RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v 173 three sessions are conducted each day during the Jiao-shi period, in the morning, noon, and evening. Although Taoist Jiao-shi is no longer widely practiced in China nowadays, it is still regularly held in the suburban communities of Hong Kong and Taiwan. Organized by the ad hoc "committee for Jiao-Shi "whose members are elected from the local community, a team of dao-shi is hired to perform the Jiao-shi. Dao-shi of Hong Kong and Taiwan both claim to be of the Zheng-yi sect.* The present discussion concerns itself with the music of Jiao-shi and it intends to illustrate that variation technique is the fundamental means in achieving structural unity and variety in Jiao-shi music. Since examples of transcriptions and analyses in this paper are based on field recordings made at two locations in Hong Kong-Fanling, the New Territories (taped in December, 1980) and Cheung Chau, (taped in May, 1983), findings discussed in this paper will have to be limited to the Jiao-shi music as seen and heard in Hong Kong.* The music of Jiao-shi consists of recitation and chanting of canonical texts and the complementary instrumental ensemble. Recitation and chanting can be further divided into the following three types: 1. Recitation delivered in heightened speech tones, non-pitched, and with the accompaniment of mu-yu †. 2. Chanting, pitched but highly narrative and mostly syllabic, delivered with the accompaniment of mu-yu and ging. Pitches used are those do, re, mi, sol, and la. The range is generally small, within an octave. Example 1. Page 195 Page 196 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v 182 NOTES 1 For historical developments of Taoism, see Ch'en, 1963; Stein, 1979: 53-82; and for a fuller discussion of Jiao-shi, see Saso, 1972: 32-83, Liu, 1974, and Keuper, 1977: 79-94. "They hold Jiao-shi in either Cantonese or Fukien dialects and in general, Cantonese-speaking dao-shi provide Jiao-shi to Cantonese-speaking communities and Fukienese-speaking dao-shi to Fukienese-speaking communities. * The two dao-shi groups who conducted Jiao-shi at these two locations are among the few practicing Taoist groups in Hong Kong. Dao-shi who performed Jiao-shi in Fanling were Cantonese-speaking and in Cheung-chau, Fukienese-speaking. 4 Exact instrumentation varies according to the practice of different regions; for example, Fukienese-speaking Taoist team performing at the Cheung-chau Bun Festival employs an er-hu in addition to the melodic instrument suo-na. Ch'en Guo-fu, 1963, mentions that the instrumentation of Jiao-shi music in the Jiang-nan area is quite similar to that of the Shi-fan-luo-go of that area which consists of the melodic instruments of di, xiao, sheng, er-hu, xian-zi, yun-luo, pi-pa and percussion instruments. 6 It goes without saying that changes of the pitches in the original pattern will result in rhythmic changes as well; they are viewed nevertheless as pitch-variants. In rhythm-variant, the pitches remain relatively stable while rhythmic details change. • Based on the examples which I have analysed, it seems that the rhythm-variants are rarely used and even if they are used, they are often accompanied by some kind of pitch-variant (e.g.,). + Only the vocal part is included in the transcription. The er-hu part plays the same melody an octave higher. The percussion instruments of luo and po, played by the Taoist priest himself in this case, repeat the following pattern throughout: luo ро 33 XX- -X333 *This structure makes it possible for the suo-na players to prolong their playing whenever necessary by repeating the middle part several more times before going on to motif k. • The similar use of instrumentation and seating arrangement, and melodic and rhythmic motives in Jiao-shi music and regional opera of the same locality are two ready examples. Chen, 1963, describes Taoists performing Kun-ju excerpts during Jiao-shi. See also Note 4. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v References Cited 183 Ch'en Kuo-fu 1963 Tao-tsang yüan-lin k'ao. Peking: Chung hua Press. Keupers, John 1977 "A Description of the Fa-ch'ang Ritual as Practiced by the Lü Shan Taoists of Northern Taiwan," in Michael Saso and David W. Chappel, eds., Buddhist and Taoist Studies (Hawaii: The University Press of Hawaii). Liu Chih-wan 1974 Chung-kuo min-chien hsin-yang lun-chi. Academia Sinica Special Monograph no. 22. Taipei: Academia Sinica. Saso, R. Michael 1972 Taoism and the Rite of Cosmic Renewal. Pullman: Washington State University Press. Stein, Rolf A. 1979 “Religious Taoism and Popular Religion from the Second to Seventh Centuries", in Holmes Welch and Anna Seidel, eds., Facets of Taoism: Essays in Chinese Religion (New Haven: Yale University Press). APPENDIX 1983 Cheung Chan Bun Festival 長洲一九八三年(癸亥年)建太平清醮 Date: May 16-20, 1983. Place: Playground in front of the Bai-di temple A. Taoist Team: five Fukienese-speaking dao-shi, with Wei Guo-xin as the head dao-shi; five musicians, also Fukienese-speaking. May 16 13:00 Greeting the Gods 20:00 First operatic performance begins on temporary stage adjacent to the Taoist altar. May 17 1:00 Beginning of Jiao-shi Residents of Cheung-chau begin the three-day fast Operatic performances continue, afternoon and evening shows. May 18 Operatic performance continues, two shows per day. 12:00 Offering to the Gods 15:00 Dotting of eye May 19 12:00 Vegetarian diet ends. May 20 10:00 Divide the Buns 14:00 First day of Procession 第一天會景巡遊 Operatic performance continues, two shows per day. 14:00 Second day of Procession Operatic performance continues, two shows per day. Fast ends. May 21-22 Operatic performance. Beginning on May 17 and ending on May 22, Jiao-shi were conducted in three sessions each day, generally in the morning, afternoon, and evening. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 59 deities are not pestilence deities. The confusion has been compounded by the Fukienese themselves when over the years they unconsciously accepted all deities bearing the honorific Wang Yeh as protectors from epidemics. NOTES The term Wang Yeh is best translated perhaps as 'The Excellencies'. It was a title given to imperial princes or lords, and interestingly it was also a term used by robbers for their brigand chief. See Plates 9-14 for illustrations to this article. 2 There has long been controversy whether the Pestilence Wang Yeh are shen (Supernatural beings, spirits or deities) or kuei (shades of the human dead and pejoratively used for ghosts, spectres and demons). One god carver in Singapore explained that Pestilence Wang Yeh are "half-deities", (pan shen) that is half-shen and half-kuei. However, whilst a number of Pestilence Wang Yeh have ferocious faces, the great majority are portrayed as standard deities with no indication of demonic characteristics. An elderly and authoritative Fukienese god carver in Singapore explained in hushed tones that the Pestilence Wang Yeh are neither gods nor demons, are feared but not revered, and not only protect against plague but also cause it. They are, he repeated, semi-deities from the lower echelons of the bureaucracy of the Afterworld who do not like the human world and therefore cause trouble and bring calamity and misfortune. However, if prayed to they are quite prepared to care for devotees who seek protection. For this reason, more often than not the scale of devotion and offerings to the Pestilence Wang Yeh is greater than that provided to more powerful but orthodox gods. E Doolittle J. Social Life of the Chinese 2 Vols: New York: (1865). A god carver in Singapore suggested that Pestilence Wang Yeh have been given surnames so that no particular surname group is left without a specific deity to worship. The only time that all images can be guaranteed to be on their altar in their temple is during the temple's annual festival. The altar of Chu Wang Yeh in a temple in Lukang, Taiwan was destroyed by a flood some fifteen years ago. Of the three Wang Yeh images in the temple at that time (Chu, Ting and Nieh) only one image, that of Chu, was recovered. Although a new temple has been built for the three but only containing one image, the one of Chu recovered from the flood, devotees have largely stopped away. They seem to have lost confidence in deities who were unable to protect themselves against disaster. 7 **At Cheung Chau Island in Hong Kong in the afternoon of the third day (of the chiao festival of ritual purification held every ten years) a ('paper boat') ritual to chase away the Demon of Pestilence is performed. A Taoist issues orders to a Heavenly Envoy to carry off the boat and puts the Demon of Plague on a boat and leaves it in the outer seas. The Heavenly Envoy, like the King of Ghosts (Yenlo Wang), has a fierce-looking face. It is an image of about one metre high and the boat is a small one of about one and a half metres long. A Taoist lifts the Heavenly Envoy to a stage in the matshed theatre and chants a question-and-answer song which instructs the Heavenly Envoy. Having finished that, the villagers then put the Heavenly Envoy into the boat loaded with offerings. The boat is taken to the sea shore and left on the waters." Tanaka Issei: "The Jiao festival in Hong Kong and the New Territories", The Turning of the Tide Religion in China Today: Hong Kong Branch, Royal Asiatic Society, and Oxford University Press (Hong Kong); (1989), p. 287. 8 There is a K'ang Yuanshuai, ie Marshal K'ang, on several Taiwanese altars where he ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 28 membership of an alliance." III. Studies on Jiao Festivals in Hong Kong: the 1980s a. Trend 18 There are not as many studies of Jiao festivals in Hong Kong as in Taiwan. The earliest study in Hong Kong is probably Taylor's 1953 ethnographical essay on the Cheung Chau Jiao festival. The article was re-printed in every issue of the special annual bulletin for the Bun festival in Cheung Chau until the beginning of the 80s. The late Prof. B.E. Ward noticed very early the importance of the Jiao festival to the understanding of rural society. Her account of the festival itself, however, appeared only briefly in her introductory guide book on festivals in Hong Kong. Dr. James Hayes has also noticed the importance of the celebration during his studies on rural communities in the outlying islands and new towns in Kowloon. However, only some of the celebrations were given brief mention in his 1983 book. Mathias' study on the 1975 Kam Tin Jiao festival is probably the earliest comprehensive study of the festival. It is a pity, however, that it has not been published. Kani, Obuchi and Yoshihara are probably the earliest Japanese scholars to realize the significance of Jiao festivals in Hong Kong. Kani, in his study of boat people in Hong Kong regards the Jiao on Cheung Chau island as an event, like the Hungry Ghost Festival, to feed wandering ghosts. Obuchi, working with a Taoist priest, Mr. Chan Wah, studied the symbolic meanings of different Taoist rituals performed in the 1975 Shatin Jiao festival. Yoshihara in a section of his paper on religion in Hong Kong briefly described the 1977 Tai Wai, Sha Tin, event. Beginning in 1979, Tanaka and Segawa commenced active data collection on the festival. Tanaka began his extensive research in Hong Kong in 1979. At least 14 different Jiao festivals were recorded in his three books. Segawa joined the research later, from 1983 to 1985, and several articles have since been published in Japanese. 20 22 The nineteen eighties saw a growth in interest in Jiao festivals among local institutions and scholars. In 1980, students and lecturers of the History Department (Dr. D. Faure), the Sociology Department (the late Prof. B.E. Ward), the Anthropology Department (Dr. S.H. Wang) and the Music Department (the late Dr. B.C. Lu) of the Chinese University of Hong Kong [CUHK] began concurrent studies on Jiao ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 30 26 festivals in the New Territories. Besides Faure's 1986 book The Structure of Chinese Rural Society which touched on the festival, printed work by local scholars arising from these studies is yet to appear. 27 Two museums, first the History Museum of Hong Kong, and later the Sam Tung Uk Regional Council Museum, have taken photos and videos of the festivals since 1983, following Mr. Hugh Gibb's film of the Ha Tsuen Jiao, taken in 1974. However, only the Jiao festival in Cheung Chau and the 1985 Kam Tin festival have been fully recorded. These are not as yet available in print. Following the sad deaths of Prof. Ward and Dr. Lu, the 1980s also saw the quick decline in interest in Jiao festivals in Hong Kong. This is, perhaps, due to two not completely unrelated reasons: firstly, Jiao festivals in Hong Kong are studied only for their contribution towards the understanding of rural society. Therefore, when a researcher changes his interest to societies of another locality, study of Jiao festivals in Hong Kong becomes irrelevant. Another reason perhaps is a matter of "time". Whether it is a diachronic or synchronic study, or even an independent ethnographical report, the physical demands of observing a Jiao are often considerable. Planning for a Jiao festival may take one whole year, starting from fixing the date and selection of representative worshippers to the final purification of the community and households rituals. Moreover, if one intends to observe Jiao festivals held at different times, a long term commitment and interest is necessary since many Jiao festivals in the New Territories are celebrated only once in ten years. A comprehensive study of Jiao festivals cannot be done by a short term survey. During my visits to two Jiao celebrations in 1990 (Lam Tsuen and Fanling), the only other researchers I met were a scholar from the Music department of the CUHK, and some members of an amateur research group. b. Sources 24 +4 - Schipper noted that [Jiao festival] simply was ignored in the writings of the bureaucracy, and remained an immensely important factor in the lives of the common people ....29 Studies of Jiao festivals in Hong Kong have so far depended heavily on ethnography ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 35 An analysis of the rituals performed. Segawa shows that observation of the Jiao festival reveals not only traditional territorial alliances, but also past rival relationships among communities. Looking at the case of Pat Heung as an example, he illustrated that the Jiao closely reflects the past feuds between a village alliance and its neighbouring landlord community, Kam Tin. He argues that, besides its ritual and symbolic meanings, the Jiao can be seen as a "rite of solidarity”. That is, the community maintains its unity through regular worship of the heroes and feud victims, at the Jiao festival.“ 45 Besides traditional alliance-rival relationships, a study of a Jiao festival also reveals a society's internal social conflicts. Group consciousness and inter-group competition, which are obscured by modern city life, can be observed from the Jiao's organizational and symbolic representation. The deliberate exclusion from the "Hang Fu” [a ritual to purify every household at the end of the Jiao festival] ritual of some households in Lung Yeuk Tau reminds one of the existence of "Hahu" or bondservants in the community in the past. In Cheung Chau, the Tanka boat people are denied participation in some rituals. The festival area that is to receive the purification, blessings and protection from the gods does not include the site of traditional Tanka settlement." 46 My paper in Bunka Jinrui Gaku (Cultural Anthropology) no. 5 shows the family structure and kin relationships of different communities through a study of name lists posted at Jiao festivals. Through a comparative analysis of the name lists of three communities, it was shown that the structure of a community is clearly reflected in their name lists. The names of members of a single lineage community are written according to the principle of lineage. In other words, members of a registered unit are linked by a focal ancestor. On the other hand, in a typical name list of a multi-lineage community, be they settled in one or more localities, names are listed in the structure of a family, extended or nuclear, whose members are related to a surviving parent." 47 Studies of Jiao festivals provide an excellent source of reference to the understanding of social and political changes. A Jiao festival shows not only the ritual and social lives of the villagers, it reveals also the community's internal and external relationships. As shown in Table 2, at least 28 communities in Hong Kong celebrated Jiao ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 36 Table 2: Some Jiao Festivals celebrated in Hong Kong in the 1980s Community A B C D E F G H Cheung Chau 1 3 M H V גון 1989,1990 E Cheung Lung Wai 10 5?(*2) A P V S 1988 Fanling 10 3 A P VC S 1980, 1990 E Ha Tsuen 10 5 A P a sm 1984 E Ho Chung 10 5 A P vc m 1980, 1990 E Kam Tin 10 5 Kat O 7 in th A P vc sd 1985 E 57 F T V מן 1980,1986 E Kau Sai 1 — F T V M 1981 E Kau Lau Wan 7 فرا 3 F T V In 1980,1987 E Lai Chi Wo 10 5? A Р vc sm 1983 E Lam Tsuen 10(*1) 5 A P а sm 1981, 1990 E Leung Shuen Wan 2 1 F P? ve m 1980 E Lin Fa Tei 5 3? Lung Yeuk Tau 10 5 in Nam Luk Yeuk 10 رکرا 5 > > > A Р ve m 1982,1987 T A Р VC s 1983 E A P А sm 1983 E Pak Kong 10 ? A P V m 1980 E Sha Kong Wai 7 ? A P v Π 1981, 1988 T Shek O 10 3 A H/P a m 1986 01 Sha Tin 10 4 A P а sm 1985 E Tai Hang 5 3 A P VC S 1985,1990 E Tai O 30 ? A/F/M T ve m T/03 Tai Po Tau 10 5 A P VC s 1983 E Tai Wai 10 4 A P vc sm 1987 02 Tap Mun Alliance 10 3(*3) F T а M 1980,1990 03 Tin Sam 10 4 A P vc sm 1986 02 Tuen Tsz Wai 10 3 A P vc sd 1986 02 Wang Chau 7 ? A P vc sm 1981,1988 T Wang Chau Yuen Long از هم 3 ? F T V m 1986,1989 T 10 5 M P V M 1983 E ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 37 NOTES TO TABLE 2 A = yearly cycle claimed B = celebration period (one-day, three-day, five-day), (refers only to main rituals started from the ritual “Qi Tan” [Opening of the Jiao) and ended with the "Da You" [Great Offering]) C = predominant occupation of the community == market town D = spority ethnic groups: E P → Punti Cantonese H T = Takka :. = Tanka =Territorial type: บ = village VC = village cluster local alliance 1: = Descent type: S = single-lineage sc = single-lineage dominated H = single-lineage village, multi-lineage community m = multi-surname in one community year celebrated -- Sources: Either seen by myself JE = from beginning to end, e = only partially. recorded in other scholars' work [0], or provided by villages or Taoist priests [T]. OI 02 —— 03 = Chan, "Jiu festival** see note 37 Tanaka, Village Festival, 99, 816 Note: *1 In fact, it is held every ninth year, as the year of celebration is counted into both the outgoing and incoming decade. *2 Photos taken on 1989.3.10. A poster was written Cheung Lung walled-village of Ping Kong Tsuen village, ten years' once Taiping Qing Jiao". The notice recorded the Year Mu Wa (1988). *3 This alliance include the following fishing villages in the northeastern part of Hong Kong: Tap Mun, Kau Lau Wan, Sham Wan, Wong Wan, Kat O, Sam Mun Tsai. See Tanaka, Village Festival, 99, 816. Page 60 Page 61 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 39 Kat Hing Wai and Wing Lung Wai terminated their own independent Jiao but continue to participate actively in the Jiao of the whole Kam Tin community. Still others, like Tai Wai and Tin Sam, celebrate their own Jiao festivals on the one hand but also participate as members in the Jiao celebrated by the Sha Tin Kau Yeuk (Sha Tin Village alliance). Reasons such as the Japanese occupation or economic recession given by villagers themselves cannot explain the diversities found in the New Territories. All villages experienced the Japanese occupation. With regard to economic constraints, a community like Ping Shan, though as prosperous and powerful as Kam Tin and Ha Tsuen, stopped the celebration for some unknown reason. Therefore, the continuity or discontinuity of the Jiao festival depends on the effectiveness of the festival's communal structure and organization. In Lam Tsuen, the Jiao festival is a means to reconfirm the roles of its alliances (the Luk Hap Tong [Lui He Tang] “Hall of the Six [Sc. Village Clusters] United"). In Kam Tin and other single lineage communities, the Jiao plays an essential role in re-establishing the structure of the segmented lineage as well as in re-confirming membership in the branches. The question of whether Jiao festivals will survive after the 1997 take-over is in fact a question of whether or not there is a need to preserve such a tradition in the community. NOTES Liu Zhi-wan, "Taiwan Taibeixian Zhonghexiang Jianjiao Jidian" Bulletin of the Institute of Ethnology, Academia Sinica 33 (1972): 135-64. Tanaka, Issei, Chugoku Kyoshon Saishi Kenkyu: Chihogeki no Kankyo [Village Festival in China: Background of Local Theatres] (Tokyo: Tokyo Univ. Press, 1989), 799. Some fishing villages in Hong Kong like Kau Lau Wan, Tap Mun and Kat O name their Jiao festivals "An Long Qing Jiao" meaning the Jiao celebrated to pacify the earth dragon. Tanaka claimed that originally "Qi An Jiao" was celebrated only when there was need to pray for peace (Ibid., 799). However, evidence in Hong Kong, at least, shows that the festival is celebrated in a regular cycle. The shortest cycle is the Jiao of Cheung Chau where it is celebrated yearly. The longest is Sheung Shui and Shuen Wan where the Jiao is said to be celebrated once every 60 years. In some fishing villages in the New Territories, it is celebrated once every two or seven years. A five-year cycle is also practised in some agrarian communities like Tai Hang. However, a ten year cycle is the most popular in agrarian communities. Nonetheless, the method of counting also differs from one community to another. For instance, Lam Tsuen claims to celebrate the Jiao once every ten years but they actually celebrate it once in nine years. Their Jiao festival was celebrated in the following years: 1963, 1972, 1981, 1990. Mr. Cheung Chi-fan (Zhang Zhi-fan), JP, and Mr. Chung Chi-leung (Zhong Ji-liang), interviewed by author, Lam Tsuen, Dec. 1, 1990. According to Dean, about 80,000 Chinese yuan was spent on the Jiao in a village in Zhangzhou, Fujian in 1986. See ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 40 Dean. Kenneth “Revival of Religious Practices in Fujian: a Case Study in Pas. Julian F. (ed.) The Turning of the Tide: Religion in China Today (Hong Kong: Hong Kong Branch of the Royal Asiatic Society & Oxford Univ. Press, 1989), 72. 4 Mr. Pang Cheng-chuen (Peng Zheng-chuen), interviewed by author, Fanling, Dec. 30. 1990. P Dean. 54. A student of the University of Hong Kong told me on Feb. 3, 1991 that he saw, by chance, a Jiao festival in 1990. He could not recall the exact date and location. However, he was very sure, from the celebrating flower boards, that it was a Jiao festival. K Ibid., 776. Liu Zhi-wan, Taibeishi Songshan qi an jian jiao jidian, Institute of Ethnology Academia Sinica Monograph, no. 14, (Taipei: The Institute, 1967). Besides Liu, the research team from the Academia Sinica included Song Lung-fei and Xu Jia-ming. Song's paper concentrated on aspects of folk architecture and decoration while Xu focused on the economic and social aspects. See Song Lung-fei "Song-shan jian jiao jiao tan jianzhu di zhuan shi Yi shu" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 157-217; Xu Jia-ming: "Songshan jian jiao yu shequ" Bulletin of the Institute of Ethnology, Academia Sinica 25 (1968): 109-153. 4 Li Zian-zhang. "Daojiao jiaoyi di kaizhan yu xiandai di jiao” Sinological Researches 5 (1968): 261. Ibid., p. 201. Saso, Michael R., Taoism and the Rite of Cosmic Renewal (Washington: Washington State Univ. Press, 1972), 34. Law, Joan & B.E. Ward, Chinese Festivals (Hong Kong: South China Morning Post, 1982), 83. Okada, Yuzuru, Kiso Shakai (Tokyo: Kobundo, 1949). See Brim, John A. “Village Alliance Temples in Hong Kong" in Wolf. A.P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford Univ. Press, 1974), 93–103; and Suenari, Michio "Sonbyo to sonkyo: Taiwan Hakka shuraku no jirei kara” [Village temple and village boundary: a case study of the Hakka communities in Taiwan] Bunka Jinna Gaku [Cultural Anthropology] (1985) 2:255-260. 15 Ueno, Hiroko, "Taiwan nanbo no osho to sonraku: Tainanken hito saishiken no sonraku aida kankei" (Wang Jiao and villages in southern Taiwan: worshipping area and village relationship] Bunka Jinriú Gaku 5 (1988): 64-82. + Taylor, W.A. "The Spirit Festival" Bulletin of the Cheung Chau Bun Festival 1980 (Cheung Chau: n.p., 1980), 39-41. (reprinted from Wide World Magazine, Dec. 1953). The annual Cheung Chau Jiao festival is better known to westerners as the Bun festival because of the three tall "bun mountains" erected at the ritual area. The festival is the most studied Jiao festival in Hong Kong probably due to the fact that (1) the island is comparatively easy to get to, (2) it is celebrated every year and (3) it is widely publicized by the Hong Kong Tourist Information Bureau. Besides Tanaka's accounts (see note 36), see also Jonathan Chamberlain and Ian Lambot's photographic account. The Bun Festival of Cheung Chau (Hong Kong Studio Publications, 1990). דן I owe my interest in the Jiao festival to Prof. Ward who first introduced me to Jiao festivals in 1980. She then suggested that I participate in the Jiao festival in Kau Lau Wan. K Law & Ward, 83-84. Hayes, James W., The Rural Communities of Hong Kong: Studies and Themes (Hong ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 41 Kong: Oxford Univ. Press, 1983), 156-160 & 163-164, on the Jiao festivals celebrated between 1964 and 1972 in Ma Tau Wai, Nga Tsin Wai, Tung Chung and Tai O. N Mathias, John R.G., Study of the Jiao: a Taoist Ritual in Kam Tin in the Hong Kong New Territories (unpublished D.Phil. thesis, Oxford University, 1977-78). #I Kani, Hiroaki, "Hồn Kôn Chugokujin no shukyo shiso no ichidan nitsuite" Shigaku 40, no. 2 & 3 (1967). 22 Obuchi, Ninji, “Hon Kon no tokyo girei" |Daoist ritual in Hong Kong] in Ikeda Sueri Hakase Koki Kinen Toyo Gaku Ronshu (Tokyo, 1980), 753-769. 27 Yoshihara, Katsuo. "Shukyo" [Religion] in Kani Hiroaki (ed.) Motto Shiritai Hon Kon (Tokyo: Kobundo, 1984), 184-191. 11 See note 37. 14 I have been told that Dr. Faure had a manuscript on the Jiao festival sent to a publisher in Hong Kong. However, due to whatever reasons, it has not yet been published. See also Hayes, 164, about Faure's book on Jiao festivals. 36 I was probably the only researcher who participated in the 1980 Kau Lau Wan Jiao festival when I was first introduced by the late Prof. B.E. Ward and Dr. S.H. Wang to the Jiao festival celebrated by the fishing village. In October the same year, Dr. Faure and I attended the Jiao festival at Pak Kong, Sai Kung. In November, the late Dr. Lu Bin-chuan of the Music Department of CUHK, Dr. Lu's student Mr. Chan Wing-Hoi and I attended the Jiao festival in Fanling. Dr. Faure, Prof. Ward and Prof. Tanaka also came. The Jiao festival of Fanling and that of other areas are mentioned here and there in Faure's 1986 book. In December 1980 students of CUHK under the guidance of Dr. Faure, Dr. Wang and Prof. Ward started an ethnographical research on the Jiao festival in Ho Chung, Sai Kung. A detailed report of daily rituals was written by Lee Lai-mui and Cheng Shui Kwan, two CUHK students majoring in History and minoring in Anthropology. The report was sent to interested scholars. Unfortunately it has never been published. Two students of the CUHK at that time should perhaps be mentioned here: Chan Wing-hoi, who specializes in music and computer, was employed by the History Museum of Hong Kong to study the Kam Tin Jiao festival in 1985, a report of which was published in the Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989). Chan's master's thesis on folk music in Hong Kong also includes a chapter on the ritual music played by the Taoists at the Jiao festival. Chan also has an ethnography on the 1986 Shek O Jiao festival published in the Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. The master's thesis of Leung Chor-on, now Ph.D. candidate of Cambridge University, submitted to the Anthropology Department of the CUHK gives a good account of the ritual symbols of the festival. Chan, Leung and I held a seminar on Jiao festivals on Dec. 11, 1988 for the "Research Circle of the Regional Society of Southern China" focusing on musical, ritual and social aspects of the festival. 27 Locally published works besides those by Faure and my own are: - (a) Chamberlain, Jonathan, "Introduction” in Chamberlain J. and Iam Lambot The Bun Festival of Cheung Chau (Hong Kong: Studio Publication, 1990). This is largely a collection of photos. Chamberlain's introduction is very descriptive but no sources are quoted. (b) Chan Wing-hoi, “Observations at the Jiu [Jiao] festival of Shek O and Tai Long Wan, 1986" Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. Chan recorded meticulously what he was told and observed about the 'settlement', the 'participants', the "ritual site", the "local gods" and the "events". (c) Xiao, Kuo-jian (Anthony K.K. Siu), Xianggang Xiandai Shehui [Pre-modern society of Hong Kong] (Hong Kong: Chung Wah, 1990), 86-97. Xiao attempts to illustrate three reasons why the communities in Hong Kong celebrate the Jiao. The first reason is to plead for fortune, to pay sacrifices to the gods, to drive away evils and to prevent 4 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 42 disasters. the second is for those who died because of plague. The final reason is to thank the benevolent governors Wang Lai-ren and Zhou You-de of the beginning of the Qing dynasty. In my opinion, all these reasons can be integrated into the first one. (d) Chan Wing-hoi "The Tangs of Kam Tin and their Jiu festival", Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989) 302-375, a rich and detailed account of the lineage, its temples and villages, and the festival which draws them together. Dr. Faure gradually switched his interest to the Pearl River Delta while Prof. Tanaka, as I was told, is now looking at Sichuan province. Talk on publishing a book on Hong Kong Jiao festivals has been going on for years by members of the "Research Circle of the Regional Society of Southern China''. In 1990, the editorial board of the society set up a schedule to compile a book focusing on the Jiao festival. It is expected that papers on various aspects will be completed by the end of April 1991. (Correspondence from the society dated 28.12.1990) Schipper, Kristofer M., "The Written Memorial in Taoist Ceremonies" in Wolf, Arthur P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford University Press, 1974), 324, For example, according to Chan Wing-hoi, villagers of Shek O celebrated their 16th Jiao in 1986 (Chan, 78). The Dengs in Kam Tin claimed to have celebrated their Jiao since 1684 (Tanaka, 918). See for instance Basel Mission Archives, doct. Al-6, No. 51 (1869), and doct. Al-7, No. 51 (1870) and Der Evangelische Heidenbote, July 1867, in which a missionary describes how he was forced to go to the Magistrate to get his support before he could avoid having to pay his share of the Jiao expenses. All these cases are from Hsin An County. The Sha Tin poem will, it is hoped, shortly be published by Dr. P.H. Hase. These two series are part of the 15 series of historical documents collected by Dr. D. Faure and others in the New Territories. Copies of the collections are kept in the libraries of CUHK, Hong Kong University, Sha Tin Regional Council Library, and Institute of Oriental Culture, Tokyo University. 31 Tanaka Chugoku no Sozoku to Engeki [Lineage and Theatre in China] (Tokyo Univ. Press 1985), 608. Jiao festivals celebrated by the powerful communities in Hong Kong like Kam Tin, Ha Tsuen, Lung Yeuk Tau etc., were all performed by the Zhengyi Taoist group, led first by the late Master Lin Pei and now by Master Chan Kau. Another Zhengyi Taoist group is led by Master Chan Wah. However, many Taoist priests work for both groups. There are also other Taoist groups who performed for the Jiao festivals, like a Cantonese group which performed for Ho Chung and a Heklo group for Cheung Chau. In 1983, four out of five Jiao festivals were performed by monastery Taoists. It is not clear whether it was because of tradition or out of economic reasons. A comparison of the two Taoist groups has yet to be made. 14 Choi Chi-cheung **Sho matsuri no jinmei risuto ni mirareru shinzoku ban'i” [Kinship as seen in the name lists of Jiao festival] Bunka Jinnú Gaku 5 (1988): 131, table L. 35 **Shinshi men" [Section of Believers] in Fanling Wenxian (Historical Literature of Fanling) vol. 8. This brief account records details of the arrangement of the Jiao area, including the contents of couplets, names of deities invited, location and direction of matshed stages, and the sacrifices prepared etc.. See n. 32 for the depositories of Fanling Wenxian. 36 See (1972) Lin Chuan [Lam Tsuen] Xiang Taiping Qingjiao huiyi jilubu in Dapu [Tai Po] Wenzian [Historical Literature of Tai Po] vol. 1. (see n. 32 for depositories) 37 Tanaka Issei's three books, all published by the Tokyo Univ. Press are: Chugoku Saishi Engeki Kenkyu [Ritual Theatres in China] (1981), Chugoku no Sozoku to Engeki [Lineage and Theatre in China) (1985), and Chugoku Kyoson Saishi Kenkyu: Chihogeki ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 no Kankyo [Village Festival in China: Background of Local Theatres] (1989). The Jiao festivals studied by Tanaka are as follows: Communities Year Cheung Chau 1979 1979, 1983 Recorded in 1981:74-99 1985:227-302 Ha Tsuen 1981 1985:199-226 Hung Hom, Kowloon *1 1978-80 1981:771-780 Kam Tin 1985 1989:915-996 Lam Tsuen 1981 1985:359-528 Leung Shuen Wan, Sai Kung 1980 1981:99-113 Lin Fa Tei *2 1967 1985:558-572 Lung Yeuk Tau 1983 1985:609-720 Sha Tin, Kau Yeuk 1985 1989:1041-1112 Sha Tin, Tai Wai 1987 1989:977-1040 Sha Tin, Tin Sam 1986 1989:1040 Tai Po Tau 1985 1985:121.131-138 Tuen Tsz Wai 1986 1989:817-913 Yuen Long 1983 1985:139-198 43 *1: From the context, this festival, held on the 14th of the seventh moon, can be best seen as a ghost festival organized by the Hoklo dialect group. *2: Tanaka did not attend this festival. Analysis of the festival was mostly based on the 1967 account collected by H. Baker. See map for the location of places. JH Tanaka, Ritual Theatres, 5. 班 Tanaka, Lineage and Theatre, 11. 40 fbid., i-ii. 41 Tanaka, Village Festival, i-iij. 42 Faure, David, The Structure of Chinese Society: Lineage and Village in the Eastern New Territories, Hong Kong (Hong Kong: Oxford Univ. Press, 1986), 81. 4.3 Segawa, Masahisa, "Daa Chiu: matsuri ni arawareru Hon Kon no mura no sugao” [Da Jiao: facets of villages in Hong Kong as shown in the festivals] Kikan Minzoku Gaku Ethnography Quarterly 33 (1985): 21-35. 14 Segawa, Masahisa "Ta-tsiu [Da-Jiao], feuds, and village alliances: the case of Pat Heung" (unpublished manuscript, 1991). 45 Choi, Chi-cheung, “Chi o urai ekibyo o harau taihei shinsho" [Jiao festival: to wash: the land and remove illness] Kikan Minzoku Gaku 40 (1987): 90-105. 4 40 Choi, Jiao festival", 1046. 47 Choi, "Kinship", 147-149. 4# Though Tanaka wrote that only a few communities in the New Territories celebrated the festival during his seven and a half years' observation (Tanaka, Lineage and Theatre, 608), we are still unclear as to how many communities continue to celebrate it. For instance, the Cheung Long Wai case was not mentioned by any informants. It was known only by an occasional visit to the village. A likely source is the Police since theoretically every festival celebrated in Hong Kong has to receive permission from the police for security measures. The district offices in the New Territories are another source of information. Certainly there were in the past other celebrations which have now ceased for one reason or another (e.g. at Sha Tau Kok, Shuen Wan and Ta Kwu Leng). 49 Segawa, "Daa Chiu', 35. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 34 Chan Kin Tong 陳健堂 Cheang Hoong WA Chen Xuyuan 陳照元 Ding Richang TRS Guo Piao 郭標 Ho Kai 何啟 Ho Tung 何東 Huang Huan'nan # Jian Dongfu 簡東甫 Glossary Wu Jianzhang f Xu Rongcun 徐榮村 Xu Run 徐潤 Xu Yuting 徐鈺亭 Yuan Shikai 袁世凱 Zheng Guanying Zheng Tingjiang Baoyuanxiang 寶源祥 Zuo Zongtang E Law Pak Sheung A Bendi 本地 Law Sai Nam 劉世南 Lee Chak 李澤 guandu-shangban Leung Xiu 梁喬 Li Hing 李慶 Li Hongzhang 李鴻章 Lo Hok Pang #09 Ng A Cheong AS O Kee Cheung 柯其祥 Sheng Xuanhuai 盛宣懷 Soong Xe 宋琪 Sung Chin Tseung Tong Mow Chee # Tong Ying Shu (Xing Sing) 唐廷樞(景星) Wei Kwong #* Wei Yuk 韋玉 Danjia 晉家 # Guang Yang Xing 廣陽興 Guang Zhao Gongsuo 廣肇公所 Heshengxiang # huashang fugu huodong HÆ! Kejia 客家 lianhao 聯號 O Chin Sin Tong Qing Xu Yuzhi Xiansheng Run Zixu Nianpu 清徐雨之先生潤自序年譜 Sanyi 三邑 Shiyi 四邑 tongxiang hui 同鄉會 Zongban 總辦 Wong Kong 黄亞廣 References Cheng, T C. 1969 Chinese Unofficial Members of the Legislative and Executive Councils in Hong Kong In Journal of the Hong Kong Branch of the Royal Asiatic Society 9: 1-30 Choi, Chi-cheung 1991 Cong difangzhi kan Xiangshan xian difang shili de zhuanbian (The influence of migration in Xiangshan county as viewed from local gazetteers) In Zhongguo Shehui Jingjishi Yanjiu 1991/1: 60-8 1993. Competition among Brothers: the Kun Tye Lung Company and its Associate Companies, Unpublished paper presented at the Workshop on Chinese Business Houses in Southeast Asia since 1870 School of Oriental and African Studies, University of London ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1997 https://digitalrepository.lib.hku.hk/catalog/wp98g7579 76 1 right, government officials and village representatives have powers to grant or block the application In this essay, my study of the Pang villagers in Hong Kong's Fanling shows how their building rights have been re-defined to have their applications granted Benedict Anderson, Imagined Communities Reflection on the Origin and Spread of Nationalism (Revised Edition), London: Verso 1991 It is called small house in government's terms under the 1972 Small House Policy See Hugh Baker, A Chinese Lineage Village, p. 154, Stanford: Stanford University Press 1968, Allen Chun, Land is to Live: A Study of the Tsu in a Hakka Chinese Village, New Territories, Hong Kong (unpublished PhD thesis, University of Chicago 1985), pp. 249-250, H. Nelson, "The Chinese Descent System and the Occupancy Level of Village Houses", p. 117, Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 9 (1969) pp. 113-121, James Watson, Emigration and the Chinese Lineage: The Mans in Hong Kong and London, p. 160, Berkeley: University of California Press 1975, and Rubie Watson, Inequality among Brothers: Class and Kinship in South China, pp. 106-110, Cambridge: Cambridge University Press 1985 The data presented in this essay was collected during my fieldwork in Fanling Wai from the end of 1993 to early 1995 4 T # Pang Beng Fu (Ed.), Bao An Xing Fen Ling Xiang Peng Shi Zu Pu (The Genealogy of Surname of the Pang in Bao An Province), 1989 Ibid, p. 59. At the end of the summer of 1950, approximately 700,000 Chinese arrived at Hong Kong as a result of the political unrest in China in 1949 Szczepanik estimates that the population of Hong Kong in 1954 was about two millions But there was yet another influx of an estimated 140,000 immigrants from China during 1955-56 See Edward Szczepanik, The Economic Growth of Hong Kong, pp. 25-27 London: Oxford University Press 1958 As Jones reveals, by 1981, more than one quarter of Hong Kong's near five million population are living in the new towns such as Tsuen Wan, Shatin and Tuen Mun See Catherine Jones, Promoting Prosperity: The Hong Kong Way of Social Policy, p. 242 Hong Kong: The Chinese University Press 1990 See Catherine Jones, op cit, Fong, Peter, K.W., "Housing for Millions: The Challenge Ahead", in Joseph Y.S. Cheng and Sonny S.H. Lo (Eds), From Colony to SAR: The Hong Kong's Challenge Ahead Hong Kong: The Chinese University Press 1996 10 There are two lineage-based religious activities held in Fanling Wai They are Hong chao rite and Da jiao festival Hong chao rite is held annually by the Pangs in the name of the Fanling Pang lineage to placate deities in exchange for their protection of villagers' well-being (see Au Tat-yan and Cheung Sui-wai, "The Hung Chin Ceremony in Fanling" [Chinese], in South China Studies Vol. 1 (1994) pp. 24-39). Da jiao festival basically fulfills the same function of the Hong chao rite, but is held at ten-year intervals Through this elaborated and expensive five-day-four-night exorcising rite, the Pangs believe that their ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1999 https://digitalrepository.lib.hku.hk/catalog/s178b887x 182 Cheung, Sydney 'Being Here, Searching 'There': Hong Kong as a Virtual Community'; in Sydney Cheung (ed.) On the South China Track : Perspectives on Anthropological Research and Teaching (Hong Kong Institute of Asia-Pacific Studies, Research Monographs No.40). Hong Kong. The Chinese University of Hong Kong. Chiu, Fred Yen Liang 1997 'Politics and the Body Social in Colonial Hong Kong', Formations of Colonial Modernity in East Asia, ed. Tani E. Barlow. Durham and London. Duke University Press. Choi Chi-Cheung 1995 'Reinforcing Ethnicity: the Jiao festival in Cheung Chau,' Down to Earth : The Territorial Bond in South China, ed. David Faure and Helen Siu. Stanford; Stanford University Press. Cohen, Anthony P (ed.) 1982 Belonging : identity and social organisation in British rural cultures. Manchester. Manchester University Press. 1985 The Symbolic Construction of Community. London and New York. Routledge. 1986 (ed.) Symbolising Boundaries : Identity and Diversity in British Cultures. Manchester. Manchester University Press. Cohen, Robin 1997 Global Diasporas: An Introduction. Seattle. University of Washington Press. Coyne, Richard 1999 Technoromanticism : digital narrative, holism, the romance of the real. Cambridge, Mass. M.I.T. Press. Dirlik, Arif 1994 'The post-colonial aura : third world criticism in age of global capitalism' Journal of Asian Studies 328-356 20.2 (Winter) Evans, Grant 1998 The Politics of Ritual and Remembrance: Laos since 1975. Chiang Mai; Silkworm Books. and Maria Tam 1997 ‘Introduction' to Hong Kong : The Anthropology of a Chinese Metropolis, ed. Grant Evans and Maria Tam. Richmond; Curzon Press. ================================================================================