RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1969 https://digitalrepository.lib.hku.hk/catalog/9g553n20d 66 W. SCHOFIELD small plateau averaging some 10 to 12 metres above sea level. This is a plane of marine denudation dating from a time when the sea level stood 12 metres higher than now, perhaps during the last great inter-glacial period (Riss-Würm), some 100,000 years ago. From this lower area much less clay could be washed than from the higher and steeper hill to the north; and the gentler wave-action on the west beach, normally on the lee of the island, made it about five times as long as that on the east of the isthmus, with very few large boulders. Somewhere on the west side of the 12 metres terrace, between about 1100 and 1500 A.D., there was at one or more times a small settlement, perhaps no more than one or two fishermen's huts; for at this point on the west beach are found pieces of Sung and even Ming pottery lying on the beach and in the cliff, which here is largely built up of coarse rainwash from the hill behind. There is, however, no modern settlement and no cultivation, and the island appears to be used only by boat-people, either for fishing or for burial of their dead; for on one visit Prof. Shellshear, who was with me, discovered a human skeleton of recent date two feet below the top of the sand cliff. METHOD OF INVESTIGATION The site was first discovered and investigated by Dr. Heanley and Prof. Shellshear, who worked together from about 1925 in looking for sites showing early human occupation. Much of what they found lay on the surface of the beaches, but wherever possible they noted the depth from the soil surface of objects found in the sand cliffs. Part of their material was presented later to the British Museum, and some to Mr. Eumorfopoulos and others, but the rest seems to have disappeared during the war in 1941 when the Hong Kong University was wrecked. Their code number for the site was 123, which points to a comparatively later discovery: the Tai Wan site on Lamma, for example, is numbered 83. The technique employed by the writer at Tung Kwu was as follows. Objects not found in situ were collected and the initials of the site were painted on them in Chinese ink. If a single object was found in situ, its depth from the surface was measured in inches or centimetres; it was extracted; the depth and initials of the site were written on it or its wrapping paper, and later were recorded in Chinese ink on the specimen. In 1935, by which ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 340 BOOK REVIEWS Chinese bronze is again by Prof. S. Umehara and was separately published in Kyoto in 1961. 2 The Senoku Seisho is sub-divided according to nature of bronzes, into two parts. The first part dealing with ritual vessels is by Prof. K. Hamada while the next part, devoted to Chinese bronze mirrors, is edited by Prof. Yoshito Harada. 3 In addition to these catalogues about the Sumitomo collection, in 1951 Prof. S. Umehara has also edited Kakkaku Kikkin Senshu (Selected specimens of the Chinese Bronze collection in the Hakkaku Art Museum), an illustrated and descriptive catalogue on Chinese bronzes housed in a private museum possessed and financed by Mr. Jihei Kano in Kobe. 4 For instance, among his various studies on ancient Chinese bronzes, there are three catalogues. The first, "Bronzes in the Hellström Collection", is in the Bulletin of Museum of Far Eastern Antiquities (hereafter abbreviated as BMFEA) (1948, Stockholm), No. 20, while the second, "A catalogue of the Chinese Bronzes in the Alfred F. Pillsbury Collection" was published in Minneapolis in 1951. The third, "Bronzes in the Wessen Collection”, is in BMFEA, (1958, Stockholm), No. 30. 5 For instance, his Fruhe chinesische Bronzen aus der Sammlung Trautmann (1939, Peking). 6 For instance, the Chinese Bronzes from the Buckingham Collection, (1946, Chicago), jointly edited by M. C. Chen and Charles F. Kelley. 7 Alfred Salmony (1890-1958): Archaic Chinese Jades from the Edward and Louis B. Sonnenschein Collection (1952, Chicago). 8 W. Perceval Yetts (1878-1957): The Georg Eumorfopoulos Collection: Catalogue of the Chinese and Corean Bronze, Sculpture, Jade, Jewellery, and Miscellaneous objects (1929-32, London). 9 Howard Hansford: The Seligman Collection of Oriental Art, Vol. I, (1957, London). 10 Yoshito Yonezawa: Painting of the Ming Dynasty, (1956, Tokyo). 11 Osvald Siren: Chinese painting, Vol. VII, (1958, London). 12 Victoria Contag: Chinese Masters of the 17th Century (1969, London). 13 The date of Hsuan-ho hua-p'u is not known. But a general date, 1120, the second year of the Hsuan-ho era during the reign of the Emperor Hui-tsung of the Northern Sung Dynasty, associated with its preface, is normally considered to be the date of completion of its compilation. Regarding its authorship, it has been previously suggested by scholars in the Ch'ing Dynasty, such as Wang Wan, as having been edited by Emperor Hui-tsung himself, and by Chou Chung-fu as being by Tsai Ti, and by Pien Yung-yu as being by Hu Kuan. But according to Yu Shao-sung, a 20th-century specialist on the historiography of Chinese art, none of these old identifications are reliable. Instead, a possible editor of this imperial catalogue is perhaps an anonymous eunuch of the Northern Sung palace. For detailed discussion see his Shu-hua shu-lu chieh ti (hereafter abbreviated SHSLCT), "A Collection of Summary of content and Studies of Titles of Books on Chinese calligraphy and painting", (1931, Peking). 14 Although it carries a preface by the author, this book is undated. In general, as Yu Shao-sung has suggested (SHSLCT Chuan 12, p. 9), Hsu Hsin must have lived in the transitional period of Ming and Ch'ing but the book itself is written in early Ch'ing. 15 See Yen-Tzu chun-chiu, Nei pien, 10th chapter of the Tsa-hsia section. This book is generally regarded as a work of the 6th century B.C. ================================================================================