RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v References Cited 183 Ch'en Kuo-fu 1963 Tao-tsang yüan-lin k'ao. Peking: Chung hua Press. Keupers, John 1977 "A Description of the Fa-ch'ang Ritual as Practiced by the Lü Shan Taoists of Northern Taiwan," in Michael Saso and David W. Chappel, eds., Buddhist and Taoist Studies (Hawaii: The University Press of Hawaii). Liu Chih-wan 1974 Chung-kuo min-chien hsin-yang lun-chi. Academia Sinica Special Monograph no. 22. Taipei: Academia Sinica. Saso, R. Michael 1972 Taoism and the Rite of Cosmic Renewal. Pullman: Washington State University Press. Stein, Rolf A. 1979 “Religious Taoism and Popular Religion from the Second to Seventh Centuries", in Holmes Welch and Anna Seidel, eds., Facets of Taoism: Essays in Chinese Religion (New Haven: Yale University Press). APPENDIX 1983 Cheung Chan Bun Festival 長洲一九八三年(癸亥年)建太平清醮 Date: May 16-20, 1983. Place: Playground in front of the Bai-di temple A. Taoist Team: five Fukienese-speaking dao-shi, with Wei Guo-xin as the head dao-shi; five musicians, also Fukienese-speaking. May 16 13:00 Greeting the Gods 20:00 First operatic performance begins on temporary stage adjacent to the Taoist altar. May 17 1:00 Beginning of Jiao-shi Residents of Cheung-chau begin the three-day fast Operatic performances continue, afternoon and evening shows. May 18 Operatic performance continues, two shows per day. 12:00 Offering to the Gods 15:00 Dotting of eye May 19 12:00 Vegetarian diet ends. May 20 10:00 Divide the Buns 14:00 First day of Procession 第一天會景巡遊 Operatic performance continues, two shows per day. 14:00 Second day of Procession Operatic performance continues, two shows per day. Fast ends. May 21-22 Operatic performance. Beginning on May 17 and ending on May 22, Jiao-shi were conducted in three sessions each day, generally in the morning, afternoon, and evening. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1986 https://digitalrepository.lib.hku.hk/catalog/jq08c7063 100 CHAN WING HOI NOTES Besides "three-day jius", there are more elaborate “five day jiu” celebrations in the New Territories. The annual ritual takes place typically in Chiu Chau, Wai Chau and Hoklo settlements to make offerings to uncared-for dead spirits. 1 The oldest dated object in the Tin Hau Temple, which housed the main god of the festival, was about one hundred years old. I shall refer to this again later. 6 There could have been more than one "chairman". Probably part of the golf club, or otherwise a similar establishment. Tanaka Issei 田仲一成, Chugoku saishi engeki kenkyū 中国祭祀演劇研究 (Tokyo: Institute of Oriental Culture, University of Tokyo 1981) p. 891. 7 The Fuk-Wai-Chiu immigrants had their own gods and their operas in the Tin Hau festival. According to Tanaka, eleven or twelve gods other than Tin Hau were sacrificed to (op. cit., pp. 891-3). One of them, the Daai Wong Paak Gung of Naam Bin Chyn, is attributed by Tanaka to the Hoklo residents. Tanaka also points out that the Fuk-Wai-Chiu members of the organizing committee were alone responsible for a special part of the festival, that is, the performance of Wai Chau and Chiu Chau operas. 8 Piu-sik are usually carried on frames at a height far above that of the audience in a parade. Because of the rain during the procession this time they stood in a lorry instead. About half of the gods sacrificed to in the Tin Hau Festival, including the Fuk-Wai-Chiu deity mentioned above, were not found among the spirit tablets in the jiu festival. 10 "Picking green". In this case the two lions competed in capturing a bank note hanging near the entrance to the house. Glossary Choi Paak Lai 蔡伯勵 choi-cheng 採靑 Dai Wong (Ye) 大王(爺) ba-wong-dei 霸王地 Chiu Chau 潮洲 baai-chaam 拜懺 Baak Mou Seung 白無常 Baak-gung 伯公 Bak Dai 北帝 Bao'an 寶安 bui 杯 bin-ngaak 匾額 Chai Wan 柴灣 Chan Wa 陳華 Cheung Chau 長洲 Daai Si (Wong) 大士(王) daai-gat 大吉 diu-lau 碉樓 Dongguan 東莞 fa-laam 花籃 fa-paai 花牌 Faaigou jeungdaai ... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1986 https://digitalrepository.lib.hku.hk/catalog/jq08c7063 269 tions, was the senior military official at Kowloon City. The scroll has been kept by a member of the Wong Wai Chak Tong (**) of Cheung Chau, who has looked after the shrine for the past twenty years or more. He had it from the previous keeper in return for keeping the scroll and other objects — there is a table inscribed lo tang pang and for erecting the matshed. He gets all the oil and incense money given by worshippers during the three days of the first month in the lunar year that the matshed is in position. It is not put up at any other time. A fuller account, with an illustration of the scroll, is at pp 311-318 of the RAS Journal, Vol 15 (1975). The street associations are interesting. The Pak She Association has office premises, from which it provides services and amenities for residents of the street. It takes part in the procession (chut wui i) for the Bun Festival, the major religious activity of the year in which all the leading associations take part. It also has a recognised annual part in the organisation of the festival. As stated above, the Chung Hing group has no premises, but uses the Tin Hau Temple (AGB) in that street for its meetings. It takes an annual part in the chut wui for the Bun Festival, and forms part of the organizing group like the Pak She Association. The Tai San Street people have no premises and take no part in the procession but have this curious connection with the lo tang pang. The Hing Lung Street people have association premises put up about 1960 when I was D.O. on a piece of vacant ground. They are connected with the procession for the Bun Festival but not the organisation of the festival itself. Some of the associations celebrate the lantern festival on other days during this period, probably because of the difficulties in securing accommodation in the few restaurants large enough to take the numbers of people involved. I was told that the dates do not vary and have been followed for many years. Hong Kong, 1987 NOTES James Hayes The day of my visit was also the 15th day of the lunar new year (hsin-hai year), the proper date for celebrating the Feast of Lanterns. For information on this festival see Juliet Bredon and Igor Mitrophanow's The Moon Year, A Record of ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 368 Sung, Hok-p'ang et. al. (1984), pp. 1-9. 1973 "Legends and stories of the New Territories: Kam T'in', JHKBRAS xiii, 1973, pp. 28-40. 1974 "Legends and stories of the New Territories: Kam T'in", JHKBRAS xiv, 1974, pp. 160-185. Taga, Akigoro Tanaka, Issei 1982 Chugoku Sofu no Kenkyu, vol. 2, Tokyo. 1985 Tsui, Bartholomew Watson, Rubie S. Wolf, Arthur P. (ed.) A Chiu 亞潮(?) baai 拜 baai-san Baak Mou-Seung Ú Baak-Ging Baishe Zhuan Lineage and Theatre in China. Interdependence of Festival Organization, ritual, and theatre in the lineage society of South China, Tokyo. 1989 Village Festivals in China: Backgrounds of Local Theatres. Tokyo forthcoming "Daojiao Yili ya Jishen Kiju zhijian de Guanxi”, forthcoming "Taoist Ritual Books of the New Territories". 1985 Inequality Among Brothers: Class and Kinship in South China, Cambridge University Press. 1974 Religion and Ritual in Chinese Society, Stanford. GLOSSARY chiu-gaan chiu-dou * Chiu-Yip # chu 柱 Chuk Yuen 竹園 Chung E Chung Yeung 重陽 Chung-Saan U Bak Bin 北便 Bak Dai 北帝 bei 陂 bong 榜 Bou-Dak Chi #AM bui cha-gwo 茶果 Chan Gau 陳九 Chan 陳 chau-san + Chenghua 成化 cheun-ding T cheun-fu 巡撫 Cheung-Cheun Yun cheung-saam Chi-Naam Ching Ming U Ching-Lok Chung-Yut Я chyun 村 Daai-Si Wong ✰± Daai-Wong E daai-yan ★A daai-yau daam daam-jung da-jai 打仔 da-jiu 打醮 dan 躉 Dang 鄧 Dang Chung 鄧璁 Dao 道 da-saat Dei-Jong Wong E ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 28 membership of an alliance." III. Studies on Jiao Festivals in Hong Kong: the 1980s a. Trend 18 There are not as many studies of Jiao festivals in Hong Kong as in Taiwan. The earliest study in Hong Kong is probably Taylor's 1953 ethnographical essay on the Cheung Chau Jiao festival. The article was re-printed in every issue of the special annual bulletin for the Bun festival in Cheung Chau until the beginning of the 80s. The late Prof. B.E. Ward noticed very early the importance of the Jiao festival to the understanding of rural society. Her account of the festival itself, however, appeared only briefly in her introductory guide book on festivals in Hong Kong. Dr. James Hayes has also noticed the importance of the celebration during his studies on rural communities in the outlying islands and new towns in Kowloon. However, only some of the celebrations were given brief mention in his 1983 book. Mathias' study on the 1975 Kam Tin Jiao festival is probably the earliest comprehensive study of the festival. It is a pity, however, that it has not been published. Kani, Obuchi and Yoshihara are probably the earliest Japanese scholars to realize the significance of Jiao festivals in Hong Kong. Kani, in his study of boat people in Hong Kong regards the Jiao on Cheung Chau island as an event, like the Hungry Ghost Festival, to feed wandering ghosts. Obuchi, working with a Taoist priest, Mr. Chan Wah, studied the symbolic meanings of different Taoist rituals performed in the 1975 Shatin Jiao festival. Yoshihara in a section of his paper on religion in Hong Kong briefly described the 1977 Tai Wai, Sha Tin, event. Beginning in 1979, Tanaka and Segawa commenced active data collection on the festival. Tanaka began his extensive research in Hong Kong in 1979. At least 14 different Jiao festivals were recorded in his three books. Segawa joined the research later, from 1983 to 1985, and several articles have since been published in Japanese. 20 22 The nineteen eighties saw a growth in interest in Jiao festivals among local institutions and scholars. In 1980, students and lecturers of the History Department (Dr. D. Faure), the Sociology Department (the late Prof. B.E. Ward), the Anthropology Department (Dr. S.H. Wang) and the Music Department (the late Dr. B.C. Lu) of the Chinese University of Hong Kong [CUHK] began concurrent studies on Jiao ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 41 Kong: Oxford Univ. Press, 1983), 156-160 & 163-164, on the Jiao festivals celebrated between 1964 and 1972 in Ma Tau Wai, Nga Tsin Wai, Tung Chung and Tai O. N Mathias, John R.G., Study of the Jiao: a Taoist Ritual in Kam Tin in the Hong Kong New Territories (unpublished D.Phil. thesis, Oxford University, 1977-78). #I Kani, Hiroaki, "Hồn Kôn Chugokujin no shukyo shiso no ichidan nitsuite" Shigaku 40, no. 2 & 3 (1967). 22 Obuchi, Ninji, “Hon Kon no tokyo girei" |Daoist ritual in Hong Kong] in Ikeda Sueri Hakase Koki Kinen Toyo Gaku Ronshu (Tokyo, 1980), 753-769. 27 Yoshihara, Katsuo. "Shukyo" [Religion] in Kani Hiroaki (ed.) Motto Shiritai Hon Kon (Tokyo: Kobundo, 1984), 184-191. 11 See note 37. 14 I have been told that Dr. Faure had a manuscript on the Jiao festival sent to a publisher in Hong Kong. However, due to whatever reasons, it has not yet been published. See also Hayes, 164, about Faure's book on Jiao festivals. 36 I was probably the only researcher who participated in the 1980 Kau Lau Wan Jiao festival when I was first introduced by the late Prof. B.E. Ward and Dr. S.H. Wang to the Jiao festival celebrated by the fishing village. In October the same year, Dr. Faure and I attended the Jiao festival at Pak Kong, Sai Kung. In November, the late Dr. Lu Bin-chuan of the Music Department of CUHK, Dr. Lu's student Mr. Chan Wing-Hoi and I attended the Jiao festival in Fanling. Dr. Faure, Prof. Ward and Prof. Tanaka also came. The Jiao festival of Fanling and that of other areas are mentioned here and there in Faure's 1986 book. In December 1980 students of CUHK under the guidance of Dr. Faure, Dr. Wang and Prof. Ward started an ethnographical research on the Jiao festival in Ho Chung, Sai Kung. A detailed report of daily rituals was written by Lee Lai-mui and Cheng Shui Kwan, two CUHK students majoring in History and minoring in Anthropology. The report was sent to interested scholars. Unfortunately it has never been published. Two students of the CUHK at that time should perhaps be mentioned here: Chan Wing-hoi, who specializes in music and computer, was employed by the History Museum of Hong Kong to study the Kam Tin Jiao festival in 1985, a report of which was published in the Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989). Chan's master's thesis on folk music in Hong Kong also includes a chapter on the ritual music played by the Taoists at the Jiao festival. Chan also has an ethnography on the 1986 Shek O Jiao festival published in the Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. The master's thesis of Leung Chor-on, now Ph.D. candidate of Cambridge University, submitted to the Anthropology Department of the CUHK gives a good account of the ritual symbols of the festival. Chan, Leung and I held a seminar on Jiao festivals on Dec. 11, 1988 for the "Research Circle of the Regional Society of Southern China" focusing on musical, ritual and social aspects of the festival. 27 Locally published works besides those by Faure and my own are: - (a) Chamberlain, Jonathan, "Introduction” in Chamberlain J. and Iam Lambot The Bun Festival of Cheung Chau (Hong Kong: Studio Publication, 1990). This is largely a collection of photos. Chamberlain's introduction is very descriptive but no sources are quoted. (b) Chan Wing-hoi, “Observations at the Jiu [Jiao] festival of Shek O and Tai Long Wan, 1986" Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. Chan recorded meticulously what he was told and observed about the 'settlement', the 'participants', the "ritual site", the "local gods" and the "events". (c) Xiao, Kuo-jian (Anthony K.K. Siu), Xianggang Xiandai Shehui [Pre-modern society of Hong Kong] (Hong Kong: Chung Wah, 1990), 86-97. Xiao attempts to illustrate three reasons why the communities in Hong Kong celebrate the Jiao. The first reason is to plead for fortune, to pay sacrifices to the gods, to drive away evils and to prevent 4 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 42 disasters. the second is for those who died because of plague. The final reason is to thank the benevolent governors Wang Lai-ren and Zhou You-de of the beginning of the Qing dynasty. In my opinion, all these reasons can be integrated into the first one. (d) Chan Wing-hoi "The Tangs of Kam Tin and their Jiu festival", Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989) 302-375, a rich and detailed account of the lineage, its temples and villages, and the festival which draws them together. Dr. Faure gradually switched his interest to the Pearl River Delta while Prof. Tanaka, as I was told, is now looking at Sichuan province. Talk on publishing a book on Hong Kong Jiao festivals has been going on for years by members of the "Research Circle of the Regional Society of Southern China''. In 1990, the editorial board of the society set up a schedule to compile a book focusing on the Jiao festival. It is expected that papers on various aspects will be completed by the end of April 1991. (Correspondence from the society dated 28.12.1990) Schipper, Kristofer M., "The Written Memorial in Taoist Ceremonies" in Wolf, Arthur P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford University Press, 1974), 324, For example, according to Chan Wing-hoi, villagers of Shek O celebrated their 16th Jiao in 1986 (Chan, 78). The Dengs in Kam Tin claimed to have celebrated their Jiao since 1684 (Tanaka, 918). See for instance Basel Mission Archives, doct. Al-6, No. 51 (1869), and doct. Al-7, No. 51 (1870) and Der Evangelische Heidenbote, July 1867, in which a missionary describes how he was forced to go to the Magistrate to get his support before he could avoid having to pay his share of the Jiao expenses. All these cases are from Hsin An County. The Sha Tin poem will, it is hoped, shortly be published by Dr. P.H. Hase. These two series are part of the 15 series of historical documents collected by Dr. D. Faure and others in the New Territories. Copies of the collections are kept in the libraries of CUHK, Hong Kong University, Sha Tin Regional Council Library, and Institute of Oriental Culture, Tokyo University. 31 Tanaka Chugoku no Sozoku to Engeki [Lineage and Theatre in China] (Tokyo Univ. Press 1985), 608. Jiao festivals celebrated by the powerful communities in Hong Kong like Kam Tin, Ha Tsuen, Lung Yeuk Tau etc., were all performed by the Zhengyi Taoist group, led first by the late Master Lin Pei and now by Master Chan Kau. Another Zhengyi Taoist group is led by Master Chan Wah. However, many Taoist priests work for both groups. There are also other Taoist groups who performed for the Jiao festivals, like a Cantonese group which performed for Ho Chung and a Heklo group for Cheung Chau. In 1983, four out of five Jiao festivals were performed by monastery Taoists. It is not clear whether it was because of tradition or out of economic reasons. A comparison of the two Taoist groups has yet to be made. 14 Choi Chi-cheung **Sho matsuri no jinmei risuto ni mirareru shinzoku ban'i” [Kinship as seen in the name lists of Jiao festival] Bunka Jinnú Gaku 5 (1988): 131, table L. 35 **Shinshi men" [Section of Believers] in Fanling Wenxian (Historical Literature of Fanling) vol. 8. This brief account records details of the arrangement of the Jiao area, including the contents of couplets, names of deities invited, location and direction of matshed stages, and the sacrifices prepared etc.. See n. 32 for the depositories of Fanling Wenxian. 36 See (1972) Lin Chuan [Lam Tsuen] Xiang Taiping Qingjiao huiyi jilubu in Dapu [Tai Po] Wenzian [Historical Literature of Tai Po] vol. 1. (see n. 32 for depositories) 37 Tanaka Issei's three books, all published by the Tokyo Univ. Press are: Chugoku Saishi Engeki Kenkyu [Ritual Theatres in China] (1981), Chugoku no Sozoku to Engeki [Lineage and Theatre in China) (1985), and Chugoku Kyoson Saishi Kenkyu: Chihogeki ================================================================================