RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 246 1884/85 1885/86 CARL T. SMITH 16 Dec. 1884 "Still Waters Run Deep" comedy (T. Taylor, 1855) given in 1862, 1878. 17 Dec. 1885 "Chiselling" farce (J. J. Dilley and J. Albery, 1870) "Nine Points of the Law" (T. Taylor, 1859) in 1878. 18 Feb. 1886 — "The Overland Route" (T. Taylor, 1860) second performance of season. 1886/87 9 Mar. 1886 "Weak Woman" (H. J. Byron, 1875) benefit with Canton Amateurs for burned Canton Theatre. 7 Apr. 1886 — "Heads or Tails" (J. Palgrave Simpson, 1854) "Chiselling" farce (Dilley and Albery, 1870) given in 1885, 18 Nov. 1886 "A Widow's Hunt, or Everybody's Friend" comedy (J. Sterling Coyne, 1859) 30 Dec. 1886 — "Cups and Saucers" musical sketch (G. Grossmith 1878) "Our Wife" comedietta (J. M. Morton, 1850) 13 Apr. 1887 — "A Comical Countess" (Wm. Brough, 1854) "Our Soldiers" comedy (H. J. Byron, 1873) 1887/88 8 Nov. 1887 "Withered Leaves" comedietta (J. W. Broughton, 1875) "The First Night" comedy (J. M. Maddox, 1853) "The Rivals" (Sheridan, 1775) 17 Jan. 1888 1888/89 1889/90 1890/91 apparently no production this season. 26 Dec. 1889 last performance Mar. 1890 - 1 Christmas Pantomime: "Ali Baba and the Forty Thieves" Grand 26 Dec. 1890 --- "Ali Baba and the Forty Thieves" pantomime 30 Mar. 1891 - "The Two Roses" (J. Albery, 1870) 1891/92 24 July 1891 1864) "David Garrick" comedy (T. Robertson, 26 Dec. 1891, 23 Jan., 20 Feb. 1892- Christmas Pantomime: "Beauty and the Beast" 27 Feb., 1 Mar, 1892 21, 30 Apr. 1892 + "Betsy" (F. C. Burnand, 1879) "Turned Up" (or "Too Much Married") comedy, (M. Melford, 1886) Page 268 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 195 his alarm allayed amidst the warmest applause from the audience for his clever and successful "sell". In addition the editor wrote that this Prologue afforded H. E. more valuable hints how to treat the Rebellion than all the suggestions that have been submitted to him since his arrival. Apparently Bonham was "so much delighted that we are not without hopes a report on the performances may form the subject of his first despatch from Shanghae”. So much for modesty. As regards the performances themselves, the writer had it in confidence from a tall whiskered male who occupied a front seat disguised in a dress coat, that although Hong Kong theatre is now more conveniently lit up in the Victoria Theatre in acting Shanghae would not suffer by comparison". "That treaty port chauvinism was not lacking even at that early stage was made clear when the visitor insisted that our Head Actor has been brought from Hong Kong”. Despite his earlier lukewarm praise he must have made some sour remarks too, for the editor wrote that "except as to the heroine, his critical skill was evidently at fault in discriminating the excellences of the other performers in Betsey Baker; and all he could be got to say regarding Apartments was something about Mr. and Mrs. Keeley having many worse imitators” (Robert Keeley, 1793-1869; and Mrs. Keeley (Mary Ann Coward), 1806-1899: famous British actors). (NCH 26.3.1853). 5.5.1853 (Thur) G.A.A. BECKETT: "Siamese Twins" (1834) T: Farce (1 act) R. BUTLER: "The Irish Tutor" (1822) T: Farce (1 act) C: Amateurs F: Music by the band of the Susquehanna Th: Imperial Theatre (B) N: Final performance of the season R: The close of the season by the amateurs who called themselves the "Lily Troupe" for a "bumper house"; with some “admirable music by the Band of Susquehanna" — a steamer belonging to the U.S. Japan Squadron. (NCH 7.5.1853). 8.3.1854 (Wedn) J.M. MADDOX: “A Fast Train! High Pressure!! Express!!!" (1853) T: Farce W.B. BERNARD: “A Practical Man" (1849) T: Farce C: Amateurs P: Music Th: Tac Ming Theatre (C) R: At the start of the evening a, for part of the audience at least, unexpected treat was in store: “On the rising of the curtain a ludicrous incident quite upset our friend BUSKIN. He was set down to enact "Colonel Jack Delaware" (in A Fast Train — JH) but a storm met him as soon as he appeared on the stage and he was fairly hissed off when a stranger leapt over the footlights and announced his intention of supporting the character. The curtain dropped and after a short delay the volunteer Yankee came forward, dressed in the most extravagant fashion and took up the part with great spirit". Was the leading actor-manager really taken by surprise? This could hardly be, and it must be assumed that it was, like the "rebellion" before, a set up. At any rate the "interloping Yankee was enrolled in Buskin's company. The musical department was sustained by "Messrs Thalberg and Koenig with their usual talent and success". Both these noms de théâtre were after well known musicians: Sigismund Thalberg (1812-1871), a Swiss pianist and composer; and Friedrich Koenig, a German violinist. (NCH 11.3.1854). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 241 Aurora Floyd Burlesqued: W.B. Gill; 19.4.1865. The Babes in the Wood: J.H. Byron; 17.4.1865. A Bachelor of Arts: P. Hardwicke; 10.2.1858, 8.5.1865. Betsey Baker; J.M. Morton; 23.3.1853. Binks the Bagman: J.S. Coyne; 8.10.1857. The Birthday: T.J. Dibdin; 9.2.1858. Black-eyed Susan: D.W. Jerrold; 28.3-5.4.1865. Bombastes Furioso: W.B. Rhodes; 28.1.1851, 5.5.1858. The Boots at the Swan: C. Selby; 14.12.1865. Box and Cox: J.M. Morton; 15.5.1854, 18.2.1857. The Bride of Abydos: H.J. Byron; 22.10.-28.10.1864. Bullrick at Kroll: N.N.; 28.3.1864. Camille: A. Dumas Jr; 27.3.1865. A Capital Match: J.M. Morton; 23.4.1857, 3.12.1864. Charles the Second: J.H. Payne; 16.3.1858. Cinderella: H.J. Byron? T. Taylor?; 12.11.-18.11.1864, 28.4.1865. The Colleen Bawn: D. Boucicault; 25.4.1865. A Conjugal Lesson: H. Danvers; 26.3.1857. Conrad and Medora: W. Brough; 12.E.-18.E.1864. Cool as a Cucumber: M.W.B. Jerrold; 26.3.1857, 30.3.1864, 4.4.1864. Crinoline: R.B. Brough; March 1863; 16.3.1863, 1.4.1864. The Daughter of the Regiment: E. Fitzball? 15.4.1865. A Dead Shot: J.B. Buckstone; 11.4.1865. The Debut: N.N.; 1.4.1864. Delicate Ground: C. Dance; 13.2.1864. Diamond cut Diamond: W.H. Murray; 12.12.1850. Done on both sides: J.M. Morton; 10.2.1858. The Dragon of Wantley: H. Carey & J.F. Lampe; 26.1.1852. Duck Hunting: J.S. Coyne; 30.3.1864, 4.4.1864, The Dustman's Belle: C. Dance; 9.2.1858. Faint Heart never won Fair Lady: J.R. Planché; 8.10.-14.10.1864, 14.12.1865. A Fast Train! High Pressure!! Express!!!: J.M. Maddox; 8.3.1854. A Fearful Tragedy in the Seven Dials: C. Selby; 15.2.1860. Fitzsmythe of Fitzsmythe Hall: J.M. Morton; 26.3.1863. The Flowers of the Forest: J.B. Buckstone; 28.3.-5.4.1865. Fra Diavolo: H.J. Byron; 15.10.-21.10.1864. The Frantic Husband: N.N.; 26.4.1865. The Golden Farmer: J.C. Cross? B. Webster? 8.10.1857, A Good Night's Rest: C.G.F. Gore; 21.2.1856. The Goose with the Golden Eggs: A. Mayhew & H. Sutherland; 13.2.1863, 17.2.1863, 26.4.1865 The Governess (Die Gouvernante): T. Körner; 28.3.1864. Grimshaw, Bagshaw and Bradshaw: J.M. Morton: 2.6.1859. The 'Green' Bushes: H.J Byron: 30.9.1865. A Hard Struggle: J.W. Marston; 12.11.-18.11.1864. The Harvest Home: A.F.F. von Kotzebue; 28.3.1864. The Haunted Inn: R.B. Peake; 6.5.1852. The Heir at Law: G. Colman the Younger; 21.4.1851. ================================================================================