RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1980 https://digitalrepository.lib.hku.hk/catalog/kh04md207 30 KEITH G. STEVENS or halls.32 Nearly 70% of all nunneries are on Lantau island, whereas only 10% of the monasteries are; and three hundred and fifty-three temples and monasteries have resident staff. There are thirty-two temples in Macau, of which two are well-nigh derelict. Of the thirty-two temples, six are coastal, twenty-four are urban, and two rural. The majority of temples contain a mixture of Buddhist and folk religion images (no temples contain only Buddhist images), and the remainder contain only folk religion deities. Degrees of popularity of the major deities in temples and shrines The total number of temples dedicated to a specific deity throughout the two areas reflects the importance of that deity to devotees. In Hong Kong and Macau, forty-four different gods each have at least one temple dedicated to him (or her), whilst only seven gods have more than five temples to him (or her). The seven, in order of precedence (based simply on them being the main deity of a temple or monastery), are Tian Hou (seventy-eight) (*), Sakyamuni Buddha (thirty-nine), Guan Yin (thirty-eight), Guan Di (twenty-one), Hong Sheng (twenty), Bei Di, who is better known as the Northern Emperor, (ten), and Lu Zu or Lu Dongbin (seven). Although this gives only a very rough guide, the number of images of Guan Yin throughout Hong Kong and Macau vastly outnumbers those of Tian Hou. However, when the criterion is the number of temples in Hong Kong and Macau in which a particular deity is to be found (on any altar and not necessarily as the main deity), then the first five are Guan Yin, whose image appears in at least seventy-five temples, Tian Hou (114), Guan Di (88), Qi Tian Da Sheng (Monkey) (61), and Di Zang Wang (59). The Kitchen God, most frequently depicted by a reddish-orange paper pasted on the chimney above the stove, is the most common deity to be seen on the household altar, followed closely by Guan Yin, whose image, as we have noted, is also to be seen in 70% of all temples. The most common deities outside the home are Tu Di Gong, the Earth God (the local tutelary deity), in both urban and * The totals are not the number of images seen but the number of temples in which the deity is the main image in both Hong Kong and Macau. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1983 https://digitalrepository.lib.hku.hk/catalog/j9607p61v References Cited 183 Ch'en Kuo-fu 1963 Tao-tsang yüan-lin k'ao. Peking: Chung hua Press. Keupers, John 1977 "A Description of the Fa-ch'ang Ritual as Practiced by the Lü Shan Taoists of Northern Taiwan," in Michael Saso and David W. Chappel, eds., Buddhist and Taoist Studies (Hawaii: The University Press of Hawaii). Liu Chih-wan 1974 Chung-kuo min-chien hsin-yang lun-chi. Academia Sinica Special Monograph no. 22. Taipei: Academia Sinica. Saso, R. Michael 1972 Taoism and the Rite of Cosmic Renewal. Pullman: Washington State University Press. Stein, Rolf A. 1979 “Religious Taoism and Popular Religion from the Second to Seventh Centuries", in Holmes Welch and Anna Seidel, eds., Facets of Taoism: Essays in Chinese Religion (New Haven: Yale University Press). APPENDIX 1983 Cheung Chan Bun Festival 長洲一九八三年(癸亥年)建太平清醮 Date: May 16-20, 1983. Place: Playground in front of the Bai-di temple A. Taoist Team: five Fukienese-speaking dao-shi, with Wei Guo-xin as the head dao-shi; five musicians, also Fukienese-speaking. May 16 13:00 Greeting the Gods 20:00 First operatic performance begins on temporary stage adjacent to the Taoist altar. May 17 1:00 Beginning of Jiao-shi Residents of Cheung-chau begin the three-day fast Operatic performances continue, afternoon and evening shows. May 18 Operatic performance continues, two shows per day. 12:00 Offering to the Gods 15:00 Dotting of eye May 19 12:00 Vegetarian diet ends. May 20 10:00 Divide the Buns 14:00 First day of Procession 第一天會景巡遊 Operatic performance continues, two shows per day. 14:00 Second day of Procession Operatic performance continues, two shows per day. Fast ends. May 21-22 Operatic performance. Beginning on May 17 and ending on May 22, Jiao-shi were conducted in three sessions each day, generally in the morning, afternoon, and evening. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 60 Governor-General of Yunnan & Guizhou Kunming 2A 1816-1835 Assistant Examiner of Metropolitan Exam Beijing 1833 Assistant Grand Secretary Kunming 1B & Peking Grand Secretary in charge of Board of War Beijing 1A 1835/3 Acting President of the Censurate Beijing 1835/10 Reader, Palace Examination Beijing 1836 Senior Professor (Hanlin Academy) Beijing 1836 Appendix 2 Ruan Yuan's Major Works and Compilations Kao gong ji ju zhi tu jie 考工記車制圖解 Shi qu sui bi 石渠隨筆 Yi li shi jing kan ji 儀禮石經校勘記 Shandong xue zheng Ruan Yuntai shi tong sheng shu mu 山东学政阮芸台示童生书目 Shan zuo shi ke 山左石刻 Jingyin dao ren zhuan 淨因道人傳 Yunfeng zhi bei tu 云峰志碑图 Zhejiang shi ke 浙江詩課 Chong xiu piao zhong guan ji 重修剽中观记 Xiao cang lang bi tan 小滄浪筆談 Shan zuo jin shi zhi 山左金石志 Huai hai ying ling ji 淮海英靈集 Liangzhe yu xuan lu 兩浙輶軒錄 Ceng zi shi pian zhu shu 曾子十篇註疏 Wei yu shu shi sui bi zhu 魏餘蔬食隨筆注 Zhu cha xiao zhi 竹姹小志 Jing ji zuan gu bu yi 經籍纂詁補遺 Di jiu tu shuo 地球圖說 Guang ling shi shi 廣陵詩事 Chong xiu Hui ji Da yu ling miao bei ji 重修惠济大禹陵庙碑记 Ding xiang ting bi tan 定香亭筆談 Chong jian Yangzhou hui guan bei ming 重建扬州会馆碑铭 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j 62 Yun nan tong zhi gao 雲南通志稿 選平樂府重建聖廟碑記 Xuan Ping lo fu chong jian sheng miao bei ji Ta xin shuo 塔性說 San jia shi bu yi 三家詩補遺 Wen xuan lou shu cang shu ji 文選樓書藏書記 Ba zhuan yin guan ke zhu ji 八轉吟館刻記 Bu bi tu shi 布幣圖識 A4 Ruan shi Chi gu zhai Han tong yin te 阮氏積古齋漢銅印得 Wen xuan lou cang bei 文選樓藏碑 Ruan wen da gong zhi shi hou jia shu 阮文達公致仕後家書 Han shi jing can zi 漢石經藏碑 Lang huan xian guan shi Ruan wen da gong zhi shi hou jia shu 阮文達公致仕後家書 Lun yu lun ren lun 論語論仁論 Meng zi lun ren lun NOTES Arthur F Wright, "Values, Roles, and Personalities” in Confucian Personalities, edited by Arthur F Wright and Denis Twitchett (Stanford 1962), 11 Ibid., 4 See Appendix 1 chronology of Ruan Yuan's government appointments and Appendix 2. Ruan Yuan's major works and compilations 4 Lyn Struve, "The Hsu Brothers and Semi-official Patronage of Scholars in the K'ang-hsi Period", Harvard Journal of Asiatic Studies 42-231-266 (1982). R Kent Guy, The Emperor's Four Treasuries. Scholars and the State in the Late Ch'ien-lung Era, Harvard, 1987 Guy has inscribed "We await Ruan Yuan" on the front piece of my copy of his work Struve, 231 The three Xu Brothers were Xu Qian xue (1631-1694), Xue Bing yi (1633-1711), and Xu Yuan wen (1634-1691) Other officials who were patrons of scholars included Ye Fang ai (1629-1682), Song De yi (1622-1687), and Yu Guo zhu (d ca 1688), Struve, 232-239 7 Guy, 52 Guy had neglected to include the group Ruan Yuan had organized at the Gu Jing Jing she in Hangzhou earlier. A number of scholars from this group had followed Ruan throughout his official life from the late 1790s to the late 1830s for over 40 years I have opted to keep the Wade-Giles transliteration of the Guy original 8 Wang Jun-yi, “Kang Qian sheng shi yu Qian Jia xue pai — jian lun Qian Jia xue pai di liu pai ji chi ping jia" 清代乾嘉學派的流派及其評價 Qing shu yen jiu 4 342-366 (Beijing, 1986). Unless otherwise indicated, all translations into English in this paper are made by me 9 Qian Mu, Zhong guo jin san bai nian xue shu shi [A history of Chinese learning during the past 300 years], (Taipei edition, 1976), 478 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1995 https://digitalrepository.lib.hku.hk/catalog/95941j25g 127 speakers that the difference was unimportant. As you can hear from the Chinese names for the Chartered Bank and Chater Road, (ja-da, je-da), English aspirated sounds normally came out as unaspirated in Chinese transcriptions. Turning to the vocabulary of Pidgin, it is clear that a very small base of common words filled a wealth of meanings. Where technical words were in everyday use, Pidgin used them. In other cases, an approximation of the meaning was assembled from a limited stock. For example, "You have no occasion to fear, I have been a tea broker for ten years. I have never given any dissatisfaction to anyone," is rendered as "You no gar-san mat-gi fer-ya. My hap dou di bou-luk-ga tan ya, mai nu gat wan dim mat-gi na ba-lap-ba bi-jin” The vocabulary of book-keeping is resolved like this- “You mix up your accounts. Put all the receipts on one side; put all the payments on another side; deduct the payments from the receipts and you will know the balance in hand ' “You mai-ki mik-si you gon-da, A-la mun-ni gam yin you but wan sai; mun-nı bai na-da man but na-da sai; mun-ni hap, git-ji so mar-ji tik-gi aap hap bat so mat-ji; you gen sa-bi hot ba-loen-sı.” 門 時沙 巴倫時 妖吽沙比喝 巴味 治鴨梳捫 文擱 烟柽 合ㄝ尼体尼 天鐺 拿跛 梳結 打韋 品 乜其治 西打 西甘 妖米其竟士 肤 千米 妖干打 烟妖砵温西 鑄捫尼甘 Fig. 2. The accounting example Pidgin in Chinese characters i ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1995 https://digitalrepository.lib.hku.hk/catalog/95941j25g 說 番人亦有 如此之分 番如稔失 印則 但更俱 有三等之介 Bitt m FE E***S 129 Fig. 5. Tong explains the pidgin form of comparison of adjectives That is as far as we want to go in discussing the structure of Pidgin. As a last topic, however, we want to say something about the etymology of Pidgin. Over the years, a lot of effort has gone into tracing the history of certain Pidgin words, especially where the words have entered standard English. The mass of fresh material in Tong's book lets us throw a little new light, although we have to admit that, as with most attempts at etymology, a lot of guesswork is involved. Tong cites very many words derived from English, in which all syllables are represented quite fully, given the limitations of the language. To say, then, that the word "pidgin" itself originated just because that was the nearest that Chinese could get to pronouncing "business" is hard to accept. The same people who could say “di-fa-loen-si" could presumably have said “bi-si-nei-st", had they been so inclined. Our examination of the vocabulary in Tong brings us to believe that at the earliest stage there was a core of words derived not directly from English but from a variety of Portuguese, Malay, and English. These were then added to with a gradually more extensive vocabulary. We consider that the following should be included in the early layer: bi-jin, kam-sha, de-lam, se-lam, but-lam, si-bui-lum, gi-lam, go-lam, ma-si-gi, gou-dang, ka-gou, tik-gı, get-ji, dim, gat-ji, dim, waan-sam, jaau-jaau, chin-chin, jo-si, hu-man, mai, ma-sa, ma-jin, mat-sa, jap-jap, gu-lei, mun-ni, bai, sa-bi ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 175 the Zhou dynasty and became the emperor of the new dynasty, the Zhou, and is known by his reign title of Wu Wang. The Book of History suggests that his army consisted in part or in the main of a central Asian race, the Western Yi. Zhou Xin is vilified as a moral degenerate under the spell of a wicked concubine, Dan Ji. The Shang were attacked and replaced as the dominant force in northern China by the Zhou just before the first millennium BC, having come from the west. They established their capital near present-day Xi'an. 6 The victor, Wu Wang [King Wu], passed on the title of Zhou Gong [Duke Zhou] to his brother, Dan, and also conferred the imperial title on his father, grandfather, and great-grandfather who had only been dukes when still alive. Zhou Gong was the paragon of literary China for some three thousand years, and it was he rather than his imperial brother who was the author of the Constitution of Zhou. When his brother, the emperor, died leaving a young son, court officials and the vassals assumed that Duke Zhou would usurp the throne and kill his nephew. He did nothing of the sort, and instead, it was the young king who at the age of nineteen stripped his uncle of his powers and forced him to live in exile in Shandong where he died a few years later. The deities described in traditional vernacular fiction, and in particular in the immensely popular novel the Fengshen Yanyi, are known to most Chinese, whereas the majority of those left out of the Fengshen Yanyi, apart from the major cult deities, have to all intents and purposes gone into limbo and are only known within small pockets of China or have been lost in the mists of time. Versions of the legend passed on orally often in local dialect, which frequently does not extend further than the extent of the dialect group, have numerous minor and occasionally major variations, whereas the written version was read China-wide in its 'established' state. So many heroes and worthies make their appearance at one stage or another that it is impossible to name them all. Some appear momentarily during one of the battles, others are recorded in several chapters, occasionally with different names or titles, such as the Northern Emperor [Bei Di] who is also known by his titles, Xuantian Shang Di, The Supreme Lord of the Dark Heavens, and Zhen Wu, The True Warrior. And in temples today, in all probability, he will be known by only one of these titles, with local devotees vigorously denying that an identical... Page 210 Page 211 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1998 https://digitalrepository.lib.hku.hk/catalog/1g05n0794 369 ANOTHER DILEMMA FOR TODAY'S YOUTH IN CHINA Keith Stevens and Jennifer Welch During a recent RAS [HK BR] tour of the Museum of the Humen People's Resistance against the British in the Opium War [1840-1842] at Humen [Bocca Tigris], a small town about sixty miles south-east of Canton on the east coast of the Pearl River, we entered the old temple dedicated to the Northern Emperor [Bei Di] in the grounds of the Museum. The main altars of the temple were not in any way unusual in that it had the central altar with the image of the Northern Emperor, Bei Di, and two flanking side altars, one dedicated to Lü Dongbin, the doctor in the group of the Eight Immortals and the second dedicated to Guan Yin, the Goddess of Mercy. However, there were two further glass cabinets, identical with the form of the main altar, one on either side wall. Against the wall, stage left, was an image of Lin Zexu, the Imperial Commissioner despatched by the Emperor to Guangdong province in 1839 with instructions to stamp out the opium trade. His destruction of the stocks of opium held by British, American and other foreign traders led to the so-called Opium War [in British parlance, the First China War]. The cabinet against the temple wall, stage right, contained three images of Chinese officials involved in the War. They were Admiral Guan; The Governor of the Two Guangs and a General Chen who, captured by the British, is now remembered as the prisoner taken by his captives, together with his loyal horse, to Hong Kong where he died. Before both side cabinets, which had baldachin and silken hangings in front of the altar tables bearing honorifics as do temple altars virtually everywhere, were altar tables with red spirit tablets bearing their honorific titles, as well as offerings of fruit, bottles of wine and incense pots. What proved so interesting was the indecision manifest amongst Chinese visitors who, having not hesitated to bow and offer incense before the images of the three main deities, Bei Di, Lü Dongbin and ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g Carl Crow, 1883-1945 My friends, the Chinese. London: Hamish Hamilton. 1938. Fitzgerald, C. P., 1902- Communism takes China: how the revolution went Red. London: BPC, c1971. Franck, Harry Alverson Roving through Southern China. New York: Century, c1925. Geil, William Edgar A Yankee on the Yangtze: being a narrative of a journey from Shanghai through the Central Kingdom to Burma. New York: Eaton & Mains, 1904. Gottschang, Thomas R. Swallows and settlers: the great migration from north China to Manchuria. Ann Arbor: Center for Chinese Studies, The University of Michigan, c2000. Gray, John Henry China: a history of the laws, manners, and customs of the people. London: Macmillan, c1878. 2 vols. Hobart, Alice Tisdale, 1882-1967 Oil for the lamps of China. New York: Grosset & Dunlap, c1934. Ho, Pui-yin. Dian di hua dang nian: Xiang-gang gong shui yi bai wu shi nian. Xiang-gang: Shang wu yin shu guan (Xiang-gang) you xian gong si, 2001. Ho, Pui-yin Water for a barren rock: 150 years of water supply in Hong Kong; [English translator, Lui Yuen Chung]. Hong Kong: Commercial Press, c2001. Honey, W.B. (William Bowyer) The ceramic art of China and other countries of the Far East. London: Faber, c1945. xlvi ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2002 https://digitalrepository.lib.hku.hk/catalog/mp4901278 262 War in 218 AD between two of the Three Kingdoms [San Guo], between Sun Quan of Wu and Liu Bei of Shu, led amongst other things to the capture of the city of Qingzhou. One of Liu Bei's generals, Guan Yu, hurried south to defend the city but was ambushed, captured and decapitated by Sun Quan after he refused to change sides. Guan was later deified as is now the immensely popular deity, the Patron of Uniformed Bodies and is known as the God of Loyalty, Guan Di. Thus, the founder of Zhenjiang had the distinction of slaying the consequent Patron deity of Soldiers, Firemen and Detectives and the second most popular god on Chinese popular religion altars. In the first years of the 6th century AD the first emperor of the Liang dynasty, Wu Di, who was renowned for his support of Buddhism and the Buddhist clergy, visited Zhenjiang. He had been visited by a divine monk in a dream who urged Wu Di to institute a great fast in order to rescue all sentient beings from the miseries of their existence. The Emperor ordered a new monastery to be built at Tse Hsin [Zexin], known today as Jin Shan to accommodate the Congress held in AD 507, and for centuries within the monastery there was a building known as the Hall of Liang Wang. This tradition is at odds with the date usually given for the founding of the monastery - AD 317. Our next story involves a deified hero who had nothing to do with Zhenjiang in life but, for some unknown reason, his cult would appear to have become centralised along the Grand Canal and especially at Zhenjiang. He is a canonised hero of the Tang dynasty, but one of a pair whose images elsewhere appear together on popular religion temple altars. These two euhemerised heroes, Zhang Xun and Xu Yuan, ***, have been seen on altars in Jiangsu, Zhejiang, Beijing, Taiwan, Hong Kong and South-east Asia. These two protective deities are known individually as the Venerable King of Peaceful Pacification, Wen'an Zunwang ✰✰ E [Zhang Xun] and the Venerable King of Military Pacification, Wu'an Zunwang ✯✯ [Xu Yuan] though they will + be referred to hereafter simply as Zhang and Xu. The most common history of the two heroes as related by a great number of temple keepers describes how Zhang and Xu, loyalists during the reign of Tang Ming Huang, opposed the rebellion led by An Lushan. They died heroically in AD 757 during the civil war defending the provincial city of Suiyang in Henan province which fell to the enemy ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2003 https://digitalrepository.lib.hku.hk/catalog/2v242g390 18 Restoring the damage done by the three years of Taiping destruction required a massive reconstruction project which lasted for nearly 30 years from 1871 to 1899. In addition to rebuilding the previous structures, several new halls which had not existed before were added during this time, including the Guest House (Ke Tang) and the Dining Hall (Zhai Tang) in 1887; the Goddess of Mercy Hall (Guan Yin Dian), Ancestors Hall (Zu Shi Dian), and the Kshitigarbha Hall (Di Zang Dian) in 1890; and finally the 500 Arhats Hall (Wu Bai Luohan Tang) in 1896. The Republican era, 1911-1949 At the beginning of the Min Guo Republic (1912), all the monks were forced to move out by armed soldiers who moved in and used the temple as a barracks. The soldiers looted the golden statues from the temple, and wooden parts of the temple such as window frames were used by the soldiers to make cooking fires. However, in 1920 the temple and the pagoda were both repaired, and after being closed for a whole decade the temple finally officially reopened in 1922 when all the monks came back. Holmes Welch's otherwise authoritative 1967 study of Buddhism in China mistakenly stated that Longhua Temple was occupied by the Chinese military for the entire Min Guo period. Photos from D. C. Burn's brief 1926 study of the temple show that the Qing Dynasty 500 Arhat Hall (Wu Bai Luohan Tang) was still intact then, although it no longer exists now. Longhua Temple enjoyed 15 years of peace and tranquility until September 11, 1937 when the temple was badly damaged during the Japanese attack on Shanghai. Nine Japanese airplanes dropped 30 bombs on the Longhua area. Most likely they were targeting the nearby Longhua Airport and the Guomindang's Longhua Garrison military camp next door, but they accidentally caused severe damage to the temple. Before the attack there had been 80 monks living in the temple, but afterward there were only 7 monks remaining. During the first five years of the Sino-Japanese War, 1937-1942, the internal affairs of the temple were confused and disorganized, with rival masters claiming the post of Abbot, and unqualified persons claiming to be Buddhist monks for the sake of seeking safe haven in the temple. On September 9, 1942 a reorganization committee was ================================================================================