RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author Vol. 1 (1961) ISSN 1991-7295 103 of Buddhist literature, chiefly sutras in Chinese, and is open to the public (although only members are allowed to take books out). It is headed by Abbot T'aam Hui of the Wang Faat Tsing She, and staffed by his disciples. There is another, much smaller Buddhist library on the Hong Kong side (the Bo Fat Tripitaka Library, Queen's Road East), under the direction of Abbot Fat Ko of the Po Lin Tsz. By far the most numerous category of Buddhist institutions in Hong Kong is the tsing she, or hermitage, most of which - at least 120 are registered under the Temples Ordinance - are to be found in secluded parts of the New Territories (over 80 on Lantao Island alone). These are small private institutions where five or ten persons lead a peaceful life, eat vegetarian food, worship morning and night, and (in the case of the intellectually inclined) more or less diligently study Buddhism and practice Buddhist meditation. Many of the hermitages are headed by an ordained monk: in others, one or two monks may live as honoured guests, teaching the laymen who, in almost all cases, form a majority of the inmates of each institution. Little distinction is made as to sect: each inmate is free to take the approach that he finds most congenial. Women as well as men may be found in tsing she (offering little distraction, since they are usually elderly), but most Buddhists lay women prefer the institution known as the chai t'ong, or vegetarian hall, which is a species of tsing she and follows the same regime. Here no men are to be found. Amahs and other women who have saved a little money make it over to the head of the chai t'ong in return for her commitment to support them until they die. Sometimes the spirit of the commitment is not lived up to. The proprietor tries to make life so spartan for one of her guests that the latter will leave in disgust. Her purpose is then to acquire another lump sum from the person who replaces the disgruntled member. This kind of sharp practice often leads to disputes that the District Officer must solve. III. FINANCES Tsing she, including chai t'ong, receive practically no money from public sources. Outsiders are not encouraged to attend worship there except in cases where they are potential candidates for admission. The income comes from members only and, where the latter are well-off, the standard of living can be high. The income of the funeral specialists is entirely in the form of fees for services performed. The various study centres and libraries depend on donations from well-to-do Buddhist devotees, who, in many cases, wish to acquire merit by helping to spread the dharma. Since their personnel is usually small and their ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1973 https://digitalrepository.lib.hku.hk/catalog/8910rj06r 166 NOTES AND QUERIES the surrounding countryside reposing in the benediction of its large standing Buddha. The museum of Sukhothai also displayed a number of very fine pieces, not least the magnificent walking Buddha, phra lila, a purely Sukhothai invention. The sister city of Srisachanalai is further to the north of Sukhothai but of the same period. It is famous for the Sangkaloke variation on Sukhothai celadons, and it is from there that the Chalieng wares came. To get to the site one has to cross the river Yom in a boat below the rapids; the ruins are visited on foot. The entire spread of the area was seen from the top of Wat Khao Phanom Pleung. Wat Chang Lom, with its stucco-on-laterite elephants around giving it its name, dates from the beginning of the Sukhothai period. Wat Chedi Chet Tao has among other chedi the characteristic lotus-bud finial which was also seen in Wat Mahathat in Sukhothai; as in that temple, too, there were also some good stucco remains, here, of a Buddha seated under a protecting naga. Wat Uttayan Yai is another ruined temple, and between it and the high city wall still remaining are the ruins of Wat Nang Phya, the walls of the chapel containing some delicate decorative stucco work. In the ruins of the palace is an interesting covered arched sanctuary, The site of Kampengpetch lacks the hills of Sukhothai or Srisachanalai but is surrounded by denser secondary jungle which adds to the attraction of the area. Wat Chao Awat Yai has little of particular note apart from the deep rectangular pool before it from which the blocks of laterite were cut to erect the building. The elephants surrounding the central section of Wat Chang Rob are better preserved than at Srisachanalai and finer in their detail, and there is a stucco decoration of Bo trees and demons on the walls between them. Wat Phra Si Irayabot has in the middle of the jungle a vast laterite platform for a vihara and behind it a most unusual construction with four Buddhas placed round a high core in standing, walking, sleeping and seated positions. The first two are still in good condition but little remains of the last two. All these temples lie outside the old city walls, inside which are to be found the ruins of Wat Prathat and Wat Phra Keo, with their bare outlines of laterite Buddhas and fallen chedi. The new museum at Kampengphet was also visited by special arrangement and contains some exceptional pieces, notably an U-Thong Buddha and some torsos of Hindu deities which seemed to have found more favour in Kampengpetch than in the other cities of Sukhothai. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 37 history) Hong Kong, Xinya Yanjiusuo Rawski, Thomas G. 1970. Chinese Dominance of Treaty Port Commerce and its Implications, 1860-1875. In Explorations in Economic History 7/4, 451-73. Redding, Gordon S. 1991. Weak Organizations and Strong Linkages: Managerial Ideology and Chinese Family Business Networks. In Gary Hamilton (edited), 30-47. Rhoads, Edward J. 1975. China's Republican Revolution: the Case of Kwangtung. Cambridge and Massachusetts, Harvard University Press. 1977. Merchants Associations in Canton, 1895-1911. In William Skinner (edited), 97-117. Rowe, William T. 1984. Hankow: Commerce and Society in a Chinese City, 1796-1889. Stanford, Stanford University Press. Sekkó Zaibatsu (The Zhejiang financial clique). Edited by Mantetsu Shanhai Jimusho. Shanhai, Mantetsu Jimusho, 1929. Shanghai duiwai maoyi (Shanghai foreign trade, 1840-1949). Compiled by Shanghai Shehui Kexueyuan Jingji Yanjiusuo and Shanghai-shi Guoji Maoyi Xuehui Xueshu Waiyuanhui. Shanghai Academy of Social Sciences Press, 1989. Shanghai Sojourners. Edited by Frederic Wakeman and Wen-hsin Yeh. Berkeley, Institute for East Asian Studies, University of California, 1992. Sinn, Elizabeth. 1989. Power and Charity: The Early History of the Tung Wah Hospital. Hong Kong, Hong Kong Oxford University Press. Skinner, William G. 1974 (edited). The Chinese City: City Between Two Worlds. Stanford, Stanford University Press. 1976. Mobility Strategies in Late Imperial China: A Regional-System Analysis. In Regional Analysis, Volume One: Economic Systems, 327-64. Edited by Carol A. Smith. New York, Academic Press. 1977 (edited). The City in Late Imperial China. Stanford, Stanford University Press. Smith, Carl T. 1983. Compradores of the Hongkong Bank. In Frank H. H. King (edited), 93-111. 1985. Chinese Christians: Elites, Middlemen, and the Church in Hong Kong. Hong Kong, Oxford University Press. 1993. Hong Kong Chinese Wills, 1850-1890. Unpublished paper presented at the International Conference on Folk Documents and Regional Society in South China, Hong Kong University of Science and Technology. Su, Waigong. 1933. Xianggang, Shanghai, Guangzhou shangye mingrenlu (Prominent business characters of Hong Kong, Shanghai, and Canton). Shanghai, Shangye Bianshu Gongsi. Topley, Marjorie. 1964. Capital, Savings and Credit among Indigenous Rice Farmers and Immigrant Vegetable Farmers in Hong Kong's New Territories. In Capital, Saving and Credit in Peasant Societies: Studies from Asia, Oceania, the Caribbean and Middle America, 157-86. Edited by Raymond Firth and B. S. Yamey. London, George Allen & Unwin. 1968. The Role of Savings and Wealth among Hong Kong Chinese. In Hong Kong: A Society in Transition, 167-227. Edited by Ian C. Jarvie and Joseph Agassi. New York, Frederick A. Prager. Toyama, Gunji. 1944. Shanhai Dota: Go Kensho (The Shanghai taotai Wu Jianzhang). In Gakkai 1/7, 45-54. 1945. Shanhai no shinsho: Yo Bo (A gentry-merchant in Shanghai: Yang Fang). In Toyoshi Kenkyu 1/4, 17-34. Tsai, Jung-fang. 1975. Comprador Ideologists in Modern China: Ho Kai (Ho Chi, 1859-1914) and Hu Li-Yuan (1847-1916). PhD thesis, University of California, Los Angeles. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 64 28 19 3:0 David Nivison, The Life and Thought of Chang Hsueh-ch'eng, (Stanford, 1866), 251 Ibid See Si ku wei shou shu mu u yao, 5 juan, 1807 Ruan Yuan's bibliographical annotations on important books omitted from the Si Ku chuan shu. He had found these books in Zhejiang. The original memorials that accompanied these books and his annotations are in the Qing Archival Collection at the National Palace Museum (Taipei) 31 Yi zheng Liu Meng zhan nian pu (Chronological account of the life of Liu Wen chi), 114-115. 32 Arthur Hummel, Eminent Chinese of the Ch'ing Period, (Washington DC, 1943), 91 33 34 Yang Wensheng X, Si shi cao ji (1801), Preface Letter to Liu Taigong (1790-1855), dated 1802 Liu's daughter was married to Ruan Yuan's adopted son, Ruan Changsheng, 34 Letter to Wang Niansun. 36 Ruan Yuan blamed the errors on the fact that he had not had a chance to do the final proof reading before the book was printed. 37 Ruan Yuan's letters written in old age, Ruan Wen da gong zhi shi hou jia shu, consisting of several dozen memos written to his family after 1838 when he retired from government service, serve to prove that Ruan Heng, always referred to as "my younger brother" but actually a distant cousin who had been adopted as heir to a half brother of Ruan Yuan's father, had taken care of Ruan Yuan's business and financial interests with the aid of a couple of clerks. These letters are in the Rare Book Collection of Beijing Library. I am grateful to Professor Wang Junyi and his staff of the Qing History Institute at the People's University who made it possible for me to have access to the collection in March 1991 38 I am not happy with the English translation "tent friend" or "guest" Ding xian ting bi tan, 1:11a. 40 41 See, for instance, Ding xiang ting bi tan 3.52b-53a Hai ning zhou zhi gao 4:3 shan, 11b-12b. 42 Xie Guozheng, Jin dai shu yuan xue xiao zhi du bian quan kao (An inquiry into recent changes in the academies and schools of China), (Hong Kong, 1972), 2-18. 43 Zhang Ying in Wen lan xue bao 2:1 Lin Bo tong, Xue hai tang zhi ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1993 https://digitalrepository.lib.hku.hk/catalog/66833t302 2 dictionaries of phrases, many of them carry the figurative meaning. What more, these 'phenomena' suggest that the concept of face is important. is Face Is Important Lu Xun, the author of the epic A Q, had written many stories, articles, and poems. Among them, one article was solely devoted to the concept of face (Lu, 1934).* Another contemporary writer, Lao She also took pains to single out face as the central theme in one of his early plays: Mianzi Wenti (The Question of Face), a three-act play published in 1941.6 In what can be regarded as a concise statement of what Lu Xun and Lao She had tried to convey, Lin Yutang, the famous linguist, wrote that face was 'yet the most delicate standard by which Chinese social intercourse [was] regulated' (Lin, 1935: 200). He also lamented that if China was to become strong, it was necessary for her people, especially those who had face, to cast aside this concern (Lin, 1980: 210). His underlying assumption was that the concern with face barred the country from developing into a state ruled by law and thereby a strong state. This view was shared by other social critics like Bo Yang (Bo, 1987: 121). Even some Westerners who had much experience living in China feel the same (Bo, 1987: 338-339). Some Western scholars also attended to the concept. Elizabeth Croll, for example, in her study of marriage rituals, concluded that the scale of marriage was taken as a symbol of a household's or even a larger social group's status. Wedding banquets were used by those who experienced changes in their status to advertise their new positions in society. Although the word 'face' was not directly used, it is apparent that the concept worked in this context. As far as this ritual was concerned, the situation remained the same in post-1949 China. More so, the cadres themselves, rather than the villagers, were the group being indulged in extravagant feasting. Even in the political arena, the concept of face appears to be important. In an analysis of the dynamics of political factions, Lucian Pye has argued that, very often, politicians would not be totally driven out, nor would political factions be totally defeated. This is to save the losers from a complete dismantling of their status, power and other means of living. This is also important to allow the defeated to live on by saving them from a 'deep sense of loss of face' which implies loss of respect and dignity (Pye, 1980: 188-189). * A copy of the bibliography is available from the Hon. Editor ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 95 his own funeral At the next level in the hierarchy he proceeds to mastership (tou sai) through a still more important ceremony. But this already high position can be still further improved, to two higher levels with more important qualifications of varying degrees. Henceforth, they will use, in similar religious contexts, what one may call a 'knightly' or 'gentlemanly' name. For instance, a man who has already been granted a fa boa, as in the example Tang Fa On' given above, will now change it to Tang On yet-long' if he is a first-born, meaning 'On, the First Squire of the Tang Family'. If he is a second or third son, this will also be stated in a similar way. This tradition is claimed to have descended from Zhang Zhao Er Lang, who, as we shall see, is known as a disciple of Lu Shan Jiu Lang since before 1220.7 I am not sure if the two styles of ordination names among the Hakka correspond in detail with this practice of the Yaos of Thailand; the Yao data suggest at least they could indicate different levels of initiation. A similar custom, though less detail is available, is found among the She minorities of China, an initiation rite for men who have reached the age of 16. The ceremony, known variously as jiaoming (perhaps corrupted form of zhouming “submitting a name for celestial/royal approval”), dushen (“ordination”), and rulu (“entering the [Daoist?] register”), although it is often described as jizu (“worship of ancestors”). Those who have been initiated through the ceremony obtain a faming, "religious title". Evidence suggests that the "religion" concerned is traced to the traditions of Lù Shan and Mao Shan, from where the first ancestor of the She is claimed to have learned magic. Literature on the She is more fragmentary on the format of the "religious title". It is known that those initiated can be called after death lang in the case of men, and niang in the case of women. It is also known that the She used the characters Da, Xiao, Bo, Qian, Wan and Nian to indicate generations. Examples of actual names confirm that those formed with numeric characters and lang follow the same style of ordination names as those of the Hakka. It should be pointed out clearly that this should not imply that the Hakka have descended from the Yao or She. There are clear evidences ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1996 https://digitalrepository.lib.hku.hk/catalog/3n209j641 119 prestige since the Tang dynasty. I shall return to this point later Genealogies that are available now are the result of many updates and only then prefaces can be dated. Some of those in the collection of Luo, op. cit. contain a preface dated 1269 (p. 363), another a preface dated 1406 (p. 48), another was first compiled during the same period (p. 67). As the prefaces do not usually dwell on the many different names of ancestors, we cannot expect prefaces to indicate ordination names as such. The earliest dated preface in the collection to mention ordination names was written in 1780. It drew attention to early ancestors whose achievements as officials are not known but are immortals in the celestial count, referred to by their religious names. It would be useful to examine unabridged genealogies to find mention of ordination names in early prefaces. 1. Check the Golden Lotus for ordination of a male child. Ordination in a funeral seems to appear in the famous Qing novel, the Red Chamber. NJ Hu Bo'an's *Zhonghua Chuanguo Lingji*, reprinted 1990, Zhengzhou: Zhongzhou Guji Chubanshe, *shang bian*, j. 1, p. 82 describes a practice in Tianjin province of Buddhist ordination; the child will later become a layman again in a rite to be carried out at the age of 12. 21 Qu Dajun, *Beijing: Zhonghua*, 1985, pp. 302–303. The passage is repeated by Yihe Dong Biji, written around the 18th century (the author Li Diaoyuan obtained his Jinshi degree during the Qianlong period, 1736-1795). If the passage in *Guangdong Xinyu* was copied from some earlier book, the original would not have been written before 1569, when Yong'an was first established as a separate county. "The Third Gazetteer of Yong'an, j. 1, p. 207 in the reprint by Chengwen Chubanshe, 1974. The Changle County Gazetteer, j. 4, p. 247 in a reprint in the 70s (2) in Taiwan. According to the *Gongguo Difang Zhi Zonghe Mulu* ('Comprehensive Catalogue of Chinese Gazetteers'), the earliest version, of circa 586 and circa 663 respectively, still exist. 21 The passage does mention that the area has Yao and Liao minorities, but the sentence about the sorcerers seems to refer to Han villagers. See Hu, op. cit., *shang bian*, j. 8, p. 50. 24 Op. cit., j. 1, pp. 8b-9a. 1 Jl, * Michel Strickmann, in 'The Longest Taoist Scripture', in *History of Religions*, 1978, p. 349, suggests that the appearance of the name Satan here attests to the influence of Manichaeism in Southeastern China. The Satan was worshipped by some circles of agnostics, according to the entry in Mircea Eliade, ed., *The Encyclopedia of Religion*, New York: Macmillan, 1987. 26 Interpreted as King of Skanda by Strickmann, op. cit. 27 In some cases written as Mei Shan, Mei Shan, Lu Shan, or Lu Shan. * Li and Huang, ed., *Liannan Bapai Yanjiu Ziliao*, published by Guangdong Sheng Shehui Kexueyuan in the 1980s. See, for example, p. 554 and p. 564 for King of Asura, p. 433 for ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 23 Yet mime performer, Philip Fok Tat-chiu, who worked for the Hong Kong Government before emigrating to Australia as recently as 1992, although a relative newcomer, seems to have made a success of his life 'Down Under.' The greats in the field of mime include Sid Caesar, the contemporary French master Marcel Marceau and, of course, Charlie Chaplin himself (Lee, 1999). Another form of entertainment, Chinese 'cross-talking' (‘double voice' as it is known in Cantonese,) is much like American vaudeville. It needs one serious performer with a deadpan face and one comic to deliver the punchline. Acting out 'sketches,' like those performed by Ho Bo-man and Chou Chi-hung in Guangzhou, using every-day hilarious situations with rapid-fire exchange, amount very much to the art of language and repartee (Cheung, 1996:5). Slang is important. Jokes can be about portable telephones, which no self-respecting person-about-town can manage without, or about climbing up the beam of a torch (flashlight) in the dark. Isn't it slippery and dangerous? What happens when I switch the torch off?! Maybe the banter is stupid, but gags like these can serve a useful purpose. They can help motivate people,' says comedian Harry Wong of Metro Radio. 'Something useful can come out of such jokes.' After the Great Proletarian Cultural Revolution (1966-76) ended the 'Gang of Four' was a popular target for 'quick-fire twosome' acts in China, although many tried (and still try) to steer clear of politics. But unless one possesses an extremely good knowledge of Cantonese there is limited chance of a European understanding a great deal of this rapid-fire talk. In fact at a Chinese banquet, with one European and the remainder Chinese, when the conversation is in rapid-fire Cantonese interlaced with slang, if the gwailo appreciates six out of 10 jokes he or she is not doing at all badly. Of course there are jokes which people of most nationalities, if they can grasp the language, can laugh at. Like the chap in northern China who always ate at a government canteen. 'All the time cabbage!' he nagged, 'cabbage, cabbage, cabbage! 'Can't you give us a choice?' 'Of course you can have a choice,' came the chef's reply. Page 60 Page 61 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2000 https://digitalrepository.lib.hku.hk/catalog/nk328168n 160 The Emperor Tang Ming Huang was the third son of the fifth emperor of the Tang. His personal name was Li Longji [AD 685-761], though popularly known as the Third Son, San Lang. He is now the patron of actors and professional musicians, worshipped backstage by Fukienese devotees in Taiwan and several places in South-east Asia. Prior to 1949 he was also revered throughout northern China as the patron of actors, actresses and musicians, with incense burnt before his altar prior to every performance [Photograph 1]. He succeeded his father who abdicated in his favour in 713, and ruled the country fairly. The first part of his reign approximated that of his great-grandfather, Tai Zong, in prosperity and glory. He began by economising and by 740 the country was reasonably prosperous. Being a man of the arts he surrounded himself by a brilliant court, welcoming such men as the poet Li Bo. It quickly became the most glorious period of Tang culture. He loved song and dance and he had built within his palace an area known as the Pear Orchard, Liyuan, to bring together the best actors and actresses, dancers and singers in all China. The title, Liyuan, later became a common designation for anyone who sang, acted or danced professionally. Many myths are particularly centred on Tang Ming Huang - and stories about him abound describing him as a very sociable man, fond of music and drama, with men and maidservants being trained as actors and musicians for whom he composed tunes. He also founded a school of dramatic art. There are at least six temples in Taiwan dedicated to this deity, in Taipei, Taichung, Changhua and Kaohsiung where his festival is celebrated on or about the 24th of the sixth lunar month. As a deity he is known by a number of titles, including Ming Huang Dadi 明皇大帝; Lao Lang Ming Huang 老郎明皇; Lao Lang 老郎; and in Beijing Xi Shen, the God of Happiness. In Sichuan, however, his images were simply referred to as the Bodhisattva Prince, Taizi Pusa and, as elsewhere, were worshipped backstage, principally to prevent actors and actresses from bursting out into uncontrolled laughter or forgetting their lines. He is the patron in ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 APPENDIX ROYAL ASIATIC SOCIETY ACTIVITIES FOR 2002/2003 Date 2002 April 12 May 3 June 7 June 7 June 14 August 10 September 20 October 4 October 18 November 23 November 29 December 6 2003 January 3 January 10 January 24 February 14 February 21 March 28 Lectures Dr Patrick H. Hase on Some Smaller Market Towns of the New Territories Dr Dan Waters & Fr Louis Ha on Hong Kong's Lighthouses and the Men who Manned Them Dr Ian Nish on Anglo-Japanese Relations in the Twentieth Century (Joint Lecture) Dr Lindsay Porter on The Pink Dolphins of Hong Kong. Jason Wordie on Streets; Exploring Hong Kong Island Dr Martin Palmer on Da Qin - An Imperial Christian Site of the Tang Dynasty (with a visit to the exhibition on this subject) Tim Ko on The Development of Cemeteries in Hong Kong; 1841-1941 Christopher Munn on People and Government in Early Colonial Hong Kong Dr Janet Lee Scott on Up in Smoke: Offerings for the Ancestors Stella Ma on Cha Duk Chang: The Appreciation of Chinese Opera William Lindesay on The Great Wall: Research and Impressions Valerie Garrett on Heaven is High, the Emperor Far Away: Merchants and Mandarins in Old Canton Dr Solomon Bard on Voices from the Past: Hong Kong 1842-1918 Dr Christina Miu Bing Cheng on Macau: The Farming of Friendship Dr Lawrence Lai & Dr Daniel Bo on Devil's Peak Ruins: A Glimpse of a British Stronghold Dr Elizabeth Sinn on Ultimate Return: Transhipment of Chinese Migrants' Bones to the Native Village and Hong Kong's Role in the Chinese Diaspora Anthony Lawrence on Hong Kong: Growing Old Dr Graeme Lang on The Return of the Refugee God: Wong Tai Sin in China XXXI ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 Hong Kong Museum of Coastal Defence Archery traditions of Asia. [Xianggang]: Xianggang hai fang bo wu guan, c2003. Hong Kong Museum of History Boundless learning: foreign-educated students of modern China. [Xianggang]: Xianggang li shi bo wu guan, c2003. Hong Kong Museum of History Brief guide to Hong Kong Museum of History. Xianggang: Shi zheng ju, c1991. Hong Kong Museum of History Napoleon Bonaparte: emperor & man. Hong Kong: Leisure and Cultural Services Department, 2003. International Conference on Sinology (3rd: 2000 : Taipei, Taiwan) Guo jia, shi chang yu mai luo hua'de zu qun (State, market and ethnic groups contextualize). Taibei Shi: Zhong yang yan jiu yuan li shi yu yan yan jiu suo, Minguo 92 [2003]. International Conference on Sinology (3rd: 2000 : Taipei, Taiwan) Xin yang, yi shi yu she hui (Belief, ritual and society). Taibei Shi: Zhong yang yan jiu yuan li shi yu yan yan jiu suo, Minguo 92 [2003]. Litmaath, Joop B.M. Far East of Amsterdam. Hong Kong: Corporate Communications Ltd., 2003. MacGillivray, D. A century of Protestant missions in China (1807-1907) being the Centenary Conference historical volume. San Francisco: Chinese Materials Centre, c1979. Macau on the threshold of the third millennium: an international symposium, co-organized by the Macau Ricci Institute and the French Centre for Research on Contemporary China, Hong Kong. Macau: Macau Ricci Institute, c[2003]. xliii ================================================================================