RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g 36 JEN YU-WEN At the close of Southern Sung, the last two emperors had to flee and seek refuge by the shores of the sea, from where they led a hundred thousand odd officials and soldiers in the noble endeavour to restore the empire. The Kuan-fu area, with the three big characters Sung Wong Toi still remaining, commemorates one of the last portions of Sung territory on which the two emperors stood. Shortly afterwards they met their ultimate defeat and the whole country was lost to a foreign tribe for the first time in China's history. But what we commemorate is not this unfortunate event in our national history; it is the spirit of nationalism and patriotism displayed in the last struggle of the Sung patriots for the recovery of the mother country. The independence and freedom of China had a higher claim to their lives. This unconquerable spirit, expressed in the unceasing revolutionary efforts of the Chinese people to fight against the Mongols ever since the last days of Kuan-fu and Ya-shan, was finally crowned with success in the overthrow of the Yuan Dynasty less than 90 years afterwards. Today, when we pass through the ancient site of the Travelling Palace and look at the Sung Wong Toi monument, we see the symbol of this same spirit, which is the essential quality necessary for the survival of any nation on earth. NOTES 1 This lecture is a condensation of my Chinese article Sung Kuan-fu Hsing-kung K'ou (†‡3hB) published in the Continent Magazine († A), Taiwan, September, 1966. 2 Such as Ch'en Chung-wei, Erh-Wang Pen-mo (RR#i, =±**), Shu Mou-kuan, Hsin-an Hsien-chih (Chia-ch'ing), Gazetteer of Hsin-an District (**T. ** **BA), K'o Wei-ch'i, Sung-shih Hsin-pien (MM. ER #), Chang Hsu, Ya-shan Chih (HM, AJA), Nan Sung Shu (ET). * Mother Yu was never again mentioned in historical records; probably she had died. 4 For references, details and discussions on the royal itinerary from beginning to end, see my treatise Sung-mo erh-ti nan-ch'ien nien-lu k'ou (**=*64***) in Sung Wong Toi, a Commemorative Volume (edited and compiled by myself), Hong Kong, 1960, pp. 122-174 (X£b444). 5 It is alleged that there were eight mountain ranges spreading over the peninsula which look like running dragons (lung), and that when the boy Emperor stayed at the place, people pointed out that he himself represented the ninth, as an emperor was commonly believed to be symbolized by a dragon. But the more rational and reasonable interpretation for the origin of the name would be that there are altogether nine mountain ranges spreading over the peninsula. According to Hsi-nan I Chuan (§§ AM) in Hou-han-shu (**後漢書**), the Ai-lao-i (‡‡✯ aboriginal tribe Lao) in Yunnan Province called back “k'ou" and seat "lung". Hence to them, Kowloon meant ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g THE TRAVELLING PALACE OF SOUTHERN SUNG 37 "the back seat". But before accepting this interpretation, one must verify the identity of the Yunnan Lao with the aboriginal tribe dwelling in Kow-Joon speaking the same language. 6 See my article "The Southern Sung Stone-engraving at North Fu-t'ang" in Journal of the Hong Kong Branch, Royal Asiatic Society, Vol. 5, 1965. At line 17 of the article "before this date" should read "after this date". The Chinese text on the engraven rock was given in my article, but was not accompanied by a literal translation, which now follows: [I] Yen I-chang of Ku-pien (K'ai-feng, Honan Province), being the administrator of this Field (namely, Kuan-fu Ch'ang), accompanied by Ho T'ien-chuch of San-shan (Foochow, Fukien Province), come to visit these two mountains (North and South Fu-t'ang). In the course of investigation, [I found, first, that] the stone pagoda (shih-ta, or colloquially called Ku-shih-ta and abbreviated to Ki-ta) at South T'ang was constructed in the 5th year of the reign of Ta Chung Hsiang Fu (i.e., of Emperor Tsen Tsung of Northern Sung, A.D. 1012). Next, Cheng Kuang-ch'ing of San-shan, piling up stones and chopping down trees, renovated the two T'angs. Again, T'eng Liao-chuch of Yung-chia (Wen-chou of Chekiang Province) continued the work. The ancient stone-tablet at North T'ang was established by Hsin P'o-ting of Ch'uan-chou (Fukien province) in the year wu shen but the reign [of what Emperor] cannot be ascertained. Now, Nien Fa-ming of San-shan and Lin Tao-i of this native place (i.e., Kowloon) continue the work. Furthermore, Tao-i can expand the former plan requesting [me] to establish another stone-engraving for commemoration [of the renovation]. Inscribed on the 15th day of the 6th lunar month in the year chia shu [i.e., 10th year] during the Hsien Shun reign (Emperor Tu Tsung of Southern Sung, A.D. 1274). 7 Yuan Yuan, Kwangtung T'ung-chih, Haifang lüeh, chuan 2, kx. Ak Ma. 40%. Shu Mou-kuan, Hsin-an Hsien-chi, chuan 7, Chien-shu lüeh 建署累 8 Ta-ch'ing Hui-tien, Kuan-chih kao. 76. 9 Research notes by the late Sung Hsueh-p'eng (4) who had done much research work on the local history and geography of Hong Kong and Kowloon. A portion of the notes was generously recopied and given to me. 10 Ibid. 11 T'u-shu Chi-cheng, Chih-fang-tien (811A.AZ) records that "This was the old engraving of Yuan times”. 12 Chuan 18, Sheng-chi-lüeh BAY. 13 Before 1941 there were three streets at this place, called "Sung Street", "Ti (Emperor) Street" and "Ping Street". (Apparently Emperor Ping was mistaken for Tuan Tsung (Shib). As the history of Southern Sung in Kowloon had been rather obscure, the mixing up of the two names was not very unlikely; even the Hsin-an Gazetteer made the same mistake. This whole area including the three streets was levelled during the Japanese occupation to facilitate the extension of Kai-tak airfield. 14 See Jao Tsung-i, Kowloon yũ Sung-chi shih-liao ✯‡, ^*‡‡‡£ #, Hong Kong, Universal Book Co., 1959, p. 105. 15 Wu Pa-ling, Sung-t'ai kan-chiulu 4*. *4434 in Sung Wong Toi, a Commemorative Volume, p. 108. 16 By the side of the cliff a low-cost housing estate has been recently constructed south of the new Fu-ning Street (3##), east of the now Fuk- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 24 and not even a tablet is permitted. Images of the Jade Emperor seen in Taiwan, Hong Kong, Macau and in South-East Asia are all very similar, portraying him as a bearded, usually gilded, image of an official seated on a throne, with a jade tablet clasped in both hands before his chest (see Plates 2 and 3). His head-dress is not a crown in the western sense, but a classic hat, the mien (mian) the rectangular mortar board cap from which is suspended, front and back, thirteen red cords bearing green, red and blue beads and descending almost to the level of his eyes. Thirteen indicates his supreme rank. This, it should be noted, is the typical standard image of a great number of official deities other than the Jade Emperor, and the only way one can categorically identify his image is to see it on his altar, or to find that it bears an original inscription describing it as the image of the Jade Emperor. His image is placed as high on the altar as possible, even to the extent of placing it on as many as three to four tiers; his image, even more than most, must never permit his feet to be touching the ground. In a number of places he is considered to be too holy and too powerful to be portrayed by an image; his title only being recorded on a tablet which occupies the centre of his altar. Images of the Jade Emperor are to be seen not only on the main altars of temples dedicated to him but also, in a small number of instances, on secondary altars in temples dedicated to lesser deities. In Suifu in Szechuan, Graham in 1928 counted nineteen images of the Jade Emperor on altars in the town. The images were placed on the first floor of the temples whereas other gods were normally on the ground floor. 7 Grootaers noted that the cult of Yuh Huang was well represented in the sanctuaries built in high spots in the city of Hsuan Hua (south of Chang Chia Kou [Kalgan] and northwest of Peking). The earliest was dated 1535 AD. Yuh Huang was better known there as Hao T'ien Shang Ti and his image portrayed him as a bearded scholar with a mortar board cap. In many folk religion temples in Ch'aochou (Teochew) communities his tablet stands in the front centre of the altar table nearest the main entrance, and in front of the main altar, with only an image of the Third Prince on his altar table standing between the Jade Emperor's tablet and the entrance. The altar of the Jade Emperor is referred to as the T'ien Kung T'an (Tiangong Tan). On his birthday, the 9th of the first lunar month, large sacrificial offerings to T'ien Kung are placed on this special altar ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n Dan Waters - A Brief History of Technical Education in Hong Kong, 1863-1980 ..... 210 Dan Waters - More Photographs from the HKBRAS 40th Anniversary Celebration Conference held in December, 2000..... 227 Dan Waters - The HKBRAS Volunteers 231 More on the HKBRAS Trip to the Socialist Republic of Vietnam between 30 September and 6 October, 2000 233 Jack Lao Mou Chi - Photograph of Hong Kong Harbour and Waterfront taken in 1954 ..... 251 Peter Halliday - Some Thoughts on Love is a Many Splendored Thing 255 Chiu Hang Shi - Amendments to the Article 'Yaumatei and the Yu Lan Festival' in 'In the Heart of the Metropolis: Yaumatei and its People' 267 James Hayes. - Model Village, Kowloon Tsai, Hong Kong 269 xi ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n CONTRIBUTORS Solomon Bard, O.B.E., E.D., is a long-time, well-known resident of Hong Kong and amongst his many other accomplishments is a musician, archaeologist and historian. His published works include the following: In Search of the Past: A Guide to the Antiquities of Hong Kong (Urban Council, Hong Kong, 1988); Traders of Hong Kong: Some Foreign Merchant Houses, 1841-1899 (Urban Council, Hong Kong, 1993); and Garrison Memorials in Hong Kong: Some Graves and Monuments at Happy Valley (Antiquities and Monuments Office, Hong Kong, Occasional Paper No. 4, 1997). Brian C. Fawcett, was born in the Far East where his father served with the Hong Kong & Shanghai Banking Corporation. He also joined the bank and served from 1961 to 1978, being based in Hong Kong from 1971 to 1978. During that time he was also a volunteer with the Royal Hong Kong Auxiliary Air Force, now the Government Flying Services. He is a life member of HKBRAS. Peter Halliday, M.A., Ph.D., is an Assistant Commissioner with the Hong Kong Police Force and is in charge of the Information Systems Wing. He has been the Hon. Editor of the HKBRAS Journal since 1993 (peterhalliday@police.gov.hk). James Hayes, Ph.D., D.Litt. (Hon.), is a Past-president of HKBRAS. He is a noted scholar and Hong Kong historian, and has written several books, the most recent being Friends and Teachers: Hong Kong and its People, 1953-87. He has contributed prolifically to the Journal (mouseh1@bigpond.com). Teresa Kowalska, Ph.D., is a professor of physical chemistry at the Silesian University, Katowice, Poland. She has a distinguished academic record in her chosen field and publishes widely. Her interest in and admiration of, the writer Han Suyin is an extracurricular pursuit (kowalska@uranos.cto.us.edu.pl). Jack Lao Mou Chi, is a retired Assistant Commissioner of Labour of the Hong Kong Government and a member of HKBRAS. Barbara Park, is a landscape designer and a long-time member of HKBRAS. xii ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n PHOTOGRAPH OF HONG KONG HARBOUR AND WATERFRONT TAKEN IN 1954 JACK LAO MOU CHI 251 The photograph is actually five photographs joined together, approximately 30 inches by 6 inches. Starting at the Central District Vehicular Ferry to Jordan Road, it can be seen that, moving to the right, Connaught Road at the time formed the Praya or Waterfront. Near the right-hand end of the photograph both Blake Pier and Star Ferry Pier can be seen. The Star Ferry moved to its present piers, on reclaimed land, in late 1957 when a number of people complained about the extra distance to walk! Behind the two piers can be seen the Queen's Building (where the Mandarin Hotel stands today), the old Hong Kong Club building and Mercury House (Cable and Wireless). Behind is the Royal Naval Dockyard, which was where Admiralty is situated today. Beyond, of course, is Wan Chai, where Gloucester Road at that time formed the Waterfront, and still further on is North Point. On the other side of the Harbour the skyline is formed by the Kowloon Foothills and one can pick out such landmarks as Kowloon Peak (Fei Ngo Shan), Lion Rock and Beacon Hill. Passes along the Foothills, from west to east include Kowloon Pass, Sha Tin Pass, Grasscutters' Pass, Customs Pass and Tate's Pass. Further to the north are Heather Pass and Buffalo Pass. Right over to the west of the photograph is Tai Mo Shan, Hong Kong's highest mountain. In those days there was a clear view of the Harbour from Government House and Governors were said to use the number of ships in the Harbour as a barometer of the economy. In this photograph there does not appear to be a great deal of activity. (Question from Dan Waters, who borrowed the photograph and copied it: 'During the 1956 Riots I served as a Special Constable based at the Waterfront Police Station. I was under the impression that this ================================================================================