RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch ORASHKB and author Vol. 1 (1961) ISSN 1991-7295 97 three chapters (Ch.12-14) of the Fêng-shên Yen-i and all the other chapters except those parts inherited from the prompt-book Wu-wang Fa-Chou P'ing-hua3 and Lieh-kuo Chih-chuan (@) are the original work of the author. 39 40 38 Lu Hsün told us that the approximate dates of Wu Ch'êng-ên are about 1510-1580, and the earliest editions of the Hsi-yu-chi by Wu Ch'êng-ên we have were all published late in the Wan Li period, probably after 1592. It is therefore safe enough if we suppose that the novel Fêng-shên Yen-i was first compiled in the middle of the Chia Ching period (about 1545). 4 38 "King Wu's Expedition against Chou", the original copy of which is from an edition dated Chih Chih (a), the reign of Emperor Ying Tsung (1321-23) of the Mongol Yüan dynasty. It was published in Chien-an (# now Chien-yang of Fukien province), then a very famous paper-manufacturing and publishing centre. No less than five different prompt-books of the same sort, historical and fictional, including the Wu-wang Fa Chou, have been found, now kept in the Japanese Cabinet Library, bearing the same sub-title as "published by the Yu family of Chien-an" (ZREKƒ). A complete English translation of the last-named is included in my "The Authorship of the Fêng-shên Yen-i”, 39 The Lieh-kuo Chih-chuan FHEN, a book in a very rare edition, copies of which are now preserved only in a few libraries. See my article "The Discovery of the First chuan of the Lieh-kuo Chih-chuan and Its Relation to Wuwang Fa Chou P'ing-hua and the Novel Fêng-shên Yen-i" (元至治本全相武王伐紂話明刊本列國志傳一與封神演義之關係), The New Asia Journal, Vol. 4, No. 1, Aug. 1959. 4o Chung-kuo Hsiao-shuo Shih lüich, Ch. 17, p. 168. Yang's translation, p. 210. cf. (2). 41 See Prof. Sun K'ai-ti's (H) Jih-pên Tung-ching So Chien Chung-kuo Hsiao-shuo Shumu (B££££+5), pp. 101-2, Shanghai, 1953. Shih-tê Tang (H) edition, dated "the fourth day of the fifth month in the year jên-chên (IR)", ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f 70 HEROLD J. WIENS but their main concentration in a solid bloc is in the Ta-liang mountains southwest of I-pin district of Szechwan. More closely related to the Tibetans, the Ch'iang live in the west fringes of the Szechwan basin east of K'ang-ting city. The chief areas of Tibetan settlement are almost all in the Tibetan plateaus, though politically the areas are divided among five provinces in addition to Tibet proper and not counting now-abolished Sikang province. These are Kansu, Chinghai, Yunnan, Szechwan and Kweichow. Since Sikang has largely been incorporated into Szechwan, the latter now contains over 700,000 Tibetans, whereas Yunnan has some 67,000, Aside from the Chuang who constitute about seventy per cent of the total population in what is called the Kwangsi Chuang Autonomous Region, other T'ai-related groups are widespread especially in Yunnan and Kweichow. The T'ung occupy a solid bloc of territory joining three provinces: southeast Kweichow, northern Kwangsi, and western Hunan. They are related to the Shui who live in the southeast corner of Kweichow. The Pu-yi (also called Chung-chia) are a T'ai-related group in southwest Kweichow. In central Kweichow they live intermingled with the Miao, and they constitute the majority of the country people around the provincial capital of Kuei-yang. The T'ai proper have settled in the southern half of Yunnan where they are divided into two branches: the Hsi-shuang pan-na T'ai and the Te-hung T'ai. The former of these branches constitute "Twelve pan-na or basin 'states'", whence their name. The latter are close relatives of the Burma Shan people. Also related to the T'ai more distantly are the Li people of Hainan Island, with their heartland in the Li-mu ("mother of the Li") mountains that dominate the southern half of the island. Some Miao also are found on Hainan, having been imported during the Ch'ing dynasty to make poison arrows in the campaigns against the Li.20 The Miao are a very scattered group and only in two regions do they form compact settlements: eastern Kweichow and southwest Hunan. In Szechwan they live along the Kweichow borderlands. In Kwangsi they have settled in small groups in the centre of the province. In almost all regions the Miao have 20 Hsu Sung-shih, Yueh-chiang liu-yü jen-min, 122-123. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1965 https://digitalrepository.lib.hku.hk/catalog/s752cj653 65 THE SOUTHERN SUNG STONE-ENGRAVING AT NORTH FU-T’ANG JEN YU-WEN On the southern tip of the small peninsula, North Fu-t'ang (Pak Fat-t'ang), on the eastern shore of Junk Bay, lies a stone-engraving dating from the Southern Sung Dynasty, one of the most famous historic relics in Hong Kong. The vernacular name for this place is Ta-miao (Tai-miu), or "Big Temple," because a temple of T'ien-hou (T'in-hou), or "Heavenly Queen,” is situated there. About half-way up the hill just behind this Temple, is located the large rock, five feet high, ten feet wide and five feet thick, hidden in the thick brush. On its flat surface facing the south, there are 108 Chinese characters engraved in nine vertical lines with twelve characters each. Each character is about four square inches in size. The entire surface covering the engraving is four feet two inches wide and three feet nine inches high. The engraving was done in the tenth year of the reign of Hsien-hsun (Ham Shun) of the Emperor Tu Chung of the Southern Sung Dynasty (A.D. 1274) — the date given at the end of the inscription. Just three years before this date, two of the Emperor's sons, who later successively succeeded him to the throne, were fleeing from the pursuit of the Mongols and had landed on the western shore of Kowloon Bay at the historic spot subsequently named Sung Wong Toi. This stone-engraving is recorded in the Chia-ch'ing (Ka Hing) edition of the Gazetteer of Hsin-an (Sun-on) District, but details of the historic relic are not given in its description. The Genealogical Record of the Lin (Lum) clan of P'u-kang (P'u-kong) village in Kowloon, however, contains a narration concerning the place, the Temple and the stone-engraving which is very helpful for studying the history of this historic relic. Unfortunately, many of the characters on the stone as transcribed therein are not correct, leaving the readers still in the dark regarding the real meaning of the original text. As a matter of fact, a few engraved characters on the rock have been partially worn-out so badly that it renders some lines absolutely unintelligible. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1965 https://digitalrepository.lib.hku.hk/catalog/s752cj653 68 JEN YU-WEN as stated above, left Kuan-fu-ch'iang on the way to Ch'uan-wan (Ch'uen-wan) on the western shore of Kowloon in the year A.D. 1277, they stopped over at a place by the name of Ku-t'a (Ku-t'ab), or "Ancient Pagoda." This fact had been recorded in some historical books, but where and what this place is has never been known, Now, with the revelation from this stone-inscription plus certain statements in the Genealogical Record of the Lin clan definitely referring to the Stone Pagoda, a sound conclusion can be drawn to the effect that Ku-t'a is identical to the present-day South Fu-t'ang, the northern shore of Tung-lung Islet. It is further reinforced by the fact that, according to tradition, local people used to call the said Pagoda by the name of Ku-shih-t'a (Ku-shek-t'ab) or “Ancient Stone Pagoda" which was later abbreviated to Ku-t'a. With the discovery of the missing link a very knotty problem in the study of the itinerary of the last two emperors of the Southern Sung is rationally solved at long last, For this the value of this stone-engraving to historical scholarship is most pronounced. Secondly, from the standpoint of archaeology, this stone-engraving, done 690 years ago (1274-1965), is the oldest historic relic with a definite date in Hong Kong and Kowloon. (The history of Sung Wong Toi began three years later than this and the three characters were not engraved there until the Yuan Dynasty. The ancient tomb in Li-cheng-wu (Lee-chang-uk) appears to have a longer history, but the date is uncertain.) Thirdly, from the standpoint of literature, its diction and sentences are excellent and the narration of no less than eight events in only 108 characters is terse and elegant. As a stone inscription, it should be ranked as an exemplary piece of literature of its kind. Moreover, the calligraphy possesses beauty, gracefulness and strength, being typical of the Sung style and akin to the penmanship of the celebrated poet, Su Tung-p'o. Last of all, considered as a work of art, the craftsmanship of the engraving is highly commendable. The cutting is deep and sharp, and even after having been exposed to the elements for nearly 700 years, almost all of the engraved characters remain intact. In conclusion, this historic relic should by all means be regarded as a distinctive feature in the cultural history of Hong Kong. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 64 HERBERT FRANKE as in this case, fictional material to real persons. Their original personality image as given in the texts is therefore often obscured by a veil of conventional and sometimes even interchangeable topoi.17 The second example concerns a Yüan Dynasty play, the Sha-kou ch'üan-fu “To Kill a Dog in order to Admonish the Husband”. It could be shown that the plot of this play goes back to Near Eastern folk tale motif, that of the two brothers and the testing of their friendship. Also in this play the whole background is entirely Chinese, and at least one of the persons on the stage was a historical figure, a famous judge of the Sung Dynasty. But the similarity between the plot of the play and the Near Eastern folk tale (which also spread to Europe) is so close that allogeny, to use this term here, is ruled out. We may therefore assume that the story itself somehow found its way to China in Sung or Yüan times, and was adapted to a play.18 It is not impossible that other plays of the Yüan period will show similar influences in subject matter, but it would be premature to say anything definite because the study of Yüan plays has hardly begun in the West. Turning away from the more popular literature written in colloquial language to the traditional literary genres in the written language, we can be very brief. The literary activities of non-Chinese under the Yüan have long ago been studied by Ch'en Yüan who published his researches in 1923 and 1927, and Professor L. C. Goodrich has recently dealt with this problem, taking into account the pioneer work by Ch'en Yüan.19 Under the Yüan many writers of non-Chinese origin distinguished themselves as poets in Chinese and authors of Chinese works in general. This applies not only to Mongols, Uighurs and other Central Asians but also to Near Eastern Mohammedans and Christians. We have, under the Yüan, authors by the name of Sa’d-ad-daula, of Ya-ku (Jacob), of Shams, of Sadr and many others. In other cases the foreign names had been replaced by Chinese family names. One example is the case of Ting Hao-nien (1335-1424), who adopted the Chinese clan name Ting which sounded similar to the frequent Islamic appellation ad-Dīn “of the Faith” (e.g., Saif ad-Din, “Sword of the Faith”). One Nestorian Christian family called itself Ma which might be an approximate rendering of Syriac Mar, Master. They were of Turkish origin, coming from the Önggüt tribe that ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 The Hanlin Academy 103 From 1647 onwards, probationers were required to study either the Manchu language or the Chinese Classics. The number of probationers taking the Manchu course, however, declined as time went on. In the reign of Yung-cheng, only about fifteen scholars were ordered to read the Manchu course, the rest, about forty, took the Chinese course.9 In the next reign (Ch'ien-lung), the aggregate number of probationers studying the Manchu course was about ten each year, and even this small number would sometimes be reduced, as those who took long sick leaves would change to study the Chinese course after their return.10 The qualification for taking up the Manchu course was physical rather than literary. Only the young and the good-looking with a pleasant voice were selected. Presumably, the reason for such a choice is that probationers studying the Manchu course would have more contacts with the Emperor and senior officials than the others. They were the persons likely to be selected as masters of ceremony in official ceremonies. In the pursuit of the course, the probationers would be called upon to study the "History of the Liao dynasty, the Chin dynasty, and the Yüan dynasty" (Liao Chin Yüan shih), "the Sacred Edicts of the Emperor Hung-wu, the first Emperor of the Ming dynasty" (Hung-wu pao-hsün), the "Daily Exposition of the Meaning of the Book of Great Learning" (Ta-hsüeh yen-i jih-chiang) and the "Commentaries of the Four Books" (Szu-shu chieh-i).11 12 Probationers doing research work on the Chinese texts took lessons in Chinese Classics, history and poetry. Together with those reading the Manchu language, they had to sit for a final examination after three years of study. Probationers studying the Manchu course were tested on their ability to translate from Chinese to Manchu and vice versa, whereas those reading the Chinese Classics were each ordered to compose a poem of set form or a piece of irregular verse and to write an argumentative discussion or an eight-legged essay.13 Notice that the final examination of the probationers laid emphasis on the literary skill of writing essays and poems rather than on administrative knowledge. This was because of the need to distinguish "real" from "false" talent among the candidates. Themes on administrative problems, useful though they might be in testing the practical knowledge of candidates when they were original, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 106 A. L. Y. CHUNG ground for scholars, the Hanlin Academy, through the various Imperial discussions, achieved a close relationship with the emperor, resulting in mutual influences. The first kind of these Imperial discussions was known as Imperial Discussion Banquets (Chiang-yen) and they took place in mid-spring and mid-autumn.30 On these occasions, two Chinese and two Manchu Hanlins were appointed to prepare lecture materials in conjunction with the Chancellor of the Academy.21 These lecture notes were rendered in the Manchu and Chinese languages for royal perusal and consent.22 The other kind of Imperial discussions was the Daily Discussions (Jih-chiang). It was stipulated that each year after the mid-spring Discussion Banquet, the Daily Discussions were to be held on alternate days until the summer solstice (June 21st). It was then temporarily stopped due to the hot weather of summer. The process of discussions would be resumed after the mid-autumn Discussion Banquet until the winter solstice (December 22nd). Discussions were then suspended until the next spring.23 The original copy of notes of the Daily Discussion was presented to the emperor in the early morning after officials of the Government Boards and Courts had presented their daily reports and memorials. If the discussion notes were approved, then the Chancellor of the Academy would take two or three Hanlins to the palace to serve as talkers. The discussion notes of each meeting were filed together for further references. The Daily Discussion system founded in the early years of the dynasty was greatly elaborated by the second Emperor, K'ang-hsi. In 1673 the emperor ordered the Daily Discussion practice actually to take place daily, rather than on alternate days24 and during his reign, the meetings continued to take place without stop. Even the repairs to the palace premises in 1673 did not prevent the emperor from holding them.25 Later in the same year, the discussion procedure was ordered to last through the "winter cold and summer heat",26 In other words, they then took place nearly every day of the year. Side by side with the Imperial Banquet Discussions and the Daily Discussions was the requirement that high officials, including the Hanlins, in rotation should present to the emperor com- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 21 THE TRAVELLING PALACE OF SOUTHERN SUNG IN KOWLOON A lecture delivered on September 26, 1966 JEN YU-WEN (KAN YAU-MAN) I am honoured by being invited to talk to you on a subject which deals with a very important episode in the local history of Hong Kong and Kowloon. In recent years I have done some exhaustive research work on this subject and I am glad to have this opportunity to share with you whatever little knowledge I have gained. It is recorded in several Chinese historical books2 that Emperor Tuan Tsung of Southern Sung (宋端宗) arrived at Kuan-fu (官富) in the spring of A.D. 1277. According to Ta-Ch'ing I-t'ung Chi (大清一統志) "There were over thirty travelling palaces of (Southern) Sung, and four of them can be located now. One of them was Kuan-fu Ch'ang". The problems confronting us now are: Where exactly was Kuan-fu Ch'ang? Why and how did the Sung Emperor go there? Where is the Travelling Palace to be located now? What other historical relics and sites can be found connected with the royal visit? etc. Before answering these questions, however, you should be acquainted with one of the most pathetic stories in the history of China in order to gain a clear understanding of the historical background. I. THE ROYAL REFUGEES The story begins with the death of the 6th emperor of the Southern Sung Dynasty, Tu Tsung (度宗) in 1274, the 10th year of his reign, in the capital Lin-an (臨安), i.e. Hangchow. He was survived by the Queen Ch'uan (全皇后), a few concubines and four children: three sons and a daughter. The eldest son, Shih (昰), 7 years old, was reared by the concubine Yang (楊淑妃). The second son, Hsien (昱), 4 years old, was reared by Queen Ch'uan. The third son, Ping (昺), also 4 years old, was reared by the concubine Yu (俞淑妃). The daughter, probably ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 22 JEN YU-WEN older than Hsien and Ping, was also reared by Young, being the younger sister of Shih. Hsien, the 2nd son, by virtue of being the offspring of the Queen, was regarded as the legitimate heir to the throne according to Chinese tradition. After being crowned, the boy emperor named his new reign Tê Yu () beginning with the next year (1275). In the first year of Tê Yu (1275), the Mongol army under the premier Pê Yen (16) invaded South China and after many victories marched toward the capital Lin-an in the winter. The imperial court was alarmed and evacuated the Emperor's two brothers and sister under the care of mother Young and their uncles.3 Before departure, the two princes received new titles: I Wang (1) and Kuang Wang (1), respectively. Early in 1276 the royal party left Lin-an in a hurry heading for the south. It was the beginning of an itinerary of constant flight which would last for three full years. Shortly afterwards, Emperor Hsien and the Queen Mother Ch'uan surrendered to the Mongols who subsequently took them to Peking. The Mongol Emperor Kublai Khan gave the dethroned Sung Emperor the new title of Duke of Ying Kuo (). Years later he was forced to become a Buddhist monk, was banished to Mongolia and died in exile there. It was said that his own son, who had been adopted by a Mongolian prince, would eventually become the last emperor of the Yuan (Mongol) Dynasty. The Ex-Queen Mother Ch'uan became a Buddhist nun and died of old age.4 When the capital Lin-an fell, the royal evacuees arrived at Wuchow (##), Chekiang. They continued their flight toward the south. They had to travel on foot for seven days and the two young princes were carried by their uncles on their backs all the way throughout the rough journey. After reaching Wenchow (), a city near the seashore, they stayed for about three months trying to rally loyal supporters there. A few did come, such as a high official Lu Hsiu-fu (✯✯✯) and generals Chang Shih-chieh (*) and Su Liu-i (***) each bringing soldiers along. An army of considerable size was mustered. The Premier Ch'en I-chung (1), who had deserted the court after the Mongols entered Lin-an, also reported his presence at Wenchow, which was his native city. In view of the grave situation created by the capture of the young emperor, which thus ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 24 II. KUAN-FU JEN YU-WEN Where was Kuan-fu Ch'ang? It can be definitely identified with no other place than the eastern side of the Kowloon Peninsula. For several hundred years from Sung to mid-Ch'ing Kuan-fu was the official name of the area, while Kowloon was the vernacular name used by the local people. To avoid confusion, we must carefully differentiate Kuan-fu Ch'ang from Kuan-fu Tsai (stockade), Kuan-fu-shan (mountain) and Kuan-fu hsun-ssu (sub-district). Kuan-fu Ch'ang meant Kuan-fu Field, one of the four salt-producing fields in the Tung-kuan District amongst the thirteen fields of the whole province of Kwantung in the Sung Dynasty. The area of the Field covered not only the entire peninsula but also the nearby islands, including the present Hong Kong. It was under the administration of an office in the stockade called Kuan-fu Tsai, the present so-called Kowloon Walled City. During the last years of the Emperor Tu Tsung (1265-75) the administrator of the field was Yen I-chang of Kaifeng, Honan Province, who had the engraved stone made at North Fu-t'ang in 1274, less than three years before the royal visit to Kuan-fu.6 My interpretation is that the name Kuan-fu has a political and economic meaning: “Kuan" means Tung-kuan District and "fu" means rich. The field was thus christened by officialdom to signify the rich resources of Tung-kuan. Or else, it might signify the riches of the Emperor, for Kuan Chia was a popular term for the emperor. Anyway, it could not be a natural name and it may be inferred from this that the name of Kuan-fu Mountain, which was a long range of mountains with many hills, was adopted from the Kuan-fu Ch'ang and not vice versa. Researches into the Gazetteer of Hsin-an District, the writings of some historians and maps furnished by the Public Works Department of the Hong Kong Government lead to the conclusion that the Kuan-fu Mountain was along the western side of the Kowloon peninsula (see Plate 12). There were a number of hills of various heights inside the area and the highest, the rocky peak west of Ma-tau-wei Road, reaches a height of 405 feet. On the plain and in the valleys at the foot of the hills were separate salt-producing fields. Certainly, there were other such fields all over the Kuan-fu ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 26 JEN YU-WEN out and the local people made facsimiles of the originals and preserved them from generation to generation in order to commemorate the glory of their ancestors. Moreover, in the Dragon Boat Festival (the 5th day of the 5th month) every year since then, they have placed the parasols on the racing boats, called huang-chou1 (Imperial boats). Before the boat race started, the gentry and elders of the villages used to kneel and kow-tow to the royal gifts to pay respect to the Sung Emperor. Sung Hsueh-p'eng says that the custom was perpetuated for many years.10 Less than a month after the landing of the royal party, the Dragon Boat Festival was observed. It can be imagined what a delightful day the boy Emperor Tuan Tsung (Shih) and his small brother Wei Wang (Ping) had in watching the races, along with the Queen Mother and many dignitaries, generals, and ministers, and, of course, the local people who were particularly happy to have such distinguished guests participating in their annual festival. IV. SUNG WONG TOI (Sung Huang Tai-Man) The most important site which furnishes the key to our study of the Kuan-fu Travelling Palace of Southern Sung is a small mound near the seashore, north of Ma-tau-kok. It can be definitely located and is recorded in the Hsin-an Gazetteer, other literature, and maps. Besides, there were three Chinese characters engraved on one of the great rocks there, which many of us have seen with our own eyes. The small mound was called Sacred Hill1 (see map). This name was probably given to it by the Hong Kong Government when it took over the territory in 1858, as no Chinese literature recorded such a name, and even Hong Kong people of the older generation, including Sung Hsueh-p'eng, did not know of it. On the top of the mound were two large rocks, one on the northern side, the other on the southern. The characters Sung Wong Toi1 were engraved on the western face of the northern rock in the Yuan Dynasty, long after the royal party departed from Kowloon and after the Mongols conquered the Southern Sung. The characters were horizontally inscribed, being uniformly 20 inches in width and respectively 26, 22½, and 27 inches in ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g The Travelling Palace of Southern Sung 29 Sung Wong Toi Garden was finally completed in the winter of 1957. Acting upon the suggestion of the Chiu Clansmen's Association, most of whose members are the descendants of the early emperors and princes of the Sung Dynasty, whose family name was Chiu, the Government, with the valuable assistance of the Association, provided two stone tablets commemorating the Sung Wong Toi, one in Chinese and the other in English, on each side of the entrance to the garden. On the 28th December, 1959, a simple and dignified unveiling ceremony was held in the garden. The design and craftsmanship of the tablets are of the first quality. In particular the two dragons, symbolizing two emperors, were beautifully done. It was said that only a very few craftsmen in Hong Kong could have done them and that they should be ranked as one of the Colony's works of art. I had the honour of being asked to compose the Chinese text and to assist in translating it into English. I was also asked to compile and edit a book entitled Sung Wong Toi, A Commemorative Volume which was published in Chinese in 1960 by the Chiu Clansmen's Association. V. A FEW LEGENDS In the text on the tablets above mentioned I stated that there existed a few historical sites connected with Tuan Tsung's stay in Kowloon. They may be of interest to you, in spite of their legendary character, if you are keen to know more of local history. North of the Sung Wong Toi rock it is said that there was a Chin-fu-jen mu (Lady Chin's Tomb). It is recorded in the Hsin-an Gazetteer that the Princess of Tsin Kuo, younger sister of Tuan Tsung, had been drowned nearby, or en route to Kowloon, and that a golden image of her was buried in that tomb. That was why it was called Lady Chin (Gold)'s Tomb. A large stone tablet was erected there with the name Chin-fu-jen engraved on it. I consider this as sheer legend, unsupported as it is by any substantial proof. To the northwest of the hill is the popular Temple of Hou-wang (Hou-wang miao). Ch'en P'ei-t'ao, a famous scholar of Tung-kuan District in late Ch'ing, put out the theory that Yang Liang-chieh, uncle of Tuan Tsung, had died at sea on the way here; was subsequently buried at this spot; that he was posthumously given the title of wang (king); and that the local people built the temple in memory of his loyalty. I have found ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 30 JEN YU-WEN that this legend is also ill-founded, because it has been ascertained that there are at least six other Temples of Hou-wang in Kowloon and the nearby island of Lantau. Moreover, there are other Hou-wang Temples in different districts of Kwangtung, and the images worshipped in them are different deified persons. But the decisive counter-proof of Ch'en's theory is found in a book written by Chou Mi, Kuei-hsin tsa-chi hsü-chi (B), 47a in early Yuan which records that in the last battle between the Sungs and Mongols at Ya-men in 1279, Young Liang-chieh perished at sea with the Emperor Ping (successor of Tuan Tsung) and other generals and ministers.14 Another story tells how Emperor Tuan Tsung occasionally established his court at Yu-hsien-yen on Pê-ho-shan (Lé iao), northwest of Kowloon Tsai. There was a stone that looked like an armchair. Tuan Tsung used to sit on it as his temporary throne. From that time, the stone got the name “The Royal Armchair Stone" (Yu-tso chiao-i shih #PERM ̄ ). This is a more reasonable tradition for a historic event although there is also no proof for it. VI. THE ERH-HUANG-TIEN VILLAGE There was yet another historical site called Erh-huang-tien Village (in Cantonese Yi-wong-tin Two Emperors' Palace Village) which was closely related to the royal visit. Amongst the many old villages listed in the Hsin-an Gazetteer was the name Erh-huang-tien but written in the form, meaning Two Huangs' Store. Ch'en Pê-tao was the first scholar to point out that this was a mistake and should be Two Emperors' Palace. (The Cantonese pronunciations of huang for emperor and huang for yellow are the same, and in Mandarin tien for palace and tien for store are the same. The error in the Gazetteer may be ascribed to intentional alteration of the two characters to avoid political trouble in the Yuan dynasty which exterminated the last two emperors of Southern Sung.) This interpretation is acceptable. A few other writers in modern times in describing the historical sites in Kowloon have likewise confirmed the existence of such a village. It has been generally taken for granted that it was so named because the last two Sung emperors stayed there for some time, or constructed a palace there. Furthermore, the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 36 JEN YU-WEN At the close of Southern Sung, the last two emperors had to flee and seek refuge by the shores of the sea, from where they led a hundred thousand odd officials and soldiers in the noble endeavour to restore the empire. The Kuan-fu area, with the three big characters Sung Wong Toi still remaining, commemorates one of the last portions of Sung territory on which the two emperors stood. Shortly afterwards they met their ultimate defeat and the whole country was lost to a foreign tribe for the first time in China's history. But what we commemorate is not this unfortunate event in our national history; it is the spirit of nationalism and patriotism displayed in the last struggle of the Sung patriots for the recovery of the mother country. The independence and freedom of China had a higher claim to their lives. This unconquerable spirit, expressed in the unceasing revolutionary efforts of the Chinese people to fight against the Mongols ever since the last days of Kuan-fu and Ya-shan, was finally crowned with success in the overthrow of the Yuan Dynasty less than 90 years afterwards. Today, when we pass through the ancient site of the Travelling Palace and look at the Sung Wong Toi monument, we see the symbol of this same spirit, which is the essential quality necessary for the survival of any nation on earth. NOTES 1 This lecture is a condensation of my Chinese article Sung Kuan-fu Hsing-kung K'ou (†‡3hB) published in the Continent Magazine († A), Taiwan, September, 1966. 2 Such as Ch'en Chung-wei, Erh-Wang Pen-mo (RR#i, =±**), Shu Mou-kuan, Hsin-an Hsien-chih (Chia-ch'ing), Gazetteer of Hsin-an District (**T. ** **BA), K'o Wei-ch'i, Sung-shih Hsin-pien (MM. ER #), Chang Hsu, Ya-shan Chih (HM, AJA), Nan Sung Shu (ET). * Mother Yu was never again mentioned in historical records; probably she had died. 4 For references, details and discussions on the royal itinerary from beginning to end, see my treatise Sung-mo erh-ti nan-ch'ien nien-lu k'ou (**=*64***) in Sung Wong Toi, a Commemorative Volume (edited and compiled by myself), Hong Kong, 1960, pp. 122-174 (X£b444). 5 It is alleged that there were eight mountain ranges spreading over the peninsula which look like running dragons (lung), and that when the boy Emperor stayed at the place, people pointed out that he himself represented the ninth, as an emperor was commonly believed to be symbolized by a dragon. But the more rational and reasonable interpretation for the origin of the name would be that there are altogether nine mountain ranges spreading over the peninsula. According to Hsi-nan I Chuan (§§ AM) in Hou-han-shu (**後漢書**), the Ai-lao-i (‡‡✯ aboriginal tribe Lao) in Yunnan Province called back “k'ou" and seat "lung". Hence to them, Kowloon meant ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 38 JEN YU-WEN cheung Street (###) and west of the new Shing-tak Street (##). The main entrance to the estate is directly west of the junction of Shing-tak Street and Ma-tau-kok Road. These buildings are constructed on the very site of the Two Emperors' Palace Village (No. 8 in the map). 17 Ibid., p. 108. 18 Ch'en Chung-wei, Erh-Wang pen-mo. 19 See my article, "The Southern Sung Stone-engraving at North Fu-t'ang" in Journal of the Hong Kong Branch, Royal Asiatic Society, Vol. 5 (1965). 20 There has been a different theory, from the Ming Dynasty down to the present, that Kan-chou (A) is a small island commonly called Nau-chou (4) south of Hua-chou (#1) near Kuang-chou-wan, but I do not agree with this. See Sung Wong Toi, a Commemorative Volume, pp. 175-206, 313f., 323-301 for my lengthy discussion and argument with Jao Tsung-i, the present exponent of this theory. See also Jao, op. cit., chuan 5, pp. 51-83 and Lo Hsiang-lin, ★ R★ Hsiang-kang Ch'ien-tai-shih, Hong Kong, Institute of Chinese Culture, 1959, pp. 92-94. [This book has been translated into English and its title is Hong Kong and Its External Communications Before 1842]. Professor Lo's conclusion agrees with mine. Page 45 Page 46 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 116 REV. MR. KRONE . The preceding, are the "Kau-yue", and the "Fan-to". They have nothing to do with the government of the district, but may be called Inspectors of Education. They register the graduates of the district, and present them for examination at the provincial city, and they inspect and superintend the private schools of the villages and towns. The fifth and sixth officials bear the title of "Tsun-lin-tzu", or chief officer of a township. One of them resides in the market-place called Fuk-wing-ak, on the shore of the Hap-lan-hoi. His jurisdiction extends over the whole plain of San-keaou, and comprises 185 villages; 31 only of these are inhabited by the Hak-kas. The other officer resided, when history first makes mention of his office, in the neighbourhood of Kow-loong. Subsequently he transferred his residence to Chik-me, bordering on Deep Bay; but since the first war with England, his chief place of residence has been Kow-loong, except during the autumn of 1854, when his official residence having been burnt by the rebels, he was obliged to reside again at Chik-me. He rules over 492 villages, of which 298 are Pun-ti, and 194 Hak-ka. Each of these two officers has a military force of two soldiers at his disposal. The seventh officer, the lowest in rank, is the "Teen-le" — director of police. He resides with his superior the Che-yuen, and has under his jurisdiction 73 villages (of which only six are Hak-ka), in the immediate neighbourhood of Sanon. Glancing at the names of the mandarins, who, during the present dynasty, have been at the head of affairs in Sanon, we find that among thirty Chi-yuens, four only have been of Manchu extraction, and the rest all Chinese. Of these thirty, we find that, on first starting on their political career, ten held the rank of Tsin-tze-it, six that of Keu-jin-A, and nine that of Seu-tsai of the first degree, whilst the remaining five could only boast the title of Kam-shang, which is the lowest bestowed, and which was probably purchased by them. Among these last there was only one Chinese, the other four being Manchu. The office of Sub-magistrate has seldom been held by a Manchu; most of those who held it were either Seu-tsai or Kam-shang, and received the appointment for good services rendered to the State. No Manchu ever held the office of Kau-yu or Fan-to in this district. The office of Kau-yu - inspector of schools — is ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g A NOTICE OF THE SANON DISTRICT 117 often held by a Keu-jin or a Sew-tsai, whilst a Keu-jin very seldom accepted the office of Fan-to. The chief officers of a town-ship were generally such as had purchased a low rank, and who frequently had been long in the service of high mandarins. Throughout a long list of these officers, only two Man-chu names appear. During the Ming dynasty, graduates, even Seu-tsai, thought it beneath their dignity to accept this office, as they might fairly hope for higher employment; but at present the sale of places has reached so great a height, that even this low office is not bestowed on them gratuitously; and accordingly we find that, as the most learned are not always the most affluent, many meritorious men are lost in obscurity. We must now proceed to cast a glance at the Military Mandarins and their establishments. There are two Ying-pun camps in the district: the one at Nam-tou, the other at Tai-pung. At the former place the force consists of one “Yau-kik”, or Lieutenant-Colonel; one "Shou-pe", or Major; two "Tsing-tsung", or Lieutenants; four “Pa-tsung”, or Sergeants; and five "Ngai-wai", or Corporals. They are in command of 995 soldiers, of whom 20 are cavalry, 293 infantry, and 682 garrison soldiers. The pay of the whole establishment amounts to 14,000 taels per annum, with an allowance of 3,650 piculs of grain, and 15,000 bundles of straw, (principally used as fuel.) Extra emoluments are derived from the Imperial rice-fields, which are cultivated by the soldiers. This force is employed in garrisoning the district town and three forts, one of which is in the neighbourhood of Sanon, and the other two occupy the promontories of the bay of Chik-wan. It has also to supply men for twenty-four guard stations. The three forts above mentioned are ordered to have a garrison of twenty men, and to mount six guns each. I have visited these three places, but found neither guns nor soldiers, and the places themselves showed no signs of fortification, save a dilapidated wall. The guard stations should be furnished with from two to six soldiers each; they are scattered over the whole western part of the country, and are intended to serve as a check against the frequent highway robberies. I never found one of these stations ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 128 REV. MR. KRONE rank among the Seu-tsai, twenty of the senior bearing the title of Nam-shang. These Nam-shang have a small pension from Government, and receive some fees from the aspirants to the examination at Canton, who have to procure from them a certificate in reference to their character and acquirements. There are only four Keu-jin in the district; these are all Puntis, and from its western part. They are all engaged in teaching. There is only one individual in the district who possesses the degree Tsin-tze +, the famous Chan-kwei-chik of Sha-tsing. This man held office in Peking, but was obliged to retire on account of the decease of his parents. One of his parents dying just as the time of mourning for the other had expired, his exclusion from office was protracted to the term of six years. During this period he led rather an indolent life, occasionally engaging in the healing art; but he was never much known till the time when the differences between the British and the Canton authorities commenced in 1856. He then offered his services to the Governor General, promising to inflict severe injuries on the British. To effect this, he organised a force of village braves, and endeavoured to stop the supply of provisions to Hongkong. The district magistrate was not at all pleased with the ascendancy of this man, and in several instances showed his dissatisfaction and disapprobation of Chan-kwei-chik's plans. The latter, however, having been invested with dictatorial powers by the Viceroy, exercised them according to his own discretion, and cared nothing for the approbation of the district magistrate, who was at this time his inferior. The measures which he adopted were however unpalatable to the people, who rose against him in the district city, and forced him to retire to his native place. It is said that he also got into the bad graces of the Viceroy, who accused him of having squandered public money, and drawn large sums without effecting anything against the enemy. Chan-kwei-chik is still in retirement in Sha-tsing, and amuses himself by playing on the seraphim which he stole from Mr. Genähr's house in Sai-heong. No natives of the Sanon district at present hold any high office in other provinces. Since the commencement of the present dynasty (1644), six natives of this province have obtained the degree of Tsin-tze, and 54 that of Keu-jin. Page 135 Page 136 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g A NOTICE OF THE SANON DISTRICT 129 In the superior grades of the military, the natives of this district did not show at all well during the first two centuries of this dynasty, for during this time they could boast of only two military Tsin-tze, and twenty-four military Keu-jins. Forty years ago a more military spirit seems to have arisen amongst them, and the examinations for military degrees have been better attended. At each military examination at Canton, the same number, ten, of military as of civil Seu-tsai, are chosen from the students of Sanon, and in the same proportion from the two races, viz., eight Puntis to two Hak-kas. At present there is in the district only one man holding the degree of "Mo-tsin-tze", Military Tsin-tze, and about twelve of the degree of "Mo-keu-jin". The first is an octogenarian, and lives in his native place, Kap-shui-hou. He has never held any office, and has been chiefly engaged in training pupils for the examination; he is a good-natured man, and is amicably disposed towards foreigners; one of his sons has the degree of Mo-keu-jin. The village of Sheang-tsun, between Namtow and Sai-heong, is particularly noted for producing military graduates. The highest military mandarin which Sanon can at present boast, is a Chau-toi, or Brigadier; he is a native of Kap-shui-hau, and serves against the rebels. Inferior ranks up to that of Colonel are held by some natives of the district, who have attained these distinctions by meritorious service, and not by examination. A native of San-keaou was stationed in one of the Bogue forts during the first war with the English; he distinguished himself much by his bravery, and was in consequence rapidly promoted to the rank of Colonel. Three years ago he fell at Canton in an engagement with the rebels. Through this officer many natives of San-keaou were induced to enter the service at Foo-mun, and some of them were promoted to inferior ranks. We proceed to notice some of the most important Places and Edifices of the district. It is to be remarked, that the district of Sanon, like the empire of China in general, cannot boast much of its architecture. Mention has already been made of the four walled cities, and of the small insignificant forts. The most important place in the district is the city of Sanon. It is built on a hill about eighty feet high, is of a quadrangular form, and contains about 8,000 inhabitants within its walls. The walls are ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 152 NOTES AND QUERIES A CANNON FROM THE END OF THE MING PERIOD Your Honorary Editor has suggested that I write a short piece about the cannon recently found near the Sino-British frontier about twenty miles from Kowloon. I do so with some hesitation, as I have not seen the piece and it has probably already received some attention, including a translation of the inscription. Nonetheless here is my rendering of the latter: "Weight: 300 catties. Constructed on the 26th September 1650 by the following: Wu, Superintendent of Inland Seas, Chief Military Commissioner, installed (?) as Ting-hai General, Tu, Governor General of Kwangtung and Kwangsi, by imperial order. Fan, Regional Commander of Kwangtung and guardian of the imperial heir (?), Hsiao Li-jen, Local Commander of military operations, Su, Chief of bureau (?), Chief of military commission.”2 It is of some interest to note that the names of Tu, Fan, and Hsiao Li-jen appear also on the inscription of the cannon dated June/July 1650, found in Kowloon Bay in 1956.3 So far I have not been able to identify any of these individuals, especially since four of the five are listed by their hsing only. Doubtless they would all have owed their appointments to one or other of the Ming princes who were trying to uphold the authority of the tottering dynasty. One of these was Chu I-hai (Prince of Lu), then with headquarters at Chusan, captured by the Manchus on October 15, 1651. Another and more likely one was Chu Yu-lang (Prince of Kuei) who at this date held his court on boats at Wu-chou. Canton, after a siege of eight months, was taken by the Ch'ing forces on November 20, 1650. These, as may be imagined, were parlous days for the house of Ming. Not alone for the surviving members of the imperial family, but also for the local population and the foreigners in their midst.4 One may surmise that the casting of cannon in the summer and early autumn of 1650 was a singularly difficult and hazardous one. But cannon and their casting were well known to the Chinese in this and earlier times. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 156 NOTES AND QUERIES ADDITIONAL NOTE to the above, kindly supplied by Professor LO Hsiang-lin, Professor of Chinese, University of Hong Kong, at Professor Goodrich's suggestion and the Hon. Editor's request. Professor Lo writes: “I am pleased to provide a note on Tu, Fan and the Superintendent of Inland Seas, Chief military commissioner, installed as Ting-hai General. I regret that I have not been able to identify the other two persons, namely Hsiao Li-jen and Su. Tu, Fan and the Superintendent of Inland Seas also appeared on the inscription of the cannon constructed in June 1650, discovered in 1956, for which I have written a short treatise entitled "Researches on a Cannon made in the Fourth Year of the Yung-li Period of the Southern Ming (1650 A.D.), in Hong Kong”, (in Chinese) Ta-hsüeh Sheng-huo★ Vol. II, No. 10 (January 1957). For detailed information the reader may refer to my treatise on the cannon discovered earlier. TU, GOVERNOR-GENERAL OF KWANGTUNG AND KWANGSI ✯t, who re- 1648 and offered Tu can be identified as Tu Yung-ho † †¤, a follower of the Governor of Kwangtung. Li Cheng-tung volted against the Ch'ing dynasty in Canton in his allegiance to the Emperor Yung-li (Chu Yu-lang *. formerly prince of Kuei) of the Southern Ming dynasty. When Li Cheng-tung died in the following year, the Ming emperor appointed Tu as Governor-General of Kwangtung and Kwangsi with his head-office at Canton. Thereupon Tu took up the responsibility of leading his men in their fight against the army and fleet sent by the Ch'ing government to crush the revolt. The Ch'ing general Shang K'o-hsi laid siege to Canton in February of the fourth year of Yung-li (1650). To check the enemy's advance, Tu used the two forts built by Li Ch'eng-tung which stretched out into the sea outside the city of Canton. However an officer under Tu conspired with the Ch'ing army and assisted the latter to land on December 2nd. The forts fell into the hands of the Ch'ing army and the city met the same fate. Tu and his fleet consisting of several hundred vessels made their escape through the sea route and headed for Kiungchow ] (the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1968 https://digitalrepository.lib.hku.hk/catalog/66833948d 67 FURTHER NOTES ON THE SUNG WONG T'OI W. SCHOFIELD* The very interesting paper by Professor Lo Hsiang-lin on the Sung Wong T'oi and the travelling courts of the Sung Dynasty, in Volume III No. 2 of the Journal of Oriental Studies,† and the partial wrecking of the historic site by the Japanese in the war,‡ have prompted the writer to put on record some notes made during the years 1918 and 1937 on the earthworks, inscriptions and relics found by him on and near the site, which may help to supplement Professor Lo's paper. In what follows the hill is described as it was in 1937, as the writer has not seen it since 1938. It is a crescent-shaped hill, convex towards the east, where it rises steeply from the beach to a height of nearly 40 metres. It commands a good view of the south slope of the Kowloon hills and the plain beneath, the east half of the harbour, and of Lyemun channel and the west end of the Fat Tau Mun channel beyond, except for a few hundred metres at its north side by Slope Island (see Plate 5). A watch-tower on its summit would provide an observation post well over 40 metres above sea level. The concave side, on which lies the main path to the top, is terraced for cultivation up to 15 or 20 metres. The objects investigated on and near the hill can be classed in three categories, earthworks, inscriptions, and pottery and other objects, and will be dealt with in that order. The Earthworks (see sketch plan at Plate 3) There are signs that the hill was formerly fortified. On its top from the south end above the 20 metre contour as far as the great inscribed rock on the summit, there is a gentle rise from which the ground falls away steeply to the east, and rather less so to the west and south. At the south end of the ridge traces of a bank at the edge appear to form a rough semicircle, presumably as a flank defence, for a clearly defined earth bank about a metre high by three or four wide at the base runs northward from it nearly straight along the centre of the hill crest to a point near the south- *See biographical note at the end of this article. † Published by the Hong Kong University Press, May 1958. [See also Mr. Jen Yu-wen's article "The Travelling Palace of Southern Sung in Kowloon" in JHKBRAS, Vol. 7, 1967, pp. 21-38. Ed.] Mr. Schofield writes in the present tense, Unfortunately the hill has now disappeared completely, what was left by the Japanese being removed for the airport extension about 1958. Ed. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1968 https://digitalrepository.lib.hku.hk/catalog/66833948d 112 STEPHEN UHALLEY, JR. a table." In case one might raise the question of the Mongol experience, as perhaps a singular exception, Sun elsewhere explicitly affirmed that they too were absorbed by the Chinese, thanks to the fact that "the character of the Chinese race was higher than that of other races." In making this point Sun incidentally raises a further historical question when he says that the Ming dynasty "fell twice" to the Manchus.* Of course, one might surmise that some of Sun's historical distortions are generalizations intended for forensic effect. The exaggerated assimilation concept may be in this category, as well as such claims as "Everyone in China, beginning with emperors and kings, and ending with the common people, even robbers and pirates, all have been able to value and delight in literature as an art."5 6 But such observations by Sun, as well as the stress on China's erstwhile moral power for absorption, are also part of a more general idealized appreciation of the past in which history and mythology blend indistinguishably together. As a matter of fact, history seems to be, for Sun, an almost dimensionless pastiche to which reference might be made indiscriminately. Thus the manifold allusions to the legendary emperors and to other historical personalities and folk heroes, without the slightest demonstrated concern for accuracy or authenticity. The "Emperor Fu-Shi" wrote the "Eight Diagrams," thus initiating the Chinese written language. Of all the emperors throughout Chinese history only “Yao, Shun, Yu, T'ang, Wen Wang and Wu Wang" were the ones "who shouldered the responsibility of government for the welfare and happiness of the people." The statement "you have all read a good deal of Chinese history; I am sure almost everyone here has read particularly The Story of the Three Kingdoms," with striking ingenuousness prefaces a brief story illustrating Chu-kuo Liang's "splendid character," but neglects to suggest the difference between evidence provided by historical documentation and the imaginative renditions of fictional literature. Recounting the contributions of the legendary figures of Sui Jen Shih, Shen Nung, Hsien Yuan and Yu Ch'ao Shih, respectively the alleged inventors of cooking, medicine, clothing and housing. Sun declared: "So in Chinese history we find not only those could fight becoming king; anyone with marked ability, who had made new discoveries or who had achieved great things for mankind, could become king and organize the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1970 https://digitalrepository.lib.hku.hk/catalog/ww72j0241 22 L. CARRINGTON GOODRICH Library of Peiping reported on its copy of the local history of Shao-hsing-fu, Chekiang (YLTT ch. 7963). One must also mention the excellent use made by Professor Jao Tsung-i of chüan 11,907 (preserved in Peking) in his article on "Some place-names in the South Seas in the Yung-lo ta-tien."8 Finally, because everyone is interested in Marco Polo and the authenticity of his record of travel, let us mention the discovery in chüan 19,418 of the YLTT by two Chinese scholars of the names of the three envoys from the Mongol court of Persia who were dispatched in 1290 to Kubilai in Cambaluc to convey the Lady Kukachin (Marco's Cocachin) to Tabriz to become the bride of Argon. Their names, rendered in Chinese transcription, correspond fairly closely with those preserved in Marco's account. His name and the names of his father and uncle, unfortunately, were not considered of sufficient importance to receive mention. Hopefully we may expect more enlightenment on China's past as these rare volumes are further explored. NOTES 1 For example, Leonard Aurousseau in Bull. de l'Ecole Française d'Extrême-Orient XII: 9 (1912), and both Walter Swingle and Arthur W. Hummel in Reports of the Library of Congress, 1922-23, 1935-36, 1940, etc. 2 Wang Chung-min1 has recently identified 246 of these individuals, including the three principals, in an article entitled "Yung-lo ta-tien tsuan-hsiu jen k'ao,”†^#, Wên-shih★★ 4 (June 1965), 17 ff. (Mrs. Lienche Tu Fang kindly drew this to my attention.) 3 Bull. de l'Ecole Française d'Extrême-Orient IX (1909), 828, n.3. 4 Communication to the author, dated 15th Oct., 1969, from the curator, D. Zichy. 5 I owe this to Mrs. Delano Young (née Yang Chin-yi) who received the information from a member of the staff of the Library. 6 Extracts of books were distributed under different tone groups. 7 A Study of Chiang-su and Che-chiang gazetteers of the Ming Dynasty (Canberra 1969), p. 5. 8 Symposium on Historical, Archaeological and Linguistic Studies of Southern China, South-east Asia, and the Hong Kong Region (Hong Kong 1967), 191-7. 9 Yang Chih-chiu and Ho Yung-chi, "Marco Polo quits China," Harvard Jo. of Asiatic Studies IX (1945), 51. See also Yule-Cordier, The Book of Ser Marco Polo (London 1903), I, p. 32. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1970 https://digitalrepository.lib.hku.hk/catalog/ww72j0241 152 S. F. BALFOUR Their presence in Tongkin and Annam attracted traders from the South Seas and from India. The later Han history mentions that in A.D. 132 the towns of Jih Nan farthest south in Annam, Chiu Chên and Chiao Chih were focal points of navigators. "Cattigara" was mentioned by Ptolemy about this time as the port of the Chinese; it has been identified with Chiao Chih or Hanoi. Traders came to it from India and from Yeh T'iao or Java. During the 3rd or 4th century these foreign traders penetrated as far as Canton. But the Chinese did not do more than encourage the foreign traders to come. What coastal trade existed must have been carried on by the aborigines, who were practically unaffected by the Chinese conquest. These aborigines, particularly in the seas between Annam and Canton, turned themselves into pirates and harassed the early western traders to an enormous extent. An independent centre of trade remained in Min Yüeh which was practically untouched by the Chinese until the T'ang dynasty. This centre must have been in touch with the civilised region of Wu, at the Yangtze mouth, and no doubt had contacts further with Japan. Little is known about it, but its importance must have been very great and it was lasting. Even in the Middle Ages Marco Polo referred to South China as Manzi or the Land of the Man-Tzů. In one or two ways the modern Fukienese show traces of contact with Japanese culture in their use of wooden utensils for instance. It is quite likely that the porcelain, especially the glazed type, found in our region was imported from the North East. When the Han dynasty broke up in A.D. 220 the empire they had founded from Canton to Indo-China was disrupted. The garrisoned towns were emptied of troops during the civil wars of the Three Kingdoms period, and right up to the T'ang dynasty the Chinese never regained their imperial hold over the South coast. The region was therefore left to the semi-tutored aborigines and to the foreign traders. There is no evidence at all of any settlement of peasants. The Cantonese language is not an archaic form of Chinese, and some of the eldest sub-dialects, for instance that of T'oi Shan district, do not point to a pre-Tang population. We must therefore recognise a break between the Han and Tang dynasties when the aborigines continued their tribal life and ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r PERSIANS, ARABS AND OTHER NATIONALS IN T’ANG CHINA: THEIR STATUS, ACTIVITIES AND CONTRIBUTIONS CHIU LING-YEONG* The rise of Li Yüan in A.D. 618 marked the beginning of a dynasty which was destined to become a model in later ages. The Chinese were and still are proud to be called T’ang-jen1 because it was this dynasty which extended Chinese territory beyond the Pamirs over the states of the Oxus Valley and even over the upper waters of the Indus in modern Afghanistan. The administrative protectorate of An-hsi (Pacify the West) was set up in the Tarim Basin, paralleling the administrative protectorate of An-nan (Pacify the South), which had been set up earlier in North Vietnam and which eventually gave its name to the whole region of Annam. There were also An-pei (Pacify the North) in Mongolia; and An-tung (Pacify the East) in South Manchuria.2 T'ang Tai-tsung subjugated the Eastern Turks in A.D. 630 and he himself took the title of "Heavenly Khan" of the Turks. After a series of campaigns between A.D. 630 and A.D. 648, the Western Turks also yielded their submission to the T'ang Empire. China by then had embraced nearly the whole of Central Asia: or as Sir Aurel Stein called it, Serindia. These are the glories which have long been inscribed in many Chinese minds. T'ang China enjoyed nearly three hundred kaleidoscopic years. In these three hundred years, envoys, clerics, students, merchants and others from different parts of Asia poured into the main Chinese cities. The greatest envoy to come to T'ang China was perhaps Pērōz, son of King Yazdgard III and scion of the Sasanids.4 With regard to clerics, Indian Buddhists were in abundance. There were also Persian priests of varying faiths: the Magus for whom the Mazdean temple in Ch'ang-an was rebuilt in A.D. 631; the Nestorian, honoured by the erection of a church in A.D. 628; the * Dr. Chiu is Senior Lecturer in Chinese History in the University of Hong Kong. His article "The Debate on National Salvation: Ho Kai versus Tsang Chi-tung" appeared in Volume 11 (1971) of the Journal. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r FIVE ART CATALOGUES 87 same tradition. For instance, Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao of 1682 (60 chüan altogether; 30 for painting and 30 for calligraphy); Ku Fu's P'ing-sheng chuang-kuan of 1692 (10 chüan altogether; 5 for painting and 5 for calligraphy); Wu Shêng's Ta-kuan-lu of 1712 (20 chüan altogether; for painting and calligraphy, 10 chüan each); An Ch'i's Mo-yüan hui-kuan of 1742 (There are mainly 2 chüan; one for painting and the other, calligraphy. However, near the end of this work there appears an additional chüan with simplified descriptions of painting); and finally, Ku Wên-pin's Kuo-yün-lou shu-hua-lu of 1882 (6 chüan for painting and 4 for calligraphy). All these important works on the history of either painting or calligraphy were edited by separating records of painting and calligraphy into two different sections. On the other hand, speaking in general, works in which records of painting and calligraphy were put together as a combined chronicle were far fewer. From the earlier period, only Huang Po-ssu's Tung-kuan-yu-lun (2 chüan, edited in 1147 by the author's son, Huang Nai) and Chou Mi's Yün-yen kuo-yen-lu (4 chüan, edited probably around 1291) may be regarded as representative works in this line during the Sung and the Yüan. However, during the Ming and the Ch'ing periods, works in this line were innumerable. During the Ming period the most important were: Chu Ts'un-li's (1444-1513) San-hu-mu-nan (8 chüan); Tu Mu's (1458-1525) Yü-i-pien (only 1 chüan); Wên Chia's (1501-1583) Ch'in-shan-r'ang shu-hua-chi (1 chüan, edited in 1565); Chu Chih-ch'ih's Ao-an shu-hua-mu (1 chüan); Sun Feng's Shu-hua-ch'ao (1 chüan); Chen Chi-ju's (1558-1639) Ni-ku-lu (4 chüan); Tung Ch'i-ch'ang's (1555-1636) Hua-chan-shih sui-pi (4 chüan); and Li Jih-hua's (1565-1635) Wei-sui-hsüan jih-chi (compiled in 1616). In all these works, the records of painting and calligraphy of various dynasties were combined, forming one chronicle. This type of books became even more numerous during the Ch'ing dynasty. Those completed in early Ch'ing were Sun Chêng-che's (1592-1676) Kêng-tzŭ hsiao-hsia-chi (8 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r FIVE ART CATALOGUES 101 phies listed in the table of contents can be located in the text of their corresponding chüan. According to the table of contents in this catalogue, chüan 5 should include 46 items of painting and calligraphy.* Yet, the text in chüan 5 only includes the entries of 36 items. The last ten items listed in the table of contents have been left out, i.e. 1. Sung and Yüan artists 2. Chi Jan Sung dynasty 3. Shen Chou Ming dynasty landscape album landscape hanging scroll Ch'ih-pi-t'u, handscroll 4. Hsieh Shih-ch'ên #, landscape album Ming dynasty 5. Ni Hung-pao **, painting album Ming dynasty 6. Li Yü-ming £, calligraphy album in regular style Ming dynasty (?) 7. Jen-wu mao-shih t'u £# 圖卷 handscroll 8. Hsing Tzu-yüan *, hanging scroll of rocks Ming dynasty 9. Yün Nan-tien, Ch'ing dynasty 10. Ch'ien Hsi-pai Sung dynasty hanging scroll of peonies Ch'ing-chieh-t'u ***, handscroll The supplement of this catalogue is divided into two chüan. According to the list of contents, chüan 2 consists of 74 items of painting and calligraphy.† However the text only records up to the 62nd item, i.e. Li Chien's landscape hanging scroll. Starting from the 63rd item, the last 12 items have been left out. These are: 1. Wang Hui £* hanging scroll executed in the style of Wang Meng *Each album is tentatively regarded as one item here. †Each album is again tentatively regarded as one item here. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 106 CHUANG SHEN Besides, in the table of contents of chüan 4 of T’êng-hua-t'ing shu-hua-pa, the 126th item is recorded as a landscape executed by Fang Hsün-yüan. Although there were quite a large number of artists in the Ch'ing dynasty, there was no one whose surname was Fang19. However, during the period between the Yung Chêng era and the beginning of the Chien Lung era, there was an artist by the name of Fang Shih-shu ✯±✯ (1692-1751) who was a native of An Hui and yet lived in Yang Chou. The literary name of Fang Shih-shu is Hsün-yüan20 #✡. Since in T'êng-hua-t'ing shu-hua-pa, it was Liang T'ing-nan's practice to designate all artists by their literary names and not their real names, therefore this unidentifiable Fang Hsün-yüan is very likely a name mistaken for Fang Hsün-yüan. If this assumption is correct, then Liang T'ing-nan had not only recorded incorrectly the literary name of this An Hui artist, but also mistaken his real name. Such an inexcusable mistake is again due to carelessness in proof-reading. C. Chronological Mistakes I have not thoroughly investigated the number of chronological mistakes in the art catalogues of the Kwangtung collectors. However, this kind of error can at least be discovered in Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi. It should be noted here that Wu Yung-kuang had left two most important documentary records. One was the Li-tai ming-jen nien-p'u in 10 chuan, compiled in the 23rd year of the Tao Kuang era (1843) which was the year of his death. The other was Hsin-ch'ou hsiao-hsia-chi in 5 chuan, which, though printed a little earlier than the Li-tai ming-jen nien-p'u (in the 21st year of the Tao Kuang era, 1841), was in fact completed two years before his death. In other words, the two most important works of Wu Yung-kuang were both completed during the last three years of his life. Unfortunately, there are certain mistakes in both works. As early as ten years ago, the chronological mistakes in the Li-tai ming-jen nien-p'u have already been pointed out by experts21. It is also regrettable that in his Hsin-ch'ou hsiao-hsia-chi, he had committed some other curious chronological mistakes. On page 4 of chüan 4, there is recorded Wu Yung-kuang's own colophon inscribed on Ch'ien Hsüan's Li-hua-chüan #4, which reads, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r FIVE ART CATALOGUES 109 9 In chuan 4 of Hsin-ch'ou hsiao-hsia-chi pp. 22b-33a, after entering Ni Tsan's Yu-po-t'an-hua-t'u and inscriptions and recording the three colophons written by Tung Ch'i-ch'ang and emperor Chien Lung, Wu Yung-kuang's own colophon follows, beginning thus, This painting agrees with the one recorded in Wu's Ta-kuan-lu 4. It was after this painting had been dispersed from Chiêng Chi-pa's collection that Wu Tzu-min came across it. Soon it was acquired by the imperial household..... In saying that "this painting agrees with the one recorded in Wu's Ta-kuan-lu”, it is apparent that Wu Yung-kuang must have used Wu Sheng's Ta-kuan-lu in order to make a comparison between the inscriptions recorded in this catalogue and those appeared on the painting. 10 See Hsin-chou hsiao-hsia-chi chuan 5, p. 54b. 11 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 23a. 12 Ibid chuan 5, p. 54b. 13 See Ping-sheng chuang-kuan chuan 3, p. 20; published in Shanghai, 1962. 14 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 39a. 15 Refer to footnote 10. 16 An Ch'i's description of Yü-tung hsien-yüan-t'u can be found in Mo-ylian hui-kuan chuan 3. However he recorded it as Tao-yuan hsien-ching-t'u, which is somewhat different from that recorded by Wu Yung-kuang. 17 See Pien Yung-yu's Shih-ku-t'ang hua-k'ao chuan 37. The edition used here is a photo copy of this catalogue in the collection of Mr. Chiang's Mi-chün-lou, made by Ying-yin chien-ku shu-she of the Cheng Chung Book Co., Taiwan in 1958, p. 4966. (The Chêng Chung Book Co. shows its ignorance in combining two pages of the original book into one page, and instead of following the original page number, gives each page a new number). 18 The titles of these three scrolls of painting can be found in T'êng-hua-t'ing shu-hua-pa chuan 1, which are: Pai-l'ou an-ch'un tu p. 35b; Hua-kuo-r'u, p. 36a; Lan-hua-t'u, p. 36b. 19 Among the documents that were completed in the Ch'ing dynasty and mainly dealt with biographies or names of the Ch'ing painters, the following are, in general, regarded as the most important: (1) Chang Kêng's Kuo-ch'ao-hua-chêng-lu in 3 chuan, supplement in 2 chuan. According to his own preface, this book was completed in the 13th year of the Yung Chêng era (1734). (2) P'êng Yün-ts'an's (1780-1840) Hun-shih hui-chüan 史棠傳 in 70 chuan and appendix in 2 chuan. (3) Fêng Chin's Li-tai hua-chia hsing-shih pien-lan in 7 chuan, published in the 6th year of the Tao Kuang era (1826). (4) Lu Chün's Sung Yüan i-lai hua-jen hsing-shih-lu in 37 chuan. The preface written by Tang Chin-ch'ao is dated in the 10th year of the Tao Kuang era (1830). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r LEGENDS & STORIES OF THE NEW TERRITORIES: KAM TIN 127 ) 3rd year of T'ong (統) dynasty, by a Buddhist priest named Yuen Chong (圓聰) in the Ts'z Yun monastery (慈雲寺) in Ch'eung On (昌安) city, Shensi (陝西) province, near the Great Wall. This monastery had been built about fifty years previously by the Emperor T'ong Ko Tsung (唐玄宗) for his mother. When the pagoda was being built a wild goose flew against it and was killed, and the monks buried the bird underneath the pagoda and in this way it received its name. It became the custom ever since Shan Lung (神龍) years A.D. 705 & 706 of T'ong dynasty for the Emperor to give a banquet in the monastery called the Kuk Kong Yin (曲江宴) “winding river banquet,” to all the new "Tsun Sz” (進士). Their names were carved on a stone tablet in the pagoda, and it became customary to use the expression “Ngaan T'aap T'ai Ming (雁塔題名) when congratulating successful candidates for the highest government examination. In Tang Lam's time the Tung Kwun people wished to have their own Ngaan Taap pagoda, and Tang Lam provided the money for them to do it. It was built some time during the ten years of Shun Yau (淳祐) A.D. 1241-1251 of Sung dynasty, and it was repaired in the 40th year of Shung Ching (崇禎) A.D. 1637 of Ming dynasty by a Tung Kwun "Tsun Sz” named Kwok Kau Ting (郭九錠). Lam's grave is still to be found in Hon Yee Haang (巷義行) in Tung Kwun district. The children of the four sons of Tang Tsz Ming seem to have left Kam T'in, and their descendants founded families in other villages. Those of Lam are to be found in the village of Lung Kwat Tau (龍骨頭) near Fanling (粉嶺); those of Waai still live in Tai Po Tau (大埔頭) near Tai Po market and Lai Tung (黎洞) near Sha Tau Kok (沙頭角), while Kei's descendants settled in Tung Kwun. But the great grandson of Tsz came back to Kam T'in. His name was Shau Tso (秀祖), he held the military rank of Chung Mo Kau Wai (忠武校尉) and in the Yuen (元) dynasty A.D. 1277 he received the honour of Hin Mo Tsueng Kwan (顯武將軍). He had two great-grandsons, brothers, named Hung Yee (鴻義) and Hung Chi (鴻志). The latter was a son-in-law of Hoh Tik (何狄) the younger brother of Hoh Chan (何真) who ruled Kwangtung (廣東) and Kwangsi (廣西) provinces at the end of the Yuen dynasty. When the Ming dynasty started Hoh Chan gave up his territory to the first Emperor, but later on he became involved in the case of General Leung Kwok Kung (梁國公) Laam Yuk (濫獄)... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 118 JAMES HAYES to play havoc in it. The Japanese wo-jen had been particularly active. In 1571 the small walled town of Tai Pang on Mirs Bay in the northeast of the district had sustained a siege of over forty days by Japanese pirates equipped with scaling ladders.1 The district gazetteer gives an account of the troubled times at the end of the Ming period, which brought much misery and suffering to the people of the district, since famine accompanied the disturbances.2 These disorders lasted for a considerable time. It is reported that Tai Pang was held for nine years against all comers by a band of soldiers.3 The clan record of the Tsui family of Shek Pik contains a vivid account of the disasters of the time, as it affected their relatives and friends in their old home near Tung-kuan city which was the centre of an unsuccessful revolt against the new dynasty. These disturbances extended to the present New Territories. A former officer of the Ming, Li Man-wing, held this area on his own account between 1647 and his surrender to the new dynasty in 1656, and the walls and moats of the principal villages of the Tang clan in the New Territories are said to date from this time. The land presented a pitiable sight in these years: there was much burning and pillaging and many of the inhabitants fled. During this time, it was said, "The ground was covered with bones, in the day time nothing could be heard but the hum of flies, and at night the voice of weeping." The evacuation of the coast in the early years of the K'ang Hsi reign between 1662-1669 followed soon after these prolonged miseries and had a profound effect on the lives of the population and on the pattern of future settlement. Under instructions from Peking, the provincial authorities required the evacuation of the coastal areas of Kwangtung. The provinces of Shantung, Chekiang, Kiangsu and Fukien were also affected to varying degrees.7 This measure was in accordance with a five-point plan to deal with the pro-Ming ruler of Formosa, Cheng Ch'eng-kung, suggested by one of his former lieutenants 1 IHNHC 13/7. 2 HNHC 13/8-9. 3 HNHC 13/9-10. 4 JHKBRAS, 7 (1967), p. 154. 5 Sung Hok-p'ang in HKN, VIII, No. 2:107-108. 6 ibid, presumably a quotation from the Tang clan's genealogical record. The YCKC has a lengthy entry on the disorders of this troubled time, chuan 4/46-60. 7 Hsieh Kuo Ching, pp. 585-593. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d BOOK REVIEWS 329 Chapter VI: Chapter VII: (1577-after 1668), Sheng Mao-yueh (act. 1620-40), Hsiang Sheng-mo (1597-1658), Yün Hsiang (1586-1655) and Shen Hao (act. 1630-50). "The Sung-chiang School: Triumph of a New Theory", under this headline five artists of the Ming Dynasty, Mo Shih-hung (ca. 1540-1587), Tung Ch'i-chang (1555-1636), Ku Shau-yu (act. early 17th century), Li Liu-fang (1575-1629), and Pien Wen-yü (act. 1620-1670) are discussed. "Various Directions of Late Ming: A Mixture of Old and New", this chapter covers Mi Wan-chung (1595-1628), Chang Jui-t'u (1576-1641), and Lan Yü (1585-1664). Chapter VIII: "The Orthodox Masters of Early Ch'ing: The Great Synthesis”, discussions are concentrated on Wu Li (1632-1718), Wang Hui (1632-1717) and Wang Yuan-ch'i (1642-1715). Chapter IX: Chapter X: Chapter XI: Chapter XII: "The Lou-tung School: Homage to Wang Yuan-ch'i", in this chapter the Lou-tung school artists are represented by Huang Ting (1660-1730), Chang Tsung-ts'ang (1686-still alive in 1755) and Wang Ch'en (1720-1797). "The Yu-shan School: Homage to Wang Hui”, in this chapter, Chiao Ping-chen (act. 1680-1720), Wang Chiu (act. later 18th century) and Prince Yung-jung (1744-1790) are taken as being representatives of this School, "The Anhwei School: Transformation of the Ni Tsan Tradition", four early Ch'ing artists: Hsiao Yün-ts'ung (1596-1673), Yao Sung (1648-after 1717), Hung-jen (1610-1663), and Mei Ch'ing (1623-1697) are discussed in this chapter. "Monks and Hermits: A silent Revolution”, another four early Ch'ing artists; K’un-ts'an (b. 1612-ca. 1673), Kung Hsien (b. 1617-1618, d. 1689), Chu Ta (1626-ca. 1705), and Tao-chi (b. 1641-d. before 1720), are discussed under this heading. Chapter XIII: "The Yang-chou School: Haven of the creative mind”, two Yang-chou school artists; Chin Nung (1687-1765) and Huang Shen (1687-1768) are discussed in detail. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 342 BOOK REVIEWS 34 This observation is mainly based on the fact that the first poem from his own collection is entitled "Chin shou-men has shown me a rubbing of the inscription taken from the bronze bells being made for the Ching-lung Monastery during the Tang Dynasty.” 毒門见示所裁唐景龍觀錘髭拓本 In Li E's Fan-hsieh SFC, chuan 1, p. 1 under this poem, the date of its completion is recorded by the combined used of the Chinese cyclical characters: chia-mu which according to Li E's chronology, is to be identified as 1714 (the 53rd year of the Kang-hsi era). 35 Ever since 1963, the Kwang-tung ying-jen chuan, “A Biographical study of the seal-carvers in Kwang-tung", edited by Ma Kuo-chuan, has continuously appeared in the -lin section of Hong Kong's Ta Kung Pao Daily News. His study about Chang Hsiang-ming in particular, appeared in Ta Kung Pao, December 19, 1965. In October 1974 this biographical information was edited and published by the Nan Tung Company in Hong Kong, still entitled Kwang-tung ying-jen chuan. The portion concerning Chang Hsiang-ning is to be seen in this book edition p. 98. 36 This is based on Takikawa Shiteru's colophon being inscribed on Hsiao Yün-ts'ung's painting entitled Li Sao T’u. A full reproduction of this painting has been printed in 1924 in Tokyo by Seigei Omura as one item of his edited Zubon Sosho. In addition, Takikawa's colophon was also quoted by Professor Akiyama Mitsuo in his Sho Sekiboku to Shuzan Koryo zu which appeared as the last article, being collected in the same author's Nihon bijusisu ronko (1943, Tokyo), pp. 413-414. 37 According to Tzu Hai (1967, Taiwan edition), Appendix V (A conversion chart British, Japanese and Metric Lengths), each Japanese feet equals 0.3030 metre. Thus, 40 Japanese feet equal 12.12 metre. On the other hand, since the Drenowaltz handscroll measures 1302 cm; namely, 13.02 metre, the lengths of this painting, now in Switzerland, and the Li Sao Tu, once in Japan, are certainly very close. 38 See Hu I: "Hsiao Yun-ts'ung Nien-p'u” “A Biographical study of Hsiao Yün-ts'ung on A Yearly Basis”, in Mei-shu Yen-chiu (1960, Shanghai), No. 1. 39 For these literary men who were gifted artists as well as members of the Fu She Association, these were, in addition to Hsiao Yün-ts'ung, many others, such as Li Sui-chlu from Kwangtung province, Wan Shou-ch'i (1603-1652), Wu Wei-yeh (1609-1671), Chi Pao-chia (middle 17th century) and Mao Hsiang (1611-1693) from the Kiangsu province, Fang I-chih (1611-1671) from the An-hui province, and Yang Wen-ts’ung (1597-1645) from the Kwei-chou province. These were all example-figures of such a type. 40 Hsiao Yün-ts'ung name is listed in Fu She Hsin-Shih Lu "Records of Members of the Fu-she Association" first volume, p. 7a. This rare book is now owned by the Institute of History and Philology, Academia Sinica at Nankang, Taiwan. 41 Hsieh Kuo-chen: "Nan-ming shih-luch" “A Brief History of the Southern Ming Period" (1957, Shanghai), pp. 12-13. 42 S. W. Stephen: Chinese Art, 2 vols. (1904-06, London). 43 Ch'eng Wei: “A primary study on the Origin and Development of Ancient Bird-and-flower paintings" in Wen-wo (1963, Peking), No. 10, p. 22-29. This article probably serves as the only research on the history of Chinese painting by using one single painting collection as its basis. Yet unlike the work done by Professor Li ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q ETHNICITY IN A HOUSING ESTATE IN HONG KONG 63 I studied Village 10 is a central point on the map. It is 8 li (Chinese mile, about one third of a western mile) from this village to Village 6 on the ocean; 10 li to Village 12; 20 li to Village 15; and 80 li to Village 17. It is 60 li from Village 1 to the town of Kap Jib and 60 li from Village 14 to the town of Luk Fung. These distances are only approximate in that they were supplied by informants. The entire area is very small and densely populated. Many of these former villagers had friends and relatives in nearby villages and had traveled throughout the area under consideration. The historical origins of Teochiu and Hoi Luk Fung, changes in administrative structure in the area and relationships between border villages are discussed in the following section. Historical Origins and Relationships Histories of districts and prefectures in China are confusing, given the many changes in administrative boundaries and names. This article will not be concerned with the overall history of Teochiu nor with the frequent changes in boundaries. The historical origins of the Teochiu people will be briefly outlined as well as the establishment of and administrative changes in Hui Lai, Hoi Fung and Luk Fung districts. The histories of these districts are relevant to the understanding of social relationships between Teochiu and Hoi Luk Fung living in Hong Kong today. Teochiu are Han Chinese, the major racial group in China, and their language is one of the Southern Min languages (Forrest, 1965). The earliest migration of Han Chinese into the area known today as Teochiu occurred in 214 B.C. after Ch'in Shih Huang conquered Nan Yüeh (✯✯), an area in Southern China, and established the Nan Hai prefecture ( ). These first migrants were some of the 50,000 troops who stayed in southern China to initiate the settlement of the area (Chan, 1974: 120). During the Ch'in Dynasty there were several waves of migration from the Central Plains of the Yellow River southward to Teochiu. From 317 to 581 A.D. larger numbers of Han Chinese migrated into Fukien and as the latter became populated, there was further movement into Teochiu. The latter were led by four large clans (✯ ✯ ✯) which constituted the majority of the migrants (Chan, 1974:122). During this period the downstream areas of the major river system in Teochiu, the Han River, were populated by the original inhabitants of Teochiu, who were not Han Chinese. These people were gra- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q 64 DOUGLAS W. SPARKS dually pushed into the hilly regions further away from the coastal areas and the majority were eventually exterminated or assimilated after a series of rebellions during the seventh and eighth centuries (Chan, 1974:123). In successive dynasties, as southern Fukien became over-populated, there was further extended migration into Teochiu beginning at the end of the T'ang Dynasty and lasting until the 1660's (Chan, 1974:125). There are a few settlements of the original natives of Teochiu that have survived until the present in several of the Teochiu districts (Chiu Chow Chamber of Commerce, 1971:66; personal communication with Jao Tsung-i of The Chinese University of Hong Kong). Hoi Luk Fung was presumably populated during these successive waves of southward migration by groups who moved a short distance beyond the present day boundaries of Teochiu. According to Jao Tsung-i, who has edited and compiled Teochiu local histories or gazetteers, a separate administrative unit was first established in Teochiu in the Ch'in Dynasty (221-209 B.C.) and was a part of the Nan Hai prefecture (☞☞) (Jao, 1965). There then followed a confusing series of boundary and name changes which will not be mentioned here. The name Teochiu first appeared in 591 A.D.; this name was chosen because it refers to a coastal area where the tides move constantly and the first character of the name () has the literal meaning of “tide” (Chiu Chow Chamber of Commerce, 1971:59). Although there were later name changes this particular name survived into the present. There were also frequent internal boundary changes. To simplify, in 1936 Teochiu was divided into 9 districts, one city and one supervised area (Chan, 1972:93). After 1949 other surrounding districts, including Hoi Luk Fung, were added to the traditional districts to make a larger administrative area, In the late 15th century the town of Hui Lai, three surrounding districts of Teochiu (which was then known as Chiu Yeung, * () and a small subdivision of Hoi Fung were joined together to form the administrative district of Hui Lai (Chiu Kiu, 1975:33; Hui Lai Gazetteer, 1930:80). At that time the village of Kap Jih was part of Hoi Fung and everything 5 li inland from Kap Jih became a part of Hui Lai and the villages and towns along the banks of the river running into Kap Jih became part of Hui Lai (Hui Lai Gazetteer, 1930:59). This new district contained 160 square miles. The district was established as a result of a petition from a local official stating ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q ETHNICITY IN A HOUSING ESTATE IN HONG KONG 65 that the area was far from administrative centers, was very hilly and a refuge for bandits. The local people were described as rough, uneducated and rebellious. It was suggested that another administrative unit be established in the area to suppress bandits and establish schools in order to civilize the inhabitants (Hui Lai Gazetteer, 1930:81). Prior to the establishment of this separate district (the local administrative unit at that time being #), the area that was to become Hui Lai was part of the administrative unit of Hoi Fung. The latter first appeared as an administrative unit in 627 A.D.; prior to that Hoi Fung had been a part of Nan Hai (✯✯) and later administrative units in southern China (Hoi Fung Gazetteer, pp. 11-12). In 1142 Hoi Fung was combined with surrounding units to form Wai Chow prefecture () (Hoi Fung Gazetteer, pp. 11-12). According to the Hoi Fung Gazetteers, during the Ming Dynasty, in 1524, some of the Wai Chow sub-units were combined to form the district of Hui Lai, leaving Hoi Fung with only 7 districts (Hoi Fung Gazetteer, p. 11). Evidently Hui Lai then became administratively subordinate to Chiu Yeung, as Teochiu was then known. During the Ch’ing Dynasty, in 1731 Hoi Fung was divided into two units, Luk Fung and Hoi Fung, which remained a part of the larger unit of Wai Chow (Hoi Fung Gazetteer, p. 11). Prior to the establishment of Luk Fung, Kap Jih had always been a part of Hoi Fung and in 1731 when Luk Fung was separated from the rest of Hoi Fung, Kap Jih became a part of Luk Fung (Wai Chow Gazetteer, section on the geography of Luk Fung). Kap Jih was originally a small horse changing station for government messengers. It was always a part of Wai Chow Fu (AF), and except for one brief period, was never a part of Teochiu. From 1914 to 1921 Wai Chow, including Kap Jih and Hoi Luk Fung, were combined with Teochiu into a larger administrative unit containing 25 districts (personal communication from Jao Tsung-i, October, 1976). After 1921 this larger unit was disbanded, and Kap Jih and adjacent Hui Lai villages became parts of different administrative units, as had traditionally been the case after the early 1500's. This brief administrative history, although confusing to follow, is important in indicating the following points: (1) The district of Hui Lai was a part of Hoi Fung until about 1500, a fact which is virtually unknown to Teochiu in the housing estate who think that Hui Lai has always been a part of Teochiu. Aside from indicating ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q NOTES ON FRIENDS AND RELATIVES OF TAIPING LEADERS 129 movement in China illustrate the impact of the Christian aspect of the Taiping ideology had on individuals connected with it in a peripheral way. The Taiping rebellion upset the even tenor of their former village life. They became refugees. Most had an objective, however: they wished to join their former village clansmen and neighbours at the Taiping capital, Nanking. A few were successful; more, perhaps, were not. Having been previously influenced by the confused Christian ideas as promulgated by Hung Hsiu-ch'uan and Feng Yün-shan during the period before the outbreak of open hostilities between the Imperial forces and the Taiping revolutionaries, it was natural for them to seek out the missionaries for assistance and employment and also to be receptive to more thorough training in the Christian faith. The missionaries welcomed them as a means of relating to the Taiping movement with its promise of establishing a new dynasty on Christian principles. The promise was never realized and the missionaries eventually were disillusioned, but not before forming close relations with these refugees, some of whom became valuable assistants and contributed to the growth of the Chinese Christian Church. The Taiping Kingdom had within it, from the Christian point of view, the seeds of a transformation of China, but the end result was largely disastrous for China, and its fall left behind those who had dreamed of a glory that had passed them by. Some, as this article suggests, adjusted to a life devoted to the Christian Church, while others went other ways. But the missionaries maintained a nostalgic interest in those who had been closely connected to the leaders of the Taiping movement. NOTES This article first appeared in Ching Feng (*) Quarterly Notes on Christianity and Chinese Religion and Culture, XIX, No. 2, 1976: 105-119, and is reproduced here with permission. Ed. 1 When my sources have not given names in Chinese characters, I have used the romanization of the original manuscript, except for Hung Hsiu-ch'uan, Hung Jen-kan and Feng Yün-shan. There are particular difficulties in determining the proper surname for individuals who appear in the sources as Fung. This was the accepted Hakka form of the surname Hung #, but it was also the Cantonese spelling of the surname Fung. 2 Die Evangelischen Heidenboten, Oct., 1854, Letter of Hamberg, dated, May 1854. 3 Ibid., June, 1868, p. 73. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n TWO ESSAYS ON THE CH'ING ECONOMY OF HSIN-AN 67 12 Lockhart lists 255 villages occupied by Hakkas, with a total population of 36,070 in the Tung Lo in 1898. Assuming a population of 250,000 for the total district in 1900, Hsin-An probably had a Hakka population of around 90,000. 13 Rawski's bibliography in Agricultural Change and the Peasant Economy of South China offers the most complete listing of works bearing on perpetual tenancy. p. 64. 14 CSO280/04 Extension. See note 4, Essay 2. 15 Hsu T'ien-tai, Fu Chien Wen Hua (福建文化), Vol. 1, No. 1, (1941), 16 Correspondence Respecting Affairs of China, March 1898-September 1900. "Report on the New Territory at Hong Kong," (Presented to both Houses of Parliament, November 1900) p. 19. 17 The Shih Chien T'ang Chia P'u (世鑑堂家譜), a collection of genealogies from Kam Tin, gives the following settlements of lineal descendants in Tung Kuan: Chuh Yuan (竹園), Yen Tien (燕田), Fu Lung (福龍), Huai Te (懷德), Shih Ching (石井), Tu Kao (土高), and Ping Hu (平湖). 18 "These clans gain their local influence, not through numbers alone, but owing to the fact that certain of their numbers have official rank, gained through competitive examinations, or obtained by purchase, which keeps them in touch with the Magistrate and even higher officials." Correspondence Respecting Affairs of China ibid., p. 20. The Shih Chien T'ang Chia P'u records that, from Cheng Hua (Ming Dynasty) to Tao Kwang (Ch'ing Dynasty)—that is, from roughly 1470-1820—fourteen Kam Tin Tangs passed the state examination. Several of these became office holders. Another indicator of gentry connections with officialdom was the construction, in Kam Tin, of a temple (祠堂) dedicated to the two officials (Chou Yu-te (周有德) and Wang Lai-jen (王來任)) who petitioned the Emperor, on behalf of the inhabitants of the coastal areas, to allow resettlement. 19 Introduction to the Nan Yang Tang Shih Tsu P'u (南陽堂世族譜), compiled by the Ping Shan Tangs. 20 Sung Hok-P'ang, in his articles on the Kam Tin Tangs in the Hong Kong Naturalist, claims to have seen references to Tang lands on Hong Kong in the Land Register (土地冊) of Tung Kuan. "One may judge that the land was owned by the Tangs before the first year of Maan Lik, AD 1525, (sic) as after that the San On District was formed” (Vol. VIII, nos. 3 and 4). 21 HKTCSMTC, "Details of Cultivated Land” (耕地詳情). 22 ibid. 23 The landlord clans were often referred to by the British as "first cultivators." See, for instance, CSO3172/1915 cited in the essay on tax-lordism. 24 Correspondence Respecting Affairs in China, ibid., p. 16. 25 Hsin-An Hsien-chih, ch'uan 8. 26 In this regard, note the high degree of correlation among the different "tax-burdens" in Table II. One is tempted to speculate that a native formula for the conversion of rent rates from tax-rates existed. 27 In the 1934 edition of the Chung-Kuo Ch'ing-chi Nien-chien (中國經濟年鑑), chapter 7 (Chinese Tenancy Systems), contains the following description of the Fen Chih Chih (分種制) system, a form of perpetual lease found in the East River counties of the Kwangchow Prefecture: "This ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 MILITARY EDUCATION IN CHINA, 1842-1895 33 The major stumbling block to more pervasive reform was simply the lack of sufficient central government incentive to change, and above all, a fear of upsetting vested interests at all levels of the military. Li Hung-chang himself had such fears, but they might easily have been overcome had the throne given wholehearted support to military reform through financial assistance and other forms of official encouragement, including adequate institutional rewards for the acquisition of new military skills.122 It is true, of course, that state revenues were extremely meager, and that Peking's fears over the threat of foreign interference in Chinese military affairs were not wholly unwarranted.123 But it is also evident that the Manchus, as alien rulers, had no desire to establish a systematic, centralized program of modern military education in China-particularly when it became apparent that Western arms and training could not be confined to the traditional Banner and Green Standard forces. Ironically, had the Manchus undertaken meaningful, centralized reform during the late 1860's and early 1870's, when anti-Manchu sentiment was no longer a political problem and imperialist pressure was minimal, the dynasty might have been able to build a Meiji-style system of military education and dispense with foreign instructors by the early-1890's, as did Japan.124 Instead, the Ch'ing government by stages alienated patriotic Chinese and disappointed the foreign powers by its failure to build a modern, Western-style military force capable of doing more than simply keeping a lid on internal rebellion. Most ironic of all, in seeking foreign talent after the Sino-Japanese War, the Chinese turned to the one-time "dwarf bandits" of Japan, who now began training large numbers of Chinese soldiers in modern military methods both at home and abroad. This new education, and the nationalism that inspired it, had revolutionary consequences. NOTES Abbreviations: CJCC - Chung-Jih chan-cheng CWCK - Ch'ou Wu-chuang-kung i-shu FRUS - Foreign Relations of the United States IWSM - Ch'ou-pan i-wu shih-mo LWCK - Li Wen-chung-kung ch'üan-chi NCH - North-China Herald YWYT - Yang-wu yün-tung ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 WOODBLOCK PRINTING 177 The book burning incident was followed by a great literary activity. Efforts were made to replenish the supply of books by seeking out and reissuing works of classical literature from the time of Confucius (孔子). Writing was no longer restricted to bamboo and wooden slips but was also done on silk cloth, either with a bamboo pen or an animal hair brush. The ink was a black substance obtained from the varnish tree. Later on, silk rags had been cut up into pieces and soaked to form a pasty mass that was then dried and became a sort of paper. Ink was also developed, using lamp-black mixed with glue. Evidence shows that paper made from hemp fibre was used in the period of the Western Han Dynasty (140-87 BC). A knighted court eunuch of Eastern Han, 105 AD, named Cai Lun (蔡伦), developed the use of much cheaper substances like plank bark fibre from paper mulberry and rattan trees as raw material for making paper. But people were still using bamboo or wooden slips and silk cloth for writing. Not until 403 AD was an order issued by the Emperor of Eastern Jin Dynasty that no more bamboo or wooden slips were allowed to be used for writing, except on the occasions when an official was being knighted (册封). As early as the second century (175 AD), the Eastern Han Dynasty impressions are believed to have been made from pages of text cut in flat stones on which the characters were sunk into it. Before that time, textbooks were all handwritten manuscripts and were copied one from another. Errors and missing words usually occurred. In order to standardize all textbooks, the government carved large model stone books and had them erected in public places to show to the people. Classical texts of these Late Han stone engravings contain copies of calligraphic model-writings by the famous calligrapher Cai Yong (蔡邕) and led to the development of a true reproduction process. The in-imprint technique (stone rubbing) improved and eventually was developed into woodblock printing. The development of woodblock printing There is no concrete evidence as to the exact date when woodblock printing was invented. According to literary records, it is a... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 WOODBLOCK PRINTING 181 methods had been much improved and paper became more economical. Many important works were done in this period. “Tou Pan” (ƒ) or multi-colour printing was also invented. Some of their works are well known to us through the painting manual series of the Ten Bamboo Studio († in Nanking (). Formerly, colour prints were made by first putting different colours on various parts of the woodblock. In the "Tou Pan" technique, different blocks were made and colours of different shades were applied on these blocks. Sometimes as many as hundreds of blocks of different sizes were used to make one print. In this way, very complex colour combinations could be achieved. The invention of “Tou Pan” and “embossing” (##) techniques in printing was attributed to Hu Cheng-jen (‡), the owner of the Ten Bamboo Studio, whose Catalogue of the Ten Bamboo Studio Letter-sheet Design and the Calligraphic and Painting Manual are monumental landmarks in the history of art. Other important works were produced in the early Ch'ing period. One of them was the Mustard Seed Garden Painting Manual († 4) compiled and printed by a famous painter Wang Kai (± *) for the Studio of the Mustard Seed Garden in Nanking in the years 1679-1701 of the K'ang Hsi period (). The manual was printed in colour by using the same techniques as the Ten Bamboo Studio and was printed together with painting instructions. It has been widely used by painters as a bible of Chinese painting. The manual has been copied and reprinted many times by different painters and publishers during Ch'ing Dynasty. The copies we can obtain in the market are usually photostat printed copies from the reproductions issued in the Late Ch'ing period. The pictures contained in these new copies are no longer as gorgeous as those in the original ones. We can hardly see an original copy as only a few of them are known, and are being treasured by museums and libraries or private collectors. During the past thousand years, book printings were centered in Szechuen, Chekiang, Anwhei and Fukien Provinces where paper was also manufactured. The folk or religious printing work had been widespread all over China, but the noted centres of the production were Yang Liu Ching (##), To Hua Wu (✯✯) and Fatshan (*). Yang Liu Ching is a village on the outskirts of Tientsin city (△) and the people living there have been engaged ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 NOTES AND QUERIES 211 Ching period of the Ming Dynasty (1553). From this, we can see that, at that time, there was no fort nor guard-station at Fat Tong Mun. 4 See my article "A Short History of the Pirates of Hong Kong before 1842," published in Volume 8, No. 4, of the Kwong Tung Man Hin 早期海盜略，原載廣東文獻第八卷，第四期。. 5 Chapter 4 of the San On Yuen Chi, Ch'ia Ching edition, ★★★✰ recorded, "North Fat Tong is an isolated island, A fort is erected during the K'ang Hsi period, for the protection of the waterway against the pirates." This proves that the fort on Tung Lung Island was erected during the K'ang Hsi reign. 6 See Chapter 13 of the Kwong Tung Hoi Tu Shuet. 1889 edition ★***, and Chapter 73 of the Kwong Chow Fu Chi, 1879 edition 廣州府志。 7 Chapter 125 of the Kwong Tung Tung Chi, Tao Kuang edition £ A records, "In the 15th year of the Ch'ia Ching rule, Viceroy Chin Mun Fu ✰✰ suggested to have the Fat Tong Mun Fort abandoned, and rebuilt near the Kowloon Walled City, Viceroy Pak Ling ordered the Magistrate of the San On District 4 to carry out the suggestion. The Fat Tong Mun Fort was under the command of the officer commanding of the Tai Pang Battalion ***. The fort stood on an isolated island, two hundred li from the Tai Pang Walled City, and forty li from the Kowloon guard-station. There were no villages on the island that could assist in protecting the region. Thus the fort had to be removed to the Kowloon City Region." Chapter 14 of the Kwong Chow Fu Chi, 1879 edition АЯ, and the Genealogy of Tang's of Kam Tin, New Territories of Hong Kong, 香港新界錦田鄧氏族譜 have the same record. 8 See Note 6, Chapter 8 of Professor LO Hsiang-lin's Hong Kong and its External Communications before 1842, Chinese edition, 1959 -AS- 一八四二年以前之香港及其對外交通，羅香林著. FIRST RECORD OF THE PELOBATID FROG LEPTOBRACHIUM PELODYTOIDES BOULENGER IN HONG KONG It is indeed gratifying to find-in an area as small and zoologically well studied as Hong Kong-any amphibian not previously known to be part of our fauna. Not only does the discovery of Leptobrachium pelodytoides add another species, but represents a genus new to the known fauna of Hong Kong. The first specimens found here, and subsequently identified, are nine tadpoles collected by Dr. Frank F. Reitinger and Mr. Jerry K. S. Lee at an altitude of about 853 metres on Tai Mo Shan in the New Territories on 30 November and 7 December 1974. However, it was not until two adult frogs were found by Mr. Phillip J. Bishop ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1979 https://digitalrepository.lib.hku.hk/catalog/2801w5938 4 NOTES AND QUERIES Work of the Association in its early years 217 Soon after the port of Hong Kong was opened [again] in the last year of the reign of Hsien Feng in the Ch'ing dynasty (1860-61), there used to be a Nam Pak Hong Street (later renamed Bonham Strand West). At this favourable location our predecessors set up firms dealing in native products from south and north China. The following firms were among those then established one after another: the Kwong Mau Tai Hong and the Woo Kee Hong of Mr. Chiu Yue-tin, a celebrity of Kwangtung origin, the Hau Fung Hong of Mr. Lo Chor-san, the Hop Hing Hong of Mr. Lau Lo-tak, the Siu Fung Hong of Messrs. Fung Ping-shan and Kwong Tsz-ming, the Kwan Mau Hong (in Wing Lok Street West) of Mr. Li Sau-hin, the Wah On Hong of Mr. Chan Yue-fan, the Yue Wo Loong of Mr. Chan Sik-nin, the Yuen Fat Hong of Messrs. Ko Mun-wah and Chan Chun-chuen, celebrities of Chiu Chau origin, the Yuen Sing Fat Hong, the Kam Yue Fung Hong and the Kam Sing Lee Hong of Mr. Choi Si-kit, the Yue Tak Sing Hong and the Kwong Tak Fat Hong of Mr. Chan Tin-san, the Kin Tye Lung of Messrs. Chan Wun-wing and Chan Tsz-tan, the Ng Yuen Hing Hong of Mr. Ng Lei-hing, a celebrity of Fukien origin, the Chui Tak Loong Hong of Messrs. Wu Ting-sam and Wong Ting-ming, the Hau Tak Hong of Mr. Kwok Yim-sing and his brother(s), the Yi Tai Hong and the Lee Yuen Cheung Hong of a business group of Shantung origin. With the exception of Messrs. Chan Yue-fan, Chan Sik-nin and Kwok Yin-sing, all the aforesaid gentlemen have now deceased. In 1868, with the concerted initiative and efforts of the said Messrs. Chiu Yue-tin, Chan Chun-chuen, Fung Ping-shan, Choi Kit-si, Chan Tin-sau and Wu Ting-sam, the Nam Pak Hong Association was founded in Bonham Strand West near its junctions with Wing Lok Street and Queen's Road. Then the objectives of the Association were to promote members' welfare and market prosperity, to assist the police in the maintenance of law and order in the neighbourhood and to formulate plans for the prevention of fires and alleviation of disasters. On the first floor of the Association building was the office, where regulations and business rules of the Association were decided, Directors and Managers of the Association mutually elected, and monthly meetings held. For the first term, the Chairman of the Board of Directors was Mr. Chiu Yue-tin and the Manager was Mr. Lau Lo-tak. The latter mana- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 104 JULIAN F. PAS (1) The names fen-teng or chu-teng appear to have replaced an older name jan-teng which is found in older manuscripts, dating from the fifth century.28 The change of name to fen-teng appears in the later manuscripts (Sung dynasty) and must have a special reason: the name indicates the significance of the rite as a whole; a new name implies a new meaning perhaps not totally replacing the old one, but certainly emphasizing a new theme in the structure. Similarly the name chu-teng points to a new perspective in meaning. It is not clear where this name came from, but ‘blessing’ or 'consecrating' fire-light appears to be an innovation in Taoist liturgy. The Christian parallel is very clear: 'blessing' of light, like so many other types of blessing, is a truly Christian ritual act; in the texts of the Easter candle the terms 'sanctify' and 'bless' occur several times.29 By contrast, no type of "benediction" or blessing is found in the Chou-Li. The idea and even the expression "fen-teng" is also found in the Christian ritual: during the Exsultet chanted by the deacon, this passage occurs: And now we perceive the glory of this pillar, which the sparkling fire lights for the honour of God. Which, (fire) though now divided (divisus in partes) suffers no loss from the communication of its light.30 Before the Easter liturgy was changed in recent times, this was the moment when the lights in the church (the lamps or candles in older times) were lit from the Easter candle: the very moment of fen-teng. (ii) The actual striking of new fire is amazingly similar in the Taoist and Christian liturgies: in contrast with the Chou Li where light was said to be taken directly from the sun with a mirror (and therefore presumably in bright daylight), the rituals here both take place in the hours of darkness. In M. Saso's description, "striking a match" produces the new fire:31 this, however, is certainly a modern adaptation, and since a mirror cannot be used at night, we may assume that the striking of rocks must have produced a new fire in older times. The similarities go even further: the new fire is produced outside the temple or church building in both cases; also, the lights in temple and church are extinguished and are relit after the new fire has been taken inside. (iii) The Trinitarian formula. In the Christian liturgy, there are three successive moments of lighting a candle during the en- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 360 BOOK REVIEWS with someone, preferably Chinese, who knows the places well and can argue and interpret for him, it could well prove a dangerous as well as an incomplete vade-mecum. P. H. HASE The Imperial Ming Tombs, Ann Paludan, Hong Kong University Press. In many ways 'The Imperial Ming Tombs' by Ann Paludan is an excellent book, devoid of jargon, it opts for simplicity in its presentation to guide readers not only in detail to the history, architecture and sculptures of the monuments but also to the entire environment of this splendid mausolea complex where thirteen of the sixteen emperors of the Ming dynasty lie buried. Earlier studies on the Ming Tombs by other scholars concentrated on the first tomb, Ch'ang-ling. Ann Paludan attempts to consider the cemetery as a whole and reveals to us systematically one by one all the thirteen tombs. To complete the account, she includes Hsiao-ling in Nanking, tomb of the first Ming emperor Chu Yuan-chang, and Western Hills, tomb of Chu Chi-yu. Her account is different from that of earlier authors (Jan Jakob Maria De Groot, Georges Bouillard, Vandescal etc.) also because this was written after the restorations which began in the 1950s, and during the time when there was an expansion of the adjacent village and agricultural activities. There is a remarkable difference in the way in which individual tombs are being preserved, some are gradually being incorporated into the life of the local village and even stones are being used for contemporary buildings. The book not only gives a description of the architectural and sculptural details of each tomb, but also a picture of the current state of the buildings and the village activities that grow around each mausoleum. The account of each tomb is further supplemented by descriptions of the drainage system and birds and flora observed in the precinct. A brief history of the life of the emperor buried there is also included to give the readers a better understanding of the choice of site of the mausoleum. For A lot of attention is paid to detailed description in the book in order to establish the theory and concept of the tombs. example, the use of colour and materials, the origins of motifs, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v 193 * Shi Boxuan (Yuan dynasty) is the compiler of two books: the Sishu Kuanku 190 and the Guankui Waipian 7 lumped together as Kuankui in the Gujin Tushu Jicheng. See Bu Liao Jin Yuan Yishu Wenzhi WIGxARK ed. Shangwu, Taipei, 1966, pp. 28, 56. 1차 * Jing Fang (77 to 37 B.C.) was a famous Han philosopher and presumed author of a number of oracular works. Most of these are still listed in the Jingji Zhi, Chapter, part 3, section zi of the Suishu. "The Liji refers to the ritual dismembering of a dog in connection with the annual Nuo exorcism. The animal's remains were then buried in front of the main gate of the capital. See S. Couvreur, Le Liji, Imprimerie de la mission catholique, Ho Kien Fu (1913), vol. I, p. 352. 12 The charm, faintly visible near the end of column 22, may represent a model of an "astronomical" charm. "Peach wood was thought to possess magical properties as early as 544 B.C. (D. Bodde, op.cit. pp. 128 ff.) while the wood of the tong tree was associated with the miraculous birth of the hero Yiying. See M. Granet, Danses et légendes de la Chine antique, Presses universitaires de France, reprint edition 1959, vol. II, p. 428. B. Laufer "Bird divination among the Tibetans", in Toung Pao, vol. XV (1914) p. 4, note 1. "The Study of Tibetan divination is as wide as it is ungrateful and unpleasant for research”. * The same omen is found in the Gujin tushu jicheng, vol. 26, j.174, p. 1b, column 7. "The prohibition against leaving the house for three years is mentioned three times in the Gujin tushu jicheng. It applies: when a pack of dogs howl in neighbourhood streets; when such a pack howls in city markets and, unless obeyed, portends death for a man who has (accidentally) been spattered with dog urine. Op.cit. pp. 1a,b. * The contradictory omens in brackets show that other dog divination systems were known at the time. 18 The Gujin tushu jicheng has "against a palace door" op.cit. p. 11b, column 11. ** "Dreadful disasters" instead of "of the inhabitants will be harmed” Ibid. "The last four characters of this column make no sense. "Mu is probably an error for the numerator mei. AN ODE ON HONG KONG COMPOSED BY THE MAYOR OF CANTON IN 1845 P. BRUCE A charming ode was published on December 13, 1845 by the Friend of China newspaper. It gives a rare Chinese view of the development of the young colony of Hong Kong. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 286 CHOI CHI CHEUNG The Cheung lineage was not prosperous until the Tao Kuang (*) period. Ancestor Yao-chih (2) of the 2nd sub-lineage became a successful merchant, and through his generous donation, an Ancestral Hall for the whole lineage was built. The Ancestral Hall of the Ya-kang segment was built in the middle of the Chia Ching period by the effort of ancestor I-pi ( ), brother of Ah-lum's grandfather (see clan record, Tz'u yu pu (3) section, Tz'u T'ang Chi (2) sub-section pp. 1-4). Though the lineage had several National School students (B), no one succeeded in the official examinations until the end of the Ch'ing dynasty when they had three chüren (A). Two of them were Ah-lum's sons. Ah-lum's father was also a National School Student who earned his living by teaching in the villages nearby (see the biography of Ah-lum's father in the Clan record, Chi-ching pu (it) section, Hang Chuang ((HA) sub-section p. 5). This man is not otherwise mentioned in the Clan record. According to Ah-lum's statement as given in court, "he first came to the colony at only 18 years of age. He was first employed by Mr. Bigham, who went to California; after that by Mr. Franklyn; then by Murrow, Stephenson & Co.; then by Mr. De Silver, for whom he made biscuits, as well as did other business see: British Parliamentary Papers, China, no. 24: Hong Kong, P. 183. (= BPP 24:183). The Russell was owned by Russell & Co., and the Shamrock by Mr. Xavier, c.f. BPP 24:170 and 173. See BPP 24:164–184. The bakery had three machines making bread to supply most of the foreigners in Hong Kong. See BPP 24:155-184, and Eitel op.cit. p. 311-313. 10 The Arrow War. The anti-foreigner movement was supported by Yeh Ming-shen (), the Imperial Commissioner for Kwangtung, in Canton. See Wakeman, F. Jr. Strangers at the Gate. 1966, pp. 109ff. Also Eitel op.cit. p. 305. 11 Eitel: op.cit. p. 312-313. 12 According to Chen Kuan-ying (###), Ah-lum was chief of the China Merchants Steam Navigation Co. (TERA) in Vietnam. He owned a shop Hung Tai Ch'ang() in Saigon, and his son Ti-fu (#) was chief manager (*) of the Cambodia Opium Co. (12). Chen Kuan-ying (E), Nan-yu Jih-chi (12), (Diary of a Journey to the South), reprinted 1967, Taiwan, p. 19ff, 81-89. According to the Clan Record Tsa Chi-pu() section, Pa-yu (if) sub-section, p. 1, Ah-lum had businesses in Saigon, Haiphong, Comuponton, and in Nha Trang in Kwangnam (ÂM NHIỀU). 13 According to the clan record, we know that one of Ah-lum's sons was buried in the free cemetery of Haiphong (), and another was buried in the free cemetery of the Canton City Association in Vung Tau, Vietnam (#). 14 In 1884, when Chen passed through Vietnam, Ah-lum was chief manager (*) of the China Merchants Steam Navigation Co. in Vietnam. See Chen: p. 19. 15 Chen: ibid. 16 Clan record, Chi-ching pu (###) section, Ch'i-shou (##) sub-section, pp. 1-4; has two essays presented on this occasion by the gentry of Heung Shan, and by the merchants of the Canton City Association in Vung Tau, Saigon (F#城會館). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 75 fame of Huang Daxian in Hong Kong. They have learned about this god from relatives living in Hong Kong, or from the Hong Kong media. However, in Guangdong province the Hong Kong Huang Daxian is frequently identified with another Taoist figure with the same surname but a quite different biography." The Hong Kong Huang Daxian, Huang Chuping, was, before his deification, a Taoist hermit living during the Jin dynasty (317-420 A.D.) on Jinhua Mountain in Zhejiang province, where he became an immortal. However, as the first author discovered during a research visit to China in 1985, many Guangdong Taoists believe that the Hong Kong Huang Daxian lived and became an immortal on Mt. Luofu,* in Guangdong province. They believe that the Hong Kong Huang Daxian is the same figure as a Mt. Luofu "Huang Daxian” known as Huang Yeren (Huang the “wild man”), who lived, according to the sources, roughly during the same period as Huang Chuping. In August of 1987, we returned to China to visit the remains of a Huang Daxian temple in the ancestral village of the founder of the Hong Kong Huang Daxian temple.' We also visited Mt. Luofu to learn more about Huang Yeren. We discovered that some people were unaware of the difference between the two Huangs, and that their confusion of the two was due to lack of knowledge about the biography and origins of the Hong Kong Huang Daxian. However, attempts have also been made by people with some awareness of the differences between the two Huangs to merge these two figures: to unite two deified Taoist hermit-saints into one personality on the basis of similarities and supposed historical connections between the two. Evidently this process of the merging of several originally distinct deities into one figure has occurred a number of times in the history of religions, but it is rare that one has the opportunity to witness it firsthand." The following is an account of the two Huangs, and of our discoveries in China of the confusion or merging of the two figures. Hong Kong's Huang Daxian: Huang Chuping The main Huang Daxian temple in Kowloon contains a plaque ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 76 with records of the "autobiography” of the Taoist saint Huang Chuping, the figure worshipped by many thousands of devotees in Hong Kong as "Wong Tai Sin." This autobiography has been reprinted in official publications of the Sese Yuan, and reads as follows (using the Sese Yuan's translation): As a young shepherd boy, I spent my early childhood at Kim Hwa [Jinhua] Mountain located at the north of Kim Hwa City in Chekiang [Zhejiang] Province. The mountain was said to have derived its name from Venus and Mou Nui Constellation (Wunüxing) both of which were directly overhead. Orientated at the north of Kim Hwa Mountain was the Hill of Red Pines where I took abode. This hill, densely forested and often hidden in clouds and fog, was seldom frequented by outsiders. Among thick natural vegetations and interlocking peaks there was a deep ravine named Kim Hwa, one of the thirty-six caves of the similar geological structures in the neighbouring district. My childhood was marred by poverty and hunger, compelling me to start earning my daily bread as a shepherd boy at the age of eight. At fifteen I was fortunate enough to have been blessed by a fairy who led me to a stone cave where I learned the art of refining cinnabar nine times into an immortal drug. For forty years in succession, I lived in this seclusion from the rest of the world until my brother broke this isolation. His early efforts were at first futile. However, through the guidance of a Taoist fortune-teller, he located me. My brother queried me of the whereabouts of the sheep under my custody. To this I replied that they could be traced in the east of the Kim Hwa Mountain. He was surprised, on arrival, to find nothing but heaps of white boulders which quickly transformed into sheep at my call. Fascinated by this impressive show of mine, my brother also took steps to learn to become an immortal. Originally, I was named Wong Cho-ping (Huang Chuping), a subject of the Tsun [Jin] Dynasty and a ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 83 The second article, titled "The legend of Huang Daxian," opens with a poem in which the story is retold of Ge Hong's ascent to heaven, taking even the dogs with him, and of Huang Yeren's late arrival and subsequent life as an earthbound fairy. After relating two stories of healings by Huang Yeren (stories taken from literary sources about the Luofu Huang Yeren; see n. 16) the article then asserts that According to historical records the Red Pine Huang Daxian of the Hong Kong Huang Daxian temple was a Jin dynasty man from Danxi. His original surname was Huang and his given name Chuping. In his youth when he was tending sheep he was taken by the famous Jin dynasty refiner of cinnabar, old saint Ge Hong, as an apprentice. Ge Hong jokingly named him Huang Yeren. After Ge Hong had ascended to heaven Huang Daxian continued to travel all over practicing kindness and helping the people. He first went to Mt. Xiqiao, and later to Hong Kong. These extraordinary attempts to weld the two Huangs into a single figure are not based, as far as we can tell, on any literary sources. The pseudonymous authors, who very likely have had some official connection with Luofu,17 were engaged in what appears to us to be the creative reconstruction of myth. 30 This reconstruction has doubtless been at least partly successful. The cultural affairs cadres who met us at the Chongxu Guan had clearly been influenced by such ideas. With some knowledge of the Luofu saints, but little knowledge of the Taoist literature, they related to us a story which managed to incorporate into the biography of "Huang Daxian” elements of both Huang Chuping, Huang Yeren, and Huang Li.18 They were somewhat confused by the conflicting traditions but, nevertheless, asserted with some confidence that the two Huangs, Chuping and Yeren, were the same. It might be thought that the Taoists who serve at the temple would wish to clarify the situation, and to inform visitors that the temple's Huang was Huang Yeren, the disciple of Ge Hong, and ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 87 NOTES “Wong Tai Sin” is the most common transliteration in Hong Kong of the god's name. The pinyin transliteration is Huang Daxian. For Chinese names with a conventional Hong Kong transliteration which differs from the pinyin form, we will begin with the pinyin forms followed by the Hong Kong forms within brackets. For names and places in China, and for subsequent references to Chinese names and terms used in Hong Kong (except for place names such as Hong Kong and Kowloon), only pinyin system will be used. On the reasons for the growth in popularity of Huang Daxian in Hong Kong, especially since the late 1940's, see Graeme Lang, and Lars Ragvald, “Upward mobility of a refugee god: Hong Kong's Huang Daxian," The Stockholm Journal of East Asian Studies. Vol, 1, 1988. We have called Huang Daxian the “refugee god” both because his cult was imported into Hong Kong early in this century during a period of persecution of traditional religion in China, and also because the god's success can be attributed in part to the refugees who flooded into the area around the temple in the late 1940's. Key decisions made by the management of the temple were also very important. Our discoveries regarding the ruined temples to Huang Daxian in Guangdong, and a second visit to these sites in 1987, will be reported in a forthcoming article. There are undoubtedly many intriguing stories about Huang Daxian which could be collected by researchers in Guangdong province. For instance, one story connecting Huang Daxian to legends about the founding of Guangzhou was related to the first author by the manager of a local company near Guangzhou, who as a child had played in an old Huang Daxian temple in the Fangcun area (on which, see the first author's forthcoming paper). According to this story, Huang Chuping of the Jin dynasty had found the way (Tao) and become a saint at Mt. Luofu. He then, it is said, shouted at five pieces of hard rock turning them into five fairy-sheep and also ordered five fairies dressed in red, yellow, blue, white and black respectively to drive the sheep. This unlikely flock descended in the midst of Guangzhou. Huang Daxian then chanted, "I wish that Guangzhou from now on shall enjoy bumper harvests, timely wind and rain, be prosperous and at peace, and never suffer famine or disaster”. This tale was related as explaining the origin of the old names Wuyang Cheng (City of the five sheep) and Suicheng (Ear of grain city). The story is clearly modeled on the old (documented) tales of the five saints on ram-back who brought the five ears of grain to Guangzhou. It is not clear where the manager got his story, but it may have been stimulated by an obscure phrase on one of the pillars of the main gate of the old Fangcun Huang Daxian temple. In any case, we expect that there are many such tales which remain to be uncovered. The versatile Huang Daxian, with his several incarnations and his ability to absorb stories from other traditions, may continue to surprise students of his cult for years to come. In the present paper, however, we focus only on his merger with another Taoist figure at Mt. Luofu. 5 Several cases of apparently similar confusion or merging of legendary Taoist figures on the basis of similar surnames have been documented in S.H. Wong. “A study of Huang Ta-hsien [Daxian].” The Journal of the Institute of Chinese Studies of the Chinese University of Hong Kong, XVI, 1985, pp. 223-239. Mt. Luofu, some 100 kilometres northeast of Guangzhou, is historically the most important site in the history of Taoist worship and practice in Guangdong province. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 90 ese pronounced exactly like Wang) after becoming a hermit at Mt. Luofu. Thus the foundation for a subsequent merger of the two "Yerens” was created. According to Soymie, "Le Lo-feouchan", pp. 110-111, another immortal of the mountain, Wang Tijing, was also occasionally referred to as Huang Yeren. Today, however, he seems to be totally disconnected from the "Yeren" figure, 21 Su Dongpo Ji [collected works of Su Dongpo], Shanghai, Shangwu Yinshu Guan (Commercial Press), 1933, Vol. 2, p. 58. In this volume there are numerous references (poems as well as letters and essays) to Luofu. Su Dongpo was exiled to Huizhou from the Song capital, and went to Luofu Mountain soon after (in 1094) arriving in Huizhou (this probably indicates the fame of Luofu among men of letters and politicians). What attracted him, no doubt, was the name of Ge Hong. Su is said to have spent about two years (of his four years in Huizhou) in Luofu. (Source: Luofushan Fengwuzhi, p. 105). 22 Guangdong Xinyu, Hong Kong, Zhonghua Shuju (Chung Hwa Book Company), 1975 (reprint), pp. 729-730. 23 The reference is in Tan Cui's work Chuting Baizhu Lu (Records of precious pearls from Chuting [old name of Guangzhou], reprinted in October 1982 by Guangdong Renmin Chubanshe). This work contains a rather detailed account of Luofu Mountain and most (possibly all) of the temples which existed in the mountain in the 18th century. 24 According to the Luofushan Fengwuzhi, the original temple at Luofu was built in 405 A.D., and was called Ge Hong Ci. Later in the early Tang, a large one called Ge Xian Ci was built. Another source (Lingnan Gu Jin Lu or Records of old and present Lingnan [Guangdong], edited by Xu Xu, well-known Guangzhou-based scholar, Hong Kong, Shanghai Book Company, 1984) states that a small temple was built at Luofu in 742 A.D., called Ge Xian Ci. During the Song dynasty, a Taoist temple was built, called the Duxu Guan, later renamed the Chongxu Guan. The deities worshipped in the central shrine of the temple (they have superseded Ge Hong, perhaps from as early as the Southern Han dynasty) are the three gods residing in the 35th (San Qing Tian) of the 36 heavens (Tianbao Jun, Taishang Daojun and Taishang Laojun). They are the mightiest among the "shenxians" (the fairies and saints [immortals]). They are normally understood by worshippers to be the Jade Emperor and his two closest officials. 25 We learned this from the interviews at Luofu, especially from an interview with Mr. Zhang Zongquan, the presiding Taoist at a smaller temple, the Jiutian Guan (devoted to Beidi, the "northern emperor"), on the plain near the mountain several kilometres from the main temple. Mr. Zhang had been an officer in the anti-Japanese forces of the area in the 1930's. The provincial Fengwuzhi (Guangdong Fengwuzhi, Guangzhou, Huacheng Chubanshe, 1985, p. 151) also mentions worship of Ge Hong together with worship of Huang Yeren and the mute tiger often mentioned in folk-tales. This account refers to the situation prior to the restoration. 26 See the picture of the Red Pine Fairy in Zhongguo Shenhua Chuanshuo Cidian (Dictionary of Chinese myths and legends), Shanghai, Cishu Chubanshe (Lexiographical publishing company), 1985, p. 185. 21 One Taoist whom we interviewed (see note 25) dismissed the importance of the differences in the biographies of the two Huangs with the remark that the spirit of Huang Chuping entered (or could enter) into the person of the later Huang Yeren. He was the only one we met who explicitly used this strategy to rationalize the merger of the two Huangs into one figure at the Chongxu Guan. It is possible that ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 40 was easily dismissed by exponents with the reasoning that the illustrators of the Ming era had not the slightest idea what they were doing. Others, more sceptical, on the other hand, came to a different conclusion. The existence of this picture obviously proved that mo, like pixiu, was only a legendary animal. Zhouyu The third animal offered by scholars as the giant panda in Chinese history and literature was zhouyu. In the Book of Odes, the zhouyu was depicted as "A giant animal that could be as large as a tiger, that had white fur but was black in certain areas. It was not carnivorous, and displayed a gentleness as well as a sense of trustworthiness". So far, this portrait fitted the modern giant panda. There was one flaw, however, as the description of the animal went on to say that **its tail was even longer than its body**. Subsequent writings on the zhouyu, claiming to be based on actual sightings, however, did not mention the impressive length of its tail. In one of the Confucian ritual texts, the Rituals of Zhou, it was stated that the term zhouyu was adopted as the title for the imperial official whose responsibilities were the upkeep of the emperor's menagerie of animals and birds. This use of the term implies that the animal of the same name was rare and valuable. In the History of the Eastern Jin Dynasty, it was recorded that the zhouyu was sighted in 333 A.D. in Liaodong in eastern China, where fossil remains of the giant panda had been found. In the History of Five Dynasties, by the noted stateman and scholar of the Song era, Ouyang Xiu (1017-1072), the zhouyu was recorded to have been seen two times. In 908 A.D., residents of two localities reported sighting the zhouyu. These localities were Wuding and Bishan, both in Sichuan. Five years later, in 913 A.D., the animal again was seen by residents. (It is regrettable that the Chinese language makes no distinction between singular and plural nouns. Therefore it is not clear whether residents ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 96 moved from Fukien to Heong Shan county in Kwangtung during the Sung dynasty (960—1279). About a hundred years later, his great, great, great, great grandson, Heen Bow, who was a student at the county school, founded the village of Cha In and established the West Branch (145 or 945) of the clan. Since he was born during the latter part of the Yuan dynasty (1279-1368) and died during the Ming dynasty (1368-1644) at the age of 56, Cha In village was settled about the mid-1300s. An ancestral temple was built to honour him as the 'First Ancestor' and to pray for the glory and prosperity of his descendants. A great, great, great, great, great grandson of Joong Goong, named Jun Hung, branched out to Poo San #1, as did another great, great, great, great, great grandson, named Bow Sung. The son of Heen Bow, named Kwong Joong, had two wives, the first of whom died before the marriage was consummated. The second wife bore him three sons. The eldest, Li Jung, branched out to start the East Branch 東堡 or 東房, The second son of Kwong Joong, named Li Jen, entered the emperor's service when he was only 15 and his feats of courage surpassed others. At the age of 19, while on a mission for the emperor at King Jow Prefecture, he met his death at sea. This service to his country brought glory to the clan. A temple was built in his honour and a statue of him was placed there for sacrifices to him. During the reign of Hong He of the Ming dynasty, an official named Iu Goong was commissioned to find out all about Li Jen's background for a report back to his superiors. Iu Goong visited the temple and was so impressed by what he heard that the Emperor bestowed Li Jen posthumously with many honours for his distinguished service, naming him to a government post in Taiwan and Adjutant to the Viceroy of Fukien, and noted that although Li Jen was dead, it seemed as if he were still alive. Iu Goong also presented to the temple a tablet of honour and a stone lion to enhance its appearance and to serve as an inspiration to others 'to serve the emperor with loyalty and devotion, to bear the lance and follow the emperor to battle, to win glory, to extend benevolence, to protect the race, and to respond whenever the need arose.' Page 120 Page 121 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 205 of the reform party and that he had killed himself, or someone else had put him out of the way. Dr. Sun escaped to Hong Kong. When two mandarins came to Hong Kong to search for him and other conspirators, Dr. Sun with great daring and courage went to these people, after he found out the reason for their visit, and introduced himself to them. It is said he is now in Singapore because he didn't feel quite safe in Hong Kong. The political involvement of Christians in these undertakings causes great sadness to the missionaries, and there could be very serious consequences for Christians in China, especially Cantonese persons. The Government officials are quite angry that Christians were involved in the uprising. In the last couple of years, I have heard several complaints that arrogant, dark, selfish Christians in Canton made trouble for missionaries, causing them sadness. And it seems to me the Lord Himself had to bring this punishment upon them to sober them. I have hesitated somewhat to convey this information, but have done so because what I have written down is correct. Pu Kak:* How a Punti Village came into Hakka possession A-1.27. No. 62, 21 April 1893, the Rev. Mr Bender, Li Long, San On District, Kwangtung. A story heard from Pastor Lin, whose home is Pu Kak "Toward the end of the Ming Dynasty about two hundred and fifty years ago the Hakka male population of Hin Nen and Ka Yin Tshu left their homes to find work and a livelihood at places to the south. They found both at Pu Kak where rich Puntis of the Wan clan rented fields to them. Later, from time to time, others came from the upper country, so that gradually the Hakka tenants at Pu Kak numbered forty-eight. They built for themselves small huts and houses. Those who had wives and children in their home villagers had them come and join them. They had a good income from their agricultural labours and lived at peace with their landlords. Later there were some quarrels when they had to * Pu Kak a market town near the Kowloon-Canton Railway in San On District, Kwangtung Province, about midway between Li Long and Sham Chun. + The Rev. Ling Kai-lin 749/E (1844-1917). In 1865 appointed catechist of the Basel Mission at Nyen Hang Li; 1876 became catechist and house father at Boys' Boarding School, Li Long; 1883 appointed pastor of congregation at Li Long; retired about 1893 to his native village Pu Kak. He was one of the founders of Sung Him Tong village near Fan Ling in the New Territories. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 305 Faat, who was an official of the Song Dynasty. His great-grandson Fu-Hip was the first to settle in Kam Tin. One of his two sons moved to Dongguan county and the other, named Seui, stayed. The two had a total of five sons whose descendants were known as the “five main branches”. In a time of chaos, a grandson of Seui married a daughter of the Song Emperor Gaozong. This member of the royal family was better known by her descendants as Wong-gu because her brother later became the Emperor Guangzong. Her husband was called the Gwan-ma. The Wong-gu sent one of their sons to see the Emperor, who granted official titles to her husband and sons and gave her some farm land as a gift. Present-day Dangs attribute their wealth to this event. Her descendants moved to different parts of Dongguan and Xin'an counties, including Lung Yeuk Tau, and Tai Po Tau in the New Territories. The nearest common ancestor of the present-day Dangs of Kam Tin, Hung-Yi, was a seventh-generation descendant of the youngest son of the Wong-gu. Hung-Yi's brother Hung-Ji was the ancestor of some of the Dangs of Ha Tsuen. Hung-Yi did not leave much property, and there is no ancestral hall dedicated to his worship. We do not know much about Hung-Yi. Oral tradition has it that in 1393 he was sent on penal servitude on behalf of his younger brother Hung-Ji. Before that, he had married a Miss Jeung and had three sons Yam, Jan, and Yeui. He survived the (unknown) period of servitude and obtained a teaching job in a wealthy family. His employer married him to a servant girl of the surname Wong. Miss Wong bore him a son by the name of Gyun. Upon his death, she brought his ashes and the son to Kam Tin. The son Gyun died soon afterwards, and subsequently Yam gave one of his sons as Gyun's heir. Yau-Leun Tong in the present Kam Tin Shi was the hall in honour of Hung-Yi. But there was no tablet for him in the tong. To explain the absence of a spirit tablet, one elder said, "Because Hung-Yi did not have much property, the fund was small. There was no spirit tablet for him in the tong. His spirit tablet was housed in the ancestral hall of his grandson, [i.e., the ancestral hall for Ching-Lok, see below.]" Another provided a different explanation. It was because the Fung Sheui was poor for the purpose. Whatever the reason, Yau-Leun Tong was not a place for setting up a spirit tablet. It was a place for gatherings only. Some younger villagers told me that the hall was once rented out, and once used as a kindergarten. Page 330 Page 331 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 313 Documents confirm that Sing-Ngok's descendants had a large portion of the more than 160 acres of Kam Tin Dang land-holdings on Hong Kong island. D. Sung-Kok jou and the Gwong-Yu Tong and Lei-Ging Tong I have mentioned before that the second ancestor of the fourth branch, Naam-Kai, had been adopted from the first branch. This connection might be expected to serve to make the two branches feel closer together. However, fung-sheui stories hint at feelings of rivalry between the first and the fourth branches, especially after the rise of the latter during or after Dang Man-Wai's time in the later seventeenth century. However, it was only a few segments of the fourth branch which prospered: a letter from the leaders of the Kam Tin Dangs in 1941 claimed that the ancestral fund for Naam-Kai used to be a broken house in the county town of Xin'an until it was expanded to a farmland holding of over 200 sek in rent value under the management of the youngest son of Dang Kyun-Hin (1755-1822). It was only the families of Dang Man-Wai and of his brothers who enjoyed great prosperity from early in the Qing dynasty. The present descendants of Dang Man-Wai attribute the prosperity of their segment (known as Gwong-Yu Tong) to the jeun-si degree of Man-Wai, which he won in 1685. But from 1657, i.e. almost 20 years earlier, he was already a geui-yan, one of only two or three ever achieved from the Hong Kong region, which should have placed him in a very advantageous position especially in this period. According to a stone inscription, Man-Wai started the Yuen Long Market in 1669, and until it was replaced by the New Market in 1898 this market was run by the ancestral trust of Man-Wai, the Gwong-Yu Tong. Man-Wai was also credited with having compiled a genealogy and having initiated the building of an ancestral hall for the larger Dang clan. His sons and grandsons included many imperial degree/title holders involved in lineage matters. The spirit tablets of two of Dang Man-wai's brothers are housed in the Lei-Ging Tong, an ancestral hall which used to be in the present playground, but which was later moved to near the Sun Ngai Brass factory on Kam Sheung Road. The original building was only a little smaller than the Gwong-Yu Tong. One of the two brothers was Dang Ng-sang, who, according to Sung (1974:185), built the ancestral hall. Some village elders confirmed that he was the same Ng-sang who was the leader of ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 328 winter. Once in a year they practised shooting at a police shooting range near Man Kam To. In earlier times the guards had used gwan sticks. C. The village market At present there are a few shops, mostly food stalls, in Kam Tin Shi. Some Dangs also live there. They are descendants of the senior branch, including descendants of Wan-Guk and Wan-Gaan. The place used to be the local market. It was active before the Japanese occupation. It had a sign in the form of an arch, which was removed by the Japanese. Some documentary information about the market has survived in a rent record.29 One of the shops entered into the rental contract in 1851. The rent book included entries for five shops in Kam Tin Shi. Among them one was run by a tailor. It also mentioned the names of three streets. These were Upper Main Street (Sheung Taai Gaai) and Lower Main Street (Ha Taai Gaai) as well as Middle Street (Jung Gaai). The elders remembered that the market had two or three butchers and two or three fishmongers. Besides these there were a few other shops. Two sold jaap-fo (“sundry goods”). Kam Tin Shi is remembered to have mainly catered for the needs of the Kam Tin people. Very few outsiders came. Some informants added that there was even one pawn shop inside Kat Hing Wai. The owner was a descendant of Wan-Gaan jou. I have no idea when the pawnshop was started. There was also a peanut oil factory which was started more than 100 years ago. It was owned by a Wan-Yu jou person. IV. SETTLEMENTS AND LINEAGE SEGMENTS 4 According to Sung (1973:111) Hon-Faat, the first Dang ancestor to come to the province, built the first house at the bottom of a hill called [Gwai Gok Saan] about three-quarters of a mile away from the present Kam Tin". His grandson Fu-Hip lived there on retirement and founded a school called Lik Ying Jai (ibid.: 116). The descendants of Fu-Hip's grandson Seui, lived in the Naam Wai and Bak Wai villages around the beginning of Ming dynasty (1368). The division of the Kam Tin settlement into Naam-Bin and Pak-Bin remain today. Yun-leung, father of the gwan-ma and one of the sons of Seui, remained in Kam Tin. The other four descendants of Fu-Hip moved to nearby Ping Shan and places in Dongguan county, among other places. The descendants of many of the sons of the gwan-ma moved away to Lung Yeuk Tau, Tai Po Tau, 30 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 367 The villagers had already gathered at the festival site when I arrived at half past nine in the morning. The red slips of paper etc., were carried by the people responsible on a tray, and, in some cases, a "pavilion", back to where they had been fetched from. In all cases, I believe, the person who carried the divinities was preceded by one of his companions who beat a gong. In some cases the procession included the "Keep quiet!" and "Keep clear!" banners. I witnessed the case of the Hung-Fan Taam gods. On their arrival the villagers set up the temporary spirit tablets of the divinities at the site, and made offerings of tea, sweets, yun-bou and paper clothing to them. Then they burnt the spirit tablets as well as the paper offerings. Ahern, Emily Martin Brim, John A. BIBLIOGRAPHY 1981 Chinese Rituals and Politics, Cambridge University Press, 1974 "Village alliance temples in Hong Kong", in Wolf (1974: 93-104). Cheng, Sui Kwan Faure, David n.d. "Yuanlang Xinx", unpublished manuscript. 1984 "The Tangs of Kam Tin - A hypothesis on the rise of a gentry family", in Faure et. al (1984). Faure, David et. al (eds.) 1984 From Village to City: Studies in the Traditional Roots Hayes, James W. Kamm, John of Hong Kong Society, Centre of Asian Studies. University of Hong Kong. 1983 The Rural Communities of Hong Kong: Studies and Themes, Hong Kong: Oxford University Press. 1977 "Field notes on the social history and fungshui of Kam Tin”, Journal of the Hong Kong Branch of the Royal Asiatic Society (JHKBRAS) xvii, pp. 202-216. Law, Suk-Ching and Lam Siu-Fung 1985 **Jintian Dengshi shixi bogian shi'', in Renleixie Zhou Tekan, pp. 2-14. The Anthropology Society, Chinese University of Hong Kong. 1984 "Village education in the New Territories region under the Ch'ing", in Faure et. al. (1984). 1983 New Peace County: A Chinese Gazetteer of the Hong Kong Region. Hong Kong: Hong Kong University Press, Ng Lun, Alice Ngai Ha Ng, Peter Y.L.. Ofuchi, Ninji 1983 Chugokujin no Shukyo Girei, Tokyo, Saso, Michael R. Schipper, K.W. 1972 Taoism and the Rite of Cosmic Renewal, Washington. 1974 "The written memorial in Taoist Ceremonies", in Wolf (1974:309-324). Siu, Augustus K.K. and Anthony K.K. Siu, Anthony K.K. 1982 Studies on Chinese Genealogies and the History of the Hong Kong Region, Hong Kong: Hin Chiu Institute. 1982 "Zupu zhong suojian zhí shishi shili”, in Siu and Siu (1982), pp. 21-29. 1984 **The Hong Kong Region before and after the Coastal Evacuation in the Early Ch'ing Dynasty', in Faure ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 52 Now while such a statement might have been reasonable if applied to the Christian Byzantine empire in 781, it certainly did not represent the true state of affairs in Syria, which had been under Arab Moslem rule for nearly 150 years. Here the author had in mind the Christian culture of the wider Mediterranean world, and was not thinking of conditions in Syria alone. The term ching-chiao, 'brilliant teaching', was a striking and original expression, appropriate for a religion whose founder claimed to be the Light of the World. The character ching, 'brilliant', could be found in Buddhist contexts with happy connotations. It was a term which may also have particularly appealed to Persians, whose religious thought, whether Zoroastrian, Manichean, or Christian, has traditionally stressed the conflict between light and darkness. Interestingly, the Nestorians used a rare, but apparently permissible, form of the ching character. Its normal form consists of the character ching, 'great', which supplies the pronunciation, surmounted by the radical jih, 'sun', which indicates the meaning. The Nestorians transposed one horizontal stroke to convert the radical jih into the character kou, 'mouth', and to make a reciprocal change in the ching character below, which includes the character kou among its elements. At least thirteen variants of the character ching are known to have been used by Chinese calligraphers, but most, if not all, involve only minor alterations which enhance the character's basic meaning. A Yüan dynasty example of Chou Sheng-chou, for example, has an extra stroke, giving two suns. The Nestorian version, on the other hand, is not found elsewhere, and achieves an effect which goes beyond the elegant variation permitted to eminent calligraphers. The Nestorian variant is dominated by the kou radical, and its effect is to subtly subvert the impression made by the character in its normal form and to suggest that the 'brilliant teaching' is a doctrine to be spread to others, to be communicated by word of mouth. The expression ching-chiao, 'brilliant teaching', occurs several times in the Sian tablet inscription. The character ching, 'brilliant' also occurs on its own in a number of different contexts in the inscription, sometimes as an adjective meaning little more than 'bright', sometimes implying 'Christian', and occasionally, when applied to the Messiah, seeking to convey a sense of divine splendour. Christian churches are ching-ssu, 'brilliant monasteries', Christian priests ching-ssu Page 75 Page 76 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 44 19 Ruan Yuan as a "bridge for classical learning" between the Han Learning scholars of Jiang Fan's Guo chao Han xue shi cheng ji (Han Learning scholars of the Qing dynasty) and the later work of Chen Li (1810-1882), Dong xu du shu ji (Chen Li's notes on the classics in which he argued against the viewpoint of the earlier classicists that Han period scholars had ignored metaphysical study.) Qian pointed out that "recent scholarship has neglected the significance of this transitional period, thereby underestimating the significance of Ruan Yuan's contributions to the development of classical learning of the mid-Qing era."10 This finding was echoed by He You Shen# of the University of Hong Kong, who observed that Chen Li's thinking had been influenced by Ruan Yuan. After becoming a fellow of Xue Hai Tang, Chen Li went to visit Ruan Yuan in Yangzhou in 1841, and again three years later. These two visits influenced the direction of Chen's later thoughts tremendously." Other scholars have stressed the importance of Ruan Yuan's patronage activities. Liang Chi Chao wrote that "Ruan Yuan of Yi-zheng served in the provinces for several decades. Everywhere he promoted learning. He exerted tremendous influence on other scholars of the era in Zhejiang, Guangdong, and Yunnan.”12 Xiao Yi Shan- stated that "Ruan Yuan's contributions to learning were not confined to his own writing. He established institutions to give other scholars an opportunity to research and to publish. He was extremely influential on other scholars of the era. His scholarly achievements far surpassed those of his contemporaries, such as Wang Chang, Bi Yuan and Zhu Jun."'13 Hu Shi went further by analyzing the secret of Ruan Yuan's success. Ruan Yuan's special talents rested in his ability to collect the leading scholars of the day, and have them work together to compile such major works as Jing ji zhuan gu, Shi san jing jiao kan ji, Chou ren zhuan, and others. He also published works of other scholars, among them Ling Ting kan, Jiao Xun, Wang Zhong, Liu Tai gong. His Huang Qing jing jie, 1,400 juan, represented the first conclusive study of classics by scholars of the Qing dynasty.14 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 49 chong ding yi chi kuan shi may be gained from perusing a 1853 printed copy of the manuscript of the work. In the preface to the original edition, dated 1804, Ruan Yuan had listed 12 friends who had collections of ancient bronze vessels with inscriptions. Rubbings had been taken of these inscriptions, and the friends had meticulously consulted each other as well as Ruan Yuan on their identifications. Their conclusions had been gathered to be published in this book named after Ruan Yuan's studio, the Jiguzhai, meaning the studio to amass antiquities. Alas, in the preface, Ruan Yuan had singled out Zhu Weibi (1771-1840) "Who was extremely fond of ancient inscriptions on bronzes. I gave him these rubbings (the collectors had made) for his further scrutiny. A draft of this manuscript had been among the Zhu family papers until the 1850s when it was printed under the same title by Zhu Weibi's great-grandson and great-grand-nephew. Apparently the younger generation had wished to show the scholarly world that this noted work had been done mostly by their ancestor at the behest of the much revered contemporary official and scholar, Ruan Yuan. In the preface of the printed draft, the Zhu boys wrote. +26 This is a draft of the manuscript of Ji gu zhai chong ding yi chi kuan shi with editorial changes made by our ancestor and Ruan Yuan. Ruan Yuan had discovered a Song dynasty work on identification of ancient inscriptions and had wanted to have his friends' identification of vessels in their own collections further investigated. Ruan Yuan had planned to have their findings prepared for publication (and had written a preface in 1804). Subsequently, at the time (of the drafting of the text), in 1807, our ancestor was at home mourning the death of his mother, so it was he who performed the task in getting this work for printing. The original manuscript is still in the family collection." Other questions on Ruan Yuan's sharing work and credit with other scholars still need to be investigated further. Those scholars who performed the major share of a particular task, for instance, were given due credit. Yen Jie (1763-1843), was acknowledged as the editor-in-chief of Huang Qing jing jieh, and Jiang Fan (1761-1831) that of Guang dong tung zhi. Introducing Ruan Yuan's friends A list of 200 scholars associated with Ruan Yuan has been collated ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 10 [bid || 63 &£#* (The He You sheng, "Chen Lan Fu di xue shu ji chi yen yuan" [learning of Chen Lan Fu and its origins], Gu Gong Wen xian 2.4 (Taipei, 1971), 1-19. He's study on Ruan Yuan can also be found in "Ruan Yuan di jing xue ji chi zhi xue fang fa" [Classical scholarship of Ruan Yuan and his education policy], Gu Gong Wen xian 2:1:19-34 (1970). 12 Liang Chi chao, qing dai xue wen gai lun [A discourse on Qing learning], (1921, Taipei Commercial Press reprint, 1975), 22 13 Xiao Yi shan, ging dar tung shi [History of the Qing dynasty], (1935, Taipei Commercial Press reprint, 1976), 11 717. 14 Hu Shi, Dai Dong yuan di zhe xue [The philosophical studies of Dai Zheng], 138. 15 This is the only work of Ruan Yuan's that I have not been able to find. It was never printed because Ruan Yuan was not satisfied with the draft. The manuscript had been kept with Ruan Yuan's papers in his lifetime and subsequently disappeared. There was no indication whether it perished in the fires that destroyed the Ruan residence in Yangzhou in 1843, or that which burned down his studio, Wen xuan lou, in 1935. 16 Ruan Yuan himself, as well as contemporary and modern scholars, complain often of the many errors in this edition. Ruan Yuan gave the excuse of not having had time to proofread the manuscript himself. In fact, he had been receiving admonitions from the Jiaqing Emperor at that time that he was expending too much time and energy on scholarly activities instead of concentrating on the affairs of state. Gungzhong dang (Palace memorials) Jiaqing 017818 (1817/29). 17 This work was not printed during Ruan Yuan's lifetime, but is in Qing shi kao (Draft history of the Qing dynasty). 18 There are a large number of these biographies of individual scholars, not necessarily all Ruan Yuan, scattered throughout rare book collections in various libraries. Copies of the biographies are also among the Guo Shih Guan (Qing Historiography Office) documents in the National Palace Museum (Taipei). 19 For example, the Provincial Gazetteer of Fujian by Chen Shouchi, the Gazetteer of Yicheng by Liu Wenchi, and a new edition of the Gazetteer of the Prefecture of Yangzhou by Jiao Xun. 20 A contemporary print is in the collection of the Harvard-Yenching Library. 21 Struve, 233 22 Ruan Yuan, Ding Xiang ting bi ji [Informal notes from the Ding Xiang studio] 4:1b-2a. 23 [bid. 24 Ruan Heng, Ying zhou pi tan [Notes from Yingzhou] 1.4b; also Ruan Yuan, Yen jing shi ji [Notes written in the Yen jing studio] 11:8:8a. 24 Zhang Jian, et al, Let tang an zhu di zi ji [The life of Ruan Yuan as recorded by his sons and students] 1:19b. 26 The preface was dated 1804, but the work was not printed until later, in 1807 when the manuscript was finally acceptable to Ruan Yuan. 27 Preface of a work entitled Ji Gu Zhai Chong ding yi chi kuan shi, printed in 1853. A copy can be found in the Fu Ssu-nien Library of the Academia Sinica in Taipei. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 211 are confused with those of the interviewed. But these are more methodological problems which should not be blamed on the students Highly related to, and probably more appropriate if included in the religion section are the reports on offerings used in religious worship and on yu lan jie (ghost festival). The strength of these two reports is that they have made better use of field investigation to complement library material to reconstruct the historical development of their topics. The students who wrote on yu lan jie, for example, compare the Buddhist and Taoist versions of the festival by attending each of the occasions and plotting the similarities and differences, in terms of the administration, the main rites and the problems faced due to social change. The report on the manufacture of offerings, though grouped with two other reports on “traditional occupations", comes up with a list of the kinds of incense, candles, and paper goods involved in worship of different deities, as well as a tabulation of the frequencies of domestic worship of selected deities among members of a secondary school, reflecting the pervasiveness of popular religion. Many of the reports in the book follow a similar line of treatment. They emphasize structural descriptions, delineating specific historical events. How individuals respond to these events and how they conduct themselves in these situations are not known. The report entitled "The Eighteen-day Nightmare” on the half-hearted and short defence in Hong Kong against Japanese invasion in December 1941, for instance, uses a lot of space listing military maneuvers and explaining their significance. As a report on "the nightmare", however, it should be talking more about the lives of different sectors of society during this particular period. Similarly, this is a weakness for two reports that deal with remnants of Qing Dynasty in Hong Kong. One plots the marine defence facilities along the coast of Hong Kong, while the other describes the village schools scattered in different heungs of Yuen Long. The schools and forts were painstakingly visited and their physical layout recorded, but the reports only manage to preserve what existed in the past, and fall short of reliving what happened. If the reports put social actors in their specific historical contexts and let them speak for themselves, they will add life to the historical events, demonstrating the dynamics among social actors as individuals as well as social groups, and paint a more complete picture of the history and culture of Hong Kong. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 65 1900 ca 1900 1901 December 1904 1905 Jan/Jun 1907 ca 1910/1911 1914 November ca 1914/1915 1914-1919 11 Dec 1919 Claims to have volunteered for service in Peking [Boxer troubles] Mesny visited Nan-chang in Kiangsi where he met Hsiung Shih-fu, a young reformer Interviewed Viceroy Liu K'un-yı în Nanking. Published Mesny's Chinese and English Almannac Publication of his final volume of his Chinese Miscellany Most Excellent High Priest in the Keystone Royal Arch Chapter, in Shanghai His wife, Han, obtained a legal separation in Shanghai Mesny moved to Hankow Claims to have passed a medical and then offered his services to the Crown [World War 1] Employed by Messrs. Reiss and Co. in Hankow Died in rue de Paris in Hankow Appendix C The Chinese Imperial Forces Mesny's Involvment in the Suppression of the Miao Revolt The First Campaign by Imperial Troops in Kueichou Province 1868-1871 and Order of Battle of the Szechuan Force Chinese Imperial Forces, with the aid of a number of foreigners and foreign arms, had by 1864 succeeded in suppressing the Taiping rebellion against the dynasty. They then turned to liquidating the other rebellions seething in various parts of China which included the Nien movement in northern China, the Moslem minority revolt in Yunnan province, another major Moslem uprising in the North-west, and finally the Miao aboriginal tribes which had revolted in Kueichou province. The Miao, or Miao-tzu as Mesny refers to them, rose against the Ch'ing dynasty Manchu rulers of China in 1854 after discontent reached boiling point due not only to Chinese settlers colonising the best lands in the low lying areas of the province of Kueichou, but also to the exploitation of the Miao by Chinese officials and merchants. According to Mesny the passionate and untamed Miao gradually took back almost the whole province apart from the capital, Kuei-yang Fu, and the city ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 320 MESNY'S CHINESE MISCELLANY. The total strength of the regiment is thus: One Colonel, one Second-Major, two Captains, four Lieutenants, four Sub-Lieutenants, two Sergeants, four Corporals, two Lance Corporals and about 650 to 700 men. The strength of this regiment is, however, very much increased by over one hundred and thirty gun-boats and a score or so of old ones. Each new gun-boat is manned by one officer and nine men on a peace footing, to which are added one officer and five men in times of war. The old gun-boats have two officers and over twenty men each, and some of them cruise down in the neighbourhood of the Bogue Forts. The new gun-boats thus give a complement of 1,300 officers and men in times of peace and over 2,000 in times of war, to be added to the strength of the above naval regiment, besides a proportionate number of commissioned officers. 1439. PAN FEI-A favourite concubine of Tung Hun Hou, the last but one of the Sovereigns of the Ch'i dynasty, A.D. 499-501. The practice of cramping the feet of Chinese girls is ascribed to her by some writers. Mayers says: "She is celebrated for her beauty and grace, and it is related of her (but on untrustworthy grounds) that the practice of artificially cramping the feet was introduced under her auspices See Yao Niang. Her imperial lover is said to have uttered one day, when gazing at her performances in the dance upon a platform ornamented with golden lilies the amorous expression: 'Every footstep makes a lily grow!' and hence the term Chin Lien metaphorically used for the feet of women is said to have taken its rise. In allusion to the same traditions the expression Lien Kou (lily hooks) is also applied in celebrating this charm of woman-kind." The term Chin Lien really means Golden Lotus, not Golden Lilies, frequently translated by foreign writers, and in like manner means the term Lien Kou Lotus Hooks. I have often heard the nicely cramped feet of women described as I tui lien hua, i.e., a brace or pair of lotus flowers. 1440. CHOU TICH CHÈN : The battle name of Chou-han the malicious. The rabid anti-foreign Hu-nan man, who has done so much harm to China and to the Chinese by stirring up animosity against foreigners instead of friendliness, adopted as a battle name the characters Tich-chen, which means True as Iron, or "True as steel" Chou Han has now fallen, and is ruined, and he is bound to die a miserable death, like everybody else who gets in the way of Christian progress. The following two characters-Tich-chen —may now be substituted for the two so boastfully selected by himself. Hu-nan is bound to be opened to foreign trade and friendly intercourse with foreign nations. No mortal man even yet kicked against Christianity without hurting himself. Chou Han is as good as dead, or he ought to be dead. 1441. AI YEH -The leaves of Artemisia Moxa, q.v. This is considered a lucky plant. On the fifth day of the fifth moon every family gets a few leaves to hang over the house doors. When dry and rubbed up it answers the purposes of punk or tinder, and may be lighted with flint and steel by striking fire over the punk in the usual manner. It is also burnt to drive away insects, or mosquitoes at least, and is very useful as such. 1442. I-TS'AO-Healing Herbs, Medicinal Herbs, Drugs, Artemisia Moxa, q.v. 1443. AI-HO-Punk made from the dry leaves of the Artemisia Moxa, q.v., and used as a cautery in various cases of disease, and burning the scars seen on the head of all properly initiated Buddhist priests. Each scar represents a vow to abstain from evil and perform good deeds. A full Index will be issued every Six Months. Jan. 9th, 1896. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1995 https://digitalrepository.lib.hku.hk/catalog/95941j25g 190 her son would produce two images of the Patriarch if the son was cured. The son then produced the now famous Liu Tsu image, copying the mummified body, one small and one large, which have now been copied by most temples. The Taoist Seven True Ones The Taoist Patriarch Chung-yang founded the Taoist Ch'üan-chen sect during the Southern Sung dynasty. His seven disciples, enlightened ones, were known as the Seven True Ones (of the Northern school), though in some places, notably in Taiwan, it is believed that he and Ch'iu Ch'ang-ch'un were both only members of the group of Seven, and not the founder and senior member respectively. He and his seven disciples lived during the eras of the Southern Sung and Yüan dynasties, the 12th and 13th centuries AD. The Seven taught that meditation and exercises were the path to perfection through internal transformation of mind and body. Most of the Seven have not been noted in image form on altars, though tales of their lives, struggles and attainments to achieve the Tao are written up and available in a number of southern Chinese Taoist temples, though none have been encountered in Taiwan. The monastic headquarters of the Sect was first established in Shantung province, later moving to the Pai-yün Kuan in Peking. The tenets of the sect advocate the path to Tao through meditation and the transformation of mind and body rather than through physical exercises and the use of medicinal herbs. The secondary title of the Sect is the Golden Lotus Orthodox Belief, Chin-lien Tseng-tsang, reflecting the influence of Buddhism on the Sect. Images of Wang Chung-yang and of all Seven were noted in a major monastery in Shansi early this century, and are still to be seen in the temple at the base of Hua Shan in Shensi province. These Seven Disciples or Taoist Masters, known as Chen-jen, were: The first of the disciples is Ch'iu Ch'ang-ch'un, Ch'iu, the Perfect One of Eternal Youth. A master of alchemy and now a Taoist saint and Immortal, he lived towards the end of the twelfth century, the period of Tatar rule over China, and is renowned as the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1995 https://digitalrepository.lib.hku.hk/catalog/95941j25g 192 Another claim suggests that Ch'iu was the adviser to the Yuan emperor Shih Tsu [better known as the Great Kublai Khan] though as Ch'iu is said to have died in AD 1227 this would be impossible; yet another claim which is again fanciful, Ch'iu is said to have been the author of the dramatic version of the "Journey to the West" the well-known story in which Monkey [Ch'i-t'ien Ta-sheng] aids a famous monk to carry Buddhist scriptures to China from India. His mausoleum was in the influential Taoist White Cloud Monastery, the Sect centre, in Peking. Temple records in the Pai-t'a Dagoba in the Pei Hai in Peking noted that he died at the age of 80 in AD 1227. His image is to be seen on two altars in Hong Kong, both in Taoist monasteries where he is portrayed as a seated Taoist figure dressed in robes, blue in one monastery and golden in the other, with a black beard. He is wearing the tiny Taoist crown and holds a fly switch in his right hand. He has no unique identifying characteristics, though in private images he is often depicted with his blue robes decorated with pa-kua signs. His image, in both monasteries, is on a secondary altar in a main hall dedicated to Wang Ch'ung-yang, with Lu Tung-pin being the sole deity in the other secondary altar. These three Immortals are known collectively as the Three Generations, with Lü the eldest, Wang the second generation and Ch'iu the third generation and the junior. His great weakness, which he had to overcome, was his impatience. He was renowned for his propensity to butt in and offer his opinion, often after reaching conclusions prematurely. In Peking, his image in the Tan-chi Kung depicted him as a young man without eyebrows or whiskers and with a whey-coloured face. In Singapore, his old gilded image stands on an altar in an old temple in Telok Blangah where he shares a shrine on an altar with Lu Tung-pin, one of the Eight Immortals, with the other shrine occupied by images of Ho Hsien-ku, another of the Eight Immortals, and Sun Fu-jen, an unidentified matron. Ch'iu was deified by the Yuan dynasty emperor Shih Tsu [Kublai Khan, ca AD 1260] as: Ch'ang-ch'un Yen-tao Chu-chiao Chen-jen (MIÈ3⁄4Ç^). Later, at the time of Yuan Wu Tsung [ca. AD 1308], ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 100 personalities were the same. In an enumeration of patriarchs of their magic the Yao manuals from Liannan do name Xu Jiangyang (i.e. Xu Xun) just before a Zhang Zhao Lang (probably referring to Zhang Zhao Er Lang) and a Zhao San Lang (probably Zhao Hou San Lang). Comparing the position of Xu Xun in this account with the Cantonese DJYL which alleged the Zhang Zhao Er Lang and Zhao Hou San Lang were disciples of Lü Shan Jiu Lang, one may surmise that Lü Shan Jiu Lang is none other than Xu Xun. 36 We notice three different styles of names in this genealogy of the magic of sorcerers related by Bai. The first group had titles ending with wang "King", the second titles beginning with what looks like the name of a mountain followed by a number and the word lang, and the third beginning with a surname and ending in a pattern similar to the second. The first two characters in the titles of the third group seem at first reading two surnames which leads one to guess they refer to more than one person (3 in the case of Zhao Hou San (3) Lang and 2 in the case of Zhang Zhao Er (2) Lang). Of the gods of the second group the format of their title bears close resemblance to the names of some gods found since at least the Southern Dynasties. It was this third format that we have seen above appearing as ritual names of some class of persons initiated by traditions of magic found among the Yao, the She and the Hakka. The Southern Song passage has a note under Lu Shan saying that it was a mountain in Luzhou or what is Liaoning province in Northeastern China. A work of anecdotal literature of the Jin period, by Yuan Haowen (1190-1257), did mention a Lu Shan Gong temple or Lu Shan temple in Guangning, near Lu Shan in the present Liaoning province, which was certainly in honor of the god of the Lü Shan. The temple was said to be very daunting. It housed ugly and fearful images, so much so that people who entered during day time were frightened. The name of the other two mountains can be found in many different parts of China, making it difficult to determine their locations. In the case of Heng Shan, the one referred to in the name of the god may be related to the one in the story of Sishan Zhang Daidi". But a popular novel from Fujian in late Qing dynasty, featuring as its central figure Chen Jinggu, allegedly the disciple of Lu Shan Fazu, quoting what it claims to be a saying known in Fujian at its time, suggested that the place is in Fujian province itself. I believe that Lu Shan could have been somewhere in ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 102 that around what is now northern Jiangxi Province there were many temples dedicated to a god known as Jiu Lang. A story in the Song work Yi Jian Zhi mentioned that a god of a Sichuan temple “was popularly known as Er Lang." This last example is also important in that it testifies the persistence of the lang title: although the god had more prestigious titles from the Emperors, the oral tradition still used the old one. In the Yao document from Liannan one sees a list of five gods each associated with the Five Yue Mountains in a similar form, from Dong Yue Yi Lang to Zhong Yue Wu Lang. Lang as a title for sorcerers is also mentioned in the Tang compilation Dao Dian Lun in the Daoist Canon, which quoted Mingzhen Ke, an earlier work, saying that ritual experts of “excessive cults" called themselves gu (for female) and lang (for male). The use of lang for man as a title is found not later than the Han dynasty. According to Zhao Yi, during the Han officials of higher ranks were allowed to appoint their sons as lang. Therefore, according to this work of Qing dynasty, people's sons were called lang as an address of respect. Earliest examples of such usage include the Tang dynasty scholar-official Han Yu's short composition to mourn his elder brother's son, a Shi Er (12) Lang. The Song work of anecdotal literature Yi Jian Zhi also mentions quite a lot individuals bearing names of this form. In two cases explanations seem to be suggested for those names: one because he was wealthy, the other because he knew how to communicate with gods. In both cases the use of a name in the lang form seems to imply respect. This may explain partly why this form of name was adopted as a title of gods as well as sorcerers and initiates of magic. 54 We have relatively more information about Lú Shan Jiu Lang's disciples, who appear to be masters of magic rather than the son of mountain gods. The Cantonese priests' manual contained an entry for Zhang Zhao Er Lang, the last in Bai Yuchan's list. We learn that Zhang Zhao Er Lang were two persons, both from Huainan Xian, probably within the present Anhui province, origin. They studied under Lu Shan Jiu Lang, giving up their positions as high-ranking officials of Qingzhou and Zhangzhou, two prefectures I have failed to identify, to practice magic. One of them was called Zhang Zhao Wu (5) Lang who conquered crocodiles and other sea monsters in the sea of... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 121 4. Such as Muxía San Lang (p 695), Hagoo Wu Lang (p. 1802), Hupe Wu Lang (p 1802) and Mu Ping San Lang (p. 308) 12 See for example, Yi Yuan of Southern Dynasties15 p. 1, Shoku edition. The passage reportedly appears also in Hua Yang Guo Zhi of earlier Jin dynasty, and the Hou Han Shu of the Southern Dynasties "Kainan Xhuan Xin" 4, Shoku edition pt Hht No Gan p 5 in Shankar edition 14 For Tarshan Shi(4) Lang see p. 297 21b Tarshan Sau Lang | 298 p 24b Huayue San Lung | 300 p 30 and ↑ 301 p 33, Huashan San Lang | 303 p 39. There is even a Ji (7) Lang son of Daryue San Lang in) 305-p-490). By in Xiaoshuo Daguan edition reprinted Yangzhou 1983 ** J 4 p 21 in Shrakat edition "The Wudu HaYao", quoted by Wang Jiayon Daojiao Tungan, hengdu Basu Shushe, 1987, $49 IN Nanbu Xusha, Simoku edition mp4 Hong op out p 508 * Quoted by Rolf A. Stein "Religious Laoism and Popular Religion from the Second to the Seventh Centuries”, in Holmes Welch and Seidel eds. Facets of Taoism. Yale University Press, 1979. He dates the collection as from Tang dynasty (p. 67). The text is in the Daoist Canon, vol 704 4) Garyu Congkao | 37, p 677 in reprint by Hefei Rennin Chubanshe 1990. 52 Hong mp of, pp. 916, 1692 * The most curious example is abid, pp. 328-110, quoting an abridged document submitted to a temple as petition. The quoted passage gave an additional name of himself in the form Ediscuss here. The quoting passage seems to have overlooked the fact the author of the quoted passage was the husband of the female ghost who made trouble. DIYLp 41, p 25 "He may be related to Zhan Hou of Jin dynasty who appeared in a legend about a stone horse and stone rider, related in the Yi Yuan a work of the Southern Dynasties quoted by Taiping Guangji4 (top en ↑ 284 p 1969). Perhaps the same Zhao Hou is referred to by Zhao Hou Nan Fa (Southern Magic) and Zhao Hou Da (register) mentioned by the Ming Daoist manual [Tan Huang Daojiaoling Yu Ce, in the Daoist Canon vol. 1109-1110]. There are a few schools of magic, that calls themselves Nan Fa. One is mentioned in Du Guangting op cit 12 p 5, and another in Hong op cit pp. 1733 and 1736] Page 150 Page 151 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1997 https://digitalrepository.lib.hku.hk/catalog/wp98g7579 41 heroes of the Yang-chia Chiang, [the Romance of the Generals of the Yang clan), the novel in which elements of fact are linked and held together by chunks of fiction, embellished over the generations by public story tellers and opera. The title by which several of the family are known individually is Yang Fu Ta-shih. This is also the group title in the few temples in which the whole family of the Yangs are revered as protective deities. The family in the novel includes not only the mother, but also a daughter-in-law, two daughters and a serving maid, all of whom served as generals during the Sung dynasty, as did all seven sons. In one of the numerous episodes in the novel, P'an Jen-mei is said to have planned during the martial promotion jousts to promote his soldier son, P'an Pao, by unfair means. He caused the sons of Yang Yeh to be forbidden to compete and also eliminated other major contestants by having them killed. The Seventh Son of Yang Yeh was furious and despite the ban, entered the jousts and killed P'an Pao. Yang Yeh and two of his sons were sentenced to death but had the sentence commuted to banishment. At one stage P'an Jen-mei, who hated Yang Yeh, had him beaten for disobeying orders and then ordered him and his sons to attack the Liao forces. Unfortunately for Yang Yeh during the battle he and his sons were cut off on Liang Lang Shan [the Mountain of the Two Wolves]. The Seventh Son managed to escape and on returning to P'an's headquarters to seek help was accused by P'an of desertion and shot to death with arrows. Yang Yeh, surrounded and without hope, killed himself by banging his head against a tombstone whilst the Sixth Son managed to get away and back to the capital at Kaifeng. There he laid charges against P’an Jen-mei who was brought back to the city and put on trial. After various machinations he was finally convicted but attempted an escape to the Liao only to be caught and killed by the Sixth Son and his sisters. As a result the Sixth Son was banished by the Sung Emperor. On his way to Ho-tung [Taiyuan] and banishment at his old family home, the Sixth Son by chance met his elder brother, the Fifth Son, who had become a Buddhist monk on the holy mountain, Wu T’ai Shan. The Fifth Son listened to the story of the fate suffered by members Page 75 Page 76 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1997 https://digitalrepository.lib.hku.hk/catalog/wp98g7579 64 to Leng Shan in Fanling from Dongguan in 1190.5 In 1220, they were then driven out and moved to Fan Ling Lau, as their residence was appropriated by neighbouring Tangs. In the Ming Dynasty, due to population pressure, some Pangs moved to what is now called Fanling Wai and built forty-two houses and the village walls. Fanling Wai is composed of a walled village and its extensions which are referred to by the Pangs as Wai Noi Tsuen, Nam Bin Tsuen, and Pak Bin Tsuen. The houses in the past were built one-storey high of clay bricks with tiled roofs. Wooden ancestral tablets were placed at the center of the house for worship. Nowadays, due to population growth, nearly two hundred village houses stand in a row in the village. They have been built and rebuilt into two- or three-storey cement houses since the 1980s, and they contain paper-made ancestral tablets for veneration. The Pangs call this type of house zu wu (literally means the ancestor's house) and point out that they should be passed down the male descent line, usually from fathers to sons, for maintaining the Pangs' lineage community. Outside the walled settlement, there are many village houses with dark-red tiled roofs, white walls, and a balcony. Villagers call it the Spanish style. These houses were mainly built in the 1980s, under the 1972 Small House Policy. The policy allows every New Territories male villager, whose ancestor had settled there before the British Government took over the lease in 1898, to apply for building a house in his village. The house is allowed to be built of no more than 25 feet in height (three storeys) and 700 square feet covered area. Since this type of village house is built by male inhabitants (nan ding), villagers colloquially call these houses ding wu (male's house). From the 1980s onwards, the Pangs have rented out their available village houses for profit when the demand for rural housing increases substantially. After the Second World War and the unstable political period in China in 1949, a huge influx of immigrants from China to Hong Kong, together with the subsequently increased birth rate, exacerbated the housing problem in Hong Kong's urban area. In order to relieve the over-crowded living conditions, the government has not only provided low-cost public housing but also commenced the development of satellite towns (nowadays called new towns) in the New Territories. Housing is nevertheless still in substantial demand because of its inadequate supply. In the 1980s, the private housing ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 69 the fingers of his right hand and the palm of his left. 11] Surya known in Chinese as Jih Tien-tzu EX F Surya, one of the more important deities, personifies the sun and is the Vedic sun-god. He is regarded as a Yaksha and as the ruler of the sun. He is the source of all knowledge; and also within agricultural communities he controls the seasons. In India his main characteristics are lotuses, one held at shoulder height in each hand. An image of Surya is present in both the Pi-yun Ssu and the Ta Pei Ssu. In the Ta Pei Ssu he is portrayed as a standard Chinese minister, standing in colourful robes, highly decorated with a floral pattern. He is wearing a Ming dynasty leather bonnet of an official and is holding a tablet between both hands before his chest. He has a black moustache and beard but no unique characteristics. In the Pi-yun Ssu the deity would appear to be female. She is dressed in multi-coloured robes and crown, but this time holding a very long-stemmed flower between her right and left hands. [2] Candra known in Chinese as the ruler of the moon 7. He is male and referred to also as Yüeh T’ien and as Soma Deva or Candra Deva. An image of Candra is present in both the Pi-yun Ssu and the Ta Pei Ssu. In the latter he is depicted as a youthful emperor or chief minister with an ornate official leather bonnet and highly colourful, decorated robes. He holds a tablet in both hands before his chest but has no unique identifying characteristic. In the Pi-yun Ssu he is again dressed in multi-coloured robes. This time, however, he is wearing an ornate and colourful crown and his hands are held in what perhaps is a symbolic sign, with the right hand held at shoulder height, fingers poised as if to pluck something out of the air and the left hand outstretched. 13] Yama Known in Chinese as Yen-mo-lo In the Vedas Yama is the god of the dead with whom the spirits of the departed dwell. He would appear to have several forms and identities, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 142 and Zheng Lingguan Yuanshuai EA Xu Sun's festival is celebrated on the 1st of the eighth lunar month, though in a few of the temples a further minor festival is held on the 28th of the first lunar month. Apart from his title, Xu Zhenjun and his personal name, Xu Sun, he is also known as: Xu Xianzhen 許仙真 Xu Xian Zhenren 許仙真人 Xu Zhenren 許真人 Shengong Miaoji Zhenjun 神功妙濟真君 a Song dynasty title Jingming Zhongxiao Dao 凈明忠孝道 a Song or Yuan dynasty title Note: This deity should not be confused with another, Xu Jia, also known as Xu Zhenren A nor should either cult be confused with yet another local deity, Xu Tianjun. A further complication arises from the identification by some temple keepers in Singapore and Taiwan of Xu as the local Chaozhou community Military Earth God, Gantian Dadi. i Chinese Medical Deities: 1870 ii Sun Simiao, one of the Ten Celebrated Physicians renowned not only as a herbalist but as a diagnostician was also of Jiangxi province. iii Wu Ben, a herbalist of great renown born in a village near Xiamen in Fujian province. He is possibly better known by his title of Baosheng Dadi, the Great Emperor who Protects Life. iv Fitkin, Gretchen Mae: The Great River - The Story of a Voyage on the Yangtze Kiang: Shanghai: Kelly and Walsh: 1922 v Professor Liang is Head of the Department of History at the Jiangxi Normal University in Nanchang. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 125 the death of his mother who had been defenestrated on orders from her husband, King Zhou, as punishment for bearing such a 'monster.' Yin Jiao was determined to destroy not only his father but also the Imperial Concubine, Da Ji, the Nine-tailed Fox Spirit and current royal favourite who had caused the death of Yin's mother by her calumnies. Yin was presented with two magic weapons by the Goddess Tian Fei, a gold club and a battle-axe, and after the final great battle between the forces of the declining, sinister and corrupt Shang dynasty and the victorious future Zhou dynasty at Wan Xian Chen, Yin Jiao fought first on the side of his father, King Zhou. Later, after switching sides and fighting for the good King Wu, he was unfortunately decapitated by a general during the battles having been sandwiched by the Buddha Randeng between two mountains. He was deified during the general deification at the end of the war by Jiang Ziya, the future Prime Minister of the new dynasty, on the authority of the Jade Emperor. Yin Jiao, at the end of the novel, having been sent by Heaven to bring dread calamity down on to King Zhou because of his blasphemies and evil ways, volunteered to be the executioner of his father and his father's concubine, Da Ji. He was proclaimed Prince Jingming and was rewarded by the Jade Emperor for his bravery and filial piety with the titles of Taisui, Marshal Yin and with the presidency of the Ministry of Time. In the novel, the full title of Yin Jiao, the younger son of the evil King Zhou of the Shang dynasty, is Dou Lei Taisui Yin Yuanshuai. RC and as one of the Twenty-four Heavenly Lords he is also referred to as Yin the Heavenly Lord (Yin Tianjun). An entirely different story is given in another novel, the Shenyi Jing which tells of Jin Chong, the son of Pan Gu the creator of the world, who lived in the mountains of Shandong province. Jin was canonised as Taisui by Fu Xi, a primeval ruler and sage, the first of the three emperors of the legendary period, for his many good deeds and was made responsible to Heaven for supervising the activities of all the spirits and demons. Few Chinese would appear to know this story. Doré, who refers to Taisui as the Patron of the Harvests, explains that Yin Jiao's baby name whilst living with He Xiangu was Jin Nazha. This adds further confusion to the legends surrounding Li Nazha [the Third Prince - San Taizi], a very popular deity who appears with great frequency in Chinese legends and fairy tales. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 130 thousand or more years ago even if it had taken place either comparatively recently or a millennium ago. Again, various broad-brush replies to such questions might be 'during the Ming, Song or Tang' meaning simply a long, long time ago and again usually without any factual basis for such an assertion. This highlights one of the problems which beset Chinese who tried to count the years between two events spaced many decades apart was that they did not have a continuous calendar as we do in the West. This created the problem of calculating intervals between two dated events when each of those dates involved a specific year in the reign of an emperor's reign. To do this one had to know in correct sequence not only each dynasty but also each emperor within each dynasty, and for how long the reigns lasted. Thus it was that the man-in-the-street might perhaps know which dynasty succeeded which but to expect them to know the length of each and to calculate the elapsed time, was more than one could possibly expect. Therefore to them events were regarded as 'a long time ago,' 'before the Ming,' or 'over a thousand years ago' when in practice the elapsed time might be no more than two to three hundred years. Before the 1911 and the overthrow of the last imperial dynasty, the four annual markers considered most important were the spring and autumn equinoxes and the summer and winter solstices. The twelve months of the year were divided into twenty-four solar periods, each of which corresponded to the day on which the sun enters the first and fifteenth degree of the zodiacal sign. The 24 fifteen-day solar periods [known as jie - 'joints'] are referred to by meteorological terms, such as the Great Rain, Slight Snow, Great Heat and Lesser Heat, and the Excited Insects, the latter being the day best known by foreigners for its fanciful name. This last solar period is from March 5th to March 20th and, so children are told, if on the 5th of March you put your ear to the ground you can hear the insects stirring, even ‘marching,' after their winter hibernation. A number of the tall temple entrance doors in Taiwan bear paintings of the deities ruling each of the 24 solar periods, with each portrayed standing on clouds and with commonly accepted characteristics. These include, for example, the Dragon King for the Great Rain and the Tall White Demon for Qing Ming. These periods were the 24 seasonal energies providing a meteorological cycle of great value for the regulation of certain chronological dates, or periods in ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 42 Faure, David, 1986. The Structure of Chinese Rural Society: Lineage and Village in the Eastern New Territories, Hong Kong. Hong Kong &c: Oxford University Press. Gu jin tu shu ji cheng 4 (The Complete Collection of Ancient and New Matters from Illustrations and Documents). 1885-88 (1726). Compiled by Chen Menglei and Jiang Tingxi. 3rd edition. Shanghai: Major Brothers. HODOUS, Lewis. 1974 (1929). Folkways in China. Taipei: Ch'eng Wen Publishing Company. Jing Chu sui shi ji (Records of the Seasons in Jing and Chu). Complied by Zong Lin. Liang Dynasty. In Hubei yunxin yi shutt (Documents on Traditional Morals in Hubei). N.d. TUN LI-CH'EN. 1987 (1936). Annual Customs and Festivals in Peking as Recorded in the Yen-ching Sui-shih-chi. Translated and annotated by Derk Bodde. Hong Kong: Hong Kong University Press. TURBAN, HELGA. 1971. Das Ching-Ch'u sui-shih chi, ein chinesischen Festkalender. Augsburg: Dissertationsdruck W. Blasaditsch. YANG, C.K. 1961. Religion in Chinese Society: A Study of Contemporary Social Functions of Religion and Some of Their Historical Factors. Berkeley: University of California Press. Yiyang xian zhi (Chronicle of the Magistracy of Yiyang). 1874. N.p. Yuanjiang xian zhi (Chronicle of the Magistracy of Yuanjiang). 1807-09. N.p. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 50 Li Deyu died in exile in 849, in Hainan some 57 years before the end of the Tang dynasty. He was born in AD 787, the son of a minister of state, and rose to become a great minister. In his heyday he was pre-eminent in China serving six emperors faithfully, including being chief minister to Tang emperor Wu Cong. Impeached as the President of the Board of War he was banished to Hainan where his spirit withered. He was not only a fine scholar but also favoured Daoism in the rivalry with Buddhism to influence the Court. He would appear to have had a comparatively close friendship with the Mao Shan sect of Daoists and is even thought to have encouraged the persecution of Buddhism and the imperial eunuchs. He was also an untiring opponent of eunuch influence. His achievements as a poet were recognised as was his contribution to horticulture. Li Guang was born in Fujian province in 1085 and died in a monastery in Hangzhou in 1140, having been an Imperial Censor and Minister of State. He is renowned for his opposition to the encroachment of the Jin Tatars and in particular the peace proposals by which Qin Gui earned his unenviable notoriety. In 1126 he commanded troops defending the capital and succeeded in defeating the Jin Tatars with great slaughter. He was impeached in 1127 after only a matter of months as Minister of State for irregularities in connection with the purchase of horses and levies of troops, and was exiled for a while before moving to a monastery where he lived out the rest of his life. Li Guang [1077-1159] was born in Yuezhou in Zhejiang. He was also a scholar-official, but of the earlier Northern Song. He also appears to be feted in Hainan for sharing Hu Quan's rigorous opposition to any kind of accommodation with the Jin invaders and his dislike of Qin Gui. The latter earned him demotion to Jianning military district, and later still another demotion. He was, however, rehabilitated to his original position in 1158 but died the following year while travelling to Jiangzhou. Hu Quan [1102-1180] was a scholar-official of the Southern Song from Luling in Jizhou, Jiangxi province, who received his appointment in the second year of Jianyan emperor. Before taking up his duties, the Jin armies crossed the River and Hu raised his own army to defend the area. He too is famous for his stubborn opposition to any kind of peace dealings with the Jin invaders. He petitioned for the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 31 execution of Qin Gui, the famous "traitor," as well as Wang Lun and Sun Jin, and the hanging of their heads in the streets to show to the public. For this, he was demoted to a post in Fuzhou (in 1138), from where he was transferred to Xinzhou in Guangdong province in 1142. Six years later, he was falsely accused by a man called Zhang (a member of Qin Gui's 'Death clique'), because of a couplet he wrote called Haoshijin, and was moved to the Jiyang military district. He retired to the Pearl Cliff to write a manual for officials, and set up a school. After the accession of the new emperor, he returned to the fray, holding a number of important posts before retiring in 1171. He died in 1180 at the age of 78. Zhao Ding was a Minister of State and a steadfast opponent of Qin Gui and his policy of making peace with the Tatars, for which he was banished to various places. He was born in Shanxi and died in a distant post at Jiyang, on the south-west tip of Hainan, in 1147. b] The Three Marquises, San Gong, is a separate group of deities, scholar-officials of the 9th and 10th centuries AD whose images or tablets have only been seen on altars in Hainanese temples on Hainan Island. The three are Li Deyu [one of the Five Marquises: q.v.], Lu Duoxun 廬多遜 and Ding Wei 丁謂, The second of the Three, Lu Duoxun, also a senior official exiled to Hainan, died some 136 years after Li Deyu. He was born in Henan province and he too became President of the Board of War in 979. La served a later dynasty, the Northern Song, and was also banished to Hainan following court intrigue. His poetry achieved the distinction of being remembered and quoted. The third, Ding Wei, was also a high official of the Song and the only one of the three to survive his banishment. He returned home from Hainan to die in 1040. Ding was born in Jiangsu province and rose to become a Minister of State. He was degraded and banished following accusations of witchcraft and of oppressive rule. He also wrote a large collection of poems whilst in Hainan. c] Su Shi is probably better known as Su Dongpo, and is referred to in Hainan as Su Gong. He is one of the eight famous men of letters of the Tang and Song eras and lived from AD 1036- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 226 Kangxi was an earlier Manchurian emperor who had followed the movements of Catholic missionaries with great interest, both impressed by some and later revolted by others. His imperial son and successor, the Yongzheng emperor (ruling from 1723-1736), castigated those following the "Lord Of Heaven" as heretics (viduan) in his commentary to the seventh maxim of his father. Legge translated and commented on Yongzheng's authoritative interpretations of the Sacred Edict in lectures presented at Oxford's Taylor Institute in 1877, and later published them in Hong Kong under the title "Imperial Confucianism" in the sinological journal, China Review 6:3-6 (1878), pp. 147-158, 223-235, 299-310, 363-374. A good discussion of the impact of the Sacred Edict as part of the educative dimension of the Qing dynasty's civil servants is provided in Victor H. Mair, "Language and Ideology in the Written Popularizations of the Sacred Edict,” in David Johnson, et al., eds., Popular Culture in Late Imperial China (Berkeley: University of California Press, 1985), pp. 325-359. 20. See the description and reflections of a British journalist at the scene in China Mail #803 (July 5, 1860), pp. 106-107. 21. His age was given in Legge's writings on Ch'ea. The fact that he had a son is verified through the records of the Chinese congregation of Union Church in Hong Kong, where a man named Che who joined the church in the late 1860s is identified as "the son of the martyr." This information was gleaned from Carl Smith's archives. 22. Following Lewis Rambo's lead, we will assume that conversion is a “dynamic, multifaceted process of transformation" including, at the very least, elements of "cultural, social, personal, and religious systems." See Lewis R. Rambo, Understanding Religious Conversion (New Haven: Yale University Press, 1993), pp. 6-7. 23. This is one possible literal rendering of the translated title for the "Bible", the phrase also being used as a general reference term in traditional China for the Ruist canon. In contemporary China, that latter association is almost completely lost. 24. One Chinese scholar believes that Wang's influence on Walter Medhurst's translation commitments in the Delegates' Committee were very extensive, but offers no precise historical documentation to support the claim. It is certainly sufficient to know that Wang was Medhurst's "native informant," for the influences could not help but be there, especially when questions of style and phrasing more suitable to Ruist tastes were raised. See Lee Chi-fang, Wáng T'ao (1828-1897): his life, thought, scholarship, and literary achievement (Ann Arbor, Michigan: University Microfilms International, 1992, printing 1973). 25. This is very generally confirmed in I-Jin Loh's essay, "Chinese Translations of the Bible", published as part of An Encyclopedia Of Translation: Chinese-English, English-Chinese, eds. Chan Sin-Wai and David E. Pollard (Hong Kong: Chinese University Press, 1995), pp. 54-69. Loh explicitly states, "It is generally agreed that the literary style of this version [in both Old Testament and New Testament], which had the benefit of help from a Chinese scholar by the name of Wang Tao, was superior to the rival version [later prepared by American missionaries]" (p. 57). The "literary style" was the form of literary conventions. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 250 the Fusang tree re-appears.) Practical aspects of archery mental training were also chosen as images to illustrate philosophical points in Taoism, as seen in the works ‘Liezi’ and ‘Zhuangzi’. But in practical terms, it was in military affairs that archery took the lead during the Han Dynasty. Interaction with the northern tribes on the battlefield kept up the pressure to hone mounted archery skills. General Li Guang's exploits against the Xiongnu are a case in point (Qian Han Shu: Li Guang Liezhuan, Selby: 8L). Certain military ranks in the Han military system also appear to have been appointed on the basis of military skills. (Han Shu: Zhi Guan. Selby: 8K.) According to the Ming author, Gu Yu, (Gu Yu: She Shu Si Juan: Lidai Wuzhi Kao. Selby: 8J) when the provincial rites were over on the first day of Autumn, military examinations started. Military officials provided training in ritual archery and the ritual sacrifice of animals, as well as the Military Classics. Presumably it was during the Han Dynasty that much of the Confucian elaboration of the Zhou rituals must have occurred. Confucius's (apparent) close connection with the ‘Archery Ritual’ (‘she yi’. Selby: 5B.) - he is both quoted in it and appears as a protagonist in the narrative - proved immensely influential when it came to formalizing the imperial system for selection of military officers. Archery and the formalization of the military appointment system The move to a formal, relatively objective and nationwide system for selecting military officials seems to have started in the Northern Wei period, when it became necessary to overcome the family-centered and ethnocentric systems of appointing officials that was endemic in the Wei-Jin period. Chinese historians have naturally associated archery with the nomadic tribes of the north, and it is these tribes who dominated the aristocratic lines of North China in the Wei-Jin Period. In his struggle for the unification of China, Emperor Yang of the Sui Dynasty needed to undermine the traditional power-bases of the aristocratic warlord families. In 607, he implemented examinations in 10 areas, including military affairs. There is no direct historical description of the content of the Sui military examinations; but from ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 256 Mountain, a former small island now joined to the mainland by alluvium, referred to by Victorian travellers as a 'pyramidal rock'. This used to stand out in the Yangzi a mile or so upstream from the city of Zhenjiang, hence their use of its name generically for the city. There is a further island, Jiao Shan Scorched Island, an islet some mile or so downstream from the city with its own ancient temple, Dinghui Si concealed within its tree-covered slopes. It too has its own memorials from the era of the Six Dynasties - two or three ancient cypress trees, whose storm-riven and almost barkless trunks were in the 1920s still held together by iron bands. According to Allom, Silver Island [Mountain], the name formerly given by foreigners to Jiao Shan, is to the westward of Zhenjiang, within sight of the Gold Island [Mountain] [see illustration]. Legend has it that Jin Shan, Gold Mountain takes its name from the time during the Tang dynasty when a certain Bei Totuo was digging into the hill and found a pot of gold; this has long been denied by Buddhists who believe that the name of the hill has a Buddhist symbolic meaning. Although the British Concession was originally laid out with intervening ground between it and the old walled city it did not take many years for the new native city to encroach and reach the Concession boundary. This meant that foreigners wishing to leave the Concession had to battle their way through the main street of the new native city, facing filthy and disease-ridden beggars, open drains and past open spaces which were used as public conveniences, constantly patronised by squatting men. Captain Cunynghame, serving with the British force sailing up the Yangzi and about to mount an assault on Zhenjiang, arrived off the city on the 18th of July 1842. The force had been proceeding with great care as it was the first opportunity that western warships had had to penetrate as far inland up the Great River. He described his first sighting of Golden Island as 'the most beautiful little fairy isle imaginable, covered with temples, whose gilt-topped pagodas shone brilliantly in the evening sun'. A week or so later, once the city had been stormed and he was able to walk through it and wrote that "the walled portion of the town was reckoned about four miles in circumference. The suburbs, extending a long distance to the west, probably occupied an equal extent of ground. The former space was chiefly occupied by streets containing shops, with an occasional blank space of wall within which were the houses of the most wealthy inhabitants. A very large portion, however, was occupied by gardens ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 258 Shanghai did not possess, and were undoubtedly conducive to health by promoting exercise. In winter the climate is bracing and healthy though fever and dysentery were to be dreaded in summer'. There are a number of highlights for foreign visitors beginning, perhaps, with the former foreign concession, though nowadays more than seventy years on, it is difficult to discern. Outside the Chinese old city with its modern main roads, cobbled side streets and a stone pagoda said to be 13th century Yuan dynasty, though its present condition suggests that it has either been well restored or completely remade within the last century, there are the fourth century Jin Shan temple and pagoda; the Grand Canal; the former British Consulate; the home of Pearl Buck, as well as the sites of the storming of the town by a British brigade on 21st July 1842 during the First China War [commonly referred to as the Opium War]. There are also the remains of the lengthy trench dug by the Taiping rebels to protect the city from recapture by Imperial forces as well as the ruins left after the destruction of the city by the Taipings during the 1850s. And for those who have read a little Chinese literature or attended Chinese opera the widely-known tale of the White Snake Lady is also part of the story of the Jin Shan temple. Before waxing too lyrically about its glories let us remember that Zhenjiang is the vinegar capital of China, with, if the wind is in the wrong direction, an evocative sour tang forewarning approaching visitors long before they are anywhere near to the city. The majority of Chinese when confronted with the name of the city almost to a man voice the single word 'vinegar' or to the connoisseur 'brown rice vinegar'. Zhenjiang was a treaty port with a foreign concession for sixty-eight years, from the signing of the Treaty of Tientsin in 1860 until 1928, one of the minor footholds foreigners had obtained from China in one of the 'unequal treaties' and the base for numerous foreign interests. There were great hopes for the place and Sir Robert Hart, the Inspector-General of the Chinese Imperial Maritime Customs, even anticipated that eventually it would eclipse Shanghai as a commercial centre. Despite numerous westerners passing through the place down the years only a few spent full tours of duty there. Many of the temporary visitors were the lesser employees of major western companies such as BAT and Butterfield and Swire, whose regular tours to the many small ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 262 War in 218 AD between two of the Three Kingdoms [San Guo], between Sun Quan of Wu and Liu Bei of Shu, led amongst other things to the capture of the city of Qingzhou. One of Liu Bei's generals, Guan Yu, hurried south to defend the city but was ambushed, captured and decapitated by Sun Quan after he refused to change sides. Guan was later deified as is now the immensely popular deity, the Patron of Uniformed Bodies and is known as the God of Loyalty, Guan Di. Thus, the founder of Zhenjiang had the distinction of slaying the consequent Patron deity of Soldiers, Firemen and Detectives and the second most popular god on Chinese popular religion altars. In the first years of the 6th century AD the first emperor of the Liang dynasty, Wu Di, who was renowned for his support of Buddhism and the Buddhist clergy, visited Zhenjiang. He had been visited by a divine monk in a dream who urged Wu Di to institute a great fast in order to rescue all sentient beings from the miseries of their existence. The Emperor ordered a new monastery to be built at Tse Hsin [Zexin], known today as Jin Shan to accommodate the Congress held in AD 507, and for centuries within the monastery there was a building known as the Hall of Liang Wang. This tradition is at odds with the date usually given for the founding of the monastery - AD 317. Our next story involves a deified hero who had nothing to do with Zhenjiang in life but, for some unknown reason, his cult would appear to have become centralised along the Grand Canal and especially at Zhenjiang. He is a canonised hero of the Tang dynasty, but one of a pair whose images elsewhere appear together on popular religion temple altars. These two euhemerised heroes, Zhang Xun and Xu Yuan, ***, have been seen on altars in Jiangsu, Zhejiang, Beijing, Taiwan, Hong Kong and South-east Asia. These two protective deities are known individually as the Venerable King of Peaceful Pacification, Wen'an Zunwang ✰✰ E [Zhang Xun] and the Venerable King of Military Pacification, Wu'an Zunwang ✯✯ [Xu Yuan] though they will + be referred to hereafter simply as Zhang and Xu. The most common history of the two heroes as related by a great number of temple keepers describes how Zhang and Xu, loyalists during the reign of Tang Ming Huang, opposed the rebellion led by An Lushan. They died heroically in AD 757 during the civil war defending the provincial city of Suiyang in Henan province which fell to the enemy ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 268 bannermen stationed there. The great Qing emperor Qian Long, travelled far and wide throughout his empire on Inspection Tours and visited Zhenjiang. He had a particular love for the monastery at Jin Shan. Lord Macartney was yet another visitor who, in 1792, passed through Zhenjiang on his way up to Beijing, during his unsuccessful attempt to achieve British diplomatic representation there. He was much impressed by the crossing of the Yangzi from the southern arm of the Grand Canal to the start of the northern arm, and by the pagoda-crowned islands he observed on the Yangzi. These would be Jin Shan and the Ganlu Si. Some twenty-five years later Lord Amherst's Mission to Beijing also visited Zhenjiang. His visit was also unsuccessful and, moreover, he was treated with gross discourtesy in the Capital. The storming and capture of Zhenjiang by the British force under Sir Hugh Gough on the 21st July 1842 during the First Anglo-Chinese War This episode in Zhenjiang's history is described in Part II by Phillip Bruce. The problems facing the Qing emperors and their survival from both within and without China during the seventy or so years after 1840 heightened political consciousness and the increasing weakening of control due to unrest and an increase in brigandage. During the latter years of the Qing forced confrontation with Western culture in treaty ports led to the spread of popular unrest and Zhenjiang was no exception. The Taiping era The Taiping Rebellion was an armed rebellion against the Manchu Emperor. It grew out of worsening social and economic conditions, with a number of secret societies and clan groups offering an existence economy and protection. The foreign dynasty of the Manchus had lost its drive and with opium addiction widespread, the scene was set and ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 271 other smaller temples, some well known, others hardly known at all. These include the conspicuous red-walled Dicang Wang Temple not far from the south-west corner of the city wall; the Doutian Miao and the Xiu Wang Miao, both referred to earlier. All were destroyed during the Taiping occupation, though many were rebuilt during subsequent years only to fall into disuse during the Japanese occupation as well as since 1949. The Jin Shan Temple and the Ganlu Temple today are the premier tourist sites in Zhenjiang, with the Dinghui monastery, though less easily accessible, being a good third. There used to be an interesting group of memorial temples on the Ganlu headland [Consular Bluff], a favourite resort for native Chinese picnic parties. One of these shrines was dedicated to Zhu Xi, a Southern Song dynasty neo-Confucian philosopher, born in Anhui in AD 1130, and probably best remembered for his commentary on Confucian classics, with his 'Rituals for Family Life' being influential throughout China as the standard authority consulted by high and low alike. He was the Confucian scholar who, whilst prefect at Zhangzhou in Fujian in 1190, attacked Buddhist and Daoist practices and issued orders laying down punishments for those who disobeyed the rules. Despite this he wrote commentaries on the sacred books of Daoism. He retired in 1196 and after his death four years later was posthumously appointed Chief of the Imperial Tutors with the rank of Lord. He has long been deified, with a portrait installed in a temple in Jiangxi province at an early stage during the twelfth century to encourage sacrifices to him by local scholars and gentlemen.14 He was revered in Confucian temples from about 1250, and during the reign of Kang Xi he was elevated to a position just under the 'Ten Noted Men' [The Ten Disciples of Confucius]. [1824-1890], Another shrine was dedicated to Peng Yulin the Chinese admiral in charge of the Yangzi Fleet which operated with success against the Taiping rebels. Peng was remembered by foreigners for his incorruptibility as well as his inability to understand the westerners. During the short French war with China in 1884-5, when in Guangzhou as the Imperial Naval Commissioner sent to organise its defences he proposed sending emissaries to Singapore to poison any French officers who might have been enjoying British hospitality there. Beijing frowned on his plan and he was unable to see why. He was also violently opposed to the introduction of iron-clads into the Chinese navy. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 278 Beigu Shan The Ganlu Si [Sweet Dew Monastery] is situated in the north-west corner of the city on the summit of Beigu Shan, a low hill with steep cliffs down to the coast. It is the site described in the old legend of the marriage of Liu Bei, the ruler of the Kingdom of Shu. Traditional operas and tales of teahouse story tellers based on this legend are still popular today. The romantic legend, which may have a genuine historical basis, is said to have taken place during the Three Kingdoms period, 2nd century AD, when Liu Bei was the ruler of the kingdom of Shu [in what is today Sichuan and then, one of the Three Kingdoms]. Liu went to the rival state of Wu [nowadays Jiangsu province and part of Zhejiang] and married as his secondary consort the sister of its ruler, Sun Ce, whom we have already mentioned. He is said to have either courted or married her in the Sweet Dew Monastery during his stay there. Another version claims that Liu Bei was invited by Sun to visit the Sweet Dew Monastery to meet his future mother-in-law. Sun actually planned to have Liu assassinated though Liu learned of the plan and escaped taking the ruler's sister, Sun Shangxiang, with him. Yet another version describes how Sun Quan, the king of Wu and brother of Sun Ce, was displeased by Liu Bei's failure to return a piece of land he had borrowed from Wu. Sun offered Liu the hand of his sister in marriage but planning all along to withdraw the marriage offer when the ceremony was about to be held and Liu Bei was in Wu territory. At the same time he would require Liu to hand back the land. Liu's secret agents warned him of the plan and Liu managed to get Sun Quan's mother and, of course, the prospective bride, to meet him at the Ganlu Temple. They were delighted with what they saw and immediately consented to the marriage. Sun was furious at being outsmarted and not only losing his sister but without even regaining the land. The dating of Liu Bei's visit and the conventional date of the foundation of the temple during the Eastern Jin dynasty cannot be reconciled unless Liu Bei's host, Sun, had a palace on the site which two hundred years later was either converted into the temple or the temple was built on the site of the palace. The Ganlu Si iron pagoda was first built during the Tang, originally with nine storeys. However, down the ages natural disasters have removed the top five, though a further two storeys have been added. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 309 During their drive north to eliminate the War Lords and unify China under the Republic, the Nationalist [KMT] forces entered Zhenjiang in March of 1927 and at the same time took over the Concession. Most westerners left for Shanghai whilst those who remained lived aboard hulks on the River or as close to the River as they could get. Even the British Consul was withdrawn to Shanghai where he continued to carry out his Zhenjiang duties. Eventually, in 1929, bowing to the inevitable the Zhenjiang Concession was finally retroceded to Chinese control and the treaty port, as such, was no more. Gerald Yorke travelled to China in 1931 planning to spend a couple of years travelling around China and studying, to satisfy a childhood dream. Not long after his arrival, as Reuter's correspondent, he joined a party chosen by the Chinese Government to inspect the dyke systems of the Yangzi and Huai river valleys which had just been rebuilt as a result of the disastrous floods in 1931. During the tour with the party they departed from Shanghai and reached Zhenjiang early the next morning. They were greeted on the hulk by a band which played valiantly out of tune. After motoring through the town to a public garden they were entertained at a European luncheon. The weather was cold but presuming that any entertainment would be indoors an under-dressed Yorke froze in the open pavilion. A Shandong medicinal wine was served with the first course; appetising dishes came hot from the kitchen, all of which sat on the table waiting for the Chairman of the Provincial Reconstruction Committee to finish his welcoming speech. When the tepid lunch was over they were each given a pamphlet describing the flood protection work done and the reconstruction planned for the future, a perfect example of how provincial officials wasted their time and country's money by publishing, with their portraits next to the title-page, an account of rather more than they have done and of what they would like one to think they are going to do. The afternoon was spent sight-seeing at the monastery on Silver Island [Jin Shan], with its hundred or so monks and its ancient fir tree in the outer courtyard. The tree had but one branch still alive, its trunk bound in iron and its base enclosed in marble - a symbol of the passing of classical Chinese culture. The monastic treasures were all displayed, the bronze vessel from the Zhou dynasty, a drum from the Han, and a jade belt belonging to a former statesman, possibly Ming. There was also a small hexagonal column inscribed with the Daode Jing, the Daoist classic which had surprised Yorke as he had not expected to see a Daoist classic in a Page 375 Page 376 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 17 In the early Qing Dynasty Longhua Temple received considerable attention in the form of repairs to the existing buildings and construction of new ones. A major construction project started in 1647 resulted in the completion of the Abbot or Temple Master's Room (Fang Zhang Shi) and the Wei Tuo Hall (Wei Tuo Dian), as well as the repair of the Scripture Storage Pavilion (Cang Jing Ge). It will be recalled that during the Yuan Dynasty the temple experienced a massive expansion in the size of its territory, if not its actual structures. In 1672 the Qing authorities measured the size of the immediate area around the temple halls as occupying 93 mu of land, plus an additional 74 mu of open land in the surrounding area which was used to plant vegetables. It was this later open space which gradually evolved into first Longhua Park, and then the present day Martyr's Cemetery. During a 155 year period in the middle of the Qing Dynasty, from 1672 to 1827, no new construction, reconstruction or repairs were recorded. This begs the question as to why the temple was dormant during such a long period of time. Was it lack of imperial sympathy for Buddhism in general, or simply the absence of wars and destruction requiring later rehabilitation during this relatively peaceful time? After a century and a half of dormancy, the Taiping Rebellion finally provided the opportunity or the need for new construction and repairs. Between 1860 and 1862 the Taiping rebels attacked Shanghai three times, during which records say vaguely that most of the Longhua Temple buildings were destroyed. On August 18, 1860 the Taipings captured Xu Jia Hui, and it was probably then when the nearby Longhua Temple was destroyed. Although no list is provided of exactly which buildings were destroyed, we can infer from later lists of the structures rebuilt afterwards that this included the Great Sadness Hall (Da Bei Dian), the Precious Hall of the Great Hero (Da Xiong Bao Dian), the Heavenly Kings Hall (Tian Wang Dian), the Three Gods Hall (San Sheng Dian), the Maitreya Buddha Hall (Mi Le Fo Dian), the Drum Tower (Gu Lou), the Bell Tower (Zhong Lou), and the Big Buddha Hall (Da Fo Dian). Basically every previously existing key structure is mentioned as having been rebuilt after this period of destruction, with the exception of the die-hard Precious Pagoda (Bao Ta) and the Master's Room (Fang Zhang Shi), raising the possibility that the two structures which stand today are both authentic originals. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 26 which is open to the public, the Mu Ta Yuan, so named for the Tao Ming Chan Si Mu Ta, a broken stone tomb pagoda dating from the year 1667 in the reign of Emperor Kang Xi which stands in the centre. The Mu Ta is a hexagonal stone pillar on a lotus flower with a round stone ball balanced on top decorated with dragon images wrapped around it. Two faint inscriptions can be seen on either side of the pillar. Lying on the ground beside the Mu Ta is a broken piece of an ancient inscribed tablet. This is one of the original four boundary stones of Longhua's predecessor Kongxiang Temple dating from the year 1262 in the late Southern Song Dynasty (1127-1279). Near the Mu Ta are three stone statues of a mythical animal, the Si Ge Lin Shou. These broken stone remains may be the oldest relics on the site, but their age, origin, and significance seem a mystery. In one corner of this courtyard is a corridor connecting with the Longhua Hotel next door. At the rear of the courtyard is the monk's Dining Hall (Zhai Tang), not to be confused with the separate Vegetarian Restaurant (Su Cai Guan) intended for public visitors located on the right side of the Da Xiong Bao Dian beneath the sign of the large wooden fish (pang) hanging from the rafters. Two long barracks-like halls run along almost the full length of the western side of the temple compound and are divided up into many small Buddhist chapels. The major ones include the Arhat Hall (Luo Han Dian), and the Goddess of Mercy Hall (Guan Yin Dian). The Luo Han Dian is a new addition to the temple, added sometime during 2002. It features small golden statues of 500 arhats or Buddhist saints. This chapel has become quite popular with worshippers, but one woman who had just finished praying mistakenly told the author there were 800 arhats, testimony to the newness of this innovation. The Guanyin Dian is on the left side of the fourth courtyard and features an impressive golden statue of Guanyin, who is depicted as facing in all four directions, and has 1,000 arms. Many of her hundreds of hands hold objects of special significance. In between the Luo Han Dian and Guanyin Dian is yet another hall, seemingly nameless, which although devoid of architectural splendor does have three splendid gilded Buddha statues. These three include Sakyamuni Buddha (Shi Jia Mou Ni Pusa) in the centre, Manjusri (Wen Shu) on your left, and Guanyin on your right. The interior walls of this hall are literally covered with memorial slips of paper and photographs meant to commemorate lost loved ones. It is ================================================================================