RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 NOTES AND QUERIES 165 Malay title dato. As for Mo-lo-cha, an abusive expression for an Indian, I see the Portuguese element mouro, 'a Moor'. The slang term for Indian in Macanese is still moro- the area round Belilios Terrace in Hong Kong was once known as mato moros, 'hill of the Moors' because of the large number of Indians living in the district. This name was transformed by folk-etymology to the good old Christian matamoros ‘kill the Moors'. Santiago (or St. James) is nicknamed 'matamoros' in Spain to this day. Moreover the Indians in Malaysia are referred to by the Portuguese of Malacca as moros, whether they be Muslims or not. The Muslim Malays are never so named. In the Philippines the non-Christian inhabitants of Mindinao and other southern islands are also known as moros, a name given them by the Spaniards. The old pidgin records collected by Leland in the nineteenth century also give moloman as the pidgin English word for Indian, so that there is no more reason to derive mo-lo-cha from Maharajah than to imagine that Hong Kong ever was a fragrant harbour. University of the West Indies. St. Augustine, Trinidad. ROBERT WALLACE THOMPSON NOTES 1 Itcheong-U-Lam and Ian-Kuong-lam, Ou-Mun Kei-Leok (Monografia de Macau), Macao, 1950. 2 Chang lu Lin and Yin Kuang Jen, Ao Men Chi Lüeh (Gazetteer of Macao), Canton, c. 1751. See also Bawden C. R. "An eighteenth century Chinese source for the Portuguese dialect of Macao" in Silver Jubilee Volume of the Sinbun-Kagaku-Kenkyusyo, Kyoto, 1954, and Thompson, Robert Wallace, "Two synchronic cross-sections in the Portuguese dialect of Macao", Orbis, tome VIII, No. 1, Louvain, 1959, A NOTE ON LAND MEASUREMENT AND TENANT RENTALS IN HONG KONG. Land Measurement Under the laws of the Colony of Hong Kong all land is Crown Land, albeit some of it is under lease. The right to resumption of leased lands for a public purpose is retained in all leases. The following notes on local Chinese custom have mostly been acquired during investigations for the purpose of presenting the Crown's ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h THREE CHINESE DEITIES 181 He has also been seen as a typical standing image of a civil mandarin, when the only method of identifying him was by the title painted on his stand or pedestal. In Kalgan, as will be described below, he is depicted naked with claws, beak and wings. In some temples, the images of deities known not to be T'ai Sui or Ying Ch'iao, are called T'ai Sui by the temple keepers, and are prayed to as T'ai Sui. Some of these misidentifications are even to be seen perched on wads of hell money. The best example of this are the distinctive images of the boat people of the Pearl River and Southern Kwangtung province which are to be seen in Singapore and Ipoh, labelled as T'ai Sui, and standing on hell-money. One of these seen in Hong Kong is an image of the Pearl River boat people, normally called the Dragon and Tiger General (*). This is an image of a young man with his right arm raised holding a sword, and his left arm hanging by his side. He wears a robe of green with an animal's face as a stomacher, and with a dragon under his left foot and a tiger under his right. On one instance only, as is to be seen in the photograph, he is to be seen labelled the "Tai Sui who flew back" () and is standing on a pile of hell-money. (Plate 18) Father Doré says that images of T'ai Sui in the Yangtse Valley have six arms, are bald with ear tufts, and three eyes; they wear Taoist crowns and hold in their six hands two swords, a ball and flames, a spear, and a branch of a tree. There are thirty-six deities painted as murals on the walls of one Singapore temple, most of whom are Heavenly Masters (A B). Amongst them is Yin Ch'iao, standing, dressed in armour, but with a bare chest and with six arms holding the usual items. Marshal Yin Ch'iao appears, therefore, to be one of the 24 Heavenly Generals and also one of the 36 Heavenly Masters. In several works he is given 10 assistants, the last four being the gods of the year, the month, the day and the hour. Their names are given as follows: Li Ping (李丙) Hwang Ch'eng-i (黃承乙) Chou Teng (周登) and Liu Hung (劉洪) All were said to have been slain at the famous battle between good and ... described in The Deification of the Gods, at Wan Hsien Chen (萬仙陣). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n BRUNEI A HISTORICAL RELIC 17 and ruled over people not territory per se. The structure was somewhat feudal in social terms. "Everyone owned somebody else; everybody was owned by someone" is not too inaccurate a description of society. Southeast Asian traditional society was, and is, hierarchical. Headmen of villages owed allegiance and tribute to a riverine chief; the chief (pengeran or dato) in turn owed allegiance and was protected by a higher chief, a prince, or his sultan. The feudal dues of protection downward and allegiance and tributary payment upward pertained. The sultan was a despotic ruler, but a limited despot, restrained in practice by a council of the chief princes of the royal blood, whose sanction was usually necessary in important matters. One of the chief functions of the council was to provide for the succession. Brunei on the northwest coast was well located in a flourishing trade center between China on the north and the Arabian-Indian dominated trading system of south Asia. Brunei suffered the fate of most maritime southeast Asian states when European mercantile monopolizing practices entered Asia. The Dutch and the British eventually wrested the dominance in the south Asian trading system from the Muslims. At the same time Spanish encroachment from the north considerably limited Brunei's power. The result was a falling-off of trade and a shrinking of revenues. A long, slow decline set in. The sultan's power, his ability to collect revenue and tolls and to command respect for his title, shrank until he could be said to hold authority only over the immediate coastal and riverine areas close to Brunei Bay. 17 While Spain neither acquired nor probably coveted Borneo, the impact of Europeans in the 16th and 17th centuries, plus the declining fortunes of Brunei, caused a vacuum of sorts around Borneo which was filled by pirates. The pirates of the area were nominally Muslim seafarers from southern Philippines and Borneo -- some were impecunious princes of the royal houses of Sulu and Brunei -- who raided shipping and coastal villages; whose communities were, by the 19th century, located all around the northern coasts of Borneo in territory nominally within the sultan's realm. As he could neither tax nor control the pirate communities, and as his revenue-income was shrinking or already non-existent, the sultan often condoned piracy. Sultans and princes invested in pirate cruises and shared the profits. Brunei Town became one of the major pirate ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 136 In imitation of a real altarpiece the Dormition of Mary is followed higher up by an image above a rose window representing the Assumpta, or the Assumption of Mary into heaven, a favourite theme of Iberian retables, often combined with the theme of the Dormition. Above her there is a high relief of the Trinity with a Golgotha group at the summit. These images are quite typical of the iconography of contemporary retables and follow the sometimes-convoluted theological arguments of the Christian art of the period. As the intricacies of the Late Gothic style gave way to the Italian Renaissance, the artistic potency of retable-façades persisted under different forms, dimensions and styles, and in different places. It spread to Southern Spain after the Reconquista, where it developed its own Renaissance characteristics. Later, mainly in a Mannerist style, it appeared in Portugal. Finally some of the most amazing examples of the genre sprouted in Spanish colonies in Mexico and Peru in a Baroque and Rococo style, sometimes displaying the artistry, or otherwise, of indigenous craftsmen. Although such structures are not usually found in Portuguese colonies, there are nonetheless unusual developments in the decoration of some Jesuit church façades in Portuguese India, which can give insights to later developments in their Macao church. The study of these Indian examples is also useful in another respect. Instead of studying the Macao church in isolation, as is usually done, a comparison with these and a selected number of buildings in India can help us obtain a more coherent chronological and stylistic perspective for the façade of Madre de Deus. To trace back some of these developments in Jesuit architecture the city of Goa, today known as Velha Goa, is an obvious starting point because of its importance within the Portuguese empire in Asia. In fact, soon after Afonso de Albuquerque captured it from Yusuf Adil Khan in 1510, it came to be considered by the Portuguese as the capital of the whole Portuguese Empire in the East. It eventually became not only the seat of the vice-royalty, but equally of a huge Bishopric, which encompassed the entire region from the Cape of Good Hope to China. In the seventeenth century it counted some seventy religious establishments, including thirty-one churches. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g -reinfo 141 brackets, enclose a window. Typical Late Renaissance ornaments and geometric designs of various kinds, such as spheres on pedestals, top the entablature and pediment. Jesuit Churches in India Perhaps the most ingenious exploitation of the motif in India was by the Jesuit Fathers, whose building schemes form such an important part of the history of art of Colonial Iberian architecture in Asia and the Americas. It can be seen not only on the façade of the now vanished collegiate church of São Paulo in Velha Goa, but also in the Church of their College of São Paulo in Baçaim. The Arch of Triumph decoration of their Baçaim church is of great interest for my main argument because at least one art historian has noticed its structural similarities to that of retables. David M. Kowal's recent article implies that not only the façade of the Baçaim collegiate church, but also that of Velha Goa should be so considered and he describes them as "retable-like." Not all art historians would classify any of the church fronts in Portuguese India as retable-façades, including those of the Jesuits, although it is difficult to dismiss D. Kowal's claim for these two churches.13 The name of the church at Baçaim, built between 1561-1579, is actually Nome de Jesus (Name of Jesus). Its large Arch of Triumph indeed resembles those appearing in a number of Renaissance retable-façades in Southern Spain, such as that of the church of St. Elizabeth, in Seville. As far as the Arch of Triumph motif itself is concerned, the most important sixteenth-century example in India may be seen in the Church of São Paulo in Velha Goa. Moreover, one could take 1560, the year when building of the new college and church of São Paulo were initiated, as signalling a more ambitious phase in the Society of Jesus' architectural projects in India. When it was completed in 1572 São Paulo was not only the first major church built by the Jesuits in India, it was also one of the most masterful Portuguese churches in Asia, attesting to the importance that the Jesuit fathers attached to it.15 Its association with St. Francis Xavier ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 162 1993, p. 154. Morais, Carlos Alexandre de, Cronologia Geral da Índia Portuguesa, Lisbon-Macao, 1993. Ms. Amita Bairg, UNESCO heritage consultant on India, kindly provided number of churches and convents in 17th century Velha Goa. 10 Arches of Triumph appeared in church portals at the time in Andalusia, in Southern Spain. For Vandelvira's career and famous treatise on architecture, see Barbé-Coquelin de Lisle, Tratado de Arquitectura de Alonso de Vandelvira, 2 vols. Albacete, 1977. "V. Fraser. "Architecture and Imperialism in sixteenth-century Spanish America”, Art History, 9, No. 3, Sept. 1986, pp. 325-35. "The Architecture of conquest: building in the Viceroyalty of Peru, 1535-1633", 2 volumes, Ph.D. diss., Uni. of Essex, Colchester, 1984. 12 George Kubler's classic thesis on the plain style of Portuguese architecture forms the subject of his book, Portuguese Plain Architecture: Between Spices and Diamonds, 1521-1706, Middletown, Conn., Wesleyan University Press, 1972. For a recent discussion of this style, see Miguel Soromenhos' article, "Classicismo, italianismo e ‘estilo chão'. O ciclo filipino", in História da Arte Portuguesa, direcção Paulo Pereira, Volume 2, Lisbon, 1995, pp. 377-403. See in particular pp. 383-86. 13 David M. Kowal, "Innovation and Assimilation: The Jesuit Contribution to Architectural Development in Portuguese India", in The Jesuits, Culture, Sciences, And The Arts, 1540-1773, University of Toronto Press, 1999, pp. 482 and 488. It is somewhat ironic that D. Kowal uses the term "retable-like" for the portal decoration of the façade of São Paulo. Professor J.B. Bury dismissed an exact term in the first assessment of my MPhil thesis (see note 1) as not precise enough, one which I eventually gave up. 14 See flap of vol. 2, in Barbé-Coquelin de Lisle, op. cit, for illustration of the seldom reproduced portal of Saint Elizabeth Church. 15 Documenta Indica, (edited by Josef Wicki) Rome, “Monumenta Historica Soc. Iesu", 18 vols, 1948-1988. For São Paulo, see vol. 4, pp. 726-27; vol. 8, pp. 584-86; vol. 9, p. 491. For an interesting reconstruction of the site of Church and College see, Schurhammer, G., Francis Xavier, vol. 8, Jesuit Historical Institute, Rome, 1980, p. 457. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 312 * Li Zee-min (1950) Chinese Potpourri. Hong Kong: Oriental Publishers [He relates a local Hong Kong legend about the arrival of the young emperor escorted by Lu in what is now Kowloon, fleeing ahead of the Mongols. Li claims that the headman of the Hakka walled village of Kowloon was Tan Gong who died during the last battle with the Mongol fleet when Lu, with the emperor in his arms, jumped overboard to their deaths]. Couling, Samuel (1917) Encyclopaedia Sinica. Shanghai: Kelly and Walsh 11 Yu Dayu is recorded as being a native of Fujian who died in 1573 having made his name as the victor in the struggle to defeat the Japanese pirates along the coast of China and in particular that of Zhejiang. 12 Yang Xiuqing as one of the leading lights of the Taiping Rebellion, to whose military genius much of the early success of the movement was due. He was known as the Taiping Eastern King [Prince], and professed to be the spokesman of God. After the capture of Nanjing by the Taipings he established his palace in the yamen of the former Viceroy and lived in great state. By 1856 he had begun a campaign of political and religious intrigue to usurp the position of leader and to overthrow Hong Xiuquan, the founder. His plans were uncovered and he, his family and thousands of his supporters were slain by Wei Changhui, the Taiping Northern King. 13 extracted from the Transcription of the letters written from China to Milcote, Stratford on Avon by Thomas Adkins between 1855 and 1879 by courtesy of Theo Christophers of Dorridge, West Midlands : November 1999 14 Hymes, Robert P. (1986) Statesmen and Gentlemen: The Elite of Fu-chou, Kiangsi, in Northern and Southern Sung. Cambridge: Cambridge University Press 15 Although the name was known much earlier Mao Shan has always been the centre of a Daoist sect. [see Kita Aziya gakuho, a Japanese Journal, Vol. 2] 16 Doré, Henri S.J. (1914) Recherches sur les Superstitions en China. Shanghai [Zikawei] : La Mission Catholique : Vol. XI 17 Werner, E.T.C (1932) A Dictionary of Chinese Mythology. Shanghai: Kelly and Walsh ================================================================================