RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 56 Yin in the other temple, the Pi-yun Ssu, depicts her with only two arms sitting cross-legged on a recumbent blue lion. Her assistants are an unnamed dark-faced elderly minister who appears to be South Asian, standing holding a tablet before his chest and dressed in a long blue robe. Her other attendant is the Red Youth, Hung Hai-eh, standing on her left hand with his hands held together before his chest, and dressed in a red robe over green trousers with a flowing scarf-like halo. Taking the three groups, the twenty Deva listed in Soothill, and the two groups in the Ta Pei Ssu and the Pi-yun Ssu, we have twenty deities common to all three. These are: Brahma, Indra, Pancika, Sarasvati, Laksmi, Skanda [Wei T'o], Prthivi, Hariti, Marici, Surya, Candra, Siva, Yamaraja, Bodhidhruma, Guyapati, Kinnara and the four T'ien-wang guardians Vaisravana, Dhrtarastra, Virudhaka and Virupaksa. In the Ta Pei Ssu we also have five additional Deva not present in the Pi-yun Ssu, the Asura, Vimalakirti, Nanda Upananda and Mahoraga. A further two Deva images are seen only in the Pi-yun Ssu. These are Lei Kung and Sagara. Taking each of the deities in turn, we shall examine their background and in particular their Brahmanist [or Vedic] origins, their role in the Chinese pantheon and any ambiguities or contradictions we encounter. The important three Brahmanist deities are known in Sanskrit as the Trimurti: the creator Brahma the preserver Vishnu the destroyer Siva Brahma and Siva are indeed included in the two temples whilst Vishnu is not3. Though a major Hindu deity today Vishnu was not so during the Vedic era of the second millennium BC. His particular task ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 58 seen in a comparatively modern temple near Taipei. A lengthy tunnel connects the main part of the Kuan Tu temple complex, to the North-west of Taipei, with the front entrance overlooking the Tamshui River. Some twenty-eight images stand in glass-fronted niches carved into the rock down the sides of the tunnel. These large individual images are of the Early Buddhas, the Ku Fo; the Buddhas of pre-history, the Buddhas who came before Sakyamuni, The Buddha. They have no altars and as there is an altar dedicated to the Thousand-arm and Thousand-Eye Kuan Yin P'u-sa at the river end of the tunnel they are not offered incense individually. Several aspects of the hagiography of the images in the cave/tunnel are intriguing. First of all, those holding weapons have them in their left hand. They are mostly dressed in gilded armour, and finally, their titles in Chinese, though Sinicised Sanskrit, have proved impossible to translate into the original Sanskrit and are therefore unidentified. Several of these unidentified deities have been depicted in Taiwanese religious literature but without any explanation apart from being listed under a general title of Supportive Incantations to Buddha, Ta Pei Chou Fo 大悲咒佛. The following Vedic deities who have been noted in one or both of the temples in the Western Hills would seem not to be present in the cave/tunnel: Marici, Pancika, Hariti, Pippala [Bodhidruma], Laksmi, Prthivi, Surya, Candra, Vimalakirti, Nanda Upananda and Skanda/Veda. Of the scores of books, both the popular illustrated and monastic academic, produced over the last half century in Taiwan describing the Buddhas, bodhisattvas and the hundreds of minor deities of Buddhism, one at least has listed what they have called The Celestial Guardians Division. This list includes not only the Four Diamond Kings, the T'ien Wang, [Vaisravana, Dhrtarastra, Virudhaka and Virupaksa] but nine of the Deva seen in the Western Hills. These are Indra [Sakra-devanam], Brahma [Maha-Brahman], Marici, Laksmi [Sri-maha-devi], Sarasvati, Yamaraja, Guhyapati, Skanda [Wei T'o] and Gandharva. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 75 is transliterated into Chinese as Wei-t'o. There are images of Wei T'o in both of our temples, within the Ta Pei Ssu and the Pi-yun Ssu. He is portrayed in both in his standard form dressed in armour and helmet, and in Ta Pei Ssu with his diamond sword resting across his arms which are with his hands pressed together in prayer. One of the Chinese fables related in the Chinese Repository claimed that Liang Wei-t'o, a general of the King of India, was ordered to go and find his son, Prince Fu [later to be the Buddha] who had fled to the wilderness. He found Fu covered in snow and without food, since when Wei T'o has been recognised as the commissary in Buddhist temples. His image is one of the comparatively few which can be identified on sight without ambiguity. His antiquated, fantastic uniform, armour and helmet, and his ponderous boots are survivals from the centuries when soldiers did not march far but stood guard over their senior officers. He is depicted as a clean-shaven youthful soldier standing dressed in armour, high boots and a spiked helmet [sometimes bearing a bird with spread-wings], and with a flowing sash haloing around his head. He is standing on clouds or waves and holds what at first glance looks like a club, cudgel or knobbly sword. This is known as a ‘diamond sword' or thunderbolt used to destroy demons and other enemies. Grootaers writing about the very far north of China, on the Inner Mongolian borderland, said that in the early days of Buddhism in China it would seem likely, particularly during the T'ang and Sung dynasties, that the right-hand side of the visitor's entrance hall was occupied by Wei T'o whilst the left-hand side held the image of Pei Wang [the Northern King] who was now called Li T'o, Li Ching or T'o-t'a T'ien-wang with the recognition feature of a pagoda in the palm of his hand. 22] Guhyapati Raja known in Chinese as Mi-chi Chin-kang 剛 Little appears to be recorded about Guhyapati Raja other than the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 76 fact that he is listed in Soothill as one of the Twenty Deva. His image is to be seen in both the Ta Pei Ssu and the Pi-yun Ssu. In both temples he is depicted as a ferocious guardian general with a wide gaping mouth, large round eyes and a highly decorated Buddhist crown. He holds the standard weapon, the vajra, the diamond sword, resting in his left hand and against his left shoulder, and has the swirling scarf behind his head. He is stripped to the waist, has bare legs beneath a highly colourful decorated skirt, and sandals. A mural in the Sakyamuni Pagoda in Ying county in Shansi province depicts Guhyapati in much the same form. The Chin-kang as a group are minor deities, guardians belonging to the class of Lokapalas borrowed by Buddhism from Brahmanism. The standard four Chin-kang, the Diamond Kings, are each the ruler of the four continents surrounding Mount Sumeru and though Guhyapati Raja is a Chin-kang he is not one of the usual four. The standard four are the Ssu Ta T'ien-wang [see 23-26 below]. 23-26] Ssu Ta T'ien-wang XX The Four Great Celestial Kings The Four Deva Kings, known also as the Four Diamond Kings, Ssu Ta Chin-kang X, are the four guardians whose images stand, usually portrayed much larger than life-size, just inside temple entrance doorways, in pairs, two to either side. Werner points out that these are not gods but guardians, Buddhist protectors who should be thought of as minor divinities. Chinese Buddhists adopted four Hindu Brahmin deities from Indian Buddhism, the Lokapala, the guardians of the four sides of the fabulous Mount Meru [the Guardians of the Four Corners of the World] who, in turn, were later adopted by the Taoists from the Chinese Buddhists. The Four were probably first introduced into China during the T'ang dynasty [6th and 7th centuries AD] and still today are regarded as the grim-faced temple guardian generals, enormous statues in T’ang armour, tamed demons who were redeemed and who now symbolise the seasons and control the elements of fire, water, earth and air. Although the majority of images of the Four stand up to and even over fifteen feet high they can also be as tiny as eighteen inches high. They used to be deities in their own right and offered worship, reverence and offerings. Nowadays however although most devotees solemnly place one smoulder- ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 89 Appendix B THE DEVA WITHIN THE BODHISATTVA HALL IN THE PI-YUN SSU PEKING'S WESTERN HILLS The Chinese titles of these the Deva within the Bodhisattva Hall in the Pi-yun Ssu are as follows together with their standard Sanskrit name: Fan T'ien Brahma [Mahabrahman] Ti-shih Indra [Sakra Devaran] T'o-wen Tien-wang Vaisravana (Guardian of the North) Ch'ih-kuo T'ien-wang Dhrtarastra (Guardian of the East) Tseng-ch'ang T'ien-wang Virudhaka (Guardian of the South) Kuang-mu T'ien-wang Virupaksa (Guardian of the West) ) the Four ) Guardians ) of the ) Entrance ) to ) Buddhist ) Temples** Mi-chi Chin-kang Guhyapati Another Diamond King Guardian Mo-hsi-shou-lo Siva [Mahesvara] Pan-chih Ta-ching Pancika Pien-ts'ai T'ien Sarasvati Chi-hsiang T'ien-nü Laksmi Wei-t'o Skanda or Viharapala Chien-lao-ti-shen Prthivi P'u-t'i Shu-shen Bodhidruma or Pippala Kuei-tzu Mu Hariti ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 91 Appendix C THE TWENTY-SEVEN SO-CALLED DEVA WHOSE IMAGES STAND IN THE TA PEI TIEN, ONE OF THE BA DA CHU [THE EIGHT GREAT SITES] IN PEKING'S WESTERN HILLS Asura Candra Dhrtarastra Gandharva Guhyapati raja Hariti Kinnara Ksitigarbha Laksmi devi Maha Isvara Mahabrahman - Brahma Marici Nanda Upar Nanda Pancika Pippala ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 94 Ah-hsü-lo Wang 阿修羅王 [Asura] Na-lo-yen T'ien 那羅延天 [Narayana - son of Nara -the Original Man] Mi-ta Chin-kang 密達金剛 [Guhyapati raja] T'i-t'ou Le-cha 提頭勒吒 [Mo-li Hai - Dhrtarastra - Guardian of the East - one of the Four Diamond Kings] P'i-lo Le-cha 毘羅勒吒 [Mo-li Hung- Virudhaka, Guardian of the South - one of the Four Diamond Kings] P'i-lo-po-cha 毗羅博叉 [Mo-li Ch'ing - Virupaksa - Guardian of the West - one of the Four Diamond Kings] [T'o-wen T'ien Wang - Mo-li Hung] P'i-sha-men T'ien 毗沙門天 [Vaisravana, One of the Four Diamond Kings - the Guardian of the North - Bishamen] [Protector of Travellers in the train of the 1000 arm Kuan Yin] Chin Ta Wang 金大王 Chin-se Kung-ch'iao [Five-colour Peacock] 金色孔雀 Man Hsien-jen 滿仙人 [Purna - The Fully-complete Immortal] Ma-hu-lo Wang 摩虎羅王 [Mahoraga] Ma-ho-lo Nü 摩和羅女 [?] ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 96 Appendix E THE LIST OF TWENTY DEVA 十天 +* IN SOOTHILL'S DICTIONARY OF CHINESE BUDDHIST TERMS Maha Brahman - Brahma Sakra devanam - Indra Vaisravana Dhrtarastra Virudhaka The Four Diamond Kings - Temple Guardians of the Four Directions Virupaksa Guhyapati Mahesvara Pancika Sarasvati Laksmi Skanda Prthivi Bodhidruma or Bodhivrksa Hariti Marici Surya Candra Sagara Yama-raja ================================================================================