RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966
https://digitalrepository.lib.hku.hk/catalog/bz60k0811
16

JOHN J. NOLDE

First of all, it is generally agreed that Imperial authority throughout the empire had begun to weaken during the latter years of the eighteenth century. After the era of the great Ch'ien-lung emperor, China was governed by two rather weak rulers. The sale of offices increased markedly in the latter part of the Chia-ching period and continued throughout that of Tao-kuang. Provincial authorities were being held in more and more contempt by the local populace and the gentry. We have, in short, a typical example of the setting in of a traditional dynastic decline. The mandate of heaven was running out for the Ch'ing Dynasty, and nowhere is this usually more apparent than in the outer reaches of the empire... the areas farthest from the Imperial center of power. Especially was this true in an area such as Kwangchou, with its linguistic, racial, and economic uniqueness. My guess is that Imperial control in Kwangchou had at best always been tenuous. Now it was almost non-existent,

17

Secondly, Kwangchou, during the 1820's and 1830's, suffered a series of severe natural calamities. In 1822 a disastrous fire swept Canton itself, doing incalculable damage. Beginning in the late 1820's catastrophic floods ravaged the area. In 1829 high tides "to a degree unprecedented in the memory of the oldest inhabitant", flooded the provincial city and swept away villages. Hundreds were drowned, and the rice crop was largely destroyed. An English-language journal reported that "the loss of property far exceeds the sum of that sustained at the great fire of 1822". The most serious of these disasters occurred during the summers of 1833 and 1834. Torrential rains raised the level of the rivers as much as ten feet above normal. Boats were reported navigating the streets of Canton. In July, 1833 10,000 lives were reported lost, 1,000 in the large town of Fushan alone. Most of the rice crop was lost in 1833 and the destruction of the mulberry-plantation-dykes in the southern part of Nan Hai Hsien resulted in the loss of the silk crop. The latter disaster would, of course, have long-range consequences. In September, 1833 the crew of the ship-wrecked vessel Bee, returning overland to Canton, reported "the greatest possible distress among the inhabitants and a destruction of property such as has not been witnessed for many years". The flood of 1834 was even worse and the loss of property and damage to the rice crop exceeded that of the previous
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RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966
https://digitalrepository.lib.hku.hk/catalog/bz60k0811
58

HERBERT FRANKE

as if the court historiographers and recorders recognized the importance of the mission. The Western horse, at least, impressed Mongols and Chinese alike. It was, if not one of the Flemish battle horses, certainly much bigger and stronger than the native breed of horses familiar to the Mongols. The court painter Chou Lang was commissioned to paint a portrait of the horse. This painting was still extant in the eighteenth century when the Jesuit Father Gaubil saw it; the Catalog of the Imperial Collections compiled in 1815 lists it. There is no trace of that painting left, but in a time when so many and sometimes stunning discoveries are made in China and Chinese archives we should not give up all hope of tracing this pictorial evidence of Giovanni da Marignolli's embassy. Apart from painting, there are many passages in fourteenth-century Chinese literature where allusion is made to the gift of Western horses to the emperor. Many poets of that time wrote poems praising this kingly gift and extolling the horse which, as one poet says, stood out like a camel among the other horses in the Imperial stables. At least a full dozen writers can be found who considered this horse important enough to be the subject of a poem. Almost invariably, allusion is made to the famous "Heavenly Horses" brought to China under the Han Dynasty from the Western Regions by Chang Ch'ien. Then, as under Shun-ti, the gift of a Heavenly Horse was regarded as an auspicious omen for the Imperial house and the emperor in particular. All this is completely in accordance with Chinese tradition. If far-distant countries send tribute, this shows that the Mandate of Heaven truly extends to the end of the inhabited world. One wonders what Giovanni da Marignolli would have thought, being the representative of the Vicar of Christ on earth, if he had known that his embassy served as the subject for a display of Sinocentric sentiment and an exhibition of pro-dynastic loyalty. The lucky omen of the Heavenly Horses turned out to be of not much avail, however. A few decades later, the emperor had to flee to the Mongolian steppes when the Ming troops took Peking. It remains, nevertheless, quite surprising that so many Chinese poets (there is hardly a non-Chinese among them) went to the length of writing hymns of praise of the dynasty when nobody forced them to, and it seems that at least among the literati, there was not yet much anti-dynastic and anti-Mongol feeling. In any case, it is striking how much this incident is treated in literature in a traditional Chinese way.
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RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989
https://digitalrepository.lib.hku.hk/catalog/8336pm92h
18

THE JADE EMPEROR AND HIS FAMILY

玉皇大帝

YU HUANG TA TI

KEITH STEVENS

The Jade Emperor, also known as the Lord of Heaven (T`ien Kung), is the chief deity of the pantheon of the Cheng I sect of Taoism. He is only a secondary deity of the Taoist Lungmen sect. He was worshipped China-wide as the supreme ruler of the Heavens, and even of some of the Underworld. In folk religion, he is worshipped as the protector of all mankind, having replaced Lao Tzu in that role and as head of the Taoist faith, possibly because people were uncomfortable taking their problems to a philosopher. According to a majority of Taoists his earthly mouthpiece was Chang T'ien Shih, The Heavenly Master and his descendants.

Although he is well known to both Chinese and to interested foreigners, what is not so well known are the ramifications of his family and the extent to which several of its members have their own cults.

The development of the supreme deity in China is far from clear. In earlier times the all-seeing, all-powerful, unseen god was Shang Ti who even now is occasionally referred to as the all-highest. Not only is the term Shang Ti used by Protestants for the Supreme Deity, God, but also the late Chairman Mao in his statement that, at the age of 72, “he was soon going to see God“, used this expression.

Howard Smith, a missionary in China for 24 years, describes how the Chou dynasty (ca 1050-256 BC) founded its government on religion and transformed 'Shang Ti', probably originally a term used for the deified spirits of the imperial ancestors under the previous dynasty, the Shang, into a high God, independent and supreme, He added "The importance of this change cannot be over-emphasised. When this supreme deity finds the rule of an emperor abhorrent, whenever a king fails, by persistent misrule, in his duties to God, then God rejects him and seeks out a suitable substitute." The transfer of the mandate of Heaven, based on the belief in a supreme deity, carried with it strong ethical implications, and continued down to the last dynasty, which fell in 1911.
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RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000
https://digitalrepository.lib.hku.hk/catalog/nk328168n
128

Chinese lives have long been regulated by two separate calendars, the lunar and the solar. To agrarian peasants the accuracy of the combined calendars is of vital importance having long had a religious as well as a practical function. Chinese geomancers use their skills of prediction melding the religious and practical so that time and what in the west would be regarded as astrology are intermingled. Lunar calendars cannot predict the seasons any more than the solar calendar can predict the full and new moons.

All Chinese religious festivals follow the lunar calendar which changes from year to year, complicated by whether a particular lunar month has twenty-nine or thirty days. Festivals play a major rôle in people's lives breaking up the monotony of life. There were, and still are, three major annual festivals: San Jie, known colloquially as guo jie literally as 'passing the joint', consisting of guo nian, the festival of seeing the old year out and the new year in; guo duanwu, the Dragon Boat Festival on the Double Fifth; and guo zhongqiu, the Autumn Festival, on the 15th day of the eighth lunar month. The great majority of festivals in China have been and still are determined by the waxing and waning of the moon.

Until 1911 an annual Imperial Lunar or ‘Dynastic' Calendar, known as the Yellow Calendar, the determination of which was a royal prerogative, was precisely calculated following meticulous observations by Chinese astronomers in order that imperial ritual sacrifices could be carried out and confirmation obtained for political action. This legitimised the emperor's power to rule and his claim to the Mandate of Heaven. The one stationary star of the Heavens was the Pole Star around which all other stars seem to circulate. The Pole Star was recognised as the linchpin of the heavens. Chinese emperors were cosmic figures, the equivalent on Earth of the Pole Star, with their every move regulated in conjunction with astrology. The calendar divided the year into twelve months; the new moon fell predictably on the first of each lunar month and the full moon on the fifteenth. A similar popular Calendar, known as the Farmers' Almanac, costing coppers, was and still is widely circulated amongst the masses. This enabled, and still enables, the population, mainly the peasants and petty merchants, to be informed when specific actions or functions can be performed as well as taboos warning them against carrying out daily activities which would be counter to the feng shui, such as on a certain
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