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NOTES AND QUERIES

and Mr. Stephen J. Karsen at an altitude of about 700 metres on Lantau Peak on 19 October 1979 that it became possible to confirm the identification of this species on the basis of both stages of its life cycle. Subsequently, two more of these frogs were found by Father Anthony Bogadek: one at around 690 metres altitude on Tai Mo Shan on 26 October and the other between Lantau Peak and Ngong Ping (altitude not recorded) on 9 November 1979.

Leptobrachium pelodyroides has been recorded—as Megophrys pelodytoides from Fukien (= Fujian) in China by Pope (1931, p.447). It has also been listed (under the name Carpophrys pelodytoides) for China from Yunnan, Guizhou, Hunan, Zhejiang, Fujian, and Guangxi (Anon., 1977). These frogs as represented in Hong Kong are closely related to certain other geographical populations of frogs, for example in Thailand and Malaysia, and evidently there is need of a comprehensive study. Until one herpetologist can bring together specimens, which should include tadpoles, from all related populations for comparison, the geographical limits of Leptobrachium pelodytoides will remain undefined.

One of the adult frogs and two of the tadpoles recorded here from Hong Kong have been presented to the Field Museum of Natural History, Chicago. The others, except for one of the frogs, are in my own private collection.

My thanks are due to Dr. Robert F. Inger (Field Museum of Natural History) for most helpful observations, and to all those mentioned above for kindly presenting me with specimens.

REFERENCES

Anonymous (Compiled by the Amphibians and Reptiles Research Department of The Biological Research Institute of Sichuan Province)

1977 Systematic Keys to China's Amphibians. (In Chinese) Science Press, Beijing.

Pope, C. H.

1931 Notes on Amphibians from Fukien, Hainan, and Other Parts of China. Bull. Am. Mus. nat. Hist., Vol. 61, pp. 397-611.

Hong Kong, 8 February 1980

J. D. ROMER
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disasters. the second is for those who died because of plague. The final reason is to thank the benevolent governors Wang Lai-ren and Zhou You-de of the beginning of the Qing dynasty. In my opinion, all these reasons can be integrated into the first one.

(d) Chan Wing-hoi "The Tangs of Kam Tin and their Jiu festival", Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989) 302-375, a rich and detailed account of the lineage, its temples and villages, and the festival which draws them together.

Dr. Faure gradually switched his interest to the Pearl River Delta while Prof. Tanaka, as I was told, is now looking at Sichuan province. Talk on publishing a book on Hong Kong Jiao festivals has been going on for years by members of the "Research Circle of the Regional Society of Southern China''. In 1990, the editorial board of the society set up a schedule to compile a book focusing on the Jiao festival. It is expected that papers on various aspects will be completed by the end of April 1991. (Correspondence from the society dated 28.12.1990)

Schipper, Kristofer M., "The Written Memorial in Taoist Ceremonies" in Wolf, Arthur P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford University Press, 1974), 324,

For example, according to Chan Wing-hoi, villagers of Shek O celebrated their 16th Jiao in 1986 (Chan, 78). The Dengs in Kam Tin claimed to have celebrated their Jiao since 1684 (Tanaka, 918).

See for instance Basel Mission Archives, doct. Al-6, No. 51 (1869), and doct. Al-7, No. 51 (1870) and Der Evangelische Heidenbote, July 1867, in which a missionary describes how he was forced to go to the Magistrate to get his support before he could avoid having to pay his share of the Jiao expenses. All these cases are from Hsin An County. The Sha Tin poem will, it is hoped, shortly be published by Dr. P.H. Hase.

These two series are part of the 15 series of historical documents collected by Dr. D. Faure and others in the New Territories. Copies of the collections are kept in the libraries of CUHK, Hong Kong University, Sha Tin Regional Council Library, and Institute of Oriental Culture, Tokyo University.

31

Tanaka Chugoku no Sozoku to Engeki [Lineage and Theatre in China] (Tokyo Univ. Press 1985), 608. Jiao festivals celebrated by the powerful communities in Hong Kong like Kam Tin, Ha Tsuen, Lung Yeuk Tau etc., were all performed by the Zhengyi Taoist group, led first by the late Master Lin Pei and now by Master Chan Kau. Another Zhengyi Taoist group is led by Master Chan Wah. However, many Taoist priests work for both groups. There are also other Taoist groups who performed for the Jiao festivals, like a Cantonese group which performed for Ho Chung and a Heklo group for Cheung Chau. In 1983, four out of five Jiao festivals were performed by monastery Taoists. It is not clear whether it was because of tradition or out of economic reasons. A comparison of the two Taoist groups has yet to be made.

14 Choi Chi-cheung **Sho matsuri no jinmei risuto ni mirareru shinzoku ban'i” [Kinship as seen in the name lists of Jiao festival] Bunka Jinnú Gaku 5 (1988): 131, table L. 35 **Shinshi men" [Section of Believers] in Fanling Wenxian (Historical Literature of Fanling) vol. 8. This brief account records details of the arrangement of the Jiao area, including the contents of couplets, names of deities invited, location and direction of matshed stages, and the sacrifices prepared etc.. See n. 32 for the depositories of Fanling Wenxian.

36 See (1972) Lin Chuan [Lam Tsuen] Xiang Taiping Qingjiao huiyi jilubu in Dapu [Tai Po] Wenzian [Historical Literature of Tai Po] vol. 1. (see n. 32 for depositories)

37 Tanaka Issei's three books, all published by the Tokyo Univ. Press are: Chugoku Saishi Engeki Kenkyu [Ritual Theatres in China] (1981), Chugoku no Sozoku to Engeki [Lineage and Theatre in China) (1985), and Chugoku Kyoson Saishi Kenkyu: Chihogeki
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Southern China, as the Liannan document saying the Lü Shan Jiu Lang (written Lu Shan Jiu Lang) buried his father on a mountain in Gaozhou.

One major source of information of religious practice during the Song is the Southern Song work of anecdotal literature, the Yi Jian Zhi. It made frequent mentions of the well-known styles of Daoist magic such as the Thunder Magic and the Tian Xin Zheng Fa, the Buddhist Weize spell related to the Yujia style of exorcism, as well as various popular gods, and magicians who were neither Daoist or Buddhist. Some of these lay magicians practiced magic of the Daoist and Buddhist varieties mentioned above. Noticeably some of those lay magicians blew the horns [of animals] in their rites, and some were practicing what is called Mao Shan magic. It curiously made no mention of Lú Shan Jiu Lang or his immediate disciples found in Bar's passage.

But as I have mentioned, sources on Chinese religion of ancient times do have many examples of divinities with names of the same form as the Lú Shan Jiu Lang and his colleagues. The latter appear to be part of the trend between Tang and the Five Dynasties during which many of these other divinities are recorded. Some of the popular gods mentioned in Yi Jian Zhi do bear four character names ending with a numeric character and lang, resembling the names of Lü Shan Jiu Lang. Earlier examples include the Zhu Wang San Lang shen mentioned during the Southern Dynasties, which the book alleges to be the name in use at its time of writing in Yielang county in the present Sichuan Province, although in this example San Lang referred to three people rather than one. During the Tang, a work of anecdotal literature recorded that during the Emperor's visit to the mountain god of Huayue, he was told about a San Lang, who appeared to be a son of the god. Another work of anecdotal literature of about the same time recorded a female shaman(?) who specialized in communicating with the Jin Tian Wang (God of Hua Shan) and his son Hua Yue San Lang. This name, and many others, which are closer to Lu Shan Jiu Lang in form, is also found in Tang stories included in the Song compilation Taiping Guang Ji. During the Five Dynasties the Lu Yi Ji recorded a Pan Gu San Lang temple in a Guangdu county of the present Sichuan Province. An early Song work on the history of the Five Dynasties mentioned that in the year 932 the Emperor of Hou Tang conferred a title (styled "General") to a Tai Shan San Lang. Early during the Song it is reported

41
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that around what is now northern Jiangxi Province there were many temples dedicated to a god known as Jiu Lang. A story in the Song work Yi Jian Zhi mentioned that a god of a Sichuan temple “was popularly known as Er Lang." This last example is also important in that it testifies the persistence of the lang title: although the god had more prestigious titles from the Emperors, the oral tradition still used the old one. In the Yao document from Liannan one sees a list of five gods each associated with the Five Yue Mountains in a similar form, from Dong Yue Yi Lang to Zhong Yue Wu Lang.

Lang as a title for sorcerers is also mentioned in the Tang compilation Dao Dian Lun in the Daoist Canon, which quoted Mingzhen Ke, an earlier work, saying that ritual experts of “excessive cults" called themselves gu (for female) and lang (for male).

The use of lang for man as a title is found not later than the Han dynasty. According to Zhao Yi, during the Han officials of higher ranks were allowed to appoint their sons as lang. Therefore, according to this work of Qing dynasty, people's sons were called lang as an address of respect. Earliest examples of such usage include the Tang dynasty scholar-official Han Yu's short composition to mourn his elder brother's son, a Shi Er (12) Lang. The Song work of anecdotal literature Yi Jian Zhi also mentions quite a lot individuals bearing names of this form. In two cases explanations seem to be suggested for those names: one because he was wealthy, the other because he knew how to communicate with gods. In both cases the use of a name in the lang form seems to imply respect. This may explain partly why this form of name was adopted as a title of gods as well as sorcerers and initiates of magic.

54

We have relatively more information about Lú Shan Jiu Lang's disciples, who appear to be masters of magic rather than the son of mountain gods. The Cantonese priests' manual contained an entry for Zhang Zhao Er Lang, the last in Bai Yuchan's list. We learn that Zhang Zhao Er Lang were two persons, both from Huainan Xian, probably within the present Anhui province, origin. They studied under Lu Shan Jiu Lang, giving up their positions as high-ranking officials of Qingzhou and Zhangzhou, two prefectures I have failed to identify, to practice magic. One of them was called Zhang Zhao Wu (5) Lang who conquered crocodiles and other sea monsters in the sea of...
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Legends surrounding the birth, life and death of Xu Sun are numerous, complicated and tangled stories. Just before his birth his mother is said to have dreamed that a golden phoenix dropped a pearl from its beak into her hand. A popular story claims that he was born either in Henan province or at Nanchang in Jiangxi, ca AD 240 where he lived out his life as a saintly doctor. Xu Sun passed the imperial examinations, became a prefect of a district and distinguished himself by his benevolence. According to some versions, his popularity was due to his power and ability to heal diseases using secret preparations. Others claim that he was an official who, having served in Sichuan province, died in about AD 293 or AD 374 when still only in his fifties. In another version, a typical mythological finale to a virtuous and extraordinary life, he died at the great age of 134 and was borne off to Heaven 'together with his wives, children, dogs, chickens and beasts'. 

Members of the Daoist Jingming sect claim that he was the founder of the cult with its centre at the temple dedicated to him in Nanchang city. This no longer exists; however, a temple dedicated to him in the small town of Xi Shan [Western Hill] some twenty miles south-west of Nanchang, is the present cult centre. A large notice before his altar in the temple informs devotees that he lived during the Eastern Jin [317-420 AD] and during a twenty year struggle managed to solve the problem of annual flooding in the province and that he should be revered mainly for his success in water conservancy in northern Jiangxi, particularly around the Boyang Lake. The notice also claims that he lived for 136 years. 

His cult centre in Xi Shan is now a bustling temple complex with two main halls and some four lesser halls set in large grounds. The two large main halls, side by side, are dedicated one to Xu and the other to the Jade Emperor. The inside walls of the hall dedicated to Xu are lined with some twenty or so anonymous minor perfected lords whilst the Jade Emperor's hall is lined by sixteen guardian generals, again unnamed. The Jade Emperor is flanked by four major Daoist deities, the philosopher Lao Zi; the founder of the Heavenly Master sect Zhang Daoling; the doctor of the Eight Immortals Lü Dongbin and the Northern Emperor, Zhen Wu. The main altar in Xu's hall bears two images of Xu, one tall gilded statue of Xu standing, and a smaller, portable image of him sitting swathed in red robes. Neither has any unique characteristic and he is depicted with a black beard, pink face and holding a tablet in both hands before his chest. He is attended by two youthful attendants.
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this paper to examine the role of tea in relation to opium and the resulting conflict. For tea, too, was an addiction of sorts, though perhaps without all the deleterious effects of opium.

Tea and the Chinese

The origin of tea is hidden in the remote mists of antiquity and more than enough theories of its discovery exist, mostly legendary. One date keeps cropping up - 2737BC - the legendary year that attempts to pinpoint the discovery, and attribute it to the Chinese emperor Shen Nung, the Divine Healer. Like many great discoveries, it was reputedly made by chance. Shen Nung, concerned about hygiene, used to boil his water for drinking. One day, while boiling water, a gust of wind blew leaves from a branch burning under the pot into the water. A marvellous aroma overtook Shen Nung. The branches came from a tree whose formal name today is Camellia sinensis.

While other theories may claim a different origin (a Buddhist connection has been suggested), no one questions that tea as an industry began in China. Did the plant originate in China? Chinese sources claim that the tea tree is indigenous to Hunan Province, in Southwest China, where it grew wild in the mountains, where no other plant could grow. Cultivation of tea, however, appears to have begun around 350AD along the Yangtze River, in Sichuan Province, spreading to Yunnan and through southwest China into the central provinces. By the 5th century AD, tea had joined other products as a popular article of trade. It is not surprising, therefore, that tea's excellent qualities were known to the Chinese since early times, and that drinking tea as a pleasurable pastime had spread throughout the country. A brief attempt to tax tea, in 780 AD, was met with wide public outcry and had to be rescinded. This was also the year in which the first book on tea was published - an important milestone in its history. It was a monumental work in which the author Lu Yu of the Tang Dynasty dealt with tea in detail and from every possible aspect. One can only wonder at Lu Yu's deepest knowledge of the subject. His description of various shapes of different leaves verges on poetical. He described the code of conduct in relation to tea, from which the Japanese had probably derived their tea ceremony, and which in China had evolved into a social custom bordering on ritual. Some would assert that after the conquest of the Songs, at the end of the 13th century, the Tangs' romance of tea disappeared and tea
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Hong, was a special deity said to save people from the 'fifteen bad deaths.' Images of both Yin Hong and Yin Jiao flanked that of the Jade Emperor on the latter's altar. The brothers were portrayed, rather surprisingly, sitting naked and with claws, beaks and wings. Grootaers writing about the Kalgan district of northern China, said that Yin Jiao was never seen on altars except as an attendant of the Jade Emperor.

In a small folk religion temple at the roadside in Kuala Selangor an image of Taisui has a tiger sitting beside him and when asked the reason for this the temple custodian explained that Taisui keeps a tight control over the tiger who would otherwise eat people's luck. A similar image, holding a bell in his right hand and with a pair of tigers, stands on the Taisui altar in a temple in Cholon [Saigon].

In Ningbo in the 1890s the Gods of Time, of the year, months, days and hours were, according to one missionary, all represented with long black moustaches, and with the central one seated beneath a triple scarlet umbrella richly embroidered in gold representing the highest emblem of authority.

Sixty images [presumably Taisui, though the observer did not actually spell it out] ranged down the side walls of the Temple of the Three Emperors in the Native City in Shanghai in 1906, with twenty-six on one side and thirty-four on the other. Paper 'shoes' representing silver sycee [money] were burnt as offerings.

Other images of Taisui have been referred to in all parts of China by western travellers in groups of sixty. One traveller, Grainger, noted all sixty in one temple in Chengdu, the capital of Sichuan province in 1921, were worshipped for rain and called 'The Spirits of the Rain Dragon of the Year' [Dangnian Xingyu Longshen].

The Legend of Taisui

19

18

The story of Yin Jiao begins with him being born a lump of formless flesh which so horrified his father, King Zhou E, that he ordered it to be abandoned outside the city walls. The lump was recognised as an immortal, the caul split open and the child removed. Cared for by a hermit he was brought up and nursed by one of the Eight Immortals, He Xiangu. When he came of age he was told about his birth and about
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of victorious battles he captured Kaifeng and Luoyang where he had himself proclaimed emperor of the new dynasty of Greater Yan. His further campaigns and those of his subordinates were at first victorious; however, they then began to suffer a series of defeats at the hands of Guo Ziyi, one of China's most renowned generals, whose successes led to increased loyalist resistance to the rebel forces.

A major consequence of the rebellion of An Lushan, was the withdrawal by the emperor of his forces garrisoning the North-west thereby losing control over China's far dominions in Zungaria and the Tarim Basin [today's Xinjiang province] for the best part of the next thousand years.

For a while it seemed that the balance was turning in the emperor's favour. However, the Capital garrison at Chang'an [Xi'an] was incapable of resisting the attacks of the rebel forces and after the defeat of his main army on the banks of the Yellow River the emperor in great alarm was forced to flee Chang'an accompanied by some of his entourage. They fled west heading to Sichuan province ahead of the rebel advance. En route, at Ma Wei, his escort mutinied, killed Yang Guozhong and forced the emperor to order the Concubine Yang be strangled to pacify his discontented guards. Stories have varied but the most popular versions claim that the emperor had no choice but order her to be strangled by his chief eunuch or that she was forced to commit suicide. On reaching the safety of Chengdu, the capital of Sichuan, the heir apparent had been persuaded to usurp the throne. Weary and distressed the old emperor, now in Chengdu, gave his assent to the new reign and became the retired emperor. The new emperor bestowed the title of Taishang Huangdi

upon his father but kept him under house-arrest.

The heir-apparent made his way to Lingzhou in Gansu where he was proclaimed emperor Su Zong and was soon joined by two armies, one under Guo Ziyi. By 757 Guo had recovered the main and subsidiary capitals of Chang'an and Luoyang from the rebels, whereupon the new emperor summoned the former emperor back to Chang'an to ensure that he would not be the focus of any further intrigue and threat, where he died in 761. The father was then canonised as Zongming Huangdi

though usually he is still referred to as Ming Huang.
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the altar and the altar table is a typical temple offertory box into which devotees have thrust cash offerings [Photograph 3],

Both the sad emperor Tang Ming Huang and his putative doctor, Lei Haijing, are both popular religion cult deities revered particularly in Fujian communities. Images vary from temple to temple, all being standard scholar-official figures with none having any special attribute or feature

Some believe that Lei Haijing, commonly referred to as Marshal Tian Dou, (Tian Dou Yuanshuai), when his image is on an altar, was a doctor who accompanied 'the Emperor in the West' during his flight. After Lei died during the emperor's escape to Sichuan province his spirit remained on, guarding and protecting the emperor who

Saw and recognised the two characters 'Tian Dou' of his protector floating in the air. And once he had arrived in the relative safety of Sichuan the emperor created Lei Haijing - Marshal Tian Dou.

Others claim that Lei was a musician popularly referred to a thousand or more years ago in Fujian as the 'Marshal'. Lei Haijing is another patron of actors, but predominantly from southern Fukienese communities. There are two Marshals Tian Dou revered on altars within Fukienese communities, with their legends so enmeshed that they virtually become one and the same deity.

In the most commonly repeated legend Tian Dou was a young prince named Lei Haijing, whose age has varied from ten to his mid-twenties. He lived in Fujian province where he was obsessively keen on practical jokes and opera. As a twenty-year old he lived for pleasure and one day having used his position and rank to force a married woman spend the night with him woke to find that she had painted a crab around his mouth in indelible ink, some say to punish him, others to ensure that his lasciviousness received wide publicity. The prince got away with it the first time by telling his friends that he had painted the crab on his mouth for amateur theatricals; however, when he forced her yet again to spend the night with him she painted another crab on his forehead which this time he was unable to explain away. Another version claims that he slept with a young girl who as a joke painted the crab around his mouth whilst he slept and again, several nights later, as he had been so annoyed at the first joke she drew one on his forehead
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In 755, during the revolt of An Lushan, Guo helped defend the capital, and in 760 he was despatched to recover territory from Central Asian barbarians and finally, three years after the Turfans [Uighurs] had captured the capital, Guo raised an army and drove them out, more by cunning than military force. The disasters which broke out during the declining years of the Tang Ming Huang emperor were suppressed chiefly by the vigour and determination with which Guo wrested province after province from the hands of the insurgents. He spent a considerable part of his life in warfare and was uniformly successful.

His images in temples in Northern and Central China usually portrayed him as an old mandarin, with a parted beard, both halves held separately in each of his hands, and with a tiered hat. Occasionally his image depicted him as an old man, sitting, with a long white beard and a white robe, carrying a ruyi sceptre engraved with the four characters for 'Everything shall be as You Desire'. According to one sect, the Jin Dan H., Guo is said to have founded the sect in collaboration with Lü Dongbin, the doctor of renown and one of the Eight Immortals. His image on altars in Sichuan was referred to as Cifu Tianguan14 where he was regarded as a God of Wealth.

No images of Guo have been noted on temple altars in Taiwan, Hong Kong, Macau or South-east Asia, though a temple in Haikang in Tainan county bears the hall title of Fenyang Dian and contains on its main altar not an image of him but one of a local provincial cult deity, Guangze Zunwang, the patron of the Guo clan.

Both Mesny and Timothy RichardR claim that Guo Ziyi was a follower of Nestorian Christianity, Mesny even claiming that Guo's name was carved on the famous Nestorian tablet at Xi'an.

We move on to images of the two major deified heroes of the era on temple altars who have had their historic figures embellished by tea-house story-tellers down the centuries include:

Zhang Xun✯ and Xu Yuan,F are heroes of renown and unique deities whose images have been seen on temple altars in Zhejiang, Taiwan, Hong Kong and South-east Asia [Photographs 6 and 7]. Both are protective deities worshipped particularly by the southern Fukienese, both within Fujian province and in southern Fukienese
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Marshal Tiandou is the patron of actors and a popular deity revered in particular by southern Fujianese. He is said to have been Lei Haijing, the doctor who accompanied the Tang emperor during his flight to Sichuan province during the An Lushan rebellion. After his death in exile his spirit remained with the emperor as his protector. This image, with the crab painted round his mouth, is in the same small temple in Seremban in central Malaysia as Tang Ming Huang.
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1101. Though well known for his poetry, he was a celebrated scholar-statesman who has been deified by popular acclaim. However, though not recorded as such, it would be unlikely for him not to have been deified by posthumous imperial decree, an honour coming into vogue at that time.

He was born in Meixian in Sichuan province and died in Changzhou in Fujian shortly after being permitted to leave exile on Hainan island. His father was a distinguished scholar, and owing to his father's long absences from home, Su received most of his education from his mother. At the age of 21, he entered the state examinations and headed the list of competitors. He rose in public office and was prominent among the strenuous opponents of the political economist, Wang Anshi. His first fall from grace in 1079 was from ministerial office when he was downgraded to be Governor of Hangzhou Fu. In 1086, at the start of a new reign, he was restored to favour but again incurred imperial displeasure, this time being exiled, first to Huizhou in Guangdong and finally to the semi-barbarous island of Hainan in 1097 where he was appointed to the petty office of sub-prefect of Yaizhou. During his exile, having complained that Hainan was wild and its "frontier" people, settlers from the mainland, without culture, he took a genuine interest in their welfare as well as the welfare of the original non-Chinese inhabitants. He was permitted to return from banishment in ca. 1100 and died shortly after. He spent the four years of his exile in Hainan in Wenchang, in the north-east of the island, and was the first great name in Chinese history connected intimately with Hainan. His memorial temple in Haikou in Hainan island is now a museum. Within the grounds of the temple is the spring which he is said to have had dug during a severe drought.

d] Zhu Chuping was a magistrate in Hainan who had preceded Su Shi in the post as magistrate by some twenty years.

3: Major Hainanese Deities noted in all Hainanese communities

These are uniquely Hainanese Gods

13

a] Images of the Marquis of Wenzhou, Wenzhou Houwang

I have been seen only on altars in temples founded and run by ethnic Hainanese. According to devotees, he is uniquely worshipped
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husband of Mrs. Archibald Little who was a traveller and writer in her own right and who in 1895 founded the Heavenly Foot Society for the suppression of the cruel practice of binding and spoiling the natural feet of Chinese girls.

The story now goes back thirteen years. In 1885 Little planned to set up a company to build a couple of steamers after his own design to sail up to Chongqing to open up the vast and fertile province of Sichuan. This led him first to spend six months in one of the ordinary boats of the river learning all he could about the rapids, swirls, currents, depth and other details of the upper waters of the river.

He went back to London where he soon formed a company, and an experimental steamer of five hundred tons burden was put on the stocks in Glasgow from designs drawn by Mr. J McGregor, the chairman of the company, conforming to the designs furnished by Archibald Little. The steamer was completed during the summer of 1887, and shipped in sections to Shanghai, where she was put together by one of the local ship-builders and launched towards the end of 1887.

She was christened the Kuling, and was about five hundred tons burden, one hundred and seventy-five feet long and twenty-eight broad. She was eight feet deep, perfectly flat-bottomed and drew only two feet four inches of water empty, a mere trifle over four feet with a full cargo, and was especially adapted for navigating rocky and dangerous rapids. The boilers and engines were amidships. She was driven by two sets of compound engines, with a stroke of five feet, and worked with a pressure of one hundred and sixty pounds of steam. She had two stern wheels and a balanced rudder astern of the wheels.

The Kuling reached Yichang at the end of February 1889 and all was ready for the passage through the Gorges, when Mr Gregory, the British consul, backed by the Chinese authorities, refused to allow the steamer to proceed, as no permit had been received from either the Zongli Yamen [Chinese Department of Foreign Affairs], or Sir John Walsham, the British Minister at Peking.

The rest of the story was so characteristic of Chinese procrastination and delay. To put it simply and bluntly, the British Minister refused to coerce the Chinese in any way, and so the Kuling was eventually sold and the scheme abandoned.

The matter of the Upper Yangzi navigation remained in abeyance until the Chinese defeat by the Japanese in the war of 1895 when the
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they listened to his plans to modernise China and how he could raise the capital to assist them succeed in doing so, they always went their own ways, often adapting his plans but - as he stressed - without his guiding hand they were never the success they could have been had he been permitted to supervise them.

In 1905 he described how back in 1879 he had travelled to Sichuan from Guiyang where he had been trying to persuade the Guizhou Provincial Governor, Chen Yuying, to develop the resources of the province by means of a railway from Guiyang to Yongxian in Guangxi province, connecting that city with Canton by a line of steamers on the Yun and West Rivers. He then spent over six months in Chongqing, again offering to supply funds and plans for building suitable steamers to navigate the upper waters of the Yangzi, through the Gorges as far as Chongqing and beyond to Yibin. He added that he was able to speak with authority on the navigation of the upper Yangzi by steamers, "but no one would listen to me, and even intelligent foreigners, when consulted on the subject, declared I was a visionary and an imaginator of many impractical plans. Some ten days later in a subsequent issue of his Miscellany he wrote 'Whilst here in Shanghai in November 1875, I offered to superintend the construction of a suitable steam-boat for navigation on the upper Yangzi, as far up as Yibin and Chengdu, but the wise Britishers of those days declared that was an impossibility, because British naval officers had studied the subject and declared it to be impossible. I proved to be a good quarter of a century ahead of the progressive age.' Steam-boats now navigate the Upper Yangzi for all that, though they are not as useful as they might have been, had they been devised and constructed under the guidance of a mastermind!

3

Paul King : In the Chinese Customs Service: Heath and Cranton Ltd : London : 1924.

Archibald John Little : Through the Yang-tse Gorges or Trade and Travel in Western China: Sampson Low, Marston & Co.: London : 1898 [Third and Revised Edition].

Facing p. 288 of Little's book, Through the Yang-tse Gorges or Trade and Travel in Western China.

William Mesny: Mesny's Chinese Miscellany : Shanghai : 1st January

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Beigu Shan

The Ganlu Si [Sweet Dew Monastery] is situated in the north-west corner of the city on the summit of Beigu Shan, a low hill with steep cliffs down to the coast. It is the site described in the old legend of the marriage of Liu Bei, the ruler of the Kingdom of Shu. Traditional operas and tales of teahouse story tellers based on this legend are still popular today. The romantic legend, which may have a genuine historical basis, is said to have taken place during the Three Kingdoms period, 2nd century AD, when Liu Bei was the ruler of the kingdom of Shu [in what is today Sichuan and then, one of the Three Kingdoms]. Liu went to the rival state of Wu [nowadays Jiangsu province and part of Zhejiang] and married as his secondary consort the sister of its ruler, Sun Ce, whom we have already mentioned. He is said to have either courted or married her in the Sweet Dew Monastery during his stay there. Another version claims that Liu Bei was invited by Sun to visit the Sweet Dew Monastery to meet his future mother-in-law. Sun actually planned to have Liu assassinated though Liu learned of the plan and escaped taking the ruler's sister, Sun Shangxiang, with him. Yet another version describes how Sun Quan, the king of Wu and brother of Sun Ce, was displeased by Liu Bei's failure to return a piece of land he had borrowed from Wu. Sun offered Liu the hand of his sister in marriage but planning all along to withdraw the marriage offer when the ceremony was about to be held and Liu Bei was in Wu territory. At the same time he would require Liu to hand back the land. Liu's secret agents warned him of the plan and Liu managed to get Sun Quan's mother and, of course, the prospective bride, to meet him at the Ganlu Temple. They were delighted with what they saw and immediately consented to the marriage. Sun was furious at being outsmarted and not only losing his sister but without even regaining the land.

The dating of Liu Bei's visit and the conventional date of the foundation of the temple during the Eastern Jin dynasty cannot be reconciled unless Liu Bei's host, Sun, had a palace on the site which two hundred years later was either converted into the temple or the temple was built on the site of the palace.

The Ganlu Si iron pagoda was first built during the Tang, originally with nine storeys. However, down the ages natural disasters have removed the top five, though a further two storeys have been added.
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