RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1970 https://digitalrepository.lib.hku.hk/catalog/ww72j0241 A NEW LOOK AT CANTONESE EXPLETIVES 103 Cantonese is more interested in the method, carefully distinguishing to carry something light in the hand (NHENG14), something heavy in both hands (TOK'), something heavier on both ends of a pole (DHAAMM1), something still heavier slung at the middle of a pole (TROY17); and more again for carrying slung round the neck, on the head, along the ground, on an animal, a vehicle, boat, ship or aircraft. The direction (up, down, in when you're in, in when you're out, out when you're out, out when you're in, away, close up, back, forwards, etc.) for which in English we use different words and in Latin & Greek is taken care of by prefixes, in Cantonese as in most kinds of Chinese is done by adverbs or particles, with which I'll deal later. But just as there is a word for elder brother and a word for younger brother, but no word for 'brother' (so that if you are obliged to say 'brother' without specifying older or younger you have to get round it), so it is much easier to learn all the words for different methods of fetching and carrying than to go to a lot of trouble to find an expression that will do for all, and then find you're not understood. I have put 19 of these fetch and carry words into four lines of Cantonese doggerel: it doesn't exhaust the subject but you may find it useful: NHENG FHENQ TOK BOK CEAR DHAAMM TROY, FRUNG SUNG JRIH GHAAW PAAI WRORNG LROY, ZOI XEOI CHEAH LRAY TROH MRAAR BUUI, LHAAY ZHONQ DRAI DAAI ZURNG FHANN XHOY13, Now perhaps you're beginning to see what I'm getting at. When we communicate with one another in speech, we don't dot all the i's and cross all the t's; we leave a dickens of a lot out. What we put in, and what we leave out, is dictated partly, of course, by what we think important at the moment; but also partly by the custom of the language in selecting what is essential and leaving out what is not. This we learn not from the grammar books but from the accepted models given to us by our early reading and by the way those around us speak when we are children, 15 16 17 # 18 檸拹托賻扯擔抬,奉送移交派往來,載去車嚟駐馬背,𨋢裝帶總分開。 14 # ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 114 SUNG HOK-P’ANG to Kam T'in he was much taken by it, considering the people were more friendly and honest than those of his own country, and it was said that he came to live there in the 6th year of Hoi Po (HT) A.D. 973 of Sung dynasty. During the 8th year of Shing Fa (APC) A.D. 1472 of Ming dynasty when the Kam T'in people revised their family tree, they added a note which cast doubt on the veracity of this, and instead they were inclined to believe that Tang Foo (#) the great grandson of Tang Hon Fat was really the first to come to Kam Tin, and that he transferred the bones of his father, grandfather and great-grandfather to Kwangtung from Kiangsi. Be that as it may, and although there is no actual proof that one or other was the original Tang to settle in Kwangtung, Tang Hon Fat remains a "first ancestor" as his is the oldest Tang grave near Kam T'in. It can be found at Ah Kai Shaan (Y), Waang Chau (H) village. Six generations after Tang Hon Fat there were two brothers, Kwai (3) and Sui (). Kwai had two sons called Yuen Ying (* ) and Yuen Hei (†), both of whom left Kam T’in and founded branches of the family elsewhere. Sui had three sons, Yuen Ching (元祯), Yuen Leung (元亮) and Yuen Woh (元和). The first and last of these also left for other districts but Yuen Leung remained behind, and the Tangs in Kam T’in to-day are his direct descendants. These five cousins were known as the "Five Yuens", and after their death their descendants who by then were scattered in various parts of China built an Ancestral Hall, common to all the Yuens, called To Hing T'ong (*). It is at the South gate of the district city of Tung Koon (✯✯), on the Kowloon-Canton railway not far from Sheklung (). In the hall Tang Hon Fat has been given premier place, but the "Five Yuens" are venerated in the same way as he and Tang Yue are, as being "first ancestors”. As mentioned before, Tang Foo, the great grandson of Tang Hon Fat is said to have found the sites for the graves of his father, grandfather and great-grandfather, himself. They were all acknowledged as being lucky places by the "fung shui" men, who were, of course, consulted. That of Tang Hon Fat is called Yuk Nui Paai T'ong (£#*) jade girl reverence; and his son's grave which is on Yuen Long Hill (₪), is called Kam Chung Fau Tei () gold bell cover ground. The grave of Tang Foo's father is called Poon Yuet Chiu T'aam (#AM) half moon shine lake, Page 120 Page 121 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 116 SUNG HOK-P'ANG Tang Foo's own grave is well known, as it was mentioned in the "To Shue Tsap Shing" (4) a large encyclopaedia of 10,000 volumes written in the 4th year of Yung Ching (£) A.D. 1726 of Tsing dynasty, by order of the Emperor. The volume which refers to the grave is known "Chik Fong Tin” (*) and it says, "Tang Foo's grave is in Ab Kai 鄧符墓在横洲丫髻山 Shaan, Wang Chau". Even if it is accepted that Tang Foo was the pioneer in settling at Kam Tin, or Kwai Kok Shaan as it was then called, there is very conflicting evidence as to when he actually went there. Although his grave-stone records that he passed the Tsun Sz (±) degree, Government civil examination in the 2nd year of Sung Ning (##) A.D. 1103 of Sung dynasty, there is no record of it in the lists of people who passed the Government examinations (Suen Kui Piu ***), in the annals of Canton, Kwong Chau Foo Chi (✯✯), Tung Kwoon, Tung Koon Yuen Chi (4) or San On, San On Yuen Chi (##) which points to the fact that Tang Foo passed his examinations in Kiangsi before coming to Kwang-tung. Each of the three books mentioned above has a biography of Tang Foo. On the other hand, it is known that after Tang Foo had held the office of district magistrate of Yueng Ch'un (1★-) district and had been promoted to "Naam Hung Sui" ( ) he retired to live in Kwai Kok Shaan, and built a famous school there called Lik Ying Tsai () which was mentioned among “The hundred poems of Po On (Po On Paak Wing (*)" by Yung Ping(), where it was stated that during Sung Ling time A.D. 1102-1106 Tang Foo lived in Kwai Kok Shaan and founded a school called Lik Ying Tsaai (A) and kept a lot of books in the library. This book has unfortunately been lost, and only two poems are still in existence, neither of which deal with the school. Yung Ping was a native of Tung Koon. He was "Tak Tsau Ming Tsun Sz” (*★21) in the 8th year of K’in To ($) A‚D, 1172 of Sung dynasty. Another learned scholar, Fok Wai () of Naam Hoi () district, wrote a long article named Lik Ying Tsaai Kei (4) giving an account of the school. During the reign of Shun Hei ( # ) A.D. 1174-1189 the emperor caused Fok Wai to be admitted to the T'aai Hok (*) (Imperial College) as being a "man possessing the eight virtues." Paat Hang Aff. Only one other scholar... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 124 SUNG HOK-P’ANG 1. Red raw rice cooked and shining scale fish, 2. Farmers' simple good fare delicious and lasting. The grave has two names Sz Tsz Kwan K’au ($*$*£*), Lion playing ball; and Ts'o Mei Shui Chue (44), long grass hanging down pearl. When Lai Paak Shiu was having the grave built he put a brass tablet behind the stone one, with the following words on it. "Three hundred years hence, an ignorant young man named So (#), who knows nothing about "fung shui”, will want to alter the way this grave faces. If he is allowed to alter it, not only will the Tang family have trouble, but So himself will have bad luck”. The existence of the tablet was unknown until the prophecy on it came true. Three hundred years later when the Tangs were having a period of bad luck and unsuccess, they decided that something was wrong with the "fung shui" of the princess' grave. They consulted a young man named So, and at his instigation started to alter the position of the grave. When the stone tablet was removed, the brass one was revealed and in terror So advised them to leave the grave alone. In the 50th year of Hong Hei (R) of Ts'ing dynasty, A.D. 1711, the Tang family were repairing the grave when they discovered several sham tombs underneath the ground. This was the custom in ancient China when burying royalty, as by this means it was hoped to prevent their enemies from desecrating the real tomb. The oldest stone tablet that we can find to-day, was put up in the 19th year of Shing Fa (A) of Ming dynasty, A.D. 1483, which gave the dates of the birth and death of the princess. In this tablet was also found the statement that the grave was first made in the 6th year of Shun Yau (*) of Sung dynasty, A.D. 1246, but there is no record of the first stone tablet nor any of the tablets erected before A.D. 1483. After the general repairing of the grave in A.D. 1712 a new stone was erected, but as the dates on the previous one were not considered to be correct, none were written on the stone. The princess' husband Tang Tsz Ming was received with honour by the Emperor and had the title of Shui Yuen Kwan Ma (✯✯ #) bestowed on him. It was the custom in China to give the title Kwan Ma to the husband of a prince's daughter. Tang Tsz Ming's grave was made on a little hill called Fat Au Leng ( ##₪) # ). It can easily be seen to this day almost opposite the Au Tau Police Station on the other side of the road to Sheung Shui. It has recently ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 162 SUNG HOK-PANG beam into a new dragon boat. When it was launched into the water, a strange thing happened. The boat flew up into the air, and immediately a great quantity of treasure, gold, silver and precious stones fell into the boat from the sky. When it was full the boat came down to the water, and the people were able to empty it. Then it flew into the air again, and came down again with fresh supplies of treasure. This happened many times until there were untold riches for the Tangs. A few years later, they chose another lucky day and erected a new beam and the hall was completed and given the name Loi Shing Tong1. It still exists in Shui T'au Village2, on the left-hand side of Hung Shing Kung (plate 20, figure I. H.K.N., VI, Nos. 3 and 4. “Hung Shing Kung,—the oldest temple in old Ch'an T'in.") under the name of Ts'z T'ong Tsai (small ancestral hall).3 Then followed many years of prosperity for Kam T'in until times of trouble came to all the countryside and the family had to abandon the village temporarily on account of bandits. Before leaving Kam T'in, however, they buried there what remained of the treasure. This story was handed down from generation to generation more as legend than true fact. During the Ham Fung4 (咸豐) years, 1851-1861, of Ts'ing dynasty, a man called Tang Paak Luk (鄧伯祿) of Kam Hing Wai (錦慶圍) farmed the land where the treasure was supposed to be buried. One day he sent a labourer, Ch'an A Faat (陳亞發) to work in the particular field, and in the evening Ch'an returned to the farmer's house with a gold rope which he declared he had dug up. Everyone was very pleased at first, but gradually it appeared that bad luck had come with the rope. The farm beasts began to sicken, many died and then the farmer's family became ill. So the rope was re-buried without more ado, and prosperity was at once restored to Tang Paak Luk. Another story is of a very poor farmer who at a different time rented the same ground. One day he dug up a brick that shone brightly in the sun. As he examined it, thinking it must be silver, he carelessly dropped it on his foot, and broke his big toe. Being too poor to pay for a doctor or even to buy curatives, the farmer gave the brick to his wife to break up, and they found that it was without doubt real silver. So the wife was able to buy medicine and consult a doctor with the aid of the brick, but it was not until all the brick 1 Plate 31 at rear of this Volume. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 168 SUNG HOK-PANG the heart in his mouth went off with it. The villagers gave chase but after a while there was a terrific gust of wind and the dog disappeared. The present Kam T'in is divided into two distinct districts. The South, Naam Wai (南圍) was originally a large common or open space of grassland; the North, Pak Wai (北圍) was hilly country surrounded by mangrove swamp. The principal villages of Naam Wai are Kat Hing Wai (吉慶圍) the first village on the right-hand side as one approaches from the main road, which was built by Tang Paak King (鄧伯經) and two other men during the Shing Fa years 1465-1487 of Ming Dynasty; Wing Lung Wai (永隆圍) the village at the end of the road on the left-hand side, facing the open green where football is now nearly always in progress, which was started by Tang Shiu Kui (鄧紹舉) and seven others; and T'aai Hong Wai (泰康圍) the large walled village on the left just before one reaches the Cottage Hospital, which was founded by Tang Ts'ung (鄧聰) and four other contemporaries. Later on during the civil wars of the Hong Hei years 1662-1722 of Ts'ing dynasty these three villages were walled to protect the inhabitants from marauding bandits and soldiers. Tang Man Wai (鄧文蔚) and Tang Kaai Yuet (鄧啟悅) built the wall of T'aai Hong Wai; Tang Sui Ch'eung (鄧瑞昌) and Tang Kwok Yin (鄧國賢) built that of Wing Lung Wai and Tang Chue Yin (鄧珠彥) and Tang Chik Kin (鄧積堅) walled Kat Hing Wai. About the same time Tang Yuet Man (鄧悅民) of Kat Hing Wai and Tang P'ooi Hing (鄧培慶) of T'aai Hong Village both formed the village of Kam Hing Wai (錦慶圍), which is on the north of Kam T'in market; and Tang Chau Man (鄧秋文) of Kat Hing Wai built the village of Ko Po Ts'uen, on the left-hand side of the main road, on the west of Kam T'in market. These walls in many places are in a wonderful state of preservation to-day. Kat Hing Wai and Taai Hong Wai have very strong iron chain gates, and a tablet fixed in the wall outside the gateway of Kat Hing Wai explains the story of them. It can be roughly translated as follows: "The inscription on the tablet of Kat Hing Wai:— Since Foo Hip, the ancestor of our family Tang who was a Government officer, came from Kiangsi to Kwang Tung in the years of Sung Ning of Sung dynasty, we lived in both waais (villages) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1986 https://digitalrepository.lib.hku.hk/catalog/jq08c7063 91 lanterns affixed on the posts shone on Shek O and Tai Long Wan people. The priests and ritual representatives visited the faan-gon posts and made offerings three times a day in a procession called haang-chiu (audience procession). When I followed one of those processions in Shek O, however, I discovered that not all four of the faan-gon posts were erected at the corners of the settlement. The first faan-gon post in Shek O visited by the haang-chiu procession was between the school playground and the quarters of the cleansing unit of the Urban Services Department. One of the local members of the procession volunteered the information that the post was set up there because three years ago a fatal accident took place at the spot. Two young boys who lived in the quarters of the cleansing unit were playing there when a stone pillar fell down suddenly and killed both of them. V. The local gods The Tin Hau was represented by her wooden image at the centre of the altar. Behind the image was a piece of red paper on which the titles of ten local deities were written. With the exception of the Sea Goddess (shui sin) of the small temple at one edge of Shek O Beach, they were Baak-gung and Daai-wong earth gods of Tai Long Wan, Shek O, and Seung Wai. One of them, styled jang-paang daai-wong (earth god of the stakenets), was a reminder of the former fishing activities of the local residents. Many others had probably existed for the protection of villagers in fishing and farming. The change in land use is evident in the reply given by Mr. Wong, the local leader, when asked where the god's place was. He said, "Below the number 10 alley of the Westerners' residences of Tai Long Wan," linking the god with the change that had taken place in the locality. He gave the same description for the location of another god, the Earth god of the Banyan Tree Place. For the Seung Wai daai-wong, he explained that it was below no. 1 alley, which had become a residential area for Westerners. It used to be the villagers' settlement which was removed to Shek O for the construction of the golf club. There were also three gods whose names were not known to Mr. Wong. He believed that those were from Hok Tsui, the village which joined in ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 107 Po Ling, Uncle's sole heir, was in business in Malaysia for many years, but returned to Hong Kong following a stroke. He has been married twice. His first wife, née Auyoung, died of tuberculosis early in their marriage. His present wife, Su Min Kan, is the mother of three daughters and two sons: Linda, Judy, Lillian, Robert and Chi Fai, all of whom were educated in England. I met Su Min for the first time when she and Po Ling toured the United States in 1978 with Linda and Robert. Po Ling's concubine, Grace Kam Siu Wai, born 28 February 1918, and her two children, Anthony F, born 12 May 1945, and Rosita b, born 20 July 1953, are settled in Australia. Anthony, married to an Australian, Dorothy, has five daughters. Rosita, married to Robert Ting, has one child. Because of the distance between Uncle's family and ours, contacts are infrequent and I am afraid family ties will weaken and be lost in time. As for me, fond memories of Uncle and Small Aunt linger still, and I cannot forget his affection and concern for me when he took a launch from Shameen, Canton, to True Light Middle School at Paak Hok Tung, to comfort me upon the untimely and tragic death of my fiancé. To have lived in his truly Chinese home was to experience the joys of an extended family, the sharing of sadness and happiness, the concern for one another's well-being, the responsibilities falling upon and assumed by the head of the family, and the respect towards our elders and for each other — attributes which have drawn our families close for several generations and which have increased my appreciation of the ancient culture of my people. Second Paternal Uncle Much of the information on Second Paternal Uncle comes from letters he wrote to Father and from the autobiography of his eldest son, Toby, written in Chinese. Uncle, the second son in the family, was born in our ancestral village on 17 August 1870. His 'milk name' was Ping I; his marriage name, On Kiao; his adult name, Chung Chi. The last was the name he was known by outside the family. He was taught in the village by a tutor and most likely had studied some English in Hong Kong before Grandfather sent him at the age of 16 to join First Uncle in San Francisco. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 176 Memories of teachers in other departments remain with me. Dr. Douglas Scott, whom I had for English, extended himself to get me oriented in my first few weeks at the university and several years later, gave Bung Fong a free ride to the West Coast. I enjoyed Dr. Lawrence Fossler, a tall and large-framed German, for his great sense of humour and his ability to make German classes interesting. Pharmacology under Dr. Lyman was my most relaxing course because he had an easy manner in teaching. Although Physics is generally difficult for some, I surprised myself by doing well in it. My Waterloo was Organic Chemistry, which I eventually passed by the skin of my teeth. Because I had little social life, except on rare occasions when friends of Mrs. Johnson included me at their gatherings, my contacts in school fulfilled most of my need for companionship. The depression which began in 1929 was still on in 1932, and jobs were hard to find. I accepted a position to teach senior biology under a three-year contract with the True Light Middle School at Paak Hok Tung in Canton. This was a prestigious high school supported by the Presbyterian Mission. Its principal, the Rev. Stephen G. Mark, had known me when he was pastor of the Beretania Chinese Church in Honolulu, where I had done some volunteer work and where I had taught English at night to Chinese male immigrants. On my way to China I stopped over in Honolulu for about two months as the guest of the Tong Phongs, who had welcomed Mother and Dora into their home following Ruth's death. Helen and her husband were also living in her in-laws' home at that time. Mother, Dora and I obtained third-class special passage on the Empress of Japan, sharing a room with Pyun Kyau Zane Minn and her mother. There were many Chinese young men and women on board, some returning to their native land and some going to China for the first time to study at Lingnan University or Yenching University. Among the Hawaiian passengers were Hung Wo Ching, Irma Tam, Deborah and Joseph Kau, Bunny and Ethel Au, Sing Chang, Kim Tet Lee, Emma Tenn, and Ellen Lo. A favourable exchange rate, a sense of identity with their roots and a desire to contribute to the progress of China motivated many American-born Chinese to go to China. My three years in China were interesting and enlightening, but one... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h TABLE 1.2 Partial Genealogical Chart of the First Branch of the Dang Lineage of Kam Tin Yam Generation 16 Ching-Lok (Ching Lok Tong) Wan-Guk Wan-Gaan San-Fung Saan-Chyun So-Hin Naam-Kai Wan-Yu (Loi Shing Tong) Gwong-Yu 17 Sam-Chyun Ging-Chyun Fong Hei-Ye Gwai-Gok Lei-Yun Yun-Fan Sing-Ngok Poo-Am 19 20 21 12 Lam-Mau Jeung-Luk Fuk-Chai 23 (Gwok Yia Jou) Gwok-Yin Yu-Chung Yu-Man Yu-Ji 24 Lok-Sin Chiu-Yip Chiu-Yung Gwan-Leung Gwan-Haak Si-Daan 25 ↓ ↓ ↓ ↓ 26 Ying-Yun 27 307 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 330 A. Early History of Settlements The present relationship between lineage segment and settlement is roughly the same as that recorded by Sung (1974: 168-70) concerning who started and walled which village and when. Village Started by Genealogical Position Walled in Kat Hing Wai Baak-Ging Son of Chyu-Yin and Gwong-Yu Jik Gin Kangxi (1662-1721) by Chyu-Yin and two others Wing Lung Wai Siu-Geui and seven others Tai Hong Wai Chung Shui Tau and four others Kei-Fong and Kei-Wa, both from Tai Hong Wai and Gwok-Yin One of the Man-Wai and five sons of Gaai-Yut Naam-Kai Son of Chung-Yut Gam-Tin jou, son of Hak-Sa Shui Mei Suk-Leun and Wan-Guk Sons of Gwai-Ting, Gwong-Yu Son of Ching-Lok Kam Hing Wai Yut-Man of Ko Po Kat Hing Wai and Pui-Hing of Tai Hong Wai Jau-Man +34 of Kat Hing Wai Sung has indicated that Kat Hing Wai, Shui Tau and Shui Mei were ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 346 the 71st birthday of Dang Nga-Chyun, a member of a rich family descended from the mou-geui-yan Dang Ying-Yun. Also on display in the same room were other scrolls of calligraphy and painting. Put on display for a couple of hours were relics of the wong-gu. As many of the Dangs were proud of telling, there were two of them (1) a set of twelve small paintings known as Gwai-Fei Tip, believed to be the work of Fu Qing, a lady-in-waiting in the Song court; and (2) a painting of an eagle, reputed to be the work of the Emperor Song Huizhong; both given to the wong-gu as souvenirs.54 Although they were put on display during a visit by about 200 members of the Hong Kong Branch of the Royal Asiatic Society, to put those two antiques on display had always been part of the tradition.55 Each of the villages was decked out with fa-paai banners too. In most cases there was a fa-paai presented by all the members of the village in celebration of the ten-yearly jiu. In the case of Tai Hong Wai there was one from all the descendants of Sung-Gok jou (father of Dang Man-Wai and his brothers) as well as one from the "youngsters" of Tai Hong Wai. The village gate had red slips of paper saying Fast (tsai-gai) and Clean (git-jing). C. Ritual Representatives It was explained to me that the people in each gu divided into family groups (chu). In some cases, the nearest common ancestor such a "family" group could trace was more than ten generations distant. For example, under Mr. Dang Tim-Kau's entry were his blood brothers, the sons of his father's brothers, as well as others who were more remotely related to him. The nearest common ancestor of the chu as a whole was Git-Sau jou, who was, from the standpoint of Dang Tim-Kau's grandsons, 12 generations up the lineage tree. The selection of ritual representatives was done by divination with bui.56 The theory of an elder is that each chu chooses its own candidate for ritual representative. But, according to a younger ritual representative, if a man failed in the divination, then his son would try his luck in the same selection process. The candidate who got the longest series of sing-bui would be the no. 1 ritual representative. The others were chosen and ranked in the same manner. But there were additional rules. Each gu section must have one man among the no. 1 to no. 5 ritual representatives, and each had to have three men among the no. 1 to no. 15 ritual representatives. The last three places (58-60) were, as a rule, alloted to the Ying Lung Wai people, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 368 Sung, Hok-p'ang et. al. (1984), pp. 1-9. 1973 "Legends and stories of the New Territories: Kam T'in', JHKBRAS xiii, 1973, pp. 28-40. 1974 "Legends and stories of the New Territories: Kam T'in", JHKBRAS xiv, 1974, pp. 160-185. Taga, Akigoro Tanaka, Issei 1982 Chugoku Sofu no Kenkyu, vol. 2, Tokyo. 1985 Tsui, Bartholomew Watson, Rubie S. Wolf, Arthur P. (ed.) A Chiu 亞潮(?) baai 拜 baai-san Baak Mou-Seung Ú Baak-Ging Baishe Zhuan Lineage and Theatre in China. Interdependence of Festival Organization, ritual, and theatre in the lineage society of South China, Tokyo. 1989 Village Festivals in China: Backgrounds of Local Theatres. Tokyo forthcoming "Daojiao Yili ya Jishen Kiju zhijian de Guanxi”, forthcoming "Taoist Ritual Books of the New Territories". 1985 Inequality Among Brothers: Class and Kinship in South China, Cambridge University Press. 1974 Religion and Ritual in Chinese Society, Stanford. GLOSSARY chiu-gaan chiu-dou * Chiu-Yip # chu 柱 Chuk Yuen 竹園 Chung E Chung Yeung 重陽 Chung-Saan U Bak Bin 北便 Bak Dai 北帝 bei 陂 bong 榜 Bou-Dak Chi #AM bui cha-gwo 茶果 Chan Gau 陳九 Chan 陳 chau-san + Chenghua 成化 cheun-ding T cheun-fu 巡撫 Cheung-Cheun Yun cheung-saam Chi-Naam Ching Ming U Ching-Lok Chung-Yut Я chyun 村 Daai-Si Wong ✰± Daai-Wong E daai-yan ★A daai-yau daam daam-jung da-jai 打仔 da-jiu 打醮 dan 躉 Dang 鄧 Dang Chung 鄧璁 Dao 道 da-saat Dei-Jong Wong E ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h deui-lyun dim-dang Wif ding-hau T`LI Dongguan 東莞 dong-ji Dung Ping Guk 東本局 faan Fa-Gung Fa-Mou (EAEN fa-paai TEMP Fau-Ng ởH Fong 兒 fong fong-jeung Fu Qing (47 fu 伏 Fu-Hip gwan-ma 郡馬 Gwok-Yin Gwong-Yu K Gwong-Yu Tong Gwun-Yam #E Gyun 銷 Ha Tsuen 厦村 Ha Che 下崟 haang 坑 ha-fu F Hak-Sa ha-yan FA Hei-Ye 起野 heui-lok Heung heung Fui-Sing !! Fung Yuk-Daan MƒU!! Gaai-Yut gaam-sang Gai-Jau # heung-on Ho fil hoi-dang EH hou 號 Hung-Fan Taam gam-taap Gam-Tin Gaozong h Gau Ga Chyun **† hung-jeuk FL Hung-Ji 孔子 Hung-Ji 洪贄 Hung-Sing # Hung-Yi 洪儀 geui-yan git-jing #7 Git-Sau gu l Guangdong MAC Guangzong 光宗 guk 榖 gung-chou Y gung-sang Gwaan-Dai BNR Gwai-Ting gwai-waan (?) Gwai-Wong E gwan 棍 Gwan-Haak 7K Gwan-Leung R jaap-fo 雜貨 Jai Baak-Fu Jan 鈞 Jan-Ting Jau M Jau-Man B jau-tung 州同 Jeung Hoi Jeung 張 Jeung-Luk A jeun-si 進士 Jiangxi 江西 Ji-Ga Tong #18 2 Jik-Gin jiu BE Page 369 ================================================================================