RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch ORASHKB and author Vol. 1 (1961) ISSN 1991-7295 77 probably the pagoda was a mistake for the parasol originally held by Vaisravana, as stated in the Ekottarik-agamas (增一含經): The heavenly king Vaisravana held in his hand a parasol of the seven treasures (七寶) over the Tathagata in the air to protect the Tathagata from dust and soil,15 But since the circulation of the Tantric sutras was more or less encouraged by the authorities in the Tang dynasty, the public accepted that legend without scepticism." According to a Tantric text, Nata (No-cha 哪吒) is the third son of Vaisravana, who attends his father and holds the pagoda with both hands. But on the twenty-first day of every month, when the son is charged to go on some mission, so that they have to separate, Nata gives the pagoda to his father. This is not at all a thrilling story and there is no combat. The author of the Fêng-shên Yen-i created his own story of No-cha, the third son of Li Ching, based upon his profound knowledge of religious beliefs and popular literature, and made No-cha one of the famous heroes in Chinese literature. In order to analyse the parts which are the creative work of the author and to explain from what sources some of his materials may have been taken, I divide the story of No-cha into several sections below. 2. MU-CHA AND CHIN-CHA Before the publication of the novel Feng-shên Yen-i and the prompt-book Ssu-yu-chi, No-cha's (哪吒) name was usually Na-cha (那吒) in many of the plays of the Yüan dynasty which preserved the original transliteration found in the Tantric sutras.17 In the Hsi-yu-chi (Ch.7), one of the "Four Travels", the second Hi To P'in (TPE), 30, Ekottarikagamas, chian 22, The Tripitaka in Chinese. 10 In the year A.D. 838 (3rd year of K'ai Chiêng), on the 15th day of the 12th month, Lu Hung-chêng (盧弘正) wrote an inscription for the image of Vaisravana in the Hsing-t'ang Monastery (興唐寺) describing him as "having a sabre in his right hand, and in the left hand a pagoda." cf. Ku-chin T'u-shu Chi-ch'êng, Shên-I Tien, chian 91. 27 In Yang Ching-hsien's Yang San-tsang Hsi-tien Ch'ü-ching, Scene 8, “Nacha San Tai-tzu" (哪吒三太子); anonymous play Menglich Na-cha San Pien-hua (孟麗哪吒三變換) in the Ku-pên Yüan Ming Tsa-chü *Z9M) edited by Wang Chi-lieh (王季烈), Shanghai, Commercial Press Ltd., 1941; anonymous play Ting-ting Tang-tang P’ên-êrh-kuei (丁丁當當甕兒鬼), Act 1, "Hê-lien Na-cha" (黑面哪吒), Act 2, "Na-cha Fa" (哪吒法), the last two are influenced by Tantric works. Besides, Na-cha (哪吒) appears in many plays of the Yuan dynasty, not to mention the tune called Nacha Ling (哪吒令). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author Vol. 1 (1961) ISSN 1991-7295 95 B (c) The T'ao T'ien-chün ( or Celestial Master T'ao), one of the four attendant-generals forming the retinue of the Premier Wên T'ai-shih in the Fêng-shên Yen-i is an invention of the author of the Fêng-shên for a particular reason.3 In any one of the earlier works before the Fêng-shen, whether Taoist canonical texts or popular literature, we can find the other three T'ien-chün but not this one. This fact strengthens the hypothesis that this particular character was created with a purpose. But he appears also in Wu Ch'êng-ên's Hsi-yu-chi. (Ch.4 etc.) (d) Yin Chiao () in his transformed figure is an ugly and evil god. "His face was as blue as indigo, and he had long projecting teeth" (Ch.63, Fêng-shên Yen-i). He was canonized as the T'ai-sui (✯ the God of the Cycle) in Ch.99 of the Feng-shên. Now in Wu's Hsi-yu-chi there is a line of verse, "The other had a blue face and protruding teeth as ugly as the T'ai-sui.” (56) (e) In Wu's Hsi-yu-chi, when Sun Wu-k'ung ( the Monkey) was repelled by Hsüan-tsang (), he thought of “going to the islands (hai-tao ) but he was rather ashamed to meet those immortals in the three fairy-lands (san-tao chu-hsien l)". (Ch.57) This is probably influenced by the islands and the immortals there (hai-tao tao-yu fă‡) in Chs.38, 47 and 59 of the Fêng-shễn. In Ch.59 of the Feng-shên when Lü Yüeh (BG) was defeated by the troops of Chiang Tzu-ya, he fled to the islands as his last resort. (f) In Wu's Hsi-yu-chi (Ch.60), the Demon-king of Oxen (Niu Mo-wang 4E) rode on a "water-proof golden-pupiled monster" (Pi-shui Chin-ching Shou HR). I think this name was invented after the "fire-spitting golden-pupiled monsters" (Huo-yen Chin-ching Shou ) ridden by Chêng Lun, Chiên Ch'i and Ch'ung Hei-hu in the Fêng-shên Yen-i. (g) In Ch.61 of the Wu's Hsi-yu-chi there are the "four great Vajras" (MAI) which are no doubt an adaptation of the “four great heavenly kings". One of their dwelling-places is in the Chin-hsia Tung ( Golden Clouds Cave) of Mt. K'un-lun. In fact this Chin-hsia Tung is exactly the name of the grotto where the Yü-ting Chên-jên (EMRA Immortal of the Jade Urn) lives in the Fêng-shên Yen-i, and Mt. K'un-lun is the sacred mountain of the Promulgating Sect. 37 Ibid., pp. 251-55. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1969 https://digitalrepository.lib.hku.hk/catalog/9g553n20d 131 THE MAPPING OF HONG KONG LARGE-SCALE PLANS J. T. COOPER* Rapid and intense development requires accurate and up-to-date large-scale plans. This is equally true of large housing or engineering projects. Where such plans are not available, all detailed planning and design must await their completion. This is particularly true of Hong Kong, where the steep terrain usually requires extensive earthworks before construction of buildings or roads can commence. Another factor adding to the necessity for accurate large-scale plans in the Colony is the high value of land, especially in the built-up areas, where a square foot of land can be worth $300 or more. The Survey Branch of the Crown Lands & Survey Office (a sub-department of the Public Works Department) is responsible, not only for all land surveying and mapping in the Colony, but for the demarcation of all lot boundaries in the urban areas, and the implementation of town-planning layouts. Hong Kong is one of the few Commonwealth territories where there are no licensed land surveyors in private practice. With the intense development which began in the nineteen-fifties, the staff of the Survey Branch became fully occupied with title surveys, the setting-out of lot boundaries, Government sites, roads, etc., and was unable either to produce large-scale plans of all the areas planned for new development or to keep up to date the plans in the older areas where re-development caused many changes. The city areas of Victoria, and the northern part of Hong Kong Island, together with most of the Kowloon peninsula (south of Boundary Street) had been mapped at 1/600 scale (50 ft. to one inch) before the war, but the plans had been plotted onto linen-backed paper, and in the climatic conditions of Hong Kong, they had become distorted and inaccurate. None of these plans * Mr. Cooper is Assistant Superintendent (Survey), Crown Lands and Survey Office, Public Works Department, Hong Kong. Ed. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h THREE CHINESE DEITIES 181 He has also been seen as a typical standing image of a civil mandarin, when the only method of identifying him was by the title painted on his stand or pedestal. In Kalgan, as will be described below, he is depicted naked with claws, beak and wings. In some temples, the images of deities known not to be T'ai Sui or Ying Ch'iao, are called T'ai Sui by the temple keepers, and are prayed to as T'ai Sui. Some of these misidentifications are even to be seen perched on wads of hell money. The best example of this are the distinctive images of the boat people of the Pearl River and Southern Kwangtung province which are to be seen in Singapore and Ipoh, labelled as T'ai Sui, and standing on hell-money. One of these seen in Hong Kong is an image of the Pearl River boat people, normally called the Dragon and Tiger General (*). This is an image of a young man with his right arm raised holding a sword, and his left arm hanging by his side. He wears a robe of green with an animal's face as a stomacher, and with a dragon under his left foot and a tiger under his right. On one instance only, as is to be seen in the photograph, he is to be seen labelled the "Tai Sui who flew back" () and is standing on a pile of hell-money. (Plate 18) Father Doré says that images of T'ai Sui in the Yangtse Valley have six arms, are bald with ear tufts, and three eyes; they wear Taoist crowns and hold in their six hands two swords, a ball and flames, a spear, and a branch of a tree. There are thirty-six deities painted as murals on the walls of one Singapore temple, most of whom are Heavenly Masters (A B). Amongst them is Yin Ch'iao, standing, dressed in armour, but with a bare chest and with six arms holding the usual items. Marshal Yin Ch'iao appears, therefore, to be one of the 24 Heavenly Generals and also one of the 36 Heavenly Masters. In several works he is given 10 assistants, the last four being the gods of the year, the month, the day and the hour. Their names are given as follows: Li Ping (李丙) Hwang Ch'eng-i (黃承乙) Chou Teng (周登) and Liu Hung (劉洪) All were said to have been slain at the famous battle between good and ... described in The Deification of the Gods, at Wan Hsien Chen (萬仙陣). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 March 1989 July 1990 August 1990 15 January 1995 November 1995 March 1998 12 August 1999 16 August 1999 November 1999 November 1999 December 1999 Publication of the Metroplan Landscape Strategy for the Urban Fringe and Coastal Areas by the Strategic Planning Unit, Lands and Works Branch. Appendix 8 shows a Lei Yue Mun Rural Park proposal. Publication of a revised 1:1000 Survey Plan 11-SE-4D. Publication of a revised 1:1000 Survey Plan 11-SE-9B. The earth breaking for the construction of the Wilson Trail. Devil's Peak (Gough Battery) became included as part of Section 3 (Lam Tin (formerly Ham Tin) to Cheng Lan Shue) of the Trail. Publication of a revised 1:1000 Survey Plan 11-SE-4D. Publication of a revised 1:1000 Survey Plan 11-SE-9B. Circulation of Kwun Tong District Board 1999 Environmental and Health Improvement Committee Paper No. 29/99. Technical Report 3 dated 16 August 1999 by Environmental Resources Management Study on Village Improvement and Upgrading of Lei Yue Mun Area, Agreement No. CE108/98 states the "much of the fortifications still survive and provides opportunities for tourist development." Publication of a revised 1:1000 Survey Plan 11-SE-9B. Publication of a revised 1:1000 Survey Plan 11-SE-4D. A pedestrian link was proposed in Reprovisioning Working Paper December 1999 in Study On Minimization of the Impacts of Western Coast Road on Lei Yue Mun Village (commissioned by the Territory Development Department) to connect the Pottinger Battery and Lei Yue Mun Point. A tunnel option was proposed as an alternative to the Western Coast Road to Tseung Kwan O New Town in Feasibility Study on the Alternative Alignment for the Western Coast Road, Tseung Kwan O Final Report-Executive Summary November 1999 Agreement No. CE46/96 by Maunsell Consultants Asia Ltd (in association with Environment Resources Management Hong Kong Ltd; Hassel Ltd and MVA Asia Ltd.). Survey Plan 11-SE-4D Survey Plan 11-SE-9B Survey Plan 11-SE-9B Survey Plan 11-SE-4D Kwun Tong District Board (1999) ERM, 1999, p.94 Survey Plan 11-SE-4D Survey Plan 11-SE-9B Ove Arup & Partners Hong Kong Limited 1999 Maunsell Consultants Asia Ltd 1999 135 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 401 Construction Company, a contractor engaged by the Maintenance Section of the Public Works Department. The launch "Ming Kee" was normally used to carry the workers to and from Tathong Point. The Director of Marine respectfully - but ominously - requested the Director of Public Works to arrange for the coxswain of the "Ming Kee" to report to the Licensing Office, Marine Department, Hong Kong. Unfortunately the P.W.D. file contains no further information on the incident. Acknowledgements On 10 April 1982 the function of the old Public Works Department (P.W.D.) was replaced by the Lands and Works Branch, and the Architectural Office of the P.W.D. became part of the Building Development Department. In April 1986 the Building Development Department was dissolved and the Architectural Services Department established. In 1990 the name of the Maintenance Branch of the Architectural Services Department was changed to the Property Services Branch to whom acknowledgements are due for inspection of their files. ================================================================================