RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author Vol. 1 (1961) ISSN 1991-7295 129 HAINES, Miss F. 10-F Headland Road, H.K. HALLIDAY, Lt. Col, P. A. T. Headquarters Land Forces, H.K. HARRISON, Prof. B. Dept. of History, H.K.U. HAYDON, E. S. The Supreme Court, H.K. HAYE, C. Education Dept., Fung House, H.K. HAYIM, E. J. 41 Island Road, Deep Water Bay, H.K. HELLBECK, Dr. H. German Consulate-General, 1 Duddell St., 4th fl. H.K. HENSMAN, Dr. Bertha Chung Chi College, Ma Liu Shui, N.T. HINDMARSH, R. H. Hong Kong Club, H.K. HO Teh-Kuei 61 Fort St. 3rd fl., North Point, H.K. HOGAN, The Hon. Sir M. Chief Justice's Chambers, Supreme Court, H.K. HOLMES, D. R. N.T. Administration, N. Kowloon Magistracy, Kln. HOLMES, G. M. 9 Chater Hall, 1 Conduit Road, H.K. HOLMES, The Hon. J. C. U.S. Consulate-General, H.K. HORSMAN, Miss A. M. Colonial Secretariat, H.K. HOOK, B. G. Queen Mary Hospital, H.K. HORTON, J. R. U.S. Consulate-General, H.K. HOWARD-WILLIAMS, E. D. The British Council, 133 Gloucester Building, H.K. HOWORTH, J. F. Leigh & Orange, P. & O. Building, H.K. HSIA Tung Pei 12 Ming Yuen Street W., 3rd fl. North Point, H.K. HUANG Sheng-Fu P.O. Box 9066, Kowloon City Post Office, Kowloon. HUGHES, G. M. American International Assurance Co. Ltd., H.K. HUGHES, Mrs. G. M. 175 Sassoon Road, H.K. HUGHES, Prof. W. I. Dept. of Extra-Mural Studies, H.K.U. HUNG, C. S. 19, Hec Wong Terrace, 1st fl., H.K. INGLES, Miss J. M. Government House Lodge, H.K. JACOBSON, H. W. U.S. Consulate-General, H.K. JONES, Dr. J. R. H.K. & Shanghai Banking Corpn. H.K. KAMATH, F. M. de Mello Commission of India, Tower Court, H.K. KAY, B. Flat 4, 52 Island Road, Repulse Bay, H.K. KEOWN, W. C. Butterfield & Swire, H.K. KHAN, Dr. L. A. M.O., Tai Lam Prison, N.T. KIDD, S. T. N. Kowloon Magistracy, Kln. KILBORN, Prof. L. G. Chung Chi College, Ma Liu Shui, N.T. KIRBY, Prof. E. S. 2 University Drive, H.K. KNOWLES, W. C. G. Butterfield & Swire, H.K. KNOWLES, Mrs. W. C. G. Butterfield & Swire, H.K. KRAMERS, Dr. R. P. Tao Fong Shan, Shatin, N.T. KUNG, Mrs. T. P. 8 Sunning Road, 2nd fl., H.K. KVAN, Rev. E. St. John's College, H.K.U. KWOK Chan, The Hon. Hang Seng Bank Ltd., H.K. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1964 https://digitalrepository.lib.hku.hk/catalog/qz20zx09r JOURNAL OF OCCURRANCES AT CANTON 39 was persuaded to join the firm of Baring Brothers & Co. In 1873 he became senior partner of the house, finally retiring in 1882. (L.T.R.) 24 Lin Tse-hsü's fate. Hunter long survived Commissioner Lin. Lin Tse-hsü was dismissed from office in 1840 and later sentenced to exile in Ili in Chinese Turkistan, where he remained for three years. He was allowed to return to Peking in 1845. He later served as Governor-General of Yunnan and Kweichow, and retired from office in 1849. He died in 1850 at the age of sixty-seven. (J.L.C.B.) 25 Heang-shan (Heungshan). Former name of the District in which Macao lies. Re-named Chung-shan in honour of Sun Yat-sen. (J.L.C-B.) 26 Morrison. John Robert Morrison (1814-1843) was born in Macao, the second son of Dr. Robert Morrison and his first wife Mary (née Morton). He had some schooling in England but at the age of twelve he came back to Canton with his father in 1826. He became a fluent Cantonese speaker as well as a Chinese scholar, and on the death of his father in 1834 was appointed Chinese Secretary to H.M.'s Commission in China. In 1838 he became, in addition, Interpreter, and in 1841 succeeded Elmslie as Secretary and Treasurer to the Superintendent of British Trade in China. In 1843 he was appointed Chinese Secretary and member of the Executive Council of the newly founded Colony of Hong Kong and was recommended for appointment, by the Governor, as Colonial Secretary. Before the appointment was approved, however, he died in Macao in August 1843, and was buried in the Old Protestant Cemetery there. (L.T.R.) 27 Kwang Chow Foo. Kuang-chou fu The Prefect of the Prefecture of which Canton was the chief city. (J.L.C-B.) 28 Kam Hay Hue. No such title. But I suspect Hunter intended to indicate the Namhoi Hien which title was sometimes written Nam Hoy Hien. See note 14. (J.L.C-B.) 29 Pwan Yu Hue. Also written Punyu Hien. The magistrate having jurisdiction over the eastern part of Canton city and the District lying to the westward of the walls which included Whampoa and the foreign shipping there. (J.L.C-B.) 30 Fearon, Samuel Turner Fearon was the second son of Christopher Fearon and Elizabeth Noad who were married on 14 May 1818 at the Streatham Parish Church. His father served as a midshipman at the Battle of Trafalgar and after being discharged from the Royal Navy he joined the Honourable East India Company's marine service. In this service he made a number of voyages to Canton and when he decided to take a shore posting there he brought his wife and family out with him. Samuel became a fluent Cantonese speaker and in 1838 was appointed Interpreter to the Canton General Chamber of Commerce. After the cession of Hong Kong he was appointed interpreter and clerk of the Chief Magistrate's Court and a couple of months later were added the duties of Notary Public and Coroner. Three years later he was appointed Assistant Magistrate of Police and on 1st January 1845 he became Registrar General and Collector of Revenue. In July 1845 he was granted a year's sick leave and while in England he was appointed Professor of Chinese at King's College, London, an appointment which he held from December 1846 until December 1852. (L.T.R.) 31 Van Basel. Magdalenus Jacobus Senn van Basel, born in Groningen, Holland on 27 September 1808, was appointed clerk in the Dutch Consulate at Canton in 1826, and Vice-Consul in November 1831. He was later in partnership with G. M. Toe Laer and P. Tiedenan in the firm of Senn van Basel & Toe Laer & Co. In 1848 he became Collector General of Taxes ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1965 https://digitalrepository.lib.hku.hk/catalog/s752cj653 128 BENHAM, Miss M. E. M. Harcourt Health Centre, Morrison Hill Rd., BERTOVICH, Miss R. C. BERTUCCIOLI, Dr. G. BEVERIDGE, R. J. BIRNBAUM, Mrs. S. D. + BLACK, D. BLACKMORE, M. BLAKER, D. J. R. - BLATCHFORD, C. H, BLUE, A. D. - T BLUNDEN, Prof. E. C. BOAK, C. D. BOARD, D. B. M.* BODILLY, Mrs. M. BOLLMEYER, Mrs. H. BONSALL, G. W. BORDWELL, J. H. BORGEEST, G. BOXER, B. BOYD, J. D. I. BRAGA, J. M. BRAUN, F. 7 ד BREUIL, Mrs. N. du - BRITTON, Mrs. N. M. BROMHALL. J. D. BROOKS, D. E. BROWN, Miss B. BROWN, Mrs. D. L. + - - + + + H.K. R.D. No. 1, Box 220, Masontown, Pa. U.S.A. Italian Embassy, Tokyo, Japan. University Press, Hong Kong University, Pokfulum, H.K. 7, Braga Circuit, Kowloon, Long Acre, Gullane, East Lothian, Scotland, Dept. of History, H.K. University, H.K. c/o Gilman & Co., Ltd., P. O. Box 56, H.K. New Asia College, 6 Farm Road, Kowloon. c/o World Wide Shipping, Cornes & Co., C. P. O. Box 158, Tokyo, Japan. Merton College, Oxford University, England. Dept. of Modern Languages, H.K. University, H.K. c/o Education Dept., Battery Path, H.K. 12A Mt. Nicholson Road, H.K. c/o W. F. Bollmeyer & Co. (H.K.) Ltd., Rooms 408-9 Yu To Sang Building, H.K. Flat 4-B, 3 University Drive, Pokfulum, H.K. P. O. Box 25, H.K. P. O. Box 1058, H.K. Dept. of Geography, Michigan State Univ., East Lansing, Michigan 48824, U.S.A. c/o Political Adviser, Colonial Secretariat, H.K. P. O. Box 951, H.K, 8 Kotewall Road, 4th floor, H.K. 86, Main Street, Stanley, H.K. 6 Peel Rise, The Peak, H.K. Fisheries Research Station, The Fish Market, Island Road, Aberdeen, H.K. Radio Hong Kong, Mercury House, H.K. Medical Rehabilitation Centre, L. 254 Kun Tong, Kowloon, Chatham Galleries, 103 Chatham Road, Kowloon. * Life Member Please notify the Hon. Secretary of any inaccuracy ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d BRIAN MORTON & P. S. WONG power. There is thus an advantage for an oyster farmer to possess a large family. Usually every member of the family participates in the work. Male members usually handle the more laborious procedures such as the laying of the cultch, the transfer of the oysters from one bed to the other and the harvesting of the oysters for resale. Female members may also participate in this work especially those young and strong enough--but more often they are in charge of separating the oysters from the cultch and the shucking and selling of the oysters. Younger members of the family assist with domestic chores. In Deep Bay, the oysters are cultivated in the traditional manner i.e. by bottom-laying (*). This method involves the laying of cultch (*) on the muddy bottom to collect the oyster spat (#). The set oysters are then left to grow for one or two years in the breeding ground (*) before being transferred to the deeper fattening ground (†) for an additional period of one or more years prior to harvesting (#). Elsewhere in the world various materials are used as cultch for the collection of spat. These include stones, shells, bamboo sticks (Cahn, 1950), lime coated roofing tiles or egg-crate fillers, cement dipped wood veneer rings or old fish nets (Needler, 1941; Quayle, 1969) and even sticks of the mangrove, Aegiceras majus (Roughley, 1922). In Hong Kong some ten years ago, rocks and shells (Plate 14; A, B) were most commonly used as cultch. The supply of rock from nearby shores has, however, been virtually exhausted. Consequently stones are now being replaced by concrete tiles (*) (Plate 14; C, D) or concrete posts (Plate 14; E, F). Stones and oyster shells of appropriate size and thickness are still collected and reserved as cultch whenever available. The oyster shells are first cleaned and placed in the sun for weathering prior to being used. Concrete slabs are made artificially at a cost of HK$500/10,000 (in 1974). Old concrete slabs or posts which remain unbroken after the oysters have been detached can be reused. They are cleaned to remove all fouling organisms and then dried in the sun. The most important and labour intensive stage in the bottom-laying method of oyster culture is the collection of the spat (**). In Deep Bay oysters spawn from March to September when temperatures are high and salinities are low (Mok, 1973). As a consequence the cultch has to be laid within this period. However, Page 150 Page 151 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 144 BRIAN MORTON & P. S. WONG used in N. America e.g. Virginia, by poorer oystermen (Yonge, 1960). During summer, the oysters can be harvested more easily by diving. The oysters are usually taken by boat to the major marketing village of Lau Fau Shan (∗) and are deposited on the shore close to the village. There they are either separated from the cultch (Plate 16; A) immediately or left for a day or two according to demand. Shucking (➠) (Plate 16; C) is undertaken by hand using a traditional shucking implement (…). This is a hammer-like instrument with one long sharp-edged arm and a short, stout, pointed arm. A cotton glove is needed to hold the oyster as the shell is extremely sharp. When shucking, the opener sits on a low stool and the oyster is held firmly, left cupped valve down, on the ground. Using the short pointed arm of the shucking hammer a small hole is punched in the shell an inch or so from the posteroventral end of the right, upper valve. The long arm is then inserted into the hole and with the sharp edge working forward and upward in a right and left motion, the adductor muscle of the oyster is cut where it attaches to the upper valve. A prying motion of the long arm of the hammer also breaks the hold of the ligament. The sharp edge is again used to cut the adductor muscle from the lower valve. In Lau Fau Shan, shucking is usually undertaken by the female members of the family. The shucked oysters are usually sold fresh. With reduced demand some of them may be dried under the sun and sold impaled upon characteristic rings (∗∗) (Plate 16; D). Small ones in the cluster or those broken during shucking are used to make oyster sauce (…). Most of the fresh oysters are transported to outside markets or to restaurants in Kowloon or Hong Kong Island. A small quantity is sold at Lau Fau Shan in small market stores as the village is itself a tourist centre famous for oysters (Plate 16; B). These oysters are shucked as purchased. The shucked oysters are quantified by means of standard sized cans and sold at the following price (1973-74): H.K. $13 per large can H.K. $11 per medium can H.K. $9 per small can Long plastic bags (40 cm x 8 cm) are used to hold the shucked oysters. Previously the oysters destined for outside markets or ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 148 BRIAN MORTON & P. S. WONG chi, 1966) by the application of anti-fouling paints. Undoubtedly the main disadvantage to this technique is that a large capital investment is required with high maintenance costs and a greater chance of damage and loss during a typhoon. As noted earlier oyster culture in Deep Bay is at present being run on a family basis lacking a large capital investment. The adoption of the more expensive raft method of culture would appear, under present socio-economic conditions, to be impossible. The setting up of a co-operative system by the oyster farmers concerned, together with an extension of the Government loan scheme for fisheries development to the oyster industry could enable the oyster farmers to obtain the necessary finance to improve the industry. With an available source of funds for investment and with further detailed research to determine the modifications required to ensure the success of a programme of modernisation in the special environment of Deep Bay, Hong Kong's oyster industry is not without a future. LITERATURE CITED Bardach, J. E. and J. H. Ryther, 1968. The Status and Potential of Aquaculture. American Institute of Biological Science, Washington, D.C. Vol. I (261pp.), Vol. II (224pp.). Bromhall, J. D., 1958. On the biology and culture of the native oyster of Deep Bay, Hong Kong, Crassostrea sp. Hong Kong University Fisheries Journal, 2; 93-107. Cahn, A. R., 1950. Oyster culture in Japan. The United States Fisheries and Wildlife Services Fisheries Leaflet, 383; 1-80. Furukawa, Atsushi, 1968. The raft method of oyster culture in Japan. In: Proceedings of the Oyster Culture Workshop (Ed. T. L. Linton). Marine Fisheries Division, Georgia Game and Fish Commission, Brunswick, Georgia, pp. 49-54. Hong Kong Annual Departmental Report by the Director of Agriculture and Fisheries, 1953-54 to 1973-74. The Hong Kong Government. Knight-Jones, E. W., 1952. Reproduction of oysters in the rivers Crouch and Roach, Essex during 1947, 1948, 1949. Fishery Investigations, London, 18; 1-48. Korringa, P., 1947. Relations between the moon and periodicity in the breeding of animals. Ecological Monographs, 17; 347-381. Leung, C., B. S. Morton, K. F. Shortridge and P. S. Wong, 1975. The seasonal incidence of faecal bacteria in the tissues of the commercial oyster Crassostrea gigas Thunberg 1793 correlated with the hydrology of Deep Bay, Hong Kong. Proceedings of the Pacific Science Association Special Symposium in Marine Science, Hong Kong 1973; 114-127. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d PACIFIC OYSTER INDUSTRY IN HONG KONG 149 Mawatari, S. and T. Miyauchi, 1966. Studies for the improvement of Pearl oyster shell cleaning—1. Antifouling chemical coatings and their acceleration effect on shell growth. Miscellaneous Reports of the Research Institute for Natural Resources, Tokyo, 67; 54-66. Mok, T. K., 1973. Studies on spawning and setting of the oyster in relation to seasonal environmental changes in Deep Bay, Hong Kong. Hong Kong Fisheries Bulletin, 3; 89-101. Mok, T. K., 1974. Study of the feasibility of culturing the Deep Bay oyster Crassostrea gigas in Tung Chung Bay, Hong Kong. Hong Kong Fisheries Bulletin, 4 (in press). Morton, B. S., 1975. Pollution of Hong Kong's commercial oyster beds. Marine Pollution Bulletin, 6; 117-122. Morton, B. S. and K. F. Shortridge, 1976. Coliform bacteria levels correlated with the tidal cycle of feeding and digestion in the Pacific oyster (Crassostrea gigas) cultured in Deep Bay, Hong Kong. Malacological Review (in press). Morton, B. S. and R. S. S. Wu, 1975. The hydrology of the coastal waters of Hong Kong. Environmental Research, 10; 319-347. Needler, A. W. H., 1941. Oyster farming in Eastern Canada. Bulletin of the Fisheries Research Board of Canada, 60; 1-83. Quayle, D. B., 1969. Pacific oyster culture in British Columbia. Bulletin of the Fisheries Research Board of Canada, 167; 1-68. Rougley, T. C., 1922. Oyster culture on the George's River, New South Wales. Sydney, Technological Museum, Technical Education Series, 25. Tschang, S., C. Y. Chi et al., 1962. Animals of Economic Importance of China. Marine molluscs. Scientific publisher, Peking. 張靈,賽錄彥等,1962. 中國經濟動物誌,海産軟體動物. 科學出版社。 Watts, J. C. D., 1973. Further observations on the hydrology of the Hong Kong territorial waters. Hong Kong Fisheries Bulletin, 3; 9-25. Wong, P. S., 1975. The community associated with the Pacific oyster (Crassostrea gigas Thunberg) in Deep Bay, Hong Kong, with special reference to the shell borer Aspidopholas obtecta Sowerby. M.Phil. Thesis, University of Hong Kong. Wood, P. C., 1969. The production of clean shellfish. Ministry of Agriculture, Fisheries and Food Laboratory Leaflet (New Series), 20; 1-16. Yonge, C. M., 1960. Oysters. Collins, London. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1979 https://digitalrepository.lib.hku.hk/catalog/2801w5938 ORDINARY LOCAL MEMBERS MORGAN, Ms. V. Elaine, The Library, University of Hong Kong, HONG KONG. MORITZ, Mr. Frederick A., 4B, Sea and Sky Court, 92 Stanley Main Street, Stanley, HONG KONG. MORTON, Mr. R. J. McK., Legal Aid Department, 19/F Sincere Building, 173 Des Voeux Road C., HONG KONG. MOYLE, Mr. G. C., 64 Mile Taipo Road, NEW TERRITORIES. MULLOY, Mr. G. N., Flat C, 1 Homestead Road, The Peak, HONG KONG. NEWBIGGING, Mr. D. K., 35 Mount Kellett Road, The Peak, HONG KONG NG, Dr. Margaret N., Arts Mansion 5/F, Flat C, 43 Wongneichong Road, Happy Valley, HONG KONG NG, Miss Tonia, H.K. Tourist Association, Connaught Centre, 35/F, HONG KONG. NGUYET, Mrs. Tuyet, c/o Arts of Asia, 1309 Kowloon Centre, 29-43 Ashley Road, KOWLOON. O'HARA, Mr. Randolph, c/o The City Hall Library, Edinburgh Place, HONG KONG. OJEDA, Mr. J. de, Spanish Consul General, 1403 Melbourne Plaza, 33 Queen's Road Central, HONG KONG. ONG, Dr. Guan Bee, Dept. of Surgery, University of Hong Kong, HONG KONG. ORR, Mr. I. C., Room 506 Central Govt. Offices, Main Wing, Lower Albert Road, HONG KONG. OUTCH, Mr. W. T., c/o Essex Asia Ltd., 118 Austin Road, Tsim Sha Tsui, KOWLOON. OXLEY, Mr. C. W. B., District Office, Sai Kung, Sai Po Kong Govt. Offices, 792 Prince Edward Road, KOWLOON. PALMER, Mrs. R. M., 2 Old Peak Road, 2/F Front, HONG KONG. PARR, Mr. M. J., c/o Wardley Ltd, G.P.O. Box 8983, HONG KONG. PARRINGTON, Miss June, Arts Faculty Office, University of Hong Kong, HONG KONG. PARRY, Mr. Roger H., c/o The Marine Department, 102 Connaught Road C., HONG KONG. PAUL, Mrs. Anne Carse, 9 Jade House, 47C Stubbs Road, HONG KONG. PEACOCK, Mr. I. R., 5A Manhattan Tower, 63 Repulse Bay Road, HONG KONG. PERESYPKIN, Mr. Oleg P., P.O. Box 1382, HONG KONG. PICKARD, Mrs. Jane, Flat A6, 14 Shouson Hill Road, HONG KONG. 249 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 242 CARL T. SMITH 1 Dec. 1852 - first performance of amateurs under new management. 12 Feb. 1853 — Victoria Amateurs. "Twice Killed" farce (John Oxenham, 1837) "Slasher and Crasher" farce (J. M. Morton, 1848) 19 Mar. 1853 meeting at Victoria Theatre for purpose of forming a Corps Dramatique to arrange for another performance at an early date. 20 Apr. 1853 "Animal Magnetism" farce (Mrs. E. Inchbald, 1758) "A Kiss in the Dark" farce 19 May 1853 last night of season of Victoria Amateurs. "Time Tries All" dramatic drama (J. Courtney, 1848) "Toothache, or The Prince and the Chimney Sweep" farce 1853/54 27 Oct. 1853 Meeting at Victoria Theatre of those interested in theatricals to make arrangements for the coming season. (I found no notice of any performance for this season). 1860/61 3 Jan. 1861 "Still Waters Run Deep" (T. Taylor, 1855) 1861/62 1862/1863 29 Jan. 1861 new theatre, Hong Kong Amateur Theatre, performance by officers and gentlemen who have organized this establishment: "A Bachelor of Arts" (P. Hardwicke, 1853) "A Nice Firm" (T. Taylor, 1853) 25 Feb. 1861 performance of Gentlemen Amateurs Mon. last. 28 Mar. 1861 theatrical season drawing to close. Appreciation to the Committee. Difficult to see how the Amateur Theatrical Company could have managed without aid from the garrison. Dec. 1861 - first performance of season: "Cool as a Cucumber" (M. W. B. Jerrold, 1851) "The State Secret" (A. Snodgrass, 1821, or T. E. Wilks, 1836) in same commodious erection as served so well for last year's performances, 23 Jan. 1862 second public performance of Hong Kong Amateur Theatre: "Not a Bad Judge" comic drama (J. R. Planche, 1848) "The Critics" facetious tragedy (Sheridan, 1779) 1862 season "Cramond Brig" (W. H. Murray, 1826) Dec. 1862 The theatre a reproduction of last year's design. "Uncle Zachary" comic drama (John Oxenford, 1860) "Fearful Tragedy in Seven Dials" (Charles Selby, 1857) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 1892/93 ― 1893/94 247 "Honour Bound" (W. S. Gilbert and Sydney Grundy, 1880) 12, 15 Nov. 1892 "On Bail" a farce (W. S. Gilbert, 1877) 26, 28, 30 Dec. 1893, 3, 6, 9, 16, 24 Jan. 1894 "Princess Toto" (W. S. Gilbert and Clay, 1876) 1894/95 30 Jan. 4, 6, 9, 12, 16, 18, 23 Feb. 1895 "Robinson Crusoe" Pantomime: 17, 20, 24 Apr. 1895 "The Magistrate" (A. W. Pinero, 1885) 1895/96 26, 28 Dec. 1895 "Dandy Dick" (A. W. Pinero, 1887) 8, 10, 20 Feb. 1896 1888) 1896/97 "Trial by Jury” (Gilbert and Sullivan, 1888) 19, 21 Dec. 1896 — “Cups and Saucers" (G. Grossmith, 1878) given in 1886. "Charley's Aunt" (Brandon Thomas, 1892) 25 Feb. 1897 — "Les Cloches de Carneville" (H. B. Farnie and R. Reece, 1878) 1897/98 19 Nov. 1897 1890) F 1898/99 19, 21 Feb. 1898 — "A Pair of Spectacles" (Sidney Grundy, 1890) "The Duchess of Bayswater and Co." comedietta (A. M. Heathcote, 1888) "A Pantomime Rehearsal" (C. Clay, 1891) 17, 19 Nov. 1898 — “Our Bitterest Foe" (G. C. Herbst, 1874) "Sugar and Cream" comedietta (J. P. Hurst, 1883) "The Steeple Chase" (J. M. Morton, 1865) given in 1874. ― 5, 7, 9, 11, 14, 17, 18 Jan., 1, 3 Feb. 1899 pantomime "The Yellow Dwarf, or Harlequin the Knave of Hearts" 1899/1900 4, 6 Nov. 1899 "The Magistrate" (A. W. Pinero, 1885) given in 1895. 12, 13 Dec. 1899 "The Mother In Law" farcical comedy (G. R. Sims, 1881) JL 12, 15, 17, 24, 26 Feb. 1900 "Yeoman of the Guard" (Gilbert and Sullivan, 1888) 1900/01 24 Nov. 3 Dec. 1900— 1901/02 1902/03 — ― "Our Flat" (Mrs. M. Musgrove, 1889) 15, 19 Nov. 1901 “Trying It On” farce (W. Brough) "Plantation Revels" minstrel variety 13, 14, 15 Nov. 1902 "Liberty Hall" drama (R. C. Carton, 1892) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p BOOK REVIEWS 331 documents and a list of genealogies recently collected that hopefully will be in the Fung Ping Shan Library before long. For the record, Hugh Baker should at least be mentioned in this connection: after all, he collected most of the genealogies that are currently held in Hong Kong University, DAVID FAURE The Marine Flora and Fauna of Hong Kong and Southern China. Edited by B. Morton and C. K. Tseng, Hong Kong University Press, 1982. 2 Volumes, 933 pp, figures, plates and references cited. This scholarly work includes over 50 original research papers presenting the results of projects either completed or initiated at a workshop held in 1980 and undertaken to better understand Hong Kong's marine life. It represents studies by 42 scientists from 13 countries concentrating on the North East region of Hong Kong (mainly Tolo Harbour), a region of rich marine life seriously threatened by development and pollution. It would be impossible in this review to comment on each of the individual contributions, not only because of the number, but also because of the scope included. The work is divided into four parts: an introductory chapter, papers on taxonomy, papers on ecology, and papers on morphology, behaviour and physiology. The introductory paper gives a broad outline of the geology, climate and hydrology of Hong Kong and thus serves as a most useful background to the remaining papers. In the latter, almost 2000 marine organisms are included, many of them hitherto unknown or little described, representing such diverse groups as the red algae, sponges, corals, polychaete worms, marine insects, crabs, barnacles, shrimps, molluscs, fish and plankton. The ecology section deals with a variety of Hong Kong marine habitats (in particular the coral community) and the fourth and final section investigates aspects of the morphology and physiology of a few selected organisms. Each paper is well presented and the figures and illustrations throughout are generally of a high quality. The overall production is well executed, and the editors and publisher are to be commended on this, particularly bearing in mind that over 50 individual papers involving some 40 authors were involved. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 166 R.A. BOWLER, D.S.C. YANG AND A.J.E. SMITH Industry organisation The Hong Kong oyster industry is a typical unsophisticated artisan fishery with low capital investment and organised on a family basis. Each family may use several areas distributed throughout Deep Bay so that some protection is afforded against localised events which may damage or destroy the oyster beds. Essential equipment comprises a sampan, wooden sledge, tongs, shucking hammer and some artificial substrate to which the oyster may attach and grow (Morton and Wong, 1975). The Lau Fau Shan Oyster Industry Association, the New Territories Oyster and Crustacean United Industries, and to some extent the Lau Fau Shan Chamber of Commerce, are three organisations which represent a majority of active farmers in the Hong Kong industry. Production figures have been kept since 1977 by the oyster organisations, and these figures are shown in Figure 2 in comparison with records from the Annual Reports of the Agriculture & Fisheries Department of the Hong Kong Government, and those from previously published reviews (Mok, 1974b; Morton and Wong, 1975). Official exports from China are also shown in Figure 2 and are discussed below. The apparent discrepancy in the records of the oyster industry and the Hong Kong Government reports may arise from the interlocked nature of the Hong Kong and China-based industries and the tendency to produce in accordance with market needs. Any supplement to the Hong Kong industry production by the practices of purchasing beds and oysters outlined later in this paper would not be determined by the Agriculture and Fisheries Department figures which attempt to measure purely Hong Kong production. Interviews in 1984 indicated that about 300 households are directly involved in the Hong Kong oyster industry representing 1,200 to 2,000 individuals. In addition, a further 1,000 are employed on a part-time basis. Additional people are involved indirectly in the restaurant and processed oyster-products industry. The industry in China has by contrast some 20,000 individuals ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1984 https://digitalrepository.lib.hku.hk/catalog/5h73wh572 179 Mightycity Company Ltd and Messrs. Binnie & Partners (Hong Kong) for permission to publish this paper, and make free use of the information obtained in the EIA. Any views expressed are those of the authors. REFERENCES Binnie & Partners (Hong Kong) and Shankland Cox (1984) Environmental Impact Assessment of Land Preparation Aspects, Tin Shui Wai Development. Draft Evaluation Report. Bromhill J.D. (1958) On the biology and culture of the native oyster of Deep Bay, Hong Kong, Crassostrea sp, HK University Fisheries Journal No. 2 pp 93-107. Mok T.K. (1973) Studies on spawning setting of the oyster in relation to seasonal environmental changes in Deep Bay, HK. HK Fisheries Bulletin No. 3. Agriculture & Fisheries Dept pp 89-101. Mok T.K. (1974a) Observations of the growth of the oyster (Crassostrea gigas Thunberg) in Deep Bay, Hong Kong. HK Fisheries Bulletin No. 4. Agriculture & Fisheries Dept pp 45-53. Mok T.K. (1974b) Studies on the feasibility of culturing the Deep Bay oyster, Crassostrea gigas Thunberg in Tung Chung Bay, HK. HK Fisheries Bulletin No. 4. Agriculture & Fisheries Dept pp 55-67. Morris S. (1985) Preliminary Guide to the Oysters of Hong Kong Asian Marine Biology Vol. 2. Morton B. and Wong P.S. (1975) The Pacific Oyster Industry in Hong Kong. Journal of HK Branch of Royal Asiatic Society Vol. 15 pp 139-149. Nanhai Ocean Research Centre (1978) South China Sea marine Organisms for medicinal use. Academia Sinica pp 62-64. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 182 500 or 600 p.a.), without any prospect of being able to use it the subsequent season. Apparently it was also the custom to sell all the scenery, etc., at the end of the season and this too could only be done at a heavy loss (for 1865 it had cost Tls. 2,400 and fetched but Tls. 200).109 In order to investigate the feasibility of a permanent, i.e., stone, theatre, a provisional committee was appointed in September 1866.10 The chances of realising the object in view did not seem very rosy though. At a meeting of the committee held on November 10, 1866, it was decided that the "circulation of a subscription list towards a permanent theatre should be deferred for the present" and instead guarantors for the construction of a temporary theatre (i.e., one of wood, which was much cheaper) should be sought.11 In this they were successful and on November 16, it was announced at a meeting that Tls. 3,500 had been subscribed. This, however, was not deemed sufficient to cover all the expenses and an amended motion was adopted stating that instead of fitting up a godown, a temporary theatre, on the plans submitted to the meeting, be built and fitted up, provided a sum of Tls. 6,000 be guaranteed within a week".12 And despite the rather severe limitations under which a number of merchants had to operate due to the collapse of the building boom - an adjourned meeting was informed on November 22 that this sum had indeed been guaranteed." The new theatre would be built in wood and was designed by a local architect, Mr. William Kidner; originally it would contain 700 seats, but this was considered too much, 500 or 600 being enough. The firm of Dent & Co. showed itself willing to provide a plot of land for the sum of Tls. 250 annually and the cost of the theatre itself was estimated at Tls. 3,900. Some months later, on March 1, 1867, the wooden Lyceum Theatre opened on Yuanmingyuan Road* (later, Museum Road), with Morton's Whitebait at Greenwich and Faust and Marguerite (author not mentioned: F.C. Burnand?, T.W. Robertson?, J. Halford?). One may well ask why the foreign residents had not found the courage and the money to erect a really “lasting structure" for, naturally, wooden buildings were prone to fire and it should come as no surprise that the "temporary'' theatre proved to be very temporary indeed, for on March 2, 1871, it burned down. Once again a substantial sum of money had been wasted on what turned out to be an ill-advised scheme. Sadder and wiser, it was finally decided in 1872 to construct a brick theatre on an adjacent site on Museum Road, stage entrance on Yuanmingyuan Road. On *This is the theatre marked "b" at Appendix III. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 186 who evidently had no 'tender cares' to occupy them, manfully maintained their seats in front, and remained so spellbound as to forget entirely the courtesies of gallantry and good breeding. We are of opinion that a perusal of Lord Chesterfield's 'Hints' might be a useful exercise for such as have no innate impulses to enable them to understand and practice what is conveyed in the phrase 'Place aux Dames' when those fair patronesses choose to honour public entertainments with their presence". 129 Once front seats were shunned by ladies, but that was not the case in mid-century Shanghai. In the Regulations to be Observed on the Evenings of Performances at the Shanghae Theatre printed in the North China Herald of February 14, 1857, it was even stipulated that, "after the front row had been set apart for the exclusive accommodation of H.B.M. Consul and the French and American Consuls, the seats numbered 2 to 6 will be reserved for ladies, and the gentlemen who escort them." VII. The Plays From the references above, and even more from the Calendar of Performances, it will be clear that the dramatic fare in Shanghai consisted for the greater part, nay for nearly one hundred percent, of pieces that could easily amuse the people. That is to say: farces, comediettas, burlesques, melodramas, burlettas, musical comedies or whatever name may be invented for the genre. There is no space here, nor is it within the scope of this Survey, to give an analysis of these plays, so I shall keep myself to some general remarks. Most pieces that were performed dated from the 19th century, but there were some from the previous one, like Henry Carey's The Dragon of Wantley (1737), a short three-act opera with music by John Frederick Lampe which burlesqued the Handel style works which were then in vogue (but hardly a century later); and James Townley's (or was it David Garrick's?) High Life below Stairs which one rather antiquarian critic thought "worth whole bales of farces of the 'Box and Cox' pattern". Sheridan's The Rivals (1775) was also on the programme several times (although not on that of the local amateurs) but it is remarkable (and, considering the travesties that were common, maybe just as well) that a classic comedy like Goldsmith's She Stoops to Conquer was not tackled. 130 Of contemporary authors the most prolific was John Maddison Morton and it should cause no surprise that his plays took top of the bill: no ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 194 6.5.1852 (Thur) J.M. MORTON: "Attic Story" (1842) T: Farce (1 act) R.B. PEAKS: "The Haunted Inn" (1828) T: Farce (2 act) C: Amateurs F: Music, i.a. selections from Mozart's “Le Nozze di Figaro" and other operas. Epilogue. Th: New Theatre Royal (A) N: Last performance of the season R: Again there was a new drop scene. "A View near Palermo, a very pleasing view of an Italian villa with the bay and hills in the background". The pieces were "well performed and excited much merriment, especially the mistakes of the Attic Story" (NCH 8.5.1852). 27.1.1853 (Thur) D. BOUCICAULT & C. MATHEWS: "Used Up" (1846) T: Comedietta (2 acts) G.A.A. BECKETT: "The Turned Head" (1834) T: Farce (1 act) C: Amateurs Th: Imperial Theatre (B) N: First performance of the season R: After not a little uncertainty about the state of affairs respecting the theatre, finally the management for the new season was laid in the hands of Horatio BUSKIN (a compound pseudonym: Horatio, from Hamlet; Buskin, the boot worn by Greek actors) who succeeded "Doldrum". For a "very good attendance graced by many of the beau sexe" the evening "came off with great éclat" (NCH 22, 29.1.1853). 23.3.1853 (Wedn) J.M. MORTON: "Betsey Baker" (1851) T: Farce (1 act) W. BROUGH: "Apartments" (1851) T: Farce (1 act) C: Amateurs F: Prologue; comic songs Th: Imperial Theatre (B) R: In the presence of the British Superintendent of Trade and Governor of Hong Kong, Sir George Bonham, Betsey Baker turned out to be "a most decided and palpable hit, received throughout with shouts of laughter and applause". Bonham was in Shanghai on his way to Nanking which had been taken by the Taipings on March 19. The Rebellion had a profound effect on the foreign community and although the Taipings enjoyed for some time a lot of sympathy, on this occasion they were satirised in a **most original and witty Prologue**: "The Manager appeared before the curtain, in a state of intense excitement, informing the audience of mutiny in the corps! Dreadful consequences!! No performance!!! What could be done!? Then arose such a "Row and Bobbery" [Bobbery: an Anglo-Indian word meaning 'noise, disturbance' - JH] led by those who were in the secret and poor Horatio BUSKIN could scarcely be heard amidst the crash of broken glass and was almost unable to face the shower of oranges aimed at his devoted head. An amiable conspirator elevating himself on a bench expressed most loudly and eloquently his indignation at this state of affairs; however, after a parley with the Manager, he proposed a compromise, and the curtain was drawn up exposing the corps evidently in a state of 'Rebellion'. Fortunately they would listen to reason and the 'refractory members' agreed to 'go on' for this occasion, and the Manager retired with... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 218 1.4.1864 (Fri) R.B. BROUGH: "Crinoline" (1856) T: Farce (1 act) J.M. MORTON: "A Most Unwarrantable Intrusion" (1849) T: Farce (1 act) N.N.: "The Debut" C: Messrs Shannon and Phillips with an amateur company Th: N.N. (H) R: Not too enthusiastically the Herald wrote that "had Messrs PHILLIPS and SHANNON been better supported the performance would probably have proved a more decided success". Must it be supposed that the amateurs were locals, who were otherwise so much lauded? (NCH 2.4.1864). 4.4.1864 (Mon) Repeat of 30.3.1864, 18.4.1864 (Mon) First performance by a Portuguese Amateur Dramatic Corps. TH: N.N. R: This first performance by a local Portuguese company was considered favourably: "the arrangement of the costumes and acting were all good and amply rewarded a visit even by those who may not understand the Portuguese language". (NCH 23.4.1864) 25.4.1864 (Mon) J. OXENFORD: "Retained for the Defence" T: Farce (1 act) C.S. CHELTNAM: "A Lucky Escape" (1861) T: Comic drama (1 act) T.J. WILLIAMS: "On and Off" (1861) T: Farce (1 act) C: Amateurs of the Shanghai Volunteer Corps TH: N.N. (H) N: Second performance of the season R: This second Volunteer Corps night drew a crowded house and the reporter was pleased to see that "a majority of the lady residents were among the audience", the more so as they "by their presence contributed to inspire the performers with the desire to excel which led to such complete success". No names were given in the review, but in A Lucky Escape “it would have required very sharp eyes to detect that the actress [who personated Louise] was, in fact, an actor". Here the truth is finally revealed! In On and Off he/she took the part of Letitia equally well. (NCH 30.4.1864) 9.5.1864 (Mon) N.N.: "Nature and Philosophy or Eighteen Years' Labour Lost" (The only piece with this title in HED is one that had its first night on 18.4.1876. However, Brown, "A History of the New York Stage", Vol. I, p. 235 mentions a performance of this play on June 1 1833). G. COLMAN Jr: "Love Laughs at Locksmiths" (1803) C: C.R. Faylor's travelling company F: Comic songs, dance, music Th: Olympic Theatre (H) R: Casts: Nature and Philosophy: Brother Philip: Major Pegus Renaldo: C.R. Faylor Eliza: Mrs. E. Yeamans Gertrude: Mr. E. Yeamans ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 224 F. TALFOURD: "A Household Fairy" (1859) T: Domestic sketch (1 act) "Aurora Floyd". HED lists the following authors: C.S. CHELTNAM (1863), C.H. HAZLEWOOD (1836), J.B. JOHNSTONE (1836), B. WEBSTER (1863). In addition, Adams' "Dictionary of the Drama" mentions W.E. SUTER. C: Lewis A.D.C. Th: Lyceum Theatre (1) N: Benefit of J.B. Creswick R: NCH 26.11.1864, advertisement only 3.12.1864 (Sat) L.B. BUCKINGHAM: "Take That Girl Away" (1855) T: Comic drama (2 acts) J.M. MORTON: "A Capital Match" (1852) T: Farce (1 act) C: Lewis A.D.C. Th: Lyceum Theatre (1) N: Benefit of Miss Lizzie Naylor R: NCH 3.12.1864, advertisement. 9.12.1864 (Fri) Benefit of Mr. Henry Birch of the Lewis Company. No titles of plays were mentioned. (NCH 10.12.1864) 10.12.1864 (Sat) Farewell performance, also the benefit of Mr. Lewis, of Lewis Australian Drama Company. No titles of plays were mentioned (NCH 10.12.1864). R: No detailed reviews of the Lewis season were published in the North China Herald, only short announcements. It is quite well possible that more nights than the above ones were given, but they have not been recorded. In general, the company had attracted rather full houses, but for the 9th "home sweet home" was preferred; "the unfavourable state of the weather prevented many ticketholders from putting in an appearance" (NCH 10.12.1864) November and December 1864 Performances by the "Christy Minstrels". Th. N.N. R: Another travelling company that visited the port in these months were the "Christy Minstrels" (see also Survey). They too managed reasonably to fill the theatre (it was not stated where the performances took place, but as the Lyceum Theatre was occupied by Lewis, it must have been another location - perhaps the Olympic Theatre). "No boredom here for by a pleasing variety they prevent that weariness which even the finest display of musical talent must, through frequent repetition, occasion" (NCH 26.11.1864). In September they had visited Macao (BGM 5.9.1864) and before December 10 they departed for Hong Kong (NCH 10.12.1864). 22.12.1864 (Thur) Performance by the Portuguese Amateur Dramatic Corps. R: It was "as usual largely attended" (NCH 24.12.1864). 28.12.1864 (Wedn) R.B. BROUGH: "Medea" (1856) T: Burlesque (1 act) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 226 appearance. The music selected afforded great satisfaction to the audience and was really very well performed. The violin solos by a gentleman Amateur of the place were most deservedly encored. Indeed we fancy few home concerts could show anything of the same sort much better. Amateur concerts we are sure rarely could". 23.2.1865 (Thur) Concert by Signor Enrico Grossi, assisted by Messrs Desvachez and Terry, and the Rhenish Band. Th: Astor House Hotel R: All professional artists performed without any government subsidies so they had every reason to look forward to as large an audience as possible. Signor GROSSI evidently was a freemason for the Commercial Record reported that "his masonic relations produced for him a full house" (SCR 8.3.1865). Freemasonry, which had been introduced in Shanghai in 1849, was rather widespread among the (male) foreign residents and the brethren who had turned up rewarded Sr GROSSI's "efforts to please by frequent bursts of applause" (NCH 25.2.1865). No details of the programme were given. 14.3.1865 (Tue) Concert in aid of the Shanghai Volunteer Club fund. Th: Shanghai Club R: RCH 18.3.1865 21.3.1865 (Tue) J. COURTNEY: "Time Tries All" (1848) T: Drama (2 acts) J.M. MORTON: "To Paris and back for $5" (1853) T: Farce (1 act) C: Amateurs of the Shanghai Volunteer Corps Th: Lyceum Theatre (1) N: First performance of the season R: Not unexpectedly the Herald thought it "needless to descant here upon the merits and talents of the Company" (NCH 25.3.1865). The same pieces had been given on May 15, 1860. 23.3.1865 (Thur) M. BARNETT: "The Serious Family" (1849) T: Comedy (3 acts) J.R. PLANCHE: "The Invisible Prince" (1846) T: Extravaganza (1 act) C: Lewis' Australian Drama Company Th: Lyceum Theatre R: Lewis' Australian Drama Company had come back to Shanghai in early March (NCH 11.3.1865) for a second season of farce and comedy, but owing to difficulties in reaching an agreement with the Lyceum Theatre about the rent that was to be paid, the first night took place only on March 23 (NCH 18.3.1865). For the members of the Company see Survey; most of them appeared on the first night in The Serious Family. According to the Commercial Record (25.3.1865) "the acting was very equal throughout and the admirable manner in which the different actors and actresses assisted one another contributed largely to their success" - which seems to be a rather meaningless comment. The Invisible Prince, too, was put on the stage effectively and the mise en scene was very good. 27.3.1865 (Mon) W.B. GILL: "Which is Which?" T: Farce L... ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 231 attitude to such interpolations, 13.2.1863). The qualities of most players have already been touched upon; others were JOHN EDOUIN, “a capital dancer"; his sister ROSE EDOUIN who, in burlesques, was "not to be overlooked; there is a style about her which commands and her gesture is sufficiently theatrical to impose upon her audience where a little less or a little more demonstration might have failed." Mr. W.B. GILL whose acting was not "thoroughly under command", nevertheless had "his place marked out for him and we hope some day to see him take up a leading position as a low comedian". On the other hand Mr. ANDREWS was a useful actor who is careful in his parts does not do more than he needs to do". The Company had had tolerably good houses and their departure was regretted for it was felt that Shanghailanders had seen "perhaps the best company East of the Cape". It went on to Foochow, Amoy and other southern ports. (SCR 5.5.1865). 6.5.-12.5.1865 Two concerts by Mr. and Mme Simonsen (violin and singing resp.) TH N.N. R: For the first time since August 1863 Martin SIMONSEN came to the port, with his wife who was a singer, after recitals in Hong Kong. Rather disappointingly the first two concerts “did not draw very large houses", but "they were warmly applauded by all who listened to the spirit-stirring sounds of Mr. SIMONSEN's violin and the melting tones of Mme SIMONSEN's voice", (NCH 13.5.1865). 8.5, 1865 (Mon) PELHAM HARDWICKE: (= C. MATHEWS) "A Bachelor of Arts" (1853) T: Comic drama (2 acts) J.M. MORTON: "The Two Bonny Castles" (1851) T: Farce (1 act) C: Amateurs of the Shanghai Volunteer Corps Th: Lyceum Theatre (1) R: According to both the Herald and the Record the pieces went off successfully (NCH 13.5.1865; SCR 22.5.1865). 17.5.1865 (Wedn) Concert by Mr. and Mme Simonsen Th: Lyceum Theatre (1) R: In order to draw more people the admission charge at the Lyceum Theatre had been reduced to $3 with the result that a "full audience was present” (NCH 20.5.1865). No programmes of these concerts were published. 20.5.1865 (Sat) Concert by Mr. and Mme Simonsen, with the Band of the 67th Regiment. Programme: "Kathleen Mavourneen" (song), **No not I** (song), C.A. de BERIOT: “Air varié”, N. PAGANINI: "Carnival of Venice", C.M. von WEBER: "Aufforderung zum Tanz”, 'Monastery Bells", "Valse de concert" (song). Th: Lyceum Theatre (1) R: This was the last concert given by the SIMONSENS in Shanghai. According to the Shanghai Commercial Record it was a great success. Mme SIMONSEN sung the song "Kathleen Mavourneen" which "literally “brought down the house" (this must have been an exaggeration), after which she gave with great effect a very charming little skittish song “No not I'". Her husband repeated some of the pieces he had performed seven years earlier (October 1858); Paganini's "Carnival of Venice" (with which the critic was "not so much pleased") and the variations by De Bériot. In addition "he introduced one or two movements [into the Carnival of Venice? – JH] which we have ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 240 RODWELL, James Thomas Gooderham (d. 1825) "A Race for Dinner" (15.4.1828). P: Announced in March 1854 but not performed. "The Young Widow or A Lesson for Lovers" (1.11.1824), P: 27.4.1865 SELBY, Charles (1802?-1863) "The Boots at the Swan" (5.4.1843). P: 14.12.1865 **A Fearful Tragedy in the Seven Dials". P: 15.2.1860 **A Lady and a Gentleman in a Peculiarly Perplexing Predicament" (9.8.1841), P: 13.2.1864 **The Unfinished Gentleman'' (1.12.1834). P: 17.6.1865 SHAKESPEARE, William (1564-1616) "King John" (1594–1596). P: 12.11.-18.11.1864 (Prison scene, Act IV.1 only) **Richard III" (1592-1593). P: 26.4.1865 (Act V only) SHERIDAN, Richard Brinsley (1751 1816) **The Rivals" (17.1.1775). P: 28.9.1858; 23.11.1864 SUTER, William E. (1812-1882) ? "Lady Audley's Secret" (22.2.1863). P: 28.12.1864 TALFOURD, Francis (1827-1862) "A Household Fairy" (24.12.1859), P: 26.11.1864 TAYLOR, Tom (1817-1880) ? "Cinderella" (12.5.1845). P: 12.11.-18.11.1864; 28.4.1865 "Still Waters Run Deep" (3.3.1856). P: 23.4.1857; 15.3.1860 TOBIN, John (1770-1804) ? "The Honeymoon" (31.1.1805). P: 19.4.1865 TOWNLEY, Rev. James (1714-1778) "High Life below Stairs" (31.10.1759), P: 21.4.1851 WEBSTER, Benjamin Nottingham (1797-1882) ? "Aurora Floyd' (11.3.1863). P: 26.11.1864; 17.4.1865 ? "The Golden Farmer or the Last Crime" (26.12.1832). P: 8.10.1857 WILLIAMS, Thomas John (1824-1874) "Nursery Chickweed" (12.11.1859), P: 28.3-5.4.1865 "On and Off" (6.6.1861). P: 25.4.1864 APPENDIX II An alphabetical list of plays staged in Shanghai 1850-1865 The Adventures of Bonnie Prince Charlie or the Rising of 1745: N.N.; 13.6.1864. Aladdin or the Wonderful Scamp: H.J. Byron; 2.9.1864, 19.11.1864, 29.4.1865, Anything for a Change: C.W. Brooks; 15.5.1854. Apartments: W. Brough; 23.3.1853. The Area Belle: W. Brough & A. Halliday; 30.9.1865. Attic Story: J.M. Morton; 6.5.1852. Aurora Floyd: C.S. Cheltnam? C.H. Hazlewood? J.B. Johnstone? B. Webster? 26.11.1864, 17.4.1865. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 241 Aurora Floyd Burlesqued: W.B. Gill; 19.4.1865. The Babes in the Wood: J.H. Byron; 17.4.1865. A Bachelor of Arts: P. Hardwicke; 10.2.1858, 8.5.1865. Betsey Baker; J.M. Morton; 23.3.1853. Binks the Bagman: J.S. Coyne; 8.10.1857. The Birthday: T.J. Dibdin; 9.2.1858. Black-eyed Susan: D.W. Jerrold; 28.3-5.4.1865. Bombastes Furioso: W.B. Rhodes; 28.1.1851, 5.5.1858. The Boots at the Swan: C. Selby; 14.12.1865. Box and Cox: J.M. Morton; 15.5.1854, 18.2.1857. The Bride of Abydos: H.J. Byron; 22.10.-28.10.1864. Bullrick at Kroll: N.N.; 28.3.1864. Camille: A. Dumas Jr; 27.3.1865. A Capital Match: J.M. Morton; 23.4.1857, 3.12.1864. Charles the Second: J.H. Payne; 16.3.1858. Cinderella: H.J. Byron? T. Taylor?; 12.11.-18.11.1864, 28.4.1865. The Colleen Bawn: D. Boucicault; 25.4.1865. A Conjugal Lesson: H. Danvers; 26.3.1857. Conrad and Medora: W. Brough; 12.E.-18.E.1864. Cool as a Cucumber: M.W.B. Jerrold; 26.3.1857, 30.3.1864, 4.4.1864. Crinoline: R.B. Brough; March 1863; 16.3.1863, 1.4.1864. The Daughter of the Regiment: E. Fitzball? 15.4.1865. A Dead Shot: J.B. Buckstone; 11.4.1865. The Debut: N.N.; 1.4.1864. Delicate Ground: C. Dance; 13.2.1864. Diamond cut Diamond: W.H. Murray; 12.12.1850. Done on both sides: J.M. Morton; 10.2.1858. The Dragon of Wantley: H. Carey & J.F. Lampe; 26.1.1852. Duck Hunting: J.S. Coyne; 30.3.1864, 4.4.1864, The Dustman's Belle: C. Dance; 9.2.1858. Faint Heart never won Fair Lady: J.R. Planché; 8.10.-14.10.1864, 14.12.1865. A Fast Train! High Pressure!! Express!!!: J.M. Maddox; 8.3.1854. A Fearful Tragedy in the Seven Dials: C. Selby; 15.2.1860. Fitzsmythe of Fitzsmythe Hall: J.M. Morton; 26.3.1863. The Flowers of the Forest: J.B. Buckstone; 28.3.-5.4.1865. Fra Diavolo: H.J. Byron; 15.10.-21.10.1864. The Frantic Husband: N.N.; 26.4.1865. The Golden Farmer: J.C. Cross? B. Webster? 8.10.1857, A Good Night's Rest: C.G.F. Gore; 21.2.1856. The Goose with the Golden Eggs: A. Mayhew & H. Sutherland; 13.2.1863, 17.2.1863, 26.4.1865 The Governess (Die Gouvernante): T. Körner; 28.3.1864. Grimshaw, Bagshaw and Bradshaw: J.M. Morton: 2.6.1859. The 'Green' Bushes: H.J Byron: 30.9.1865. A Hard Struggle: J.W. Marston; 12.11.-18.11.1864. The Harvest Home: A.F.F. von Kotzebue; 28.3.1864. The Haunted Inn: R.B. Peake; 6.5.1852. The Heir at Law: G. Colman the Younger; 21.4.1851. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 242 High Life below Stairs: J. Townley; 21.4.1851. The Honey Moon: W. Linley? J. Tobin? 19.4.1865. A Household Fairy: F. Talfourd; 216.11.1864. I couldn't help it: J. Oxenford; 13.4.1865. III Treated Il Trovatore: H.J. Byron; 22.6.1864, 29.6.1864. The Infanticidal Farce: J.S. Coyne; 21.2.1856. The Invisible Prince: J.R. Planché; 23.3.1865. The Irish Tutor: R. Butler; 5.5.1853. Isabella: J.B. Buckstone; 28.3.-5.4.1865. I've Eaten My Friend: J.V. Bridgeman; 22.3.1854. Kenilworth: N.N.; 28.3.-5.4.1865. King John: W. Shakespeare; 12.11.-18.11.1864. A Kiss in the Dark: J.B. Buckstone; 26.3.1857. The Knights of the Round Table: J.R. Planché; 24.5.1865. A Lady and a Gentleman in a Peculiarly Perplexing Predicement: C. Selby; 13.12.1864. Lady Audley's Secret: C.H. Hazlewood? G. Roberts? W.E. Suter?; 28.12.1864. The Lady of Lyons: E. Bulwer Lytton; 10.2.1864. The Lady of Lyons: H.J. Byron?; 22.10.-28.10.1864, 29.4.1865. Lend me Five Shillings: J.M. Morton; see p. 15. A Lesson for the Ladies: J.B. Buckstone; 8.4.1865. As Like as Two Peas: H. Lillo; 16.3.1858. Little Toddlekins: C.J. Mathews; 26.5.1864. Love Laughs at Locksmiths: G. Colman the Younger; 9.5.1864, Love, Law and Physics: J. Kenney; 28.1.1851. A Lucky Escape: C.S. Cheltnam; 25.4.1864. The Maid and the Magpie: H.J. Byron; 8.10.-14.10.1864, 15.10.-21.10.1864, 15.4.1865. Make your Wills: E. Mayhew; 23.1.1856. Married Life: J.B. Buckstone; 12.11.-18.11.1864. Medea: R.B. Brough; 28.12.1864. A Most Unwarrantable Intrusion: J.M. Morton; 22.3.1854, 1.4.1864, Nature and Philosophy: N.N.; 9.5.1864. The Nigger Doctor and his Patient Patient: N.N.; 14.8.1856. No!: W.H. Murray? F. Reynolds?; 23.2.1852. No 1 round the corner: W. Brough; 23.1.1856. Nursery Chickweed: T.J. Williams; 28.3.-5.4.1865. The Octoroon: D. Boucicault; 7.1.-13.1.1865, 14.1.1865, On and Off: T.J. Williams; 25.4.1864. Our Wife: J.M. Morton; 13.2.1863, 17.2.1863. Perdita: W. Brough; 8.4.1865. Poor Pillicoddy: J.M. Morton; 15.3.1860, 26.5.1864. A Practical Man: W.B. Bernard; 8.3.1854. Princess Springtime: H.J. Byron; 10.11.1865, 20.11.1865. A Race for Dinner: J.T.G. Rodwell; announced but not performed. Raising the wind: J. Kenney; 9.2.1858, 30.3.1864, 4.4.1864. The Rendez-vous: R. Ayton; 24.3.1852. Retained for the Defence: J. Oxenford; 25.4.1864. The Review; G. Colman the Younger; 24.3.1852. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h Richard III: W. Shakespeare; 26.4.1865. The Rivals: R.B. Sheridan; 28.9.1858, 23.11.1864. A Roarer: N.N.; 19.4.1865. Rob Roy; C.H. Hazlewood? W.H. Murray? 28.3.-5.4.1865. A Roland for an Oliver: T. Morton Sr; 23.2.1852. Roofscrambler: G.A.à Beckett; 12.12.1850. The Rose of Castille: A.G. Harris; 8.10.-14.10.1864. The Rough Diamond: J.B. Buckstone; 13.4.1865. The Serious Family: M. Barnett; 8.10.1857, 2.6.1859, 23.3.1865, 28.4.1865. Siamese Twins: G.A.à Beckett; 5.5.1853. A Silent Woman: T.H. Lacy; 29.6.1864. Sink or Swim: T. Morton Jr; 16.2.1857. Slasher and Crasher: J.M. Morton; 21.2.1856. Still Waters Run Deep: T. Taylor.; 23.4.1857, 15.3.1860. Sweethearts and Wives: J. Kenney; 11.4.1865. Take that girl away: L.S. Buckingham; 15.2.1860; 3.12.1864. Time tries all: J. Courtney; 5.5.1858, 10.5.1860, 21.3.1865. To Paris and back for £5: J.M. Morton; 10.5.1860, 21.3.1865. The Turned Head: G.A.à Beckett; 27.1.1853. Turn out!: J. Kenney; 10.11.1865, 20.11.1865. 'T Was I: J.H. Payne; 27.4.1865. The Two Bonny Castles: J.M. Morton; 22.3.1854, 8.5.1865. The Unfinished Gentleman: C. Selby; 17.6.1865. Urgent Private Affairs; J.S. Coyne; 5.5.1858. Used Up: D. Boucicault & C.J. Mathews; 26.1.1852, 27.1.1853, 18.2.1857. The Wandering Minstrel: H. Mayhew; 24.5.1865. Where There's a Will There's a Way: J.M. Morton; 26.3.1863. Which is which?: W.B. Gill; 27.3.1865. Whitebait at Greenwich: J.M. Morton; 23.1.1856, 16.2.1859, 26.5.1864. The White Horse of the Peppers; S. Lover; March 1863, 16.3.1863. A Wonder: H. Carey S. Centlivre?: 12.11.-18.11.1864, Woodcock's Little Game: J.M. Morton; 14.12.1865. The Young Widow: J.T.G. Rodwell; 27.4.1865, 243 Page 268 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1994 https://digitalrepository.lib.hku.hk/catalog/zk522640g 213 Thomson, David Patrick, Eric Liddell, The Making of An Athelete and the Training of a Missionary, 1971 Thomson, James Claude Jr. While China Faced West: American Reformers in Nationalist China 1928-1937, Cambridge (Mass). Harvard University Press, 1969 Thompson, Wardlaw R, Griffith John: the Story of Fifty Years in China, London 1908 Thurston, Miss Lawrence and Ruth M Chester, Gining College, New York: United Board for Christian Colleges in China, 1955 Tietjens, Eunice, Profiles From China, Sketches in Verse of People and Things Seen in the Interior, Chicago: Ralf Fletcher Seymour, 1917 Timkovski, Egor Fedorovich, Travels of the Russian Mission Through Mongolia to China, and Residence in Pekin, in the Years 1820-1821, London: Longman, Rees, Orme, Brown and Green, 1827 Tipton, Laurence, Chinese Escapade, London: Macmillan, 1949 Tobar, Jerome S.I., Inscriptions pavées de K'ang-feng, Shanghai: Mission Catholique, 1912 Todd, Oliver Julian, The China That I Knew, Palo Alto: Stanford University Press, 1973 Topping, Seymour, Journey Between Two Chinas, New York: Harper & Row, 1972 Trawick, Emma Penton, China and Japan, Louisville, Kentucky: Morton, 1902 Tregear, Thomas Reloy, A Geography of China, London: University of London Press, 1965 Tuchman, Barbara, Notes from China, New York: Collier Books, 1972 Turner, John Arthur, Kwang Tung, or Five Years in South China, London: Partridge, 1894 (Hong Kong Reprint: Oxford University Press) Varg, Paul A, Missionaries, Chinese, and Diplomats, the American Protestant Missionary Movement in China, 1890-1952, Princeton: Princeton University Press, 1958 Wales, Nym (b.1897), My China Years, a Memoir by Helen Foster Snow, New York: Morrow, 1984 Wallace, L. Edhiel, Hua Nan College: the Women's College of South China, New York: United Board for Christian Colleges in China, 1956 Walmsley, Lewis C, West China Union University, New York: United Board for Christian Higher Education in Asia, 1974 Watson, Andrew, Living in China, New York: Littlefield, 1977 Page 225 Page 226 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1995 https://digitalrepository.lib.hku.hk/catalog/95941j25g 161 highly productive area for fish and shrimps and, as a result, will cease to be the venue for the enormous variety of wading birds that congregate there as they overwinter or merely rest on their migratory flight. REFERENCES Hodgkiss, IJ, Thrower, S L & Man, S M (1981). An introduction to the Ecology of Hong Kong (2 volumes) Federal Publications, Hong Kong Hodgkiss, I. J. (1986) Aspects of Mangrove Ecology in Hong Kong Memoirs of the Hong Kong Natural History Society 17 107-116 Living, R & Morton, B. (1988) A Geography of the Mai Po Marshes. Hong Kong University Press. Morton, B. & Morton, J (1983) The Sea Shore Ecology of Hong Kong Hong Kong University Press WWF HK (Not dated) Mangroves. Mai Po Nature Reserve Pamphlet issued by Worldwide Fund for Nature, Hong Kong PLATES Plate 1 Buttress roots in Heritiera Plate 2 Kandelia plantlet developing from 'dropper' Plate 3 Heritiera fruit Plate 4 Avicennia tree plus pneumatophores [These will be published in a later Journal - Editor] ================================================================================