RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g NOTES AND QUERIES 169 NOTES I am most grateful to Mr. Yuen Chun-fang, Liaison Officer, Secretariat for Chinese Affairs for help with the interviews which yielded part of the information given above. 1 Reports on the Past and Present State of Her Majesty's Colonial Possessions, 1845 (London, W. Clowes & Sons, for H.M.S.O., 1846) p. 147 and the same for 1846, p. 230. 2 G. R. Sayer, Hong Kong, Birth Adolescence and Coming of Age (Oxford, University Press, 1937) p. 208, quoting from the Canton Press, February 1842. 3 Sayer, p. 91. 4 Sayer, p. 30. 5 A. R. Johnston (H.M. Deputy Superintendent of Trade) "Note on the Island of Hong Kong" first published in the London Geographical Journal Vol. XIV, and reprinted in the Hong Kong Almanack and Directory for 1846. 6 Hong Kong Government Gazette for 28 March 1857 p. 4, Table No. 4. 7 The Last Year in China......by a Field Officer actually employed in that Country. 2nd edition (London, Longman, Brown, Green and Longmans, 1843) p. 75. 8 K. S. MacKenzie, Narrative of the Second Campaign in China (London, R. Bentley, 1842) p. 160. 9 See Hong Kong Administrative Reports for 1934, 1935 and 1936 at pp. Q.86, Q.84 and Q.81 respectively. 10 This information, like any other for which no specific source is quoted, comes from Mr. CHOW Chik-san of Kau Wai, aged 77 and Madam CHAN CHOW Ping of San Wai, aged 81. 11 Rev. W. Lobscheidt, A Few Notices on the Extent of Chinese Education and the Government Schools of Hong Kong (Hong Kong, China Mail office, 1859). 12 See Summary of Report of Squatters Commission 1891-1906, pp. 97-103. This volume of MSS. is kept in the Library, Colonial Secretariat, Hong Kong. 13 For accounts of Cantonese and Hakka see J. Dyer Ball, Things Chinese (Hong Kong etc., Kelly and Walsh Ltd., 4th edition, 1903) pp. 202, 211 and 323-326. 14 LO Hsiang-lin and others, Hong Kong and its External Communications before 1842 (Hong Kong, Institute of Chinese Culture, 1963) pp. 80-88. This is the English translation of the text, but not the notes, of their work published in Hong Kong in 1959. 15 This information is taken from the accounts given at p. 5 of Prof. Woo Sing-lim's The Prominent Chinese in Hong Kong (Hong Kong, The Five Continents Book Co., 26th year of the Chinese Republic, 1937) published in Chinese and English and at pp. 578-579, under the name CHOW Cheong-ling, of Present Day Impressions of the Far East and Prominent and Progressive Chinese at Home and Abroad, published in London, Shanghai etc. by The Globe Encyclopedia Company, 1917. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r CHINA MEDICO-CHIRURGICAL SOCIETY 23 • Lancer and cross: biographical sketches of fifty pioneer medical missionaries in China, comp. by K. Chimin Wong [Shanghai] Council on Christian Medical Work, 1950, p. 14-16. Europe in China: the history of Hongkong from the beginning to the year 1882, by E. J. Eitel, Hongkong, Kelly & Walsh, 1895, p. 180. * Information on the officers and committee members during the brief history of the Society in these two paragraphs, except where otherwise noted, derives variously from the Friend of China, the Hong Kong almanack and directory for 1846, and the Hongkong register, as well as the Transactions. 9 As well as in the Transactions, p. 1-2, the record of this first meeting appears in the Friend of China, v. 14, no. 40, May 17th 1844, p. 754, and the Chinese repository, v. 14, 1845, p. 245. 10 Presumably John Williams & Co., Book Sellers & Publishers, 18 Wellington St. "next house to the Roman Catholic Chapel.". From an advertisement in the Hongkong register, v. 18, no. 40, Oct. 7th 1845, p. 162, it appears that the shop also sold everything from fowling pieces to "rare old aniseed brandy". 11 Royal Society of London: Catalogue of scientific papers, 1800-1900, London, 1867-1925. 12 U. S. Surgeon-General's Office: Index-catalogue of the Library: authors and subjects, Washington, 1880-1950. Periodical articles are entered only under subject. 13 The chronicles of the East India Company trading to China, by H. B. Morse, v. 5: Supplementary, 1742-74. Oxford, 1929, p. 101. 14 Trans. p. 27 gives June 8th, but this must be an error, as Dr. Hobson's letter was dated June 15, 15 "The history of medical education in Hong Kong" by Sir Lindsay T. Ride, in Inauguration of the Li Shu Fan Medical Foundation, 3rd March 1963: commemoration volume [Hong Kong, 1963] p. 41. 16 The medical missionary in China... by William Lockhart, London, 1861, p. 141. 17 Royal Asiatic Society. China Branch, Transactions, v. 1, 1847, p. 76. 18 Chinese repository, v. 14, 1845, p. 288-91. 19 Anonymous writer quoted by V. H. G. Jarrett in the South China Morning Post; and H. A. Rydings in JHKBRAS, v. 8, 1968, p. 63. 20 Catalogue of works in the Morrison Library, City Hall, Hongkong, including also a synoptical index. Hongkong, printed at the China Mail Office, 1873. 21 The names adopted were, successively, the Philosophical Society of China (5 Jan. 1847), the Asiatic Society of China (19 Jan, 1847), and the China Branch of the Royal Asiatic Society (7 Sept. 1847). 22 Royal Asiatic Society. China Branch. Transactions, v. 1, 1847, p. 71. 23 Ibid. p. 23. 24 J. R. Jones, op. cit., p. 2. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 BOOK LISTS 169 ference on Records, Salt Lake City, Utah, 12-15 August 1980 "Chinese Clan Genealogies and Family Histories: Chinese Genealogies as Local and Family Histories", published in Volume 11 of its Proceedings, "Asian and African Family and Local History". These are from the Tsuen Wan sub-district of the N.T., mostly in manuscript. I have also collected on Lantau Island. In all cases a xerox copy has been taken and the original has been returned to its owner. (b) Handbooks of family and social practice These are available in printed and manuscript form. Those purchased and included in this list are a sample of the types that come onto the local book market. (c) Almanacs I have collected modern editions of various Hong Kong publishers from 1949 on, by the following firms: 聚寶樓, 廣經堂, 永經堂, 福安堂 and 明記. Besides these, I have also purchased the listed earlier works, variously from Hong Kong, Canton-Fatshan, and Shanghai. (d) Collections of couplets for every occasion This was a popular field, judged by the numbers seen.* The attached list shows how Shanghai publishers took over collections earlier published in Canton. (dd) Riddles and Proverbs I attach a few titles from this interesting sub-group. "Proverbs are not devoid of attractiveness and charm, especially as they often appear as couplets, sometimes rhymed", writes Patrick Pichi Sun in his foreword to Seven Hundred Chinese Proverbs translated by Henry H. Hart (Stanford, Stanford University Press, 1937). Riddles were * They abounded in the towns and countryside. An interesting collection of couplets from buildings of the Ch'ing period in the Sha Tou Chen sub-district of Nan Hai county of Kwangtung is given at pp. 101-110 of the 36th anniversary bulletin of the Nam Hoi Sha Tau Association, Hong Kong, published by the Association in 1964. Couplets by famous Cantonese are featured in two articles by Chin Yung (A) entitled TSLA LO in Vol. 12, Nos. 1 and 2 of a Taiwan publication ✯✯ A, 71st Year of Chinese Republic, 31st March and 30th June (1982). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 59 Serious measures were taken to change the whole social and political structure of the town. NOTES Preliminary note: Although the present paper is to a great extent based on fresh research, the following works have been of considerable use as they contain material about the government of the International Settlement: Feetham, Justice Richard: "Report to the Shanghai Municipal Council" 1931-1932. Johnstone, W.C.: "The Shanghai Problem", 1937. Jones, F.C.: "Shanghai and Tientsin", 1940. Kotenev, A.M.: "Shanghai, its Mixed Court and Council", 1925. Montalto de Jesus, C.A.: "Historic Shanghai", 1909. Port, F.L. Hawks: "A short history of Shanghai", 1928. 1 The International Settlement at Shanghai was formed in 1863 by the amalgamation of the original British Settlement (formed in 1845, but later increased in area) with the so-called American Settlement in the Hongkew area which had grown up without formal establishment in the 1850s, and early 1860s, and which had been formally recognised by the Chinese earlier in 1863. The French Settlement (formed in 1849) always remained separate from the International Settlement. Outside the area of the foreign settlements lay the old Chinese city and suburbs: these remained under Chinese rule, and became subject to the Greater Shanghai Municipality when that was set up by the Chinese authorities in 1927. * Cf also Treaty of the Bogue, article VII, "ground and houses, the rent of which is to be fairly and equitably arranged for, shall be set apart by the local officers in communication with the Consul." 3 Population figures for intermediate years are, 1,666 foreigners and 75,047 Chinese in 1870, and 6,774 foreigners and 345,276 Chinese in 1900. Of the 13,536 foreigners resident in 1910, 4,465 were British, 940 Americans and 3,361 Japanese. Of the 38,940 foreigners resident in 1935 no fewer than 20,242 were Japanese, as against 6,596 British and 2,015 Americans. + * Text of the 1845 Land Regulations (LR) is in Shanghai Almanac 1853. It is not too fanciful to suppose that persons willing to move to as remote a place as Shanghai in the 1840s were likely to be particularly strongly imbued with the contemporary belief in individualism, with its consequent hatred of despotism and paternalism; this almost certainly assisted in the speedy breakdown of the 1845 Land Regulations to something far more individualistic in tone. • North China Herald (NCH) 30.7.1853. * J.H. Haan: "De opkomst van de International Settlement te Shanghai 1845-1865. Een historisch — politicologische analyse" ("The rise of the International Settlement at Shanghai. A historical-political analysis"), unpublished manuscript University of Amsterdam, 1977; chapter II. Cited as Haan "Shanghai". Cf NCH 22.7.1854; text of draft LR in NCH 30.7.1853, 27.8.1853; final version in 8.7.1854. NCH 22.4.1865. 10 NCH 17.3.1866. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 60 J. H. HAAN 11 NCH 17.3.1866, 24.3.1866. 12 Final LR 1869 in e.g. Feetham, I, p. 68-83. 1* NOH 29.5.1852, 5.6.1852. ** NCH 13.4.1861. 16 NCH 29.6.1861, 18 10 NCH 5.4.1862; cf also NCH 5.12.1863 and 25.6.1864. 17 In Hertslet: "Treaties between Great Britain and China and Foreign Powers", 1908, Volume II, p. 686-687. 19 Cf. NCH 13.4.1861. 10 Cf R. Bendix: "The extension of citizenship to the lower classes" in R. Bendix (Ed.): “State and Society", 1973, p. 251; also Guido de Ruggiero: "The history of European Liberalism", 1967 (Repr). 20 NCH 11.11.1854. 21 Ibid. ** NCH 9.12.1854. ** Cf. NCH 23.12.1865, 30.12.1865; Kotenev, p. 18-19. * NCH 22.4.1865. * NCH 17.3.1866; for the discussion about this affair cf. also Haan "Shanghai" p. 95-100. 24 NCH 17.3.1866. * NCH 5.7.1851. 28 NCH 29.3.1852. **NCH 22.6.1861. 30 NCH 27.8.1864, * Cf. J.H. Haan: "De buitenlandse concessies en settlements in the 19e en 20e eeuwse China" ("Foreign concessions and settlements in 19th and 20th century China"); unpublished manuscript, University of Amsterdam, 1972, Volume I, p. 47. ** NCH 5.12.1863. 34 NCH 28.11.1863. ** NOH 24.3.1863. * Shanghai Almanac 1855. 56 Johnstone, p. 56. 27 NCH 5.7.1851. 宫 ** NCH 29.6.1861. 30 NCH 5.4.1862. * For a detailed account of membership of the MC 1849-1866 see Haan, "Shanghai", appendix II, reprinted as the appendix to this article. 41 Cf Johnstone, p. 243-247. * For this and the following scheme of Feetham, Volume I, p. 112-130; Johnstone p. 227-242. ** NCH 22.4.1865. ** Cf NCH 10.3.1866. 45 People's Tribune (Shanghai), 16.3.1935, p. 358. ** China Weekly Review 24.3.1934, p 119. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 NCH: North China Herald SA: Shanghai Almanac Adv. Advertisement d.d. dated Adv. NCH 26.6.1852. 2 NCH 6.4.1861. NCH 10.12.1864. NCH 4.2.1865. 5 NCH 18.3.1865. NCH 6.5.1865. 7 Adv. NCH 26.1.1861. 4 Adv. NCH 17.1.1863. 9 Adv. NCH 3.8.1861. 223 10 Adv. NCH 20.9.1862 and earlier (d.d. 14.6.1862). 11 China Directory 1874. 12 He does not yet appear in the list published by the NCH 3.8.1850; CR January 1851 mentions him as a resident of Shanghai, 13 Adv. NCH 1.1.1853. 14 NCH 31.1.1852, 15 NCH 25.9.1852, to NCH 14.1.1854. 17 Adv. NCH 14.3.1857. 14 Adv. NCH 22.3.1861. 19 NCH 13.6.1863. 20 Adv. NCH 3.12.1853. 21 NCDHL 1890. 22 China Directory 1874. 23 SA 1856. 24 Adv. NCH 13.6.1857. 25 Cf. Liu Kwang-ching: "Anglo-American Steamship Rivalry in China 1862-1874” (1962), p. 179, note 9; Eldon Griffin: “Clippers and Consuls” (1938), p. 94, n. 21 and p. 306, n. 6; NCH 28.1.1858, 26.1.1861; see also Hao Yen-p'ing: “The Comprador in Nineteenth Century China" (1970), p. 26ff. 26 CR January 1850, Jan. 1851. 27 NCH 8.4.1854, 21.11.1863, 5.12.1863; SA 1856. Probably not the whole period because his partnership in Russells was interrupted. 28 NCH 6.4.1861, 29 NCH 13.6.1863. JNCBRAS, Vol. VI (1871). 31 JNCBRAS, Vol. XII (1878). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 200 rash decision to marry the first that came". Another actor who was to become a local Roscius. Mr. Phunago BRUSHWOOD, "gave the somewhat unusual stage character of a double-faced farmer (Wurzel) all the selfish cunning and irritable tone which it needed". Other parts were taken by Miss Polly DEXTER, Mr. HEAVISWELL, Mr. Jehoshaphat SNAKES and Mr. PLEADWELL (as the lawyer!). In Box and Cox Messrs PROTEUS, BRUSHWOOD and Mrs. CLAY "kept the audience in a roar" (NCH 22.2.1857). 3.3.1857 (Tue) Dramatic readings from Charles Dickens by Mr. Benjamin SEARE. Th: C ― R: In the Herald of February 28 it was announced that "we are apprized by 'Circular' that an entertainment of a novel character in Shanghai, but one which has greatly attracted the fashionable and literary world elsewhere, will be given by Mr. Scare in the Hall of the Shanghai Theatre on Tuesday Evening next the 3rd prox. The subject - The Early Writings of Charles Dickens is a theme affording scope for great versatility of talent. (...) The Community are much indebted to Mr. Scare for his gratuitous offer of an evening's intellectual amusement to diversify and enliven the monotony of Shanghai life. The Circular notifies that the divertissement will commence at half past 8 & precisely, that no personal invitations will be issued and that a syllabus of the Lecture will be placed in each seat for the use and acceptance of its occupant”. Then, in the issue of March 7, a report was published: "A large and select circle of residents had met in the New Theatre". It became a kind of one man show by Mr. Seare, as the "requirements of versatility and mimic power were most successfully supplied. (...) The lecturer was perfectly at home in each and all of the various characters as they turned up, passed from one to another with an ease that was admirable and portrayed each with a force of comic power which elicited much applause, and, to select the most appropriate compliment we can bestow, did justice to the author. All in all the audience was "kept in a roar”. Mr. Seare concluded with some general remarks on the necessity of some recreation of this kind in a community so distant from home and so isolated and comprising at the same time so much intelligence and ability" (NCH 7.3.1857). One wonders how Mr. Seare was able to give these lectures free of charge; had he been a touring artist that would of course have been impossible. But as it turns out he was a mercantile assistant in the employment of Gilman & Co (this according to the Shanghai Almanac for 1858). In May 1865 he gave another performance (see 27.5.1865). No further details are available about the programme, but no doubt the characters from The Pickwick Papers figured largely in it. Who, after all, can resist Mr. Pickwick, Mr. Jingle and Sam Weller? Dickens himself began readings from his own works one year later, in April 1858, in Britain and the United States. 26.3.1857 (Thur) J.B. BUCKSTONE: "A Kiss in the Dark" (1840) T: Farce (1 act) M.B.W. JERROLD: "Cool as a Cucumber" (1851) T: Farce (1 act) H. DANVERS: "A Conjugal Lesson" (1856) T: Farce (1 act) C: Amateurs Th: N.N. (CH R: In a witty mind "The Man on the Bund" informed us that "by way of introduction there was a kiss — and in the dark too! — perhaps the sweetest kiss of all, administered with enviable gusto by Mr. SNAKES as Fathom. Mrs. Pettibone submitted to it with less indignation than the fact of her being so much respected led us to suppose. But then, it was to punish the odiously jealous Mr. Pettibone who would insist on making Page 225 Page 226 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 207 plays; the wood scene we thought very effective and true to nature". This is one of the few times that at least some slight attention is paid to the staging of a piece. (NCH 8.5.1858). 28.9.1858 (Tue) R.B. SHERIDAN: "The Rivals” (1775) T: Comedy (prologue, 5 acts, epilogue), and two other, unnamed, light pieces C: Officers of H.M.S. Retribution Th: On board ship R: This must have been a long night for in addition to Sheridan's The Rivals (a full-length five-act comedy in which Mrs. Malaprop was played by "Mrs. Taylor") there were two other light pieces of which the titles have not been recorded. Small wonder then that "our reporter did not wait to see as the hour was late and he had to rise early to see the comet" — which had first been observed on September 15. (NCH 2.10.1858) 2.10.1858 (Sat) and 6.10.1858 (Wedn) Concerts by Mr. Martin Simonsen, violin, and some local amateurs. Programme: Charles Auguste DE BERIOT (1802-1870): Seventh air with variations, Martin SIMONSEN: "Sounds from Home", Heinrich Wilhelm ERNST (1814-1865): **Andante” (= Elegie?), N. PAGANINI: "Carnival of Venice", Some German songs. Th: Theatre Royal (C) R: That the scarce recitals by professional musicians did not draw the same public attention as the amateur actors has already been pointed out in the Survey. On October 2 the attendance was not large, but for the sixth "a considerable improvement" was observed and it was hoped there would be a full house on the 12th so that the artist would not be left **with cause to regret his visit to this remote place”. The critic, "'T.", gave himself an air of the specialist when he wrote that "though we do not find any attempt at the dignity and breadth of style which are the characteristics of the greatest performers of the age, we are glad to recognise an execution at once brilliant and lively and in some respects really astonishing"; and he regarded Mr. SIMONSEN as "a worthy member of that particular school of which De Bériot was one of the brightest ornaments (De Bériot was a famous violinist who had been forced by illness to end his career in 1852). It must be assumed that the writer had heard other musicians in Europe — where else? — with whom he could draw a comparison. These were the days without radio, gramophone or compact disc! He was apparently a lover of more serious music, for he added wrily: "We presume it is necessary occasionally to introduce pieces of a light and striking character, but for our own part we deprecate the production of such solos as 'Life on the ocean' **. As to those who assisted Mr. SIMONSEN "T." found it **creditable to this small Settlement that it can produce so able and numerous a body of amateurs who evidently study music for its own sake. We venture to ask them to persevere — it is a science which will amply reward its followers, which will repay a thousandfold its earnest students". (NCH 9.10.1858). In well-to-do circles in Britain a musical education was considered a mark of good breeding and probably a number of residents had acquired their instrumental skill in youth. Others could profit from the piano lessons that were advertised in December 1858: they were given "at moderate charges" and persons interested should apply to "D.D. at Mr. W.H. Moore's, Hongkew". Why all would-be artists in Shanghai were so mysterious about their true names remains an enigma. The initials D.D. do not suit any of the residents in the *Shanghai Almanac for 1858'. W.H. Moore is listed in it as a pilot. T ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 214 Jacob Grimes: F. Shannons These performances drew the largest audiences of the season", which statement causes some surprise seeing that it had only just started. But the house was filled in every part and a good number of ladies in the dress circle graced the occasion, while the parterre was so crowded that many of the spectators had to stand". Noteworthy were the scenery, painted by Captain Hamilton; and, in Crinoline Mr. PHILLIPS as the jealous husband “which would be considered excellent on the boards of the Adelphi” (NCH 14.3.1863). 16.3.1863 (Mon) Repeat of the former. 26.3.1863 (Thur) J.M. MORTON: "Fitzsmythe of Fitzsmythe Hall" (1860) T: Farce (1 act) J.M. MORTON: "Where There's a Will There's a Way” (1849) T: Comic drama (1 act) C: Amateurs (Local and British officers) Th: N.N. (G?) R: Casts: Where There's a Will: Dona Francesca: Mr. W. Hyslop (of Gibb, Livington & Co) Don Manuel: D.A.C.G. Ewing Don Lopes Avila: Mr. Raymur Dona Blanche de Tavora: Mr. A. Broom (of Jardine, Matheson & Co) Don Scipio de Pompolino: D.A.C.G. Cooksley Fitzsmythe: Fitzsmythe: D.A.C.G. Cooksley His wife: D.A.C.G. Hayter Penelope, their daughter: Mr. A. Broom Frank Tottenham: Mr. Raymur Gregory, servant: D.A.C.G. Ewing It was remarked about Mr. Raymur that "this gentleman was of a backward turn in his orthography". So a pseudonym after all; the hint though does not make it clearer. There is no Raymur, nor a "Rumyar" (which would be a very strange name indeed) in the "Shanghai Almanac for 1862” — the last one available. Could it be Mr. E.I. Remier? Although the review of the 13th February had not been negative, tonight's performances were, in the eyes of the Herald. "upon the whole an improvement on those of the first subscription night, and the audience expressed their approbation in a more decided manner, so that everybody seemed pleased with the evening's entertainment", Where There's a Will There's a Way, an elegant drawing room play situated in 18th century Portuguese royal circles, "was placed on the stage in a very creditable manner, considering the slender means and appliances as being tasteful, rich and, we presume, correct for the period, while the ladies looked quite charming in their elegant dresses; the whole apparently got up 'regardless of expenses as the London playbills have it". In Fitzsmythe the best piece of acting was that of Mr. HAYTER as the old lady who, like Mr. Jourdain, was "ambitious of having "quality" friends and finery, while in her domestic occupations she revelled in jam and soapuds The "languishing Penelope" of Mr. BROOM was also quite fascinating”. (NCH 28.3.1863). 17.4.1863 (Fri) Concert by amateurs in aid of the Lancashire Relief Fund. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 215 Programme: C.M. Von WEBER: "Der Freischütz", overture; by Messrs Essex and Ewing, piano. Sir Henry BISHOP: "Foresters sound the cheerful horn“ (glee). Heinrich PROCH (1809-1878): "Within the grove's deep shadow", a song by Mr. J.P. Tate, W.A. MOZART: String quartet No 7 by Messrs Tate and Howell (violin). Ewing (viola) and Essex (cello). William HORSLEY (1774-1858); "By Celia's Arbour" (glee), F. MENDELSSOHN-BARTHOLDY: "Andante, presto and allegro vivace" (from?) by Messrs Essex and Howell. Ibidem: “Andante and finale" (from?), by Messrs Essex and Howell, Sir Henry BISHOP: "Sleep gentle lady" (glee), William Vincent WALLACE (1813-1865); **The Bellringer", a song by Mr. Essex, F. von FLOTOW: “Allessandro Stradella", fantasia, by Messrs Essex and Howell, William HORSLEY: "See the chariot at hand", song, L. van BEETHOVEN: "Egmont", overture, played on two pianos by Messrs Essex and Ewing. Th: Theatre Royal (G) R: This was the first occasion on which the names of the amateur musicians who entertained the public were mentioned. Some can be traced in the **Shanghai Almanac for 1862”. others belonged to the military forces. Thus the names have come to us of the following gentlemen: H. Cope and E.C. Essex (both of Geo. Barnett & Co). D.A.C.G. Ewing. F.R. Gantwell (Silk broker), A.A. Hayes Jr (of Olyphant & Co), Howell, Inglis, J.M. Nixon (of Blain, Tate & Co). J. Priestley Tate (of Blain, Tate & Co; Municipal Council member 1861-1862) and J. Wheatly (of Reiss & Co). In general the Herald was very satisfied: "It was pleasing to see the gentlemen who volunteered to throw aside for the nonce the cares of business and entertain con amore their less gifted fellow residents with a charming chamber concert. Everything was conducted in a quiet gentlemanly manner so that we imagined ourselves in a drawing room more than a theatre. There was no attempt at grandeur of display or extraordinary performance on special instruments which characterize too much the quasi-musical taste of the day where the composition of the author is sacrificed frequently to the execution of the performer and the audience is led to think more of the latter than the former". These were rather stringent remarks for someone living in an area where very few opportunities arose to compare musical qualities of instrumentalists. Yet the argument of faithfulness to the author's or composer's intentions crops up from time to time and that was obviously regarded as important by the Herald. Unfortunately the acoustics of the theatre were not of the very best so that "Mr. TATE's delicate tenor voice (in the song by Proch) could not fill the house sufficiently for all to hear the diminuendo passages of his beautiful voice". (NCH 18.4.1863). The Lancashire Relief Fund had been established in order to help those in Britain who had become a victim of the stoppage of cotton imports from the Southern states of America (due to the Civil War), with the result that numerous labourers in the mills were laid off. 29.4.1863 (Wedn) Performances by the amateurs of the Royal Artillery. No titles of plays were recorded. Th: Theatre Royal (G) R: In consequence of the "great success" a "Second Fashionable Night” would be given on May 4th (NCH 2.5.1863). 4.5.1863 (Thur) As on 29.4.1863. 1.8.1863 (Sat) The last of a series of performances by Mr. Smythe's company. Soloists: Miss Amelia Bailey (singing) and Martin Simonsen (violin) Th. N.N. (H) Page 240 Page 241 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 219 Colins: Mrs. C.R. Faylor Love Laughs at Locksmiths Robin: Mes. C.R. Faylor Juliac: Mrs. E. Yeanians Dame Durden: Mr. E. Yeamans. Paddy Druden: C.R. Faylor Only an advertisement for this performance was published in the Herald of May 7. The stage often has its own laws as to the gender of the participants. In amateur theatricals, men dressed up as women à l'outrance, whereas in a professional company like the present one male characters were personified by ladies and vice versa! 14.5.1864 (Sat) Performance by the amateurs of the Royal Artillery. No titles of plays recorded. Th: N.N. (H) R: NCH 21.5.1864 17.5.1864 (Tue) Repeat of 14.5.1864. 26.5.1864 (Thur) J.M. MORTON: “Whitebait at Greenwich" (1835) T: Farce (1 act) C. MATHEWS: "Little Toddlekins” (1852) T: Comic drama (1 act) J.M. MORTON: “Poor Pillicoddy” (1848) T: Farce (1 act) C: Amateurs of the Shanghai Volunteer Corps F: Epilogue spoken by R.C. Antrobus, commander of the S.V.C. Th: N.N. (H) N: Final performance of the season R: For the occasion Edward LAWRENCE, who was a "practitioner at Law and Notary Public” according to the “Shanghai Almanac for 1862”, had written an epilogue which was read by the commander of the S.V.C., Robert Crawford ANTROBUS (member of the Municipal Council 1864-1865). And, as if to give more weight to its reception, the Herald added that “many of the ladies joined in the applause” (NCH 28.5.1864). 28.5.1864 (Sat) **An Evening at Home**: "Songs interspersed with anecdotes and conversation of the most lively description”. C: Mr. J.R. Black Th: Olympic Theatre (H) 31.5.1864 (Tue) As on 28.5.1864. 3.6.1864 (Fri) As on 28.5.1864. 13.6.1864 (Mon) "An Evening at Home - Great Jacobite Night" by Messrs. J.R. Black and Marquis Chisholm. Performance of the play The Advantages of Bonnie Prince Charlie or the Rising of 1745 (No piece with this title appears in HED), as well as ballads and songs (including 'Vi ravviso from Bellini's "La Sonnambula", act 1). Th: Olympic Theater (H) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 246 King, F.H.H. and P. Clarke: “A Research Guide to China Coast Newspapers 1822-1911”, Cambridge (Mass), 1965. Kosch, Wilhelm: "Deutsches Theater Lexikon", Klagenfurt, 1960. Kounin, I.I.: "The Diamond Jubilee of the International Settlement of Shanghai", Shanghai, n.d. (c. 1939). Kunitz, Stanley (Ed.): "British Authors of the 19th Century", N.Y., 1936. Lang, H.: “Shanghai considered socially", Shanghai, 1875. Lanning, G. and S. Couling: "The History of Shanghai", Vol. I.; Shanghai, 1921. MacGuire, Paul: "The Australian Theatre", Melbourne, 1948. MacLellan, J.W.: "The Story of Shanghai from the opening of the port to foreign trade". Shanghai, 1889. Makepeace, Walter, Gilbert E. Brooke and R. St. J. Bradwell (Ed): 'One Hundred Years of Singapore", 2 vols.; London, 1921. Maybon, Charles B. & J. Fredet: "Histoire de la Concession Francaise de Changhai'', Paris, 1929. Maude, Cyril: "The Haymarket Theatre, Some Records and Reminiscences" London, 1903. Mullin Donald (Ed.): "Victorian Actors and Actresses in Review", Westport, 1983 National Union Catalogue. 1 Nicoll, Allardyce: "A History of English Drama 1660-1900", 6 vols,; Cambridge 1952ff. Pal, John: "Shanghai Saga", London, 1963. Pearsall, Ronald: "Victorian Popular Music", Newton Abbot, 1973. "The Player's Library. A Catalogue of the Library of the British Drama League”, London, 1950. Pope, W.J. Macqueen: "Haymarket, Theatre of Perfection", London, 1948. Reynolds, Ernest: "Early Victorian Drama (1830-1870), New York, 1965 (reprint of 1936 edition). Riemann, Hugo: "Musik Lexikon", Berlin, 1916 (8th edition). Rowell, George (Ed.): "Nineteenth Century Plays”, Oxford, 1972. “Shanghai Alamanac” 1855, 1856, 1858, 1862; Shanghai, 1854ff years. **Shanghai t'ung yen-chiu tzu-liao (Shanghai Research Materials), Hong Kong 1972 (reprint of 1936 edition). Smith, C.; "The Hong Kong Amateur Dramatic Club and its predecessors" in: "Journal of the Hong Kong Branch of the R.A.S.", Vol. 22 (1982), p. 217-251. Thomson, Peter: "Plays by Dion Boucicault", Cambridge, 1984. Toll, Robert C.: 'Blacking Up. The Minstrel Show in 19th century America”, New York, 1974. Troubridge, St. Vincent: "The Benefit System in the British Theatre”, London, 1967. Wearing, J.P.: "American and British Theatrical Biography", London, 1979. White, Walter: "China Station 1859-1864", London, 1972. Williams, Harold S.: "Tales of the Foreign Settlements in Japan", Tokyo, 1972. Wright, Arnold and H.A. Cartwright: "Twentieth Century Impressions of Hong Kong. Shanghai and other Treaty Ports of China", London, 1908. Abbreviations: NOTES BGM: Boletim do Governo de Macao. NCH: North China Herald. SCR: Shanghai Commercial Record. 1 Performance 6.5.1852. NCH 8.5.1852. Only passing attention has been paid to the early theatre in Shanghai: Lanning & Couling. p. 429-430: MacLennan: p. 85-86. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 63 64 NCH 12.3.1859. NCH 12.3.1859. Lang, p. 51. 66 NCH 16.3.1861. 67 NCH 2.7.1864. 249 NCH 26.2.1859. 69 NCH 11.2.1865. Probably a detailed review had appeared in the North China Daily News, but as already stated in section II, this paper is not available in any library. 70 NCH 20.9.1856. 71 72 For the Hong Kong visit see China Mail 14.8.1856, 21.8.1856, 16.10.1856. NCH 14.11.1863. Dyce, p. 104, 74 NCH advertisement 6.2.1858. 75 NCH 31.1.1852, 23.2.1852. 76 NCH 25.3.1854. 77 Sec: Pearsall, p. 27-28. According to Wright, p. 390. 70 L 81 "Puck'', Vol. II, no I (March 3, 1873), p. 11, Barr, p. 110. Smith, p. 228-229. 82 Makespeace e.a., Vol. II, p. 387. 83 NCH 28.3.1857. **NCH 19.2.1859. 85 NCH 28.5.1864. 86 In Maybon & Fredet, fac. p. 368, with men playing the roles of women. HJ The title of the play is wrongly given as "Send me 5 shillings". 88 White, p. 23. 89 NCH 21.2.1857. 90 Lang, p. 50. 91 NCH 31.1.1852. 92 NCH 27.3.1852. 93 NCH 8.5.1852. 94 That the Commercial House and the Commercial Hotel were at least on the same premises can be deduced from the fact that they bore the same Chinese hong name: **E-lee#" i.e. I-li (of Shanghai Almanac 1856: Commercial House; 1858: Commercial Hotel). The Commercial House was opened in May 1853 (advert. in NCH 7.5.1853) “on the site of the late Victoria Hotel". It was temporarily closed some years later and re-opened as the Commercial Hotel on June 13, 1856 (adv. in NCH 14.6.1856) by two Frenchmen, Barraud and Barrazie. On November 15, 1858, the building was sold at a public auction (adv. NCH 23.10.1858) for £4,200 (NCH 20.11.1858). According to the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 250 advertisement announcing the auction the ground lot was No 32; this can be found on a plan of the Settlement in the archives of the London Missionary Society (Central China, Incoming Letters, Box 1, Fold. 2. Jack D). That the theatre was in a godown adjoining the Commercial House is mentioned in an advertisement for a book auction that was to take place there (NCH 1.7.1854) and another adv. in the NCH 9.8.1856 (“Old Theatre on the premises of the 'Commercial House'). 95 NCH 18.4.1857. 96 NCH 25.4.1857. 97 NCH 2.5.1857. 98 According to the Shanghai Almanac for 1855 Crampton's had rented lots 43 and 77. The plan in the L.M.S. archives shows these to be between Church Street and Bridge Street. 26.1.1856. 99 100 NCH 1.1.1859. 101 NCH 26.2.1859. 102 NCH 19.2.1859. 103 NCH 29.10.1864; adv. NCH 7.5.1864. 104 NCH 26.11.1864. 105 Cordier, III, col. 2232. 106 NCH 2.10.1852. 107 NCH 4.12.1852. 108 NCH 28.5.1864. 109 Information supplied at a meeting 16.11.1866; of NCH 24.11.1866. NCH 22.9.1866. NCH 17.11.1866. 112 Minutes in NCH 24.11.1866. 113 NCH 24.11.1866. 114 For a brief survey of the Lyceum Theatre see: Shanghai-t'ung, p. 487-491. 115 NCH 3.12.1864. NCH 25.6.1864. 117 Darwent, p. 99; cf also Maybon & Fredet, p. 264-265. Wright, p. 390. 119 White, p. 23. In the archives of the L.M.S. there are, in the correspondence, a number of references to printing activities, but they of course focus on religious tracts, etc. Only in some instances is there mention of "commercial papers printed" or "Job work" (letter 19.4.1853; Box 1, Fold. 4, Jack A). 120 NCH 7.5.1853. 121 NCH 12.3.1859. 122 NCH 1.8.1863. 123 124 NCH 13.5.1865, 20.5.1865. of Pal, p. 121. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 24 in 1884. He also claimed to have produced several minor booklets, one on Yunnan and another on Tonkin, and one article in the Royal Asian Society North China Branch Journal in 1891 on 'Yunnan: Its Treasures and Trade Routes'. He planned to incorporate the two booklets into what he saw as his magnum opus 'The Greater China' which unfortunately never saw the light of day. He wrote a very long letter on the Yellow River and its appearances, published in 1887 in Indian Engineering, describing the different places where he had sailed on or had crossed it. Mesny and Chiang Chao-ling, under noms-de-plume, produced in Shanghai in February 1898 'A New Collection of Tracts for the Times', with Mesny editing and Chiang writing the introduction. It was reviewed in the North China Daily News of 23 July 1898. Mesny and Chiang had planned some ten years earlier to publish a monthly magazine in 1887 which would seem never to have taken off. Mesny wrote a lengthy account of his journey from Canton through Kuangsi in 1879 for the London Daily News, but 'this very influential and highly respectable journal did not consider my poor contribution sufficiently interesting to insert it in its widely read columns.' In passing when describing a 'celebrated heroine of romance' a novelette based on facts, Mesny added, "I wrote it all out in one of my stories 'Chinese Nights' years ago, considerably different from Mayer's [version]...," but Mesny leaves us no wiser about 'the stories I wrote.' In 1904 he published Mesny's Chinese and English Almanac though no copies appear to be available nowadays. * In 1905 he advertised two forthcoming publications, 'Mesny's Commercial Guide' and 'Mesny's Business Directory', presumably both one-off books. Mesny's Ranks and Honours Although Mesny was awarded several decorations by the Chinese one, the Baturu, a Manchu military award for distinguished services rendered on the field of battle, was the award of which he was most intensely proud and which, he explained, had entitled the recipient to travelling ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 65 1900 ca 1900 1901 December 1904 1905 Jan/Jun 1907 ca 1910/1911 1914 November ca 1914/1915 1914-1919 11 Dec 1919 Claims to have volunteered for service in Peking [Boxer troubles] Mesny visited Nan-chang in Kiangsi where he met Hsiung Shih-fu, a young reformer Interviewed Viceroy Liu K'un-yı în Nanking. Published Mesny's Chinese and English Almannac Publication of his final volume of his Chinese Miscellany Most Excellent High Priest in the Keystone Royal Arch Chapter, in Shanghai His wife, Han, obtained a legal separation in Shanghai Mesny moved to Hankow Claims to have passed a medical and then offered his services to the Crown [World War 1] Employed by Messrs. Reiss and Co. in Hankow Died in rue de Paris in Hankow Appendix C The Chinese Imperial Forces Mesny's Involvment in the Suppression of the Miao Revolt The First Campaign by Imperial Troops in Kueichou Province 1868-1871 and Order of Battle of the Szechuan Force Chinese Imperial Forces, with the aid of a number of foreigners and foreign arms, had by 1864 succeeded in suppressing the Taiping rebellion against the dynasty. They then turned to liquidating the other rebellions seething in various parts of China which included the Nien movement in northern China, the Moslem minority revolt in Yunnan province, another major Moslem uprising in the North-west, and finally the Miao aboriginal tribes which had revolted in Kueichou province. The Miao, or Miao-tzu as Mesny refers to them, rose against the Ch'ing dynasty Manchu rulers of China in 1854 after discontent reached boiling point due not only to Chinese settlers colonising the best lands in the low lying areas of the province of Kueichou, but also to the exploitation of the Miao by Chinese officials and merchants. According to Mesny the passionate and untamed Miao gradually took back almost the whole province apart from the capital, Kuei-yang Fu, and the city ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 3 144 Doré, Le P. Henri : Recherches sur les Superstitions en Chine : Hème Partie : Tome X: Shanghai: 1915: pp 831-832 * See below under Yang Ren for an alternative to Yin Jiao as Commander of the Twelve Branches. 5 No Cantonese devotee appears to have heard of Yin Jiao whereas Fukienese and Chinese of the Yangzi basin knew him as Marshal Yin rather than as Taisui. 6 "Werner E. T. C. in his Dictionary of Chinese Mythology: Kelly and Walsh: Shanghai: 1932 claimed that the Ministry consisted not of 60 but of 120 spirits as he included the deities controlling the months and days 7 The cycle of sixty years was the basis for the Chinese lunar calendar with its twelve branches and ten stems. The sixtieth year of a man's life signified a turning point, this being the normal life span of a human being, and anyone who is fortunate enough to be older than sixty begins the round again. Other deities are entreated for a prolongation of life beyond the normal span. * DuBose, Rev. Hampden C: The Dragon, Image and Demon or The Three Religions of China: Partridge and Co.: London : 1886 "The combination of branch and stem provides the date, with the branches and stems depicting and belonging to one of the five primordial essences [water, wood, fire, metal and earth]. The concentric rings within the compass contain information on planetary movements, the ba gua and yin and yang; the five elements; the twelve animals of the Chinese zodiac, etc. 10 The reason for this is simple. The basic Farmer's Almanac is produced and printed in Taiwan, a predominantly Fukienese community, but with copies sent to Hong Kong and elsewhere for local binding and distribution. "According to religious specialists each of the stellar deities of the Twenty-eight Constellations has a title and a specific role, the latter differing depending upon the individual ritual specialists or books. In early China the visible stars were divided into 28 zones or constellations, with seven in each of the four directions. Other similar groups are the Thirty-six Stars of the Plough (T'ien-kang Hsing XXI) and the Seventy-two Stars of Evil Omen [Ti-sha Hsing] 1. Each of the Thirty-six was a legendary hero recorded in one of the numerous stories of the deification of and struggles between the deities. They ================================================================================