RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n 173 the kaifong, which was fixed by auction, the keeper of the scale could keep the charges paid for the use of the scale by merchants. The fee was used for the management of the temple and the annual celebration of the birthday of T'in Hau, usually held towards the middle of the Fourth Lunar Month. To prepare for this festival, the committee had to arrange for donations from Sai Kung residents to make the necessary purchases and to contract with a troupe for the opera. Besides the birthday of T'in Hau, the kaifong also had to arrange for a puppet show at the Great King Earthgod's shrine, and the offering of a pig at the temple at the beginning of the year, on the day of the T'in Hau Festival, at the Kwan Tai Festival, and at the end of the year.35 The activities of the kaifong committee became routine. Some time in the 1930's, a younger generation of merchants in Sai Kung formed themselves into the Chamber of Commerce. The leader of this new body was Lei Shiu Yam, of Lan Nei Wan. When World War II broke out, it was this group that was the more active in Sai Kung Market. DAILY LIFE C. 1920 Population The census of 1911 counted 9,243 people in Sai Kung District, which at the time also included Shap Sz Heung and villages near Sham Chung and Pak Sha O. The same census reported that there were 2,633 Punti-speaking, 6,599 Hakka-speaking, and 11 Hoklo-speaking villagers in the district. It probably neglected the boat population, the size of which must now remain unknown. As recorded, the Sai Kung population amounted to 13.4 percent of the total population of the New Territories. Village, lineage, and voluntary association The reported population was distributed through 126 villages. The great majority of these had a smaller population than 100, and many could not have been more than isolated houses. By no means the smallest, Tin Ha Wan had 37 people, Mok Tse Che 51, Tai Nam Wu 33, Ma Lam Wat 43, and Tso Wo Hang 24. Only 21 villages in what is recognized now as Sai Kung ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 234 in 1846 and kept by the London Missionary Society. (NCH 25.11.1865; SCR 24.11.1865). 14.12.1865 (Thur) J.M. MORTON: "Woodcock's Little Game” (1864) T: Farce (1 act) J.P. PLANCHE: "Faint Heart never won Fair Lady" (1839) T: Comedy (1 act) C. SELBY: "The Boots at the Swan" (1842) T: Comedy (1 act) C: Amateurs of the Shanghai Volunteer Corps F: Prologue spoken by Edward Lawrance and Mr. Groom Th: Lyceum Theatre (1) N: First performance of the season by the S.V.C. R: Again only stage names were used in the review. In Morton's piece, Woodcock's Little Game, Woodcock was played by Mr. DOLEFUL who had "evidently elaborated the part with great care." His only drawback was "a certain monotony in gesture". Another central character was Mrs. Colonel Carver, "inimitably performed by Mrs. St. CHAWLES. The majestic lady's make-up was characteristic and costly and many of her attitudes and tones reminded us of Miss Snowdon [Mary Jane Chippendale, 1837-1888; but she made her debut only in 1863 JH] whose imposing personation of similar female parts has assisted so many Haymarket triumphs". Exceptionally some slight attention was also paid to the staging when the critic wrote about the second scene that the "occasional glimpses of the whirling waltzers and partners-seeking promenaders were skilfully managed". In Faint Heart never won Fair Lady Mr. DOLEFUL again took a leading part, that of Ruy Gomez. However, the Herald was not inclined to accept this gentleman's reading of the character without some exception, as a greater prominence might have been given to the comic element. Lightness, vivacity and élan are indispensable in all characters written, as this one was, for Charles Mathews. However, as he had appeared in a humorous part before, Mr. DOLEFUL was perhaps anxious to show his versatility". Travesty abounded: "The most difficult part was essayed by Miss SOFTLY [as Charles, the King of Spain, a role cast for an actress JH]. For a man to play a lady's part is hard, for a lady to play a man's part is not easy, but for a man to play a man's part as a lady would play it is hardest of all. Charles II, the mischievous, frolicsome schoolboy at large, newly awaking to a sense of royal responsibility, has been a favourite part with some of our cleverest and prettiest actresses and Miss SOFTLY held her own when compared with these formidable competitors" About the Boots at the Swan the reporter confessed that "we are inclined to think this piece has been acted enough" (but hardly in Shanghai where it was on the boards for the first time). "The elaborate mimicry of the inimitable ROBSON made the deaf Boots as popular with the London public as Sam Weller had been before him, but a peculiar talent alone can render Jacob Earwig interesting to an audience ten thousand miles away from the little theatre in Wych Street* (i.e. the Olympic Theatre in London). (Henry Morley wrote about Robson in this part, 1857: "Mr. Robson, although deaf, is humorously wide awake. He is the Boots who is brisk and alive to all the humour of the street, who would be preternaturally knowing if he could but hear what people say. In word and look and action he is more the gamin than the simpleton. The extravagance of a most laughable farce is heightened by him to the utmost and there is not a long face to be seen while he is busy on the stage" *** 136) But, to continue with the Herald: "FUNNYDOG, the new low comedian, is a valuable accession to the company. His stable yard dress, wooden attitude and imperturbable face formed a perfect study for Leech and Cruikshank, and the finish with which he played the long, and we confess to us tiresome, drunken scene shows ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 240 RODWELL, James Thomas Gooderham (d. 1825) "A Race for Dinner" (15.4.1828). P: Announced in March 1854 but not performed. "The Young Widow or A Lesson for Lovers" (1.11.1824), P: 27.4.1865 SELBY, Charles (1802?-1863) "The Boots at the Swan" (5.4.1843). P: 14.12.1865 **A Fearful Tragedy in the Seven Dials". P: 15.2.1860 **A Lady and a Gentleman in a Peculiarly Perplexing Predicament" (9.8.1841), P: 13.2.1864 **The Unfinished Gentleman'' (1.12.1834). P: 17.6.1865 SHAKESPEARE, William (1564-1616) "King John" (1594–1596). P: 12.11.-18.11.1864 (Prison scene, Act IV.1 only) **Richard III" (1592-1593). P: 26.4.1865 (Act V only) SHERIDAN, Richard Brinsley (1751 1816) **The Rivals" (17.1.1775). P: 28.9.1858; 23.11.1864 SUTER, William E. (1812-1882) ? "Lady Audley's Secret" (22.2.1863). P: 28.12.1864 TALFOURD, Francis (1827-1862) "A Household Fairy" (24.12.1859), P: 26.11.1864 TAYLOR, Tom (1817-1880) ? "Cinderella" (12.5.1845). P: 12.11.-18.11.1864; 28.4.1865 "Still Waters Run Deep" (3.3.1856). P: 23.4.1857; 15.3.1860 TOBIN, John (1770-1804) ? "The Honeymoon" (31.1.1805). P: 19.4.1865 TOWNLEY, Rev. James (1714-1778) "High Life below Stairs" (31.10.1759), P: 21.4.1851 WEBSTER, Benjamin Nottingham (1797-1882) ? "Aurora Floyd' (11.3.1863). P: 26.11.1864; 17.4.1865 ? "The Golden Farmer or the Last Crime" (26.12.1832). P: 8.10.1857 WILLIAMS, Thomas John (1824-1874) "Nursery Chickweed" (12.11.1859), P: 28.3-5.4.1865 "On and Off" (6.6.1861). P: 25.4.1864 APPENDIX II An alphabetical list of plays staged in Shanghai 1850-1865 The Adventures of Bonnie Prince Charlie or the Rising of 1745: N.N.; 13.6.1864. Aladdin or the Wonderful Scamp: H.J. Byron; 2.9.1864, 19.11.1864, 29.4.1865, Anything for a Change: C.W. Brooks; 15.5.1854. Apartments: W. Brough; 23.3.1853. The Area Belle: W. Brough & A. Halliday; 30.9.1865. Attic Story: J.M. Morton; 6.5.1852. Aurora Floyd: C.S. Cheltnam? C.H. Hazlewood? J.B. Johnstone? B. Webster? 26.11.1864, 17.4.1865. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n PROUDFOOT, W.J.: Notes from Biographical Memoir of James Dinwiddie, LL.D, embracing his account of travels in China as a member of Macartney's Embassy, Edward Howell, Liverpool, 1886. WALEY, A.: The Opium War Through Chinese Eyes, Allen and Unwin, London, 1958. WONG, J.Y.: Deadly Dreams: Opium and the Arrow War (1856-1860) in China, Cambridge University Press, 1998. WOODWARD, N.H.: Teas of the World, Collier Macmillan, London, 1980. This paper was presented at the "International Conference on Lin Zexu, the Opium War and Hong Kong,” held at the Hong Kong Museum of History in December 1998. Among his many other accomplishments, Dr. S. M. Bard, OBE, ED, is also a historian. His published works include the following: In Search of the Past: A Guide to the Antiquities of Hong Kong (Urban Council Hong Kong 1988); Traders of Hong Kong: Some Foreign Merchant Houses, 1841-1899 (Urban Council Hong Kong 1993); and Garrison Memorials in Hong Kong: Some Graves and Monuments at Happy Valley (Antiquities and Monuments Office, Hong Kong: Occasional Paper No. 4, 1997). Some scholars prefer to divide the Wars into the Opium War, 1839-1842, and the Arrow War, 1856-1860. * A Dutchman, Dr Cornelius Decker, advocated 40-50 cups a day. Portuguese Princess Catherine is credited with introducing tea to Britain when she married King Charles II. A story is told of German Radio, during the 2nd World War, which announced that due to shortage of tea in Britain, the British were ready to sue for peace, not having access to their 5-o'clock tea. It only served to amuse the British, for the Germans got the time wrong! ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 58 1. 1 Edward S. Miller, War Plan Orange: the U.S. Strategy to Defeat Japan (Annapolis, MD: Naval Institute Press, 1991), p.14. 2 Miller, p.21-22, 24. 3 Miller, p.33-36. (1) Steven T. Ross (ed.), American War Plans, 1919-1941, vol.2 (New York: Garland Publishers, 1992), p.125-126. (2) Miller, p.4-5, 31-32. • Ernest J. King & Walter Muir Whitehill, Fleet Admiral King, A Naval Record (New York: WW Norton & Co., Inc., 1952), p.432. The JCS was the military committee that directed the war on the American side. 6 Charles F. Romanus & Riley Sunderland, Stilwell's Command Problems, 1956 of U.S. Army in World War II: the China-Burma-India Theater, (pt. Washington, DC: Office of the Chief of Military History, 1976), p.10. 7 Christopher M. Bell, "Our Most Exposed Outpost: Hong Kong and British Far Eastern Strategy, 1921-1941," The Journal of Military History, 60 (January 1996), p.65. • Colonel Lindsay T. Ride, "Memorandum on the Liberation of Prisoners-of-War, Hong Kong," 30 Sep 43, p.11-13; Series 2/33, BAAG (British Army Aid Group) Correspondence Concerning Operations, September 1942-November 1943; Personal Papers of Sir Lindsay Tasman Ride (microform); Canberra, ACT: Australian War Memorial, 2001 (hereinafter known as the Ride Papers). * Unless otherwise noted, information for this section was collected from Weather Information Branch, HQ, USAAF, R&A Report #71087, "Climate of Hong Kong (China)," October 1943; Intelligence Reports ("Regular Series"), 1941-1945; Research and Analysis Branch Division; Records of the Office of Strategic Services (OSS), RG226; National Archives (NA), Washington, DC. 10 Later, it was reported that an all-weather road ran from Hong Kong to Canton, and the Japanese had improved other roads nearby to the same capacity. See "G-2 Estimates of the Following Places: Haiphong-Liuchow Peninsula-Hainan Island-Hong Kong-Swatow-Amoy-Foochow-Santuao-Wenchow-Hangchow Bay Region-Laoyao-Chingtao-and the Tip of the Shantung Peninsula to Include Wei Hai Wei," 17 Feb 45, p.5; Ch.7-Intelligence, Correspondence, 1945, Folder ================================================================================