RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 LIST OF MEMBERS ORDINARY MEMBERS: SAPSTEAD, G. SCHWARZ, W. H. SCOBELL, C. L. SELWYN, J. B. SHAW, Dr. & Mrs. B. C. SHOEMAKER, J. F. SHU, Dr. H. T. SIEGEL, H. W. SIU, Miss A. V. SLEVIN, Brian SMITH, Rev. Carl T, SO, Dr. Chak Lam SOLOMON, Mrs. Miriam SPAIN, Mr. & Mrs. E. J. STAFFORD, Peter STEINER, Henry STEMPEL, A. STEWART, Miss J. M. C. STRANGER-JONES, A. J. STRICKLAND, John E. STUMPF, K. L., O.B.E. SU, Ming-Hsuan SU, Samson TAYLOR, Mrs. V. THOMA, Dr. Richard THOMAS, Rik THOMAS, Mrs. S. E. Highways Office, Public Works Dept., Murray Building, H.K. c/o Achelis (HK) Ltd., Kowloon City P.O. Box 9334, Kowloon City, Kowloon. Police Headquarters, Arsenal Street, H.K. 2404 Connaught Centre, H.K. 72, Middleton Towers, 140, Pokfulam Rd., H.K. 73, Kadoorie Avenue, Kowloon. 70, Mt. Davis Road, H.K. c/o Bayer China Co. Ltd., 1916 Union House, H.K. Flat A, Hing Mee Bldg., 13th floor, 25-31 Leighton Road, H.K. Police Headquarters, Arsenal Street, H.K. Chung Chi College, Shatin, N.T. Dept. of Geography & Geology, University of Hong Kong, H.K. 2 Wongneichong Gap Road, F5, Woodland Heights, H.K. D28 Burnside Estate, Repulse Bay, H.K. c/o The Mandarin Hotel, Connaught Road, C., H.K. Graphic Communication Ltd., Printing House, 6 Duddell Street, H.K. c/o Gilman Office Machines, 41st floor, Connaught Centre, H.K. 28, Lancashire Road, Kowloon. 12E, Cliffview Mansions, 25, Conduit Rd., H.K. c/o The Hongkong & Shanghai Banking Corp., G.P.O. Box 64, H.K. Lutheran World Federation, Dept. of World Service, 33 Granville Road, Kowloon. 28 Broadway, 10-B Mei Foo Sun Chuen, Kowloon. c/o Shanghai Commercial Bank Ltd., 12 Queen's Road, C., H.K. 6A Pekao House, 30 Conduit Road, H.K. 44, Mt. Kellet Road, 3A, Mountain Lodge, H.K. 31 Conduit Road, 9th floor, H.K. C-3, Clearwater Bay Apts, Clearwater Bay Road, Kowloon. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n LIST OF MEMBERS ORDINARY MEMBERS: ROHRS, K. R. ROPER, G. W. + SALMON, Mrs. P. A. SAPSTEAD, G. A. G. - SCOBELL, C. L. - + SCOLLARD, Dr. & Mrs. D. M. + SCOTT, Dr. I. SEARLS, M. W. SHAM, F. + SHANNON, Major J. M. - SHAW, Dr. & Mrs. B. C. - SHOEMAKER, J. F. SHU, Dr. H. T. - SIDNEY, Miss F. A. SLEVIN, B. SMITH, F. K. SO, Dr. C. L. STEAD, Miss S. M. STEINER, H. STEMPEL, A. ++ + - STEWART, Miss J. M. C. STRICKLAND, J. E. - + + + + Flat 3B, 17 Bonham Road, Hong Kong. Police Headquarters, Arsenal Street, Hong Kong. 40 Plantation Road, The Peak, Hong Kong. Mass Transit Railway Corp., G.P.O. Box 9916, Hong Kong. Police Headquarters, Arsenal Street, Hong Kong. 257 35 Baguio Villa 14/FL, 550 Victoria Road, Hong Kong. 35 Middleton Towers, 140 Pokfulam Road, Hong Kong. Esso Standard Oil (H.K.) Ltd., G.P.O. Box 5369, Hong Kong. 22A, Caine Road 1/Fl., Hong Kong. 1, Salisbury Mansions, Pilgrim's Way, Beacon Hill Road, Kowloon. 72 Middleton Towers, 140 Pokfulam Road, Hong Kong. 73, Kadoorie Avenue, Kowloon. 70 Mount Davis Road G/Fl., Hong Kong. 18, Buxey Lodge, 37 Conduit Road, Hong Kong. Police Headquarters, Arsenal Street, Hong Kong. Flat E2-21 Villa Monte Rosa, 41A Stubbs Road, Hong Kong. Dept. of Geography & Geology, University of Hong Kong, Pokfulam Road, Hong Kong. Flat 19B, 45 Repulse Bay Road, Hong Kong. Graphic Communications Ltd., Printing House 6/Fl., 6, Duddel Street, Hong Kong. Flat 18A, 3 Tregunter Path, Hong Kong. 28 Lancashire Road, G/FL., Kowloon. Hongkong & Shanghai Banking Corp., G.P.O. Box 64, Hong Kong. STUMPF, Dr. K. L., O.B.B, - Lutheran World Federation, Dept. of World Service, 33 Granville Road, Kowloon. SU, S. TAYLOR, Mrs. V. V. - Shanghai Commercial Bank Ltd., 12 Queen's Road C., Hong Kong. 14A Piccadilly Mansion, 6 Po Shan Road, Hong Kong. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1979 https://digitalrepository.lib.hku.hk/catalog/2801w5938 251 ORDINARY LOCAL MEMBERS RYKER, Dr. Harrison Clinton, Dept. of Music, Chinese University of Hong Kong, Shatin, NEW TERRITORIES. SALMON, Mrs. P. A., Flat C1, Celestial Gardens, 5 Repulse Bay Road, HONG KONG. SAPSTEAD, Mr. Gordon A. G., Mass Transit Railway Corporation, G.P.O. Box 9916, HONG KONG. SCOLLARD, Dr. & Mrs. David M., 35 Baguio Villa, 14/Fl., 550 Victoria Road, HONG KONG. SEARLS, Mr. M. W. Jr., Dravo Internacional, 901 Hutchison House, 10 Harcourt Road, HONG KONG. SHAM, Mr. Francis, 22A Caine Road, 1/F, HONG KONG. SHANNON, Major J. M., 1 Salisbury Mansions, Pilgrim's Way, Beacon Hill Road, KOWLOON. SHEEHAN, Miss Laura, Impulse Trading, 11 Yuk Yat Street, 10/F, Tokwawan, KOWLOON. SHU, Dr. H. T., 70 Mount Davis Road, G/F, HONG KONG. SO, Dr. Chak Lam, Dept. of Geography and Geology, University of Hong Kong, HONG KONG. STEAD, Miss S. M., Flat 19B, 45 Repulse Bay Road, HONG KONG. STEINER, Mr. Henry, Graphic Communications Ltd., 4th Floor, 57 Connaught Road Central, HONG KONG. STRICKLAND, Mr. John E., Hongkong and Shanghai Banking Corp., G.P.O. Box 64, HONG KONG. STUMF, Mr. Karl L., O.B.E., Lutheran World Federation, Dept. of World Services, 33 Granville Road, KOWLOON. STUNEK, Rev. Howard, O. F. M., St. Bonaventure Friary, 47 Sheung Fung Street, Tsz Wan Shan, KOWLOON. SU, Mr. Samson, c/o Shanghai Commercial Bank Ltd., 12 Queen's Road C., HONG KONG. SURECK, Mr. Joseph, Flat 11B, 19 Conduit Road, HONG KONG. SURECK, Mrs. Joseph, Flat 11B, 19 Conduit Road, HONG KONG. SUSSEX, Mr. C. A., El On Lee Mansions, Mount Davis Road, HONG KONG. SUSSEX, Mrs. Elizabeth, El On Lee Mansions, Mount Davis Road, HONG KONG. TANG, Mr. Stephen Wing-Hung, 177 Bulkeley Street, 1st Fl., Hunghom, KOWLOON. TAVADIA, Dr. Phitoza, Dr. Vio & Partners, Hong Kong Bank Building, Queen's Road Central, HONG KONG. TAYLOR, Mrs. V. V., 65 Bisney Road, 2nd Floor, HONG KONG. THOMA, Dr. Richard A. M., 14 Mount Kellett Road, Mountain Lodge 3-A, HONG KONG. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1981 https://digitalrepository.lib.hku.hk/catalog/ff36bt18m SALMON, Mrs P.A. SAPSTEAD, Mr Gordon A.G. SCOTT, Dr. Ian SEARLS, Mr M.W., Jr. SHAM, Mr Francis SHANNON, Major J.M. SIDDLE Mr Oliver R. SIEGFRIED, Mrs Stephanie S. SIU, Mr Anthony Kwok-Kin SMITH, Mr Reginald C. SMITH, Mr Stewart P. SMITH-ROBERTS, Miss Karen A. SO, Dr Chak Lam STEAD, Miss S.M. STEINER, Mr Henry STEWART, Miss Jessie STRICKLAND, Mr John E. STUMF, Mr Karl L., O.B.E. SU, Mr Samson SURECK, Mr Joseph SURECK, Mrs Joseph TAM, Miss Adelaide Chiu-hor TANG, Mr David TANG, Mr Hai Chiu TANG, Mr Stephen Wing-hung TAYLOR, Mrs V.V. THATCHER, Mr Melvin Paul THOMAS, Mr Reginald THOMAS, Mrs S.E. THOMPSON, Mr F. John TING, Mr Joseph Sun Pao TING, Mr Thomas Kam-Shu TISDALL, Mr Brian TOCHRANE, Miss Vera TOH, Miss Esther TOOGOOD, Mr C.W. TRETIAK, Professor Daniel TSANG, Mr Augustin Chung-Kong TSANG, Mr Hin Sum TSO, Miss Priscilla TURNER, Mr H. David TWITCHETT, Miss Yvonne VINE, Mr P.A.K. WALKER, Mr A.P. WALKER, Mrs Prudence WALTERS, Mrs Sandra L. WATERS, Mr D.D. WATT, Mr James WATT, Mr Mo-Kei WEBB, Mrs Susan M. WEI, Miss Peh T'i WHITTAM, Mr Anthony R. WHOLEY, Mr. J.W. WILLIAMS, Miss Stephanie WILLIS, Mr David Nye WILLOUGHBY, Prof. P.G. WILSON, Mr Brian D. WILSON, Miss Elinor WIN, Mr Oliver 215 WINKLER, Mrs Rowena WONG, Miss Marion WONG, Mr Siu-Lun WOODS, Mrs Rowena WORKMAN, Dr Gillian WRIGHT, Mr D.A.L. WRIGHT, Dr Leigh R, WRIGHT, Miss V. Moya YANG, The Hon. Mr Justice YEUNG, Mr Michael Wing Chiu YOUNG, Dr John D. YOUNG, Mr Richard YUNG, Mr David C.W. ZIGAL, Mrs Irene OVERSEAS LIFE MEMBERS ARMERDING, Mr Ludwig E. BAKER, Dr Hugh David R. BAKER, Mr William Ernest BALL, Mr John M. BARNETT, Mr K.M.A. BENNISON, Mr Larry L. BERTUCCIOLI, Dr Giuliano BLACKMORE, Mr Michael BLACK, Sir Robert BLAKER, Mr D.J.R. CAPLAN, Mr Malcolm CARLSON, Miss R.E. CATER, Sir Jack CLARKE, Rev. Cyril S. COCKELL, Miss Juve V. COLLIN, Mr P.H. COSBY, Mr Ivan P.S.G. COSTANTINI, Dr Giulio COSTANTINI, Mrs G. CRANMER-BYNG, Prof. J.L. CUMMING, Mrs Dorothy M. DUNCANSON, Mr J.D. EWING, Miss E. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p PRESIDENT'S REPORT: 1982-83 Tonight I have pleasure in reporting on the Society's activities during the year. I will also comment on some other events of the period which will be of interest to you as members. Lectures, Film Shows, and Tours During the year our lectures as usual covered a wide range of topics relating to our area, and were delivered by specialists based in Hong Kong and visiting from overseas. There were two film shows, and one local and one overseas tour. Our programme opened in March with a slide presentation of early photographs of Hong Kong with commentary given by Mr. Ian Diamond, Government Archivist, and entitled "Hong Kong in Victoria's time." In April Mrs. Rajeshwari Ghose, a specialist in the history and sociology of religion in India, spoke on the functions of the Hindu temple. We also showed two films made by Mr. Hugh Gibb, the well-known local film maker. The films, both made in collaboration with social anthropologists, were "Dragons on the Sea" which depicted the life of the traditional floating population of Hong Kong; and “Dajiu” which showed the Taoist rites of renewal of this name, that take place every ten years in the New Territories village of Ha Tsuen and its dependent group of hamlets. The first film was made with Miss Barbara Ward, and the second with Dr. Hugh Baker. We were pleased to welcome many members of the public to these films which were very well received and gained us some new members. In May Dr. Peter Wesley-Smith of Hong Kong University's Law Department spoke on Francis Taylor Pigot, Chief Justice in the early part of this century; Mrs. Peggy Craig, a well-known organizer of highly original tours of India showed films she had taken on two tours in which members participated: the Pushkar Camel safari and "Meet the Maharajas"; and Frank Iklé Professor of History at the University of New Mexico spoke on the role of women in Japan. In June Mr. Melvin Thatcher of the Genealogical Society of Utah spoke on the Chinese genealogies his society had acquired from public collections, and in July Dr. David Faure of the Vill ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 242 CARL T. SMITH 1 Dec. 1852 - first performance of amateurs under new management. 12 Feb. 1853 — Victoria Amateurs. "Twice Killed" farce (John Oxenham, 1837) "Slasher and Crasher" farce (J. M. Morton, 1848) 19 Mar. 1853 meeting at Victoria Theatre for purpose of forming a Corps Dramatique to arrange for another performance at an early date. 20 Apr. 1853 "Animal Magnetism" farce (Mrs. E. Inchbald, 1758) "A Kiss in the Dark" farce 19 May 1853 last night of season of Victoria Amateurs. "Time Tries All" dramatic drama (J. Courtney, 1848) "Toothache, or The Prince and the Chimney Sweep" farce 1853/54 27 Oct. 1853 Meeting at Victoria Theatre of those interested in theatricals to make arrangements for the coming season. (I found no notice of any performance for this season). 1860/61 3 Jan. 1861 "Still Waters Run Deep" (T. Taylor, 1855) 1861/62 1862/1863 29 Jan. 1861 new theatre, Hong Kong Amateur Theatre, performance by officers and gentlemen who have organized this establishment: "A Bachelor of Arts" (P. Hardwicke, 1853) "A Nice Firm" (T. Taylor, 1853) 25 Feb. 1861 performance of Gentlemen Amateurs Mon. last. 28 Mar. 1861 theatrical season drawing to close. Appreciation to the Committee. Difficult to see how the Amateur Theatrical Company could have managed without aid from the garrison. Dec. 1861 - first performance of season: "Cool as a Cucumber" (M. W. B. Jerrold, 1851) "The State Secret" (A. Snodgrass, 1821, or T. E. Wilks, 1836) in same commodious erection as served so well for last year's performances, 23 Jan. 1862 second public performance of Hong Kong Amateur Theatre: "Not a Bad Judge" comic drama (J. R. Planche, 1848) "The Critics" facetious tragedy (Sheridan, 1779) 1862 season "Cramond Brig" (W. H. Murray, 1826) Dec. 1862 The theatre a reproduction of last year's design. "Uncle Zachary" comic drama (John Oxenford, 1860) "Fearful Tragedy in Seven Dials" (Charles Selby, 1857) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 366 LOCAL ORDINARY MEMBERS MATHEWS, Mr. J.F. MAYERS, Mr. W. McCULLY, Mis. A.M. McDONALD, Mrs. J.R. McELNEY, Mr. B.S. McLEAN, Ms. R.H. MINERS, Dr. N.J. MINTER, Mr. C.J.W. MITCHELL, Mr. E.A. MITCHELL, Mrs. R.M. MOBIUS, Dr. M. MORGAN, Ms. V.E. MORGANS, Mr. & Mrs. J.M. MOYLE, Mr. G.C. MULLOY, Mr. G.N. MURPHY, Mr. F.S. NESHEIM, Mrs. D.H. NEWBIGGING, Mr. D.K. NEWBIGGING, Mrs. C. NG, Dr. ANH. NG, Dr. MN. NG, Miss T. NGUYET, Mrs. T. O'HARA, Miss. L.S. O'HARA, Mr. R. ONG, Tan Sri Dr. G.B. ORR, Mr. L.C. OUTCH, Mr. W.T. OXLEY, Mr. C.W.B. PARRINGTON, Miss J. PARRY, Mr. R.H. PHILLIPS, Mr. R.J. PHILLIPS, Mrs. J.D. PICKARD, Mrs. J. PICKFORD, Mr. J.B. POPE, Mr. J.L. PRESCOTT, Mr. J.A. PRYOR, Dr. E.G. QUESTED, Mrs. R. RAM, Mrs. J. REDDING, Dr. S.G. REID, Mr. A.J.H. RHODES, Mr. P.F. RIBEIRO, Mrs. S. RICHARDS, Dr. S.F. RICHARDS, Mrs. J.K. RICK, Mr. D.R. RIGG, Mrs. J.R. ROBERTSON, Mrs. A.G. ROBERTSON, Mrs. W.G. ROGERS, Mrs. P.R. ROHRS, Mr. K.R. ROPER, Mr. G.W. ROSS, Mr. C.S. ROSS, Mr. D.M. SALMON, Mrs. P.A. SAPSTEAD, Mr. G.A.G. SCOTT, Dr. I. SHAM, Mr. F. SHANNON, Mr. J.M. SIDDLE, Mr. O.R. SIEGFRIED, Mrs. S.S. SIU, Mr. A.K.K. SLATTERY, Mrs. H.D. SMITH, Mr. R.C. SMITH, Mr. S.P. SO, Dr. C.L. SOLLY, Mr. P.J. STEAD, Miss S.M. STEINER, Mr. H. STEWART, Miss J.J.M.C. STRICKLAND, Mr. J.E. STUMPF, Mr. K.L. SU, Mr. S. SURECK, Mr. J. SURECK, Mrs. J. TAM, Miss A.C.H. TANG, Mr. D. TANG, Mr. H.C. TANG, Mr. S.W.H. TAYLOR, Mrs. V.V. THOMAS, Mr. R. THOMAS, Mrs. S.E. THOMPSON, Mr. F.J. TING, Mr. J.S.P. TISDALL, Mr. B. TOCHRANE, Miss V. TOH, Miss E. TOOGOOD, Mr. C.W. TRETIAK, Prof. D. TSANG, Mr. A.C.K. TSANG, Mr. H.S. TSO, Mrs. P. TURNER, Mr. H.D. TWITCHETT, Miss Y VINE, Mr. P.A.L. WALKER, Mr. A.P. WALKER, Mrs. B.P. WALKER, Mrs. P. WALKER-HAWORTH, Mr. J.L. WALTERS, Mr. R.G. WALTERS, Mrs. S.L. WATERS, Mr. D.D. WATERS, Dr. G. WATT, Mr. M.K. WEBB, Mrs. S.M. WEI, Miss P.T. WHITTAM, Mr. A.R. WHOLEY, Mr. J.W. WILLIS, Mr. D.N. WILLOUGHBY, Prof. P.G. WILSON, Mr. B.D. WIN, Mr. O. WINKLER, Mrs. R. WONG, Miss M. WONG, Mr. S.L. WORKMAN, Dr. G. WRANGHAM, Mr. & Mrs. C. WRIGHT, Mr. D.A.L. WRIGHT, Dr. L.R. WRIGHT, Miss V.M. YANG, The Hon. Mr. Justice YEUNG, Mr. M.W.C. YOUNG, Dr. J.D. YOUNG, Mr. R. YUNG, Mr. D.C.W. ZIGAL, Mrs. I. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1985 https://digitalrepository.lib.hku.hk/catalog/gt54s866x 158 WEI PEH T'I she continued taking Chinese lessons at Taiho. She took a second language examination in 1905. Mastery of the local dialect was also essential. It took Edith until 1905 to make herself understood in the northern Anhui dialect. “Last year I could not say much but this time I will have to do my share of the preaching,”20 Edith confided to Louese in her letter dated 5 January 1905. At the same time, another woman missionary, Mrs. Ferguson, “not having our pronunciation so that the women do not understand her very well,” was not very useful since she could not preach. 9920 At Taiho, the missionaries lived among the people to whom they were bringing the Gospel. These were poor people, judging by their daily fare and by their standards of hygiene. Edith described the scene in the back lane where the men of the neighbourhood ate their evening meal squatting outside their front doors. The men do not eat with their wives, . . . The man of the house takes his bowl of rice, if he can afford it, or if not his bowl of dough strips and perhaps a bowl of salted garlic or some kind of greens. If it's the first or fifteenth of the month he will have another bowl with some stewed meat and onion etc.22 Seeing the population of the back lane thus gathered, the missionaries, Mr. and Mrs. Malcolm as well as Edith, would assault them with the words of the Lord. every day about the time they are eating their food we three stand at the back gate, sing a hymn to draw the crowd, then Mr. Malcolm steps out to preach to them. A great many of them won't come here, so we go to them." Their timing might not be the most propitious way to make friends and influence their neighbours, but the missionaries were only following Hudson Taylor's directions to reach the people wherever and whenever possible. And Edith was surprised that the neighbours were so “unfriendly”,24 mumbling such things as "the Boxers will finish them off yet" and calling the missionaries ! ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1986 https://digitalrepository.lib.hku.hk/catalog/jq08c7063 17 JOHN JOSEPH FRANCIS, CITIZEN OF HONG KONG, A BIOGRAPHICAL NOTE WALTER GREENWOOD V.H.G. Jarret writing about Francis in the South China Morning Post in the 1930s commented "It seems strange that so well known a man should not be commemorated in any way”. When one considers the number of streets and roads in Hong Kong named after less prominent Government officials and businessmen the force of that comment will, it is hoped, be appreciated by the end of this essay. Francis was born in Dublin in 1839, the eldest son of William Francis Aylward, an Inspector of Irish National Schools, and Mr. Walter Greenwood J.P., M.A. (Cantab.), Barrister of Gray's Inn and the North Eastern Circuit, a Permanent Magistrate in Hong Kong AUTHOR'S ACKNOWLEDGEMENTS: This essay was hurriedly researched and written in snatched hours and does not claim to be comprehensive, much less to do justice to Francis. I hope it may lead to interest in his life and career and I should be grateful if anyone who finds new information about him would send it to me at 26, Great Bounds Drive, Southborough, Tunbridge Wells, Kent TN4OTR. It is based mainly on skimming through newspapers and dipping into the standard histories of Hong Kong. I have also received generous help from many quarters. First I should like to acknowledge my gratitude to the staff of the Hong Kong Public Records Office for their ever friendly and willing help; my thanks go also to the staff of the Supreme Court Registry and University Library, the Secretaries of the Bar Association, the Law Society, the Jockey Club and the Volunteers, Mrs. Lisa Chee, Chairman of the Board of Directors of the Po Leung Kuk, Fathers Naylor, Pagani and Pittavino (for searching church records), Mr. Michael Clancy (for information about “Stonyhurst”), Mr. Carl Smith (for information about Francis' marriages) and Mr. Colin West (for arranging the cleaning of Francis' tombstone) in Hong Kong; the Parish Priest of All Saints Church, Borella, Colombo; Father Turner of Stonyhurst College; the staff of the Public Records Office, Genealogical Office and Public Registry in Dublin; Mr. Julian Walton of Dublin and Waterford (for supplying me with material about the Aylward family which he also presented to Dr. Ken Smith of South Africa for use in his biography of Alfred Aylward); the Editor of the Irish Ancestor, the staff of the Public Record Office, Royal Artillery Institution, University and Crown Agents in London; Mrs. Theresa Thom, Librarian of Gray's Inn; Mr. Leo D'Almada Q.C. in Portugal; Dr. Walter Mautsch in Germany; Mr. Nigel Osner in London; Pamela and Eric Russ in Bournemouth; my wife (for her patience whilst I practised my drafts on her); and Mrs. Mary Whitticase for her great kindness in typing my manuscript. Copyright Walter Greenwood 1986. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 108 HOPPER, F Not known HORWITZ, Bernard 13.3.1883 HORWITZ, Bernard 12.3.1882 HOWELL, David 25.7.1936 HOWELL, Gerhard Not known HOWELL, Harry 29.11.1927 HUBE, Mrs Ida 28.11.1947 HUBER, Johannes 4.10.1903 HUELS, H N 6.1.1878 HUGHES, John Howard 27.6.1939 HUNTER, Alex Russell 25.11.1919 HUNTER, Gilzean Not known HUNTER, Mrs Sophia 23.1.1949 HULK, F H Not known HUNTER, John 2.7.1962 HUNTINGDON, William D 12.3.1869 HURST, Ethel 2.8.1907 HUXLEY, Stanley 16.5.1907 JACOBSON, Paul 16.4.1892 JANSEN, E 11.2.1889 JOHNSON, Thomas 20.7.1910 JOHNSTON, William 5.6.1900 JONES, Mrs 26.12.1913 JONES, J H 4.12.1918 JONES, Thomas 5.5.1876 JONES, Thomas 9.10.1898 JORGENSEN, Captain 30.9.1941 JOST, Adolf Ferdinand Fredrich 3.12.1869 JUNKER, CE 11.1903 KAEHNE, Alice 30.7.1903 KALUS, Johannes 30.9.1907 KANZLER, Aug. Gotthelf Moritz 19.3.1892 KAPPELMEIER, Fritz Not known KAY, Anthony Taylor Not known KELLY, Robert Kerr 22.11.1895 KARL, Friedrich 11.12.1936 KELLER, Daisy 4.2.1950 KELLER, ... 2.7.1931 KENDRICK, S M 10.7.1966 KENNEDY, SC 17.3.1908 KIENE, Juana 14.8.1912 KILLMAN, JW 7.1902 KLEMME, CHF Wilhelm 14.11.1878 KNUDSEN, A 21.4.1927 KOPSIDAKIS, Dimitrios 27.1.1907 KRAFT, Peter 25.11.1965 KRUEGER, Johann Christian 10.5.1930 KYBURZ, I A Jacob 24.5.1901 KYBURZ, Paul Henry 26.8.1943 LAACHMANN, Edward 23.3.1903 LABHART, Joh. Conrad 28.3.1884 LACHENAL, Jones 18.7.1887 LAFFERTY, Michael J Louis 23.10.1892 LARDETT, Jean 17.3.1904 LEA, Edward Not known LE BRETON, Leonard 24.2.1945 LEHNERT, Oswald 20.4.1925 LEVY, Adolf 22.1.1891 LEVY, Charles 13.6.1888 LEVY, S 31.10.1916 LISBETH? (child) 18.4.1882 LLOYD, James 9.5.1890 LOCKHEAD, Herbert S Lawrence 3.11.1888 LOEWENSTEIN-WERTHEIM-FREUDENBERG, Prince Ludwig zu 18.9.1901 LUBBERS, H 26.3.1899 LUTZ, Hans Richard 10.11.1882 LUYENDYK, Mary Williamson 17.7.1876 MACGAVIN, William 26.11.1945 MACKENDRICK, Charles D T 28.11.1943 MACLEOD, John 17.3.1908 MACLEOD, John T Shannon Not known MCDONALD, James B 6.9.1917 MCEWEN, Gerald Wallace 1.5.1937 MCGREGOR, Arthur Robert 1.8.1939 MCINTOSH, Alexander John 10.8.1881 7.5.1912 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 110 REDFERN, Adelaide 9.1.1960 REDFERN, Angelica 25.2.1951 Marcaide REDFERN, Edward 31.8.1938 REDRERN, James R 5.11.1948 Knight RICHARDS, James 27.8.1906 RICHTER, Else 9.11.1903 RICHTER, Erich 18.5.1941 ROBERTS, Stewart 16.11.1908 ROBERTSON, John 24.12.1879 ROENSCH, Anna Albina 29.2.1873 ROHLSON, H W RUEBE, Adolf Not known ROUGHTON, Henry 21.4.1892 2.8.1902 SALOMON, Emil Not known SANGER, Julius SCHADENBERG, Dr Alexander SCHEIN, B 21.4.1886 SAWYER, Mary 4.7.1884 Dolores Camion 15.1.1896 SCHAELLIBAUM, Max 28.6.197[sic] 21.12.1914 SCHIPPERS, Tamer SCHLEINITZ, Robert 3.8.1903 SCHNEER, Edward SCHNEER, Simon 25.10.1920 SCHULTZ, Ernst SCHULTZ, Franz Cesar 12.4.1892 SCHWANER, E J 1.1.1968 31.12.1900 16.6.1922 30.1.1887 SCHWURCH, Hermann 24.1.1891 SCOTT, James 6.8.1897 SECKER, Elisabeth 7.5.1890 SETH, John E 23.10.188? SIEVERS, Otto 28.5.1889 SIMPSON, George 23.2.1899 Frederick SINCLAIR, Robert 15.8.1869 SINTERN, George van ?.12.1901 SLAFKIN, Lena 14.5.1911 SMITH 15.3.1883 SMITH, Adeliza 14.2.1880 SMITH, Andrew 25.2.1888 SMITH, Mrs John 7.11.1882 SMITH, William L 26.8.1916 SMOLL, John Barton 31.5.1909 SPECTOR, Rashe 25.2.1899 SPURING, Herbert 21.10.1929 STANLEY, Walter 5.6.1942 STAUBE, Carl 21.9.1882 STECK, Frederick Ludwig Philip 1.4.1869 STEIGER, Theodor 2.6.1872 STEPHEN, Thomas H 12.11.1926 STERNBERG, Wilhelm 18.12.1900 STERNBERG, Mrs Mathilde 22.12.1913 STEVENSON, William 10.4.1883 STEWART, Kenneth George 14.7.1936 STEWART, NR 24.2.1914 STOLL, Albert (infant son of) 1890 STOLL, Emil 16.7.1891 STONE, Charles Edward 26.3.1955 STRUCKMANN, (1st infant) ?,2,1876 STRUCKMANN, (2nd infant) 15.4.1876 STRUCKMANN, Maria 26.9.1879 SURTEES, Alfred 13.5.1924 SUTCLIFFE, Margaret 30.6.1895 SWAP, William H 25.10.1882 Helen SWEENEY, Patrick 9.4.1912 TAIL, James 31.8.1917 TAYLOR, Frans. THIESSEN, Johann 5.6.1903 14.10.1889 TELFORD, William 3.5.1942 THOMPSON, Gerald Philippe 20.2.1949 THOMPSON, Katherine 14.12.1942 TOMKINS, John Frederick 9.2.1945 TOUGH, William 1.7.1916 TOWER, Edward 7.3.1894 TOWNSEND, Cecilia Edith 20.9.1964 TOZER, Susan Harriet 13.8.1930 TUCKER, Capt George TURNBULL, Arthur 1891 TUCKER, Percy 23.8.1898 16.2.1928 TYLER, Joseph C 28.5.1890 Page 135 Page 136 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 127 fluently in the process, although he suffered much teasing and abuse from the native boys. Born and bred in the city, Grandfather was an intellectual and romantic, but not a good businessman. He loved to read, an enjoyment my mother also shared. Physically he was fair-skinned and fine-haired. Grandmother, on the other hand, from a village environment, was warm, hearty and practical. I have no recollection of her, but I understand that she was an active person, with a good deal of energy and drive. A snapshot of her shows an angular face with rather long teeth and high cheek bones. Cousin Helen Jong Zane is said to resemble her somewhat in looks and temperament. Grandfather handled Uncle with little understanding. The latter was required to do more than was reasonable for a growing boy. He had little energy left to do well in his studies, for he often fell asleep while doing his homework. Grandmother thus felt compelled to be protective of him against Grandfather's explosive temper. Mother, bright and delicate, was very pleasing to Grandfather and did not have to do any hard manual work. She became a fine needle worker and helped to supplement the family income by sewing denim slacks and buttons at home for tailor shops. Neither Uncle nor Mother had the opportunity to have much schooling. Although Grandfather was able to make a small profit from his 'dim sum' business, the Chinatown fire on 20 January 1900 disrupted it, and the family was, among many, to be confined in a camp set up in Kalihi during and following the conflagration. My grandparents were not among those residents who received compensation from the government for their losses after their release from the camp. Later that year, Grandfather bought the lease to a farm at Kapatai, Luluku, Kaneohe, for 1,000 dollars from Chun Chiu Yee8, the father of Mrs. Sam Young. The farm was named Hook Sung Waiiii and was a leasehold from Mendonca, a Portuguese of some means, although I was given the impression that the Magoons owned the land. This large piece of property was located on the Pali side of the present site of the State Hospital, at the foot of the Koolau Mountain range. It embraced a profuse spring pouring clear, cold and delicious water into a deep stream flowing through and past the entrance of the farm. Mother said that she would always watch with ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 168 so called Christy's Minstrels --- a famous group in the United States, yet it may be doubted severely whether it was the same one that visited Shanghai. Eight years later, the first company to come down to Shanghai from Hong Kong, where they had also been playing, was the one led by a Mr. C.R. Faylor. On February 10 1864 Lytton's The Lady of Lyons was on the bill as the opening piece, but the Herald thought it a failure in consequence of "that portion of the company which had been collected in Shanghai and pressed into service". How this is to be understood is not quite clear. Did Faylor's company consist of only a few actors, who were to be supplemented by local worthies? But then, who else could they be but amateurs, the darlings of the foreign community? However this may be, on May 9 at an evening in which also the "Royal Shanghai Ballet d'Action" [so far for fancy names!] participated, the "celebrated comedy Nature and Philosophy or Eighteen Years Labour Lost” was given. As members of the company were mentioned Mr. and Mrs. C.R. Faylor, Mr. and Mrs. E. Yeamans and Major Pegus. Amateurs almost always adopted stage names in order to hide their real identity, but with professional actors it may be assumed these names were real. 45 A more substantial contribution to the amusement of the Shanghai public was made by Lewis' Dramatic Company. It was of Australian origin and the "musical director and manager" was Charles Edouin. Other members of the group were Tilly Earl, Mrs. Gill, Lizzie Naylor, Jenny Nye, T. Andrews, Henry Birch, J.B. Creswick, W.B. Gill and nearly the whole Edouin (or, rather, Bryer) family: Julia, Rose, John and Willie. Rose (1844-1925) married G.B. Lewis and became later an actress at, among others, the Maidan Theatre in Calcutta. Her brother Willie (1846-1908; his real name was John Edward Bryer) first appeared in public when he was six; after the tour to Australia, India, China and Japan he played in Melbourne, California, New York and London.46 In 1862 the "Lewis' Equestrian Australian Troupe" had visited the port with "six of the best horses ever landed in China**,** but in 1864 the company had turned to drama and from October 6 until their departure in December an eight week season provided an unprecedented shower of farces, burlesques and even some quality pieces like Sheridan's The Rivals and the prison scene from Shakespeare's King John (Act IV, sc. 1), in which the role of prince Arthur was played by an actress, Julia Edouin, who took "the house by storm".48 The success of the company was apparently so great that they returned in March of the following 47 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 201 + himself uncomfortable, with one of the nicest looking creatures for a wife imaginable. (...) Mr. BRUSHWOOD did the 'green eyed monster' admirably and the character suited him well—we mean of course artistically. By a skilful arrangement the warmth of a kiss was made to be followed by Cool as a Cucumber. Did the manager intend this to impart a deeper meaning than is conveyed on the face of the "play-bill"? We have an esteem for him and hope not: for although a kiss is, sometimes, but the prelude of a coolness that surpasses even that of a cucumber, we would not have Mr PROTEUS openly hint as much". This piece called forth all the powers of the manager himself, and so perfectly was the coolness of Mr. Plumper exhibited, whether as regards the criticism of Mr. Barkins' face or his sherry, that, had he stepped from the neighbouring ice-house directly upon the stage, he could not have looked cooler (this was a reference to the Commercial Hotel; see note 94) What a desirable companion he would make, we thought, for the hot weather, but Mr. Proteus must be so, indeed, in any weather. The playing was well sustained throughout and Mr. BRUSHWOOD did his best — and that was not a little — to fret and fume as ‘Old Barkins' — but we can scarcely say that he looked a heavy father" (the heavy father was one of the specialist roles in a stock company). A Conjugal Lesson was "decidedly the crowning piece of the evening and was performed with an amount of case and artistic ability which elicited loud and well merited applause". And as the critic had evidently taken a fancy to "Mrs. NESBIT” he continued that she “looked more fascinating and piquant than ever and quite won the hearts of the bachelor portion of the audience who were altogether at a loss to understand the bad taste of Mr. Lullaby who could stay away from such an attraction till three in the morning!” (NCH 28.3.1857). 23.4.1857 (Thur) T. TAYLOR: "Still Waters Run Deep" (1856) T: Comedy (3 acts) J.M. MORTON: “A Capital Match” (1852) T: Farce (1 act) C: Amateurs Th: N.N. (C — R: That other favourite of the reviewer, Peter PROTEUS, had resigned and so the evening had to do without him. In the introduction to his report, the "Man on the Bund" referred to the playbill which informed him "in capitals of vermillion that Still Waters Run Deep and of other matters besides in the like flaming manner”. About the piece he was not at all content: "Muddy waters, however, as well as still, they turned out to be. This piece is one of those incongruous mixtures of French novel morality and English domestic life, which is as offensive and preposterous, as it is ludicrous. London milliners may persist in imitating the extravagances of French crinoline and superabundant circumference: they dress up our wives and sisters until they have destroyed every graceful curve they may have and make them look like balloons endowed with feminine heads and shoulders; and with a growl we may submit to this perversion of taste and whim of fashion. But when our playwrights, in their dearth of invention, ransack the repertories of the minor Parisian theatres for something new, which they themselves cannot originate, and stumbling upon the old and stale subject of Parisian conjugal infidelity, try to fit it into English social life, especially that of the middle class, the attempt excites at once our scorn and laughter, and ought, like monstrous bandorgans and other nuisances, to be put a stop to". Small wonder then that in it "there was much good acting thrown away. Mr. CLAY performed, throughout, the part he had undertaken, admirably. His conception of his character was good and was given with fidelity and ability. It was just how a blunt, honest Englishman might have been expected to act when, by some extraordinary chance, his domestic privacy is invaded by such a frenchified monstrosity as Captain Hawkesley. Mr. ROLLER too did the lean and slippered Pantaloon most successfully. His ease of manner on the stage and finished... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 207 plays; the wood scene we thought very effective and true to nature". This is one of the few times that at least some slight attention is paid to the staging of a piece. (NCH 8.5.1858). 28.9.1858 (Tue) R.B. SHERIDAN: "The Rivals” (1775) T: Comedy (prologue, 5 acts, epilogue), and two other, unnamed, light pieces C: Officers of H.M.S. Retribution Th: On board ship R: This must have been a long night for in addition to Sheridan's The Rivals (a full-length five-act comedy in which Mrs. Malaprop was played by "Mrs. Taylor") there were two other light pieces of which the titles have not been recorded. Small wonder then that "our reporter did not wait to see as the hour was late and he had to rise early to see the comet" — which had first been observed on September 15. (NCH 2.10.1858) 2.10.1858 (Sat) and 6.10.1858 (Wedn) Concerts by Mr. Martin Simonsen, violin, and some local amateurs. Programme: Charles Auguste DE BERIOT (1802-1870): Seventh air with variations, Martin SIMONSEN: "Sounds from Home", Heinrich Wilhelm ERNST (1814-1865): **Andante” (= Elegie?), N. PAGANINI: "Carnival of Venice", Some German songs. Th: Theatre Royal (C) R: That the scarce recitals by professional musicians did not draw the same public attention as the amateur actors has already been pointed out in the Survey. On October 2 the attendance was not large, but for the sixth "a considerable improvement" was observed and it was hoped there would be a full house on the 12th so that the artist would not be left **with cause to regret his visit to this remote place”. The critic, "'T.", gave himself an air of the specialist when he wrote that "though we do not find any attempt at the dignity and breadth of style which are the characteristics of the greatest performers of the age, we are glad to recognise an execution at once brilliant and lively and in some respects really astonishing"; and he regarded Mr. SIMONSEN as "a worthy member of that particular school of which De Bériot was one of the brightest ornaments (De Bériot was a famous violinist who had been forced by illness to end his career in 1852). It must be assumed that the writer had heard other musicians in Europe — where else? — with whom he could draw a comparison. These were the days without radio, gramophone or compact disc! He was apparently a lover of more serious music, for he added wrily: "We presume it is necessary occasionally to introduce pieces of a light and striking character, but for our own part we deprecate the production of such solos as 'Life on the ocean' **. As to those who assisted Mr. SIMONSEN "T." found it **creditable to this small Settlement that it can produce so able and numerous a body of amateurs who evidently study music for its own sake. We venture to ask them to persevere — it is a science which will amply reward its followers, which will repay a thousandfold its earnest students". (NCH 9.10.1858). In well-to-do circles in Britain a musical education was considered a mark of good breeding and probably a number of residents had acquired their instrumental skill in youth. Others could profit from the piano lessons that were advertised in December 1858: they were given "at moderate charges" and persons interested should apply to "D.D. at Mr. W.H. Moore's, Hongkew". Why all would-be artists in Shanghai were so mysterious about their true names remains an enigma. The initials D.D. do not suit any of the residents in the *Shanghai Almanac for 1858'. W.H. Moore is listed in it as a pilot. T ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 210 Bagshaw and Bradshaw, the critic had to admit that "what it was all about we were utterly unable to discover" (NCH 4.6.1859). 15.2.1860 (Wedn) L.S. BUCKINGHAM: "Take that Girl Away" (1855) T: Comedy (2 acts) C. SELBY: "A Fearful Tragedy in the Seven Dials" (1857) T: Farce (1 act) C: Amateurs Th: N.N. (F) N: First performance of the season R: The new theatre was only a small one and therefore it was announced in the Herald of February 11 that "admission will only be given to ticket holders. Tickets will be distributed with the Bills to the various Hongs and any Gentleman who may be accidentally omitted will be supplied on written application to the Manager". From time to time politics continued to turn up in the playhouse. It was the time of the English and French wars in China; the United States was not taking part in them, only sharing in the spoils, yet the following remark closed the review: "We beg permission to observe that we should have been glad to have seen the 'Star Spangled Banner' floating over the proscenium along with the colours of France and England. All honour to the Anglo-French Alliance! But our American cousins form, in every respect, so important a section of this community that the absence of their flag on an occasion like Wednesday evening would seem to be a discourtesy of which we feel very sure that the worthy management never was intentionally guilty". Tonight, and on March 15, the faces of Messrs. PICKWICK, BRUSHWOOD, and TINTINNABULUM as well as that of Mrs. NESBIT were absent from the stage; others like Miss WALTERS and Mr. PETREL had remained. Making their debut were Mr. ADOLPHE, "gifted with both self-possession and a good voice"; Mr. WITHAM who, as Cuttle (in Take that Girl Away) "displayed a steadiness and a clearness of enunciation calculated to make him a valuable actor in 'utility' parts"; and Mr. NATIVE whom the reviewer thought "better fitted to shine as a sentimental than as a grotesque lover". Miss WALTERS was "dressed to perfection, played as well as ever (can we say more!) and was charmingly feminine". In A Fearful Tragedy in the Seven Dials, there was the first night of Mr. C. AITCH as Slumpington for whom **a great future success in 'character parts' was predicted. These hopes were not realised, however, for I have not found his name again. For the umpteenth time, the Herald judged the pieces that were represented weak - to put it mildly. (NCH 18.2.1860). 15.3.1860 (Thur) T. TAYLOR: "Still Waters Run Deep" (1856) T: Comedy (3 acts) J.M. MORTON: "Poor Pillicoddy" (1848) T: Farce (1 act) C: Amateurs F: Music by the band of H.M.S. Imperieuse Th: N.N. (F) N: Second performance of the season R: This second night took place in a house that was "crowded in every part" and proved "in every respect highly successful". The "Man on the Bund" had no longer a say in the theatrical reports, and the piece about which he had been so dissatisfied (see 23.4.1857), Still Waters Run Deep got a far better critique now: "in that scene in the second act in which the villain Hawksley is unmasked, the interest was raised to an exciting pitch and sterling dramatic ability displayed by the performers". No actors were mentioned, but in Poor Pillicoddy, a "young gentleman made his first appearance ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 213 Our Wife: Count de Brissac: Major Taylor Rosine: Mr. W. Hyslop (of Gibb, Livington & Co) Pomaret, father of Rosine: D.A.C.G. Cooksley Marquis de Ligny: Mr. Stuart Mariette: Lt Maynard of the 31st regiment The Goose with the Golden Eggs: Mr. Turby: D.A.C.G. Cooksley His wife: D.A.C.G. Hayter Clara, their daughter: Mr. A. Broom (of Jardine, Matheson & Co) Bonsor, clerk: Dr. Sexton of the 5th Bombay N.L.I. (native lancers and infantry) Flickster: Li Yonge, 2nd Beloochi regiment After a lapse of almost three years the amateur theatricals took a new lease of life in a tastefully fitted up godown-theatre (for a description see Survey). It was a subscription-night with about 250 spectators, of whom 30 were female. For the first time some real names of actors were given and it became clear that the cooperation of the military had been sought for the occasion. Because the names are no longer phoney, it is finally useful to present a cast list. Among those mentioned was D.A.C.G. (i.e. Deputy Assistant Commissary General) Cooksley who died in July during one of the campaigns against the Taipings, at Quinsan. Fine playing, if one did not mind the pieces. That, however, had become a standard complaint by now. "There was nothing striking or witty in either of the plays so that an occasional local pun or remark interpolated by the actors elicited the greatest applause"; rather sourly the critic continued “this should not be as it interferes with the harmony of the play”. In Our Wife "the gentle blushing Rosine was capitally got up by Mr. HYSLOP who created quite ‘a sensation' when he made his curtsey to the audience". In contrast Mr. STUART "was graceful in his part but lacked energy where it was requisite to give effect to the plot". That female dress was not always easy to wear for the men was underlined when "Lt MAYNARD acted the strong-minded cousin Mariette very fairly, despite the difficulties of crinoline”. In The Goose with the Golden Eggs the Mrs. Turby of D.A.C.G. HAYTER was "the best piece of masculo-feminine performance we have seen". It had to be admitted though that not all men were equally up to female characters: "Clara, as represented by Mr. BROOM, although admirably got up in the coiffure, was rather outré in the dress, especially about the sleeves; while the manner and voice resembled more the roughness of the father than the gentleness of the mother". (NCH 14.2.1863). L 17.2.1863 (Tue) Repeat of 13.2.1863. 2.3.1863 S. LOVER: "The White Horse of the Peppers" (1838) T: Comic drama (2 acts) R.B. BROUGH: "Crinoline*" (1856) T: Farce (1 act) C: Amateurs of the British 31st regiment TH: N.N. R: Cast: The White Horse of the Peppers: Major Hans Mansfeldt: W. Parrott Gerald Pepper: A. Keeble Magdalene: H. MacGuire Crinoline: Mrs. Coobiddy: S. Gale Mr. Coobiddy: W. Phillips Agutha: S. Gule Dillon: J.S. Galbreath Capt. LeBrown: J.S. Galbreath Miss Tite: P. Conron ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 218 1.4.1864 (Fri) R.B. BROUGH: "Crinoline" (1856) T: Farce (1 act) J.M. MORTON: "A Most Unwarrantable Intrusion" (1849) T: Farce (1 act) N.N.: "The Debut" C: Messrs Shannon and Phillips with an amateur company Th: N.N. (H) R: Not too enthusiastically the Herald wrote that "had Messrs PHILLIPS and SHANNON been better supported the performance would probably have proved a more decided success". Must it be supposed that the amateurs were locals, who were otherwise so much lauded? (NCH 2.4.1864). 4.4.1864 (Mon) Repeat of 30.3.1864, 18.4.1864 (Mon) First performance by a Portuguese Amateur Dramatic Corps. TH: N.N. R: This first performance by a local Portuguese company was considered favourably: "the arrangement of the costumes and acting were all good and amply rewarded a visit even by those who may not understand the Portuguese language". (NCH 23.4.1864) 25.4.1864 (Mon) J. OXENFORD: "Retained for the Defence" T: Farce (1 act) C.S. CHELTNAM: "A Lucky Escape" (1861) T: Comic drama (1 act) T.J. WILLIAMS: "On and Off" (1861) T: Farce (1 act) C: Amateurs of the Shanghai Volunteer Corps TH: N.N. (H) N: Second performance of the season R: This second Volunteer Corps night drew a crowded house and the reporter was pleased to see that "a majority of the lady residents were among the audience", the more so as they "by their presence contributed to inspire the performers with the desire to excel which led to such complete success". No names were given in the review, but in A Lucky Escape “it would have required very sharp eyes to detect that the actress [who personated Louise] was, in fact, an actor". Here the truth is finally revealed! In On and Off he/she took the part of Letitia equally well. (NCH 30.4.1864) 9.5.1864 (Mon) N.N.: "Nature and Philosophy or Eighteen Years' Labour Lost" (The only piece with this title in HED is one that had its first night on 18.4.1876. However, Brown, "A History of the New York Stage", Vol. I, p. 235 mentions a performance of this play on June 1 1833). G. COLMAN Jr: "Love Laughs at Locksmiths" (1803) C: C.R. Faylor's travelling company F: Comic songs, dance, music Th: Olympic Theatre (H) R: Casts: Nature and Philosophy: Brother Philip: Major Pegus Renaldo: C.R. Faylor Eliza: Mrs. E. Yeamans Gertrude: Mr. E. Yeamans ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 219 Colins: Mrs. C.R. Faylor Love Laughs at Locksmiths Robin: Mes. C.R. Faylor Juliac: Mrs. E. Yeanians Dame Durden: Mr. E. Yeamans. Paddy Druden: C.R. Faylor Only an advertisement for this performance was published in the Herald of May 7. The stage often has its own laws as to the gender of the participants. In amateur theatricals, men dressed up as women à l'outrance, whereas in a professional company like the present one male characters were personified by ladies and vice versa! 14.5.1864 (Sat) Performance by the amateurs of the Royal Artillery. No titles of plays recorded. Th: N.N. (H) R: NCH 21.5.1864 17.5.1864 (Tue) Repeat of 14.5.1864. 26.5.1864 (Thur) J.M. MORTON: “Whitebait at Greenwich" (1835) T: Farce (1 act) C. MATHEWS: "Little Toddlekins” (1852) T: Comic drama (1 act) J.M. MORTON: “Poor Pillicoddy” (1848) T: Farce (1 act) C: Amateurs of the Shanghai Volunteer Corps F: Epilogue spoken by R.C. Antrobus, commander of the S.V.C. Th: N.N. (H) N: Final performance of the season R: For the occasion Edward LAWRENCE, who was a "practitioner at Law and Notary Public” according to the “Shanghai Almanac for 1862”, had written an epilogue which was read by the commander of the S.V.C., Robert Crawford ANTROBUS (member of the Municipal Council 1864-1865). And, as if to give more weight to its reception, the Herald added that “many of the ladies joined in the applause” (NCH 28.5.1864). 28.5.1864 (Sat) **An Evening at Home**: "Songs interspersed with anecdotes and conversation of the most lively description”. C: Mr. J.R. Black Th: Olympic Theatre (H) 31.5.1864 (Tue) As on 28.5.1864. 3.6.1864 (Fri) As on 28.5.1864. 13.6.1864 (Mon) "An Evening at Home - Great Jacobite Night" by Messrs. J.R. Black and Marquis Chisholm. Performance of the play The Advantages of Bonnie Prince Charlie or the Rising of 1745 (No piece with this title appears in HED), as well as ballads and songs (including 'Vi ravviso from Bellini's "La Sonnambula", act 1). Th: Olympic Theater (H) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 223 harmonium by D.H. ENGEL 17. "Eupeidee" (German student song and chorus) Th: Olympic Theatre (H) R: An advertisement only was published in the Herald of 29.10.1864. From it we learn that tickets could be obtained at the premises of Hiram Fogg & Co (ship chandlers, general store and auctioneers; one of the oldest foreign firms in Shanghai, located at the southern end of the Bund); Hall & Holtz (see 29.6.1864); A.A. Hayes Jr (Olyphant & Co, Nanking Road, ex Park Lane); and Herbert Cope (Geo Barnet & Co, Kiangsi Road (ex Church Street) and Hankow Road (ex Custom House Road)). It also becomes clear that there were at that moment at least two theatres in the Settlement: the Lyceum and the Olympic. The programme is interesting for the number of composers which have now been forgotten (Silcher, Kücken, Becker, Werner, etc.) and the piano arrangements of well-known opera arias. 12.11-18.11.1864 W. BROUGH: “Conrad and Medora” (1856) T: Burlesque pantomime (1 act) J.B. BUCKSTONE: “Married Life" (1834) T: Comedy (3 acts) J.W. MARSTON: "A Hard Struggle" (1858) T: Domestic drama (1 act) W. SHAKESPEARE: “King John”, prison scene (Act IV, scene III) Furthermore: “Cinderella”, possibly by H.J. BYRON (1860) or T. TAYLOR (1845). "Wonder"; no contemporary pieces are listed in HED; only: Mrs. S. CENTLIVRE: “The Wonder. A woman keeps a secret” (1714) and H. CAREY: "A Wonder or an honest Yorkshireman" (1735). C: Lewis A.D.C. Th: N.N. (E) R: The Lewis company continued to draw large houses and ventured even to put a Shakespeare scene on the programme, from King John. It proved to be "the hit of the week". In it starred Miss Julia EDouin and Mr. Henry BIRCH: "The acting was perfect. Miss Julia EDouin doing the fullest justice to the character of Prince Arthur and indeed taking the house by storm!" (NCH 19.11.1864). 19.11.1864 Sat H.J. BYRON: “Aladdin or the Wonderful Scamp” (1861) T: Burlesque extravaganza (1 act) C: Lewis A.D.C. TH: N.N. (U) N: Benefit of Miss Tilly Earl who played the role of Aladdin R: NCH 26.11.1864 23.11.1864 (Wedn) R.B. SHERIDAN: "The Rivals" (1775) T: Comedy (5 acts) C: Lewis A.D.C. TH: N.N. (P) N: Benefit of Mrs. Gill who played the role of Mrs. Malaprop. R: NCH 26.11.1864 26.11.1864 (Sat) H.J. BYRON: "Aladdin or the Wonderful Scamp” (1861) T: Burlesque extravaganza (1 act) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 227 A. DUMAS: "Camille" T: Drama C: Lewis A.D.C. Th: Lyceum Theatre (1) R: The drama Camille, an English adaptation of Alexandre Dumas' "La Dame aux Camélias" was, in the eyes of the Commercial Record (5.5.1865) "singularly unfitted for the powers of the performers. Miss Rose EDOUIN acted with her usual ability but as the heroine is a character almost impossible to render we must not object where we cannot praise”. Miss Jenny NYE starred in the farce Which is Which? written by a member of the company, Mr. GILL, who himself was a “capital low comedy actor”. 28.3.-5.4.1865 J.B. BUCKSTONE: "The Flowers of the Forest" (1847) T: Musical drama (3 acts) J.B. BUCKSTONE: “Isabella or Woman's Life" (1834) T: Drama (3 acts) D.W. JERROLD: "Black-eyed Susan" (1829) T: Musical drama (3 acts) T.J. WILLIAMS: "Nursery Chickweed" (1859) T: Farce (1 act) "Kenilworth", possibly by A. HALLIDAY and F. LAWRANCE (1858) T: Burlesque "Mr. and Mrs. Peter White", anon. (1854) T: Farce (1 act) "Rob Roy”, Numerous pieces with this title are listed in HED. i.a. by W.H. MURRAY (1818) and C.H. HAZLEWOOD (1864). C: Lewis A.D.C. Th: Lyceum Theatre (1) R: More than the Herald, the Record went into a rather detailed description of the Lewis season. Thus about Flowers of the Forest it wrote that there was "an energy of revenge predominating all through the play while the occasional glimpse of pathos, combined with the jovial jocularity of the gipsys, tone down the otherwise tragic situations. Miss Rose EDOUIN, Miss NAYLOR and Mr. CRESWICK acted with power and well restrained manner“, Mr. CRESWICK “possesses great dramatic force and expresses himself well. His manner is somewhat stiff, but appearances before larger and more requiring audiences will obviate this habit", "His voice is good but somewhat monotonous of lone" (SCR 5.5.1865). 8.4.1865 (Sat) W. BROUGH: "Perdita" (1856) T: Burlesque (1 act) J.B. BUCKSTONE: "A Lesson for the Ladies” (1838) T: Comedy (3 acts) C: Lewis A.D.C. Th: Lyceum Theatre (1) N: Rose Edouin's benefit R: NCH 22.4.1865: no review, 11.4.1865 (Tue) J.B. BUCKSTONE: "A Dead Shot" (1827) T: Farce (1 act) J. KENNEDY: "Sweethearts and Wives” (1856) T: Burlesque (3 acts) C: Lewis A.D.C. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 230 N: J.B. Creswick's benefit R: For the second time a scene from Shakespeare could be seen in Shanghai: now it was act V from Richard III in which the king is confronted with the ghosts of his victims, lights his enemies ('A Horse! A Horse! My kingdom for a horse!') and is finally killed. In what kind of version it was played must be a matter of conjecture, although the worst days of adapting, cutting and rewriting Shakespeare's dramas were over. The Record found it "somewhat disappointing. Richard was too declamatory and an evident appearance of striving for effect predominated". Who personated the role of Richard III was not stated, but as it was Mr. CRESWICK's benefit it may have been him. The Frantic Husband went off well, with Tilly EARL as the "Injured wife". Miss NYE as Mrs. Alibi and Mr. GILL in the leading parts (SCR 5.5.1865). 27.4.1865 (Thur) No titles were given, but probably: J.H. PAYNE: 'T was (* (1825) T: Farce (1 act) J.T. RODWELL: "The Young Widow" (1824) T: Farce (1 act) C: Lewis A.D.C. Th: Lyceum Theatre (1) N: Miss Nye's benefit R: Miss NYE was described by the Commercial Record as a "ladylike and pleasing actress" who had a good house. "The performance was light and amusing. She acted neatly and with pleasing unconsciousness of doing so. This actress will some day occupy a position which will still further develop her as a personifier of light and agreeable parts" (SCR 5.5.1865). 28.4.1865 (Fri) M. BARNETT: "The Serious Family" (1849) T: Comedy (3 acts) "Cinderella"; by H.J. BYRON? T. TAYLOR! C: Lewis A.D.C. Th: Lyceum Theatre (D) R: In Cinderella, a burlesque, Miss NAYLOR once again “looked and acted with well assumed demeanour" one of the ugly sisters of the heroine. The latter part was possibly played by Mrs. GILL, "the most accomplished of the troupe. She pays great attention to dress (...) and there is a quiet repose in her manner that is not easy to attain and only adds to the effect and spirit of her acting“. Miss Tilly EARL also took one of the parts; she was "vivacious and fascinating". Only the singing was "not so good as usual, but one of the fair warblers was suffering from a cold" (SCR 5.5.1865). 29.4.1865 (Sat) H.J. BRYON: "Aladdin or the Wonderful Scump" (1861) T: Burlesque extravaganza (1 act) "The Lady of Lyons". Arthur either LYTTON or BYRON. C: Lewis A.D.C. Th: Lyceum Theatre (1) R: This was the farewell performance of the Company as well as Mr. Henry Birch's benefit. BIRCH was described as "an old hand on the boards of the theatre. He has acted with many well known celebrities and to a certain extent still retains the manner of a school now almost extinct. The Company had left a good impression, although the Record's critic occasionally thought the actors deficient in making “a lucky hit by the casual introduction of a remark. They depend in some instances too much on the prompter and considering the case they act with one another this should not be" (of the Herald's Page 255 Page 256 ================================================================================