it is therefore not surprising that the images of Chun-t'i on the altars of both Buddhist and folk religion temples portray her with eight or eighteen arms and hands, the main two hands being held palms pressed together before the chest in prayer. The uppermost hands hold discs of the Sun and Moon respectively and the remainder, individually, hold various attributes including a seal of office, a sword, shield and fly switch. She is variously represented with three heads though predominantly she is depicted with one head with three faces one of which is that of a sow. Chun-t'i again often has a third eye in the centre of her forehead, usually a Taoist form but attributed to her Indian origin as a metamorphosed caste mark. She is generally portrayed sitting on a lotus throne in the same posture adopted by the Buddha and, in one of her poses, also by Kuan Yin P’u-sa. According to Werner the legend explaining the third face being that of a sow and the creatures supporting the lotus also being pigs relates how one of the abbesses of the Semding monastery in Tibet in whom the goddess Chun-t'i was believed to be successively incarnated, had an excrescence resembling a sow's ear at the back of her head. In northern and central China in Tantric Buddhist temples, the Lamaist goddess Maritci, portrayed in a chariot drawn by seven pigs is identified as Chun-t'i; in the south however, where Tantric Buddhism hardly penetrated, images identified as Chun-t'i are said by priests, should devotees enquire, to be the Brahmanic cult of Maritci. However, in Tibetan and Mongol [Tantric] Buddhism Tou-mu is a common deity with her three eyes and many arms; she is considered to be an incarnation of Avalokitesvara, the bodhisattva known throughout China as Kuan Yin and this doubtless explains the confusion with Kuan Yin in central and southern China. She has been identified as Tou-mu Yuan-chün, the main deity in the T'ai Sui Hall in the Jade Emperor temple in Tainan, where she is flanked by two Tantric aides, Ch'ieh-ch'ih and Yao Ya. In her Taoist form she is portrayed seated on a lotus, again of Indian origin, which in a number of temples rests on the back of a tortoise which in turn rests on three or seven pigs. Most likely this is no more than a reflection of the tale in the Feng-shen Yen-i in which one of the disciples of Tou-mu, Shui-huo Tung-tzu, who changed into a tortoise, bore off Tou-mu to the Western Heavens. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 86 pray to him for the blessing of a son. However, in Cholon [Saigon] his image, seen in several temples are known as Tzu-wei Ta-ti but identified as T'ai-sui, the god of the planet Jupiter and of Time, though in the major Jade Emperor temple in Cholon images of both T'ai Sui with his bell and Tzu-wei astride his lion stand side by side. His standard image in Cantonese communities portrays him as a clean-shaven youth with large round protruding eyes, astride or sitting side-saddle on a reclining mythical beast, possibly a stylised lion. He is holding a seal aloft in his right hand, a talisman bearing the inscription "The Star looks Straight On" R. He also has a unique feature, a flag pole behind him on to which is fixed a sheathed sword. The youth holds a conch shell in his left hand and is dressed in only trousers and a cape which hangs round his neck and down his back. He is wearing shoes and has neck-length hair which is held in place by a tiara from which two objects, like insects' feelers, protrude upwards. In yet another tale, an extraordinary and complicated legend, an emperor had eighteen robes specially embroidered for the Eighteen Lohan. These were being delivered by a trusted minister who reached their palace in the Western Heavens only to find seventeen Lohan. He sought the eighteenth and found him dead in the kitchen crawling with big fat lice. As this Lohan was the god of the star Tzu-wei and this star represented the emperor of China, the minister knew immediately that the emperor had died since his departure and the spirit of the dead Lohan had been incarnated as the new emperor. The minister was puzzled - what he should do? Finally, he placed the cape around the body of the dead Lohan and returned to Earth bearing a box from the other Lohan which would, they assured him, prove that he had accomplished his mission. When, after months of travel, he reached home, the new emperor opened the box and out flew a crane up into the sky and back to the stars. Artists customarily depict this in their portrait of Tzu-wei. 39] Lei Shen The Spirit of Thunder Lei Shen is portrayed and named as such in only one of the two temples, the Pi-yun Ssu. The problem is that Lei Shen, as such, has been noted on remarkably few altars. Lei Kung, the God of Thunder is ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 142 have to admit I can hardly understand Waters' Cantonese most of the time. His tones are not perfect and for myself I have difficulty understanding second language Cantonese speakers. I'm sure that Waters is more fluent and accurate than I am, "It was difficult [to learn Cantonese] as an older person. If you learn it as a child, it's easy...I still know my tones are not good by any means. As a rule, I can get away with what I want to say because of the context." 171 Waters reads, but does not write Chinese characters very well. As we talk about learning the characters, Waters jumps up from his recliner and stands with legs apart to mimic the character for the word person (yan), then outstretches his arm for the word big (tai), and adds another mark in the middle for the word sky or heaven (tien). He is fascinated with the way Chinese characters are built. In an article on Chinese and Western humour, Waters wrote: "How can you expect the Chinese who cannot, usually, stand the smell of cheese, be able to understand the complex English. But you can argue too, how can the British, who cannot enjoy a succulent chicken's foot for breakfast, understand the Chinese?" It's true that not everyone can appreciate a chicken's foot. I played the role of a typical overseas Chinese or juck sing, for many years. I had been too squeamish and maybe snobbish, to have anything to do with chicken feet. Only recently have I tasted them, and honestly, really enjoyed the clear white variety, with garlic dip. The Hong Kong Branch of the RAS has published 38 volumes of its journal, which focuses on local customs, culture and history. Volume 38, a special Millennium and 40th Anniversary Edition entitled “T'ai Sui, The God of Time," came out in December 2000. The 39th is expected out mid-year while the 40th is due by the end of the year. "If someone wants information about a temple in Kwun Tong or a temple in Tuen Mun, as a rule, you can find something about it in our journals. They are quite unique in their own way and there's nothing really quite like them," said Waters. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 158 my own embarrassment, these expatriates interviewed in this story know more about the language and culture than the writer, a Hong Kong-born, Canadian-raised Chinese... Throughout the 40th anniversary conference, Sinn popped on and off stage, before and after speakers did their bits, and said many wonderful things about them. In Reverend Smith's case, she threw her arms around the learned, gentle senior citizen and gave him a kiss on the cheek. Sinn was equally emotional when it came to Dr. Waters. She displayed the same affection, a strong squeeze of his hand and a light peck on the cheek. The lady in the green cheong-sam would certainly make a good first Chinese president. T'ai Sui, The God of Time... As part of its anniversary celebration, the RAS published a special journal that included many new articles about Hong Kong culture and history. It was entitled, "T'ai Sui, The God of Time," and copies of it would be sent to every member, a couple of weeks after the conference. The conference itself ended with a special ceremony. Dr. Waters was asked to the stage and Sinn presented the president with a gift. Waters unwrapped the box to find a traditional Chinese birthday present — a 24-carat gold peach set in a clear plastic box and wrapped with a red ribbon. The president was noticeably delighted by the thoughtfulness of the vice-president — it was very obviously Sinn's idea — and his RAS colleagues. He thanked Sinn with a big hug and, speaking in a slightly choked voice, thanked the audience. A scan of the room made it evident that the warm feelings that day were mutual. Holding back tears, Waters, who would step down as president in a few months, clutched the gift and waved it high in the air like a hard-won trophy. The gift was in recognition of his friendship and his service and also his birthday. He turned 80 just over a week ago, thanks to T'ai Sui, the God of time. ================================================================================