RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 106 BRYCE, Louise W 9.12.1912 BUCHANAN, Charles 11.9.1873 BURDETT, Frederick 24.1.1940 BUCHANAN, Archibald 21.7.1909 BULLEN, Arthur Pearce 23.3.1905 BURDETT, Jane Cerile 31.5.1909 Deane BURNETT, Edward 8.5.1936 BUTTNER, Albert 31.1.1907 CADDEM, Patrick 14.9.1906 CAGLI, Augusto 21.5.1888 Rattway CAMPION, Thomas 20.7.1864 CARTER, Bessie Ann 16.12.1942 CHALMERS, Frank 5.8.1958 CHAMBERS, Elizabeth 27.2.1917 Morton CHAPMAN, Henry 14.3.1883 CHEEL, James 18.3.1923 Grafton CLARKE, Edgar 18.10.1901 CLEAR, Charles Arnold 5.2.1945 Charles CLELAND, William 20.8.1937 COATES, John H 5.5.1902 Alexander COLEMAN, John 30.5.1904 COLLER, 1st infant son 6.11.1872 of Richard Lovett COLLER, 2nd infant 1.4.1874 son of Richard Lovett COLLETT, Henry 18.8.1903 George Outram CONGDON, Jane E 19.2.1898 COOK, CJ 12.9.1946 COOKE, Doris Ann 17.10.1942 COTEZ, Frank 5.8.1918 CRICHTON, Lloyd 18.7.1945 CROCKETT, LS Not known James CUNNEEN, Miss E F 12.5.1950 CURRY, Charles 7.9.1903 DAKIN, George J 2.7.1883 DALE, CE 30.5.1904 DAMASKOS, Nikolas 17.12.1962 DAVIS, Thomas 28.10.1883 DEBLOIS, John Emory 3.8.1874 DEBRUNNER, Alphons 11.2.1952 DECKER, Ernest DENNISON, William 5.10.1882 DE HASS, Theodorus 17.8.1909 Marie 25.7.1904 DEWHURST, Fred 25.12.1915 DICKINSON, John 3.5.1949 DONISCH, Arthur 24.2.1883 Herbert DORRINGTON, Nellie 16.9.1902 DOS REMEDIOS, Mary 10.8.1961 Paz DOS REMEDIOS, Jose 22.8.1962 Florencio DOS REMEDIOS, Pacita Godinez 3.1968 DREYFUS, Ernest 2.9.1906 DUDLEY, Infant 14.2.1880 Gustav DUFF, William Aitken 20.3.1902 DUKE, John 14.4.1939 DUMARES, John 22.7.1922 DUNCAN, William 27.7.1899 Saumarez Cunning DUNN, JC J 10.4.1949 DYKES, Oswald S 19.1.1930 EATON, Red Campbell 21.4.1877 EDWARDS, John E 26.10.1924 EHLERS, J G 1.11.1878 ELERTIS, Nicholas 21.6.1964 ELLAMS, John David 11.5.1946 ELZINGER, Auguste 26.4.1879 ENTICKNAP, G H 27.5.1915 EWART, Henry 9.7.1894 FABIAN, Adolf 29.4.1886 FAIRCLOUGH, Ferdinand J 5.7.1897 FALKNER, Samuel 27.4.1903 FALLOT, Lymae 11.7.1919 William FARREN, John W 23.8.1864 FARNES, Walter S 7.6.1942 FEELDING, Susie 15.1.1939 FERBER, Johann 8.1.1890 Bernard ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 161 spare time to the amusement of their fellow residents. Moreover, as has been said before, the community was small, and the critic had after all to live with his actor-neighbours who would no doubt know about his identity. Thus, "A Stranger" wrote, about George Colman's Heir at Law (April 21 1851): “Zekiel Homespun was inimitable; we had no idea there was a Gentleman in Shanghae who could take the difficult part so well.) The simplicity, humour and serious earnestness which it displays in some parts were brought out and sustained in a manner that we have scarcely seen equaled, except by some of the leading actors of our Metropolis". And again: “Constant playgoers as from childhood we have been we have rarely, indeed never, ‘assisted' at a more agreeable evening than that of Wednesday the 16th instant [i.e. February 16 1859]. The performances [of J.M. Morton's Whitebait at Greenwich and Thomas Morton's Sink or Swim] passed off with the utmost eclat due to the talent and exertions of the actors". Sometimes the author felt it even necessary to apologize for any criticism he uttered: "We do this, not in the invidious character of critics upon amateur performances or still less as tinctured with the slightest disposition to find fault, but in order that the excellent materials which have been combined in the troupe should be made as much of as possible. Indeed it is the very appreciation of the talents displayed on Thursday [sic; this should be Wednesday January 23 1856– JH] which prompts the expression of these remarks. We are sure that neither the performers nor the audience would thank us for the undiscriminating and therefore worthless praise which usually satirize amateur performances". But even in this case the critic only had made some comments on the costumes that were used in one of the pieces (cf. Calendar, 23.1.1856). Mild remarks were the severest criticism dished out; about one of the actors on June 2 1859, **we may perhaps be permitted to take an exception to his brogue, which, however good as an assumption, scarcely denoted one to the manner born"; and about another on the same evening; "his humour seems better fitted for low than for eccentric comedy". 10 Only when it came to the choice of pieces was the paper not always undividedly positive. Writing about John Maddison Morton's Done on Both Sides (February 10 1858) not much enthusiasm was shown: “We have witnessed, we confess, better farces on the same stage and we are inclined to believe that as actors may sometimes not come up to the play, it occasionally happens that plays are not altogether worthy of the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 193 C: Amateurs F: Prologue, music Th: Theatre Royal (A) N: First performance of the season R: The proscenium had been adorned with "a very pretty drop scene of the Port of Leghorn". The report was in general terms only; both pieces were cleverly and effectively sustained”, During the interval “a most effective Irish song was sung and the orchestra under the veteran melodist Sir George Smart gave unqualified satisfaction* (NCH 31.1.1852). 23.2.1852 (Mon) T. MORTON: “A Roland for an Oliver" (1819) T: Farce (2 acts) "No!" by W.H. MURRAY or F. REYNOLDS T: Farce (1 act) C: Amateurs F: Music Th: Theatre Royal (A) N: Second performance of the season R: Tonight there was a "numerous attendance of the beau monde, but not so much as on the previous occasion". A Roland for an Oliver was "an old established favourite and we need only say that the scenery was admirable, the ladies well dressed, the bride quite lovely and the whole went off amidst enthusiastic cheers and bursts of applause”. The other farce "No!" was "replete with fun and sly sarcasm on unequal matches between lovely young wives and gentlemen rather the worse for wear". Somewhat contradictorily the critic continued, "it decidedly exhibited much more spirit than its precursor and was hailed accordingly with more enthusiasm and good will". There was also “a solo on the pianoforte by a young lady, her first appearance, as we believe, on any stage. The rapidity of her fingering, the clearness of her touch and what is so frequently wanting with many performers, her musical emphasis, were striking. We hear that the young lady graduated at the Conservatoire at Paris and her style is characterised by that brilliancy and distinctness so marked in performances at that capital”. No more was heard of this pianist; as to her name and career we are left in the dark. Was she the wife of a local merchant or a touring artist? Or was the "lady" in this instance too, a “gentleman"?? (NCH 28.2.1852). 24.3.1852 (Mon) G. COLMAN Jr: "The Review" (1800) T: Musical farce (2 acts) R. AYTON: "The Rendezvous" (1818) T: Operetta (1 act). C: Amateurs F: Music Th: New Theatre Royal (A) N: Third performance of the season R: For the occasion a new drop scene, depicting the Bay of Naples, had been painted. Apart from the plays "a company of excellent jugglers amused the visitors, with a good display of surprising feats of sleight of hand". Possibly these were Chinese, for in the announcement (NCH 20.3.1852) it was stated that there are several parties endeavouring to obtain Native Conjurers for the next theatrical night". Of course the whole “went off with much eclat, the characters were well sustained and admirably dressed, the scenery as usual very good and the music first rate” (NCH 27.3.1852). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 236 P: 12.11.-18.11.1864 "No | Round the Corner" (12.3.1854). P: 23.1.1856 **Perdita the Royal Milkmaid or The Winter's Tale** (15.9.1856). P: 8.4.1865 BUCKINGHAM, Leicester Silk (1825-1867) "Take That Girl Away (5.3.1855). P: 15.2.1860; 3.12.1864 BUCKSTONE, John Baldwin (1802-1879) **A Dead Shot** (22.1.1827). P: 11.4.1865 "The Flowers of the Forest. A gipsy story" (11.3.1847), P 28.3.-5.4.1865 "Isabella or Woman's Life" (27.1.1834). P: 28.3-5.4.1865 "A Kiss in the Dark" (13.6.1840). P: 26.3.1857 "A Lesson for the Ladies" (5.9.1838), P: 8.4.1865 "Married Life" (20.8.1834). P: 12.11-18.11.1864 "A Rough Diamond" (8.11.1847). P: 13.4.1865 BUTLER, Richard (1794-1858) **The Irish Tutor** (12.7.1822). P: 5.5.1853 BYRON, Henry James (1834-1884) **Aladdin or the Wonderful Scamp** (1.4.1861), P: 2-.9.1864; 19.11.1864; 26.11.1864; 29.4.1865 "The Babes in the Wood! and the Good Little Fairy Birds!" (18.7.1859), P: 17.4.1865 **The Bride of Abydos or the Prince, the Pirate and the Pearl** (31.5.1858). P: 22.10-28.10.1864; 13.4.1865 "Cinderella or the Lover, the Lacky and the Little Glass Slippers" (26.12.1860). P: 12.11.-18.11.1864 "Fra Diavolo! or the Beauty and the Brigands" (5.4.1858). P: 15.10-21.10.1864 **The 'Green' Bushes or Missis Brown of the "Mississippi"** (26.12.1864), P: 30.9.1865 **Ill Treated Il Trovatore or the Mother, the Maiden and the Musician** (21.5.1863). P: 22.6.1864; 29.6.1864 **The Maid and the Magpie or the Fatal Spoon** (11.10.1858). P: 8.10-14.10.1864; 15.10-21.10.1864; 15.4.1865 "Princess Springtime or The Envoy who stole the King's Daughter" (26.12.1864). P: 10.11.1865; 20.11.1865 CAREY, Henry (1687?-1743) "The Dragon of Wantley" (1737; music by John Frederick Lampe). P: 26.1.1852 "A Wonder or an Honest Yorkshireman" (1735). P: 12.11.-18.11.1864 CENTLIVRE, Susannah (1667?-1723) "The Wonder. A Woman Keeps A Secret" (April 1714). P: 12.11.-18.11.1864 CHELTNAM, Charles Smith (1823-?) "Aurora Floyd or the Deed in the Wood" (11.3.1863), P: 26.11.1864; 17.4.1865 "A Lucky Escape" (9.9.1861). P: 25.4.1864 COLMAN, George, the younger (1762-1836) "The Heir at Law" (15.7.1797). P: 21.4.1851 **Love Laughs at Locksmiths** (25.7.1803). P: 9.5.1864 **The Review or The Wags of Windsor** (2.9.1800), P: 24.3.1852 COURTNEY, John (1813-1865) **Time Tries All** (4.9.1848). P: 5.5.1860; 21.3.1865 ================================================================================