RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 210 Bagshaw and Bradshaw, the critic had to admit that "what it was all about we were utterly unable to discover" (NCH 4.6.1859). 15.2.1860 (Wedn) L.S. BUCKINGHAM: "Take that Girl Away" (1855) T: Comedy (2 acts) C. SELBY: "A Fearful Tragedy in the Seven Dials" (1857) T: Farce (1 act) C: Amateurs Th: N.N. (F) N: First performance of the season R: The new theatre was only a small one and therefore it was announced in the Herald of February 11 that "admission will only be given to ticket holders. Tickets will be distributed with the Bills to the various Hongs and any Gentleman who may be accidentally omitted will be supplied on written application to the Manager". From time to time politics continued to turn up in the playhouse. It was the time of the English and French wars in China; the United States was not taking part in them, only sharing in the spoils, yet the following remark closed the review: "We beg permission to observe that we should have been glad to have seen the 'Star Spangled Banner' floating over the proscenium along with the colours of France and England. All honour to the Anglo-French Alliance! But our American cousins form, in every respect, so important a section of this community that the absence of their flag on an occasion like Wednesday evening would seem to be a discourtesy of which we feel very sure that the worthy management never was intentionally guilty". Tonight, and on March 15, the faces of Messrs. PICKWICK, BRUSHWOOD, and TINTINNABULUM as well as that of Mrs. NESBIT were absent from the stage; others like Miss WALTERS and Mr. PETREL had remained. Making their debut were Mr. ADOLPHE, "gifted with both self-possession and a good voice"; Mr. WITHAM who, as Cuttle (in Take that Girl Away) "displayed a steadiness and a clearness of enunciation calculated to make him a valuable actor in 'utility' parts"; and Mr. NATIVE whom the reviewer thought "better fitted to shine as a sentimental than as a grotesque lover". Miss WALTERS was "dressed to perfection, played as well as ever (can we say more!) and was charmingly feminine". In A Fearful Tragedy in the Seven Dials, there was the first night of Mr. C. AITCH as Slumpington for whom **a great future success in 'character parts' was predicted. These hopes were not realised, however, for I have not found his name again. For the umpteenth time, the Herald judged the pieces that were represented weak - to put it mildly. (NCH 18.2.1860). 15.3.1860 (Thur) T. TAYLOR: "Still Waters Run Deep" (1856) T: Comedy (3 acts) J.M. MORTON: "Poor Pillicoddy" (1848) T: Farce (1 act) C: Amateurs F: Music by the band of H.M.S. Imperieuse Th: N.N. (F) N: Second performance of the season R: This second night took place in a house that was "crowded in every part" and proved "in every respect highly successful". The "Man on the Bund" had no longer a say in the theatrical reports, and the piece about which he had been so dissatisfied (see 23.4.1857), Still Waters Run Deep got a far better critique now: "in that scene in the second act in which the villain Hawksley is unmasked, the interest was raised to an exciting pitch and sterling dramatic ability displayed by the performers". No actors were mentioned, but in Poor Pillicoddy, a "young gentleman made his first appearance ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 219 Colins: Mrs. C.R. Faylor Love Laughs at Locksmiths Robin: Mes. C.R. Faylor Juliac: Mrs. E. Yeanians Dame Durden: Mr. E. Yeamans. Paddy Druden: C.R. Faylor Only an advertisement for this performance was published in the Herald of May 7. The stage often has its own laws as to the gender of the participants. In amateur theatricals, men dressed up as women à l'outrance, whereas in a professional company like the present one male characters were personified by ladies and vice versa! 14.5.1864 (Sat) Performance by the amateurs of the Royal Artillery. No titles of plays recorded. Th: N.N. (H) R: NCH 21.5.1864 17.5.1864 (Tue) Repeat of 14.5.1864. 26.5.1864 (Thur) J.M. MORTON: “Whitebait at Greenwich" (1835) T: Farce (1 act) C. MATHEWS: "Little Toddlekins” (1852) T: Comic drama (1 act) J.M. MORTON: “Poor Pillicoddy” (1848) T: Farce (1 act) C: Amateurs of the Shanghai Volunteer Corps F: Epilogue spoken by R.C. Antrobus, commander of the S.V.C. Th: N.N. (H) N: Final performance of the season R: For the occasion Edward LAWRENCE, who was a "practitioner at Law and Notary Public” according to the “Shanghai Almanac for 1862”, had written an epilogue which was read by the commander of the S.V.C., Robert Crawford ANTROBUS (member of the Municipal Council 1864-1865). And, as if to give more weight to its reception, the Herald added that “many of the ladies joined in the applause” (NCH 28.5.1864). 28.5.1864 (Sat) **An Evening at Home**: "Songs interspersed with anecdotes and conversation of the most lively description”. C: Mr. J.R. Black Th: Olympic Theatre (H) 31.5.1864 (Tue) As on 28.5.1864. 3.6.1864 (Fri) As on 28.5.1864. 13.6.1864 (Mon) "An Evening at Home - Great Jacobite Night" by Messrs. J.R. Black and Marquis Chisholm. Performance of the play The Advantages of Bonnie Prince Charlie or the Rising of 1745 (No piece with this title appears in HED), as well as ballads and songs (including 'Vi ravviso from Bellini's "La Sonnambula", act 1). Th: Olympic Theater (H) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 239 MORTON, John Maddison (1811-1891) "Attic Story" (19.5.1842). P: 6.5.1852 "Betsy Baker or too attentive by half" (13.11.1850). P: 23.3.1853 145 "Box and Cox: a Romance of Real Life" (1.11.1847). P: 15.5.1854; 18.2.1857 "A Capital Match" (4.11.1852). P: 23.4.1857; 3.12.1864 "Done on Both Sides" (24.2.1847). P: 10.2.1858 "Fitzsmythe of Fitzsmythe Hall" (26.5.1860). P: 26.3.1863 "Grimshaw, Bagshaw and Bradshaw" (1.7.1851). P: 2.6.1859 "Lend me Five Shillings" (18.2.1846). P: see p. 15 "A Most Unwarrantable Intrusion" (11.6.1849). P: 22.3.1854; 1.4.1864 "Our Wife or The Rose of Amiens" (18.11.1856). P: 13.12.1863; 17.2.1863 "Poor Pillicuddy" (12.7.1848). P: 15.3.1860; 26.5.1864 "Slasher and Crasher" (13.11.1848). P: 21.2.1856 "To Paris and back for £5" (5.2.1853). P: 10.5.1860; 21.3.1865 "The Two Bonny Castles" (25.11.1851). P: 22.3.1854; 8.5.1865 "Where there's a will there's a way" (6.9.1849). P: 26.3.1863 "Whitebait at Greenwich" (14.11.1853). P: 23.1.1856; 16.2.1859; 26.5.1864 "Woodcock's Little Game" (6.10.1864). P: 14.2.1865 MORTON, Thomas, Sr (1764-1838) "A Roland for an Oliver" (29.4.1819). P: 23.2.1852 MORTON, Thomas, Jr "Sink or Swim" (2.8.1852). P: 16.2.1859 MURRAY, William Henry Wood (1790-1852) 146 "Diamond cut Diamond" (19.6.1843). P: 12.12.1850 ? "No!" (14.11.1826). P: 23.2.1852 ? "Rob Roy" (10.6.1818). P: 28.3.-5.4.1865 OXENFORD, John (1813-1877) "I couldn't help it" (19.4.1862). P: 13.4.1865 "Retained for the Defence" (23.5.1859). P: 25.4.1864 PAYNE, John Howard (1790-1852) "Charles the Second or the Merry Monarch" (27.6.1824). P: 16.3.1858 "'Twas I" (3.12.1825). P: 27.4.1865 PEAKE, Richard Brinsley (1797-1880) "The Haunted Inn" (31.1.1828). P: 6.5.1852 PLANCHE, James Robinson (1796-1880) "Faint Heart never won Fair Lady" (28.2.1839). P: 8.10.-14.10.1864; 14.2.1865 "The Invisible Prince or the Island of Tranquil Delights" (26.12.1846). P: 23.3.1865 "The Knights of the Round Table" (20.5.1854). P: 24.5.1865 REYNOLDS, Francis (1764-1841) ? "No!" (16.5.1828). P: 23.3.1852 RHODES, William Barnes (1772-1826) "Bombastes Furioso" (7.8.1810). P: 28.1.1851; 5.5.1858 ROBERTS, George ? "Lady Audley's Secret" (28.2.1863). P: 28.12.1864 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 242 High Life below Stairs: J. Townley; 21.4.1851. The Honey Moon: W. Linley? J. Tobin? 19.4.1865. A Household Fairy: F. Talfourd; 216.11.1864. I couldn't help it: J. Oxenford; 13.4.1865. III Treated Il Trovatore: H.J. Byron; 22.6.1864, 29.6.1864. The Infanticidal Farce: J.S. Coyne; 21.2.1856. The Invisible Prince: J.R. Planché; 23.3.1865. The Irish Tutor: R. Butler; 5.5.1853. Isabella: J.B. Buckstone; 28.3.-5.4.1865. I've Eaten My Friend: J.V. Bridgeman; 22.3.1854. Kenilworth: N.N.; 28.3.-5.4.1865. King John: W. Shakespeare; 12.11.-18.11.1864. A Kiss in the Dark: J.B. Buckstone; 26.3.1857. The Knights of the Round Table: J.R. Planché; 24.5.1865. A Lady and a Gentleman in a Peculiarly Perplexing Predicement: C. Selby; 13.12.1864. Lady Audley's Secret: C.H. Hazlewood? G. Roberts? W.E. Suter?; 28.12.1864. The Lady of Lyons: E. Bulwer Lytton; 10.2.1864. The Lady of Lyons: H.J. Byron?; 22.10.-28.10.1864, 29.4.1865. Lend me Five Shillings: J.M. Morton; see p. 15. A Lesson for the Ladies: J.B. Buckstone; 8.4.1865. As Like as Two Peas: H. Lillo; 16.3.1858. Little Toddlekins: C.J. Mathews; 26.5.1864. Love Laughs at Locksmiths: G. Colman the Younger; 9.5.1864, Love, Law and Physics: J. Kenney; 28.1.1851. A Lucky Escape: C.S. Cheltnam; 25.4.1864. The Maid and the Magpie: H.J. Byron; 8.10.-14.10.1864, 15.10.-21.10.1864, 15.4.1865. Make your Wills: E. Mayhew; 23.1.1856. Married Life: J.B. Buckstone; 12.11.-18.11.1864. Medea: R.B. Brough; 28.12.1864. A Most Unwarrantable Intrusion: J.M. Morton; 22.3.1854, 1.4.1864, Nature and Philosophy: N.N.; 9.5.1864. The Nigger Doctor and his Patient Patient: N.N.; 14.8.1856. No!: W.H. Murray? F. Reynolds?; 23.2.1852. No 1 round the corner: W. Brough; 23.1.1856. Nursery Chickweed: T.J. Williams; 28.3.-5.4.1865. The Octoroon: D. Boucicault; 7.1.-13.1.1865, 14.1.1865, On and Off: T.J. Williams; 25.4.1864. Our Wife: J.M. Morton; 13.2.1863, 17.2.1863. Perdita: W. Brough; 8.4.1865. Poor Pillicoddy: J.M. Morton; 15.3.1860, 26.5.1864. A Practical Man: W.B. Bernard; 8.3.1854. Princess Springtime: H.J. Byron; 10.11.1865, 20.11.1865. A Race for Dinner: J.T.G. Rodwell; announced but not performed. Raising the wind: J. Kenney; 9.2.1858, 30.3.1864, 4.4.1864. The Rendez-vous: R. Ayton; 24.3.1852. Retained for the Defence: J. Oxenford; 25.4.1864. The Review; G. Colman the Younger; 24.3.1852. ================================================================================