RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 244 1870/71 P 1871/72 1872/73 1873/74 — 1874/75 — CARL T. SMITH 25 Nov. 1867 first performance of season at Club Lusitano Theatre: "All that Glitters is not Gold" comedy (J. M. Morton, 1851) "Cox and Box, married and settled" farce (F. C. Burnard and J. M. Morton, 1867) 19 Dec. 1867 Hong Kong Amateur Theatrical Society second performance: "Romeo and Juliet" burlesque "Little Toddlekins" farce (J. Mathews, 1852) 4 Nov. 1870 Amateur Dramatic Club first performance of season at Theatre Royal, City Hall. "Diamond Cut Diamond" farce (W. H. Murray, 1838) "Orpheus and Eurydice" burlesque (H. J. Bryon, 1863) 20 Apr. 1871 "I've Written to Brown" farce (T. J. Williams, 1859) burlesque by Francis Talfourd. 28 Apr. 1871 "Ici, en Parlais Francais" (T. J. Williams, 1859) "Shylock, or the Merchant of Venice Preserved" burlesque (F. Talfourd, 1853) also given in 1867. - 26 Jan. 1872 - "The Two Bonnycastles" farce (J. M. Morton, 1851) "Masanielle" burlesque (R. B. Brough, 1857) 21 Feb. 1872 - "The Rifle and how to use it" farce (J. V. Bridgeman, 1859) 11 Apr. 1872 "Castles in the Air" comedy (T. W. Robertson, 1854) Instead of "Castles", the production may have been "Caste" by T. W. Robertson (1867) 3 Jan. 1873 - "Locked In" farce (J. P. Wooler, 1870) "The Cricket on the Hearth" 13 Feb. 1873 "Kenilworth, or Ye Queen, Ye Earl and Ye Maiden", burlesque 13 Apr. 1873 "The Blighted Being" farce (T. Taylor, 1854) "Checkmate" comedy (Andrew Halliday, 1869) 30 Oct. 1873 1853) "Plot and Passion" (T. Taylor and J. Lang, 1853) 15 Nov. 1873 "The Spitalfield Hospital" farcical comedy "Not such a Fool as she Looks" (H. J. Bryon, 1868) 2 Mar. 1874 —— "A Romantic Idea" (J. R. Planche, 1849) "The Steeple Chase" (J. M. Morton, 1865) 5 Apr. 1875 - "Ticket of Leave Man" (T. Taylor, 1863) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 1892/93 ― 1893/94 247 "Honour Bound" (W. S. Gilbert and Sydney Grundy, 1880) 12, 15 Nov. 1892 "On Bail" a farce (W. S. Gilbert, 1877) 26, 28, 30 Dec. 1893, 3, 6, 9, 16, 24 Jan. 1894 "Princess Toto" (W. S. Gilbert and Clay, 1876) 1894/95 30 Jan. 4, 6, 9, 12, 16, 18, 23 Feb. 1895 "Robinson Crusoe" Pantomime: 17, 20, 24 Apr. 1895 "The Magistrate" (A. W. Pinero, 1885) 1895/96 26, 28 Dec. 1895 "Dandy Dick" (A. W. Pinero, 1887) 8, 10, 20 Feb. 1896 1888) 1896/97 "Trial by Jury” (Gilbert and Sullivan, 1888) 19, 21 Dec. 1896 — “Cups and Saucers" (G. Grossmith, 1878) given in 1886. "Charley's Aunt" (Brandon Thomas, 1892) 25 Feb. 1897 — "Les Cloches de Carneville" (H. B. Farnie and R. Reece, 1878) 1897/98 19 Nov. 1897 1890) F 1898/99 19, 21 Feb. 1898 — "A Pair of Spectacles" (Sidney Grundy, 1890) "The Duchess of Bayswater and Co." comedietta (A. M. Heathcote, 1888) "A Pantomime Rehearsal" (C. Clay, 1891) 17, 19 Nov. 1898 — “Our Bitterest Foe" (G. C. Herbst, 1874) "Sugar and Cream" comedietta (J. P. Hurst, 1883) "The Steeple Chase" (J. M. Morton, 1865) given in 1874. ― 5, 7, 9, 11, 14, 17, 18 Jan., 1, 3 Feb. 1899 pantomime "The Yellow Dwarf, or Harlequin the Knave of Hearts" 1899/1900 4, 6 Nov. 1899 "The Magistrate" (A. W. Pinero, 1885) given in 1895. 12, 13 Dec. 1899 "The Mother In Law" farcical comedy (G. R. Sims, 1881) JL 12, 15, 17, 24, 26 Feb. 1900 "Yeoman of the Guard" (Gilbert and Sullivan, 1888) 1900/01 24 Nov. 3 Dec. 1900— 1901/02 1902/03 — ― "Our Flat" (Mrs. M. Musgrove, 1889) 15, 19 Nov. 1901 “Trying It On” farce (W. Brough) "Plantation Revels" minstrel variety 13, 14, 15 Nov. 1902 "Liberty Hall" drama (R. C. Carton, 1892) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 194 6.5.1852 (Thur) J.M. MORTON: "Attic Story" (1842) T: Farce (1 act) R.B. PEAKS: "The Haunted Inn" (1828) T: Farce (2 act) C: Amateurs F: Music, i.a. selections from Mozart's “Le Nozze di Figaro" and other operas. Epilogue. Th: New Theatre Royal (A) N: Last performance of the season R: Again there was a new drop scene. "A View near Palermo, a very pleasing view of an Italian villa with the bay and hills in the background". The pieces were "well performed and excited much merriment, especially the mistakes of the Attic Story" (NCH 8.5.1852). 27.1.1853 (Thur) D. BOUCICAULT & C. MATHEWS: "Used Up" (1846) T: Comedietta (2 acts) G.A.A. BECKETT: "The Turned Head" (1834) T: Farce (1 act) C: Amateurs Th: Imperial Theatre (B) N: First performance of the season R: After not a little uncertainty about the state of affairs respecting the theatre, finally the management for the new season was laid in the hands of Horatio BUSKIN (a compound pseudonym: Horatio, from Hamlet; Buskin, the boot worn by Greek actors) who succeeded "Doldrum". For a "very good attendance graced by many of the beau sexe" the evening "came off with great éclat" (NCH 22, 29.1.1853). 23.3.1853 (Wedn) J.M. MORTON: "Betsey Baker" (1851) T: Farce (1 act) W. BROUGH: "Apartments" (1851) T: Farce (1 act) C: Amateurs F: Prologue; comic songs Th: Imperial Theatre (B) R: In the presence of the British Superintendent of Trade and Governor of Hong Kong, Sir George Bonham, Betsey Baker turned out to be "a most decided and palpable hit, received throughout with shouts of laughter and applause". Bonham was in Shanghai on his way to Nanking which had been taken by the Taipings on March 19. The Rebellion had a profound effect on the foreign community and although the Taipings enjoyed for some time a lot of sympathy, on this occasion they were satirised in a **most original and witty Prologue**: "The Manager appeared before the curtain, in a state of intense excitement, informing the audience of mutiny in the corps! Dreadful consequences!! No performance!!! What could be done!? Then arose such a "Row and Bobbery" [Bobbery: an Anglo-Indian word meaning 'noise, disturbance' - JH] led by those who were in the secret and poor Horatio BUSKIN could scarcely be heard amidst the crash of broken glass and was almost unable to face the shower of oranges aimed at his devoted head. An amiable conspirator elevating himself on a bench expressed most loudly and eloquently his indignation at this state of affairs; however, after a parley with the Manager, he proposed a compromise, and the curtain was drawn up exposing the corps evidently in a state of 'Rebellion'. Fortunately they would listen to reason and the 'refractory members' agreed to 'go on' for this occasion, and the Manager retired with... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 213 Our Wife: Count de Brissac: Major Taylor Rosine: Mr. W. Hyslop (of Gibb, Livington & Co) Pomaret, father of Rosine: D.A.C.G. Cooksley Marquis de Ligny: Mr. Stuart Mariette: Lt Maynard of the 31st regiment The Goose with the Golden Eggs: Mr. Turby: D.A.C.G. Cooksley His wife: D.A.C.G. Hayter Clara, their daughter: Mr. A. Broom (of Jardine, Matheson & Co) Bonsor, clerk: Dr. Sexton of the 5th Bombay N.L.I. (native lancers and infantry) Flickster: Li Yonge, 2nd Beloochi regiment After a lapse of almost three years the amateur theatricals took a new lease of life in a tastefully fitted up godown-theatre (for a description see Survey). It was a subscription-night with about 250 spectators, of whom 30 were female. For the first time some real names of actors were given and it became clear that the cooperation of the military had been sought for the occasion. Because the names are no longer phoney, it is finally useful to present a cast list. Among those mentioned was D.A.C.G. (i.e. Deputy Assistant Commissary General) Cooksley who died in July during one of the campaigns against the Taipings, at Quinsan. Fine playing, if one did not mind the pieces. That, however, had become a standard complaint by now. "There was nothing striking or witty in either of the plays so that an occasional local pun or remark interpolated by the actors elicited the greatest applause"; rather sourly the critic continued “this should not be as it interferes with the harmony of the play”. In Our Wife "the gentle blushing Rosine was capitally got up by Mr. HYSLOP who created quite ‘a sensation' when he made his curtsey to the audience". In contrast Mr. STUART "was graceful in his part but lacked energy where it was requisite to give effect to the plot". That female dress was not always easy to wear for the men was underlined when "Lt MAYNARD acted the strong-minded cousin Mariette very fairly, despite the difficulties of crinoline”. In The Goose with the Golden Eggs the Mrs. Turby of D.A.C.G. HAYTER was "the best piece of masculo-feminine performance we have seen". It had to be admitted though that not all men were equally up to female characters: "Clara, as represented by Mr. BROOM, although admirably got up in the coiffure, was rather outré in the dress, especially about the sleeves; while the manner and voice resembled more the roughness of the father than the gentleness of the mother". (NCH 14.2.1863). L 17.2.1863 (Tue) Repeat of 13.2.1863. 2.3.1863 S. LOVER: "The White Horse of the Peppers" (1838) T: Comic drama (2 acts) R.B. BROUGH: "Crinoline*" (1856) T: Farce (1 act) C: Amateurs of the British 31st regiment TH: N.N. R: Cast: The White Horse of the Peppers: Major Hans Mansfeldt: W. Parrott Gerald Pepper: A. Keeble Magdalene: H. MacGuire Crinoline: Mrs. Coobiddy: S. Gale Mr. Coobiddy: W. Phillips Agutha: S. Gule Dillon: J.S. Galbreath Capt. LeBrown: J.S. Galbreath Miss Tite: P. Conron ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 218 1.4.1864 (Fri) R.B. BROUGH: "Crinoline" (1856) T: Farce (1 act) J.M. MORTON: "A Most Unwarrantable Intrusion" (1849) T: Farce (1 act) N.N.: "The Debut" C: Messrs Shannon and Phillips with an amateur company Th: N.N. (H) R: Not too enthusiastically the Herald wrote that "had Messrs PHILLIPS and SHANNON been better supported the performance would probably have proved a more decided success". Must it be supposed that the amateurs were locals, who were otherwise so much lauded? (NCH 2.4.1864). 4.4.1864 (Mon) Repeat of 30.3.1864, 18.4.1864 (Mon) First performance by a Portuguese Amateur Dramatic Corps. TH: N.N. R: This first performance by a local Portuguese company was considered favourably: "the arrangement of the costumes and acting were all good and amply rewarded a visit even by those who may not understand the Portuguese language". (NCH 23.4.1864) 25.4.1864 (Mon) J. OXENFORD: "Retained for the Defence" T: Farce (1 act) C.S. CHELTNAM: "A Lucky Escape" (1861) T: Comic drama (1 act) T.J. WILLIAMS: "On and Off" (1861) T: Farce (1 act) C: Amateurs of the Shanghai Volunteer Corps TH: N.N. (H) N: Second performance of the season R: This second Volunteer Corps night drew a crowded house and the reporter was pleased to see that "a majority of the lady residents were among the audience", the more so as they "by their presence contributed to inspire the performers with the desire to excel which led to such complete success". No names were given in the review, but in A Lucky Escape “it would have required very sharp eyes to detect that the actress [who personated Louise] was, in fact, an actor". Here the truth is finally revealed! In On and Off he/she took the part of Letitia equally well. (NCH 30.4.1864) 9.5.1864 (Mon) N.N.: "Nature and Philosophy or Eighteen Years' Labour Lost" (The only piece with this title in HED is one that had its first night on 18.4.1876. However, Brown, "A History of the New York Stage", Vol. I, p. 235 mentions a performance of this play on June 1 1833). G. COLMAN Jr: "Love Laughs at Locksmiths" (1803) C: C.R. Faylor's travelling company F: Comic songs, dance, music Th: Olympic Theatre (H) R: Casts: Nature and Philosophy: Brother Philip: Major Pegus Renaldo: C.R. Faylor Eliza: Mrs. E. Yeamans Gertrude: Mr. E. Yeamans ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 223 harmonium by D.H. ENGEL 17. "Eupeidee" (German student song and chorus) Th: Olympic Theatre (H) R: An advertisement only was published in the Herald of 29.10.1864. From it we learn that tickets could be obtained at the premises of Hiram Fogg & Co (ship chandlers, general store and auctioneers; one of the oldest foreign firms in Shanghai, located at the southern end of the Bund); Hall & Holtz (see 29.6.1864); A.A. Hayes Jr (Olyphant & Co, Nanking Road, ex Park Lane); and Herbert Cope (Geo Barnet & Co, Kiangsi Road (ex Church Street) and Hankow Road (ex Custom House Road)). It also becomes clear that there were at that moment at least two theatres in the Settlement: the Lyceum and the Olympic. The programme is interesting for the number of composers which have now been forgotten (Silcher, Kücken, Becker, Werner, etc.) and the piano arrangements of well-known opera arias. 12.11-18.11.1864 W. BROUGH: “Conrad and Medora” (1856) T: Burlesque pantomime (1 act) J.B. BUCKSTONE: “Married Life" (1834) T: Comedy (3 acts) J.W. MARSTON: "A Hard Struggle" (1858) T: Domestic drama (1 act) W. SHAKESPEARE: “King John”, prison scene (Act IV, scene III) Furthermore: “Cinderella”, possibly by H.J. BYRON (1860) or T. TAYLOR (1845). "Wonder"; no contemporary pieces are listed in HED; only: Mrs. S. CENTLIVRE: “The Wonder. A woman keeps a secret” (1714) and H. CAREY: "A Wonder or an honest Yorkshireman" (1735). C: Lewis A.D.C. Th: N.N. (E) R: The Lewis company continued to draw large houses and ventured even to put a Shakespeare scene on the programme, from King John. It proved to be "the hit of the week". In it starred Miss Julia EDouin and Mr. Henry BIRCH: "The acting was perfect. Miss Julia EDouin doing the fullest justice to the character of Prince Arthur and indeed taking the house by storm!" (NCH 19.11.1864). 19.11.1864 Sat H.J. BYRON: “Aladdin or the Wonderful Scamp” (1861) T: Burlesque extravaganza (1 act) C: Lewis A.D.C. TH: N.N. (U) N: Benefit of Miss Tilly Earl who played the role of Aladdin R: NCH 26.11.1864 23.11.1864 (Wedn) R.B. SHERIDAN: "The Rivals" (1775) T: Comedy (5 acts) C: Lewis A.D.C. TH: N.N. (P) N: Benefit of Mrs. Gill who played the role of Mrs. Malaprop. R: NCH 26.11.1864 26.11.1864 (Sat) H.J. BYRON: "Aladdin or the Wonderful Scamp” (1861) T: Burlesque extravaganza (1 act) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 224 F. TALFOURD: "A Household Fairy" (1859) T: Domestic sketch (1 act) "Aurora Floyd". HED lists the following authors: C.S. CHELTNAM (1863), C.H. HAZLEWOOD (1836), J.B. JOHNSTONE (1836), B. WEBSTER (1863). In addition, Adams' "Dictionary of the Drama" mentions W.E. SUTER. C: Lewis A.D.C. Th: Lyceum Theatre (1) N: Benefit of J.B. Creswick R: NCH 26.11.1864, advertisement only 3.12.1864 (Sat) L.B. BUCKINGHAM: "Take That Girl Away" (1855) T: Comic drama (2 acts) J.M. MORTON: "A Capital Match" (1852) T: Farce (1 act) C: Lewis A.D.C. Th: Lyceum Theatre (1) N: Benefit of Miss Lizzie Naylor R: NCH 3.12.1864, advertisement. 9.12.1864 (Fri) Benefit of Mr. Henry Birch of the Lewis Company. No titles of plays were mentioned. (NCH 10.12.1864) 10.12.1864 (Sat) Farewell performance, also the benefit of Mr. Lewis, of Lewis Australian Drama Company. No titles of plays were mentioned (NCH 10.12.1864). R: No detailed reviews of the Lewis season were published in the North China Herald, only short announcements. It is quite well possible that more nights than the above ones were given, but they have not been recorded. In general, the company had attracted rather full houses, but for the 9th "home sweet home" was preferred; "the unfavourable state of the weather prevented many ticketholders from putting in an appearance" (NCH 10.12.1864) November and December 1864 Performances by the "Christy Minstrels". Th. N.N. R: Another travelling company that visited the port in these months were the "Christy Minstrels" (see also Survey). They too managed reasonably to fill the theatre (it was not stated where the performances took place, but as the Lyceum Theatre was occupied by Lewis, it must have been another location - perhaps the Olympic Theatre). "No boredom here for by a pleasing variety they prevent that weariness which even the finest display of musical talent must, through frequent repetition, occasion" (NCH 26.11.1864). In September they had visited Macao (BGM 5.9.1864) and before December 10 they departed for Hong Kong (NCH 10.12.1864). 22.12.1864 (Thur) Performance by the Portuguese Amateur Dramatic Corps. R: It was "as usual largely attended" (NCH 24.12.1864). 28.12.1864 (Wedn) R.B. BROUGH: "Medea" (1856) T: Burlesque (1 act) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 227 A. DUMAS: "Camille" T: Drama C: Lewis A.D.C. Th: Lyceum Theatre (1) R: The drama Camille, an English adaptation of Alexandre Dumas' "La Dame aux Camélias" was, in the eyes of the Commercial Record (5.5.1865) "singularly unfitted for the powers of the performers. Miss Rose EDOUIN acted with her usual ability but as the heroine is a character almost impossible to render we must not object where we cannot praise”. Miss Jenny NYE starred in the farce Which is Which? written by a member of the company, Mr. GILL, who himself was a “capital low comedy actor”. 28.3.-5.4.1865 J.B. BUCKSTONE: "The Flowers of the Forest" (1847) T: Musical drama (3 acts) J.B. BUCKSTONE: “Isabella or Woman's Life" (1834) T: Drama (3 acts) D.W. JERROLD: "Black-eyed Susan" (1829) T: Musical drama (3 acts) T.J. WILLIAMS: "Nursery Chickweed" (1859) T: Farce (1 act) "Kenilworth", possibly by A. HALLIDAY and F. LAWRANCE (1858) T: Burlesque "Mr. and Mrs. Peter White", anon. (1854) T: Farce (1 act) "Rob Roy”, Numerous pieces with this title are listed in HED. i.a. by W.H. MURRAY (1818) and C.H. HAZLEWOOD (1864). C: Lewis A.D.C. Th: Lyceum Theatre (1) R: More than the Herald, the Record went into a rather detailed description of the Lewis season. Thus about Flowers of the Forest it wrote that there was "an energy of revenge predominating all through the play while the occasional glimpse of pathos, combined with the jovial jocularity of the gipsys, tone down the otherwise tragic situations. Miss Rose EDOUIN, Miss NAYLOR and Mr. CRESWICK acted with power and well restrained manner“, Mr. CRESWICK “possesses great dramatic force and expresses himself well. His manner is somewhat stiff, but appearances before larger and more requiring audiences will obviate this habit", "His voice is good but somewhat monotonous of lone" (SCR 5.5.1865). 8.4.1865 (Sat) W. BROUGH: "Perdita" (1856) T: Burlesque (1 act) J.B. BUCKSTONE: "A Lesson for the Ladies” (1838) T: Comedy (3 acts) C: Lewis A.D.C. Th: Lyceum Theatre (1) N: Rose Edouin's benefit R: NCH 22.4.1865: no review, 11.4.1865 (Tue) J.B. BUCKSTONE: "A Dead Shot" (1827) T: Farce (1 act) J. KENNEDY: "Sweethearts and Wives” (1856) T: Burlesque (3 acts) C: Lewis A.D.C. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 241 Aurora Floyd Burlesqued: W.B. Gill; 19.4.1865. The Babes in the Wood: J.H. Byron; 17.4.1865. A Bachelor of Arts: P. Hardwicke; 10.2.1858, 8.5.1865. Betsey Baker; J.M. Morton; 23.3.1853. Binks the Bagman: J.S. Coyne; 8.10.1857. The Birthday: T.J. Dibdin; 9.2.1858. Black-eyed Susan: D.W. Jerrold; 28.3-5.4.1865. Bombastes Furioso: W.B. Rhodes; 28.1.1851, 5.5.1858. The Boots at the Swan: C. Selby; 14.12.1865. Box and Cox: J.M. Morton; 15.5.1854, 18.2.1857. The Bride of Abydos: H.J. Byron; 22.10.-28.10.1864. Bullrick at Kroll: N.N.; 28.3.1864. Camille: A. Dumas Jr; 27.3.1865. A Capital Match: J.M. Morton; 23.4.1857, 3.12.1864. Charles the Second: J.H. Payne; 16.3.1858. Cinderella: H.J. Byron? T. Taylor?; 12.11.-18.11.1864, 28.4.1865. The Colleen Bawn: D. Boucicault; 25.4.1865. A Conjugal Lesson: H. Danvers; 26.3.1857. Conrad and Medora: W. Brough; 12.E.-18.E.1864. Cool as a Cucumber: M.W.B. Jerrold; 26.3.1857, 30.3.1864, 4.4.1864. Crinoline: R.B. Brough; March 1863; 16.3.1863, 1.4.1864. The Daughter of the Regiment: E. Fitzball? 15.4.1865. A Dead Shot: J.B. Buckstone; 11.4.1865. The Debut: N.N.; 1.4.1864. Delicate Ground: C. Dance; 13.2.1864. Diamond cut Diamond: W.H. Murray; 12.12.1850. Done on both sides: J.M. Morton; 10.2.1858. The Dragon of Wantley: H. Carey & J.F. Lampe; 26.1.1852. Duck Hunting: J.S. Coyne; 30.3.1864, 4.4.1864, The Dustman's Belle: C. Dance; 9.2.1858. Faint Heart never won Fair Lady: J.R. Planché; 8.10.-14.10.1864, 14.12.1865. A Fast Train! High Pressure!! Express!!!: J.M. Maddox; 8.3.1854. A Fearful Tragedy in the Seven Dials: C. Selby; 15.2.1860. Fitzsmythe of Fitzsmythe Hall: J.M. Morton; 26.3.1863. The Flowers of the Forest: J.B. Buckstone; 28.3.-5.4.1865. Fra Diavolo: H.J. Byron; 15.10.-21.10.1864. The Frantic Husband: N.N.; 26.4.1865. The Golden Farmer: J.C. Cross? B. Webster? 8.10.1857, A Good Night's Rest: C.G.F. Gore; 21.2.1856. The Goose with the Golden Eggs: A. Mayhew & H. Sutherland; 13.2.1863, 17.2.1863, 26.4.1865 The Governess (Die Gouvernante): T. Körner; 28.3.1864. Grimshaw, Bagshaw and Bradshaw: J.M. Morton: 2.6.1859. The 'Green' Bushes: H.J Byron: 30.9.1865. A Hard Struggle: J.W. Marston; 12.11.-18.11.1864. The Harvest Home: A.F.F. von Kotzebue; 28.3.1864. The Haunted Inn: R.B. Peake; 6.5.1852. The Heir at Law: G. Colman the Younger; 21.4.1851. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 242 High Life below Stairs: J. Townley; 21.4.1851. The Honey Moon: W. Linley? J. Tobin? 19.4.1865. A Household Fairy: F. Talfourd; 216.11.1864. I couldn't help it: J. Oxenford; 13.4.1865. III Treated Il Trovatore: H.J. Byron; 22.6.1864, 29.6.1864. The Infanticidal Farce: J.S. Coyne; 21.2.1856. The Invisible Prince: J.R. Planché; 23.3.1865. The Irish Tutor: R. Butler; 5.5.1853. Isabella: J.B. Buckstone; 28.3.-5.4.1865. I've Eaten My Friend: J.V. Bridgeman; 22.3.1854. Kenilworth: N.N.; 28.3.-5.4.1865. King John: W. Shakespeare; 12.11.-18.11.1864. A Kiss in the Dark: J.B. Buckstone; 26.3.1857. The Knights of the Round Table: J.R. Planché; 24.5.1865. A Lady and a Gentleman in a Peculiarly Perplexing Predicement: C. Selby; 13.12.1864. Lady Audley's Secret: C.H. Hazlewood? G. Roberts? W.E. Suter?; 28.12.1864. The Lady of Lyons: E. Bulwer Lytton; 10.2.1864. The Lady of Lyons: H.J. Byron?; 22.10.-28.10.1864, 29.4.1865. Lend me Five Shillings: J.M. Morton; see p. 15. A Lesson for the Ladies: J.B. Buckstone; 8.4.1865. As Like as Two Peas: H. Lillo; 16.3.1858. Little Toddlekins: C.J. Mathews; 26.5.1864. Love Laughs at Locksmiths: G. Colman the Younger; 9.5.1864, Love, Law and Physics: J. Kenney; 28.1.1851. A Lucky Escape: C.S. Cheltnam; 25.4.1864. The Maid and the Magpie: H.J. Byron; 8.10.-14.10.1864, 15.10.-21.10.1864, 15.4.1865. Make your Wills: E. Mayhew; 23.1.1856. Married Life: J.B. Buckstone; 12.11.-18.11.1864. Medea: R.B. Brough; 28.12.1864. A Most Unwarrantable Intrusion: J.M. Morton; 22.3.1854, 1.4.1864, Nature and Philosophy: N.N.; 9.5.1864. The Nigger Doctor and his Patient Patient: N.N.; 14.8.1856. No!: W.H. Murray? F. Reynolds?; 23.2.1852. No 1 round the corner: W. Brough; 23.1.1856. Nursery Chickweed: T.J. Williams; 28.3.-5.4.1865. The Octoroon: D. Boucicault; 7.1.-13.1.1865, 14.1.1865, On and Off: T.J. Williams; 25.4.1864. Our Wife: J.M. Morton; 13.2.1863, 17.2.1863. Perdita: W. Brough; 8.4.1865. Poor Pillicoddy: J.M. Morton; 15.3.1860, 26.5.1864. A Practical Man: W.B. Bernard; 8.3.1854. Princess Springtime: H.J. Byron; 10.11.1865, 20.11.1865. A Race for Dinner: J.T.G. Rodwell; announced but not performed. Raising the wind: J. Kenney; 9.2.1858, 30.3.1864, 4.4.1864. The Rendez-vous: R. Ayton; 24.3.1852. Retained for the Defence: J. Oxenford; 25.4.1864. The Review; G. Colman the Younger; 24.3.1852. ================================================================================