RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1986 https://digitalrepository.lib.hku.hk/catalog/jq08c7063 faan-gon gan-jy 跟佳 gou-hing gung-so 公所 Gwong-seui 光緒 haang-chiu 行朝 haang-heung 行否 Hakka 我家 hin-bei 纈妣 hin-hau Hoi Luk Fung 海陸豐 Fuk-Wai-Chiu 高惠潮 mou-fan pei-chi 冇分彼此 Naam Tau 南頭 Naam Bin Chyn 南便村 ping-on 平安 Piu-sik 飄色 po-yat 破日 Punti 本地 Qing 淸 se-su 教書 seun-si 信: Seung Wai 上圍 seung-yuk 上肉 101 Hok Tsui 健咀 Shaukiwan 筲箕灣 Hoklo 仙佬 Shek O Saan Jai 石澳山仔 hou-wan 好運 Shek O 石澳 jam-mong 浸润 jang-paang 繪櫥 Jeng Gwok Man 會國民 Tai O 大澳 jing-chyn 正村 Jiu 邱 M 媽 jung-lei 總理 Kam Tin 錦田 laam-bong 攬榜 laam-yuk 腩肉 Laan Lai Wan 斕坭滟 Lam 林 Lau 劉 Lau Sing Jai 對勝任 lei-si 理事 Leung 梁 Leung Yi Hoi 梁值海 Leung Nung 梁龍(?) Ma-leung 馬料 Man 文 Siu-yau 小幽 Tai Tam Tuk 大潭篤 Tai Long Wan 大浪灣 tai-ye 睇嘢 Tanka 蛋家 Tin Hau 天后 Wai Chau 惠州 Wong Man Gwong 黃文光 Wong 黃 Wong Chuk Hang 黃竹坑 Yat Gin Fa Choi 一見發財 Yau Ho Sam 邱河深 Ying-shing 迎聖 yn-sau 縁首 Yu Laan 盂蘭 Yuk Wong 玉皇 Yu Laan 媽娘 Zheng Cheng 增城 : : ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 102 and others. Grandfather was the book-keeper and his 'sworn brother', Lum Gam Chin, was the manager. In those days Chinese immigrants were very clannish and used these stores for various purposes. Consequently Wing On Tai was patronized by those from the See Dai Doo District. They spoke a subdialect of Fukienese known as Nam Long. Many of them were rice farmers from Waiahole, Waikane and Punaluu on Oahu and from the Panalei Valley on Kauai. They would charge their purchases during the year and would clear their accounts just before the arrival of the lunar New Year; they would send their grain to be milled and sold; they would remit money to their families in China through the store facilities; they would stop by to socialize; and some would use the living quarters located behind the store as a temporary stop-over place. In those days meals were served to the employees, an amenity extended to visitors. Therefore, Wing On Tai was not only a place of business but also a community centre, as were other stores to their own clansmen. It was around 1899 that Wing On Tai started the Iwilei Rice Mill on a large piece of land on Iwilei Road, in the heart of the then Red Light district. Ping Lim wrote to Father in Hilo that Yim Quon, one of the principal shareholders, had selected Chew Lum Chan (probably a distant cousin) to oversee the weighing of the grain. There were also living quarters on the grounds for the employees and I remember being there with Mother to visit Mrs. Lum Gwo, a daughter of a Chan clansman married to the book-keeper who succeeded Grandfather. Even for that short distance we went there in a hack, a horse-drawn buggy. In the early 1920s when Lum Siu Bun was manager, the two businesses were dissolved and the mill property was sold to the Hawaiian Pineapple Company and on this land stands the huge pineapple tank. Because Grandfather had deeded his holdings to Father when he left for China, Mother and we children received several thousand dollars of the liquidation distributions. Mother sent her share to First Paternal Uncle and Second Paternal Uncle, and used the balance to build a duplex on our Fort and Kuakini Streets property where a store was already standing. Grandfather cared very much for his second wife. When she became ill, reportedly from tuberculosis, he nursed her tenderly. When she died on 4 October 1899, he felt the loss so keenly that he sought solace in opium. His grief was compounded by the death of Ping Lim a few years ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 348 D. The Taoist Priests and Their Rites The Taoist priests who performed the rites in this festival were hired on a contract basis. More than ten of them were involved, among whom four were in a senior position. The oldest of the four, Mr. Lam Pui, born before 1910, was from the New Territories. Another, Mr. Jeung Hoi, was from a village just across the present Chinese border. Mr. Lam Choi was probably from the New Territories too. Both were born about 1920. These three had been active as ritual experts in the area since when they were young, and had been in leading positions at least in the last few decades. The four had all performed in the 1965 celebration of the Kam Tin jiu festival. The other senior priest, Mr. Chan Gau, was from Sa Jeng in the western area of Bao'an county. He had come to Hong Kong more than ten years ago and since then has worked in the New Territories. Mr. Leung Tung, though not a priest by profession, had been working with this group of priests as a musician, and had trained in an early stage of his career in ceremonial music bands in the Bak Bin villages. Chan Gau, Jeung Hoi and Lam Pui were the partners who undertook to provide the priestly services on this occasion, and the other members of the team were hired to help. Besides the three-times daily Scripture chanting and small processions to make offerings at different spots, the priests performed about 20 rites in the festival. About ten of them were more elaborate and were considered to be the main ones. Each of the four senior priests took the leading role in different rites. Mr. Lam Pui, being the oldest and the most knowledgeable, acted as the high priest in most of the main rites, including the Opening Rite, the Purification of the Ritual Area, the Posting of the Placard, the Escort of the Holy Ones, and the Great Offering to Ghosts. Mr. Chan Gau, being younger and good at acrobatic feats, took care of the more martial rituals: the martial arts section of the Purification of the Ritual Area, and Going through the Gates of Life and Death, and headed the team for the Dipper Rite. Mr. Jeung Hoi acted as the main priest in some of the other important rites. Mr. Lam Choi, partly because he was not one of the partners, played secondary roles. The morning, noon-time, and afternoon Scripture chanting and offerings were performed by the more junior members of the team, as were the short concluding rites on the last day. 60 Although the rites differ one from another, there were many elements ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 364 They left the festival site, passing Tai Hong Wai and Ko Po, where those who took part were offered drinks. They next reached Ying Lung Wai, where they were met by the lion dance of the village, and treated to soft drinks. They first worshipped at the altar of the God of Earth and Grain of Ying Lung Wai, then the san-teng and the village gate. They proceeded to Tung Tau Tsuen, where they worshipped at the Tin-Hau Temple and then the Gwun-Yam Temple. No one came to meet them. But nearby two elderly ladies exchanged these remarks among themselves, "The two temples belong to Kam Tin fellows, they wanted to repair them, but Tung Tau Tsuen would not let them". They proceeded to the Old Market. First they worshipped at the market gate then at the Bak-Dai Temple, and then at the Daai-Wong Temple. Then they moved on to Nam Pin Wai, where they worshipped at the altar of the God of Earth and Grain, the san-teng and the village gate. A man in his fifties sitting under a tree cursed the Dangs when he saw the Ambulance which was in attendance in case anyone was overcome by the heat. He said, "Right. Let this Ambulance carry these Kam Tin fellows". At the nearby Sai Pin Wai they worshipped at an altar for the God of Earth and Grain. There was a reception. They proceeded to a Lam Yi-Hing Tong” inside Sai Pin Wai, and then the village gate and an altar of the God of Earth and Grain. The procession finished with the Old Market and the surrounding villages, and went on to Yuen Long New Market. When they reached Sau Fu Street, they were offered soft drinks by people who had come from Kam Tin for that purpose. From there they walked back to the festival site at Kam Tin. F. The Procession with the King of Ghosts The procession with the King of Ghosts took place during the evening before the Great Offering to Ghosts. In the first stage the Bak-Bin villagers carried the huge image of the Daai-Si Wong through their villages. Their Naam-Bin counterparts waited near Kam Hing Wai to take over the paper image for the second part of the procession. These were 22 young men, many carrying long bamboo poles with metal ends ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 370 ji-wai-deui K jou jou-se 做社 juk-jeung Jung Gaai 中街 Jyu-Jai #ff jyu-lou 主腦 Kam Hing Wai MAB Kam Tin B Man Kam To Man-Cheung Man-Wai Mau-Ging Tong Ming 明 Ming-Hok Ming-Lyun Miu Gok Yun 妙覺園 mou-geui-yan #^ Kam Tin Shi mou-leuk-le-wai Kangxi 康熙 Kat Hing Wai 吉慶圍 Kei-Fong Kei-Wa ✩✩ kiu-fu 轎伕 Kwun Yam Shan 觀音山 Kyun-Hin # laam-sang laat Lai Ga Dei Lai 黎 Lai-Gaan Tong Lam Choi 林財 Lam Pui *** Lam Ngau-Jai *4# Lam Yi-Hing Tong # Lam-Mau ** lat 甩 Lau 劉 Lei-Ging Tong Lei-Wik Leung Leung Gwan-Daat Leung Tung 梁同 lo-gu ga 4 Loi-Fu * Loi-Sing Tong *** Lok-Sin Luk Gwok 六國 Lung Yeuk Tau ✯✯✯ luo-tian mu畝 Mui Jai Yun 梅仔圜 Mung Yeung 蒙養 Naam Tau 南頭 Naam Bin Teng # Naam Bin 南便 Naam-Kai Naam-Teng E Nam Pin Wai Ng Sing-Chi f** Ng 伍 Nga-Chyun R Ngau-Wong [Wui] () paang 棚 Pat Heung 八鄉 Ping Shan 坪山 ping-on 平安 Pou-Am Pui-Hing Pun-Gu qimen dunjia 奇門遁甲 Qing 淸 Sa Bui Leng 沙貝嶺 Sa Jeng 沙井 Sai Pin Wai 西邊圍 sai-man ME San Tin 新田 San Sin Fu 神仙府 San Wai 新圍 San-Fung san-teng ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 375 Ofuchi (1983). 5.1 These two kinds of embroidery were always found in major festivities and at temple altars. 54 Both are reproduced in the Dang Clan Association handbook in Huge Baker's collection of genealogies, with commentary. One of the Dangs I talked to had some doubt about the authenticity of the alleged painting of Song Wuizong. He observed that the calligraphy was not of the typical style of the emperor, the shou-zhen ti. 55 Although the wong-gu was a common ancestress, her relics were not public property. The painting of the eagle belonged to a wealthy leader of the Dangs of Kam Tin, and the other pieces to the Wan-Gaan jire segment or one of its members. 57 On this divination instrument, see Ahern (1981:45-47). Discussed in the next part of this report. SV For more information on Lam Pui and his family, see Tsui (1985). 60 The rite is locally found probably only in the Kam Tin jiu festival. The priests explain it by alluding to the legendary Baiguai Zhen battle formation of Zhuge Liang, a stateman and strategist in the period of the Three Kingdoms (220-265). I think it is probably more directly related to the gimen dunjia style of magic. 42 A handheld small metal idiophone with a handle. See Schipper (1974) for a thorough discussion of the Memorials in the Taiwan case, which is very close to the one I am describing. The Oral History Project collection and Osuchi (1983) include most of the manuals used in this festival. 64 The actual seating no longer observed the segregation of the sexes, although this used to be the practice. 65 The difficulty was due partly to the fact that there were more Naam Bin people than their Bik Bin counterparts, even when the Ying Lung Wai villagers were added to the latter. As I have mentioned already, the seating area was divided into two halves, one for Naam Bin and one for Bak Bin. This gave the Bak Bin chu more seats each. I learned from a different source that the elder left early on the day because he felt that some younger villagers were being hostile to him. 67 The informant explained that it was usual for the Village Representatives to keep their position until they die. Therefore, those who are interested in becoming one always fail, except in Shui Tau, where the villagers generally have more exposure to the outside world and re-elect their V.R. once every two years. 68 I saw another lady doing waan-san at Ying Lung Wai. In addition to the san-seng, she made offerings at the village gate as well, which I guess is the normal practice. The two men were elders/ritual representatives, neither was the head of the lineage, probably due to the lineage head's age. 70 Except in the case of Tin-Chyun San-Gwan, I have relied on the Daojiao Yuenliu, the priests' manual to which they often refer when asked to explain their tradition, for interpretation. There were some young ladies in the procession this time, which represented a recent development. 72 Ancestral tablets could be seen inside, but Mr. Dang Jik-Waai said that the place used to be a sun-teng, and was worshipped by the procession because of this. 73 In which case only the woman herself would suffer. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 42 disasters. the second is for those who died because of plague. The final reason is to thank the benevolent governors Wang Lai-ren and Zhou You-de of the beginning of the Qing dynasty. In my opinion, all these reasons can be integrated into the first one. (d) Chan Wing-hoi "The Tangs of Kam Tin and their Jiu festival", Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989) 302-375, a rich and detailed account of the lineage, its temples and villages, and the festival which draws them together. Dr. Faure gradually switched his interest to the Pearl River Delta while Prof. Tanaka, as I was told, is now looking at Sichuan province. Talk on publishing a book on Hong Kong Jiao festivals has been going on for years by members of the "Research Circle of the Regional Society of Southern China''. In 1990, the editorial board of the society set up a schedule to compile a book focusing on the Jiao festival. It is expected that papers on various aspects will be completed by the end of April 1991. (Correspondence from the society dated 28.12.1990) Schipper, Kristofer M., "The Written Memorial in Taoist Ceremonies" in Wolf, Arthur P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford University Press, 1974), 324, For example, according to Chan Wing-hoi, villagers of Shek O celebrated their 16th Jiao in 1986 (Chan, 78). The Dengs in Kam Tin claimed to have celebrated their Jiao since 1684 (Tanaka, 918). See for instance Basel Mission Archives, doct. Al-6, No. 51 (1869), and doct. Al-7, No. 51 (1870) and Der Evangelische Heidenbote, July 1867, in which a missionary describes how he was forced to go to the Magistrate to get his support before he could avoid having to pay his share of the Jiao expenses. All these cases are from Hsin An County. The Sha Tin poem will, it is hoped, shortly be published by Dr. P.H. Hase. These two series are part of the 15 series of historical documents collected by Dr. D. Faure and others in the New Territories. Copies of the collections are kept in the libraries of CUHK, Hong Kong University, Sha Tin Regional Council Library, and Institute of Oriental Culture, Tokyo University. 31 Tanaka Chugoku no Sozoku to Engeki [Lineage and Theatre in China] (Tokyo Univ. Press 1985), 608. Jiao festivals celebrated by the powerful communities in Hong Kong like Kam Tin, Ha Tsuen, Lung Yeuk Tau etc., were all performed by the Zhengyi Taoist group, led first by the late Master Lin Pei and now by Master Chan Kau. Another Zhengyi Taoist group is led by Master Chan Wah. However, many Taoist priests work for both groups. There are also other Taoist groups who performed for the Jiao festivals, like a Cantonese group which performed for Ho Chung and a Heklo group for Cheung Chau. In 1983, four out of five Jiao festivals were performed by monastery Taoists. It is not clear whether it was because of tradition or out of economic reasons. A comparison of the two Taoist groups has yet to be made. 14 Choi Chi-cheung **Sho matsuri no jinmei risuto ni mirareru shinzoku ban'i” [Kinship as seen in the name lists of Jiao festival] Bunka Jinnú Gaku 5 (1988): 131, table L. 35 **Shinshi men" [Section of Believers] in Fanling Wenxian (Historical Literature of Fanling) vol. 8. This brief account records details of the arrangement of the Jiao area, including the contents of couplets, names of deities invited, location and direction of matshed stages, and the sacrifices prepared etc.. See n. 32 for the depositories of Fanling Wenxian. 36 See (1972) Lin Chuan [Lam Tsuen] Xiang Taiping Qingjiao huiyi jilubu in Dapu [Tai Po] Wenzian [Historical Literature of Tai Po] vol. 1. (see n. 32 for depositories) 37 Tanaka Issei's three books, all published by the Tokyo Univ. Press are: Chugoku Saishi Engeki Kenkyu [Ritual Theatres in China] (1981), Chugoku no Sozoku to Engeki [Lineage and Theatre in China) (1985), and Chugoku Kyoson Saishi Kenkyu: Chihogeki ================================================================================