RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 218 NOTES AND QUERIES came about at the time of the building of the Ko Shing Theatre in 1870. The theatre gave its name to the old Praya when the sea was reclaimed near the turn of the century. Today a new building is being built on the site of the theatre. Two lanes were left on either side. The western one was called Kom Yu and the eastern Wo Fung. A short lane, Pan Kwai, ran off Wo Fung. It contained five family houses on each side. It no longer exists, as the Ko Shing Telephone Exchange has been built over it. Tsung Sau Lanes East and West were developed between 1877 and 1879, as was also In Ku Lane and Sutherland Street with its godowns. Li Sing Street was opened later. As an illustration of the diversity of shops conducted on Queen's Road, the 1885 Rate and Valuation Table lists the following between Queen's Street and Wilmer Street: four each of chandlers, druggists and barbers; three each of tin smiths, merchants and tea dealers; two each of coopers, shoes, scales, lamps, lumber and tobacco; and one each of iron, cotton, silk, joss paper, pickles, rice, pawnshop, mason, carpenter, eating house, marine store, copper smith and gun smith. Currently much redevelopment is taking place, but some of the old alleys, particularly In Ku, still retain buildings erected when they were first opened a hundred years ago. Queen's Road still has the same variety of shops and Ko Shing Street is still lined with Nam-pak business hongs. (b) Chinese Tea Houses (1) A Chinese friend has supplied the following Note: Cha Kui (**茶居**) is the old, local name for a Chinese Tea House. It is a special type of Chinese restaurant catering exclusively for tea-lovers. Tea drinking or Yum Cha (**飲茶**) has been a long-standing pastime with the people of the Kwangtung Province to which Hong Kong once belonged. It is popular with poor and rich alike. A tea house is sometimes looked upon as a gathering place for meeting people, talking with friends or for taking leisure in a friendly atmosphere. Most tea-house goers used to go to the same tea house everyday and also at almost the same time of the day and it is also customary that they ask for the same kind of tea each time they go. In a sense, a tea house for Cantonese people is much like and comparable to a 'pub' for English people. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v 134 Board (in manuscript), p. 121 kept in the Public Records Office, Hong Kong as Hong Kong Record Series 206. Pages 120-141 of the Proceedings relate to a hearing held on 6th June 1893, "Claim to a Temple at Apleichau". 10 The same man also said that Ap Lei Chau 'was built about 1850' (ibid, p. 122). However, as stated in my text, the Hung Shing temple on the island appears to date from the 18th century and another local resident (b. 1825) who gave evidence to the Squatter Board (ibid, p. 132) said that it was enlarged in 1847. The temple originally stood on its own little island, later joined by reclamation to Ap Lei Chau. See JHKBRAS 7 (1967) p. 170, footnote. 11 W.F. Mayers, N.B. Dennys and C. King - The Treaty Ports of China and Japan (London, Trubner & Co., 1867) p. 49. 'Boat building and general trade' are listed as the principal concerns. The "Ap-le-chow" and "Shek pai wan" (Aberdeen) entries in this work are bracketed. The latter had 160 houses and 205 boats and the total recorded population for the two places, together with the boat people, was 1,664. See also information given in the printed proceedings of a court case over ownership of land on Ap Lei Chau given in Sessional Papers August 1886 - September 1887" (Appendix to Report from the Land Commission of 1886-87) pp. 33-35. 1* See the Hong Kong Government's printed Sessional Papers for 1897 and 1911, pp. 484 and 103 (23) respectively. 1 Sessional Papers 1901, No. 39 of 1901. pp. (6), (18) and (20). Of the 947 vessels, 787 were fishing boats. At that time, there were 2,799 land persons living in and round Aberdeen-Ap Lei Chau. 11 Sessional Papers 1897 and 1911 at pp. quoted at note 12 above. For similar organizations of M. Freedman's article "Immigrants and Associations: Chinese in Nineteenth-century Singapore", Comparative Studies in Society and History, III (1960-61), 25-48; and for other coastal market centres in the Hong Kong region, Hayes 1977, chapters 2 and 3 dealing with Cheung Chau and Tai O respectively. 10 See the account given in the printed Ap Lei Chau Hung Shing Festival brochure for year (1983) now in Hong Kong Collection, University of Hong Kong Library, 10 Squatter Board proceedings, p. 138. The word "Kaifong" (#) or street association was commonly used in South China to describe (a) all the inhabitants of an area (b) the voluntary organization of leading residents which managed the affairs of that community, e.g. the Kaifeng looked after the interests of all kaifongs. On Ap Lei Chau, the Kaifong and the Fongs' leaders seem to have been one and the same. For Kaifongs in the Hong Kong region see Hayes 1977, pp. 64-69, 81-84, 96-98, 171-172 and 218 note 27. Also, Hayes 1983, pp. 45-46 and 56-59. 18 For divining blocks, see J.J.M. De Groot, The Religious System of China (Ch'ing Wen reprint, Taipei 1976) Vol. VI, pp. 1285-1287. 1o See Hayes 1977, p. 219, note 41, for similar honours paid to leading office bearers reported from Canton (1902). * The shopkeeper petitioners who came to see the Registrar General in 1893, as recorded in the Squatter Board proceedings, stated that "The temple is the property of the inhabitants of Ap Lei Chau and the boatpeople who subscribe”. The Ap Lei Chau section of this article is based mainly on the oral statements of Messrs. CHENG Kam-kwu ($##) b. 12.10.1887, CHENG Lim () b. 17.12.1891 and LUN Shing-fun () b. ... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 133 In the opinion of the speaker, carrying a lamp was no check to crime. The measures for securing a peaceful community lay elsewhere. He asked: "How can a lamp prevent robbery? Cannot a thief carry a lamp? Is it because one case of robbery with violence has occurred in the course of a few years that the lamp law has been enforced?" He clearly felt the law did not achieve its purpose. Curtailment of crime could not be expected from carrying lamps and passes. This was the responsibility of the police. Ho A-mei said bluntly: "I think the police are more to blame, because they failed to arrest those who committed the robbery. (Applause). The police do not give us sufficient protection; that is why we have our own district watchmen, in Wing Lok Street for instance, and yet we have to pay for the police as well.” The speaker then launched out to describe the way the regulation had affected business since a policy of rigid enforcement had been inaugurated: "Considerably fewer people visit the eating houses at night and, of course, as the business decreases so the supply of sharks' fins, etc, by the Nam Pak Hongs decreases; in fact, there is a general deadlock in every branch of trade." The enforcement not only curbed social activities, it also had adversely affected business. He suggests that if no action on the matter was forthcoming from the Hongkong Government, then the matter must be put directly to the Secretary of State for the Colonies, “and we must ask that in future all ordinances passed in the Colony shall have a general effect and that they shall not aim at the Chinese alone.” The meeting had been called to rally support for Mr. Ho Tung's petition against the regulations. No reply to the petition had been received, and Ho A-mei said that he had heard “that it was suggested to the Government that the movement was only an agitation on the part of a few members of the community, and that the petition was signed only at their request.” This the speaker denied. “But, I say, Gentlemen, you did not sign the petition simply at the request of Mr. Ho Tung; you signed it in the public streets knowing what the contents were.” ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 197 and in his public utterances, and during the course of his much lauded conciliatory and considerate policy towards the Chinese, the Governor has unduly accentuated the political power assumed by this eleemosynary institution.” The paper had time and again drawn the attention of the public to the dangers the activities of Tung Wah posed to the legitimate authority of the Government. Once again it warned of the "dangerous mischief calculated to result from the action of a native corporation possessing no guide or check” and urged the “necessity for either prohibiting the directors from acting as extra judges or jurymen, or for recognising certain powers in them limited by clearly defined rules.” Their acting as "a sort of Small Cause Court, Chamber of Commerce, Tribunal of Arbitration, (and) Hongkong Association" was the natural result of the composition of the directorship of the hospital, It was made up of elected representatives from the major commercial guilds. There was usually a member from the pawnbrokers, the compradores, the rice merchants, the nam-pak hongs (trading firms dealing in goods between the northern ports of China and Southeast Asia), the California-Australia importers and exporters, the piece-goods merchants, the cotton yarn merchants and the opium dealers. The directors were quite aware of the tenuous position they were in, due to their being charged with the management of a hospital and at the same time undertaking to act as a board of arbitration over disputes that could not be settled within a guild. They also could not escape the fact that the Chinese in Hong Kong looked to them as their natural leaders and entrusted them with the general overseeing of the welfare of the community. As long as the hospital was used for the management of general community affairs, the directors realised they would be criticised. For this reason they requested a grant of land from the Govern- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 352 F. Theatre After the seven-day rites period, the main paang was modified for use as the opera theatre. The raised area originally partitioned for the Taoist rites, puppet plays and the ancestral altar was converted into the opera stage. The ancestral tablet of Hung-Yi and the statue of Gwun-Yam were moved into the smaller paang for the general gods. The rest of the main paang became a raised audience seating area divided into left and right halves. The right half was for Bak-Bin and the left for the Naam-Bin. Here Bak-Bin included Ying Lung Wai. There was also a clear partition of each half into two sections. One section was for males and the other for females. Between the seating areas for Naam-Bin and Bak-Bin was a separate area, the front part of which was seating for guests, and the rear part of which was left empty, probably for standing audience. 64 In the afternoon before the first opera performance, the rite of exorcism, Jai Baak-Fu, was performed by the opera players on the stage. To the accompaniment of percussion patterns played on large cymbals, gongs, and drums, a man in black fought with a yellow "white tiger”. Although the opera troupe's ritual practice was to perform this ritual only at places where there had never been any theatrical performance before, the Dangs, for the sake of safety, made a special request and paid the troupe an additional fee to have the rite performed. The allocation of theatre seats caused some conflicts among the villagers. I had been told that the seating was allocated on the morning of 24th December, and a chu was allocated seats according to its position in the jiu Memorial. A young man from Shui Tau told me that a fight almost broke out on account of the seating arrangements. There was hot disagreement between some youngsters of Wing Lung Wai on one side and those of Kat Hing Wai on the other. There were more than ten of these young villagers from each of the two villages who were quite ready to fight. 65 Some others solved their seating problems in a more peaceful manner. I learned about the case of a Kat Hing Wai family which was not one of the ritual representatives and had therefore been allocated seats very far from the stage. But the eldest son of the head of the family managed to purchase some seats for his parents to express his filial piety. Another Kat Hing Wai villager had asked him (the son) for a loan of a few ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 361 Back at the ritual site, the ritual representatives installed the image of Gwun-Yam in the temporary altar dedicated to her, and the spirit tablets for the others in the san-paang altar for general gods. These, with the spirit tablets for the gods from the villages, gradually filled up the three levels of the temporary altar. Two ritual representatives fetched the tablet of Hung-Yi from the Ching-Lok Ancestral Hall to his altar on the stage. The portrait of the Heavenly Master was fetched from the village gate of Tai Hong Wai, and installed at a temporary altar set up for him in the Mau-Ging Tong ancestral hall. There were also a few deities to be invited from the sky. They included Tin-Dei-Sheui-Yeung, the gods of the realms of Heaven, Earth (the Underworld), Water, and the human world; Gods of the Naam-Dau ("North Dipper") and Bak-Dau ("South Dipper"), both for blessings to men; the City God and the Lei-Wik (who supervises the local Gods of Earth and Grain and the Earth Gods); Tin-Chyun San-Gwan (two common titles of the highest deities); and the Dragon King. In the last stage of the Opening Rite there were complaints that those gods were omitted. But later on that day temporary spirit tablets for them were seen in the san-paang. D. Procession of incense I The first Procession of Incense took place on the main day of the ritual, to the participating villages of the Kam Tin heung. It was to visit all the temples, shrines, and major ancestral halls to worship the gods and higher-level ancestors. There did not seem to have been a clearcut rule about the lower-level ancestral halls. When I mentioned to an elder that the procession had stopped and worshipped at Lai-Gaan Tong, his first response was that the procession should not have worshipped there. But he changed his mind later: the worship in the rite was indiscriminative, it went to every ancestral hall if the doors were open. A very large number of villagers participated. Priests took part in the procession as well, but their part was limited to a brief invocation. Most of the villagers wore hats with special ornaments indicating their villages. The procession was accompanied by the sound of large gongs, a flag saying jeun-heung ("to offer incense"), and the priests' musician playing sona. There was one lion dance group, and Luk Gwok flags and percussion teams playing drum and gong on lo-gu ga frames representing each of the five main villages. There were also flags ================================================================================