RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 30 26 festivals in the New Territories. Besides Faure's 1986 book The Structure of Chinese Rural Society which touched on the festival, printed work by local scholars arising from these studies is yet to appear. 27 Two museums, first the History Museum of Hong Kong, and later the Sam Tung Uk Regional Council Museum, have taken photos and videos of the festivals since 1983, following Mr. Hugh Gibb's film of the Ha Tsuen Jiao, taken in 1974. However, only the Jiao festival in Cheung Chau and the 1985 Kam Tin festival have been fully recorded. These are not as yet available in print. Following the sad deaths of Prof. Ward and Dr. Lu, the 1980s also saw the quick decline in interest in Jiao festivals in Hong Kong. This is, perhaps, due to two not completely unrelated reasons: firstly, Jiao festivals in Hong Kong are studied only for their contribution towards the understanding of rural society. Therefore, when a researcher changes his interest to societies of another locality, study of Jiao festivals in Hong Kong becomes irrelevant. Another reason perhaps is a matter of "time". Whether it is a diachronic or synchronic study, or even an independent ethnographical report, the physical demands of observing a Jiao are often considerable. Planning for a Jiao festival may take one whole year, starting from fixing the date and selection of representative worshippers to the final purification of the community and households rituals. Moreover, if one intends to observe Jiao festivals held at different times, a long term commitment and interest is necessary since many Jiao festivals in the New Territories are celebrated only once in ten years. A comprehensive study of Jiao festivals cannot be done by a short term survey. During my visits to two Jiao celebrations in 1990 (Lam Tsuen and Fanling), the only other researchers I met were a scholar from the Music department of the CUHK, and some members of an amateur research group. b. Sources 24 +4 - Schipper noted that [Jiao festival] simply was ignored in the writings of the bureaucracy, and remained an immensely important factor in the lives of the common people ....29 Studies of Jiao festivals in Hong Kong have so far depended heavily on ethnography ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 34 societies to indigenous agricultural communities. His second book concentrated on descent and territorial groups and ritual theatre. It analyzed the basic structure of worshipping groups, examined their organizational concepts and the structures of rites and customs, and, finally, speculated on how different aspects of rites and operas are reflected unconsciously." In his 1985 book Tanaka analyzes different festivals celebrated in the New Territories. He categorized those festivals which focus on the worship of “local deities” as “Gaishin Saishi" (Worship of external deities). Such festivals are organized according to the territorial connections of different groups. Contrasted to this, he uses the term "Naishin Saishi" (worship of internal deities) to describe festivals dedicated to ancestors." Tanaka attempts to establish a theatrical and worshipping strata which is closely related to the complexity of a society's structure. The structural complexity of a society can be examined by three indicators: the society's worshipping area, members and economic capabilities. The rural communities are categorized into different levels according to complexity. In the lowest level is the single-lineage village community where conservative Confucianist rites are performed during worshipping. As the structure of community becomes more complicated the role of recreational theatre becomes more important, and the emphasis on traditional rituals declines. Jiao festivals celebrated by village alliances or market town districts are placed by Tanaka in the most complex stratum. 41 An undeniably significant contribution of Tanaka's work to the study of Jiao festivals is his detailed information. His books provide field records which are invaluable to students of the festival. Faure, in his study of Chinese rural societies in the New Territories, sees the festival as a means to set up community bonds. Recognizing the complexity of the festival, he concentrated his interest on how the territorial community is represented in the Jiao festival **through the layout of the (festival) ground, through the interaction between the priests and the villagers and through the villagers' own rites". 42 Close to Faure's study on the Jiao festival is Segawa's work on the Ha Tsuen Jiao festival. He illustrated a “dualism" in the villager's world. This he refers to interactions between and coexistence of the secular and sacred world, and between the local deities and the higher level gods, the great and little traditions of Chinese culture. Through ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 36 Table 2: Some Jiao Festivals celebrated in Hong Kong in the 1980s Community A B C D E F G H Cheung Chau 1 3 M H V גון 1989,1990 E Cheung Lung Wai 10 5?(*2) A P V S 1988 Fanling 10 3 A P VC S 1980, 1990 E Ha Tsuen 10 5 A P a sm 1984 E Ho Chung 10 5 A P vc m 1980, 1990 E Kam Tin 10 5 Kat O 7 in th A P vc sd 1985 E 57 F T V מן 1980,1986 E Kau Sai 1 — F T V M 1981 E Kau Lau Wan 7 فرا 3 F T V In 1980,1987 E Lai Chi Wo 10 5? A Р vc sm 1983 E Lam Tsuen 10(*1) 5 A P а sm 1981, 1990 E Leung Shuen Wan 2 1 F P? ve m 1980 E Lin Fa Tei 5 3? Lung Yeuk Tau 10 5 in Nam Luk Yeuk 10 رکرا 5 > > > A Р ve m 1982,1987 T A Р VC s 1983 E A P А sm 1983 E Pak Kong 10 ? A P V m 1980 E Sha Kong Wai 7 ? A P v Π 1981, 1988 T Shek O 10 3 A H/P a m 1986 01 Sha Tin 10 4 A P а sm 1985 E Tai Hang 5 3 A P VC S 1985,1990 E Tai O 30 ? A/F/M T ve m T/03 Tai Po Tau 10 5 A P VC s 1983 E Tai Wai 10 4 A P vc sm 1987 02 Tap Mun Alliance 10 3(*3) F T а M 1980,1990 03 Tin Sam 10 4 A P vc sm 1986 02 Tuen Tsz Wai 10 3 A P vc sd 1986 02 Wang Chau 7 ? A P vc sm 1981,1988 T Wang Chau Yuen Long از هم 3 ? F T V m 1986,1989 T 10 5 M P V M 1983 E ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 39 Kat Hing Wai and Wing Lung Wai terminated their own independent Jiao but continue to participate actively in the Jiao of the whole Kam Tin community. Still others, like Tai Wai and Tin Sam, celebrate their own Jiao festivals on the one hand but also participate as members in the Jiao celebrated by the Sha Tin Kau Yeuk (Sha Tin Village alliance). Reasons such as the Japanese occupation or economic recession given by villagers themselves cannot explain the diversities found in the New Territories. All villages experienced the Japanese occupation. With regard to economic constraints, a community like Ping Shan, though as prosperous and powerful as Kam Tin and Ha Tsuen, stopped the celebration for some unknown reason. Therefore, the continuity or discontinuity of the Jiao festival depends on the effectiveness of the festival's communal structure and organization. In Lam Tsuen, the Jiao festival is a means to reconfirm the roles of its alliances (the Luk Hap Tong [Lui He Tang] “Hall of the Six [Sc. Village Clusters] United"). In Kam Tin and other single lineage communities, the Jiao plays an essential role in re-establishing the structure of the segmented lineage as well as in re-confirming membership in the branches. The question of whether Jiao festivals will survive after the 1997 take-over is in fact a question of whether or not there is a need to preserve such a tradition in the community. NOTES Liu Zhi-wan, "Taiwan Taibeixian Zhonghexiang Jianjiao Jidian" Bulletin of the Institute of Ethnology, Academia Sinica 33 (1972): 135-64. Tanaka, Issei, Chugoku Kyoshon Saishi Kenkyu: Chihogeki no Kankyo [Village Festival in China: Background of Local Theatres] (Tokyo: Tokyo Univ. Press, 1989), 799. Some fishing villages in Hong Kong like Kau Lau Wan, Tap Mun and Kat O name their Jiao festivals "An Long Qing Jiao" meaning the Jiao celebrated to pacify the earth dragon. Tanaka claimed that originally "Qi An Jiao" was celebrated only when there was need to pray for peace (Ibid., 799). However, evidence in Hong Kong, at least, shows that the festival is celebrated in a regular cycle. The shortest cycle is the Jiao of Cheung Chau where it is celebrated yearly. The longest is Sheung Shui and Shuen Wan where the Jiao is said to be celebrated once every 60 years. In some fishing villages in the New Territories, it is celebrated once every two or seven years. A five-year cycle is also practised in some agrarian communities like Tai Hang. However, a ten year cycle is the most popular in agrarian communities. Nonetheless, the method of counting also differs from one community to another. For instance, Lam Tsuen claims to celebrate the Jiao once every ten years but they actually celebrate it once in nine years. Their Jiao festival was celebrated in the following years: 1963, 1972, 1981, 1990. Mr. Cheung Chi-fan (Zhang Zhi-fan), JP, and Mr. Chung Chi-leung (Zhong Ji-liang), interviewed by author, Lam Tsuen, Dec. 1, 1990. According to Dean, about 80,000 Chinese yuan was spent on the Jiao in a village in Zhangzhou, Fujian in 1986. See ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 42 disasters. the second is for those who died because of plague. The final reason is to thank the benevolent governors Wang Lai-ren and Zhou You-de of the beginning of the Qing dynasty. In my opinion, all these reasons can be integrated into the first one. (d) Chan Wing-hoi "The Tangs of Kam Tin and their Jiu festival", Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989) 302-375, a rich and detailed account of the lineage, its temples and villages, and the festival which draws them together. Dr. Faure gradually switched his interest to the Pearl River Delta while Prof. Tanaka, as I was told, is now looking at Sichuan province. Talk on publishing a book on Hong Kong Jiao festivals has been going on for years by members of the "Research Circle of the Regional Society of Southern China''. In 1990, the editorial board of the society set up a schedule to compile a book focusing on the Jiao festival. It is expected that papers on various aspects will be completed by the end of April 1991. (Correspondence from the society dated 28.12.1990) Schipper, Kristofer M., "The Written Memorial in Taoist Ceremonies" in Wolf, Arthur P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford University Press, 1974), 324, For example, according to Chan Wing-hoi, villagers of Shek O celebrated their 16th Jiao in 1986 (Chan, 78). The Dengs in Kam Tin claimed to have celebrated their Jiao since 1684 (Tanaka, 918). See for instance Basel Mission Archives, doct. Al-6, No. 51 (1869), and doct. Al-7, No. 51 (1870) and Der Evangelische Heidenbote, July 1867, in which a missionary describes how he was forced to go to the Magistrate to get his support before he could avoid having to pay his share of the Jiao expenses. All these cases are from Hsin An County. The Sha Tin poem will, it is hoped, shortly be published by Dr. P.H. Hase. These two series are part of the 15 series of historical documents collected by Dr. D. Faure and others in the New Territories. Copies of the collections are kept in the libraries of CUHK, Hong Kong University, Sha Tin Regional Council Library, and Institute of Oriental Culture, Tokyo University. 31 Tanaka Chugoku no Sozoku to Engeki [Lineage and Theatre in China] (Tokyo Univ. Press 1985), 608. Jiao festivals celebrated by the powerful communities in Hong Kong like Kam Tin, Ha Tsuen, Lung Yeuk Tau etc., were all performed by the Zhengyi Taoist group, led first by the late Master Lin Pei and now by Master Chan Kau. Another Zhengyi Taoist group is led by Master Chan Wah. However, many Taoist priests work for both groups. There are also other Taoist groups who performed for the Jiao festivals, like a Cantonese group which performed for Ho Chung and a Heklo group for Cheung Chau. In 1983, four out of five Jiao festivals were performed by monastery Taoists. It is not clear whether it was because of tradition or out of economic reasons. A comparison of the two Taoist groups has yet to be made. 14 Choi Chi-cheung **Sho matsuri no jinmei risuto ni mirareru shinzoku ban'i” [Kinship as seen in the name lists of Jiao festival] Bunka Jinnú Gaku 5 (1988): 131, table L. 35 **Shinshi men" [Section of Believers] in Fanling Wenxian (Historical Literature of Fanling) vol. 8. This brief account records details of the arrangement of the Jiao area, including the contents of couplets, names of deities invited, location and direction of matshed stages, and the sacrifices prepared etc.. See n. 32 for the depositories of Fanling Wenxian. 36 See (1972) Lin Chuan [Lam Tsuen] Xiang Taiping Qingjiao huiyi jilubu in Dapu [Tai Po] Wenzian [Historical Literature of Tai Po] vol. 1. (see n. 32 for depositories) 37 Tanaka Issei's three books, all published by the Tokyo Univ. Press are: Chugoku Saishi Engeki Kenkyu [Ritual Theatres in China] (1981), Chugoku no Sozoku to Engeki [Lineage and Theatre in China) (1985), and Chugoku Kyoson Saishi Kenkyu: Chihogeki ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 no Kankyo [Village Festival in China: Background of Local Theatres] (1989). The Jiao festivals studied by Tanaka are as follows: Communities Year Cheung Chau 1979 1979, 1983 Recorded in 1981:74-99 1985:227-302 Ha Tsuen 1981 1985:199-226 Hung Hom, Kowloon *1 1978-80 1981:771-780 Kam Tin 1985 1989:915-996 Lam Tsuen 1981 1985:359-528 Leung Shuen Wan, Sai Kung 1980 1981:99-113 Lin Fa Tei *2 1967 1985:558-572 Lung Yeuk Tau 1983 1985:609-720 Sha Tin, Kau Yeuk 1985 1989:1041-1112 Sha Tin, Tai Wai 1987 1989:977-1040 Sha Tin, Tin Sam 1986 1989:1040 Tai Po Tau 1985 1985:121.131-138 Tuen Tsz Wai 1986 1989:817-913 Yuen Long 1983 1985:139-198 43 *1: From the context, this festival, held on the 14th of the seventh moon, can be best seen as a ghost festival organized by the Hoklo dialect group. *2: Tanaka did not attend this festival. Analysis of the festival was mostly based on the 1967 account collected by H. Baker. See map for the location of places. JH Tanaka, Ritual Theatres, 5. 班 Tanaka, Lineage and Theatre, 11. 40 fbid., i-ii. 41 Tanaka, Village Festival, i-iij. 42 Faure, David, The Structure of Chinese Society: Lineage and Village in the Eastern New Territories, Hong Kong (Hong Kong: Oxford Univ. Press, 1986), 81. 4.3 Segawa, Masahisa, "Daa Chiu: matsuri ni arawareru Hon Kon no mura no sugao” [Da Jiao: facets of villages in Hong Kong as shown in the festivals] Kikan Minzoku Gaku Ethnography Quarterly 33 (1985): 21-35. 14 Segawa, Masahisa "Ta-tsiu [Da-Jiao], feuds, and village alliances: the case of Pat Heung" (unpublished manuscript, 1991). 45 Choi, Chi-cheung, “Chi o urai ekibyo o harau taihei shinsho" [Jiao festival: to wash: the land and remove illness] Kikan Minzoku Gaku 40 (1987): 90-105. 4 40 Choi, Jiao festival", 1046. 47 Choi, "Kinship", 147-149. 4# Though Tanaka wrote that only a few communities in the New Territories celebrated the festival during his seven and a half years' observation (Tanaka, Lineage and Theatre, 608), we are still unclear as to how many communities continue to celebrate it. For instance, the Cheung Long Wai case was not mentioned by any informants. It was known only by an occasional visit to the village. A likely source is the Police since theoretically every festival celebrated in Hong Kong has to receive permission from the police for security measures. The district offices in the New Territories are another source of information. Certainly there were in the past other celebrations which have now ceased for one reason or another (e.g. at Sha Tau Kok, Shuen Wan and Ta Kwu Leng). 49 Segawa, "Daa Chiu', 35. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 125 HH The volume entitled the Genealogy of the Chens of She Shan contains two or three separate genealogies of Chen surname from which I cannot trace common descent. It seems that some pages were missing in the copy in the Hong Kong University collection. The name pujao, if indeed an ordination name, does not follow the usual long or fa format. It is probably an ordination name from another, more well-known "folk" religion, Luozu Jiao, which have ordination names in a format of Pa followed by another character, according to an account in a Qing work of anecdotal literature quoted by Fu Yilin's article "Qing Qrankong kupan Cilaoguançaizong Qislu Kao" – first published in 1942 and included in his Fu Yin Zash wusht man Wengao Xiamen Daxue Chubanshe, 1989. The pantheon and practice of Laiozu Jio is not related to the tradition that is the subject of this article. * According to Lo, op cit, p. 216 n 21. So Lo Pun was a member of an alliance including Lai Chi Wo, a multi-surname village. With one exception, which is not So Lo Pun, all member villages were lineage extensions related to Lai Chi Wo. I know of some Huang people in Lai Chi Wo, but do not know their genealogical relationship with So Lo Pun or whether they celebrated the Fengchao in the past. The genealogy contains a spirit tablet related to Lu Shan and the Three Ladies, a passage of invocation, and two talismans. It is unlikely that the genealogy belonged to a wang specialist, whose repertoire will take up many volumes, not just a few pages in a genealogy as in this case. *I fail to date any of the generations. Some dates are given in the genealogy using Dynastic year names which cannot be found in reference books for year names. I have not checked as thoroughly some of the year names and title of emperors in the prefaces. Copied during an interview with the ritual specialist by Lee Lar-mu, then of the Oral History Project of the Chinese University of Hong Kong. For part of the memorial, I have a tape recording of the priest's recitation demonstration during the same meeting for comparison. 12. The Xu's genealogy of Shek Pik, Lantau Island in the British Library collection of genealogies from the New Territories contains a list of offerings for grave worship which begins with one raw pig and one cow. Rubie S. Watson, in her Inequality Among Brothers, Cambridge University Press 1985, p. 43 mentioned the division of raw pork after the ancestral hall ritual at Ha Tsuen but does not say if the four pigs purchased for the occasion were first offered to the ancestors as offerings. 41 Huhur Xinwen Yi hun Xu Zhi, Beijing Zhonghua 1986, p. 181. "For the note see Luo, op cit, p. 230. For his picture of the Hakka as "farmer-scholars" see ibid, pp. 16-18. **Luo Op Cit, p. 255-263. * The description is in vol. 2. In the table of contents, the author has inserted xiang ("incense") between Ahuan and Huo. The rite has some interesting features. It uses a long piece of red cloth stretched from the "lower" end near the entrance of the hall to the "upper" end of the ancestral incense burner, and the ashes were carried over the "bridge" thus formed to the incense burner. That additional ancestors are incorporated into the ancestral hall in the ================================================================================