RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 LEGENDS & STORIES OF THE NEW TERRITORIES 183 road,” now Victoria city, and So Kwun Po (7). From the fact that these references occurred in the Leung Ch'aak (##) or Register Book of Tung Kwun district, one may judge that the land was owned by the Tangs before the 1st year of Maan Lik, A.D. 1525, as after that the San On district was formed. To the East of Shui Mei village there is an ancestral Hall called Mau King T'ong (N). It was built by the descendants of Tang Chan (1) Tang Yui (*) and Tang Kuen (#) the three younger brothers of Tang Yam (3) the father of Tang Tsing Lok. When the descendants of Tang Yam completed the building of Sz Shing Tong, the descendants of the three younger brothers felt it was a disgrace that there were no ancestral halls for their respective ancestors. However they were far from being rich, so they decided to combine together and build one hall under the leadership of Tang Man Wai (4X4), who was a man of rank and a descendant of Tang Chan. On the top of the front door they carved the characters §; › §¡› ✯ ✯✯ “Chan, Yui, Kuen, the three Ancestors Hall," and on a signboard the three big characters ✯✯ Mau King Tong, were written by Ts'oi Hok Yuen (4) a scholar of San On, and hung in the hall in the 22nd year of Ka Hing, A.D. 1817, of Ts'ing dynasty. The reason why the name Mau King Tong was chosen was on account of the old story "Tin Shi King fa fook mau” ( # A#*M*) “the Judas-tree of T'in family again becomes luxuriant." The story is as follows:-- T'in Chan (₪) and his two younger brothers T'in Hing (w A) and T'in Kwong (□), natives of Chiu Shing district (#K) of Shantung, during the Hon dynasty, decided to divide their family property between them. Among other things, they owned a Tsz King (**), judas tree, and the evening before the dividing up was to take place they found to their surprise that the tree was withered. This upset T'in Chan's feelings very much, he sighed and said to his younger brothers, "The different branches of the tree come from one root; now that they have heard that they are to be divided up, they have become melancholy and look sorrowful. Now we brothers are human beings, but although we have separate bodies we all came from the same parents, so why should we divide the family property and live separately? Do we not feel ashamed in seeing the appearance of this tree?" Then the younger brothers were moved by this, and they never mentioned the idea of dividing the family property ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 204 NOTES AND QUERIES there is a shrine at the rear inscribed Tao Kuang 27th year (1847-48). Points of interest are the excellent granite work screen and balustrade along the whole front of the temple: the Shek Wan pottery decorations on the roof (Hsuan-Tung 1st year: 1908-09) and the large boulder inside the building which was probably the uncovered site of the original shrine. (There is a similar one inside the Lin Fa Kung temple at Tai Hang, which is of approximately the same age.) 3) The Sui Tsing Pak temple at Tik Lung Lane. This is not housed in a temple building but in several houses in a terrace. The god is said to have been a man named Chan (**陈**) enobled as marquis (**侯**) who lived in the Sung dynasty and performed many good deeds. His title means the 'Pacifying Marquis' (**遂清侯**). The date of its establishment is not known, but several of the memorial boards inside the temple carry inscriptions in the late Kuang Hsü reign (1875-1908). Among them are boards presented by residents of 'The Thirty Houses' (the local Chinese name for Staunton Street, in Central District) and another by the community of Hung Hom village in Kowloon. The upstairs rooms are devoted largely to the care and worship of memorial tablets, many with photographs of the deceased, placed there for a subscription by friends and relatives. This temple is of particular interest for the various art objects and antiquities kept inside the upper rooms, which make it almost a museum. They include paintings and porcelain. The interior decoration of the temple should also be noted especially the screens and fittings for the various altars upstairs which are probably at least 60 years old. 4) Yuk Hai Kung Temple (**玉皇宫**), Stone Nullah Lane. This temple to Pak Tai, the god of the North (**北帝**), is again of early origin. According to an inscription above the entrance, the present structure dates from the first year of the T’ung Chih reign (1862-63). This is a large temple with side rooms which is still in an excellent state of repair. The building on the right of the temple is a public office or kung sor (**公所**) in which the temple management committee met to discuss the affairs of the temple and the neighbourhood. It was, as Carl Smith remarks, under the control of the Wanchai Kaifong from 1882 and before. Page 210 Page 211 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q SOCIAL RESEARCH IN THE N.T. OF HONG KONG, 1963 225 any physical sense, for there is no mechanism for such a transfer. Filial children benefit from the virtue of their parents' graves; how is a mystery. If they live close enough they must tend the graves, but their separation from them by mere distance is no bar to their receiving the virtue. 58. Few people seem to doubt that descendants are affected by fung shui. But there is also a popular belief, not shared by some geomancers, that the virtue stored up in a grave can be tapped by strangers. And from this idea stem the attempts at poaching on sites; attempts, that is to say, to bury one's dead in the immediate neighbourhood of a grave which has demonstrated its efficacy. Geomancers may say that the virtue is confined to one tiny spot in the grave, the site having been chosen to accord with the special characteristics of its occupant, and that the area round the grave will avail nobody. On the other hand, they will also certainly say that a new grave close by the old may well destroy its virtue by altering the conformation of the site. So that poaching is a serious offence and may be the cause of bitter disputes. I came across no such case myself, but there is evidence that quarrels of this sort have been known in the New Territories. (For early evidence see the Administrative Reports on the Northern District for 1909 and 1910; a system of grave registration was introduced in 1909 to overcome these difficulties). Generally people in the New Territories are able to protect their graves against encroachment and it is only in special cases that one can see the effect of the belief that the virtue of a site may be tapped. In a valley leading from Fei Ngo Shan and overlooking Hebe Haven there is a large official cemetery (Pak Fa Lam) which appears to have come into existence because it contains the tomb of Sun Yat-sen's mother. Sun's success is attributed by many people in Hong Kong to this grave; in consequence, it has attracted to it a host of other graves, despite the prohibition placed by the Administration on burial there. (Sun's failures as well as his successes can be read from the grave of his mother, as I shall show presently, but people who 'buy' plots in the cemetery are presumably not concerned with this qualification). 59. Geomancy in the open countryside entails scattered burial. Each new omega-shaped grave involves the search for a new site. Burial grounds amounting to cemeteries are very rare, and when they are found they usually turn out to be used for people who were not old residents of the New Territories. A New Territories Page 240 Page 241 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n 162 NOTES AND QUERIES Among the plant eating insects in grass-land the most obvious, often the largest insects, are grasshoppers: Patanga sp.—a large brown grasshopper (ca 5 cm or more long), and the smaller short-horned Acrida sp.—are both common in this area. On the plants themselves live leaf-hoppers, spittle bugs, scale insects, the caterpillar larvae of many grass moths and butterflies. The butterfly groups, including "Skippers" and "Small Browns" are particularly common. In summer cicadas are obvious, but not before May. Debris eaters include many ground-inhabiting insects which are not seen unless searched for. Cockroaches, ants, millipedes, and many beetles fall into this category. The predators that live on insects include the numerous spiders, both hunting and web building, and other families such as mantids (M). e) Also beside the car park are some big granite rocks with crustose lichens on their surface. Look for: Caloplaca sp. -- bright orange color. Aspicilia sp. -- pale grey with black spots; probably the most abundant species. Buellia sp. -- dark grey and the small foliose lichen: Xanthoparmelia congensis -- yellowish green, somewhat "leafy" and less part of the rock than the other species f) Across Tai Mo Shan Road the hillside has been planted with Acacia confusa (a leguminous plant, therefore able to "fix" atmospheric nitrogen). The grey patches on the stems of the acacias are the lichen Lecanora varia. Among the grass in this area is the primitive fern Lycopodium cernuum which is used for making floral decorations, fa pai (RM). g) If you climb to the top of the first ridge of the site at (f), you can look down onto grassland that was burnt in 1976. This is shown as Plate 1 of the Symposium report (Thrower, 1975); at a guess the fire has "put back" the process of succession by about 10 years. Notice the small ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n NOTES AND QUERIES 169 the Law Fau Mountains northeast of Hong Kong. In the event that there is not, it must be accepted that this little essay is no more than a start, since the preparation of a satisfactory record would require a lot more time than I possess. However, given perseverance it would be possible to create such a gazetteer for our mountain. 6. A typical Chinese gazetteer usually begins by dealing with boundaries and administration, then proceeding to geography, including streams and hills, local customs, natural products, and so on to settlements, buildings, temples, markets, fords and bridges, etc. There is usually a section on past events and historical relics, including stone inscriptions, another on poems and literature i.e. writings by local persons or on local matters, and so finally to a large section dealing with the lives of famous persons connected with the area. For present purposes, I shall not tie myself rigidly to a gazetteer framework though I shall mention items that form the subject of any such work. Settlements 7. For hundreds of years the mountain had its upland villages. Before the war, there were a considerable number of old settlements situated above the 500 feet contour line, and thus located on the mountain-side and on its upper slopes. On the south, east and west - I know little of the north—the largest group of these were the 8 villages of Shing Mun (17) mostly occupied by the ramified offspring of a single clan (Cheng ) settled in the main village, Tai Wai (PIA). A recorded 855 persons from these places were removed in 1928-29 to prepare for the construction of the Shing Mun Reservoir, going to a number of places elsewhere in the New Territories and some beyond into Kwangtung. Besides the Shing Mun group there were in 1899 another six upland villages located on the south, east and west sides of the mountain.* 8. These all gained their main living from agriculture, on padi fields and dry cultivation on small patches of flat land in the hills. The highest rice fields were cultivated at some 1500 feet above sea level. At the present day, save at Chuen Lung, the villagers have mostly left and cultivation has been largely abandoned. Chuen Lung, Pak Shek Kiu, Sheung Fa Shan, Ha Fa Shan, Sheung Tong and Ha Tong Lek. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n 204 NOTES AND QUERIES as "land-holding corporations" and are treated as such, descent data being regarded essentially as secondary particulars. 6. Although the implications of this statement for the general theory of unilineal descent groups have largely been ignored, the observation is borne out by a study of the ethnographic and historical data concerning the Kam Tin Tangs. The elders classify no fewer than four ancestors as hoi chuk cho, and, according to them, honor all four with essentially the same ritual obligations. These ancestors [1) Tang Hon Fat (**), 2) Tang Foo (##), 3) Tang Yuen Leung (*), 4) Tang Hung Yee (###)] are central pivots around which much of the oral and written history revolve; yet, as an investigation of the genealogy (##) kept by the elders reveals, long spells of "historical time" and interrupted residence separate them one from another, a disturbing fact which has, in the past, generated considerable debate on their individual legitimacies. 7. Sung Hok Pang* mentions a debate, recorded in an early Kam Tin genealogy during the Shing Fa () years of the Ming dynasty, concerning whether Tang Hon Fat ever actually visited Kam Tin at all. Elders maintain that this debate is still very much alive. 8. The debate concerning the founding of Sham Tin, i.e., whether Tang Hon Fat or Tang Foo founded the Tang settlement, is perhaps understandable when we realize the striking similarities in the biographies of the two men. Tang Hon Fat settled, it is said, in the vicinity of Sham Tin at a place called Kwai Kok Shan (± A L), some time towards the end of the tenth century A.D. There is speculation that he constructed the Hung Shing Kung (†), a temple still intact in Pak Pin (at) Village. He was a government officer, shing mo long (#4), from Kiangsi (31), Kat Shui Yuen (##), Pak Sha Tsuen village (#). The Nam Yeung Tang genealogy (✯✯✯✯✯), held by the Ping Shan Tangs, credits him with being the first settler. The Kam Tin Tangs disagree, placing most of the credit on his great-grandson, Tang Foo. 9. Tang Foo was also a high official of the Sung Dynasty (holder of the chin shih (+) degree and county magistrate of Yeung Chun (**)). He, too, is supposed to have settled at Kwai... See Mr. Kamm's Essay I, f.n. 20 and Essay II, f.n. 21. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 189 although military power was much needed at the time. In fact, it was quite ineffective against the bandits. Several months into the occupation, the office was burnt by the bandit Wong Chuk Ts'eng.70 Mr. The burning of the Wai Ch'i Wooi was well-known. Chan Tsz K'eung, of Sai Kung Market, thought that a Japanese spy had been sent to investigate the guerrillas in Sai Kung and that this was a reprisal. Mr. Lei Yun Shau thought that it was due to a dispute between Wong Chuk Ts'eng and the Wai Ch'i Wooi. Mr. Loh Kai Faat of Kau Sai thought that Wong Chuk Ts'eng, having made a fortune from banditry, was wavering between looting and working for the guerrillas; the Wai Ch'i Wooi, however, was on the verge of deciding to capture him. Mr. Sham Kin K'eung, who spent most of his war years in Tai P'ang, said that Wong had fought on the side of the Nationalist forces in Tam Shui at Pak Mong Fa. He was a bandit and a smuggler who operated from Sham Chun to Wai Chau, and he had many small groups working under him. Mr. Sham thought it unlikely that Wong would have come to Sai Kung himself, and believed it must have been one of these groups working for him that was responsible for burning the Wai Ch'i Wooi. It is not at all clear what the disputes between the Wai Ch'i Wooi and the bandits amounted to. Several months after the burning of the Wai Ch'i Wooi, Mr. Lei Shiu Yam resigned as chairman, and the post was given to Mr. Hui Mei Naam of Lai Chi Chong. This change might not have had anything to do with the burning of the Wooi. Several months into the occupation, the Japanese Government could afford to strengthen its presence in the districts. On July 20, a new system of district administration was promulgated, dividing the whole of Hong Kong and the New Territories into twenty-eight districts, Sai Kung being one of them. Each one of these districts was represented by a K'ui Ching Shoh (District Administration Office), and this name came to be used in place of Wai Ch'i Wooi. The extent of the district was the entire peninsula east of Ma On Shan, including not only the villages from Tseng Lan Shue to Man Yee Wan, but also those north of Pak Tam Chung, those in Shap Sz Heung, and those near Hang Hau. The K'ui Ching Shoh office was set up at the Sung Chen School, and at about this time, a small contingent ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1981 https://digitalrepository.lib.hku.hk/catalog/ff36bt18m 213 Name (and village) Dates interviewed Mr. Chan P'aang Hing (Ho Chung) 29.5.81 Name (and village) Mr. Lok Foh Kau (Pak Kong) Dates interviewed 20.6.81 Mr. Cheung T'o (Ho Chung) 29.5.81, 15.6.81 Mrs. Lei, née So (Nam Shan) 20.6.81 Mr. Chung (Kau Sai) 3.6.81 Mr. Hoh Shang (Nam Shan) 20.6.81, 24.6.81 Mr. So T'in Loi (Kau Sai) 3.6.81 Mr. Lok Kau Kei (Pak Kong) 20.6.81, 26.6.81 Mr. Lei Chi Hei (Sha Tsui) 5.6.81 21.7.81 Mr. Cheung Ts'oi 20.6.81 Mr. Lam Kaap Shau (Tai Po Tsai) (Tai Long) 8.6.81 Mr. Wong (Shan Liu) 20.6.81 Mr. Cheung Ming Shing 8.6.81 Mrs. Lau, (Leung Shuen Wan) 21.6.81 Mr. Lok Tsau On Mr. Tse Koon K'au (Pak Kong) (Tan Ka Wan) 9.6.81 Mrs. Tse (Pak Kong) 21.6.81 Mr. Tse Wing (Sha Kok Mei) 9.6.81, 20.6.81 Mrs. Kong Lei San Kiu (Lung Mei) 21.6.81 Mr. Hoh Taai (Ko Tong) 10.6.81, 21.6.81, 22.6.81 Mr. Lo Koon Mooi (Long Mei) 23.6.81 Mr. Cheung Kin Wa 10.6.81 Mrs. Wan, née Lau (Sai Kung Market) (Nam Shan) 21.6.81 Mr. Ue (Mang Kung Uk) 14.6.81 Mr. Kong Hei (Lung Mei) 21.6.81 Mrs. Ue (Mang Kung Uk) 14.6.81 Mr. Wong (Tam Wat) 22.6.81 Mr. Shing Ip On (Mang Kung Uk) 14.6.81 Mr. Sung Kw'an (Tit Kim Hang) 22.6.81 Mrs. Lau (Ha Yeung, near Seung Sz Wan) 14.6.81 Mr. Sung (Tit Kim Hang) 22.6.81 Mr. Lau Hing Lung (Pan Long Wan) 16.6.81 Mr. Uen Chan Wan (Ta Ho Tun) 22.6.81 Mr. Lau (Pan Long Wan) 16.6.81 Mr. Sham Kin K'eung (Hung Fa Tsun) 23.6.81, 1.7.81 Mr. Leung Yung Hei (Hang Hau) 16.6.81 Mr. Lei Yiu T'ing (Pak Kong) 23.6.81 Mr. Lei Kau (Pak Kong) 23.6.81 Mr. Lei Kan (Wo Liu) 19.6.81 Mr. Wong Ts'ing (Nam Shan) 23.6.81 Mr. Hui Lam (Cheung Sheung) 19.6.81 Mr. Lei Faat (Kak Hang Tun) 23.6.81 Mr. Wong (Ko Tong) 19.6.81 Mr. Chan Shau (Pak Tam Au) 19.6.81 Mr. Cheng Yung (Uk Tau) 23.6.81 Mr. To (Ko Tong) 19.6.81 Mr. Lau Lui Faat (Pak Kong Au) 23.6.81 Mr. Wong Shek (Ha Yeung, near Ko Tong) 19.6.81 Mr. Tang (Wong Mo Ying) 23.6.81 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1986 https://digitalrepository.lib.hku.hk/catalog/jq08c7063 100 CHAN WING HOI NOTES Besides "three-day jius", there are more elaborate “five day jiu” celebrations in the New Territories. The annual ritual takes place typically in Chiu Chau, Wai Chau and Hoklo settlements to make offerings to uncared-for dead spirits. 1 The oldest dated object in the Tin Hau Temple, which housed the main god of the festival, was about one hundred years old. I shall refer to this again later. 6 There could have been more than one "chairman". Probably part of the golf club, or otherwise a similar establishment. Tanaka Issei 田仲一成, Chugoku saishi engeki kenkyū 中国祭祀演劇研究 (Tokyo: Institute of Oriental Culture, University of Tokyo 1981) p. 891. 7 The Fuk-Wai-Chiu immigrants had their own gods and their operas in the Tin Hau festival. According to Tanaka, eleven or twelve gods other than Tin Hau were sacrificed to (op. cit., pp. 891-3). One of them, the Daai Wong Paak Gung of Naam Bin Chyn, is attributed by Tanaka to the Hoklo residents. Tanaka also points out that the Fuk-Wai-Chiu members of the organizing committee were alone responsible for a special part of the festival, that is, the performance of Wai Chau and Chiu Chau operas. 8 Piu-sik are usually carried on frames at a height far above that of the audience in a parade. Because of the rain during the procession this time they stood in a lorry instead. About half of the gods sacrificed to in the Tin Hau Festival, including the Fuk-Wai-Chiu deity mentioned above, were not found among the spirit tablets in the jiu festival. 10 "Picking green". In this case the two lions competed in capturing a bank note hanging near the entrance to the house. Glossary Choi Paak Lai 蔡伯勵 choi-cheng 採靑 Dai Wong (Ye) 大王(爺) ba-wong-dei 霸王地 Chiu Chau 潮洲 baai-chaam 拜懺 Baak Mou Seung 白無常 Baak-gung 伯公 Bak Dai 北帝 Bao'an 寶安 bui 杯 bin-ngaak 匾額 Chai Wan 柴灣 Chan Wa 陳華 Cheung Chau 長洲 Daai Si (Wong) 大士(王) daai-gat 大吉 diu-lau 碉樓 Dongguan 東莞 fa-laam 花籃 fa-paai 花牌 Faaigou jeungdaai ... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 337 The Jau and Wong Temple also used to house spirit tablets to "heroes". The tablets (three in total, without names) were moved to the Yau-Leun Tong from the side altar in the temple about 50 years ago because they were siu-yan (“small people”), and it was unseemly to house them in the same temple as the two great men (daai-yan). As mentioned before, villagers agreed that the “heroes” were those who had died in fighting (da-saat) between Kam Tin and its enemies. Kam Tin has quite a number of other temples. There are the Man-Cheung Temple and Hung-Sing Temple in Shui Tau, and the Tin-Hau Temple in Shui Mei. Many of the other villages, e.g. Kam Hing Wai, Tai Hong Wai, Kat Hing Wai, Tsi Tong Tsuen, and Wing Lung Wai, which do not have “standard” temples, have a san-teng, a house with an altar for a spirit tablet for about ten popular temple gods. The gods of some of the vanished temples, which include a Yeung-Hau Temple and a Bou-Dak Chi in Shui Mei, and the Hung-Fan Taam Temple of Shui Tau, are still worshipped in the jiu festival, as are the gods of two nunneries, in Shui Mei and Tai Hong Wai respectively, which no longer exist. These temples and nunneries hold tablets or images of some 20 different gods, if we are to include the Earth God for temples, and Wai-To for Buddhist establishments. The other 18 include the popular temple gods Yeung-Hau, Tin-Hau, Bak-Dai, Man-Cheung, Gwun-Yam, Gwaan-Dai, Hung-Sing, the God of Wealth, Gam-Fa, Taai-Seui, the Dragon King, and the Buddha. The Bou-Dak Chi housed spirit tablets for Jau and Wong. There is not much information about this other temple dedicated to Jau and Wong, but it was worshipped probably only by the villagers of Shui Tau, where it was situated. Fui-Sing, and Fa-Gung Fa-Mou are probably respectively responsible for success in imperial examinations and the health of children. Hoi-Saan Suk-Lou is a title found in some other local temples as well, and represents the earliest settlers of the place. Hong-Wong is a title that I have not seen elsewhere in the New Territories. The titles of localized gods found in most of the Kam Tin villages include the God of Earth and Grain, the Water God of wells, and the Earth God for the gates of the walled villages. There are, in some of the villages, a Tree God and Earth Gods for bridges and for the gate to a complex of houses. In addition, there are Ngau-Wong and Pun-Gu, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 344 police. A cluster of smaller temporary structures were built to house the paper images of the Jade Emperor, the City God, the Daai-Si Wong and Baak Mou-Seung. The Daai-Si Wong, also known as Gwai-Wong (King of Ghosts) is a transformation of the goddess Gwun-Yam, who has a fierce appearance befitting his role in the ritual: to oversee the ghosts when they come for the offerings. The Baak Mou-Seung, literally the White Unpredictable, is one of the two Unpredictables, both members of the Underworld bureaucracy who take peoples' spirits when they are to die. Further away from the main paang was a larger structure for general gods, which was to house most of the gods invited from local temples and shrines. Decked out with many fa-paai banners from the villagers and outsiders, the main structure had several partitions. At the entrance in front were two huge paper images of two armed gods, who served as the supernatural guardians of the paang. Beside them were two horses with attendants, and a pair of lions. Furthest from the entrance was a stage divided into three sections, all facing the entrance. The middle one is the Taoist altar where the priests performed many of their rites. To the right was the altar for the Dang ancestors Hung-Yi and his two wives. On the left side was the puppet stage, on which plays were performed. On both sides of the central area of the paang were rooms for each of the five gu villages/groups of villages, plus Ying Lung Wai. On the same rows were two rooms for the guards for the festival site, one for guards drawn from the young men of Bak-Bin and the other from those of Naam-Bin. Nearer the front on the right side was a temporary altar for Gwun-Yam. On the left side was a large partition dedicated to four separate groups of paper images, many with pottery/ceramic heads. The area was known as the yau-saan, a place to harbour ghosts. Each of these groups was divided into three levels. Two large groups depicted the ten Kings of the Underworld on the topmost level. Under the Kings on the middle level were ten shops, each with signs indicating the business: barber's, brothel, sundry goods shop, pawnshop, second-hand clothing, department stores (two), tailors, porters, and “cool” drinks. On the lower levels were some devils, ghosts under torture in the Underworld, and many shoppers. The subjects of the two other groups were more difficult to identify. One of them was labelled Zizhu Lin, “Purple Bamboo Grove”, the place associated with the Goddess Gwun-Yam. She and her male and female attendants were recognizable among the images on the topmost ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1995 https://digitalrepository.lib.hku.hk/catalog/95941j25g 173 with a strong visible presence along the colony's first line of defence. A very comprehensive description of the new observation posts was given in an article by Sub-Inspector M.E. Davis* which appeared in the HK Police Magazine in December 1953: "The land frontier of the Colony of Hong Kong extends from Mirs Bay in the East, to Deep Bay in the West, following for the most part the tortuous course of the Shum Chun river. The country is intensely varied. The arable plain at Sha Tau Kok soon gives place to rugged mountains and deep gorges, which gradually fall away until the extensive marshy tracts near Mai Po are reached. Along the border for 16 miles of the length runs the frontier fence. It is, without any overstatement, difficult territory. The frontier area forms part of the New Territories Division of the Hong Kong Police Force, and is commanded by Mr. N.B. Fraser, M.B.E., Senior Superintendent of Police. One of the most important of the several methods of border control in effect in this area is the operation of a chain of Observation Posts There are seven of these posts in the chain, covering the whole of the land frontier. Each is within sight of one or more of its neighbouring posts. All are accessible from the frontier road, or by means of jeep track from the roads. Most are located on prominent hill features which gives them an excellent field of observation. The elevation of the highest is over 700' above sea level. The frontier is divided into three sections, each with its complement of observation posts, which are controlled by a parent station in each section. From East to West the stations are Sha Tau Kok, Ta Ku Ling and Lok Ma Chau. The first has only one post, Pak Kung Au, under its control. Ta Ku Ling, the central and largest area has four, Kong Shan, Pak Fa Shan, Nga Yiu and Nam Hang. On the Western flank Ma Cho Lung and Pak Hok Chau posts are controlled by Lok Ma Chau The posts are all almost identical in construction. Centrally there is a round, two storied, tower, and jutting from its sides are two long, one storied arms. The plan of the whole is roughly in the shape of a chevron. The upper storey of the tower is the Control Room, equipped * Deceased-Editor ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 Appendix II Villages with High Male: Female (More than 56% Male) Population Ratios 1911 81 Village District No. of males Total population Age of males Liu Pok Shek Wu Hui 136 237 57.4 Lo Wu 37 56 66.1** Tai Tau Tong 8 18 44.4* 100*1 5! 91 56.0 Tsung Pak Leng N 105 184 57.0 Yin Kong N 21 35 60.0+ Tiu Keng Wan N 38 56 67.6 Sau Hang N 25 42 59.5* Ma Wat Wan N 28 49 57.3 Wan Shan Ha N 38 66 57.6 Loi Tung N 107 191 56.0 Kuk Po Lo Wai N 140 247 56.7 Hung Shek Mun N 49 87 56.3 Wu Chau Tong N 28 48 58.3 Sha Tau Kok N 14 14 100** Yim Liu Ha N 29 47 61.7+ Ngong Ping ST 7 9 77.8** San Tun ST 77 109 70.0** Pak Tin ST 2 3 66.7** Wang Pok ST 8 9 88.9** Sheung Wo Che ST 70 100 70.0** Chek Mei Ping ST 70 122 57.2 Shek Wu Wai YL 37 56 66.1++ Tung Tau Yuen YL 26 38 68.4** Kak Hang Yuen YL 16 25 64.0** Lei Uk YL 32 48 66.7** Sha Kong Miu YL 5 6 77.4** Yuen Long Market YL 458 559 81.9** Tong Fong 83 148 56.1 Sha Kong YL 5 6 83.3** Kong Tau YL 26 46 56.5 Ha Tsuen Shi YL 120 178 67.4** Wang Che SK 4 5 80.0** Wu Lei Tau SK 6 9 66.7** Yau Ma Po SK 24 31 77.4** Uk Cheung SK 4 6 66.7** Hang Hau SK 262 387 67.8** Mau Fa Tsuen SK 28 47 59.6* ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 79 Final comment Whilst my aim here has been to note the formal nature of these proceedings and to explain some of the arrangements made behind the scenes, it is also essential to mention how this time-honoured framework of ceremonial and protocol coexisted with the equally pronounced informality and relaxed behaviour of those present. This was especially the case in the long-settled villages of the New Territories. Rural Chinese, generally the most courteous and assured of men in their social relationships, through long practice had acquired the precious gift of being able to combine these qualities at formal gatherings and in their daily lives. Like the lion, unicorn and pei yau dancers, this element relieves the tedium which such occasions otherwise create for those concerned: for, in truth, both participants and audiences can go through all the motions almost without thought, so deeply is the procedure engrained in the sub-conscious by countless repetition. But this in itself is part of the culture. It would truly be fascinating to be able to trace opening ceremonies back in time! Glossary (Cantonese) Chan Min-yue ... fa pai 花牌 Lo Sheung-fu (Lo Tsz-tsun) (£7£) pai lau 牌樓 pei yuu 貔貅 ta chiu/ching chiu kin chiu/chau yan kin chiu EMBLEM 打醮/清醮建醮酬恩建醮 ================================================================================