RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1987 https://digitalrepository.lib.hku.hk/catalog/rx919b522 107 FIELD, A D 26.10.1882 FIELD. Frederick 8.8.1932 Arthur FINNICKE, Harry J 17.7.1906 FINNICKE, Robert J 17.11.1905 FISHER, Robert 25.4.1893 FITZPATRICK, 18.7.1951 Christine FITZPARTICK, Suzanne 18.7.1951 FORREST, John Haslem 23.3.1947 FLUGS, Berthold 3.6.1914 FOTHERMIGHANI, 1.5.1918 FRASER, Harry Frame 5.12.1932 David FREI, Robert 31.10.1901 Sommerville FREIDRICH, Rudolf 25,12,1881 FROST, Theresa L 13.7.1894 FYFE, Jane Charlotte 19.10.1883 GALBREATH, Jean 26.10.1918 Abergromby GIBSON, Richard Mends 16.11.1865 McBride McQueene GIBSON, John Hayton 26.1.1932 GILBERT, George 17.4.1912 GOEBEL, Karl H 30.1.1945 GILCHRIST, Maggie Wtson Brand GOETTE, Karl Joseph 7.7.1902 21.12.1906 GOLDENBERG, Issac Not known GOTH, Charles 1.11.1878 GRAHAM, Charles 1880 GRATTIS, L (child of) 7.8.1881 George GROTH, Adolph Alex Not known GRUENBERG, Moses 17.1.1883 Erdmann Joseph GRUENBERT, Joseph 2.6.1882 GRUMBACH, Henry 7.12.1904 GRUPE, Henriette 31.8.1882 GRUPE, Bodo 27.7.1873 GRUPE, Herta 20.5.1873 GUTHEREZ, Edel 24.10.1883 HAFTENDER, John 21.6.1869 HAIR, John 9.11.1941 Wroughton HALFON, Jose 1919 HALL, James L 1.3.1936 HANDE, C 9/10.1882 HANSARDUM, 7.7.1903 Johannes L HANSON, Mary 10.2.1963 HARE, Frederick 24.3.1872 HARRISON, John James 28.2.1947 HAUSMANN, J Not known HAWKES, Esther 22.4.1910 HAWKINS, Ronald 5.4.1948 HAYWARD, Sydney 12.8.1918 HEARD, William D 3.12.1909 Malcolm Crosswell HEDDERWICK, Donald 15.8.1909 HEELOZ, Heinrich 6.1.1878 Ness HEDGES, J Blake 5.2.1941 HENS, J Ph 5.6.1889 HENTRICH, Theodor 13.10.1912 HERALD, Hugh 11.12.1898 Dietrich HERBE, Sydney HESLOP, Mrs Fred 16.12.1902 Not known HERRIDGE, James HICKEY, John Vincent + 11.11.1945 Russell 17.4.1946 HIGHAM, F James 25.1.1945 HINDE, John B 11.2.1926 HIRAMOTO, O 26.9.1908 HIRAMOTO, Baby Not known Katsu HOFFMEISTER, Carl 25.6.1913 HOLDEN, LE 16.5.1924 Heinrich Hubert HOLLOMBY, Bettina 29.3.1926 HOLLYER, William 9.12.1944 George HOMANN, August Emil 8.8.1926 HOMBURG, G 7.3.1890 HONISS, Albert 3.8.1874 HOOPER, Ralph 28.5.1899 Wemyss ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q Table 1: Genealogy of the Chan Family Chan Tak Youg (Violet's great grandfather) Chan Jok Jun George, Harry, Henry Chan Jok Chiu (b. 1845) m (1) Au (Violet's grandparents) (2) Leong Yung Kam in Yim (First Paternal Aunt) George Goon Hop (adopted) m (1) Auyoung (2) Liu Gladys Yung Hoy m Lan Kwai Claudia in George Murphy David, Michael Calvin m Barbara Jennifer, Jason, Jeffrey Kwock Wah m Mona Lew Paula, Donna, Marcha, David, Jonathan Lorna (adopted) m Lawrence, Paul, Yolanda, Twila-dawn, Keith, Robin Chan Ping Wing (First Paternal Uncle) m Ching (Concubine: "Small Aunt") Chan Po Ling m (1) Auyoung (2) Kan (Concubine: Kam) Linda, Judy, Lillian, Robert, Chi Fai, Anthony, m Dorothy (5 daughters) Rosita, m Robert Ting (1 child) Chan Ping I (Second Paternal Uncle) m Auyoung Toby in Louise Dung Melody m Johnson Chen, Carol m John Lee, Sonja in Tai Min Wan, Jade m Eddy Lin, Lloyd m Deborah, Lena m Jeffrey Lu Helen m Tong Charles (children) Georgette m Lu Bing Leong (daughter) Moo Yun Ting Cheong (2 sons, 2 daughters) Moo Sau Chan Ping Yip m Jong (Violet's parents) Ruth Violet m John Lew m Me Yuk Helen m (1) Edmund Tin Wai Tong Edmund Yee Sing m (1) Susan Loui Kevin (2) Gertrude Kristiansen Syrilyn, Clayton (2) Tso-yu Fu Lynnette Wen-chu Russell m (1) Lila Kung Dora m Tso-chien Shen Eugene m Nancy Chun Wendell, Celia (2) Susan Carter Russell Gilbert m Christine Liao Warren, Tabitha daughter m Leong Ting Bau (Second Paternal Aunt) Yung Yik m Auyoung (Third Paternal Aunt) Suk Jun, m So (4 sons, 3 daughters) Suk Num, (3 daughters, 1 son), Suk Chiu, (2 sons, 2 daughters) Chan Ping Lim (d. 1903) (Fourth Paternal Uncle) Chan Jok Sau L-6 sons (including Dai Mec, Ngit Chiu and Dai Geng) Chan Jok Sui Ngit Chiu (adopted) d 1924 in Honolulu Chan Jok King Ju Dai, Dai Geng (adopted) 99 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 94 perfected in the United States, Stevenson adopts an approach which gives great emphasis to the expression of the inner, emotional state of the characters, an alternative to the approach Chinese dancers were familiar with. In the summer of 1979, he trained two Chinese student dancers at the Houston Ballet Academy. At the end of the summer, the students returned to China with a pas-de-deux Stevenson choreographed for them. In China, the performance of that piece caused a stir among the audiences and a revision of the approach Chinese dancers took towards their profession. In the succeeding years, Chinese artists choreographed some pieces, such as the Spirit of the Yellow River, which also suggests Stevenson's influence on dance in China.6 Obviously, the contributions American Cultural presence made to cultural pluralism are twofold: direct presentations gave a different feature to the cultural life of the Chinese people while they introduce new ideas. The latter, therefore, is of more significance as it is more persistent and penetrating. As for exchanges in arts education and exchanges of specialists, the consequences were also twofold: the influx of new ideas and the improvement in China's artistic activities. In this context, the work of David Gilbert can be taken as an example of how American specialists helped Chinese artists in the improvement of artistic quality. David Gilbert, music director and conductor of the Greenwich Philharmonia in the United States, began to serve as principal guest conductor of the Central Philharmonic Orchestra (CPO, affiliated to the CPS) in June 1980. At the conclusion of his first term, he reflected: "The players (of the CPO) are fine professional musicians but they have no repertory and no experience.” “The orchestra itself had never done Beethoven's Eighth Symphony, and when I scheduled the overture to 'Die Meistersinger' I discovered it was their first Wagner of any kind."37 Nonetheless, in mid-1981, he was able to tour with the CPO to Mudan Jiang, Harbin, and Changchun for two weeks with a repertoire made up largely of pieces learnt by the orchestra from him, and since then the orchestra had presented one concert every two weeks, rehearsing six days a week. In evaluating the consequences of Sino-American arts exchanges in the 15 years since 1972, and particularly in the eight years since 1979, one important aspect to discuss is whether these exchanges have affected domestic socio-political development of China. It is important, and even vital, to the further development of China's arts exchanges with the ================================================================================