RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch ORASHKB and author 72 Vol. 1 (1961) ISSN 1991-7295 hua-pên (story-tellers' prompt-book), we can hardly know their origin or the invaluable part played by the author of the Fêng-shên in transforming them into interesting characters. Li Ching, bearing the same name as the historical hero in the early part of the T'ang dynasty, is no doubt derived from the Buddhist heavenly king Vaisravana. We know from many Buddhist texts the legends of the Four Heavenly Kings. According to the Abhiniskramana-sutra (出曜集經) translated by Jnanagupta in 587, they are, Dhritarashtra or Chih-kuo T'ien-wang in the East, who leads the gandharvas, musicians in heaven; Virudhaka or Tseng-chang T'ien-wang in the South, who is the sovereign of the kumbhandas or deformed demons; Virupaksha or Kuang-mu T'ien-wang in the West, who is king of the nagas who dwell in their palaces at the bottom of the lakes; and Vaisravana or To-wen T'ien-wang in the North, who is head of the yakshas, strong and brave genii. The author of the Fêng-shên Yen-i adapted these four heavenly kings in his novel (Chs.31-40) and called them "the four generals of the Mo family". He made them brothers and commanders who took charge of the Chia-mêng Pass under the command of the Premier Wên T'ai-shih. Their individual names are Mo Li-ch'ing, Mo Li-hung, Mo Li-hai and Mo Li-shou. But in Ch.31 when they are summoned by Premier Wên T'ai-shih, the author writes, "The four heavenly kings (ssu t'ien-wang) strode forward,” thus unconsciously revealing their origin, and afterwards in Ch.99 they are given the titles of Tsêng-chang T'ien-wang (Mo Li-ch'ing), Kuang-mu T'ien-wang (Mo Li-hung), To-wên T’ien-wang (Mo Li-hai) and Ch'ih-kuo T'ien-wang (Mo Li-shou) respectively. In Ch.40 the author describes the weapons of these four brothers through the mouth of General Huang Fei-hu as follows: The eldest brother Mo Li-ch'ing is twenty-four feet in height, with a face resembling that of a crab, and his beard is like copper wires. He fights always on foot with a long spear, and he has a sword which is called "Blue Cloud", on which there are charms and a seal saying "earth, water, fire and wind". The wind caused by the brandishing of this magic sword is a black wind in which hundreds of thousands of spears would run and cut off the limbs of men. Following the wind is a blaze in which flaming golden serpents cover the atmosphere with black smoke. The weapon of Mo Li-hung is an umbrella. * chúan 16, Shê-kung Ch'u-chia P'in (攝功出家品). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Vol. 1 (1961) ISSN 1991-7295 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author 74 R The historical figure of Li Ching had long been admitted into the Taoist pantheon. He was, in the year 760, enshrined with Chiang T'ai-kung (B★A or Chiang Shang) as one of the ten famous historical generals. In the anonymous work, Li Wei-kung Pieh-chuan (A4), it is said, "When Li Ching was poor, he took a journey in the valleys and stayed in a cottage. When it was mid-night there came a woman who handed him a vase and said, 'Heaven has instructed you to pour down rain ...' and as we know in the Buddhist legends that it is Virupaksha (not Vaisravana) who is the king of the nagas, we understand that even in the T'ang dynasty the popular mind could not properly distinguish the function of these guardians of Mt. Sumeru. In an inscription on a tablet erected in the Temple of Vaisravana in Ning-hwa District (LM), Fukien, dated about 920, we read, P'i-sha-mên (Vaisravana) is a Sanskrit word which means "universal or much hearing" (to-wên SH). He dwells on the north of Mt. Sumeru, in the crystal palace, and is the chief of yakshas,10 From this narrative we see why in so many Chinese records it has become an undeniable fact that yakshas are believed to live at the bottom of the seas with the dragon-kings in marvellous crystal palaces loaded with wonderful treasures. The legends of these two heavenly kings have long been mixed in the popular mind." As Li Ching was such a famous historical hero, the Taoist priests could not forgive themselves if they failed to utilize his prestige. It is said in an anonymous work of the T'ang dynasty, Yuan Hsien Chi (E), that Li Ching was still alive in the epoch of Ta Li (766-779) and became a Taoist immortal, In addition to the book on military strategy attributed to him in the Bibliography of the Hsin T'ang-shu (MEBOXZ), the Taoist priests also ascribed to him some canonical texts dealing 12 • Hsin T'ang-shu (), Ch. 15, Li-yüeh Chih (M), 5. • Ku-chin Shuo-hai (546), Shuo-yüan Pu (R), Vol. chi (2) Also Tsung-shu Chi-ch'êng Ch'u-pien (£). 10 See Ninghwa Hsien-chih ("Annals of the Ninghwa District") of the Ming dynasty, quoted in Ku-chin T'u-shu Chi-ch'êng (4), Shên-1 Tien (R), chüan 54. The essay was composed by Huang T'ao () for Wang Shen-chih (E). 11 In the Ta-Tang San-tsang Ch'ü-ching Shih-hua (ERR), chüan 1, “...A" ("To-day, Vaisravana of the Indra Heaven, the Guardian of the North, will feed Buddhist priests in the Crystal Palace.") 12 Quoted in Chiu Hsiao-shuo (R), 2nd Series, Shanghai, Commercial Press Ltd., 1910. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch ORASHKB and author 92 Vol. 1 (1961) ISSN 1991-7295 father" was only one of revelation of supernatural powers (神通), and it was because of the imagination and the literary gifts of the author of the Fêng-shên that the story became so impressive and full of emotional appeal. The author continues: The Immortal T'ai-I asked No-cha to follow him to the peach-garden and taught him personally how to use his "fiery-pointed spear" (火尖槍) which the master now bestowed on him. After that, the Immortal gave him the wind-wheel and fire-wheel which he might tread on while chanting incantations and which served him as a magic vehicle; and also a bag made of panther skin in which were the magic bracelet, the red silk gauze and a brick of gold completed his new armour. No-cha prostrated himself before his master once more, and after thanking him, held the magic spear in hand, safely mounted his wind-and-fire wheels and darted straight to the Ch'ên-t’ang Pass and challenged Li Ching, his father. (Ch.14) ** ** In order to prove again how the author of the Fêng-shên Yen-i adapted and utilized confused and promiscuous materials from previous works, we may list some of the arms used by No-cha with their earlier appearances in other prompt-books or plays as follows: (a) Fiery-pointed spear. In Act 4 of the anonymous play of the Yüan dynasty, Han Kao-huang Cho-tsu Ch'i Ying-pu (漢高皇祖母齊英布), the spear used by Hsiang Yu (項羽) is a "fiery-pointed spear". (b) Wind-wheel. The wind-wheel is originally the wheel, or circle of wind below the circle of water and metal upon which, according to Buddhist teaching, the Earth rests. It appears in many sutras including the Surangama-sutra (楞嚴經), Ch. 4. In Nan-yu-chi (南遊記) (Ch. 2 and 11) and Pei-yu-chi (北遊記) (Ch. 15) it is one of the arms of the Flowery Light (Hua Kuang or Ling Yao 華光, or San-yen Ling Yao 三眼華光). Ling Yao with a deva-eye). (c) Fire-wheel. The alatacakra, a wheel of fire produced by rapidly whirling a fire-brand. In chuan 3 of his Lêng-yen Ching Shu-chih (楞嚴經疏治) (? “The Principles of the Surangama-sutra", in the First Series, Second Collection of the Tripitaka in Chinese, 大藏經, 1912), Lu Hsi-hsing says "as the whirling of a fire-brand, reality does not exist". In Nan-yu-chi (Ch. 2 and Ch. 11) and Pei-yu-chi (Ch. 15), the fire-wheel is also a weapon of Flowery Light. (d) Gold brick, The gold brick is also one of the arms of Flowery Light in Nan-yu-chi (Ch, 2 and Ch. 11) and Pei-yu-chi (Ch. 15). But both the gold brick and the fire-wheel are attributed to Flowery Light also in Yang Ching-hsien's T'ang San-tsang Hsi-t'ien Ch'ü-ching, a play of the Yüan dynasty, Scene 8. In Hsü Fu-tso's (徐復祚) T'ou-so Chi (鬧府記), Scene 19, these two weapons belong to Nata of Eight Arms (八臂那吒). (e) Magic bracelet. In Ch. 11 of the Nan-yu-chi, one of the weapons of No-cha is a "purple-gold bracelet with raised flowers" (紅花紫金圈) and it is the origin of the magic bracelet (ch'ien-k'un ch'üan 乾坤圈 the Bracelet of Vitreous & Resinous Electricity) in the Fêng-shên Yen-i, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f NESTORIAN CROSSES 23 From this time on discoveries were frequent. In 1885 two Nestorian cemeteries were discovered in Tokmak (Semirechinsk) with stones from about 610 graves, some engraved with the outline of the now familiar Nestorian Cross, associated with inscriptions in Syriac dating from A.D. 1267 to 1316.3 In 1890 stones engraved with Nestorian Crosses were found at Hsi-wan-tzu in Sui-yüan province, north-west of Kalgan.23 But perhaps the most important Nestorian relics in China, after the Tablet of Sianfu, are the T'ang dynasty manuscripts found in 1908 in the sealed cave-library at Tun-huang, commencing with the 'Gloria in Excelsis Deo' with its important List of Scriptures and Historical Note (probably dating from about A.D. 781), the 'Jesus Messiah Sutra' dated A.D. 641, the earliest Nestorian document preserved in China, and three other T'ang Nestorian manuscripts, written probably between that date and the period of the Sianfu monument (A.D. 781).24 + In 1919 two beautifully carved Nestorian crosses, with short Syriac inscriptions, possibly from the chancel of a church, were found at Fang-shan in a Buddhist monastery called to this day 'The Monastery of the Cross' + (perhaps the one where Mark and Barsauma dwelt) south-west of Peking.25 In 1933 several Chinese scholars sought for and found the ruins of a 'Ta-ts'in Monastery' ★ (Nestorian Monastery) at Chou-chih in Shensi province, described in poems by the famous Sung dynasty poet Su Tung-p'o in 1062.26 In 1935 gravestones engraved with Nestorian crosses similar to those from Fang-shan were found at Pai-ling Miao TEM in Sui-yüan province (on the edge of Mongolia).27 In a number of places, too numerous to note in detail here, stone tablets have been found engraved with dated edicts of Yüan dynasty times, sometimes in the Mongol language, sometimes in Chinese, and sometimes in both, for the protection of 22 Saeki, Nestorian Documents and Relics, 2nd ed., 1951, Part II, chap. 4. 23 Saeki, op. cit. p. 426. 24 Moule, op. cit. p. 53; Saeki, op. cit. chs, III to XIII. 24 Saeki, op. cit., p. 430, and Moule, op. cit., Fig. 12. 24 Hsiang Ta, Tang-tai Ch'angan yû Hsi-yü wên-ming, App. II, 'Notes on the Ta-ts'in Monastery at Chou-chih' 向達著,唐代長安與西域文明, Yenching Monograph Series II, 1933. 27 Saeki, op. cit., pp. 423-4. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f 58 HEROLD J. WIENS mountainous regions of south China but also across the southern borders in Burma, Laos and Vietnam. The Yao, like the Miao, also are mountain-loving people, but appear to have originated as ethnic groups in the hill country of east-central China, in such regions as the present provinces of Anhwei, Chekiang and Kiangsu. They were here as early as Chinese records mention them, but they appear to have gradually abandoned these areas, as Han-Chinese settlement increased in density, and friction over land and other matters led the Yao to seek more isolated mountains. Since they were like the Miao in their type of fire-field or forest-burning, shifting cultivation, they inevitably came into close contact with the Miao and have many cultural features in common with the Miao. Elements of the language also appear similar. Some Chinese ethnographers have considered the Wu-ch'i Man a Yao rather than a Miao group, and others believe them to have common origins. This confusion is probably due to strong Mon Khmer influences originating from India and Southeast Asia in the earliest times. 4 One of the supporting arguments for the common origin of Yao and Miao is the common cult attached to the dog and the tiger. The Yao trace their ancestry mythically to the union of a princess with a supernatural dog-hero called P'an-hu. Yao myths trace their movement southward from both the central Yangtze valley regions and from the Chekiang-Fukien mountains. Folk songs of the Yao indicate further that they crossed over the Nan-ling mountains in great numbers during the period of Huang-ch'ao's rebellion in the reign of the T'ang Emperor Hsi-Tsung (A.D. 874-889),4 When the Miao moved into the Kweichow region in the earliest times, they probably found the Yi or Wu-man peoples already in occupation of western Kweichow. The Yi certainly preceded the Han in this part of China, and the Han Chinese have known of the Yi in their present habitats in southwest China for over 2,500 years. The peculiar manner in which the * Chiang Ying-liang, Hsi-nan pien-chiang min-tsu lun-ts'ung (A discussion of the peoples of the southwest borderlands), Canton, 1948, 74-79; see also Ling Shun-sheng and Jui Yi-fu, Hsiang-hsi Miao-tsu t'iao-cha pao-kao (Report of research on the Miao of west Hunan), Academia Sinica, Shanghai, 1947. 4 Hsu Sung-shih, Yueh-chiang liu-yü jen-min (The peoples of the Yueh river drainage), Shanghai, 1939, 130-135. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f CHINA'S 35 MILLION NON-CHINESE 65 was contrary to the intention of the cadres. The distribution of confiscated animals among the slaves and bondsmen was at first regarded as a glorious opportunity to have a religious splurge of sacrifices and feasting instead of an investment for production. Sacrifices are required to placate the various spirits that were thought responsible for every evil and ill, from accidents to rheumatism. Winnington found that the Wa or K'a-wa of southwest Yunnan represent a different society, although Hsi-meng district to which he was taken by his Communist Chinese hosts lies only in the fringes of the Wa territory and may not be entirely representative. The Wa inhabit both sides of the south Yunnan-Burma borders and are divided into the "wild Wa" and the Wa tamed by contact with Burmese or Chinese civilizations. The "wild Wa" in British Burma in 1935 were still addicted to headhunting, both on other Wa and on non-Wa people coming into or living near their village areas.15 A Chinese account of the "wild Wa" on the Yunnan side related the headhunting to efforts to ensure good harvests. In any event, the "wild Wa" decorated the approaches to their thorn-fence walled-village with a double column of skulls mounted on posts. A person entered their territory at his peril. In the Sinicized northern part of the Wa territory there is a transition zone of intermixed hill Shan, La-hu and other mountain people as well as of Wa. Slavery here is practised in a very relaxed form, according to Winnington. Slaves constitute only about five per cent of the villagers as compared with over 90 per cent of the population in the Black-bone country. A slave suffers no social discrimination among the villagers and takes part in village and clan ceremonies open to other villagers. He can marry whom he pleases, and when the new couple sets up separate housekeeping, the master is bound by tradition to help them on pain of community criticism for failure to do so. Such a marriage virtually ends the slavery status, although the slave is expected to make payments to his master until his price is paid for. 1 Great Britain Treaty Series No. 80 (1947), Exchange of notes concerning the Burma-Yunnan boundary, 18th June 1941, London, 1947, 4. 16 Li Sheng-chuang, Yün-nan ti-yi chih-pien chü-yü nei chih jen-chung l'iao-cha (Research into the ethnic groups within the First Border Settlement District of Yunnan), Researches on the Yunnan Frontier Problems, Kunming, 1933, 194. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f CHINA'S 35 MILLION NON-CHINESE 69 Table II lists the numbers of people in each ethnic group distributed by provinces in south and central China. In brief, the T'ai-related groups lead with some 10 million people at present. They are followed by the Tibeto-Burman related group with some 8.4 million, followed by the Miao-Yao related group with about 3.4 million. The greatest concentration of minorities in any one group is among the Chuang in the Tai group. The Chuang live in a compact body numbering some seven million in Kwangsi. The Miao, however, are the most widely distributed of all ethnic groups, being found in significant numbers in every province of south and central China except Kiangsi, although their chief strength is in Kweichow. Yunnan, by all odds, is the most complex province ethnically. Of the 30 national minorities listed by the Census for 1953, some twenty-four are found in Yunnan. This Census apparently may need considerable revision when the minorities are scrutinized more closely. Thus, it listed only 90,000 so-called T'u-chia, which was proclaimed to be a newly discovered ethnic group hitherto confused with Han Chinese and Miao because of their degrees of acculturation. A personal check by Fang Jen revealed over 300,000, and a still more detailed check in subsequent years disclosed that actually these were 549,000 that should be so classified and, from their original cultural traits, they belonged in the Yi-related group. They occupy an area in northwest Hunan. 44 The Yi comprise so many sub-groups under different names (there are 40 sub-tribes in Yunnan alone) that confusion is understandable. In northwest Yunnan such sub-groups of the Yi as the Na-khi or Na-hsi and Li-su live in the region between the great bends of the Chin-sha river and the Burma border. In the western part of this region are the Nu, Tu-lung, and Ching-p'o, occupying parts of the Salween and Mekong drainage of north Yunnan. Farther south in the drainages of these rivers are the related La-hu and A-ch'ang. The Pai people, in a solid bloc on the plain of Erh Hai (Lake Erh), have been thought by some writers, including this one, to be a T'ai-related people, but are listed by Bruk as a Yi sub-group. In the west bank region of the Red river of Yunnan are the sub-group known as the Han-yi. The Yi proper are scattered over the three southwestern provinces, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f 70 HEROLD J. WIENS but their main concentration in a solid bloc is in the Ta-liang mountains southwest of I-pin district of Szechwan. More closely related to the Tibetans, the Ch'iang live in the west fringes of the Szechwan basin east of K'ang-ting city. The chief areas of Tibetan settlement are almost all in the Tibetan plateaus, though politically the areas are divided among five provinces in addition to Tibet proper and not counting now-abolished Sikang province. These are Kansu, Chinghai, Yunnan, Szechwan and Kweichow. Since Sikang has largely been incorporated into Szechwan, the latter now contains over 700,000 Tibetans, whereas Yunnan has some 67,000, Aside from the Chuang who constitute about seventy per cent of the total population in what is called the Kwangsi Chuang Autonomous Region, other T'ai-related groups are widespread especially in Yunnan and Kweichow. The T'ung occupy a solid bloc of territory joining three provinces: southeast Kweichow, northern Kwangsi, and western Hunan. They are related to the Shui who live in the southeast corner of Kweichow. The Pu-yi (also called Chung-chia) are a T'ai-related group in southwest Kweichow. In central Kweichow they live intermingled with the Miao, and they constitute the majority of the country people around the provincial capital of Kuei-yang. The T'ai proper have settled in the southern half of Yunnan where they are divided into two branches: the Hsi-shuang pan-na T'ai and the Te-hung T'ai. The former of these branches constitute "Twelve pan-na or basin 'states'", whence their name. The latter are close relatives of the Burma Shan people. Also related to the T'ai more distantly are the Li people of Hainan Island, with their heartland in the Li-mu ("mother of the Li") mountains that dominate the southern half of the island. Some Miao also are found on Hainan, having been imported during the Ch'ing dynasty to make poison arrows in the campaigns against the Li.20 The Miao are a very scattered group and only in two regions do they form compact settlements: eastern Kweichow and southwest Hunan. In Szechwan they live along the Kweichow borderlands. In Kwangsi they have settled in small groups in the centre of the province. In almost all regions the Miao have 20 Hsu Sung-shih, Yueh-chiang liu-yü jen-min, 122-123. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1962 https://digitalrepository.lib.hku.hk/catalog/9s166f47f CHINA'S 35 MILLION NON-CHINESE TABLE 1 73 CHINA'S MINORITY POPULATIONS IN ORDER OF SIZE, 1. Chuang 2. Wei-wu-erh (Uighur) 3. Hui (Dungan) 4. Yi (Lolo, etc.) 1953 5. Tsang (Tibetan) 6. Miao 7. Man (Manchu) 8. Meng-ku (Mongol) 9. Pu-yi 10. Ch'ao-hsien (Korean) 11. Tung 12. Yao 13. Pai (Pai-man) 14. Ha-sa-k'e (Kazakh) 15. Ha-ni 16. T'ai 17. Li 18. Li-su 19. Tu-chia 20. She 21. K'a-wa (Wa) 22. Kao-shan (Malay-Polynesian) 23. Tung-hsiang 24. Na-hsi (Na-khi) 25. La-hu 26. Shui 27. Ching-p'o (Singpho, Kachin) 28. Ko-erh-k'e-tzu (Kirghiz) 29. T'u (Mongor) 30. Ta-kuan-erh (Daghor) 31. Mo-lao 32. Ch'iang 33. Pu-lang (Palaung) 34. Sa-la (Salar) 35. Ngo-lo-ssu (Russian) 36. K'e-lao 37. Hsi-po (Sipo) 38. Mao-nan 39. A-chang 40. T'a-chi-k'e (Tadjik) 41. Wu-tzu-pieh-k'e (Uzbek) 42. Nu 43. T'a-t'a-erh (Tatar) 44. O-wen-k'e (Evenki) 45. Pao-an 46. Yü-ku (Sara Uighur) 47. Peng-lung 48. Tu-lung ... 7,000,000 3,640,000 3,559,000 3,250,000 2,775,000 2,511,000 2,418,000 1,463,000 1,247,000 1,120,000 712,000 665,000 567,000 509,000 481,000 478,000 360,000 317,000 300,000 * 286,000 210,000 200,000 155,000 143,000 139,000 133,000 101,000 70,000 53,200 44,100 43,100 35,600 35,000 30,600 22,600 20,800 19,000 18,400 17,700 14,400 13,600 12,700 6,900 6,200 4,900 3,800 2,900 2,400 2,200 450 O-lun-ch'un (Orochun) 50. Ho-che (Nanai) * Found by Fang Jen in 1955 to be 300,000, but Bruk listed 49,000. † From April 19, 1957 issue of Kuang-ming Daily News. † An estimate. § Collectively including the So-lun (4,900), T'ung-ku-ssu (Tungus: 1,205), and Ya-k'u-te (Yakut; 137). Here is the revised response in HTML format using Markdown table syntax for the table: Order Minority Population Population (1953) 1 Chuang 7,000,000 2 Wei-wu-erh (Uighur) 3,640,000 3 Hui (Dungan) 3,559,000 4 Yi (Lolo, etc.) 3,250,000 5 Tsang (Tibetan) 2,775,000 6 Miao 2,511,000 7 Man (Manchu) 2,418,000 8 Meng-ku (Mongol) 1,463,000 9 Pu-yi 1,247,000 10 Ch'ao-hsien (Korean) 1,120,000 11 Tung 712,000 12 Yao 665,000 13 Pai (Pai-man) 567,000 14 Ha-sa-k'e (Kazakh) 509,000 15 Ha-ni 481,000 16 T'ai 478,000 17 Li 360,000 18 Li-su 317,000 19 Tu-chia 300,000 * 20 She 286,000 21 K'a-wa (Wa) 210,000 22 Kao-shan (Malay-Polynesian) 200,000 23 Tung-hsiang 155,000 24 Na-hsi (Na-khi) 143,000 25 La-hu 139,000 26 Shui 133,000 27 Ching-p'o (Singpho, Kachin) 101,000 28 Ko-erh-k'e-tzu (Kirghiz) 70,000 29 T'u (Mongor) 53,200 30 Ta-kuan-erh (Daghor) 44,100 31 Mo-lao 43,100 32 Ch'iang 35,600 33 Pu-lang (Palaung) 35,000 34 Sa-la (Salar) 30,600 35 Ngo-lo-ssu (Russian) 22,600 36 K'e-lao 20,800 37 Hsi-po (Sipo) 19,000 38 Mao-nan 18,400 39 A-chang 17,700 40 T'a-chi-k'e (Tadjik) 14,400 41 Wu-tzu-pieh-k'e (Uzbek) 13,600 42 Nu 12,700 43 T'a-t'a-erh (Tatar) 6,900 44 O-wen-k'e (Evenki) 6,200 45 Pao-an 4,900 46 Yü-ku (Sara Uighur) 3,800 47 Peng-lung 2,900 48 Tu-lung 2,400 49 O-lun-ch'un (Orochun) 2,200 50 Ho-che (Nanai) 450 * Found by Fang Jen in 1955 to be 300,000, but Bruk listed 49,000. † From April 19, 1957 issue of Kuang-ming Daily News. † An estimate. § Collectively including the So-lun (4,900), T'ung-ku-ssu (Tungus: 1,205), and Ya-k'u-te (Yakut; 137). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1963 https://digitalrepository.lib.hku.hk/catalog/4m90m091v 62 J. L. CRANMER-BYNG allow them to reside there temporarily is already improper. If by any chance they are allowed to occupy it permanently and build additional houses it would be all the more improper. We have repeatedly explained this to him tactfully. According to the barbarians' statement, if they are not to reside at Prince I's palace they must be given Duke Ch'ï's palace in Ch'ang-an Street in the eastern part of the city. He still wants to build additional houses. Furthermore, he states that each year they are willing to pay a rent of one thousand five hundred taels. At present we are still attempting to dissuade him, and not to let them reside in a nobleman's palace. Instead we are looking for another palace for them. Whether they will listen to us or not we will act as occasion demands. In a memorial submitted in the second year of the reign of the Emperor Tung-chih (1863) Prince Kung wrote: "Prince Kung and others further memorialize that ever since England ratified the treaty in the tenth year of the Emperor Hsien-feng (1860) it has been using the palace of Duke I-liang as an official residence." Also in a subsequent memorial about the French Legation buildings Prince Kung wrote: "Moreover the English envoy, before withdrawing his troops inside the An-ting gate occupied the Palace of Duke I-liang on his own initiative*" 自行” (i.e., without authorization from Chinese officials)." * Chou-pan i-wu shih-mo ##** Hsien-feng, chüan 68, 2b-3a. Hereafter cited as IWSM. 4 IWSM, T'ung-chih, chüan 20, 36a. I-liang was the fourth son of Mien-ch'ing ✈, [a direct descendant of the Emperor K'ang-hsi]. In the eighteenth year of Tao-kuang's reign he was created a "general guarding the state" of the third rank. In the first year of Hsien-feng's reign (1851-2) he succeeded to the title of “duke guarding the state" # 2. In the eleventh year of T'ung-chih's reign he was granted the title of pei-tzu Я† (a Manchu title bestowed on the sons of imperial princes). He died in the thirteenth year of Kuang-hsü's reign (1887-8), Ch'ing-shih kao ***, Huang-tzu shih-piao 2 *** 'genealogies of the sons of the Emperors, 于世 piao 4, 9b. IWSM, T'ung-chih, chüan 20, 37a, column 5. The An-ting Men gate of established peace', is the easterly of the two gates in the north wall of the Tartar City, and the starting point of the road to Jehol. It was occupied by the British in 1860 who dragged their guns up the ramp and positioned them on the wall in order to command the city. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1964 https://digitalrepository.lib.hku.hk/catalog/qz20zx09r 126 D. LESLIE annotated. The Lun Heng is over six times the size of Mencius and thirteen times that of the Analects (of which Waley's translation takes up 150 pages with 100 pages of comment). The task is clearly enormous. Until such time as a modern scholar can devote many years to this work alone, Forke's translation will remain indispensable. Forke's "Introduction" (pp. 4-44) is still amongst the finest summaries of Wang Ch'ung's thought. It goes deeper than the wider-ranging general surveys of Chinese philosophy mentioned earlier, and consequently gives a more rounded picture of his contribution. The only comparable western summary is given by Li Shi Yi in his "Wang Ch'ung" T'ien Hsia Monthly 5, 1937, pp. 162-184, 290-307. After reading Forke, one may turn to the more specialised studies by Joseph Needham in his Science and Civilisation in China, Vol. II, 1956, pp. 368-386; and by myself on "Technical Vocabulary" (in my "Contribution" pp. 134-149); on Wang Ch'ung's biological ideas in "Early Chinese Ideas on Heredity" Asiatische Studien: Etudes Asiatiques 1/2, 1953, pp. 26-46; and on "Les Théories de Wang Tch'ong sur la Causalité" (to appear in 1964 in the Mélanges). Since Forke's work appeared, several annotated commentaries to the Lun Heng have been published. The best is undoubtedly the 1938 Lun-heng Chiao-shih by Huang Hui. Unfortunately this is almost unobtainable. A second-best is the 1957 Lun-heng Chi-chieh by Liu P'an-sui, based on work up to 1932. Both include the comments by earlier scholars such as Yü Yüch and Sun Yi-jang; and both give, in extensive appendices, passages from the Chinese works throughout the centuries which mention Wang Ch'ung. However, Huang Hui not only gives a fully punctuated text, but also the pre-Han and Han parallels, rarely given in Liu P'an-sui's edition, but many of which had been found independently by Forke, who also gives a valuable list of Wang Ch'ung's quotations from earlier sources. Huang Hui also includes the brilliant essay on Wang Ch'ung's reasoning by Hu Shih. There is no need to go into details about the many recent books and articles in Chinese on Wang Ch'ung, since Timoteus Pokora has dealt with them in his excellent, mainly bibliographical essay "The Necessity of a more thorough Study of philosopher ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 96 HOLMES WELCH visory Committee (1945-1949); and a vice-chairman of the Mongolian and Tibetan Affairs Commission (1947-1949). 28 Probably he was not one of the two monks sent to Tibet for study earlier in 1937 (see p. 11). 29 An interesting account of one such, Dorje Rimpoche, from Chamdo, who visited Hong Kong in 1935, is given in J. Blofeld, The Wheel of Life, London, 1959, pp. 40-56. 30 The leading spirit of the society was Ch'ü Yang-kuang, formerly governor of Shantung and Chekiang and Minister of the Interior. This Bodhi Society (P'u-ti hsüeh-hui) had no connection with the Bodhi Society (P'u-ti She) established by T'ai-hsü in 1918. 31 Chinese Year Book 1935-36, Shanghai, 1935, p. 1514, Huang was the editor of the Chinese Buddhist, "an English magazine which was to link up China with foreign Buddhists." It ceased publication before he died in 1933. 12 It was a common practice for Chinese monks to take their ordination vows a second or third time in order to strengthen their commitment to follow them, or in order to draw inspiration from an eminent ordaining monk. Hence, from the Chinese point of view, receiving the Theravada ordination meant supplementing, not replacing the Mahayana ordination. 33 Their names were Pei-kuan, Teng-tz'u, Hsing-chiao and Chüeh-yuan. They were supposed to remain in Thailand four years. See Chinese Year Book 1936-37, Shanghai, 1936, p. 1446. 34 Their Chinese religious names, followed by their Theravada names, were: Hsiu-lu (Kondanna), Wei-chih (Bhaddiya), Hui-sung (Vappa), Fa-chou (Mahanama), and Wei-huan (Assaji). Their later histories would make an interesting study in acculturation. Wei-huan disrobed within a few months and returned to China where he married. Eventually he became the principal English interpreter for the Chinese Buddhist Association established in Peking in 1953. Fa-chou married a girl of Dutch descent and eventually became a lecturer at the University of Ceylon. Hui-sung, who stayed longest, became mentally deranged. Wei-chih, after disrobing, went to Singapore, where he died during the war. Hsiu-lu, after disrobing, went to India where he pursued his studies at Santiniketan and/or Nalanda. Only the information about the first two is reliable. Another moot question is who sent them to Ceylon in the first place. Their Sinhalese hosts believed that they had been selected and sent by T'ai-hsü; and it is true that he acted as their guarantor (see Yin-shun, T'ai-hsü, p. 404). But another Chinese source states that their group was "formed by the Chinese Buddhist Association in accordance with the proposal made by the Pure Karma Buddhist Association," both of which were housed in the same building in Shanghai. See Chinese Year Book 1936-37, p. 1446. 35 Liao-ts'an (Dhammakiti) who went to Ceylon in 1945 returned to China about 1953 with Fa-fang's ashes, disrobed and became an instructor in Pali at the Chinese Buddhist Institute in Peking. 36 Today many Theravada Buddhists have a very different attitude and publicly advocate tolerance and respect for Mahayana Buddhism. In 1956 the fourth Conference of the World Fellowship of Buddhists voted to abolish even the use of the terms "Theravada" and "Mahayana" (see Report of the 4th World Buddhist Conference, Kathmandu, no date, p. 2). There are some Theravadins, however, who even today believe that the world would be a better place if Mahayana was removed from it. 37 He had gotten the information at first hand from Liao-ts'an (Dhamma-kiti) who had heard the complaints of members of the 1936 group. They are stated to have been novices (sha-mi) when they left China and the Theravada ordination they received on May 6, 1936 was also, apparently, the novice's ordination. Hence there would have been more justification for withholding the respect due to bhikkhus than in the case of Liao-ts'an and his fellow monk, who came in 1945. More information is needed. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 FOREIGN RELATIONS OF BUDDHISM 48 Ts'en, Hsü-yün ho-shang nien-p'u, Hong Kong, 1962, pp. 21-22. 49 Ts'en, Hsü-yün, pp. 40-43. 99 50 Ts'en, Hsi-yün, pp. 47-48. I have been unable to get confirmation of this story in Thailand; nor have I been able to confirm the related episode, in which Hsü-yün on his way to Bangkok that year met an Englishman who had been British consul in Teng-yüeh and Kunming and who gave Hsü-yün 3,000 pounds Sterling towards the expense of transporting a set of the Tripitaka back to Yunnan. The records of the Foreign Office in London do not appear to reveal who this may have been. 51 White marble images from Burma and Thailand, termed in Chinese "jade buddhas" (yi-fo) have been popular in China during the past century. In the late 1890's a set of such images was made in India for a Chinese monk from P'u-t'o Shan, who spent the better part of three years at Oudh overseeing the work. So popular were these particular images that when they arrived in Shanghai, they were kept on exhibit in nearby Woosung at the request of the authorities as a large number of Chinese visit them daily, which was quite profitable for the railway." See Journal of the North China Branch of the Royal Asiatic Society, 31 (1896-1897), 203. These may well have been the jade buddhas installed during the reconstruction of the Fa-yü Ssu on P'u-t'o Shan, 52 Ts'en, Hsi-yün, p. 66. 53 Cheng-lien, Ch'ang-chou T'ien-ning ssu-chih, Shanghai, 1948, 7:102. Cf. Chou Hsiang-kuang, History of Chinese Buddhism, Allahabad, 1955, p. 214, 54 See Eastern Buddhist, 3.3 (October-December, 1924), p. 274. This is the earliest instance I have encountered of a Chinese Buddhist going abroad to study Theravada. Unlike Huang Mao-lin he is not stated to have had the goal of spreading Mahayana as well. 55 For example in 1916 the head of the Chi-le Ssu, Pen-chung, led a group of his Refugee disciples to Ku Shan to receive the lay ordination: they numbered five out of the six upasakas and forty out of the 114 upasikas. This information comes from the 1916 ordination yearbook. 56 See Yüan-ying fa-shih chi-nien k'an (Memorial volume for Yüan-ying), Singapore, 1954, pp. 13-14. 57 However, they came from around Amoy rather than around Foochow, where Ku Shan was located. 58 Chinese Year Book 1937, p. 74. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 116 A. L. Y. CHUNG NOTES 1 See H. S. Galt, History of Chinese Educational Institutions (London, 1951) pp. 364-65; also see K. S. Latourette, The Chinese, Their History and Culture (New Haven, Conn., Mar., 1945), pp. 187, 524-25, 2 Huang-ch'ao tz'u-lin tien-ku (64 chüan in 20 ts'e, 1805, reprint 1887), 17:4b-5b, 18:1b, 49:17b-21b. 3 Ch'ing-ch'ao t'ung-tien (ed. by Chi Huang and others, 100 chüan. Shanghai, 1935 reprint), p. 2162. For further understanding of the Nei-san-yüan, see A. W. Hummel, Eminent Chinese of the Ch'ing Period (Washington: United States Government Printing Office, 1943-44), vol. I, pp. 3, 308, 603. 4 Shang Yen-liu Ch'ing-tai k'o-chü k'ao-shih shu-lu (Peking, 1956), p. 129; Ta-Ch'ing hui-tien shih-li (ed. by Li Hung-chang and others, 1220 chüan, preface dated 1886), 70:9a. 5 See Ta-Ch'ing hui-tien (100 chüan in 10 ts'e, 1764 ed.), 84:1b. 6 Ta-Ch'ing hui-tien, 84:5b. 7 Ch'ing-tai k'o-chü k'ao-shih shu-lu, p. 129. 8 Ch'ing (Huang)-ch'ao wen-hsien t'ung-k'ao (edited by Yung Hsüan and others, 300 chüan, 1882, Shih-t'ang ed. from ts'e 841-1000), 47:19a, 9 Ch'ing-tai k'o-chü k'ao-shih shu-lu, p. 129. 10 Ch'ing (Huang)-ch'ao wen-hsien t'ung-k'ao, 50:32a-b; Ch'ing-shih (8 vols., Taiwan, 1961), vol. 2, 1314. 11 Shang Yen-liu, p. 129. 12 Ta-Ch'ing hui-tien, 84:5b. 13 Huang-ch'ao tz'u-lin tien-ku, 24:5a-b. 14 Ta-Ch'ing hui-tien, 84:5b. 15 Ku Ching-te Hsiu-ts'ai, chü-jen, chin-shih (Hong Kong, 1956), p. 30. 16 Shang Yen-liu, p. 130. 17 Huang-ch'ao tz'u-lin tien-ku, 23:21a-b. 18 Ch'u Tui-chih, Wang Hui-tsu chuan-shu (in Chung-kuo shih-hsüeh ts'ung-shu, Shanghai, 1934), pp. 48-49. 19 Huang-ch'ao tz'u-lin tien-ku, 18:1b. 20 Ta-Ch'ing hui-tien, 84:1b. 21 Ch'ing shih, vol. 2, 1375. 22 Ta-Ch'ing hui-tien shih-li, 70:2a. 23 Huang-ch'ao tz'u-lin tien-ku, 21:7a-b. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1966 https://digitalrepository.lib.hku.hk/catalog/bz60k0811 THE HANLIN ACADEMY 117 24 Wang Hsien-ch'ien, Tung-hua lu (509 chüan in 30 ts'e, Taipei, 1963), K'ang-hsi, 3:26. 王先謙:東華錄康熙朝, 25 Ibid., 3:3a. 26 Ibid., 3:13b. 27 Huang-ch'ao tz'u-lin tien-ku, 23:11a-b. 28 Ibid. 29 Ibid., 21:206. 30 Ch'ing-shih, vol. 2, 1375. 31 S. Van Der Sprenkel, Legal Institutions in Manchu China - A Sociological Analysis (London: Athlone Press, 1962), pp. 30-32. Also see J. K. Fairbank, The United States and China (New ed., completely rev. and enl.; Cambridge: Harvard University Press, 1958), pp. 94-5, 32 Wang Hsien-ch'ien, K'ang-hsi, 4:9a. 33 Huang-ch'ao tz'u-lin tien-ku, 21:22a-24a. 34 Ibid., 24a-b. 35 Ibid., 24b-25a. 36 Ibid., 22:1b-2a. 37 Ibid., 22:4a-4b. 38 Wang Hsien-ch'ien, Ch'ien-lung, 3:34a. 39 Ch'ing-shih, vol. 2, 1375. 40 Ta-Ch'ing hui-tien, 84:4a-b. 41 Ta-Ch'ing hui-tien, 84:3b. 42 Huang-ch'ao tz'u-lin tien-ku, 22:12b. 43 W. A. P. Martin, The Hanlin Papers: Essays on the Intellectual Life of the Chinese (London: Trübner & Co., New York: Harper Brothers, 1880), pp. 24-26. 44 Huang-ch'ao tz'u-lin tien-ku, 23:20b. 45 Consult Fa Shih-shan ... (16 chüan in 6 ts'e, preface dated 1799), Ch'ing-pi shu-wen ... 46 Shang Yen-liu, p. 92; Huang-ch'ao tz'u-lin tien-ku, 24:19b-20a. 47 Ta-Ch'ing hui-tien, 84:4b. 48 Huang-ch'ao tz'u-lin tien-ku, 24:20b. 49 Ibid., 24:28b-29a, 10a-10b. 50 Ibid., 24:21a-21b. 51 Ibid., 24:22a. 52 Ta-Ch'ing li-ch'ao shih-lu ... (compiled by Man-chou ti-kuo kuo-wu-yüan, 4664 chüan, Tokyo, 1937-38), Shih-tsung, 44:9a-b. 53 Huang-ch'ao tz'u-lin tien-ku, 24:22b-23a. 54 Ibid. 55 Ibid., 24:24a-25a. 56 Ta-Ch'ing li-ch'ao shih-lu, Shih-tsung, 15:15a-b; also see The Chinese, Their History and Culture, 531-533. 57 See The Hanlin Papers and Ho Ping-ti, Studies on the Population of China, 1368-1953, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1967 https://digitalrepository.lib.hku.hk/catalog/0c488p70g NOTES AND QUERIES 153 Long before the arrival of the Europeans in south China (1514) the Chinese were manufacturing cannon. Examples of them, some bearing fourteenth century dates, may be seen in museums in north China. The earliest one known, bearing a date equivalent to 1332, is housed in the Historical Museum in Peking. For an illustration see my short article in ISIS55(no.180), June 1964, pp. 193-4. At the beginning of the sixteenth century a new type appears, apparently introduced from Java or Cochin-China. It is known in Chinese literature as fo-lang-chi (or Farangi-Franks), the name applied slightly later to the Portuguese. This type is remarked as early as 1510. (Cf. Pelliot in T'oung Pao, 1948, pp. 199-207.) In the struggles against the Japanese and other pirates who infested the coast during the Chia-ching reign (1522-66) these cannon were frequently put to use not only on land but also at sea. (See Chao Shih-chen, Shen-ch'i p'u i, published 1598. Chao knew what he was writing about, as he was a drafter in the Grand Secretariat at the court in Peking, concerned with military defense, and is said to have manufactured some firearms himself.) Ming dynasty illustrations of war vessels sometimes show cannon mounted on deck. (See Mao Yüan-i, Wu-pei chih, published 1621, chüan 117. Mao was an expert on military affairs, and saw service both in Liao-ning and Fukien.) In the effort to repel the Manchu invaders in the north the Ming court sought the aid of both the Spanish and the Portuguese. Huang K'o-tsuan, for example, reports that when he was serving in the ministry of war (up to 1619) he recruited people from Luzon who could manufacture cannon; they made twenty-eight pieces, which he sent up to the northeast frontier in Manchuria. These must have been formidable (or Huang was trying to impress his superiors) for one cannon is said to have weighed over three thousand catties, and a shot could dispose of some seven hundred barbarians! (Ming shih-lu, Hsi-tsung, 4/29b. I owe this reference to Dr. Ray Huang, visiting professor at Columbia University.)5 * The importation of cannon and cannoneers from Macao about this same time is well known. In 1621 the well-known Christian convert and high official Hsü Kuang-ch'i ordered a shipment sent up to Peking, and a year later he recommended that the Jesuit fathers, Nicolo Longobardi and Manuel Diaz, proceed to Macao to purchase ten cannon and a few soldiers to operate them. In ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1968 https://digitalrepository.lib.hku.hk/catalog/66833948d 188 HOÀNG, Peter. THE LIBRARY A notice of the Chinese calendar, and a concordance with the European calendar. 2nd ed. Zi-ka-wei near Chang-hai, Catholic Mission P., 1904. HOBSON, R. L. Handbook of the pottery and porcelain of the Far East in the Department of Oriental Antiquities and of Ethnography. [London, British Museum] 1937. HODGSON, Mrs. Willoughby How to identify old Chinese porcelain. 4th ed., enl. London, Methuen, 1920. Hong Kong et la côte chinoise, du Tonkin à Ning-po... Paris, Hachette, 1910. HONG KONG. University. Institute of Oriental Studies. Chinese tomb pottery figures: catalogue of exhibition... 26th-28th September, 1953. Hong Kong, University Press, 1953. (Institute of Oriental Studies. Catalogue series, no. 1) HOSIE, Dorothea, Lady. Two gentlemen of China: an intimate description of the private life of two patrician Chinese families... London, Seeley, Service, 1924. HSUAN Tsang (玄奘) Si-yu-ki: Buddhist records of the western world. Tr. from the Chinese of Hiuen Tsiang (A.D. 629) by Samuel Beal. Popular ed. London, Kegan Paul, Trench, Trübner, [189-?] 2 vols. in 1 HSUEH, Chün-tu A review article: the years of triumph. London, 1962. Reprinted from China quarterly, no. 11, 1962, pp.225-235. Presentation copy inscribed by the author in Chinese. HUANG, Raymond Intonation in idiomatic English, for Chinese students in south-east Asia; by Raymond Huang in collaboration with A. W. T. Green. Hong Kong, University Press, 1964- v.1 only. HUCKER, Charles O. China: a critical bibliography. Tucson, University of Arizona P., 1962. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1970 https://digitalrepository.lib.hku.hk/catalog/ww72j0241 168 S. F. BALFOUR Emperor and his court were at a place called Ngai Shan in San Wui district. The army was gathered round him, waiting for news of Wen Tien-chiang's attack on Canton. But Wen Tien-chiang was defeated at Waichow and finally captured at Hai Fung. He was brought as a prisoner on a Mongol ship, from which he witnessed the final assault on the Emperor's army and fleet, which was conducted by the commander of the Mongol armies, Cheung Hung-fan. It is recorded that during the battle Wen T'ien-chiang received a message from the Mongol Emperor offering him a post in the government if he would change sides. In reply, he wrote a poem often quoted in books about our region since it mentions the Ling Ting Yeung or Desolate Sea between the islands of outer and inner Ling Ting in the Canton estuary. The poem may be freely translated as follows: "After many hardships I am come to a place where the stars foretell the doom of my arms. The waters toss my broken body like a tiny thread, the wind strikes at the wreck of my life. By the Sands of Huang Kung I tell my despair, in the waters of Ling Ting I sigh my desolation.23 Since life began nobody has escaped death, only honour has immortal record among men." This poem was sent in reply to the Yuan Emperor and Wen T'ien-chiang remained loyal to the Sung cause until his death which occurred in prison some years later. At the battle in the Canton estuary the Sung forces were finally dispersed. The last prime minister then took charge of the Emperor's person. Separating them from the army, whose treachery he feared, he led all the surviving members of the royal family to a place on the sea and exhorted them to commit suicide, saying that it was preferable to surrender. When the women had drowned themselves he walked into the sea with the boy Emperor on his shoulders. It remains to tell the legends which sprang up over the burial places of the Emperors. According to a story of the Yuan dynasty, one of the Mongol soldiers found a garment floating in the sea 23 惶恐灘頭說惶恐,零丁洋裏歎零丁。 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1971 https://digitalrepository.lib.hku.hk/catalog/z029vt43g THE DISTRICT WATCH COMMITTEE 139 36 In 1917 there were 31 guilds for employers only (in trades such as silk, sandalwood, wicker furniture and copper), 35 skilled craftsmen guilds (sandalwood workers, masons, tinsmiths, etc.) and 5 guilds with mixed membership (employers and workers). There were also 17 district societies, such as the Heung Shan (Hsiang-shan) resident merchants association and the General Commercial Association of the Tung Kun (Tung-kuan) merchants resident in Hong Kong. See the list of exempted and registered societies in the Gazette, 27 April 1917. 37 Wei Yuk was appointed in 1891 and served until his death in 1929. He resigned several times in order to allow a newcomer to join the Committee but was soon re-appointed. Lau Chu-pak was appointed in 1902 and served until his death in 1922. Sir Shouson Chow was appointed in 1917 and was still a member in 1949, the year of the demise of the Committee. 38 During the years 1929 to 1931 and in 1936 the Committee met four times a year at Government House. Lennox Mills states that members had the right to a guard of the District Watch Force on the occasion of weddings and other festivities'. The Secretary for Chinese Affairs tells us in his report for 1936 that through the kindness of His Excellency the Committee was able to meet the members of the Mui Tsai Commission on the occasion of their first visit to the Colony, 'All members attended and there was a valuable discussion with frank interchange of views'. When the Governor, Sir Henry Blake, left the Colony in 1903 on the day of his departure he inspected the District Watchmen. Clearly, everything was done by the government to give prestige and éclat to the Committee and the force. 19 T. C. Cheng, op. cit., p. 18. 40 Of the Chinese land population in the 1901 census 227,615 returned themselves as natives of Kwangtung Province, 179,296 of this number belonging to the Kwong Chau Prefecture, 28,844 came from Tung-kuan hsien, 28,587 from P'an-yü hsien, and 27,221 from Nan-hai hsien. The situation was substantially the same in the censuses of 1911, 1921 and 1931. In 1911, for example, 311,992 out of 350,418 Chinese in Hong Kong, exclusive of the New Territories, spoke Cantonese, 41 Op. cit., pp. 399-400. 42 Heung Shan, present-day Chung Shan, is the arid county on the west side of the Pearl River, stretching down to Macau. It was the Heung Ha, the Cantonese term for the province, district or village from which each person derives his ancestry, of many prominent Chinese, including Ng Choy (Wu Ting-fang), Yung Wing (Yung Hung), Wong Shing (Huang Shêng), and Sun Yat-sen. Many Chinese merchants in Hong Kong came from this county; for example, Wei Yuk, Ma Ying-piu (founder of the Sincere Company), M. Y. San (before 1941 the largest biscuit manufacturer in China), Tsang Foo, Look Poong-shan (founder of the Bank of Canton). Su Chao-cheng, organiser and leader of the Seamen' Strike in 1922, came from this county; in 1928 Su was elected to the Central Political Bureau of the Chinese Communist Party. The anarchist, Liu Ssu-fu, was also born there. In 1938 the Chung Shan Commercial Association had a membership of over 4,000 in Hong Kong. 43 In 1905, for example, at least seven members of the Committee were compradores to important western firms; one was manager of a native bank; another of a prosperous pawnshop; a third ran a large export firm. Ho Kai was primarily a financier rather than an entrepreneur. See on this point the Chinese speculator Marie-Claire Bergère, "The Role of the Bourgeoisie' in M. C. Wright, ed., China in Revolution: The First Phase 1900-1913, New Haven, Yale University Press, 1968, p. 236. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1972 https://digitalrepository.lib.hku.hk/catalog/gm80qf99h the help they have rendered to the Society in its learned and cultural activities: 20th January 15th February 15th March 27th April 19th May 18th October 17th November 15th December Professor L. Carrington Goodrich "The Ming Biographical Project" Mr. James Hayes An informal talk on the scope and activities of the 28th International Congress of Orientalists held in Canberra in January 1971 (illustrated with slides). The Rev. Carl T. Smith "The Emergence of a Chinese Elite in Hong Kong”. Dr. Hui-Ching Lu "T'ai Chi Chuang: Its Principles and Practice", (illustrated by a 15 minute film show). Professor Woodbridge Bingham "The People of T'ang China as we know them today". Dr. F. I. Tseung "Chinese Medicine and its contribution to Modern Medical Science". Mr. M. J. Smithies "Village Mons of Bangkok Province" or "The Survival of Good and Bad Ghosts Beyond the Traffic Jams", (illustrated with slides). Mr. P. H. Collin "A British Officer in China, 1857-58", (illustrated with slides). Council: During the period under review your Council met nine times and, naturally, much of the business dealt with was of a routine nature. There were however in addition a few important matters of general interest which called for the consideration and action of your executive body and these are now mentioned separately here. Hon. Secretary. On the departure of Mr. J. L. H. Webster from the Colony (as foreshadowed in my last Report), Miss E. M. Bellord, also a member of the staff of the local British ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r CONTENTS PRESIDENT'S REPORT FOR 1972 - HON. TREASURER'S REPORT FOR 1972 - THE LIBRARY, 1972 - ARTICLES: Page 1 Transactions of the China Medico-Chirurgical Society, 1845-46 — H. A. RYDINGS 11 The Yaumatei Typhoon Shelter, Hong Kong, 1900-1915 A. J. S. LACK 13 The Kam Tin Gates PETER WESLEY-SMITH 28 Early Steamships in China-A. D. BLUE 41 45 Persians, Arabs and Other Nationals In T’ang China CHIU LING-YEONG 58 Swatow (Ch'auchow) Horizontal Stick Puppets - HELGA WERLE 73 Five 19th Century Kwangtung Art Catalogues CHUANG SHEN 85 REPRINTED ARTICLES Legends and Stories of the New Territories: Kam T'in SUNG HOK-P'ANG (with a memoir of the author by Lo Hsiang-lin) 111 NOTES AND QUERIES Notes on Chinese Temples in Hong Kong — CARL T. SMITH 133 'Ling Chih' at Canton, 27th May 1886 Hai Ju; Ming Patriot, Spark for Revolution and God 139 KEITH STEPHENS 144 Another Volontieri Map? - William Thomas Mercer (1822-1879) Hong Kong's Poet Laureate? HENRY JAMES LETHBRIDGE 146 Old Bills of Lading (McMullen Collection) — H. A. RYDINGS 151 Visit to the Sukhothai Sites in Thailand — MICHAEL SMITHIES 154 Deep Bay Marshes 163 168 BOOK REVIEWS 169 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 66 CHIU LING-YEONG The style of I-seng was of Iranian origin, in which modeled and shaded polychrome figures seemed to stand out in relief, or even to float free from their background. His style is believed to have influenced Wu Tao-hsüan and to be traceable in the caves of Tun-huang. 35 From Chinese sources, Ta Yü-chih had three paintings extant in T'ang period, namely: (1) Liu-fan tu; (2) Wai-kuo pao-shu tu (the six foreigners); and (3) Po-lo-men tu (exotic tree from foreign country); (the Brahmara). However, according to Hsüan-ho hua-p'u, there were seven paintings of Hsiao Yu-chih's work, kept by Sung Hui-tsung, namely: 1. Icon of Maitreya 彌勒佛像一; 2. Buddhist icon 佛鋪圖一; 3. Buddhist followers 佛從像一; 4. Buddhist followers from foreign country 外國佛從像一; 5. Avolokitesvara 大悲像一; 6. Vidyaraja 智; 7. Foreigners36; These seven masterpieces were kept by the Emperor in the Inner Palace. Some of I-seng's paintings are still kept by collectors either in China or America, like the Dancing girl of Kucha #✯✯; A Sitting God 坐神; Buddha under the Mango Trees 吉羅林果佛; and Drunken Monk 醉僧圖. The Yu-chihs were also masters of mural-paintings. Some of their works can still be found in temples and pagodas in China. In the Sung period, their works were classified as shen-p'in (divine category). I-seng also introduced the 'iron-wire' line to China—the Western technique of using a line of unvarying thickness to outline figures.37 I-seng, according to Chang Yen-yüan, had brought new light to Chinese painting and made more paths for painters of the later generations to develop. Ch'in Ming-ho At th... In the field of medical science in T'ang China, Professor Lo Hsiang-lin inclines to believe that Persians had made tremendous contributions, especially in surgical operations. In A.D. 683, a Persian known as Ch'in Ming-ho, performed a neurosurgical ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 70 CHIU LING-YEONG 7 Hsiang Ta, p. 35; Schafer, p. 20. 8 See Ssu-Ma Kuang *, Tzu-chih t'ung-chien | (TCTC; Peking, 1956), chuan 225, pp. 7228-7237. 9 Chang-Sun Wu-chi £**& and others eds., T’ang-lu shu-i |*| chuan 6; Ch'en Yü-ching, pp. 56-58. 10 E. Renaudot, Ancient Accounts of India and China by Two Moham-medan Travellers (London, 1733), p. 13. 11 Paul Wheatley, 'Geographical Notes on some Commodities involved in Sung maritime Trade', Journal of the Malayan Branch of the Royal Asiatic Society, Vol. 32, part II, 186:28-29 (Singapore, 1961). 12 Chiu Ling-yeong, pp. 504-508; Tao Hsi-sheng, 'Tang-tai ch'u-li fan-shang chi fan-k'o i-ch'an ti fa-ling' ^££# # X ¶¤£***÷. Shih-huo * 4:9:14-15 (Shanghai, 1936). 13 Ou-Yang Hsiu « and others, eds., Hsin T'ang-shu *M† (HTS; 1060 edited), chuan 163; Chiu Ling-yeong, p. 507. 14 N. I. Konrad, 'The Source of Chinese Humanism' (GALEKH Ht), Journal of the Soviet Oriental Studies 3:72-94 (Moscow, 1957). 15 Ch'en Yü-ching, pp. 74-77. 1 16 Ibn Khordadbeh, 'le livre des routes et des provinces', et annote par M. Barbier de Meynard, Journal Asiatique, serie VI, tome V. In this geo-graphical treatise, Ibn Khordadbeh gave a very vivid description of these trading ports: Khanfou, Kantou, Lonkin and Djanfon. Kuwabara was of the opinion that these four place-names are present Kuang-chou ★ ★. Yang-chou ##, Chiao-chou ★ and Ch'üan-chou ##. Cf. Kuwabara J.. 'T'ang-Sung mao-i-ching yen-chiu' ♫ ET &A”, Chinese translation by Yang Lien ## (Shanghai, 1935), pp. 64-154. Of these four place-names, Khanfou in the Khordadbeh's book was identified as Kuang-chou by Paul Pelliot and many other schools. Cf. M. Paul Pelliot, "Deux itineraires de Chine en Inde, a la fin du VIII siecle', Bulletin de l'ecole francaise d'extreme Orient (Hanoi, 1904), p. 205, Place-names in T'ang period and with 'fu' is very common. Kuang-chou was called Kuang-fu . There were also Yang-fu, I-fu # and Chiao-fu X Cf. Li Fang # and others, eds., T'ai-p'ing kuang-chi ★★ (edited A.D. 978) chuan 437; Ts'en Chung-min |, Chung-wai shih-ti kao-cheng *** (Hong Kong, 1966), I, 295-296; Ch'en Yü-ching, pp. 13-18. 17 HTS, chuan 144. 18 Liu Hsü $ and others, eds, Chiu T'ang-shu (CTS, A.D. 945 edited), chuan 198. 19 Chang Hsing-lang, Chung-hsi chiao-t'ung shih-liao hui-pien **££Ħ (Peking, 1933), 3, 132; Ch'en Yü-ching, p. 15; Maejima, S., 'Evaluation des sources arabes concernant la revolte de Huang Chao *‡, a la fin des Tang', International Symposium on History of Eastern and Western Cultural Contacts, Tokyo-Kyoto (1957), pp. 85-90. According to HTS, chuan 43, part I, it says the whole population in Canton at that time was not more than two hundred twenty-one thousand and five hundred. Huang Chao, in this case, could not have killed one hundred twenty thousand to two hundred thousand as the Arabs reported. To this point, see Ts'en Chung-min *, Sui-T’ang shih t★ ★ (Peking, 1957), pp. 503-504, n. 46. 20 Ho ch'iao-yüan †, Man-shu ⚡, chapter 7. 21 Hsiang Da, pp. 48-50. TCTC, chuan 218, p. 6972. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r PERSIANS, ARABS IN T'ANG CHINA 71 23 Ch'en Yu-ching, p. 19; Wang Gungwu1, 'The Nanhai Trade', Journal of the Malayan Branch Royal Asiatic Society, vol. 31, part 2, chapter 7, "The Middlemen and the Spices 618-960 (II), (Kuala Lumpur, 1958). 24 CTS, chüan 89; HTS, chüan 116. 25 TCTC, chüan 203; Wang Gungwu, pp. 75-76. The passage from TCTC follows Wang Gungwu's translation. 26 CTS, chüan 89; HTS, chüan 116. 27 Tung Hao and others, eds., Ch'üan-Tang wen♬ X (A.D. 1814 edition), chüan 291. 28 Hsiang Ta, pp. 38-39. 29 Ibid., Schafer, p. 21. 30 Wang Ch'i±1 ed., Li T'ai-po wen-chi4★ø̇ (A.D. 1758 edited), chüan 3, 'Ch'ien yu tsun-chiu hsing'☀☀f The Chinese version is as follows: 嬰獒龍門之綠桐，玉壺美酒清若空口 催舷梯往與君飲，看朱成碧顏始缸口 胡姬貌如花，當爐笑春風，笑春風， 笑春風，舞羅衣，君今不醉將安歸。 The translation here follows Schafer's. 31 Hsiang Ta, pp. 41-47. 32 Yüan-shih chang-ch'ing chiZAŁA (1929 edition), chüan 24, p. 5, 'Fa Chu'. After Schafer's translation. Schafer, p. 28. 33 Liu Mau-tsaiA†, 'Kulturelle Beziehungen zwischen den Ost Türken (Tu-Küe) und China', Central Asiatic Journal 3:3:199 (The Hague and Wiesbaden, 1957-58). The dictionary is 'T'u-chüeh yü'*A* See Schafer, p. 285, n. 175. 34 Cf. S. W. Bushell, Chinese Art, Victoria and Albert Museum Handbook (London, 1906), chapter 12; Osvald Siren, Chinese Painting (London, 1956) I, 71; Arnold Silock, Introduction to Chinese Art and History (Oxford, 1948), p. 181; Arthur Waley, An Introduction to the Study of Chinese Painting (London, 1923), p. 108; Jitsuzo Kuwabara, 'Zui-To-jidai ni Shina ni raiju shita seikijin ni tsuite'隋唐時代に支那に来往した番域人に就いて Naito Hakase Kanreki shukuga shukuga Shinagaku ronsoAKŁET#***$*£ (Tokyo, 1926; *ˆ†±‡ƒ), pp. 643-644; Chuang Shen#, 'Sui-Tang shih-tai Yü-tien tsu-chih chi fu-tzu hua-chia'MAARTA##, Lishih yü-yen yen-chiu-so chi-k'anAt*7*ƒƒ4N (Bulletin of the Institute of History and Philology), Extra Vol. 4, part I, pp. 403-454 (Academic Sinica, Taiwan, 1960). 35 Schafer, p. 36 Chuang Shen, pp. 408-416. 37 Ibid., pp. 440-443. 38 TCTC, chüan 203, p. 6415. For Ch'in Ming-ho and Li Hsün, I am indebted to Professor Lo Hsiang-lin's stimulating article 'Hsi-chu po-ssu chih Li Hsün chi ch'i Hai-yao pen-ts'ao'±Ùƒ±‡HZ‡❀$$‡ Symposium on Chinese Studies Commemorating the Golden Jubilee of the University of Hong Kong, 1911-1961. F. S. Drake, ed., (Hong Kong, 1964) II, 217-240. 39 For Ch'ung ICTH, chüan 95 see Lo Hsiang-lin's article on Li Hsün; also ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 78 HELGA WERLE (sun-win- a glass-screen came into fashion called yang-chuang dow). With the glass-screen the puppets became round, their bodies were made of straw, hands and feet of paper, the head of clay, the costumes were copied from the string-puppets, sticks were attached to the hands and the back, and then these puppets were called yuan-shen chih-ying-hsi | ✯✯✯ (round-body paper-shadow play). Later, it is stated, the glass-screen was discarded and curtains were attached to the bamboo-frame, but nevertheless it continued to be called 'Paper-shadow-play'. All over China the shadow-play was called p'i-ying-hsi ★BA "Leather-shadow-play" because the figures were cut out of leather, but in Ch'aochow strangely enough this term was never used. Referring to the paper-screen it was always, and is still now, called "Paper-shadow-play" and I met several Ch'aochowese who were convinced that their shadow-figures were cut out of paper. The misinterpretation is probably due to the name. This description of development suggests many questions. Why should a light, convenient and cheap paper-screen be given up for a glass-screen, which is heavy, expensive, easy to break and almost impossible to transport? How should a hawking puppeteer carry a delicate glass-screen with his bundle and box? Was the fascination of the newly imported foreign glass-windows so great that they were adopted for the 'paper-shadow-play' in order to lend it new attraction? And if there was a glass-screen, was it translucent imitating the paper-effect or was it transparent window-glass? This question is important, because the difference would decisively influence the shape of the puppet. The name 'Sun-window' could also suggest that the shadow was not produced by an oil-lamp, but sunlight. Old Ch'aochowese vividly recall impressions of the shadow of puppets appearing on a paper-screen, but I heard no one speaking of glass. Being unable to find a logical reason for adopting a glass-screen, I would like to consider it the invention of an author who tried unsuccessfully to explain the disappearance of shadow-puppets in Ch'aochow. Some Characteristics of Ch'aochow Puppet Opera I turn now to consider various aspects of Ch'aochow puppet history. Among these, the patron saint of puppets shows certain interesting characteristics. Whilst the Peking opera actors venerate the emperor T'ang Ming Huang (713-742), who was the founder of ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 82 HELGA WERLE dissolved in 1964 when because of lack of business the old leader got so desperate that he threw his puppets literally into a rubbish-bin. The third group Tung-i still exists under the leadership of Wu Mu-sen and Ch'en Yung-ming. Their puppets are older and much larger than those of the Hsin-shun-hsiang troupe, and are very seldom used now. When Wang Chiao-tsou died his eldest son Hsi-ch'in continued the Hsin-shun-hsiang Troupe. He usually plays the Yeh-hu, for which he is very renowned, in the opera-orchestras. This is a two-stringed violin of which the sound box is made of a coconut shell. Five of the seven brothers and sisters Hsi-ch'in, Hsi-tang, Hsi-yü, Hsi-ch'ing and Hsi-hsien are all versatile musicians or singers, joining in the puppet or opera performances. There are also six artists of the older generation with 30-40 years' experience performing with them. They are Li Chen-chiang, Huang Shun-ch'i, Ma Chen-huan, Chang Chung-liang, Li Han-t'an and Chiu Hsüeh-ching. During a typhoon in 1960 Hsi-ch'in's squatter hut was flooded and most of his puppets were destroyed. He travelled to Ch'aochow to replace them, but he could not find any old ones. Fortunately, he found an old-puppet-maker who made a new set which he took to Hong Kong, and it is used now by his troupe and also by the Tung-i Troupe. Today, there are about sixty puppet-bodies and eighty puppet-heads, belonging to these two troupes, the Hsin-shun-hsiang and the Tung-i. They give no more than seven performances a year between them. They are still called by Ch'aochow associations to perform at the festival of the T'ien-kung Chi on the 5th day of the first month, the festival of Po-kung Fu-te Ta-yeh on the 29th day of the third month and to the ceremony of Hsieh-shen (thanking the gods) in the 12th month. Although the name of either of the groups invited to perform appears on top of the curtain, the puppets, puppeteers, musical instruments and musicians are mostly the same. The fee is handed to the leader of the troupe who, together with the leader of the orchestra, keeps a larger share. The rest is distributed equally among all the other performers, puppeteers and musicians. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r SWATOW HORIZONTAL STICK PUPPETS Ch'aochow Puppets in contemporary China and overseas 83 Liu Fu-kuang §✯ an educated person of about 40, who is the most outstanding Ch'aochow orchestra-leader here, is closely connected with the Hsin-shun-hsiang puppet-troupe. He came to Hong Kong in 1959. According to him, puppet-troupes completely disappeared in Ch'aochow after the establishment of the People's Republic in 1949. This is probably because their performances were intimately connected with the festivals of the myriads of local deities, the worship of which was strongly discouraged by the Communists. In 1957, Liu Fu-kuang saw the last troupe, called Shant'ou Ying-hsi-t'uan 4⇓✯D (Shadow-play-troupe of Shant'ou) perform in Swatow. He believes that not even one troupe is now left in Ch'aochow, after a history of about one thousand years and a hundred active troupes fifty years ago. People from Ch'aochow make up a large percentage of the Overseas Chinese population of South East Asia and Ch'aochow opera flourishes there; but there is said not to be one single "paper-shadow-play" troupe overseas. This shows that from the great tradition of puppet-theatre, only the two troupes in Hong Kong are left. It is therefore the last chance to savour and study this tradition before its extinction which, at least at the moment, appears to be inevitable. BIBLIOGRAPHY Batchelder, Marjorie H.: Rod-puppets and the Human Theatre, Columbus, The Ohio State University Press, 1947. Huang Chun-ming: The Forbidden Puppets' in Echo of Things Chinese, Taiwan, October 1972, pp. 24-34. Jacob & Jensen: Das Chinesische Schattentheater, Stuttgart, 1933. Margareta Niculescu: The Puppet Theatre in the Modern World compiled by Union Internationale des Marionettes under Margareta Niculescu, George G. Harrap & Co. Ltd., London, Toronto, Wellington, Sidney, 1967. Tsim Tak-lung (compiler): Puppet-demonstration on pages 45-47 of ‘Chinese Theatre in Hong Kong', Proceedings of a Symposium, Nov. 22-23, 1968, Centre of Asian Studies, University of Hong Kong, 1968. Burger, Helga: 'The Cantonese Stick-puppets', in Kaleidoscope, Hong Kong, March/April 1973. "The Far Eastern Puppet Theatre' in Souvenir Book of the Hong Kong Arts Festival, 1974. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 84 HELGA WERLE Chang Po-chieh : 'Ch'ao-chü Yüan-Liu Chi Li-shih Yen-ke', in Ch'ao-chü Yin-Yueh, Canton, 1956. MHAKAARST. NOTA 廣象。 Huang Hua-chieh : Chung-Kuo Ku-chin Min-chien Pai-hsi, Taiwan, 1967, Ren Ren Wen-k'u Series, No. 383. Kuan Chün-che : Pei-ching Pi-ying-hsi, Peking, 1959. Liu Fu-kuang : 'Ch'ao-chou Chih-ying-hsi Chien-chieh', Hong Kong Arts Centre Bulletin, Feb. 1974. Sun Kai-ti : Kwei-lei-hsi K'ao-yüan, Shanghai, 1953. Wu Ting-hung : Zhen-yang-yen mu-ou-hsi, Shanghai, 1954. Where no sources are quoted, the statements made in the text are based on first-hand observation and interviews. H.W. Page 90 Page 91 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 86 CHUANG SHEN Beginning from the Northern Sung period, speaking in general, editing principles applied to writings of either individual works or history of painting or calligraphy were two-fold. According to the first principle, records or descriptions of either painting or calligraphy were separated as two unrelated sections. But according to the second principle, they were combined together into one chronicle. During the Sung periods, there were two kinds of writings completed in accordance with the first principle; namely, official compilations in contrast to private compilations. In regard to the former, for instance, the Hsüan-ho shu-p'u and the Hsüan-ho hua-p'u are both typical works edited under the imperial order of Emperor Hui Tsung (re. 1082-1135); whereas the Hai-yüeh shu-shih and Hua-shih, both written by Mi Fei (1051-1107) are the best examples of writing on the history of calligraphy and painting among private compilations. Apparently, however, after the Sung periods, official writings on history of either painting and calligraphy were scarcely compiled. The reflourishing of such a tradition was not brought back until the Ch'ing period during the late 17th century. Nevertheless, the editing principle of separating records of painting and calligraphy into two unrelated sections had already become an influential tradition. After the Sung periods, a number of books dealing with either painting or calligraphy were edited in this way. During the Ming period, the most distinguished works on painting and calligraphy were probably the following three: firstly, the Shu-yüan 12 chuan and the Hua-yüan 4 chuan, both edited by Wang Shih-chen (1526-1590); secondly, the San-hu-wang hua-lu and San-hu-wang shu-lu (each of which has 24 chuan) both edited in 1643 by Wang Ko-yü; thirdly, the Tieh-wang san-hu edited in 1597 by Chu Ts'un-li (The first edition has 8 chuan altogether; 4 chuan are dedicated to painting and the other 4 to calligraphy. Yet, in its second edition amended in 1610, this record was expanded to 16 chuan, with 10 chüan for calligraphy and 6 for painting.) In these three works, the records of painting and calligraphy were all divided into two unrelated sections. During the Ch'ing period, many works that dealt with the history of either painting or calligraphy were compiled according to the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r FIVE ART CATALOGUES 87 same tradition. For instance, Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao of 1682 (60 chüan altogether; 30 for painting and 30 for calligraphy); Ku Fu's P'ing-sheng chuang-kuan of 1692 (10 chüan altogether; 5 for painting and 5 for calligraphy); Wu Shêng's Ta-kuan-lu of 1712 (20 chüan altogether; for painting and calligraphy, 10 chüan each); An Ch'i's Mo-yüan hui-kuan of 1742 (There are mainly 2 chüan; one for painting and the other, calligraphy. However, near the end of this work there appears an additional chüan with simplified descriptions of painting); and finally, Ku Wên-pin's Kuo-yün-lou shu-hua-lu of 1882 (6 chüan for painting and 4 for calligraphy). All these important works on the history of either painting or calligraphy were edited by separating records of painting and calligraphy into two different sections. On the other hand, speaking in general, works in which records of painting and calligraphy were put together as a combined chronicle were far fewer. From the earlier period, only Huang Po-ssu's Tung-kuan-yu-lun (2 chüan, edited in 1147 by the author's son, Huang Nai) and Chou Mi's Yün-yen kuo-yen-lu (4 chüan, edited probably around 1291) may be regarded as representative works in this line during the Sung and the Yüan. However, during the Ming and the Ch'ing periods, works in this line were innumerable. During the Ming period the most important were: Chu Ts'un-li's (1444-1513) San-hu-mu-nan (8 chüan); Tu Mu's (1458-1525) Yü-i-pien (only 1 chüan); Wên Chia's (1501-1583) Ch'in-shan-r'ang shu-hua-chi (1 chüan, edited in 1565); Chu Chih-ch'ih's Ao-an shu-hua-mu (1 chüan); Sun Feng's Shu-hua-ch'ao (1 chüan); Chen Chi-ju's (1558-1639) Ni-ku-lu (4 chüan); Tung Ch'i-ch'ang's (1555-1636) Hua-chan-shih sui-pi (4 chüan); and Li Jih-hua's (1565-1635) Wei-sui-hsüan jih-chi (compiled in 1616). In all these works, the records of painting and calligraphy of various dynasties were combined, forming one chronicle. This type of books became even more numerous during the Ch'ing dynasty. Those completed in early Ch'ing were Sun Chêng-che's (1592-1676) Kêng-tzŭ hsiao-hsia-chi (8 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 88 CHUANG SHEN chuan; completed in the 16th year of the Shun Chih era, 1659); Wu Ch'i-chên's Shu-hua-chi (6 chüan; completed in the 16th year of the K'ang Hsi era, 1677); Kao Shih-ch'i's (1645-1704) Chiang-ts'un hsiao-hsia-lu (3 chuan; completed in the 32nd year of the K'ang Hsi era, 1693); and Miu Yüeh-tsao's (1682-1761) Yü-i-lu (6 chuan; completed in the 11th year of the Yung Chêng era, 1733). During the prosperous period of Ch'ing, there were Lu Shih-hua's (1714-1779) Wu-yüeh so-chien-shu-hua-lu (6 chüan; completed in the 41st year of the Chien Lung era, 1776); Chen Cho's Hsiang-kuan-chai yü-hsiang-pien (12 chüan; completed in the 47th year of the Chien Lung era, 1782). In mid Ch'ing, more works of this kind appeared, such as Pan Shih-huang's Hsü-ching-chai yün-yen-kuo-yen-lu (1 chüan; completed in the 9th year of the Tao Kuang era, 1820); Chang Ta-yung's Chih-i-chai shu-hua-lu (30 chüan; completed in the 12th year of the Tao Kuang era, 1832); Tao Liang's (1772-1857) Hung-tou-shu-kuan shu-hua-chi (8 chüan; completed in the 16th year of the Tao Kuang era, 1836); and Hu Chi-t'ang's Pi-hsiao-hsüan shu-hua-lu (2 chüan; completed in the 19th year of the Tao Kuang era, 1839). Still more were published during the late Ch'ing period. These were: Han Tai-hua's Yü-yü-t'ang shu-hua-chi (4 chüan; completed in the first year of the Hsien Fêng era, 1851); Chang Kuang-hsü's Pieh-hsia-chai shu-hua-lu (4 chüan; completed in the 4th year of the T'ung Chih era, 1865); Li Tso-hsien's Shu-hua-chien-yin (24 chüan; completed in the 10th year of the T'ung Chih era, 1871); Fang Chün-i's Mêng-yüan shu-hua-lu (24 chüan; completed in the first year of the Kuang Hsü era, 1875); Hsieh K'un's Shu-hua-so-chien-lu (3 chüan; completed in the 6th year of the Kuang Hsü era, 1880), Ko Chin-liang's Ai-jih-yin-lu shu-hua-lu (4 chüan; completed in the 7th year of the Kuang Hsü era, 1881); Lu Hsin-yüan's (1834-1894) Jang-li-kuan kuo-yen-lu (40 chüan; completed in the 18th year of the Kuang Hsü era, 1892); and Shao Sung-nien's Ku-yüan-ts'ui-lu (18 chüan; completed in the 29th year of the Kuang Hsü era, 1903). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 92 CHUANG SHEN tion of old merits found in the Ming period art catalogues — the recording of quality and format of paintings, as well as inscriptions and colophons that appeared on them — and innovations of his own — the recording of measurements and seals — could be said to be the first complete art catalogue in the history of development of art catalogue editing systems. Later on, even the Shih-chü pao-chi *** (The first part was completed in the 10th year of the Chien Lung era, 1745; the second part, in the 58th year of the Chien Lung era, 1793, and the third part, in the 22nd year of the Chia Ching era, 1817), an art catalogue of the Ch'ing imperial household, followed exactly the editing methods introduced by Pien. It can thus be said that before the Wan Li era of the Ming dynasty, the editing methods of Chinese art catalogues were mainly descriptive, whereas after the Wan Li era, the stress was shifted to documentary. The Ming compilers' contribution to the compilation of art catalogues lay in their inauguration of recording colophons and inscriptions on paintings, as well as the quality and format of all paintings. The Ch'ing compilers' contribution, on the other hand, was the introduction of records of seal text on the painting, as well as the measurements of all paintings. It was only when such essential elements as inscriptions and colophons, seals, quality, size, and format etc. were all fully recorded that an art catalogue could be said to have possessed all the necessary requirements. Although Pien Yung-yü's Shih-ku-t’ang shu-k’ao and Shih-ku-t’ang hua-k’ao, both completed in the 21st year of the K'ang Hsi era, were the most perfect works in the history of development of art catalogue compilation, some other art catalogues that were completed after the publication of Pien's works still adhered to the traditional editing methods used before the Wan Li era. For instance, there were Tso Lang's San-wan-liu-ch'ien-ch'ing-hu-chung hua-ch'uan-lu *# (completed in the 60th year of the Chien Lung era, 1795); Shêng Ta-shih's ★± Ch'i-shan wo-yu-lu A4 (first completed in the 21st year of the Tao Kuang era, 1833); and Huang Ch'ung-hsing's Tsao-hsin-lou tu-hua-chi ******* in which no record * There is no date of completion. However, according to Tan Ting-hsien's ### preface dated in the 27th year of the Kuang Hsü era ✰✰ (1901), he was an old friend of Wang Ch'ung-hsing. Thus, it can be deduced that both were active during the Tung Chih and Kuang Hsü eras. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 94 CHUANG SHEN It should be noted here that the Shih-ku-t'ang hua-k’ao was completed in the 21st year of the K'ang Hsi era, and Kao Shih-ch'ï's Chiang-ts'un hsiao-hsia-lu, in the 32nd year of the K'ang Hsi era. Thus there were eleven years in between. As early as the 21st year of the K'ang Hsi era, Pien Yung-yü had already begun to record the measurements of painting, use the regular script to transcribe the seal text, and squares and rectangles to represent the original shape of the seals. Therefore, the Chiang-ts'un hsiao-hsia-lu was not as Wu Yung-kuang stated "the first catalogue that recorded the measurements of scrolls and paintings". Furthermore, neither did the method of "enclosing seal text transcribed in the regular script by lines" to record seals that appeared on paintings, as had been extolled by Wu Yung-kuang as the "best" method, originate from Kao Shih-ch'i. Kao was only one of those early art catalogue compilers who followed Pien's systems. However, in regard to these two compilers' writings, owing to the fact that no matter on the subject of the classics or literature, Kao by far out-numbered Pien in quantity. His reputation as a connoisseur was also far higher than Pien's. It was probably because of these reasons that Wu Yung-kuang only noticed Kao's Chiang-ts'un hsiao-hsia-lu and overlooked Pien's Shih-ku-t'ang hua-k'ao. Consequently Wu's editing methods adopted in his Hsin-ch'ou hsiao-hsia-chi followed exactly those of Chiang-ts'un-hsiao-hsia-lu. Undoubtedly, the editing methods adopted by Wu were the most perfect ones in the compilation of art catalogues. However, the fact that he was only aware of Kao Shih-ch'i and not Pien Yung-yü seems to show that he had put a wrong emphasis on the first and last, which is something regrettable. A catalogue that was completed earlier than the Hsin-ch'ou hsiao-hsia-chi was: Yeh Meng-lung's Fêng-man-lou shu-hua-lu. Unfortunately, Yeh Mêng-lung did not give any introductory note to explain his editing system. Therefore it is not known whether his inclusion of the five essential elements i.e. measurements, material, format, seals and colophons was under the influence of Pien Yung-yü or Kao Shih-ch'i. However, since Yeh and Wu were not only good friends, but also later became relatives1, it is possible that when compiling his Fêng-man-lou shu-hua-lu, Yeh Mêng-lung was somehow influenced by Wu Yung-kuang. Thus like Wu Yung-kuang, Yeh's adoption of the five essential elements was probably under the influence of Kao Shih-ch'i and not directly from Pien Yung-yü. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 96 CHUANG SHEN Thus, instead of saying that the compilation method of the T'ing-fan-lou shu-hua-chi was an imitation of the system used in Wu Yung-kuang's art catalogue, rather, it would be more appropriate to say that Pan compiled it according to his own ideas, Thirdly, if this assumption is reasonably correct, then the fact that Pan, in the preface of his T'ing-fan-lou shu-hua-chi regarded Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as one of the representative art catalogues in the Ch'ing dynasty was due to his high esteem for Kao's work, which incidentally was a view shared by Wu Yung-kuang. Moreover, it is possible that he came under Wu's influence while undertaking the collating work for the Hsin-ch'ou hsiao-hsia-chi, thus regarded Kao Shih-ch'i's work of special importance. Fourthly, Pan Chêng-wei considered Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as the most representative art catalogues compiled in early Ch'ing. This point of view is worth our notice. It should be noted that though Sun's catalogue was completed in the 16th year of the Shun Chih era (1659), it was being collated only less than a century after its publication, by Ho Cho2 (1661-1722), a well-known scholar of the Chiang Nan district21 and active in the K'ang Hsi era. Moreover, in the Chien Lung period, distinguished scholars like Lu Wên-ch'aoAx 3 (1717-1795), Pao T'ing-po3* ty (1728-1814) and Yu Chi (1738-1823) at one time or other wrote prefaces and colophons for this catalogue3, and in particular, Pao T'ing-po even included it in his Chih-pu-chü-chai ts'ung-shu1 * F & *** in order to publicize it. Not long afterward, it was well appraised by the Ssu-k'u-ch'uan-shu tsung-mu t'i-yao★ATAIRE, an official catalogue completed in the 48th year of the Chien Lung era. Thus, it can be seen that during the 124 years between the 16th year of the Shun Chih era and the 48th year of the Chien Lung era, in regard to the connoisseurship of painting and calligraphy, no matter whether it was in Chiang Nan or in the capital, and regardless of whether privately or officially, there was no one who did not consider Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi as an important work for reference, However, the situation was not quite the same in Kwangtung. Probably up to the Chien Lung era, no Kwangtung scholar had ever noticed the Kêng-tzŭ hsiao-hsia-chi. Even Wu Yung-kuang and Yeh Mêng-lung, relatives who both served for a long time in the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 98 CHUANG SHEN Needless to say, the two works by Sun and Kao mentioned in the text refer to Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Although Liang T'ing-nan pointed out that it would be unsuitable to compare his T'êng-hua-t'ing shu-hua-pa with the two works of Sun and Kao—which was, moreover, something that he would not venture to do—it could be deduced that, in his opinion, the two catalogues compiled by Sun Ch'êng-chê and Kao Shih-ch'i must have been held in reverence. Otherwise, it would be difficult to explain why he must necessarily take his work to compare with the Kêng-tzŭ hsiao-hsia-chi and the Chiang-ts'un hsiao-hsia-lu, and not with Pien Yung-yü's Shih-ku-t'ang hua-k'ao. According to Liang's remark, it is clear that owing to Pan Chêng-wei's recommendation of the Kêng-tzŭ hsiao-hsia-chi, Sun's work became an art catalogue capable of being compared with Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu in the mind of Kwang-tung art collectors some time later; while, on the other hand, Pien Yung-yü's work seemed to remain unnoticed, as it was during Wu Yung-kuang's time. It thus seems rather questionable whether Liang T'ing-nan was ever aware of Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao. As to the origin of the editing method employed in Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, some hints may be obtained from the preface written by Li Ch'ao-t'ang, which reads, The two brothers Huai-min and Shao-tang (i.e., Kung Kuang-yung and Kung Kuang-tao) had the largest collection of books in Kwangtung. At his leisure hours, Kung Kuang-tao compiled this catalogue by following the editing system set down in the catalogues of Sun Ch'êng-chê and Kao Shih-ch'i. Thus, it can be seen that the origin of the editing method employed in the Yüeh-hsüeh-lou shu-hua-lu was also that used in the two catalogues of Sun Ch'êng-chê and Kao Shih-ch'i. From the time when Wu Yung-kuang completed his Hsin-ch'ou hsiao-hsia-chi to the time when Liang T'ing-nan completed his T'êng-hua-t'ing shu-hua-pa, 15 years had elapsed, and up to the completion of Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, 21 years. During these 21 years, apart from the fact that owing to Pan Chêng-wei's recommendation, Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi received more attention, and that Liang T'ing-nan's T'êng-hua-t'ing shu-hua-pa ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 100 CHUANG SHEN Ink Bamboo & As Ni Tsan's Yu-po-t'an-hua-t'u and Ho-lin-t'u are both paper hanging scrolls, it is difficult to perceive why after recording the painting Yu-po-t'an-hua-t'u Wu Yung-kuang must necessarily record four other scrolls of calligraphy and two paintings by some other artists and then continued with Ho-lin-t'u. Again, similar confusions could be found in Wu Yung-kuang's record of three paintings by Wang Fu. In chuan 4 of his Hsin-ch'ou hsiao-hsia-chi, Wu entered first of all Wang Fu's Kao-liang-shan-t'u # which was followed by Ni Tsan's small hanging scroll of landscape. Furthermore, only after introducing works by five other artists (Wang Mien, Wang Meng E. Huang Kung-wang ★✰✰, Ni Tsan and Wu Chen) and nine calligraphers (Kung Su, Liu Yu-ch'ing, Fan Kuo, Ou-yang Ying, Yü chi, Wu Ch'uan-chieh, Liu Kuan, Fêng Hai-su and Nao Nao) did he continue with Wang Fu's Ink Bamboo. Although, on the one hand, Wu listed the two Ni Tsan paintings and the three Wang Fu paintings separately in two unrelated places, on the other hand, in regard to the four paintings respectively done by Ch'ien Hsüan✯✯ and Chao Meng-fu #, he grouped them together. Why is it that Wu recorded works by Ch'ien Hsüan and Chao Meng-fu in continuous order, and yet broke up the record of works done by Ni Tsan and Wang Fu by inserting entries of works executed by other artists and calligraphers? In a word, when recording more than two paintings done by the same artists, Wu sometimes entered them continuously and sometimes separately. From this, it is apparent that no consistent principle was observed in the method of recording works by one artist in this catalogue. This mixed use of continuous and separate entries not only creates inconvenience to the reader, but also gives one a confused feeling. The presence of such shortcomings is undoubtedly a result caused by Wu Yung-kuang's unsuitable treatment in the matter of compilation. In Pan Chêng-wei's ✯ T'ing-fan-lou shu-hua-chi and Hsû-chi, as well as in Liang Ting-nan's T'êng-hua-t'ing shu-hua-pa, another type of shortcoming in compilation, which is quite different from that appeared in the Hsin-ch'ou hsiao-hsia-chi, can again be found. There are altogether five chüan in the T'ing-fan-lou shu-hua-chi. With the exception of chüan 5, all the paintings and calligra- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 102 CHUANG SHEN 2. Wang Yuan-ch'i £ß 3. Wang Yuan-ch'i 4. Wang Yuan-ch'i 5. Wang Chien £ 6. Wang Chien 7. Wang Hui 8. Fang Shih-shu 9. Hua Yen 華嵒 hanging scroll of the Fu-ch'un Mountain 富春山軸 hanging scroll of landscape executed in the style of Huang Kung-wang 黄公望 and Ni Tsan 倪瓒 handscroll of landscape in the style of former masters. Yün-ho sung-yin-t'u *** H , hanging scroll Ts'êng-luan-sung-ts'ui-t'u 翠圖 hanging scroll Hsia-k'ou tai-tu t'u #* album of landscape, figure and flower hanging screens of flower and bird 10. Wang Shih-min E 11. Liang Pei-lan 12. Ch'ien Tsai hanging scroll executed in the style of Huang Kung-wang hanging scroll of poems written in the running script hanging scroll of orchid and bamboo executed in ink monochrome Among the three different kinds of edition available today, no matter whether it is hand-written, or wood block printed, or type printed, all the texts in chuan 5 of this T'ing-fan-lou shu-hua-chi have left out ten items of painting and calligraphy; i.e., from the landscape album executed by the Sung and Yüan artists up to Ch'ing-chieh-t'u executed by Ch'ien Hsi-pai of the Sung dynasty. And similarly, all the texts in chuan 2 of the supplement of the same catalogue have omitted record of the 12 items of painting and calligraphy; i.e., from Wang Hui's hanging scroll executed in the style of Wang Meng up to Ch'ien Tsai's hanging scroll of orchid and bamboo executed in ink monochrome. For the same item of painting, the table of contents in this book lists its painter, its title as well as the format, and yet all these details have not been entered into the text. Such inconsistency cannot but be regarded as a shortcoming in compilation, the more so since this shortcoming arises not because of the difference in edition, but entirely due to the carelessness of the compiler. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 104 CHUANG SHEN logue seems to be smaller than that found in Pan's catalogue. All in all, the lack of record of paintings and calligraphies listed in the table of contents in the text of a catalogue is the second type of deficiency in compilation found in the art catalogues of the Kwang-tung collectors. B. Carelessness in Proof-reading The deficiency in proof-reading is the second type of deficiency in the art catalogue of the Kwangtung collectors. We may begin by examining Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi. The carelessness in the proof-reading of this catalogue can be seen in the two following examples. In the 51st year of the K'ang Hsi era (1712), Wu Shêng completed the 20 chüan of his famous catalogue Ta-kuan-lu. It is not known whether Wu Yung-kuang had read Wu Shêng's Ta-kuan-lu with care or not; however, after acquiring Ni Tsan's Yu-po-t'an-hua-t'u, he had made use of the entry of this painting in Ta-kuan-lu to collate with the inscriptions attached to the painting. Moreover, he mentioned the name of Wu Tzu-min? + in his own colophon. Therefore, having known the literary name of Wu Shêng as Tzũ-min, Wu Yung-kuang could hardly be ignorant of Wu Shêng. Yet in his Hsin-ch'ou hsiao-hsia-chi, he was so careless as to record Wu Shêng's name wrongly. In chüan 5 of his catalogue, after entering Ch'iu Ying's Yü-tung hsien-yüan-tu玉洞仙源 he added, Wang Shêng's12 Ta-kuan-lu has also recorded Shih-fu'sTX Yu-tung hsien-yüan-t'u1 12 + In chüan 4 of Hsin-ch'ou hsiao-hsia-chi, Wu Yung-kuang had already mentioned that the compiler of Ta-kuan-lu was Wu Tzŭ-min11, yet in chüan 5 of the same book, he recorded the compiler of Ta-kuan-lu as Wang Shêng12. It is thus apparent that the mistake of calling Wu Shêng as Wang Shêng could not be due to Wu Yung-kuang's ignorance. Rather, it resulted from a mistake in his own handwriting, or from a mistake made while cutting the blocks for painting. Moreover, according to Ku Fu's P'ing-sheng chuang-kuan13 there was a calligrapher by the name of Wang Shêng active in the Southern Sung period. Thus, if the reader of Hsin-ch'ou hsiao-hsia-chi has complete faith in Wu Yung-kuang, would it not be very likely for the compiler of Ta-kuan-lu to be taken as a Sung figure of the mid 13th century instead of a Ch’ing figure of the mid 17th century? ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 106 CHUANG SHEN Besides, in the table of contents of chüan 4 of T’êng-hua-t'ing shu-hua-pa, the 126th item is recorded as a landscape executed by Fang Hsün-yüan. Although there were quite a large number of artists in the Ch'ing dynasty, there was no one whose surname was Fang19. However, during the period between the Yung Chêng era and the beginning of the Chien Lung era, there was an artist by the name of Fang Shih-shu ✯±✯ (1692-1751) who was a native of An Hui and yet lived in Yang Chou. The literary name of Fang Shih-shu is Hsün-yüan20 #✡. Since in T'êng-hua-t'ing shu-hua-pa, it was Liang T'ing-nan's practice to designate all artists by their literary names and not their real names, therefore this unidentifiable Fang Hsün-yüan is very likely a name mistaken for Fang Hsün-yüan. If this assumption is correct, then Liang T'ing-nan had not only recorded incorrectly the literary name of this An Hui artist, but also mistaken his real name. Such an inexcusable mistake is again due to carelessness in proof-reading. C. Chronological Mistakes I have not thoroughly investigated the number of chronological mistakes in the art catalogues of the Kwangtung collectors. However, this kind of error can at least be discovered in Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi. It should be noted here that Wu Yung-kuang had left two most important documentary records. One was the Li-tai ming-jen nien-p'u in 10 chuan, compiled in the 23rd year of the Tao Kuang era (1843) which was the year of his death. The other was Hsin-ch'ou hsiao-hsia-chi in 5 chuan, which, though printed a little earlier than the Li-tai ming-jen nien-p'u (in the 21st year of the Tao Kuang era, 1841), was in fact completed two years before his death. In other words, the two most important works of Wu Yung-kuang were both completed during the last three years of his life. Unfortunately, there are certain mistakes in both works. As early as ten years ago, the chronological mistakes in the Li-tai ming-jen nien-p'u have already been pointed out by experts21. It is also regrettable that in his Hsin-ch'ou hsiao-hsia-chi, he had committed some other curious chronological mistakes. On page 4 of chüan 4, there is recorded Wu Yung-kuang's own colophon inscribed on Ch'ien Hsüan's Li-hua-chüan #4, which reads, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 108 CHUANG SHEN obtained under the entry of the 8th year in the Tao Kuang era (1828), "In the third month, my daughter named Hsi married Yeh Ying-ch'i". In chuan 2 of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia chi, there is an entry about Mi Yu-jen's Yün-shan tê-l-t'u #4#★#, which according to Kung Kuang-tao's LAM Yüeh-hsüeh-lou shu-hua-lu *****, should bear a square seal, the text of which reads, "Nan-hai nu-shih Yeh Wu Hsiao-ho hsieh-yün-lou shu-hua-chih-yin” ✯✯✯±‡*+*Z*#‡‡<¢ "seal of calligraphies and paintings in the Hsieh-yün-lou collection of Madam Yeh Wu Hsiao-ho, native of Nan-hai”. Ho-wu is one of the style names of Wu Yung-kuang, and so he gave his daughter Wu Hsi the style name of Hsiao-ho. Furthermore, above Hsiao-ho's surname, it is added her husband's surname (Yeh). Thus it is evident that the Yün-shan tê-t-t'u was one of the items in her dowry when she was married off to Yeh Ying-ch'i. However, in the opening part of chuan 3 in Wu Yung-kuang's Shih-yün-san-jen fen-t'l-shih-hsuan, it is stated that one of the collators was his son-in-law, whose name, however, was recorded as Yeh Ying-hsin #44. 2 At the end of his Kêng-tzŭ hsiao-hsia-chi chiao-wên ✯TMIERZ - "Collatery Note of the Kêng-tzŭ hsiao-hsia-chi" Ho Cho put down the date of "K'ang Hsi kuei-ssu" which is equivalent to the 52nd year of the K'ang Hsi era (1713). Ho's collatery note can be found in Ku-hsüeh-hui-k'an **✰★, vol. II, No. V, published by Kuo-ts'ui hsüeh-pao shê @##★#, 1923, and reprinted by Li Hsing Book Co. ★1⁄2, Taiwan. (The collatery note is found in pp. 2585-2601 of this reprint.) 3 Pao T'ing-po's colophon, which is attached to the Kêng-tzŭ hsiao-hsia-chi, was completed in the 20th year of the Chien Lung era ✯✯ (1755). Yu Chi's colophon and Lu Wên-ch'ao's preface were both written in the 26th year of the Chien Lung era (1761). 4 There are altogether 18 collections in Chih-pu-tsu-chai ts'ung-shu ÞILIIT. The fourth collection includes only Sun Ch'êng-chê's Hsien-chê-hsüan-tieh-k'ao §**** (which is now attached to the end of Kêng-tzŭ hsiao-hsia-chi. However, it is included in the occasional publication of the Chih-pu-tsu-chai. Nowadays, an edition that was published separately in the 26th year of the Chien Lung era (1761) is available. 5 See Ssŭ-k'u-ch'üan-shu tsung-mu ti-yao **** chuan 113. Only the last sentence in this discussion is quoted here, since it already suffices to reflect the whole situation by this, "Though the man can be slighted, his writing is however something that we cannot pass over slightly." 6 A hand-written copy of the T'ing-fan-lou shu-hua-chi and its supplement is found in the collection of the Feng Ping-shan library, University of Hong Kong. 7 The Feng Ping-shan library in the University of Hong Kong has in its collection a wood block printed version of the T'ing-fan-lou shu-hua-chi in 5 chuan and its supplement in 2 chuan, the beginning section of both of which are missing. Therefore, the date and place when this catalogue was printed is now known. * The type printed version of the T'ing-fan-lou shu-hua-chi and its supplement is available in Mei-shu ts'ung-shu *#*# vol. IV, part VII. This catalogue was first printed by the Kuo-ts'ui hsüeh-shê # in the 3rd year of the Hsuan Tung era ✯ (1911). The second edition came out in 1928. The copy used in this paper is the fourth edition published by Shen-chou kuo-kuang shê **B£* in 1947. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r FIVE ART CATALOGUES 109 9 In chuan 4 of Hsin-ch'ou hsiao-hsia-chi pp. 22b-33a, after entering Ni Tsan's Yu-po-t'an-hua-t'u and inscriptions and recording the three colophons written by Tung Ch'i-ch'ang and emperor Chien Lung, Wu Yung-kuang's own colophon follows, beginning thus, This painting agrees with the one recorded in Wu's Ta-kuan-lu 4. It was after this painting had been dispersed from Chiêng Chi-pa's collection that Wu Tzu-min came across it. Soon it was acquired by the imperial household..... In saying that "this painting agrees with the one recorded in Wu's Ta-kuan-lu”, it is apparent that Wu Yung-kuang must have used Wu Sheng's Ta-kuan-lu in order to make a comparison between the inscriptions recorded in this catalogue and those appeared on the painting. 10 See Hsin-chou hsiao-hsia-chi chuan 5, p. 54b. 11 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 23a. 12 Ibid chuan 5, p. 54b. 13 See Ping-sheng chuang-kuan chuan 3, p. 20; published in Shanghai, 1962. 14 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 39a. 15 Refer to footnote 10. 16 An Ch'i's description of Yü-tung hsien-yüan-t'u can be found in Mo-ylian hui-kuan chuan 3. However he recorded it as Tao-yuan hsien-ching-t'u, which is somewhat different from that recorded by Wu Yung-kuang. 17 See Pien Yung-yu's Shih-ku-t'ang hua-k'ao chuan 37. The edition used here is a photo copy of this catalogue in the collection of Mr. Chiang's Mi-chün-lou, made by Ying-yin chien-ku shu-she of the Cheng Chung Book Co., Taiwan in 1958, p. 4966. (The Chêng Chung Book Co. shows its ignorance in combining two pages of the original book into one page, and instead of following the original page number, gives each page a new number). 18 The titles of these three scrolls of painting can be found in T'êng-hua-t'ing shu-hua-pa chuan 1, which are: Pai-l'ou an-ch'un tu p. 35b; Hua-kuo-r'u, p. 36a; Lan-hua-t'u, p. 36b. 19 Among the documents that were completed in the Ch'ing dynasty and mainly dealt with biographies or names of the Ch'ing painters, the following are, in general, regarded as the most important: (1) Chang Kêng's Kuo-ch'ao-hua-chêng-lu in 3 chuan, supplement in 2 chuan. According to his own preface, this book was completed in the 13th year of the Yung Chêng era (1734). (2) P'êng Yün-ts'an's (1780-1840) Hun-shih hui-chüan 史棠傳 in 70 chuan and appendix in 2 chuan. (3) Fêng Chin's Li-tai hua-chia hsing-shih pien-lan in 7 chuan, published in the 6th year of the Tao Kuang era (1826). (4) Lu Chün's Sung Yüan i-lai hua-jen hsing-shih-lu in 37 chuan. The preface written by Tang Chin-ch'ao is dated in the 10th year of the Tao Kuang era (1830). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 148 NOTES AND QUERIES haute, le pic de Victoria, 1,8251, elle offre l'aspect de pierres superposées, aboutissant à la mer par des pentes douces, et à pic, en quelques endroits de la côte orientale. A l'exception de trois ou quatre petites vallées, il y a peu de terrain cultivable. On y trouve beaucoup de ruisseaux d'une eau très-pure; l'un d'eux, dans la partie sud-est, le Hiang-kiang (rivière des parfums), où les Européens allaient puiser leur eau, a donné à toute l'île son nom de Hiang-kiang, qu'on lit sur les timbres de la poste. Avant 1840, l'île de Hong-kong était à peu près inhabitée. Des cabanes éparses le long du rivage servaient d'abri aux pêcheurs et aux corsaires. La belle rade ne tarda pas à être remarquée des navigateurs anglais, qui, ayant vainement demandé au Portugal la franchise du port de Macao, étaient à la recherche, pour leur commerce, d'un port dans le voisinage des côtes de Chine. La rade de Hong-kong se présentait dans de bonnes conditions. Pourvue de deux entrées, l'une du côté ouest à l'embouchure du Tchong-kiang, et l'autre du côté est, vaste et bien disposée, elle pouvait abriter plusieurs flottes et former un port excellent. De plus, n'étant qu'à 80 milles de Canton et à 40 de Macao, elle deviendrait peut-être la clef de tout le commerce de l'Europe avec la Chine, et porterait le dernier coup à la puissance du Portugal dans ces parages; ce qui arriva en effet2. Pendant la première guerre de l'Angleterre avec la Chine, le ministre plénipotentiaire Elliot se fit céder cette île par le commissaire Chi-xeu. Le traité de cession fut ratifié à la fin de 1840 et au mois de janvier 1841; mais, avant la fin de la guerre, et, avant que ces conventions privées devinssent le traité de Nankin, conclu définitivement au mois d'août 1842, les Anglais non seulement avaient pris possession de l'île, mais y exerçaient déjà un pouvoir absolu. Le gouvernement britannique y avait commencé des travaux gigantesques, et traçait à travers les montagnes, une route très-large, de plusieurs lieues de longueur. A l'est, on bâtissait un fort sur un îlot et deux bastions en face de deux grandes casernes pour la défense des navires et du port. Les négociants de toutes les nations, encou- 1 Les autres montagnes sont; Le Pic Paker Highwest (sic) Kellet Gough 1710 pieds. 1175 1130 1575 2 Macao ne renferme plus aujourd'hui que 5,000 Européens et 30,000 Chinois. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 LEGENDS AND STORIES OF THE NEW TERRITORIES. KAM T'IN 4 (continued). SUNG HOK-P'ANG [4] All the members of the Tang family living in Kam T'in now are the direct descendants of Hung Yee, so besides Hon Fat, whom they venerate as the first ancestor to settle in Kam T'in and Yuen Leung as the first ancestor for the new generations that dated back to the "five Yuens”, they also venerate Hung Yee as their Hoi Tsuk Tso (*) “the ancestor who started the present clan"; but no new series of generations was made dating from him and on his gravestone Hung Yee is named as the 15th generation ancestor after Hon Fat. As Tang T'ing-Ching (***) a grandson of Hung Yee passed the Kui Yan (A) degree in the 7th year of Shing Fa (✯Ł) A.D. 1471, and was appointed the district officer of T'ang Yuen (B) Kwangsi province, Hung Yee, according to Chinese custom, received the honour of Man Lam Long (p). Both the graves of Hung Yee and his second wife Wong are to be found at Tung Haang Leng (*) about a mile away to the East of Kam T'in. According to Wong's gravestone she is supposed to have gone with Hung Yee to the place of his banishment, but this is different to the story in the Kam T'in family-tree book where it is stated that Hung Yee married Wong in Nanking after he was set free from his banishment. Hung Yee's original house was situated outside the North Gate of Kam T'in Market, but it no longer exists and the place where it stood is now called Naam Wai Tun () “South surround mound". The ancestral hall in Kam T'in Market which is to be found there now, is the one that was built for Hung Yee by his descendants. The three sections printed herein conclude the reissue of this article which first appeared in The Hong Kong Naturalist between December 1935-March 1938. The first three sections appeared between pp. 110-132 of the 1974 Journal, together with a memoir of the author. The photographs illustrating all six sections are printed in this issue. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1974 https://digitalrepository.lib.hku.hk/catalog/x633mp077 NOTES AND QUERIES 201 LU PAN―The God of Carpenters. President of the Celestial Ministry of Public Works. Family name Kung-shu, personal names Pan and I-chih. Born at Yen-chou Fu, Shantung, the ancient feudal kingdom of Lu, whence his name Lu-Pan, i.e. Pan of Lu. His father was Kung-shu Hsien, his mother being of the Wu family. He was born in 506 B.C. As a youth he practised and became skilled in all kinds of metal, stone and wood work. At 40 years of age he retired to live the life of a hermit on Li Shan, Mount Li, in Shantung, and was initiated into miracle-working, being able to rise into the air and ride on the clouds. In the reign of Yung Lo (A.D. 1403-25) of the Ming dynasty he received the title of Grand Master, Sustainer of the Empire. Artisans who pray to him have their requests granted immediately. C Another biography gives his name as Kung-shu Tzu, adds that he was called Pan and describes him as a clever man of Lu. Some say he was the son of Mu, duke of Lu. He carved wooden magpies which could float in the air for three days, and constructed a wooden coachman which drove an automobile, as well as engines of war for battering down the walls of cities. Still another account of his life states that Lu Pan belonged to Tung-huang Hsien, Kansu. He made a wooden kite, on which his father could fly long distances in the air. When he flew to Wu-hui, Kiangsu, the people mistook him for a devil and killed him. Angered at this, Pan constructed an Immortal in wood which, on pointing its finger in the direction of the town, caused a drought which lasted three years. When the inhabitants ascertained the cause, they sent him presents to appease him and he cut off the image's hand, whereupon copious rain fell in Wu. 44 + These differences can only be reconciled by concluding that Lu Pan and Kung-shu Tzu were two different persons, the one having lived in Shantung in the time of the Six Kingdoms (3rd cent. B.C.), and the other in Kansu after the time of the Emperor Ming-ti (A.D. 58-76) of the Han dynasty, when Buddhism was officially recognised in China. At the present day, Lu Pan is worshipped, without regard to the question whether the name belongs to one man or to two. Temples dedicated to Lu Pan are still maintained. He is especially worshipped (on the thirteenth day of the fifth and on the twenty-first day of the seventh ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 136 RICHARD J. SMITH 46 See K. A. Wittfogel and Feng Chia-sheng, History of Chinese Society, Liao (907-1125) (Philadelphia, 1949), 8-10; also Igor de Rachewiltz, “Yeh-lü Ch'u-ts'ai (1189-1243); Buddhist Idealist and Confucian Statesman" in Arthur F. Wright and Denis Twitchett, Confucian Personalities (Stanford, 1962). 47 Wittfogel and Feng, 9. 48 See Herbert Franke, "Sino-Western Contacts under the Mongol Empire,” Journal of the Hong Kong Branch of the Royal Asiatic Society 6 (1966), 52. 49 Kuwabara, 96-99. 50 See Henry Serruys, "Mongols Ennobled during the Early Ming,” HIAS, 22 (1959); also Serruys, "Landgrants to the Mongols in China: 1400-1460,” Monumenta Serica, 25 (1966), especially 394. As had been the case with other barbarians in China's past, the use of Mongol and Jurched troops in the Ming could be a liability as well as an asset. See Serruys, "Sino-Jürched Relations During the Yung-Lo Period (1403-1424),” Göttinger Asiatische Forschungen (Weisbaden, 1955); 67-68, 71. 51 See the summary discussion in Immanuel C. Y. Hsü, The Rise of Modern China (London and Toronto, 1975), 138-139; also George L. Harris, "The Mission of Matteo Ricci, S.J.: A Case Study of an Effort at Guided Culture Change in China in the Sixteenth Century,” Monumenta Serica, 25 (1966). 52 James B. Parsons, Peasant Rebellions of the Late Ming Dynasty (Tucson, 1970), 129. 53 C. R. Boxer, "Portuguese Military Expeditions in Aid of the Mings Against the Manchus, 1621-1647," T'ien-Hsia Monthly, VII (1938); S. Y. Teng and John K. Fairbank, China's Response to the West: A Documentary Survey, 1839-1923 (New York, 1970), 13; North-China Herald, January 10, 1852. Boxer, 32, offers the explanation that the expedition was undermined by Cantonese who feared that the Portuguese, if successful, would be granted extended trading rights, while the North-China Herald suggests that when the men reached Nan-ch'ang they were ordered to return because "the contemptible figure they presented completely disappointed expectation." It is probable that each of these interpretations has a measure of validity. 54 Serruys, "Were the Ming,” 136. 55 Boxer, 35. 56 Wills, Guns, Pepper and Parleys, especially chapter 2; Fu Lo-shu, A Documentary Chronicle of Sino-Western Relations (1644-1820) (Tucson, 1966), I: 32-33, 58; Teng and Fairbank, 34. 57 The Ch'ing did, however, ally with the Russians against the Dzungars during the K'ang-hsi period and the Ch'ien-lung emperor did make good use of Western cannon (Hsi-yang p'ao) in his famous campaigns. See, for example, IWSM, TC 9: 30a-b; also Teng and Fairbank, 34; Swisher, 697. 58 See Immanuel C. Y. Hsü, "Russia's Special Position in China during the Early Ch'ing Period," Slavic Review, 13.4 (December, 1964). 59 Chinese Repository 11: 64; Swisher, 98-99. 60 See Masataka Banno, China and the West, 1858-1861 (Cambridge, Mass., 1964), especially 45-53, 207-209; Swisher, 683-697. 61 See, for example, IWSM TC 22: 11b-13b; also Richard J. Smith, "Foreign-Training and China's Self-Strengthening: The Case of Feng-huang-shan, 1864-1873,” Modern Asian Studies, 10.12 (1976). 62 For the use of this expression (or a variant) as late as the 1890's see WCSL 101: 9 and 129; 16. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d NOTES AND QUERIES 309 with Taoist exorcisms and are performed at wedding ceremonies to obtain from Heaven the happy union, using the ritual of a local Taoist folk religion heterodox cult of the Three Ladies' (三娘). The 'Three Jesters' are called by the puppeteers the "Three Brothers' (三兄弟) or, individually, the Great, Second and Third Wang Yeh.* Schipper then explained that he and his informants had made many conjectures in order to identify the Three Jesters. He believed tradition links the Three Brothers (Three Jesters) with the Three Tien Brothers and thus with Tien To Yuan Shuai, and this seemed to him to be better founded than other conjectures. He continued that the identity of T'ien is extremely confused, and claimed that T'ien is reputed to be the master of T'ang Emperor Ming Huang (唐明皇) and to have taught the actresses of the Peach Garden (梨园), popularly believed to be the first academy of the theatre. Iconography, he said, represents T'ien the puppet as the 'laughing lad', similar to T’ien To Yuan Shuai. Schipper observed that when the plays are of the northern Fukienese type, the Three Jesters are identified with T'ang Ming Huang, the patron of the theatre of North China. When the play is Southern Fukienese or Ch'aochow, T'ien To Yuan Shuai (Chief Marshal T'ien) is the patron, and the Three Jesters are identified with him. The T'ang Emperor is also often referred to in Taiwan and South East Asia, where he is also accepted as the God of Actors bearing the title of the Imperial Prince or King of the Western Ch'in (Hsi Ch'in Wang Yeh, 西秦王爷) or Hsi Ch'in Lao Wang Yeh (西秦老王爷), or, on Taipei and Keelung altars just as Hsi Ch'in Wang (西秦王). (He is called the King of the Western Ch'in because of his exile in Szechuan, in Western China). His image is more colloquially referred to as The Young Gentleman (小哥) and less respectfully as The Old Boy (老郎). Schipper agreed all this might seem highly incongruous, but, he continued, the tradition which links the 'Three Brothers' (The Jesters) with Tien To Yuan Shuai (Chief Marshal T'ien) seems, as we said earlier, better founded than others. Wang Yeh Schipper has linked the Three Jesters with the Fukienese epidemic gods by the title of Wang Yeh. He also noted the legend * More often than not Wang Yeh (Imperial Princes) in Fukienese communities are epidemic deities. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d BOOK REVIEWS 329 Chapter VI: Chapter VII: (1577-after 1668), Sheng Mao-yueh (act. 1620-40), Hsiang Sheng-mo (1597-1658), Yün Hsiang (1586-1655) and Shen Hao (act. 1630-50). "The Sung-chiang School: Triumph of a New Theory", under this headline five artists of the Ming Dynasty, Mo Shih-hung (ca. 1540-1587), Tung Ch'i-chang (1555-1636), Ku Shau-yu (act. early 17th century), Li Liu-fang (1575-1629), and Pien Wen-yü (act. 1620-1670) are discussed. "Various Directions of Late Ming: A Mixture of Old and New", this chapter covers Mi Wan-chung (1595-1628), Chang Jui-t'u (1576-1641), and Lan Yü (1585-1664). Chapter VIII: "The Orthodox Masters of Early Ch'ing: The Great Synthesis”, discussions are concentrated on Wu Li (1632-1718), Wang Hui (1632-1717) and Wang Yuan-ch'i (1642-1715). Chapter IX: Chapter X: Chapter XI: Chapter XII: "The Lou-tung School: Homage to Wang Yuan-ch'i", in this chapter the Lou-tung school artists are represented by Huang Ting (1660-1730), Chang Tsung-ts'ang (1686-still alive in 1755) and Wang Ch'en (1720-1797). "The Yu-shan School: Homage to Wang Hui”, in this chapter, Chiao Ping-chen (act. 1680-1720), Wang Chiu (act. later 18th century) and Prince Yung-jung (1744-1790) are taken as being representatives of this School, "The Anhwei School: Transformation of the Ni Tsan Tradition", four early Ch'ing artists: Hsiao Yün-ts'ung (1596-1673), Yao Sung (1648-after 1717), Hung-jen (1610-1663), and Mei Ch'ing (1623-1697) are discussed in this chapter. "Monks and Hermits: A silent Revolution”, another four early Ch'ing artists; K’un-ts'an (b. 1612-ca. 1673), Kung Hsien (b. 1617-1618, d. 1689), Chu Ta (1626-ca. 1705), and Tao-chi (b. 1641-d. before 1720), are discussed under this heading. Chapter XIII: "The Yang-chou School: Haven of the creative mind”, two Yang-chou school artists; Chin Nung (1687-1765) and Huang Shen (1687-1768) are discussed in detail. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d BOOK REVIEWS 333 "On the Road to Mt. T'ien-chu” (or as Prof. Li prefers, "On the Road to the Peak that holds up the sky"). This very Mt. T'ien-chu is geographically located in the present western An-hui Province16, south of the Huai River. During the 6th century B.C. (or the active period of Yen Tsu), the area which included Mt. T'ien-chu was part of the territory of the State of Ch'u17. Thus, to associate the oranges of Ch'u to Mt. T'ien-chu is but to relate some old historic and geographic references to the real scenery that Huang Shen might have seen in 1729. Secondly, in structure and in style, as far as those example-characters in the "Dictionary of Six Different Scripts for Characters of Chinese Calligraphy" is concerned, the 16th character hand-written by Huang Shen for leaf 9 of his landscape album, certainly bears more physical resemblances to 'ch'u' rather than ‘yeh'. Thus, there seems to be reason enough to conclude that this problematic Chinese character 'yeh' should be more properly identified as 'ch'u' instead of ‘yeh'. This is not only because the new identification has more possibilities to conform with the old geographical and historical information, but also because it is able to fit in with other calligraphical references as a whole. The second example of this nature happens to be Prof. Li's failure in identifying a literary reference. In Volume II, Plate CVII illustrates a fan-painting attributed to K'un-ts'an. In Volume I, p. 203, Prof. Li's English translation, together with the original poem in Chinese inscribed by the artist himself, are presented side by side. It does seem essential to quote them both here again: “Leisurely I sit in my boat below the valley In the vast twilight of dusk, smoke rises gently from an old house; 水屋蒼冥起昏煙; the autumn scene is there for me to sing and to enjoy, 自有秋光共嘯傲, and one needs no money to own mountains". I47#★¶¤· It is obvious that after comparison, the literary implication of the term "Chang-tou" which appears in the last Chinese line has not been rendered by any literary equivalent in the English version. In fact, this term happens to be not only the key word in terms of an overall understanding of the last line but seems a key point in interpreting the poet's intention as expressed by the whole poem. Documentarily, “Chang-tou” §§ is a reference to Juan Hsiu #k. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q ETHNICITY IN A HOUSING ESTATE IN HONG KONG 63 I studied Village 10 is a central point on the map. It is 8 li (Chinese mile, about one third of a western mile) from this village to Village 6 on the ocean; 10 li to Village 12; 20 li to Village 15; and 80 li to Village 17. It is 60 li from Village 1 to the town of Kap Jib and 60 li from Village 14 to the town of Luk Fung. These distances are only approximate in that they were supplied by informants. The entire area is very small and densely populated. Many of these former villagers had friends and relatives in nearby villages and had traveled throughout the area under consideration. The historical origins of Teochiu and Hoi Luk Fung, changes in administrative structure in the area and relationships between border villages are discussed in the following section. Historical Origins and Relationships Histories of districts and prefectures in China are confusing, given the many changes in administrative boundaries and names. This article will not be concerned with the overall history of Teochiu nor with the frequent changes in boundaries. The historical origins of the Teochiu people will be briefly outlined as well as the establishment of and administrative changes in Hui Lai, Hoi Fung and Luk Fung districts. The histories of these districts are relevant to the understanding of social relationships between Teochiu and Hoi Luk Fung living in Hong Kong today. Teochiu are Han Chinese, the major racial group in China, and their language is one of the Southern Min languages (Forrest, 1965). The earliest migration of Han Chinese into the area known today as Teochiu occurred in 214 B.C. after Ch'in Shih Huang conquered Nan Yüeh (✯✯), an area in Southern China, and established the Nan Hai prefecture ( ). These first migrants were some of the 50,000 troops who stayed in southern China to initiate the settlement of the area (Chan, 1974: 120). During the Ch'in Dynasty there were several waves of migration from the Central Plains of the Yellow River southward to Teochiu. From 317 to 581 A.D. larger numbers of Han Chinese migrated into Fukien and as the latter became populated, there was further movement into Teochiu. The latter were led by four large clans (✯ ✯ ✯) which constituted the majority of the migrants (Chan, 1974:122). During this period the downstream areas of the major river system in Teochiu, the Han River, were populated by the original inhabitants of Teochiu, who were not Han Chinese. These people were gra- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q 290 NOTES AND QUERIES career, since this Nan-hai artist had continuously worked as a professional over half a century; and finally his works were mainly sold at a very reasonable price. NOTES 1 See Chuang Shen: "Some observations on Kwangtung paintings" in Kwangtung Painting (1973, published by the Urban Council, Hong Kong), pp. 9-24. 2 According to the 6th chuan of Ming-hua-lu, “Records of painting in the Ming Dynasty", edited by Hsu Hsin in the early years of the Ch'ing Dynasty, Lin Liang was active in the Hung-chih era (1488-1505), mainly in the late 15th century. 3 Chu Pi-shan was famous for his specially designed silver wine cup in the shape of a hollow tree. For a colour reproduction of such a cup, dated 1345 by Chu's own carved inscription, see "The selected Handcrafts from the collections of the Palace Museum", edited by the Palace Museum, (1974, Peking), pl. 34. A similar silver wine cup, also dated 1345 by Chu's own carved inscription, in the form of a boat made of a hollow tree in which Chang Ch'ien is seated, is owned by Lady David of London. For its reproduction, see Perceval David: Chinese Connoisseurship (New York, 1971), pl. 19C. 4 The origin of this name seemingly inspired by a famous line of the 5th century poet Tao Chien, in the 5th poem of his "Drinking wine". This line reads: "Culling chrysanthemums by the eastern hedge, 悠然見南山 I see afar the South hills." For the English translation of this poem, see Robert Kotewall and Norman L. Smith: The Penguin Book of Chinese Verse (1962, Middlesex), p. 9. 5 In "Lo-yu-yüan", the mid-9th century poet Li Shang-yin (813-858) wrote: "The setting sun has boundless beauty only the yellow dusk is so near." See also Robert Kotewall and Norman L. Smith; ibid, p. 25. 6 See Wang Chao-yung "Lin-nan hua-cheng-yueh" 'A Brief Document on Kwangtung painting' (1927, Shanghai), chuan 10, p. 7. 7 The most important literary man who loved plums during the Sung China was no one but Lin Pu (967-1028). As a native of Chekiang, Lin Pu lived in a mountain overlooking the West Lake of Hangchow. When he lost his wife he had not re-married. Having planted a lot of plum trees near his house, he began to regard the plum blossoms as his wife. For this blossom he had this famous line written: "Your slanting shadow reflects on the clear, shallow lake 斜水清淺 Your elusive fragrance floats about in the yellow of the evening moon”. For the English translation of this poem, see Max Perleberg: Lin Ho-ching (1952, Hong Kong), p. 15. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q NOTES AND QUERIES 291 * This poetic feeling can be reflected by a Tzu poem written by Chiang Chieh # which reads: "The rain song in youth I heard from song bedroom 樓上 red candle setting behind a satin screen ***** older and travelling I heard rain in a boat # huge river, low clouds, ***› a goose crying in the west wind parted from the flock. $$$ K Now when I hear the rain, in a hermit's cell MET my hair has long turned grey 11 sorrow, happiness, parting, joining are all neutral #46BAH raindrops all night long on the stone steps. Ħ¶¤àa¤N · For the English translation, see John Scott: Love and Protest (1972, London), p. 118. 9 see Wang Chao-yung, op.cit. p.7. 10 Its registration number in the Luis de Camoes Museum is AL 1 No. 10. 11 Chiang-nan is a conventionalized geographic term referring to the vast area of Kiangsu, Chekiang, An-hui and Fukien provinces. 12 See Chuang Shen op.cit. pp. 14-18. There I have pointed out that in the 19th century, the painting styles of Hua Yen and Huang Shen, two artists of Fukien, were followed by the Kwangtung artists. 13 See Chu-tsing Li: "Landscape painting in Kwangtung during Ming and Ch'ing", in Landscape paintings by Kwangtung Masters during the Ming and Ch'ing Period (published in 1973 by the Art Gallery of The Chinese University of Hong Kong, Hong Kong), p. 4. 14 Sung Kwang-pao and Meng Chuii were both artists of Kiangsu province. Followed Li Ping-shou, they came to Kwangtung during the first half of the 19th century. Later, Sung was regarded as the founder of a more laborious and decorative school, while Meng became the forerunner of a different school, less decorative, and mainly stressing the artist's inner self. 15 See Lin Po-ting *** "Brief Notes on the Taiwan painters during the Ch'ing Dynasty”滑朝台灣畫人輯系 history selected in Central Chinese culture and Taiwan AXLA÷ (1971, Taipei), pp. 531-539, 16 See Lin Po-ting: ibid, p. 535. **MFIL 17 See Sohokaku Shogaki **M***, Descriptive catalogue of Chinese paintings and calligraphies in the possession of Bardo Asano (1864-1880), (published in 1973 by the Kansai University in Japan), pp. 143 - 144. As to this catalogue and its editor, see also Kokuro Wakimono + A 'Notes on paintings and calligraphy in the Shohokaku Shogaki Collection and its Author Asano Baido", *NTORE *o****** The Bijutsu Kenkyu ✯ (Journal of Art Studies), No. 35 (1973, Tokyo), pp. 531 - 544. 18 See Chuang Shen: op.cit. p. 21. University of Hong Kong, March 1977. CHUANG SHEN ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q 294 NOTES AND QUERIES of the Cotton Bag Monk, Pu Tai (), an incarnation of Mi Lo Fu. Pu Tai was said to have died at that temple at the beginning of the tenth century. Another preserved body was that of a Shantung peach seller who dropped dead at the altar and was embalmed in mud and became a deity, Wu Yu Hsien (†), around whom a local cult sprang up and flourished during the fourteenth century. Yet another was the skeleton of an old and holy abbot overlaid with gold foil on Chiu Hua Shan at the Pai Sui Kung“. A preserved body in the Nan Hua Shan Monastery in northern Kwangtung was that of the Sixth Patriarch of Chinese Buddhism (A.D.). It appears to be the earliest recorded "fleshy body". The Sixth and last of the Chinese Patriarchs, Hui Neng (#), died in A.D. 712. His corpse is said to have remained incorrupt and even to exhale a sweet fragrance. His chest maintained its natural position and the skin appeared glossy and flexible. In A.D. 1236 when the Mongol troops pursued the last emperor of the Southern Sung and defeated him in Kwangtung, it is said that Mongol soldiers violated the tomb of the Patriarch and even went so far as to rip open the abdomen with a sword thrust. On seeing that the heart and liver were still in a perfect state of preservation, they were filled with fear and went no further in their sacrilege. Several replicas are to be seen in Hong Kong; a good example is on the altar of Huang Ta Hsien (黄大仙) in the San Yuan Temple (三元宫) in T'ai P'ing Shan Street, Hong Kong. (See plate 27). Incidentally, smaller images of Hui Neng, often seen in curio shops, are easily recognisable by the small dragon in his begging bowl. He is considered to be the founder of the Vegetarian Sects of Buddhism, Ch’ih Su Chiao ( vegetarian ). Another mummy, black faced, covered in lacquer and gilded, sat in a lotus position in a place of honour in the T'ien T'ai Temple south-west of Peking, wearing Buddhist robes but of Imperial yellow. He wore a vairocana five-leaf crown on his head, his face was smooth and full fleshed and his skin black with age. Many thought that he was a wooden image and legend, since disproved, claimed him to be Fu Lin, the first Manchu Emperor of China (1638-1661) better known as Shun Chih who died at the age of 30. The story probably grew from the known fact that he wished to become a monk. The mummy was refurbished annually at a minor ceremony and was a great attraction for pilgrims. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1976 https://digitalrepository.lib.hku.hk/catalog/hq382988q 租呂 Plate 27. A replica of the Sixth Patriarch of Chinese Buddhism, Hui Neng on the altar of Huang Ta Hsien in the San Yuan Temple in Tai P'ing Shan Street, Hong Kong. (Plates 27-28 supplied by Mr. K. G. Stevens) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1977 https://digitalrepository.lib.hku.hk/catalog/np198x23n 54 Tien-Shui Hui-Hsien W. A. REYNOLDS NINGSIA KANSU Yung-Ping YEN-AN Kan-Cho -Chu Slo-Pa Kien Rateni (?) -Cheng Cheng-Ku Han-Chang Digi-Hsiang (?) ? SHENSI Nan-Hsing turng (?) WEI HO Hsing-Ping PAO-CIT Hung-Hua-Pu HSIA Fang Kuang-Shih-Pu HONAN Lo-Chuan Hiao-Ho-Kou Huang-Ling I-Chun SHANSI River Kuang-Tiao Chien-La (?) Tru-Tung (?) Hien-Yang Te-Yang Sun-Tai Wan-Yuan Lo-Heh-Pa Shuang-Po-Chang SZECHWAN Ta-Haien Rs In-Tu (?) CHENG-TU Sui Ning den-Yang (?) La- Tung-an Izu-Yang (?) Peng-Ch Chu-Hsien CHANG CETAM (?) -Nan-Char (?) Ta-Chu -Ch: eng/An 1in-Shui (?) Chung ́ung- Lo Jung-Shi Hei-Chiark P1-Shi (?) hg-Chuan (?) "Lung-Chiang KWEI CHOW HUPEH HIUNAN (?) Szechuan & Shensi Main Road System 1946. Scale: 1:3,000,000. Figure Map of Szechuan & Shensi showing routes. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 MILITARY EDUCATION IN CHINA, 1842-1895 35 22 See Jonathon Porter, Tseng Kuo-fan's Private Bureaucracy (Berkeley, 1972), 74-76, 127. 23 Consult Richard J. Smith, Mercenaries and Mandarins: The Ever-Victorious Army in Nineteenth Century China (Millwood, New York, 1978). 24 Richard J. Smith, "Foreign-Training and China's Self-Strengthening: The Case of Feng-huang-shan, 1864-1873," Modern Asian Studies, 10.2 (1976), 196-197; also Kwang-ching Liu and Richard J. Smith, "The Military Challenge: The Northwest and the Coast," in The Cambridge History of China, Vol. 11, Late Ch'ing, Part Two, Chapter 4, forthcoming. 25 Cavendish, 709-710. See also the sources cited above, note 24. 26 Smith, "Foreign-Training,” 196, 220-223. 27 IWSM, Tung-chih, 25: 3. 28 Smith, “Foreign-Training,” 220-223; also Richard J. Smith, “Reflections on the Comparative Study of Modernization in China and Japan; Military Aspects,” Journal of the Hong Kong Branch of the Royal Asiatic Society, 16 (1976). 29 Ibid., (both sources); Smith, Mercenaries and Mandarins, chapters 8 and 9. 30 Smith, "Foreign-Training," 215-223. See also Mark Bell, China (Simla, 1884), 2: 58; William Bales, Tso Tsung-tang Soldier and Statesman of Old China (Shanghai, 1937), 339; K. C. Liu, "Nineteenth-Century China," in Tang Tsou and P. T. Ho, eds., China in Crisis (Chicago, 1966), 120. 31 On the relationship between modern weapons and tactics and officer-training in the West, see Emory Upton, The Armies of Asia and Europe (New York, 1878), 270-271, 318-319, 324, 328-330 and passim. See also NCH, July 28, 1866, cited in Wright, The Last Stand, 201. For Upton's critique of Chinese tactics and training in the mid-1870's consult The Armies, 20-23. For the use of lien-chün in suppressing internal rebels, see Kung-chung tang Kuang-hsi ch'ao tsou-che, 2: 302, 664, 667; 3: 172, 318, 323, 399, 445, 518, 753, etc. I am indebted to Professor K. C. Liu for supplying this reference. For a critique of yung-ying and lien-chin forces in the 1890's, consult Cavendish, 712-714. 32 Smith, "Foreign-Training," 216 and notes. 33 Bell, 2: 4. The standard works on Li's army are: Stanley Spector, Li Hung-chang and the Huai Army (Seattle, 1964); Wang, Huai-chün chih (Hong Kong, 1973). 34 See Chang Chih-tung's somewhat comparable effort in the 1880's and 1890's, discussed in Ayers, chapter 5. For a brief overview of the problems connected with officer education in late Ch'ing China, consult Powell, 40-45. 35 Smith, Mercenaries and Mandarins, chapter 9. 36 Wang, Huai-chün, 203; LWCK, Letters to the Tsungli Yamen, 4: 39-41, 41-43; LWCK, Memorials, 27: 4-5. 37 On the West Point inquiry, see Chester Holcombe, China's Past and Future (London, 1904), 82-83; FRUS, 1875, part 1, 227-228. On Li's negotiations with Upton, consult LWCK, Letters to the Tsungli Yamen, 4: 39a-41a; YWYT, 3: 592; Peter Michie, The Life and Letters of Emory Upton (New York, 1885), 29-298, 309-310. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 SHIWAN POTTERY EXPLORED 111 such as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process. I regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression. NOTES 1 Nigel Cameron, "Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977). 2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199. 3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47. 4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160. 5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165. 6 "Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162. 7 Op. cit. Ref. 2. 8 "Gong Yi Ming Cheng Fushan" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37. 9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961). 10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f. This theory is discussed more fully in: Fredrikke Skinsnes Scollard, "Destruction and Creation: The Impact of Revolution on Shekwan Pottery", Leverhulme Conference, University of Hong Kong, 1977, (In press). 11 Manuel da Silva Mendes, "Barros de Kuang Tung", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 172 C. MARTIN WILBUR Niu Jen-yen (BMT); Local Self-government in Full ($*£T). Shanghai, Kung Min Book Store (ARTH), 1930. 4 vol. $5.00. Temporary Regulations in Force in Honan Municipal, District, Street, and Village Local Self-Government ( X$+@##6#*6*4). Honan Provincial Affairs Bureau (TäÂ). Various Rules and Privileges in Practice in Chekiang Village and Hamlet Local Government (#2#3#2# ). Chekiang Provincial Affairs Bureau (****). III. RURAL INVESTIGATIONS (2###) Chiang Wen-yü (3¤M*); “Hsu Kung Bridge" (##). Shanghai, Chinese Professional Educational Society (*****). Farmers and Landlords in Heilungchiang Region ( XAVAMAJR#X1). Nanking, Central Research Bureau (★★*£*). $0.60. Huang K'u-t'ung (*****); Rural and Village Investigation (*#**). Shanghai, The Commercial Press (*****). $2.25. Investigation of Rural and Village Conditions in Lin An County (Chekiang) (**&*£*)). Nanking, Committee of Reconstruction (✈✯員會設建委), 1931, Kiangsu in the Future (Haz×4). Kiangsu Provincial Affairs Bureau (江蘇民政廳) Li Ching-han (***); Rural Families in Peiping Suburbs (***** 4) Shanghai, The Commercial Press (*****). $0.75. Yang K'ai-tao (#ML); Rural and Village Investigations (****). Shanghai, The World Book Company (L***FA ), 1930. $0.60. IV. RURAL AND VILLAGE ECONOMIC CONDITIONS (農村經濟) Chu Hsin-fan (***); Special Characteristics and Economic Conditions of Chinese Rural and Village Life (†B⭑#MALLAT ). Shanghai, Hsin Sheng Ming Book Store ( 1**£*#4). $1.20. Ling Tao-yang (); Various Aspects of Economic Conditions in the Agriculture of China (I*<***). Shanghai, The Commercial Press (£#*#*#) $0.45. Liu Ta-chün (§**); Economic Conditions of Farmers in China (ADP *M*RA). Shanghai, Hsien Tai Book Store (ARTA). $0.45. Majayar(?) (HLEN · *) (Author), Ch'en Hua-ch'ing (RIC# · #) (Translator); Studies in Economic Life in Chinese Rural and Village Communities (†B£##*#*). Shanghai, Shen Chou Kuo Kuang Shê (#tđk ), $2.20. Taylor (Author), Li Hsi-chou (†49#*) (Translator); Actual Conditions of Economic Life in Rural Communities and Villages of China (†B£#***). Shanghai, Wen Hua Hsueh Shé ( *ČR 學社)、$0.80. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 WOODBLOCK PRINTING, AN ESSENTIAL MEDIUM OF CULTURE INHERITANCE IN CHINESE HISTORY DAVID H. S. CHAU Introduction: the development of writing and inscriptions In ancient China, before characters had been developed, events were recorded by knotted cords and notched wooden sticks. Writing proper began from image forms of visible objects or ornaments. The First legendary Emperor Fu Hsi (伏羲) 2953 BC, the Third Emperor Huang Ti (黃帝) 2698 BC, and the Statesman Tsang Chich (倉頡) 2700 BC are the traditional inventors of the "tadpole characters” (蝌蚪文) and the “bird-track script” (鳥跡文). They observed the animals and birds' tracks and imitated natural forms to create primitive characters and had them carved on stones. Recent excavations of ancient tombs in China revealed engravings in large quantity of tortoise shells and animal bones. These bones and shells are believed to have been used in the Shang Dynasty (商朝) 1600 BC by the priests or diviners of the court to communicate with the spirits of the dead, and since the dead consulted were mainly ancestors of the rulers, the bones were treated as sacred and were called "Oracle Bones" (甲骨). Whenever a prediction was needed --usually something to do with the weather or a battle--the priest or diviner would inscribe the question on a shell or a bone and then have it heated by fire. The bone or shell would become cracked after being burnt. It was believed that the diviner could read the signs showing on these cracks. The prediction was then also inscribed on the bone for record and future reference. The word "predict" in Chinese character is Pu (卜), which looks like a crack itself. Inscriptions (銘文) were also found on Shang metallic wares. Most of the items recorded were in commemoration of certain ceremonies in the court or the glories of the battle. Later on, Chinese developed to use lacquer to record things on bamboo and wooden slips, and had a number of slips strung together to form books. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1978 https://digitalrepository.lib.hku.hk/catalog/8g84t8593 194 NOTES AND QUERIES are in rural areas. The major Sheng Gong cult temple in Taiwan is in Taiwan City, from which place his portable image is taken by sedan chair to other cult temples in the vicinity to renew the efficacy of the images there. Evidence of the presence of his cult has been seen, too, by the writer in Sarawak, Brunei and Indonesia, in Thailand, Vietnam and Cambodia. Sheng Gong is a comparatively little used short form for the local Fujian cult of Guang Ze Zun Wang (廣澤尊王) whose full personal name was Guo Zhong-fu (郭忠福) and who is equally well known as Guo Sheng Wang Gong (郭聖王公); hence the "Sheng Gong." He has some half a dozen other titles but all with a very limited local use, apart from Bao An Zun Wang (保安尊王). This is occasionally included in the title of his temple (* as compared with the more popular title of the Phoenix Mountain Temple (鳳山寺). He should not be confused with another and entirely different Fujian local cult deity, Hui Ze Zun Wang(惠澤尊王) The Saintly Guo's image is not difficult to recognise as it has certain characteristics which, whilst not individually unique, together identify him at a glance. He has a youthful, clean-shaven face; is seated dressed in robes over armour with his right foot raised parallel to the ground, pointing towards his left leg at knee height. His face is a dark red and he has protruding round eyes. There are two images of the Saintly Guo in the one temple in North Point, Hong Kong. One is the main, large image swathed in embroidered robes donated by devotees, and the other is a small wooden carving on the main altar before and between Guo and his consort. Neither were easy to photograph, and therefore I have gone through some old photographs, the best of which is to be seen at illustration at the back of this volume.* In this photograph Guo is the main deity on the altar of a temple in Seremban, West Malaysia, flanked by two other images of another Fujian local cult, Fa Zhu Gong (法主公). Guo is prayed to for the usual blessings though in certain temples he is specifically looked upon as a healer of the sick, a protector of children and as a wealth god for businessmen. He is also the patron of those who bear the same surname as himself. * Plate 22. Page 210 Page 211 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1979 https://digitalrepository.lib.hku.hk/catalog/2801w5938 RELIGIOUS LIFE IN PRESENT-DAY TAIWAN 191 10 See M. Saso, The Teachings of Master Chuang. New Haven and London: Yale University Press, 1978. 11 Journal of Buddhist Culture, Fo-Chiao wen-hua hsüeh-pao,*** published by the Institute for the Study of Buddhist Culture since 1972. Articles are in Chinese or English. 12 Journal of Taoist Culture, Tao-chiao wen-hua,Maxit published by the Taoist Culture Journal Association since 1976. Articles are in Chinese. 13 Examples are: Fo-kuang hsüeh-pao,1*£* published by the Buddhist monastery on Fo-kuang mountain near Kaohsiung, since 1975 or 1976; Boahedrum, Pw-ti-shu,### Taichung: Hui-châ, & Torch Wisdom, Taipei; Hal Ming-tao, published in Tounan (Yünlin district). of 14 See E. Ahern, The Cult of the Dead in a Chinese Village, Stanford: Stanford University Press, 1973. 15 See L. G. Thompson, "Notes on Religious Trends in Taiwan", Mon. Ser., vol. 23 (1964), 319-350. 16 See A. P. Cohen, "Fiscal Remarks on some Folk Religion Temples in Taiwan", Mon. Ser., vol. 32 (1976), 85-158. 17 See Liu Chih-wan, Taipei-shih Sung-shan ch'i-an chien-chiao chi-tien (Great Propitiatory Rites of Petition for Bene-ficence at Sungshan, Taipei, Taiwan), Taipei: Academia Sinica, Institute of Ethnology, (monographs no. 14), 1967, Liu Chih-wan, Chung-kuo min-chien hsin-yang lun-chi (Essays on Chinese Folk Belief and Folk Cults), Taipei: Academia Sinica, Institute of Ethnology (monographs no. 22), 1974. M. Saso, Taoism or the Rite of Cosmic Renewal, Washington State University Press, 1972. 18 See St. Harrell, "Modes of Belief in Chinese Folk Religion", in JSSR, vol. 16 (1977), 55-65. 19 See D. Jordan, Gods, Ghosts and Ancestors. Folk Religion in a Taiwanese Village, University of California Press, 1972, G. Seaman, Temple Organization in a Chinese Village (Asian Folklore and Social Life Monographs, vol. 101), Taipei: Chinese Association for Folklore, 1978, 20 See D. Overmyer, "The Saying of Master Lu", Unpublished paper, given at the joint panel of the CASA and the CSSR on Chinese Religion at the Conference of the Learned Societies in Saskatoon, May, 1979. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 202 To and sites were also rendered ineffective by the emperor's golden pen. My knowledge, the elders knew of four sites. One of them was on Tiu Chung Chau at Kau Sai in Saikung. The fungshui of this site was ‘a golden bell hanging on a silk thread'. Every year at the Double-ninth festival, nine buffaloes came to worship at the grave; there was also the sound of a bell being struck. A second site was at Yuen Chau Chai at Kei Leng Ha Village. The fungshui name was 'the general comes down from his horse to drink three cups of wine'. In the middle of the sea, there is Wu Chau (with the adjacent island of Sam Pui Tsau) that resembles a pig, three cups of wine and two cups of tea. Another site was at To Tau Tsui at Wu Kai Sha, which is opposite Nga Chau (usually nowadays called A Chau) in the Tai Po Hoi. The fungshui name was crows going into the ocean. Legend has it that in the old days a mud embankment connected Wu Kai Sha to Nga Chau which sank into the sea after the emperor put down the dragon. The embankment has not been seen again. One more site was on Ap Chau opposite Kat O. The fungshui name was 'precious duck going through the lotus'. The legend is that Ap Chau used to be able to swim between Sam Mun Kan and Mirs Bay. Later, it was blocked by a duck pole, that is, the place currently known as Hak Ngam Kok. After that, when paddy ripened in the Yim Tin Village area near Sha Tau Kok, there was no rice grain on the stalk, because it was all eaten by the duck. After the emperor put down the dragon with his golden pen, the head of the duck... and then there was grain again. I know about the fungshui of only these four grave sites. he cut off Passage 2 Recorded by Ho Kei Fook "An extraordinary person saw that Huang Hsiao-yang [rebel in the Canton area in the early fifteenth century] had features fitting to make him emperor and gave him a bamboo shoot to plant at home. When the 'bamboo grew to the height of his brows', he was supposed to be able to make an arrow out of it which he could use to kill the emperor with and thereby take over the throne. Huang planted the bamboo shoot as he had been instructed and a bamboo stem grew ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 50 JIANN HSIEH * According to an imperial decree issued in 1645, a man could change his official domicile only if his grandfather had settled in a new place for more than twenty years, and if he could prove that in that place he had an estate and a clan graveyard (Ho, 1966:8). ? According to the informant, who is one of the directors of the Wai-yeung Merchants Association is a locality association in nature, but not a merchants' guild. * It is especially true that genealogical seniority played a very important role in the leadership of the Chinese traditional clan associations. This emphasis on seniority also prevailed in the leadership structure of other kinds of voluntary associations through pseudo-kinship relationships (Gamble, 1929). • The division of residence by dialect or original locality survives even in today's Chinese community of Singapore. For example, most of the Hainanese concentrate in Hsiao-p'o, while the Cantonese are dominant in the area of Niu-ch'e-shui. 10 Since all the Waichow schools are subsidized by the Hong Kong Government, it is an obligation for them to use Cantonese as the teaching medium. 11 The estimated size of the Waichow population in Hong Kong according to the association leaders ranges from 700,000 to 1,200,000. REFERENCES A. CHINESE Ho, P. T. 1966 Chung-kui hui-kuang shih lun (A Historical Survey of Landsmannschaften in China). Taipei: Students' Book Store. Huang, C. L. 1972 Ma-hua li-shih tiao-ch'a yen-chiu ch'u-lun (A Preliminary Study of Chinese History in Malaya). Singapore: Wan-li Press. Li, S. T. 1957 Yuan-lang Sao-kuan-hu Li-shih tsu-p'u (The Genealogy of Lis in So Kwun Wat, Yuen Long). MS. Li, Y. Y. 1970 Lo, H. L. 1933 Ih-ko i-chih ti shih-chên (An Immigrant Town). Taipei: Institute of Ethnology, Academia Sinica. K'ê-chiao yen-chiu tao-lun (An Introduction to Hakka Studies). (1975) Taipei: Ku-t'ing Press. See, C. B. 1976 Fei-lu-pin hua-jên wen-hua ti chih-hsü (Persistence and Preservation of Chinese Culture in the Philippines). Bulletin of the Institute of Ethnology, Academia Sinica, 42:119-206. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 188 WILLIAM Y. CHEN Han-shan, 1546–1623. Kuan Lao-Chuang ying hsiang lun. Taipei, 1974. 憨山,觀老莊影响論.台北,廣文書局,1974.278 p. BC Hsi-hsin-tzu、Ming-tao yù lu. Taipei, 1970. 洗心子,明道語錄,再版,台北,真善美出版社,1970. 4, 5, 6, 159 p. LC Hsiao, Tien-shih, Tao-chia yang sheng hsiüeh kai yao. Taipei, 1963 蕭天石.道家養生學概要·儒釋合叁.台北,自由出版社,1963. 7, 3, 4, 450, 2, 6 p. LC Hu, Che-fu. Lao-chuang che-hsüeh. Shanghai, 1935. 胡哲敷,老莊哲學,上海,中華書局,1935.1 v. CA Kaibara, Ekiken, 1630-1714. Shinshiroku. Osaka.1815. 益軒貝,慎思錄, 大阪, 勝寫喜六郎,1815.6v. Kan ying lei ch'ao, Taipei, 1967. BC 感應類鈔,史潔珵纂輯,台北,自由出版社,1967. 158 p. LC. SA Kimura, Eiichi, 1906– Rō-shi no shinkenkyů. Tokyo, 1959. 木村英一,老子の新研究.東京,創文社,1959. 7, 2, 633, 9, 25 p. LC Ko, Hsüan. Ko-hsien-weng chih tao hsin ch'uan. Taipei, 1968. 葛玄,葛仙翁至道心傳,台北,自由出版社,1968.5, 34, 102 p. LC, SA Lao-Chuang ssit hsiang yi hsi fang che-hsieh. Taipei, 1968. 老莊思想與西方哲學,宋稚青譯,台北,三民書局,1968. 4, 170 p. LC Li, Shu-huan. Tao-chiao tien ku chi. Kao-hsiung, 1975. 李叔還,道教典故集,高雄,李叔還,1975. 6, 7, 104 p. BC, LC Li, Shu-huan. Tao-chiao yao i wen ta ta ch'üan. Kao-hsiung, 1972. 李叔還,道教要義問答大全,修訂本,高雄,李叔還,1972. 6, 25, 237 p. BC Li, Tao-shun. Chung-hochi. Taipei, 1957. 李道純,中和集,台北,自由出版社,1957. 4, 6, 178 p. LC, SA ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 BIBLIOGRAPHY OF TAOISM 199 Hsing ming kuei chih. Taipei, 1965. 性命圭旨,尹真人門人著,台北,自由出版社,1965. 1 v. LC, SA Hsing ming shuang hsiu yao chih ho pien. Taipei, 1958. 性命雙修要旨合编,台北,自由出版社,1958. 1 v. LC, SA Hsüan-tsung nei tien. Taipei, 1964. 玄宗内典,邵以止輯錄,台北,自由出版社,1964. 120, 34, 1, 25, 18 p. LC, SA Hsüan-yang-tzu. Liming pien. Taipei, 1955. 玄陽子,立命篇,台北,自由出版社,1955. 36 p. LC, SA Huang, Ta-pai. Huang-t'ing yao tao Hsüan-tsung cheng chih ho k'an. Taipei, 1961. 黃大白.黃庭要道玄宗正旨合刊.台北,自由出版社,1961. 30,29 p. LC, SA Hui-yang-tzu. Hsuan chi chih chih. Taipei, 1960. 回陽子,玄機直指.台北,自由出版社,1960. 34 p. LC, SA Ko, Hsuan. Ta tao chen ti. Taipei, 1966. 葛玄,大道真諦,台北,自由出版社,1966. 51, 54, 8, 34 p. LC, SA Li, Hsi-yüeh. Tao-ch'iao t'an San-ch'e-mi-chih ho k'an. Taipei, 1967. 李西月,道竅談,三車秘旨合刊,台北,自由出版社,1967. 12, 112 p. LC, SA Liu, Chih-t'ang. San chia hsiu tao mi chih. Taipei, 1971. 劉止唐,三家修道秘旨,台北,自由出版社,1971. 1 v. LC, SA Liu, I-ming. Hsiu tao mi yao. Taipei, 1965. 劉一明.修道秘要,台北,自由出版社,1965. 4, 1, 194 p. LC, SA Liu, I-ming. I tao hsin fa chen ch'uan. Taipei, 1962. 劉一明. 易道心法真傳,台北,自由出版社,1962. 1 v. LC, SA ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 BIBLIOGRAPHY OF TAOISM Yün-chi ch'i ch'ien. Taipei, 1975. 雲笈七籤,張君房輯,台北,台灣商務,1975. 852 p. 201 CA, LC, SA # 6. BIOGRAPHY OF TAOISM Chang, Ch'i-chün. Chih hui ti Lao-tzu. Taipei, 1976. 張起鈞,智慧的老子.台北,新天地書局,1976. 6, 2, 208 p. 6.2, LC Chang, Chih-ho. Hsüan-chen-tzu. Taipei, 1966. 張志和,玄真子,台北,台灣商務,1966. 55 p. SA Cheng, Ch'ang-shih. Hsien hsüeh cheng-chuan. Taipei, 1960. 鄭昌時,仙學正傳,台北,自由出版社,1960. 42, 33 p. LC, SA Chih-yu-tzu. Taipei, 1966 至游子,撰人不詳,台北,台灣商務,1966. 68 p. SA Chung-li, Ch'üan. Chung-Lü ch'uan tạo ch’üan chi. Taipei, 1965. 鍾離權,鍾呂傳道全集,台北,自由出版社,1965. 244 p. LC, SA Hai-ling san-hsien chuan. Shanghai, 1937. 海陵三仙傳,撰人不詳,上海,商務,1937. 9 p. SA Hsiang an tu. Shanghai, 1933. 香案牘,陳繼儒纂,上海,商務,1933. 1, 2, 13 p. CA Hsiao yao ti tzu yu jen: Chuang-tzu. Chung-ho hsiang, T'ai-pei hsien, 1967. 逍遙的自由人:莊子,林耀川編譯,台北縣中和鄉,常春樹,1976. 194 p. LC Hsien li chuan. Shanghai, 1937. 仙史傳,太上隱者輯,上海,商務,1937. 5 p. CA Huang, Lu-tseng, 1487-1561. Chung-Lü ĕrh hsien chuan. Shanghai, 1937. 黄魯曾,鍾呂二仙傳,上海,商務,1937. 2, 2 p. Huang, Yung-liang. Pei-p'ai ch'i chen hsiu tao shih chuan. Taipei, 1965, 黃永亮,北派七真修道史傳,台北,自由出版社,1965. 88 p. LC, SA ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1981 https://digitalrepository.lib.hku.hk/catalog/ff36bt18m 60 JUAN YUAN'S MANAGEMENT OF SINO-BRITISH RELATIONS IN CANTON, 1817-1826 167 Ibid., 1:22b-23. Court letter to Juan Yuan et al., TK 2/5/25 (1822/7/13). 07 After Juan Yuan left Canton, his successor as Governor-General of Kwangtung and Kwangsi, Li Hung-pin, established a system of patrol boats to check on opium smuggling. Each boat received a monthly bribe to permit the illicit trade. Liang, Kuang-chou shih-san hang k'ao, p. 299. Chang Shun-ts'un # Tao-Kuang ch'ao Ch'en 陳 Ch'en-Li shih ★BA chin f chüan-na ‡Ã1⁄4 fen 分 Hsiang-shan J Hsin-hui hsien-chih Hsi Nai-chi 許乃濟 Hsüeh-hai t'ang*** Hu-Kuang Hu-pu 户部 Huang I-ming *** I-li-pu 伊里布 Juan Yuan 阮元 Kuang-tung shih-san hang k'ao Kuang tung tung chi là ki Kung-chung-tang kung-hong 2Ấ Kuo-Liang shih Li Hung-pin 李鴻賓 Liang Chia-pin 梁嘉彬 Liang-Kuang✯ Liang-Kuang yen-chih ch'ou-pan i-wu shih-mo tao-t'ai Ti-tzu chi, for (Lei-t'ang-an-chuɃ‡ƒ‡ ti-tzu chi) Ts'an-chan ta-ch'en ★★★E ts'un += 1/10 Chinese foot) Wai-chi-tang >-*# Wai-chiao shih-liao ££* Wu Kuo-yung Wu-lung-a Wu Shou-ch'ang ££ 3 Wu Ts'ung-yao 14 Wu Tun-yuan {£✶ ̃ yang-hang *{1 yang-shang 洋商 Yeh Huan-shu #£# Yeh Hsia 葉及 Yen-ching shih-chi &*£✯ Yun-Kuei + Nei-wu-fu Pan-yü 番禺 pao-chia 保甲 Ta-Ku # ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1981 https://digitalrepository.lib.hku.hk/catalog/ff36bt18m THE HONG KONG ORIGINS OF DR. SUN YAT-SEN'S ADDRESS TO LI HUNG-CHANG 177 Translation from op. cit., vol. 3, p. 1. # The school was set up in 1870 and was originally named the Diocesan School and Orphanage for Boys and known in its short form as the Diocesan Home. The orphanage was closed in 1896, but the school has continued as the Diocesan Boys' School. Its early history is given in W.T. Featherstone, The Diocesan Boys' School and Orphanage, Hong Kong, 1869 to 1919 (Hong Kong, 1930).* The Central School was set up by the Hong Kong Government in 1862 as a result of a proposal from the famous sinologue James Legge. It was the first government school put directly under the supervision of a government officer recruited from Britain. The school was meant to be a model school for the promotion of teaching of English and Western learning. For its history, see Gevenneth Stokes, Queen's College, 1862–1962 (Hong Kong, 1962). 7 The article was written in 1937, when the early school register was still in the possession of Queen's College. The Yellow Dragon, vol. 37, p. 94. It is still not clear when Sun entered the college. It is generally known that Sun was transferred to Hong Kong in early 1887, but the college was not opened until October of the same year. It is possible that Sun had been transferred to work at the Alice Memorial Hospital as a student before the college was officially opened. For Sun's student life in the college, see Lo Hsiang-lin, Kuo-fu chih ta-hsüeh shih-tai (Chungking, 1945). 10 A brief survey of the significant role of the Central School in this respect is given in Ng Lun Ngai-ha, “Role of Hong Kong Educated Chinese in the Shaping of Modern China”, paper presented to the 8th IAHA Conference, 1980. 11 “For more information on these and other early Hong Kong newspapers, see Ng Lun Ngai-ha, “A Survey of Source Materials in Hong Kong Related to Late Ch'ing China”, Ch'ing-shih wen-t'i, 4, (December 1979), 145–146, appendix A. 12 The China coast newspapers are valuable sources for the study of modern Chinese history. For a brief survey of these materials, see Frank H. H. King and P. Clarke (eds.), A Research Guide to China Coast Newspapers, 1822-1911 (Camb. Mass., 1965). 13 It was said that Sun might have contributed articles to the local newspapers and also to the Wan-kuo kung-pao, of which Cheng Kuan-ying was a patron. See Sun Chung-shan nien-p'u (Peking, 1980), p. 24 and Lo Hsiang-lin, "Kuo-fu yü Ho Chi chüeh-shih ti kuan-hsi", Kuo-fu ti kao-ming kuang-ta (Taipei, 1965), p. 129. 14 The Hao T'ou yueh-k'an 14 and 15 (1947), a magazine published by a secondary school in Chung-shan county, noted that it was first published in the Macao Daily in 1892. Its full text can now be found in Sun Chung-shan Shih Jiao chuan chi (Kuang tung wen shih tzu-liao, Canton, 1891), pp. 271–273. 16 For a brief comparative study of the two letters, see Huang-yen, “Chi-shao Sun Chung-shan 'chih Cheng Tsao-ju shu'”, Li-shih yen-chiu (1980:6), pp. 184–189. 10 For a short description of Ho's life and career in Hong Kong, see Wu Hsing-lin, The Prominent Chinese in Hong Kong (Hong Kong, 1936), II, pp. 1–2. Ho's contributions to the reform movements in China have been studied in a number of works. The more recent ones are Chiu Ling-yeong, The Life and Thought of Sir Kai Ho Kai (unpublished Ph.D. dissertation, University of Sydney, 1968) and Tsai Jung-fang, “Comprador Ideologists in Modern China: Ho Kai and Hu ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p BOOK REVIEWS 317 area stretches back only to the seventeenth century were originally Hakka, even when the unanimous tradition of themselves and their neighbours is that they were not, is surely a rather cavalier approach to the need for historical caution. On the Chaochiu/Hoklo/Hai-Lufeng residents it is surely unhelpful to downplay the very real and massive cultural, linguistic and socio-economic divisions between these groups and to force them all into a straitjacket of "Hokkien": rich business-men immigrants from Chiu Chow or Swatow or the fertile villages nearby have really nothing in common (not even a mutually intelligible language) with penniless coolie immigrants from the thin, infertile sand flats of Hai-Lufeng, or with the boat people descendants of the trading junk families from south Fukien. And “Waichow Hokkien" is a highly inaccurate title for Hai-Lufeng people! Blake writes his work with an obvious Hakka bias - he lived in a Hakka household and saw other ethnic groups to a large extent through Hakka eyes. This on occasion colours his work, and nowhere more clearly than in this attitude to the "Hokkien". Finally, Blake occasionally drafts into a rather turgid prose over-full of sociological jargon "ethnic groups are variegated amalgams of both the symbolic motivational dimension and the social organisational dimension of human existence" and "the continuum of ethnic group consistency may be analysed in terms of the following variables: (1) categorization (2) interpersonal affiliation (3) occupation (4) incorporation, and (5) government regulation" for instance which can be heavy on the reader who prefers his books written in English. P. H. HASE Chinese-English Glossary of Common Terms in Traditional Chinese Medicine (XRD), compilers Ou Ming, Lu Xian, Li Yanwen, Lai Shilong, Chen Xianging, Huang Yuezhong, Chen Jifan, Shen Chao, and Zhen Weiwen, executive editor Ou Ming, Joint Publishing Co. (Hong Kong), 1982 xi + 322 pp. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 285 who can wear a colourful ribbon), and for his father and grandfather he applied for 2nd grade titles to be conferred on them." His filial piety was difficult to surpass. He died in Vietnam at the age of 73. When his sons and grandsons carried the coffin back to his native village, thousands of Chinese and foreigners, officials and commoners, accompanied it until they reached the ship. There were people crying for him, drawing pictures of him, and writing essays about him. Cities far away, such as Singapore, also had his life-story written in the newspapers with the headline ‘Death of a Philanthropic Gentry' (*). He was really a great man. I am his old colleague, thus, I know all about his personality and activities. Here I cannot give the details, but can only give a general account of him. “Written in 1904 by Chen chao-ch'ang (陈兆昌), a Tsun Sz (遵司), appointed by Imperial Command an official of the Han Lin Academy, and humbly offered while the writer was in charge of the Shan Hai Kuan area (山海关). NOTES Eitel, E.J., Europe in China: History of Hong Kong, 1895. p. 311 ff. Ah-lum's wife and children were poisoned, and Eitel clearly had doubts as to his involvement in the crime. The defence of Ah-lum was conducted in a lynch law atmosphere and his arrest and deportation, even though he had been found innocent had, according to Eitel "reduced (him) from affluence to beggary.” 2 Hsiang-shan T'ieh-ch'eng Chang Shih Tsu-pu (AKA) (Clan Record of the Chang clan of Heung Shan and Fat Shan) (1934). Chi-ching Pu (2) section, Hang Chuang (孝庄) sub-section, pp. 8-9a. 1 According to the Clan record, ancestor Chung-te (忠德) immigrated to Shih-t’ou village (石頭村), eight miles to the southwest of T'ieh-ch'eng (铁城) Fatshan (Foshan) during the latter part of the Southern Sung dynasty. The lineage then segmented into 3 sub-lineages in the 7th generation. The 1st remained in the original settlement, the 2nd moved to Nan-Ping (南屏), and the 3rd to Long-Mei (龙美) in Hsiang-shan (Heung Shan) county. 3 generations later, in the 10th generation, 3 descendants of the 1st sub-lineage emigrated to Ping-Lan (坪兰), Ya-Kang (雅岗) and Wai-chieh-yung (外借涌) in Heung Shan, respectively. Ancestor Ch'un-chen (纯真) of the 10th generation was the first to move to Ya-kang, but the family was not regarded as native to Ya-kang until ancestor Miu-hsien (妙贤) of the 14th generation registered and started a new segment of the lineage (开户立户). Thus, an Ancestral Hall was built in the middle of the Chia Ching (嘉靖) period in memory of him. Ah-lum was of the 18th generation of the Cheung lineage, and the 9th of the Ya-kang segment. He was born in 1828, and died in 1900. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 287 17 The name of the Governor is given as Li (†), and the name of the award is transliterated in the next as Bai-Li-hsi-tien-te (X) which may represent the Légion d'honneur). 1 Ah-lum had 7 wives, 4 of them being considered concubines, 3 daughters and 10 sons, including 3 who died early, 1 given away to his 1st younger brother, and 1 adopted from another line of the clan. 2 of his sons became chüren, 2 more of them were National School Students. 1 had a military title. The one adopted out was also a National School Student. At least 3 of his sons died and were buried in Vietnam. Of his 2 brothers 1 died at the age of 21; he had a military title. He had 1 son who died early, thus Ah-lum gave one of his sons to him. Ah-lum's other brother was a I-wu-sheng (county military student). This brother held a military title; he had 5 sons and 4 of them were National School Students. See the clan record, 19 See the biography of Ah-lum's father Wei-kang in Clan record Chi-ching pu (A) section, Hang-chuang sub-section, p. 5. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1986 https://digitalrepository.lib.hku.hk/catalog/jq08c7063 16 HELEN F. SIU 13 I have changed the names of the informants and modified their stories slightly in order to hide their identities. 14 See Siu, "The nature of encapsulation: responses to the new production responsibility systems in two brigades in southern China", a paper presented at the Conference on Economic Reforms in China, Harvard University, 1983. 15 Such characterization of the Hong Kong working class culture was put forth to me by Deborah Davis. See also Lau 1982. 16 See Shi Hua, " 'Biaoshu' zai Xianggang” (“Maternal Uncles” in Hong Kong), Jiushi Niandai (February) 1985: 34-37. 17 See Li Ming-kun 1980, op. cit. 18 See He Li 1983, op. cit. The limitations of a short paper do not allow me to describe fully the conditions of Hong Kong workers in general. Consult the Hong Kong Annual Report published by the Hong Kong government. For an analysis of the political culture of Hong Kong, see Lau 1982. For recent debates over the 1997 issues, see a collection of articles by Li Yi, Xianggang qiantu yu Zhongguo zhengzhi (The Future of Hong Kong and Chinese Politics), 1985, Going Fine Press. 19 See Huang Dao “Kuaguo shidai de Xianggang hei shehui” (Hong Kong's Underworld Go International) Jiushi Niandai (December) 1984: 68-72. 20 See Helen F. Siu, "Collective Economy, Political Power, and Authority in Rural China", Political Anthropology, Vol V, The Frailty of Authority, ed. by Myron Aronoff (1986, Transactions): 9–50. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1986 https://digitalrepository.lib.hku.hk/catalog/jq08c7063 84 CHAN WING HOI not give any figures for the ratio between indigenous residents and newcomers among the members, but he stressed that no distinction was made between the two groups (mou-san pei-chi). It seems, nonetheless, that the Hoklo, Wai Chau and Chiu Chau residents see themselves as distinctive groups in the settlement. There is probably a separate association for them, for many of the flags put on display in the entrance area were styled "to the Fuk-Wai-Chiu [a short term for Fuk Kin, Wai Chau and Chiu Chau] fellow townsmen" or their Association.' I found out less about Tai Long Wan and Hok Tsui. In these two settlements, too, the indigenous villagers had been Hakka and Punti people who practised paddy cultivation and fishing. Many of the men of more recent generations worked as seamen and their descendants were able to obtain jobs in the city. As in the case of Shek O, outside interest in their scenic surroundings has been a major factor in the changes in the last few decades. I talked with Mr. Yau Ho Sam, who moved to Tai Long Wan about 40 years ago. His native place was Zheng Cheng, but before he moved to Tai Long Wan, he had lived at Wong Chuk Hang. There were only some ten families at Tai Long Wan when he arrived. Now there are more than 100. The original inhabitants were mainly Hakka although some were Punti. According to Mr. Wong, Tai Long Wan is still a mainly Hakka village, although there are also some Punti, Chiu Chau and Hoklo people. Tourist facilities can be seen in the village, and there are some Westerners' residences. For Hok Tsui most of my information comes from the man who drove the Taoist priests to his village in his van for the daily haang-chiu procession in the festival. In the past the village had 40 indigenous households. Now there are fewer. The villagers were mainly Hakka. His family has been here for ten generations, counting to his grandsons. In the past many worked as seamen. They probably became wealthy in that occupation. There is a watch tower (diu-lau) in the main village (jing-chyn) for protection against bandits, said to be the only watch tower left on Hong Kong Island. I observed that many of the present houses were not in the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1986 https://digitalrepository.lib.hku.hk/catalog/jq08c7063 faan-gon gan-jy 跟佳 gou-hing gung-so 公所 Gwong-seui 光緒 haang-chiu 行朝 haang-heung 行否 Hakka 我家 hin-bei 纈妣 hin-hau Hoi Luk Fung 海陸豐 Fuk-Wai-Chiu 高惠潮 mou-fan pei-chi 冇分彼此 Naam Tau 南頭 Naam Bin Chyn 南便村 ping-on 平安 Piu-sik 飄色 po-yat 破日 Punti 本地 Qing 淸 se-su 教書 seun-si 信: Seung Wai 上圍 seung-yuk 上肉 101 Hok Tsui 健咀 Shaukiwan 筲箕灣 Hoklo 仙佬 Shek O Saan Jai 石澳山仔 hou-wan 好運 Shek O 石澳 jam-mong 浸润 jang-paang 繪櫥 Jeng Gwok Man 會國民 Tai O 大澳 jing-chyn 正村 Jiu 邱 M 媽 jung-lei 總理 Kam Tin 錦田 laam-bong 攬榜 laam-yuk 腩肉 Laan Lai Wan 斕坭滟 Lam 林 Lau 劉 Lau Sing Jai 對勝任 lei-si 理事 Leung 梁 Leung Yi Hoi 梁值海 Leung Nung 梁龍(?) Ma-leung 馬料 Man 文 Siu-yau 小幽 Tai Tam Tuk 大潭篤 Tai Long Wan 大浪灣 tai-ye 睇嘢 Tanka 蛋家 Tin Hau 天后 Wai Chau 惠州 Wong Man Gwong 黃文光 Wong 黃 Wong Chuk Hang 黃竹坑 Yat Gin Fa Choi 一見發財 Yau Ho Sam 邱河深 Ying-shing 迎聖 yn-sau 縁首 Yu Laan 盂蘭 Yuk Wong 玉皇 Yu Laan 媽娘 Zheng Cheng 增城 : : ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 80 legendary first Huang Yeren, and who was also eventually referred to as Huang Yeren. This individual, Huang Li, was a prefectural governor at Zhengzhou (present day Huizhou) toward the end of the reign of Dayou (928-943) during the short-lived Southern Han dynasty (918-971)." Evidently he had retired to Luofu after becoming disenchanted with the regime which he served. The sources relate that he met a Taoist who taught him the art of making cinnabar. Towards the end of the reign of Shaoxing (1131-1162), he was by imperial edict granted the title of Dazhen (the one who obtained immortal status). He is thought to have ascended to heaven near the end of the Song dynasty." He is also credited with several healings. The memory of Huang Li as a separate figure in the literary sources has been preserved, and evidently there is still a temple or shrine to Huang Li in Dongguan county." But the figure of Huang Yeren at Luofu now includes elements of both the original Huang Yeren and the later Huang (or Wang)20 Li. 21 The veneration of Huang Yeren at Mt. Luofu seems to have a very long history. The poet Su Dongpo in the 11th century A.D. in a letter to a Taoist friend mentions that he had heard of Huang Yeren at Mt. Luofu." The great Guangdong poet Qu Dajun (1630-1696) in his encyclopedic Guangdong Xinyu (New accounts of Guangdong) devotes an entire page to Huang Yeren. Huang, he writes, was the most frequently seen of all the saints of the mountain. A small shrine to him (in the hills to the west of the Chongxu Guan) was, he reports, in ruins." The writer Tan Cui, who traveled widely in Guangdong during the reign of Qianlong (1736-1796), noted the presence of a small shrine or temple to Huang Yeren in the 18th century.23 When the main temple on the mountain was destroyed in 1802, the nearby shrine to Huang Yeren evidently suffered the same fate. The present temple, the Chongxu Guan, was built shortly afterwards." This temple has recently been restored and renovated (1985/86). It appears that prior to the restoration, a statue of Huang Yeren stood in the same room as the statue of Ge Hong." This statue has disappeared. (The statue beside Ge Hong is now that of his wife, Bao Gu, famous practitioner of acupuncture). However, there is now (as of early 1987) a separate room for the worship of “Huang Daxian", containing a new statue of the god. We were told that it Page 105 Page 106 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 90 ese pronounced exactly like Wang) after becoming a hermit at Mt. Luofu. Thus the foundation for a subsequent merger of the two "Yerens” was created. According to Soymie, "Le Lo-feouchan", pp. 110-111, another immortal of the mountain, Wang Tijing, was also occasionally referred to as Huang Yeren. Today, however, he seems to be totally disconnected from the "Yeren" figure, 21 Su Dongpo Ji [collected works of Su Dongpo], Shanghai, Shangwu Yinshu Guan (Commercial Press), 1933, Vol. 2, p. 58. In this volume there are numerous references (poems as well as letters and essays) to Luofu. Su Dongpo was exiled to Huizhou from the Song capital, and went to Luofu Mountain soon after (in 1094) arriving in Huizhou (this probably indicates the fame of Luofu among men of letters and politicians). What attracted him, no doubt, was the name of Ge Hong. Su is said to have spent about two years (of his four years in Huizhou) in Luofu. (Source: Luofushan Fengwuzhi, p. 105). 22 Guangdong Xinyu, Hong Kong, Zhonghua Shuju (Chung Hwa Book Company), 1975 (reprint), pp. 729-730. 23 The reference is in Tan Cui's work Chuting Baizhu Lu (Records of precious pearls from Chuting [old name of Guangzhou], reprinted in October 1982 by Guangdong Renmin Chubanshe). This work contains a rather detailed account of Luofu Mountain and most (possibly all) of the temples which existed in the mountain in the 18th century. 24 According to the Luofushan Fengwuzhi, the original temple at Luofu was built in 405 A.D., and was called Ge Hong Ci. Later in the early Tang, a large one called Ge Xian Ci was built. Another source (Lingnan Gu Jin Lu or Records of old and present Lingnan [Guangdong], edited by Xu Xu, well-known Guangzhou-based scholar, Hong Kong, Shanghai Book Company, 1984) states that a small temple was built at Luofu in 742 A.D., called Ge Xian Ci. During the Song dynasty, a Taoist temple was built, called the Duxu Guan, later renamed the Chongxu Guan. The deities worshipped in the central shrine of the temple (they have superseded Ge Hong, perhaps from as early as the Southern Han dynasty) are the three gods residing in the 35th (San Qing Tian) of the 36 heavens (Tianbao Jun, Taishang Daojun and Taishang Laojun). They are the mightiest among the "shenxians" (the fairies and saints [immortals]). They are normally understood by worshippers to be the Jade Emperor and his two closest officials. 25 We learned this from the interviews at Luofu, especially from an interview with Mr. Zhang Zongquan, the presiding Taoist at a smaller temple, the Jiutian Guan (devoted to Beidi, the "northern emperor"), on the plain near the mountain several kilometres from the main temple. Mr. Zhang had been an officer in the anti-Japanese forces of the area in the 1930's. The provincial Fengwuzhi (Guangdong Fengwuzhi, Guangzhou, Huacheng Chubanshe, 1985, p. 151) also mentions worship of Ge Hong together with worship of Huang Yeren and the mute tiger often mentioned in folk-tales. This account refers to the situation prior to the restoration. 26 See the picture of the Red Pine Fairy in Zhongguo Shenhua Chuanshuo Cidian (Dictionary of Chinese myths and legends), Shanghai, Cishu Chubanshe (Lexiographical publishing company), 1985, p. 185. 21 One Taoist whom we interviewed (see note 25) dismissed the importance of the differences in the biographies of the two Huangs with the remark that the spirit of Huang Chuping entered (or could enter) into the person of the later Huang Yeren. He was the only one we met who explicitly used this strategy to rationalize the merger of the two Huangs into one figure at the Chongxu Guan. It is possible that ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 74 Tang family had the right of building shops there, and a stone with an inscription to that effect, was put up in the temple of T'in Hau Kung(g) which can still be seen in old Tai Po market. When the Man family lost their case a wealthy friend called a big meeting of the elders of the seven districts round about Taai Haang (林村), Fan Ling(K), Lam Ts'un(#1), Yip Woh(), Sheung Wan(), Ting Kok(TM) and Cheung Shue Tan(). At his suggestion, and financed by him, they built a new market where the present market now stands. It was called Taai Woh Shei (utmost friendship market)(★Fifi) and was officially opened on the twenty-third day of the 6th month of the twentieth year of Kwong Sui, A.D. 1894. All the trade at once went to the new market and the old one gradually fell into disuse and can now be seen as a very poor and derelict village. Note. 1. The district of Sun On was formed in the sixth year of Lung Hing() A.D. 1572 of Ming dynasty. Fourteen years later the **History of Sun On District** was written by Yau Tai Kin the district magistrate. It was revised for the first time in the eighth year of Sung Ching(), but this edition was not published until eight years later when a third magistrate Chau Hei Yiu(2) added slightly to it. A second edition was published in the eleventh year of Hong Hei(E) A.D. 1672 of Ts'ing dynasty, a third appeared sixteen years later, and the present edition was published in A.D. 1819. Note. 2. The second character(W) is read yeuk in Cantonese but in the New Territories dialect it is read as Kwat. # Note. 3. Lam Fung is "Limahong" (= Lim a hong, not Li ma hong) whose name is already mentioned in the history of the Philippine Islands. It is also translated as in some Japanese books, and Limahong or Lin Ah Hong in some of the European books. = Lam Fung Limahong was a native of Raoping district(ATM) In the 10th month of the 2nd year of Lung Hing(), A.D. 1568 of Ming dynasty, he took sixty-two battleships with 2,000 sea-soldiers, 1,500 women, and a large store of food and ammunition to attack the Philippines. He was defeated and his fleet dispersed by the soldiers of ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h CONTENTS PRESIDENT'S REPORT HON. TREASURER'S REPORT HON. LIBRARIAN'S REPORT ARTICLES: Dan Waters LIBRARIES 138 1937. vii AR In the Steps of Lu Pan: Reminiscences of Building in Hong Kong K.J.P. Lowe Hong Kong, 26 January 1841: Hoisting the Flag Revisited Keith Stevens The Jade Emperor and his Family, Yu Huang Ta Ti Keith Stevens - Fukienese Wang Yeh (Ong Ya [Hokkien]) P.H. Munro-Faure The Kiukiang Incident of 1927 A.D. Blackburn Hong Kong, December 1941 July 1942 Chan Ka-yan Joss Stick Manufacturing: A Study of a Traditional Industry in Hong Kong P.H. Hase Cheung Shan Kwu Tsz, An Old Buddhist Nunnery in the New Territories and its Place in Local Society J.H. Haan Thalia and Terpsichore on The Yangtze, Survey of Foreign Theatre and Music in Shanghai 1850-1865 Fred Dagenais John Fryer's Early Years in China: I. Diary of His Voyage to Hong Kong Chan Wing-hoi The Dangs of Kam Tin and Their Jiu Festival xxi xxiii 8 18 34 61 77 94 121 158 252 302 NOTES AND QUERIES: E. Sinn Notes on the Robert Hart Papers at the University of Hong Kong Library 376 P.H. Hase A Song from Sha Tau Kok on the 1911 Revolution 382 P.H. Hase The Mutual Defence Alliance (Yeuk) of the New Territories 384 P.H. Hase - More on The Man the Emperor Decapitated 388 Issei Tanaka The White Tiger 389 Keith Stevens - British Chinese Labour Corps Labourers Buried in England 390 Anthony Siu Kwok-kin The History of Hong Kong: From A Village to A City 391 Anthony Siu Kwok-kin Historical Records Anthony Siu Kwok-kin BOOK REVIEWS Tai Yu Shan from Chinese 394 A Tung Lo Wan 399 400 V ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 20 secure a writ of pardon for a soul in the Underworld. Buddhists have occasionally accused the Taoists of stealing him from their pantheon. The Buddhist Indra, known as Yu Ti (**玉帝**), literally The Jade Emperor, was, they say, adopted by Taoists to counter Buddhist power. Others suggest that the Jade Emperor was a creation of a Chinese emperor to help maintain the authority and stability of his rule. In one popular version the Sung emperor Chen Tsung (**宋真宗**) in AD 1012, in order to divert his ministers from an unfortunate treaty he had been obliged to sign with some barbarian tribes, announced with great pomp that he had been visited in a dream by an immortal with a letter from the Jade Emperor. In the letter the Jade Emperor explained that he was sending one of the emperor's ancestors in person. The Sung emperor then claimed that a dazzling deity appeared before him in a dream and informed him that he was the Jade Emperor, Master of Heaven and Earth, and the Incarnation of Tao. Later the emperor, having announced that the visit had taken place, ordered that thereafter the Jade Emperor, “one of his ancestors", was to be treated as a major deity. The next year, in 1013, the Jade Emperor's image was cast and placed in a special temple, the Jade Palace (**玉皇殿**) where it was worshipped by the whole court. One hundred years later, the Sung emperor Hui Tsung (**宋徽宗**) built an even more magnificent temple for the Jade Emperor and thereafter the image was portrayed in imperial robes. H. Y. Feng3 claimed that the earliest reference to the Jade Emperor was in a poem by Han Yu (768-824), a Confucian scholar who wrote, admiring plum blossom, "Riding clouds we came together to the home of Yuh Huang', proving, he states, that the Sung emperor's claims were after the fact. However, state recognition by emperor Chen Tsung made the Jade Emperor an important deity in the pantheon. A Fukienese legend describes the Jade Emperor as being born to a queen who conceived miraculously after a visit by T'ai Shang Lao Chun (Lao Tzu) in a dream. When this prince in due course became king, he ruled with great compassion and concern, and was a model ruler who later devoted part of his life to religion and attained sainthood. This was, however, many centuries before the Sung emperor Chen Tsung popularised the cult. Another popular version explains how the Jade Emperor appeared in his visible manifestation to a Sung emperor and told him that he, The Jade Emperor, was the manifestation of the power and thought of Tao, Page 45 Page 46 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 21 to be regarded as such by mankind and to be revered only as the representation of that power. However, over the centuries, he has developed into a god in his own right, depicted as a gilded image of an emperor sitting on a throne, and is accepted by the masses as the ruler of the Heavenly bureaucracy. In T'aishan in Shantung province it was claimed that the Jade Emperor in mortal life had been merely a learned doctor of medicine who had lived during the 12th century AD at the Sung court in Kaifeng. He attended the emperor Hui Tsung during a serious illness and saved his life with a miraculous cure. He was known as Chang Yu-huang, but, on his death, he, like many a hermit, was deified by imperial decree. British representatives met the imperial representative, Li Hung-chang in 1876 in the temple (Yuh Huang T'ing) dedicated to the Jade Emperor to the west of Yent'ai (Cheefoo) in Shantung province to arrange the Chefoo Convention. Another incident involving the British in North China and connected with the Jade Emperor concerned Sir Meyrick Hewlett of the China Consular Service at the turn of the century during the clearing up after the siege of the British Embassy during the Boxer Rebellion. He found in the house of Sir Ernest Satow, HM Ambassador in Peking, a tablet with a background of sky-blue, framed in rich gold and inscribed with the four characters in gold — 'Huang T'ien Shang Ti'. Prince Ch'ing identified it as an item from the Temple of Heaven which had been missing for more than a year. When Sir Ernest asked how to restore it to its rightful place, the Prince begged the Ambassador not to send it round to his palace as should it be placed in the entrance he could neither leave nor enter his home without kowtowing twenty-seven times before it. Another more enlightened official helped out by bearing it off at dead of night in a Peking cart to the vaults of a European bank where it awaited a favourable day for restoring it to the Temple of Heaven. Some thirty-five years later, Sir Meyrick, paying his farewell visit to Peking, visited the Temple of Heaven and asked the attendants whether he could see the tablet, kept with the other tablets sacred to the emperors of the Ch'ing dynasty in a small temple opposite the Altar of Heaven. They replied that this was quite impossible, since even in post-imperial Kuomintang days no-one was allowed to see it. Sir Meyrick related the story of its recovery, upon which the attendants agreed to show him the tablet together with the tablets to the 28 Major Constellations, to Thunder and Lightning, and to the other forces of nature, but said that the tablets to the emperors were all lost after their ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 53 were destroyed but at the end of the campaign (ca 1127 BC) Lu was made President of the Celestial Ministry of Epidemics () with his four disciples as his senior departmental officials. The coincidence of the number five, and of them dying from epidemics before their due date of death, suggests that these five might be the precursors to the Five Plague Gods of much later times. Lu is described as having red hair, a blue face, fangs and a third eye, and it is therefore not surprising that god carvers have used this description when making Wang Yeh, and a number of images of the Wang Yeh on altars in Taiwan and South-East Asia have blue faces, red hairs and fangs though none has been seen with a third eye. It was interesting to encounter a Hakka ancestral image on a public altar in northern Taiwan which had a bright blue face. This was explained to be so because the ancestor, a Mr Huang, was a Ta Jen, an alternate form of Wang Yeh, a worthy and not a Pestilence deity; but because many of the temples around had Pestilence Wang Yeh and their faces were blue, red or green, it had been decided that the worthy Mr Huang should have a blue face too. According to the Yeh Wang Yeh legend in Tainan, Yeh himself took part in fund raising to build his cult temple in Fukien province. He disguised himself as an old man and went to Fuchou to buy the wood necessary to build the temple and also sent instructions to the villagers in their dreams that he would like his effigy to be carved in camphor wood to be placed on the roof. This they had carved, and when it was delivered to the site the timbers for the temple's construction arrived without anyone appearing to have carried them there, leaving the villagers only the task of erecting the building. Fishermen in 1795 found an unmanned bamboo raft near the island of Haifeng on which there was a tablet dedicated to Chang, Li and Moh, Three Wang Yeh. They built a shrine on the island dedicated to the three and later the tablets were moved to the present temple at T'ai Hsi in Yunlin county on the west coast of Taiwan. Other groups of five deities in Taiwan have similar and on occasions identical legends and are believed to be able to control or prevent epidemics. They too are also prayed to for a cure by the sick, and for the maintenance of good health by the hale and hearty. Temple keepers on occasions identify them as Pestilence Wang Yeh though they are not officially referred to as such. These groups include The Five Great Emperors of Fortune (Wu Fu Ta Ti), and the Five Efficacious Lords ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 58 Taiwan is dedicated to General Su. He is worshipped by Lukang traders of Quemoy (Chinmen) stock for protection. Two images of him stand on the main altar, one being the main image (Su Fu Ta Wang Yeh *) and the other a secondary image (Erh Wang Yeh Em). According to the temple keeper the latter was carved to satisfy the demand of worshippers for a portable image to take home for private reverence. A third image known as the San Wang Yeh (=E) was placed on the altar of a nearby branch temple (Fen miao). A number of branch temples dedicated to Su as a Wang Yeh, a Ch'ien Sui and as a General or Marshal (Chiangchun and Yuanshuai é) are to be found in many places in central and northern Taiwan. His image on the main altar of his temple in Lukang portrays him as black faced and black bearded, a standard carving of a seated dignitary wearing a scholar's gilded cap. Before him are seated five other images, one is the portable image of him in the centre, flanked by the four minor Ch'ien Sui, Chiu, Liang, Chin and Ts'ai, It is interesting to note that the deities in the temple at Lukang are colloquially referred to as Su Fu San Wang Yeh, The Three Su Wang Yeh. This despite them being but one person, and there being only two images in the main temple whilst the third is in a temple nearby. Finally, some dozen or so small images of standing soldiers in a V formation together with their commander crowd a secondary altar in the temple. They represent the army of General Su. These four are examples of non-pestilence protective deities referred to as Wang Yeh; there are a few other deities, not protective deities as such, who are also referred to as Wang Yeh in Taiwan. A good example is the T'ang emperor Ming Huang, patron of actors and actresses, known also as the Prince of the Western Ch'in (Hsi Ch'in Wang Yeh Еƒ). He fled to Szechuan province in the far west of China after he abdicated which led to him being given this title. T'ang Ming Huang is probably best known to foreigners for his infatuation with the concubine Yang Kuei-fei which nearly lost him his throne. To conclude, the large cult of Pestilence Wang Yeh, almost exclusively worshipped nowadays by the Fukienese and referred to simply as Wang Yeh has been confused over the years with other cults whose individual deities have borne the same honorific which, despite being protective ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 333 D. Outsiders in the villages and the immediate vicinity Besides outsiders who rented houses from the Dangs for residence or workshops/factories in recent years, there are some non-Dangs who have lived in the Kam Tin villages for many generations. These "resident outsiders" were believed by the Dangs to have been ha-fu, a term which can be translated as hereditary servants. When a Mrs. Dang mentioned to me that some people of the surnames Man and Sam lived in Naam Bin Teng, a part of Tai Hong Tsuen, she added that they had been ha-fu. Her logic was that any non-Dang who lived in Kam Tin must have been ha-fu. The present Dangs applied the term to servants of the lineage, as well as to settlements of tenants of the Dangs. My general impression is that there was more than one usage of the term, and the status of some groups might have changed in the passage of time. The elders explained to me that ha-fu meant ha-yan, servants, and the fu in this term was the same fù as in kiu-fu (“sedan chair carriers”). Another term for ha-fu is sai-man. In this connection, one of them added that the villagers of Sha Po, Chuk Yuen and Pok Wai had been tenants of the Dangs of Kam Tin, and that ha-fu were not the same as tenants. At Wing Lung Wai and Tai Hong Wai, some elders still remembered some ha-fu in their village. A Wing Lung Wai elder remembered only one ha-fu in his village. The person belonged to the great grandfather of an elder, a Yeui jou descendant who had a large land holding. The ha-fu carried sedan chairs for his master, among other things. A ha-fu had lived in Tai Hong Wai until he died around the time of the Japanese occupation. His given name was Loi-Fu. His surname was probably Mak. He lived in a house in the north-east corner of the wai. The house, now broken, was still there. He had to serve the whole village. His work was to do errands on special occasions such as banquets. In the old days one invited guests to banquets by sending a ha-fu. This Loi-Fu did not have to work for the Dangs on ordinary days. He often fished using his nets at a pit (haang) where the children went to swim. He would scold the children when he saw them swimming. He also kept bees, and gave some of the honey to the children. One of the villagers remembered that his mother often gave this Uncle Loi-Fu food to eat. He left no descendants. He had had no wife. Near the centre of the Kam Tin Dang settlements is Sa Bui Leng, which has only three or four families now. According to an elder the Sa ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h deui-lyun dim-dang Wif ding-hau T`LI Dongguan 東莞 dong-ji Dung Ping Guk 東本局 faan Fa-Gung Fa-Mou (EAEN fa-paai TEMP Fau-Ng ởH Fong 兒 fong fong-jeung Fu Qing (47 fu 伏 Fu-Hip gwan-ma 郡馬 Gwok-Yin Gwong-Yu K Gwong-Yu Tong Gwun-Yam #E Gyun 銷 Ha Tsuen 厦村 Ha Che 下崟 haang 坑 ha-fu F Hak-Sa ha-yan FA Hei-Ye 起野 heui-lok Heung heung Fui-Sing !! Fung Yuk-Daan MƒU!! Gaai-Yut gaam-sang Gai-Jau # heung-on Ho fil hoi-dang EH hou 號 Hung-Fan Taam gam-taap Gam-Tin Gaozong h Gau Ga Chyun **† hung-jeuk FL Hung-Ji 孔子 Hung-Ji 洪贄 Hung-Sing # Hung-Yi 洪儀 geui-yan git-jing #7 Git-Sau gu l Guangdong MAC Guangzong 光宗 guk 榖 gung-chou Y gung-sang Gwaan-Dai BNR Gwai-Ting gwai-waan (?) Gwai-Wong E gwan 棍 Gwan-Haak 7K Gwan-Leung R jaap-fo 雜貨 Jai Baak-Fu Jan 鈞 Jan-Ting Jau M Jau-Man B jau-tung 州同 Jeung Hoi Jeung 張 Jeung-Luk A jeun-si 進士 Jiangxi 江西 Ji-Ga Tong #18 2 Jik-Gin jiu BE Page 369 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 73 elements in the term 'Syrian brilliant teaching". The expression ‘brilliant teaching' for Christianity occurs three times in the text of the Book of the Secret Peace and Joy, but there is no reference to Ta-ch'in. We must conclude that, by the tenth century, the Nestorian monks at Tun-huang no longer used Adam's formula Ta-ch'in ching-chiao as punctiliously as they once had, although both Ta-ch'in and ching-chiao are found separately, and that a tendency to render proper names by transliteration from the Syriac had replaced the earlier policy of finding appropriate Chinese terms for them. Other examples of this tendency can be found in the titles of some of the thirty-five books listed in the Book of Praise: The Gospels (Syriac: evangelion) are the A-wan-chü-li-yung ching; the Epistles of St. Paul (Syriac: shlicha, the Book of the Apostle) the Shih-li-hui ching; the Book of Hosannas the Wu-sha-na ching; and the Book of the Cross (Syriac: tsuliba) the Tz'u-li-po ching. Although these are the titles, according to the Book of Praise, of books translated by Adam, it is difficult to believe that he would ever have allowed them to be given such meaningless names in Chinese. We have seen how much care he took in the Sian tablet inscription to make himself clear, and suitable Chinese titles could easily have been found for these books. But book titles, as we have already seen in the case of other Tun-huang manuscripts, are obvious targets for updating in the light of changing taste, and these Syriac-influenced titles were probably given to Adam's books by the Tun-huang monks in the tenth century. They lived on the fringes of China and were not writing for discerning scholars in the capital, as Adam was. They preserved the memory of their past glories under the leadership of men like Reuben and Adam, but a definite change of style had taken place since the confident days when the Sian tablet was erected. They were conscious that an era had passed. 1 NOTES Hong Kong has a fine collection of bronze crosses from the Ongut region, worn by Nestorian Christians during the Yüan period, in the Fung Ping Shan museum of Hong Kong University. See F. S. Drake's article "Nestorian Crosses and Nestorians in China under the Mongols", Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 2, 1962, pp. 11-25. His Chinese name, given in the Sian tablet inscription, was A-lo-pen. It is suggested in Volume 3 of the Cambridge History of China that A-lo-pen is a transliteration of Reuben, and this seems to me as good a guess as any. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 74 5 Ta-ch'in ching-chiao is translated by Legge (The Nestorion Monument of Hsi-An-Fu, Oxford, 1888) as the 'lustrious Religion of Ta-tsin; by Saeki (The Nestorian Monument in China, 1916, and The Nestorian Documents and Relics in China, 1951) as the 'Ta-ch'in Luminous Religion', and by Moule (Christians in China Before The Year 1550. London, 1930) as the 'Brilliant Teaching of Ta-ch'in'. Moule's translation seems to me to be the best, though none of the three translations for ching brings out its full resonance. + 4 Ta-ch'in ching-chiao liu-hsing Chung-kuo pri K★*KAT¶M. See Plate 1. The Manicheans, who also originated in Persia, used in China the term 'the shining teaching", ming-chiao W, for their religion. The Hsü-ting Mi-shih-he ching FDM. P. Y Saeki (The Nestorian Documents and Relics in China) calls this work the Jesus-Messiah-Sutra. I have departed from Saeki's bizarre terminology here and elsewhere, but his names are given in notes where I have done so. 7 The xhen lun Saeki's Discourse on the Oneness of the Ruler of the Universe, is actually a compilation of three short essays, the F-r'ien lun or Essay on the One Heaven (Saeki's Discourse on the One Heaven); the Yu, or Parable; and the Shih-tsun-pu-shih fun 1942 fibili, or Essay on the Charity of the Creator (Sacki's Lord of the Universe's Discourse on Alms-Giving). H リ The Chih-hsüan-an-lo ching &£, Sacki's Sutra on Mysterious Rest and Joy. The Ta-ch'in ching-chiao Ta-shing-t'ung-chen-kuei-fa tsan K**HARIANZA, Saeki's Ta-ch'in Luminous Religion Hymn in Adoration of the Transfiguration of Our Lord. THE The Ta-ch'in ching-chiao San-wei-meng-to tsan ★*** ***, Saeki's Ta-ch'in Luminous Religion Morwa Hymn in Adoration of the Holy Trinity. J The Ta-ch'in ching-chiao Hstian-yuan-chih-pen ching ****, Sacki's Ta-ch in Luminous Religion Sutra on the Origin of Origins. נו The Tsun ching ** For example, in lists of metropolitan provinces. Amrus gives a list for 1343 in which Beth Sinaye, the old province of China created by the Nestorian patriarch Seliba-zekha around 720, is listed together with the contemporary province of Cathay and Ong (China and the country of the Ongut tribe). 14 The pronunciation of the characters ching ## 'scripture", and ching it. "brilliant”, differs only in tone. 1.5 Le Quien's Oriens Christianus (Paris, 1740), an invaluable prosopography of the eastern churches, contains the names of nearly a thousand Nestorian bishops, but no other bishop or metropolitan named Adam is recorded. The New Catalogue of the Teaching of Shakya in the Cheng-yuan period, composed by a monk of Ch'ang-an's famous Hsi-ming (Buddhist) monastery. 17 The Tien-pao-tsang ching KMR. E The To-hui-sheng-wang ching ZLI WEER. The A-wan-chi-li-yung ching EHFIYR. The Nestorian monastery at Tun-huang was apparently named after the nearby prefectural city of Sha-chou. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 86 A local Ch'ao-chou cult image seen on a secondary altar in a tiny makeshift rural temple in Ulu Sembawang in Singapore is said to represent the spirit of a nine-year-old boy who died in the late 1960s. He is the medium spirit who speaks through his aunt, providing advice for local devotees. His aunt raised the image after she found that the spirit of the boy returned to her in a dream offering to help people. The boy is known by the title of 'the Prince of the East of the Sea', Hai-tung Tai-tzu. A Cantonese Kuomintang soldier, Huang Chin-ch'uang, crossed to Taiwan in 1949 with the retreating KMT forces. He was posted to Pingtung near Kaohsiung and served with a unit near the main village on the island of Little Liuchiu where some time later he became ill and died. The people of the village, remembering his kindness and goodwill and knowing that he had no family of his own, buried him in an auspicious spot on the hillside. He became the spirit guarding the hills above the village and also gained renown for his ability to protect fishermen in danger. A shrine, a privately run temple, was built in his honour and an image of him placed on the altar where he is now known as Marshal Huang despite having been a mere private soldier. Wang was a sailor left behind in Java by the great Ming explorer Cheng Ho at the beginning of the sixteenth century. His image is to be seen on a side altar in the Earth God temple at Ancol, not all that far from Jakarta, whilst tablets dedicated to him are to be seen in Chinese temples in Semarang and near Sourabaya, all on the island of Java. Local Chinese belief is divided as to whether he was pure Chinese or Javanese, and whether he was a shipwright, navigator, or senior member of Cheng Ho's crew, or merely a Javanese interpreter. They are at one, however, that Wang was a Moslem and that he married a Javanese wife and lived out his days, dying peacefully in Semarang. Of these ten male and two female spirits, all but two are represented by stylised images on altars, and they are taken from each of the main ethnic groups along the south China coast, the Cantonese, Fukienese, Hakka, Ch'ao-chou, and Hainanese. Five originated during the past fifty years, three some time during the past century, whilst four definitely developed during the Ch'ing dynasty. Only six of the spirits still have their full names remembered, and ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 34 Chan Kin Tong 陳健堂 Cheang Hoong WA Chen Xuyuan 陳照元 Ding Richang TRS Guo Piao 郭標 Ho Kai 何啟 Ho Tung 何東 Huang Huan'nan # Jian Dongfu 簡東甫 Glossary Wu Jianzhang f Xu Rongcun 徐榮村 Xu Run 徐潤 Xu Yuting 徐鈺亭 Yuan Shikai 袁世凱 Zheng Guanying Zheng Tingjiang Baoyuanxiang 寶源祥 Zuo Zongtang E Law Pak Sheung A Bendi 本地 Law Sai Nam 劉世南 Lee Chak 李澤 guandu-shangban Leung Xiu 梁喬 Li Hing 李慶 Li Hongzhang 李鴻章 Lo Hok Pang #09 Ng A Cheong AS O Kee Cheung 柯其祥 Sheng Xuanhuai 盛宣懷 Soong Xe 宋琪 Sung Chin Tseung Tong Mow Chee # Tong Ying Shu (Xing Sing) 唐廷樞(景星) Wei Kwong #* Wei Yuk 韋玉 Danjia 晉家 # Guang Yang Xing 廣陽興 Guang Zhao Gongsuo 廣肇公所 Heshengxiang # huashang fugu huodong HÆ! Kejia 客家 lianhao 聯號 O Chin Sin Tong Qing Xu Yuzhi Xiansheng Run Zixu Nianpu 清徐雨之先生潤自序年譜 Sanyi 三邑 Shiyi 四邑 tongxiang hui 同鄉會 Zongban 總辦 Wong Kong 黄亞廣 References Cheng, T C. 1969 Chinese Unofficial Members of the Legislative and Executive Councils in Hong Kong In Journal of the Hong Kong Branch of the Royal Asiatic Society 9: 1-30 Choi, Chi-cheung 1991 Cong difangzhi kan Xiangshan xian difang shili de zhuanbian (The influence of migration in Xiangshan county as viewed from local gazetteers) In Zhongguo Shehui Jingjishi Yanjiu 1991/1: 60-8 1993. Competition among Brothers: the Kun Tye Lung Company and its Associate Companies, Unpublished paper presented at the Workshop on Chinese Business Houses in Southeast Asia since 1870 School of Oriental and African Studies, University of London ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 36 Kong, Capital Communications Lid Ho, Ping-ti 1966a. Zhongguo huiguan shilun (On the history of Landsmannschaften in China). Taibei, Shihuo Chubanshe. 1966b. The Geographical Distribution of Hui-kuan (Landsmannschaften) in Central Upper Yangtze Provinces. In Tsing Hua Journal of Chinese Studies 5/2 120-52 Honig, Emily. 1992. Creating Chinese Ethnicity Subet People in Shanghai 1850-1980. New Haven and London, Yale University Press. Hunter, William C 1882 'Fan Kwae' at Canton Before Treaty Days, 1825-1844, London Kegan Paul, Trench & Co King, Frank H. H. 1983. edited. Eastern Banking Essays in the History of the Hongkong and Shanghai Banking Corporation London, Athlone Press Keswick, Maggie 1982. The Thistle and the Jade: A Celebration of 150 Years of Jardine, Matherson & Company London, Octopus. Lai, Chi-kong. 1992 The Qing State and Merchant Enterprise: the China Merchants' Company, 1872-1902. In Jane K. Leonard (edited) 139-56. Lee, Pui Tak. 1990 Kindai Chugoku ni okeru kōsho Kigyō no rekishi teki tenkai Kanyahyōkōshi wo jirei toshite (The historical Origins of Commercial and Industrial Enterprises in China, the Case of Han-yeh-p'ing Coal & Iron Company Limited, 1896-1991) M Litt. Thesis. University of Tokyo. Leonard, Jane K 1992. edited; To Achieve Wealth and Security, the Qing Imperial State and the Economy, 1644-1911. Ithaca, East Asia Program, Cornell University Leung, Yuensang 1982 Regional Rivalry in Mid-nineteenth Century Shanghai. Cantonese vs Ningpo Men. In Ch'ing-shih wen-t'i: 4/8; 29-50. 1986. The Shanghai-Tientsin Connection. Li Hung-chang's Political Control over Shanghai during the Late Ch'ing Period In Chinese Studies 4/1 315-31 1990 The Shanghai Taotai: Linkage Man in a Changing Society, 1843-90 Singapore. National Singapore University Press Liu, Kwang-ching 1979 Credit Facilities in China's Early Industrialization The Background and Implications of Hsu Jun's Bankruptcy in 1883. In Modern Chinese Economic History 499-509, Edited by Chiming Hou Taibei, Institute of Economics, Academia Sinica 1982 A Chinese Entrepreneur In Maggie Keswick (edited) 103-30. — 1990. Jinshi Shixuang yu Xincheng Qiye (The new thoughts and modern enterprises) Taibei, Lianjing Chuban Shiye Gongsi Mann, Susan Jones 1972. Finance in Ningpo the 'Ch'ien Chuang', 1750-1880 In W E. Willmott (edited) 47-78 1974 The Ningpo Pang and Financial Power at Shanghai In Mark Elvin & G. William Skinner (edited) 73-96 — 1976. Merchant Investment, Commercialization, and Social Change in the Ningpo Area In Reform in Nineteenth-Century China 41-8. Edited by Paul A, Cohen Cambridge and Massachusetts, Harvard University Press. McElderry, Andrea Lee 1992 Guarantors and Guarantees in Qing Government-Bussiness Relations In Jane K. Leonard (edited) 119-38 1993 Guarantors in China's Treaty Ports the Evolution of Employee Bonding Unpublished paper presented at the 34th International Congress on Asian and North African Studies, Hong Kong Mei, June 1979 Socioeconomic Origins of Emigration Guangdong to California, 1850-1882 In Explorations in Economic History 7/4 451-73 Qing Xu Yuzhi xiansheng ruḥ zixu nianpu (Chronological autobiography of Xu Run) Reprinted in 1981 Quan, Hansheng 1972 Zhongguo Jingjishi luncong (Collected essays on Chinese economic ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 43 groups which Pi Yuan (Bi Yuan) formed in Shensi in the late 1770s, and the group Juan Yuan (Ruan Yuan) formed at the Hsueh-hai t’ang in Canton in the first decades of the 19th century. The (Bi and Ruan) circles were more active in publication: Pi Yuan underwrote the publication of many monographs and critical editions, and Juan Yuan was responsible for the 1400 volume compilation of classical commentary entitled Huang-Ch'ing ching-chieh (Qing period commentaries on the classics). Wang Jun Yi of the People's University recognized how important this form of patronage was to the development of scholarship and learning during the mid-Qing period. Under the leadership of the central government, officials enthusiastically supported scholars' research. Xu Qian xue, Bi Yuan, Ruan Yuan, for example, had on their staffs a large number of scholars. They established academies and compiled books. Their activities of collecting books, compiling books, checking texts against ancient editions, and printing books, made it fashionable to collect and create books. Under these circumstances, scholarship and learning developed during the mid-Qing era. Ruan Yuan had inherited the tradition of scholarly patronage from the Zhu Brothers and Bi Yuan. When Ruan Yuan first went to Peking to take the metropolitan examination in 1786, he was taken into the Zhu circle. His first important official assignment was director of studies in Shandong 1793-95 when Bi Yuan was governor. As Ruan Yuan's official career spanned half a century, in such areas as Zhejiang, Jiangxi, Guangdong, Guangxi, Yunnan and Guizhou, his patronage was widespread. Since his interests were all-embracing and his ability to identify quality of scholarship more than adequate, he managed to leave works in all major areas of learning of that time. Importance of Ruan Yuan as a scholar and patron of learning as seen by 20th century scholars Although Ruan Yuan's contributions to mid-Qing scholarship and learning have been recognized by 20th century scholars, a comprehensive study of the scholars around him is yet to be made. Qian Mu... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 44 19 Ruan Yuan as a "bridge for classical learning" between the Han Learning scholars of Jiang Fan's Guo chao Han xue shi cheng ji (Han Learning scholars of the Qing dynasty) and the later work of Chen Li (1810-1882), Dong xu du shu ji (Chen Li's notes on the classics in which he argued against the viewpoint of the earlier classicists that Han period scholars had ignored metaphysical study.) Qian pointed out that "recent scholarship has neglected the significance of this transitional period, thereby underestimating the significance of Ruan Yuan's contributions to the development of classical learning of the mid-Qing era."10 This finding was echoed by He You Shen# of the University of Hong Kong, who observed that Chen Li's thinking had been influenced by Ruan Yuan. After becoming a fellow of Xue Hai Tang, Chen Li went to visit Ruan Yuan in Yangzhou in 1841, and again three years later. These two visits influenced the direction of Chen's later thoughts tremendously." Other scholars have stressed the importance of Ruan Yuan's patronage activities. Liang Chi Chao wrote that "Ruan Yuan of Yi-zheng served in the provinces for several decades. Everywhere he promoted learning. He exerted tremendous influence on other scholars of the era in Zhejiang, Guangdong, and Yunnan.”12 Xiao Yi Shan- stated that "Ruan Yuan's contributions to learning were not confined to his own writing. He established institutions to give other scholars an opportunity to research and to publish. He was extremely influential on other scholars of the era. His scholarly achievements far surpassed those of his contemporaries, such as Wang Chang, Bi Yuan and Zhu Jun."'13 Hu Shi went further by analyzing the secret of Ruan Yuan's success. Ruan Yuan's special talents rested in his ability to collect the leading scholars of the day, and have them work together to compile such major works as Jing ji zhuan gu, Shi san jing jiao kan ji, Chou ren zhuan, and others. He also published works of other scholars, among them Ling Ting kan, Jiao Xun, Wang Zhong, Liu Tai gong. His Huang Qing jing jie, 1,400 juan, represented the first conclusive study of classics by scholars of the Qing dynasty.14 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 45 Major scholarly activities Ruan Yuan provided opportunities for the scholars to work on literary projects or in academic institutions, and often published their own works as well. Since he organized and controlled the projects, from conceptualization to approval of the final draft, as well as finding the funding of the projects, his name was listed as author, compiler or editor of these publications, although Ruan Yuan was always careful to give due credit to others. The 75 titles I have located encompass works in several major areas of learning. In-depth discussion of these works belongs to another study. At the present, however, attention can be called superficially to a few works in several categories. 13 Classics: as director of studies in Zhejiang 1795-98, Ruan Yuan organized more than 40 scholars in Hangzhou to compile Jing ji zuan gu (106 + 10 juan), a dictionary to the Classics, printed in 1800. A thesaurus of classical terms and phrases, Jing fu, planned to comprise more than 100 juan, was compiled around 1810 but was never printed. In 1816, shortly before his transfer to Canton, Ruan Yuan reprinted from rare Sung editions the thirteen Classics, Song ben Shi san jing zhu shu, 243 juan, in Jiangxi. Affixed to this work were collation notes on the Classics Ruan Yuan had gathered earlier. The most monumental work on the Classics compiled under Ruan Yuan's aegis was the Huang-Qing jing jie, 1,400 juan, printed in 1826 in Canton, embodying more than 180 treatises written on the Classics during the Qing era. Discourses by scholars at the academies he founded, the Gu jing jing she (Gu jing jing she wen ji) in Hangzhou and the Xue hai tang (Xue hai tang ji) in Canton, were also published. Archaeology: A large number of buried ancient bronzes were being excavated at that time. Contemporary scholars were not interested in the vessels so much as objects of art as they were in the inscriptions (ming wen) on them as a reference to authenticate classical texts. For the same reasons, inscriptions on stone were scrutinized. Ruan Yuan's Ji gu zhai chong ding yi chi kuan shi, 10 juan, preface dated 1804, is still used as a standard reference work today for identification of bronze vessels and inscriptions. His study on stone inscriptions include Shan zuo jin shi zhi, 24 juan, 1795-1797, stone inscriptions of Shandong, Liang Zhe jin shi zhi, 18 juan, 1824, of Zhejiang, and Yueh dong jin ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 46 shi lue, 16 juan. 17 History and Statecraft: Chou ren zhuan, 46 juan, started between 1797 and 1799 but not completed and printed until 1810, was the first effort of any Chinese scholar to put in chronological order summaries of the lives and works of 242 Chinese and 38 non-Chinese astronomers and mathematicians, thus providing materials that made possible a systematic history of mathematics and its related field, astronomy, as well. Ruan Yuan also wrote biographies of scholars, including those who were not officials and therefore would not have been included in official compilations, in Guo shi ru lin zhuan and Guo shi wen yuan zhuan, 1810. Discourse on contemporary administrative issues included Liang Guang yen fa zhi (Salt administration in Guangdong and Guangxi), Hai yun kao, 2 juan (sea transport), 1805, Hai tang zhi, 30 juan (Coastal Gazetteer of Haining), and an essay putting forth his suggestions on the most efficient way to transport tribute grain, Liang chuan liang mi jie fa shuo, composed while he was director of grain transport. Historical Geography: In addition to encouraging other scholars to compile provincial and local gazetteers, Ruan Yuan himself compiled two provincial gazetteers, Guang dong tong zhi, 334 juan in 1818-1822, and Yun nan tong zhi gao, 216 juan, in 1835, when he was governor-general in the respective provinces. Bibliography: As a scholar, Ruan Yuan relished in collecting books. He made sure that cataloguing of well-known collections, such as that of the Fang Family in Ningbo, was brought up to date, in Tian yi ge shu cang shu mu, 4 juan, 1804. He established libraries that included Classical as well as contemporary works in the Lingyin Monastery (Hangzhou) and the Jiaoshan Monastery off Zhenjiang, and compiled catalogues for the collections. As director of studies in Shandong, he drew up a list of books for young students to peruse, Shan dong xue zheng Ruan Yuntai shi tong sheng shu mu, 1 juan. 20 Literature and Other Collectanea: Ruan Yuan collected and published works of literally thousands of poets, including women and other social minorities, whose work would not have otherwise survived. Liang Zhe you xuan lu, for instance, contained 9,241 poems by 3,133 poets from Zhejiang, including 381 poems by 183 women poets, and 314 poems by 117 monks and priests, together with biographical notes of the poets. His own essays and poems are also published in Yan jing shi ji, 54 juan, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 57 Collectively, these secretaries were known as mu.38 There are a number of learned treatises on the subject in Chinese, but I do not think that the function of these people should be expounded here; suffice to say that they were treated as respected senior secretaries by the officials, including Ruan Yuan, and were assigned certain tasks. A few examples of Ruan Yuan's secretaries follow: Zhang Jian was with Ruan Yuan in Zhejiang, Canton, and after his retirement, in Yangzhou as well. He helped formulate and implement such policies as eradication of coastal piracy, famine relief, salt administration, and transportation of tribute grain by sea. Chen Hongshou's expertise ranged from river administration to coastal defence. Together with Chen Wenxu, Zhu Weibi, Shi Guoqi, and Ruan Yuan himself, he also drafted the memorials Ruan Yuan sent to the Jiaqing Emperor while he was Governor of Zhejiang. Scholars with "an extraordinarily fine hand"39 who worked as actual copyists for Ruan Yuan's memorials include Fang Pu, He Yuanxi, Shi Guoqi, and Wu Shucheng.40 Ruan Yuan found jobs for other scholars in academic institutions. The academies he founded, Gu jing jing she in Hangzhou and the Xue hai tang in Canton, had absorbed scores of scholars. Other academies took on dozens of others. Among the less commonly known academies founded or rejuvenated by Ruan Yuan were the An lan Academy41 in Haining, Zhejiang,42 and the Ta liang Academy in Henan.43 In appointing scholars he considered worthwhile to these academies, Ruan Yuan in fact helped to spread Han Learning throughout the country. Ruan Yuan must have been at his wit's end in trying to find a suitable place for so eccentric a scholar as Fang Dongshu (1772-1851). Fang, from Tongcheng, who only attained the first degree, was noted for his poverty and his inability to get along with anyone, except perhaps Ruan Yuan. In 1819, Ruan Yuan brought him to Canton to work on the Guang dong tong zhi under Jiang Fan. Jiang assigned him research and writing which was supposed to take two years to complete, but Fang finished the task in one month. Ruan Yuan then found him a job at Hai men Academy in Lianzhou, where he lasted less than one year; with a repeat performance at the Chang yang Academy for a similar period. Exasperated, Ruan Yuan took Fang onto his own personal staff. For scholars who worked on various literary projects sponsored by Ruan Yuan, see the Appendices to this paper. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 60 Governor-General of Yunnan & Guizhou Kunming 2A 1816-1835 Assistant Examiner of Metropolitan Exam Beijing 1833 Assistant Grand Secretary Kunming 1B & Peking Grand Secretary in charge of Board of War Beijing 1A 1835/3 Acting President of the Censurate Beijing 1835/10 Reader, Palace Examination Beijing 1836 Senior Professor (Hanlin Academy) Beijing 1836 Appendix 2 Ruan Yuan's Major Works and Compilations Kao gong ji ju zhi tu jie 考工記車制圖解 Shi qu sui bi 石渠隨筆 Yi li shi jing kan ji 儀禮石經校勘記 Shandong xue zheng Ruan Yuntai shi tong sheng shu mu 山东学政阮芸台示童生书目 Shan zuo shi ke 山左石刻 Jingyin dao ren zhuan 淨因道人傳 Yunfeng zhi bei tu 云峰志碑图 Zhejiang shi ke 浙江詩課 Chong xiu piao zhong guan ji 重修剽中观记 Xiao cang lang bi tan 小滄浪筆談 Shan zuo jin shi zhi 山左金石志 Huai hai ying ling ji 淮海英靈集 Liangzhe yu xuan lu 兩浙輶軒錄 Ceng zi shi pian zhu shu 曾子十篇註疏 Wei yu shu shi sui bi zhu 魏餘蔬食隨筆注 Zhu cha xiao zhi 竹姹小志 Jing ji zuan gu bu yi 經籍纂詁補遺 Di jiu tu shuo 地球圖說 Guang ling shi shi 廣陵詩事 Chong xiu Hui ji Da yu ling miao bei ji 重修惠济大禹陵庙碑记 Ding xiang ting bi tan 定香亭筆談 Chong jian Yangzhou hui guan bei ming 重建扬州会馆碑铭 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j Liang Zhe fang hu (ling qin ci mu) lu (REHE)* Zhejiang kao Ku jing jing she wen ji 詁經精社文集 (Wang fu zhai) zhung ding kuan shi (E) H** Xue shi zhong ding kuan shi 薛氏鐘鼎款識 Jiao shan ding-kao 焦山定陶鼎考 Huang Qing bei ban lu Hai tang zhi 海塘志 Ji gu zhai zhung ding yi qi kuan shi **** 海連考 Hai yun kao I Liang Zhe jin shi zhi 兩浙金石志 Shi san jing zhu shu fu jiao kan ji +¶EAH Yang zhou Ruan shi jia miao bei 揚州阮氏家廟碑 Yen jing shi wen ji 擘經室文集 Sui Wen xuan lou ming Ying zhou shu ji 瀛舟書記 Qu jiang ting ji 曲江亭記 ** Si ku wei shou shu mu ti yao 四庫未收書目提要 Tian yi ge shu mu 大一閣書目 Ling yin shi shu zang mu Chou ren zhuan AM Shi san jing jing fu +* ****! Yi li shang fu da gong zhang zhuan zhu chuan wu Kao x 功章傳注舛考 Han Yen xi xi yue Hua shan bei kao ✶✶U** Ru lin zhuan kao ####N Guo shi wen yuan zhuan 國史文苑傳 Jiao shan shu cang shu mu 焦山書藏書目 (Song ben) shi san jing zhu shu (**)+*** Jiang su shi zheng # Jiang xi gai jian gong yuan hao she bei ji 江西改建貢院號舍碑記 Guangdong tong zhi 廣東通志 Gai jian Guangdong xiang shi wei she zhuo bei ji ***** 碑記 Shi shu gu shun 詩書古訓 Yen jing shi ji 擘經室集 Chong xiu Ruan shi zu-pu CEE** Huang Qing jing jie 皇清經解 Xue hai tang zhi 學海堂集 Yen jing shi shi lu 擘經室詩錄 Shi hua ji 石畫記 61 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 64 September 1885 March June ca 1885 1886 January ca 1886 ca 1886 1887 1889/1890 1889 23 January 1890 Lived in the Chang-fa Chen, an hotel in Shanghai His first child, Pin Mesny, also known as Hu-sheng, born in Shanghai Departed Shanghai aboard the Yangtze for Canton and appointed for service in both Arsenals [claimed that during the years 1884/1887 whilst living in Canton, he suffered from boils, eczema and prickly heat] Many of Mesny's notes lost in Chungking during the destruction of the CIM missionary premises. Mesny had left them for safe keeping with the Rev G Nicoll Office Bearer of the Keystone Royal Arch Chapter of Masons in Shanghai Promoted to the brevet rank of Lieutenant-General [ennobled for three generations: previously claimed to have been bestowed in 1879] In charge of the China Branch of the New York Life Office, in Shanghai Representative of the Lartigue Railway Construction Company in Shanghai Intention to publish a monthly magazine in Shanghai to be called Yüleh Pao together with Chiang Chao-ling (friend and sworn brother). to be the organ of the Reform Party Made two journeys through Anhui and northern Kiangsu in connection with famine relief Journey through Anhui, around Lake Chao from Wu-hu to Lu-chou Fu, returning 5 February 1889 Visited Wu-chang to warn Chang Chih-tung that he was erecting the Iron and Steel Works in Wu-chang in an unsuitable place 1891 7 September Typhoon destroyed the Olympia Skating Rink, his property in Lloyd 1892 January 1894 May 1895 September 1896 Mar/Sep 1898 May/June December 1899 Mar/Oct Road, Shanghai, ruining him financially. Mesny involved in the Mason case Invited to organise a naval brigade for service on the Hsiang and Han rivers Stormy interview with Li Hung-chang in Tientsin Visited Peking and had breakfast with Manchu Prince Su Claims to have volunteered for service in Manchuria [Sino-Japanese War] En route to Manchura: Visited Liu K'un-1, Generalissimo of Chinese Forces [afloat and ashore] at his headquarters at Shan-hai-kuan Mesny refused permission to visit camps of Wu Ta-cheng and Wei Kuang-tao at or near to T'ien-chuang-tai Liu advised Mesny to return to Tientsin. His second and only other child, his daughter, Marie Wan-er, born in Shanghai Began the publication of his Chinese Miscellany Volume 1 in Shanghai Publication of Volume 2 of his Chinese Miscellany Legally married to Lady Han, mother of Hu-sheng [or Pin] and Marie Wan-er Trip by chartered boat to Hangchou Visited Nanking Publication of Volume 3 of his Chinese Miscellany ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 81 in an office which bore the same name and in which there was a staff of clerks etc. It corresponded to all intents and purposes with the western orderly room in which was transacted nearly all the business concerning the force of which it formed a part. Before the Taiping rebellion military secretaries and clerks were all military officers but after it civil service men got the appointments owing to the fact that so few military men could read or write sufficiently well to carry on the correspondence of the force. All offenders against military laws, whether soldiers or civilians, were first of all examined by the military secretariat or a delegate appointed by him. Some viceroys had several such secretaries, each attached to some department with the chief of them styled Tsung-lu Ying-wu-ch'u, i.e., Chief Director of the Army Secretariat. Soldiers in attendance wore the name of the office on their uniforms. In provincial Governors' staff brigades, Fu-piao Ying, warrant officers and NCOs were employed as couriers and runners. Standards and standard bearers were frequently referred to in Mesny's accounts: each standard being displayed to make known the location of the unit or official represented. A number of the petty unit and formation supporting officials had the character for 'flag' [ch'i] within their title. Examples of these were the Quartermaster in charge of ammunition depots and reserves in a Field Force who displayed a red flag and was known as The Red Flag [Hung-ch'i] and the QM in charge of provisions was the Blue Flag [Lan-ch'i]. These officers were subordinate to the Quartermaster [Chün-chuang] who was responsible for all stores and clothing, and who in turn was subordinate to the Headquarters' Commissary Officer [Liang-t'ai]. Coolies were paid three taels of pure silver per month of thirty days [or forty days for An-hui troops], private soldiers four taels two mace, decurions four taels five mace, orderly officers eight taels, vice commanders of companies twelve taels and one servant, commanders of companies eighteen taels and two servants, vice-commander of a battalion received thirty-two taels and three servants, the commander of a battalion received one hundred and eight taels and forty coolies, besides extras, brigadiers got two hundred taels for each battalion in their brigade besides their battalion pay and perquisites. Mesny continued: the company commanders in the Force in which he served in Kueichou made about double their pay every month in perquisites of all kinds. The battalion commanders made about seven hundred taels a month, but added Mesny, he had heard that the company and battalion commanders ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1992 https://digitalrepository.lib.hku.hk/catalog/qf85tx75x 82 of the Anhui troops made much more. In the Wu-tzu Hunan Army Corps in which Mesny served during the second campaign in Kueichou, twenty battalions were farmed out to their respective chiefs who were each paid monthly two thousand eight hundred and forty taels to find pay and rations for their men. Those chiefs of battalions cleared about one thousand taels a month. The men usually got one tael a month mess money and about thirty catties of rice, for which sixty tael cents was deducted from the men's pay, even when they ate rice that had been obtained by capture from the enemy. A soldier's uniform consisted of a long shirt worn over his undershirt; a long robe or coat, split before and behind, for riding; a short over coat with a round patch on the breast and shoulders on which was inscribed the name of his division or brigade as well as the name of his regiment and company, also his own name. The riding coat was dark blue with green or red facings, the long coat was grey; he also wore a sash, hat and boots. The price for this outfit was deducted by small instalments from the soldier's regular pay, so that it took one a year or two to get out of debt on the Adjutant's books. The Miao Rebels According to Mesny the enemy, during the mid-nineteenth century, consisted of four separate and individual groups. 1. Remnants of the Taiping reformers detached from Shih Ta-kai's Second Army (Hung-ping chün) 2. Two local factions of local rebels A. Huang-hao The Yellow 'Signals' B. Pai-hao The White 'Signals' 3. Mohammedan rebels: Hui-fei, called Pai-ch'i- White Flags 4. The Miao-tzu aboriginals Miao-fei (83 different tribes) The Szechuan Force had suppressed the first three groups before beginning the campaign to suppress the fourth, the Miao. 83 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1993 https://digitalrepository.lib.hku.hk/catalog/66833t302 112 during which he acquired extraordinary powers having been provided with a set of secret prescriptions, exorcists and talismans by the major goddess, Hsi-wang Mu'. He was a Taoist Master, a vegetarian who never married and a philanthropic doctor who died at the early age of 58 having worn himself out in the service of his fellow men. A tale told by a Taiwanese related how Wu T'ao's father, Wu T'ung and his mother, née Huang, fled from their home in northern China, during the troubled times of the Sung, to a village near T'ung-an on the Fukien coast where they settled and built a thatched cottage. His mother realised after a dream that she had become pregnant by a famous deity and eventually bore a child naming him T'ao. In another version his mother conceived after she had dreamt that she had swallowed a white tortoise. Wu T'ao, or as he is known in a number of temples, Wu Chen-jen [Wu the Perfected Man] is often claimed to have come from Ch'uan-chou in Fukien, although in SE Asia there have been several other cities and areas claimed by devotees to have been his birthplace, including T'ung-an, Swatow and Chang-chou [in practice, as we have seen, he came from a small village in the centre of a triangle between T'ung-an, Amoy and Chang-chou]. As Wu T'ao grew up he travelled far and wide studying Taoist disciplines and grew strong and healthy but remained celibate and vegetarian. A temple keeper in Singapore understood that by vegetarian it was meant that he could eat buffalo and goat meat but not dog. Images of Pao-sheng Ta-ti in general represent him as a black-bearded middle-aged man dressed in court robes and an imperial crown consisting of a flat mortar board with a bead screen hanging down before his face, and sitting on a dragon throne. There are a number of variations such as the scholar's gauze cap instead of the crown. His images are generally identifiable by the convention of the cuff of his left sleeve being clutched by the thumb of his right hand, with only this thumb visible. In Singapore where all carvers were aware of this convention such images are universal. However, the carvers all added that they were unsure whether such a convention was known elsewhere. It is, and in a number of temples in Taiwan the images of Pao-sheng Ta-ti have the right thumb just poking out of the right sleeve, although in Chia I the convention has added one finger to the thumb. In the majority of temples he is portrayed with small animals under his feet, said to be lions, whilst in two temples, both in Taiwan, he has two tiny tigers protruding from his clasped hands within the long sleeves of his robes. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1993 https://digitalrepository.lib.hku.hk/catalog/66833t302 114 or a boil on her chest which other doctors had been unable to cure. The story adds that he was required to pass a test before he would be allowed to approach the empress. He was offered a silken thread which had been tied to a column in the hall [or on the knob of a door] but behind a screen and was then asked to take the empress's pulse. It was the custom to take the pulse of ladies by remote means using a piece of thread tied to the wrist. Wu correctly diagnosed that the thread was tied to a column [by the pulse of the dragon in the stone] and not the empress's wrist as he had been told it was. They next tied the silk to the paw of a kitten and again Wu was able to identify the pulse as non-human, and it was only then that he was allowed to treat the empress. Having cured her illness the emperor asked what reward Wu would like and, so legend claims, he requested an old set of the emperor's cast off clothes. After his death Wu was deified by the emperor as Pao-sheng Ta-ti, alluding, so it is said, to him being dressed in the emperor's cast off robes. A caretaker at his cult centre added that as Wu wore the emperor's clothes in life and was buried in them he had command over minor deities and even some of the major ones such as Lei Kung, the god of thunder. A strange tale recounted by a temple keeper in Jakarta claimed that Pao-sheng Ta-ti appeared to a Sung emperor in a dream and informed him that he, Pao-sheng Ta-ti, was an incarnation of the Yellow Emperor [Huang Ti] and bore the same surname as the emperor of the Sung, Chao. Therefore, so the story concluded, Pao-sheng Ta-ti was regarded as the imperial ancestor and his special protective deity. His cult, first established at the Lung-chiu An, a monastery not far from Amoy, and later at the Tzu-chi Kung in Lung-hai [Pai-chiao], was carried by immigrants through the ports of T'ung-an, Amoy and Hai-ch'eng to the southern seas. The oldest image of Pao-sheng Ta-ti in Taiwan is probably in Hsueh-chia in Tainan county where it is said to have been brought over to Taiwan from the mainland by Koxinga. Some indication of his popularity as a doctor deity in Taiwan is manifest by his presence as the major deity in at least 160 temples on the island, dedicated to him, predominantly in the areas of Tainan and Yunlin, with a great many more as the main deity on a side altar of other temples. A noticeable increase in shrines dedicated to him occurred after the great plague swept Taiwan in 1699 killing large numbers of new immigrants. It was believed that an image of Pao-sheng Ta-ti brought over from Fukien, ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 179 Stewart II Lockhart. Report on the New Territory during the First Year of British Administration, Hong Kong Sessional Papers, 1900, p. 251 Brum, op cit. p.94 12 David Faure, The Structure of Chinese Rural Society: Lineage and Village in the Eastern New Territories (Hong Kong: Oxford University Press, 1986), p. 100 Interviews: "Uncle Lau" (age: 73), Lam Che, Jun 18, 1991; Cheng Man Yim, op cit.; the Tung Chung Public School, Jan 24, 1991; K'ung Chuo-Yim (age 56), Ma Wan Chung, Jul 11, 1991; Headmaster Mui Wen Hsi (age 50), the Tung Chung Public School, Jun 6, 1991; Tseng Jung Wu (age 53), Ngat Au, Jun 28, 1991 14 Interview of Lo Ch'uan Mei (age 82), Shaek Mun Kap, Jun 22, 1991 15. Ha Wan Yee, "Tung-chung-hsiang te min-chien tsung-chiao hsin-yang chi ch'i han-tung," Unpublished Graduation Thesis, History, Chinese University of Hong Kong, 1991, p. 4 Sessional Paper, 1911 (Hong Kong: The Government Printer), p. 103 (38) 17 Interview of Teng Ch'iao (age 66), Ha Mei, Jun 26, 1991 18 Interview of Teng P'ei (age 61), Ha Mei, Jun 18, 1991. According to her story, the Teng's ancestral hall was damaged by the Japanese, and since then the lineage has failed to raise money for its reconstruction. San Tau's Hsiehs also lost their genealogy as well as medical books to the Japanese, according to the interview of Hsieh Ch'i, op. cit., Jun 21, 1991 19 Interview of Huang Wu (age 80+), Village Head of Tai Po, Aug 12, 1991 20 Interview of Cheng P'o, op cit. 21 Faure, op. cit., pp. 70-71; Marjone Topley, "Chinese Religion and Rural Cohesion in the Nineteenth Century,” HKBRAS, Vol. 18 (1978), pp. 9-43 22 Interview of Tseng Jung, op cit. 23 Ho, op cit., p. 5 24 For details of the ceremony, see Faure, op cit., p. 71 25 C.K. Yang, Religion in Chinese Society. A Study of Contemporary Social Functions of Religion and Some of Their Historical Factors (Berkeley: University of California Press, 1961), pp. 11-12, 99 26 For details of the chan festival, see Faure, op cit., pp. 84-86; David Faure, "Hong Kong and China in the Village World,” HKBRAS, Vol. 24 (1981), pp. 76-79; Tanaka ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 182 ++ James W Hayes, "The Patterns of Life in the New Territories in 1898,” JHKBRAS, Vol 2 (1962), p. 75. James Hayes, "The Settlement and Development of a Multiple-clan Village," in Royal Asiatic Society Hong Kong Branch, ed., Aspects of Social Organization in the New Territories, Week-end Symposium, 9th-10th May, 1964 (Hong Kong: Cathy Press) p. 13. Hayes. 1966 op cit, pp 92-93 ***Kung-li Ta-hsi-shan Tung-Hsi-chung Chiang-shan chu-tien Liang-hsiang ho-huo yung-yuan chao-na pei,” £££%£¶‡ui (@N✯ in K'o, et al. op cit. p 43 65 For the concept equating local temples with the yamen and temple gods with local officials, see Faure, 1986, op. cit. p 71 James Hayes, "Secular Non-gentry Leadership of Temple and Shrine Organizations in Urban British Hong Kong," JHKBRAS, Vol 23 (1983), pp. 113-114 K'o et al, op cit. pp 399-402 + * Law Man Sang, "The Rural Leadership of Tung Chung " Graduation Thesis, History, Chinese University of Hong Kong, 1992, pp 36 AT Interview of Kung Chao-hsiang, op cit For this point, see Topley, op cit p 18 Interviews of Kung Chao-hsiang, op cit, Jul 6, 1991, Jul 8, 1991 70 Ibid "Interview of Cheng Man-hung op cit Jul 1, 1991 Ibid 21 Interviews Lo Chin-hu (age 80), Shek Lau Po, Jun 29, 1991, Li P'o, Cheng Man-hung etc, upper Ling Pei, Aug 11, 1991, Huang P'ing T (age 70), Ma Wan Chung, Aug 19, 1991, Cheng Man-hung, Huang Chieh-lin etc, Tung-sheng-lou Sept 23, 1991 # "Interview of Cheng Man-hung, op cit. Aug 11, 1991 "Law, op cit p7 Th Interview of Huang P'ing, op cit. Aug 18, 1991 + "Ng Cheuk You "Land and People in Tung Chung Valley An Example of Rural Land Use in Hong Kong." Ph D Thesis University of Hong Kong, 1965, p "Interview of Ch'en Kuang-sheng, op cit, Jul 8, 1991 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 49 Second: deities only to be seen on Hainan island and not carried abroad by emigrants Third: major deities uniquely Hainanese Fourth: secondary deities uniquely Hainanese Fifth: deities shared with other ethnic Han Chinese groups Sixth: Images on altars of aides to Hainanese deities Seventh: deified Hainanese locals in both Hainan and South-east Asia Eighth: unidentified images in Hainanese temples believed by the temple custodian to be uniquely Hainanese. 2: Uniquely Hainanese gods Deities not noted beyond the shores of Hainan island These are the deities to be seen only on Hainan island and have not been carried abroad by Hainanese emigrants: a] The Five Marquises, Wu Gong LA, were all exiled to Hainan, four by Qin Gui [1090-1155], the Prime Minister of the Southern Song who is best known as the Minister who ordered the execution of Yue Fei, the hero who became the patron of soldiers. All five are revered in a shrine in the southern suburbs of Haikou where Hainanese honour the memory of the 'five patriotic officials of the Tang and Song sent into exile' on their island. It was first built in 1617 and is dedicated to the Five: Li Deyu, Li Gang, Li Guang, Hu Chuan and Zhao Ding. Four of these officials, that is apart from Li Deyu, were exiled for their opposition to the traitor Qin Gui. Their images portray them today, reconstructed following their destruction during the Cultural Revolution, as almost identical standing officials, dressed in red robes and all with black beards. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 50 Li Deyu died in exile in 849, in Hainan some 57 years before the end of the Tang dynasty. He was born in AD 787, the son of a minister of state, and rose to become a great minister. In his heyday he was pre-eminent in China serving six emperors faithfully, including being chief minister to Tang emperor Wu Cong. Impeached as the President of the Board of War he was banished to Hainan where his spirit withered. He was not only a fine scholar but also favoured Daoism in the rivalry with Buddhism to influence the Court. He would appear to have had a comparatively close friendship with the Mao Shan sect of Daoists and is even thought to have encouraged the persecution of Buddhism and the imperial eunuchs. He was also an untiring opponent of eunuch influence. His achievements as a poet were recognised as was his contribution to horticulture. Li Guang was born in Fujian province in 1085 and died in a monastery in Hangzhou in 1140, having been an Imperial Censor and Minister of State. He is renowned for his opposition to the encroachment of the Jin Tatars and in particular the peace proposals by which Qin Gui earned his unenviable notoriety. In 1126 he commanded troops defending the capital and succeeded in defeating the Jin Tatars with great slaughter. He was impeached in 1127 after only a matter of months as Minister of State for irregularities in connection with the purchase of horses and levies of troops, and was exiled for a while before moving to a monastery where he lived out the rest of his life. Li Guang [1077-1159] was born in Yuezhou in Zhejiang. He was also a scholar-official, but of the earlier Northern Song. He also appears to be feted in Hainan for sharing Hu Quan's rigorous opposition to any kind of accommodation with the Jin invaders and his dislike of Qin Gui. The latter earned him demotion to Jianning military district, and later still another demotion. He was, however, rehabilitated to his original position in 1158 but died the following year while travelling to Jiangzhou. Hu Quan [1102-1180] was a scholar-official of the Southern Song from Luling in Jizhou, Jiangxi province, who received his appointment in the second year of Jianyan emperor. Before taking up his duties, the Jin armies crossed the River and Hu raised his own army to defend the area. He too is famous for his stubborn opposition to any kind of peace dealings with the Jin invaders. He petitioned for the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 232 the former found in CWM/South China/Personal/Legge/Box 5). There is no written record of Ho's sermons, but one could search certain passages of his commentaries to the Gospels of Matthew and Mark for suggestions. 62. Both the cults of Guanyin and Guandi (or Guangōng) have been very popular in different periods of Chinese history, the former originally a Buddhist bodhisatva and the latter originally a military general made famous in the early Weijin period novel, Three Kingdoms, and later honoured as a warrior spirit. Devotion toward them both is still a regular feature of traditional Chinese practices. For initial information, see articles and cross references on Guanyin [Kuan-yin] and Guandi [Kuan-ti] in Jonathan Z. Smith, ed., The HarperCollins Dictionary of Religion (San Francisco: HarperCollins Pub., 1995), p. 647, and a fuller article involving the origins and reverence shown to Guanyin in Raoul Birnbaum, "Avaloketsvara," Mircea Eliade, ed. The Encyclopaedia of Religion (Chicago: MacMillan Pub. Co., 1987), Vol. 2, pp. 11-14. See broader discussions about the influence of the cult of Guanyin in the past and present in John E. C. Blofeld, Bodhisatva of Compassion: The Mystical Tradition of Kuan Yin (Boston: Shambhal, 1988), Wen Guangxi, Guānshìyīn pusà běnjī yinyuán (The Causes of the Various Expedient Manifestations of the Bodhisattva Guānyin) (Hong Kong: Library of the Tripitaka Temple, 1986), Tay C. Y. (M. Zhèng Sēngyǐ), Guānyīn: Bàngè yǎzhōu de xìnyǎng (Guanyin: A Faith [Expressed throughout] Half of Asia) (Taipei: Hui Chu Pub., 1993). Recent studies on Guandi include Hong Shuling, Guangōng mínjiān zàoxíng zhī yánjiù: yǐ Guāngōng chuánshuō wèi zhōngxīn de kǎochá (Studies of the Models Of Guāngōng Found among the People: Investigations taking the Traditional Stories about Guāngōng as the Central Focus) (Taipei: Taiwan National University Pub. Co., 1995). 63. "Sabbath culture" is a technical term I developed in Striving for "The Whole Duty of Man" in order to describe the Chinese Christian form of life which had been adopted and transformed from Scottish Dissenter precedents. It involved resting from all normal work on the Christian Sabbath, devoting oneself to church worship in Christian community for part of the day, and doing works of charity and witness at other times, whether with family, church friends, or by oneself. 64. In his "Reminiscences" Legge tells how Ch'ea at first found the German missionaries being treated meanly by a group of local people, and so he rushed up to the crowd, yelling at them not to disturb them but to listen, because "they are servants of the Most High God". See Reminiscences, p. 15. 65. See EMMC/MM 24 (February 1860), pp. 39-40. 66. Days before Ch'ea's murder the two men were together again in a boat, and Legge noted how Ch'ea made it his personal goal to speak to each of the crew members about spiritual matters. His evangelistic approach was thorough and consistent, positively impressing Legge especially during the time when his own reappearance in Poklo was taken as a self-conscious risk (as will be described below). The very same zeal, however, was evaluated in very different terms by Ch'ea's enemies, See Legge, Ch'ea Kin Kwáng, typed manuscript, p. 6. 67. When in the presence of the mandarin Wang, Legge and Chalmers spoke Cantonese, and this was assumably translated into either Mandarin or guanhua by Ch'ea (a more literary form of the Mandarin used among the Chinese gentry) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 436 After a good Chinese lunch at the Lai Yue Mun Restaurant in Xin Hui we took a taxi (RMB250) through the County city of Tai Shan and past some interesting old Chinese villages, including Yeung Do. We arrived at the Guang Hai Bay port of Shen Ju in good time to catch the 4:00 pm public ferry to Shang Chuan Island. The timetable shows ferries leave daily at 9:30 am, 11 am, 2 pm, and at 4 pm, for the crossing that took us just over an hour. They are scheduled for the Shang Chuan to Shen Ju crossing at 7:30 am, 9:30 am, 12:00 and 2:00 pm. A group could otherwise hire a speedboat. We were told that the island had been closed to visitors until 1983 and that there was still a sizeable PLA naval base there. As we entered the fishing harbour at the NW side of the island we passed some naval vessels and fishing boats. We also had our first view of the St Francis Xavier Church on the hillside. There were several modern large tourist hotels in the Fei Sha Tan Tourist Resort at the eastern side of the island. We took a public minibus from the port to the Resort. Probably the best of the hotels was the Biyun Tian Hotel (Eastern Harbour View Hotel), though we chose a smaller one. Both faced the beach, with a pleasant esplanade packed with plenty of hawkers in the evening. The choice of restaurants was uninspiring. In the morning we hired a minibus with driver for a half day (RMB150) to show us around the island. He took us to the fishing village, purpose-built in 1992, and over the Cheung Po Chai pirate pass with the Twin Treasure Rocks. He also took us to a grotesque Laughing Buddha cave with little figurines representing the Journey to the West. Such were the delights the driver thought we should enjoy, but for us the highlight was the visit to the Church of St Francis Xavier at the NW side of the Island. The church was a simple white tiled building with a plaque above the porch dating the church at 1869. There was reported to have been a church at the spot since 1700 with various restorations from 1813 to 1932. The caretaker unlocked the church for us. There are several rows of pews facing a large wooden cross. On the altar stands a statue of a bearded priest in front of which is a statue of the Virgin Mary. Religious paintings were hanging on the walls. In the centre of the church lay a stone sarcophagus with some Chinese inscriptions. Outside, a modernist sculpture had been erected by the Yamaguchi ================================================================================