RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983
https://digitalrepository.lib.hku.hk/catalog/j9607p61v
204

A RELIC OF ST. FRANCIS XAVIER

P. BRUCE

In a small cool church in Macau, separated by a few hundred yards of muddy water from China, rests a unique relic of St Francis Xavier.*

Almost 20 years ago 100,000 people in 15 days filed past the small piece of bone housed in an ornate silver monstrance when it was taken to America from its usual resting place in Macau. Now the relic is back in a tiny church on Coloane Island. Ten years ago the building was in a run-down condition, having been used as a chapel for soldiers from Mozambique serving in the Portuguese Army. Then Father Mario C. Acquistapace arrived on the scene. A sprightly figure now probably in his seventies, he had the church restored. Today its exterior is washed in pale yellow with windows and woodwork picked out in light blue. He has an outgoing personality that runs to a hug when he finds a visitor is a Christian.

Macau, the first permanent Western settlement on the coast of China, across the silt-laden waters of the Pearl River estuary from Hong Kong, despite wars, upheavals and revolutions, remains curiously Mediterranean. The Portuguese built their first houses there in 1557, having camped briefly at Liampo and Sanchuang (St John's) Islands.

Francisco de Xavier, called by Pope Urban VIII the "apostle of the Indies", was born into a noble and wealthy family and in 1529 he made the acquaintance of St Ignatius Loyola who was then studying at Paris. Impressed by his teachings, Xavier became one of the original seven men to take the first vows of the Society of Jesus, the Jesuits, in 1534.

When John III, King of Portugal, asked the Pope to send a mission to his Indian possessions, two Jesuits were selected, one of whom was Xavier. He set sail in 1541 and after a voyage of more than a year arrived in Goa, India, where he carried out missionary work. From there he journeyed to Ceylon, or Sri Lanka...

* See plates 12-14.
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RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991
https://digitalrepository.lib.hku.hk/catalog/k356gt84j
would be surprised how many members have actually published a book over the last two or three years or are going to publish in this forthcoming year. We are a society whose members get consulted on a variety of matters from the Urban Council when they set up the Hong Kong Museum of History, to the Hong Kong Government when seeking assistance for the grading of historical buildings for the Government Antiquities Advisory Board, and by the Legislative Council inviting us to make representations on the Council elections and even from abroad by people who want to know for instance about how Chinese junks are constructed; we even have applications from persons who wish to work for the society full-time but unfortunately they wish for remuneration! So although we are inclined to look back, historically, we are a Society whose members consist of people from all walks of life and who take an active forward-looking interest in Hong Kong and events which are likely to affect the future well-being of the Society,

All this may sound too self-congratulatory and in some ways it is: there are of course some problems, but before coming up to them I would like to briefly outline what we have actually done to justify our existence over the last year. First and foremost there is the Journal. The 1989 Journal was published recently and if you do not have your copy please see the Assistant Secretary. I think you will agree with me that it is full of interest and is up to the high scholarly standards we have come to expect. For this we have to thank not only all contributors but particularly our Editor Dr. Patrick Hase. He has toiled long with spectacular results: but even so we are asking him to toil even harder to get out the 1990 Journal and we are hopeful this will be published later this year.

The next area I wish to highlight is the Programme: the Society has a Programme Committee under the able Chairmanship of Mr. Peter Leeds and arranges a variety of talks and visits: for the last year there have been the following talks:

Father Louis Ha

Dr. Graeme Lang

Ms. J. Bresnihan

Mr. Peter Lee & Judy Bonavia

Dr. Patrick Hase

150th Anniversary of the Catholic

Church in Hong Kong

Rise of a Refugee God

(Wong Tai Sin)

Governor John Pope Hennessy

Tibetans and Tus

New Territories Poetry and

Folk Song

viii
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RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001
https://digitalrepository.lib.hku.hk/catalog/zg651950g
147

Work on it could only have started after the beatification of St. Francis Borgia at the end of 1624. His statue and that of St. Luís Gonzaga appear in niches on the second storey of the façade with pedestals only bearing the title beatus, not saints. Francis Borgia was only canonised in 1670 but had been beatified by Pope Urban VIII on the 23rd November 1624. Luis Gonzaga had already been beatified in 1605 (Figs 14.15).

The statues of Ignatius of Loyola and Francis Xavier also appear in the second storey and on their pedestals are given the correct title of saints. Both had been declared saints in 1622 with spectacular canonisation ceremonies in Rome, Spain and Portugal. We know from a 1644 Annual Letter written from the college in Macao that the façade was completed the year that this letter was dated. It seems therefore very probable that the frontispiece was constructed between 1625 and 1644 and that the impulse for its construction or reconstruction was very likely the canonisation of Ignatius of Loyola and Francis Xavier.

The initiative for founding the Macao College as the seat of the Japan missions, later expanded to include China, was due to Alessandro Valignano, the Father Superior and Father Visitor of the Jesuits in the East. As stated, the architect of the church was Father Carlo Spinola, an Italian from Naples. The reputed decoration of the façade at the hands of Chinese and Christian Japanese craftsmen was very likely carried out under the direction of Giovanni Nicolao, an Italian Jesuit painter from Nola. From this it is only too obvious that Italian Jesuits with a Late Renaissance mentality were highly influential in its creation, something characteristic of the historical period in question.

J.E. McCall, whose pioneering research is fundamental to the subject, has studied the activities of Giovanni Nicolao. Yoshitomo Okamoto, in his Namban Bijutsu, also gives important insights on Father Nicolao, who had actually opened a school of fine arts for young Japanese seminarians as apprentices in Western painting, printmaking and sculpture in various missionary colleges in Japan.19 But apart from Giacomo Niva, a Chinese-Japanese painter and the most brilliant of Nicolao's pupils, we hardly know the names of the other Chinese and Japanese artists who may have formed Nicolao's team in Macao. Unfortunately, this was apparently Jesuit practice at the time. Their famous annual letters sent from China or their Macao College, today
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