RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1965 https://digitalrepository.lib.hku.hk/catalog/s752cj653 24 T. HARRISSON and carved wood have also survived there. Some fifty rush mats and wrappings survived under late neolithic or early metal burials in the West Mouth of the Great Cave. PUBLICATIONS Many smaller caves have been studied; and many others are available for study - over fifty. But there is no point in constantly repeating work that is very costly. Rather we seek constantly to define and re-define the project, so as to add new data, modifying or widening ideas — in preference to multiplying the established points. So far, about fifty papers have been published on the Niah results in Asian Perspectives (annually), Archaeological Newsletter, Journal Royal Society of Arts (a general review to 1963), Man (three papers), Oriental Art (Oxford), Artibus Asiae (Switzerland), Bijdragen (Holland), and the Geographical Journal (Royal Geographical Society, London). The full background and a long series of technical reports are published in the last eight issues of the Sarawak Museum Journal (Kuching, Sarawak, East Malaysia). The S.M.J. papers include specific contributions from Dr. R. Brothwell of the British Museum, Miss J. Clutton-Brock of the Institute of Archaeology, Dr. Calvin Wells of the Norwich Museum, Dr. D. A. Hooijer of Leiden and Professor G. H. R. von Koenigswald of the University of Utrecht, Dr. W. S. Solheim of the University of Hawaii, Drs. R. Inger and Wayne King of Chicago, the Earl of Cranbrook and Miss Pat Aldridge (now Dr. P. Marshall) of the University of Hong Kong. While those who have made specialist studies on the spot, working in Kuching, include Lord Medway (both here and at the University of Malaya), Dr. Alastair Lamb (glass beads), Dr. Solheim with Mrs. Lindsay Wall (prehistoric earthenware), Mrs. E. Moore in association with Miss Mary Tregear at the Ashmolean Museum, Oxford (Yueh and other early porcelains), Mr. Benedict Sandin and Mr. R. Nyandoh (links to cave and other Niah folklore), Mr. Geoffrey Barnes (burial rites), Mr. J. Revers (U.S. Peace Corps; topography), Professor N. Haile (geology; now of the University of Malaya), Mrs. Barbara Harrisson and her husband. Work of this sort involves multiple cooperation, as has already been well demonstrated by the University team from Hong Kong working on Lantau Island. In 1965-66 we hope to get additional outside help from Dr. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d BOOK REVIEWS "A THOUSAND PEAKS AND MYRIAD RAVINES, by CHU-TSING LI, Zurich Artibus Asiae, 1974 (Vol. 1, pp. xi + 319, Vol. 11, 104 plates, signatures and seals, maps) In studying the history of Chinese art, particularly that of painting, Professor Chu-tsing Li of the University of Kansas is an active scholar. Formerly his main field of study was the Yuan Dynasty (1280-1368); and for this period his thorough studies on Chao Meng-fu (1254-1322), Tsao Chih-po (1272-1355) and Hsueh Ch'uang (active ca. mid-14th century), as well as a general, but extensive, study about a group of artists active in the late Yüan period in Soo-chou area, are all highly regarded. However, in studying the history of Chinese painting, he seems now no longer to confine himself to individuals of the Yuan Dynasty but has begun to focus on other aspects of the later periods of Chinese art history, c.f. his latest monographs on Ting Yun-peng and Chin Nung (1687-1765). Following this, his latest publication; A Thousand Peaks and Myriad Ravines, a voluminous work in two volumes, deals, with the exception of one painting by a late Yüan artist, many different types of Chinese paintings of either Ming or the Ch'ing Dynasties. It was published in 1974. 5 Beginning from the late 19th century, when private collecting of Chinese art reached its climax, in the East as well as the West, a detailed illustrated catalogue, more commonly edited by a specialist in the field rather than by the collector himself, was published. A few examples for ancient Chinese bronzes are those essential works contributed by Professors Kosaku Hamada,1 Yoshito Harada,2 and Sueji Umehara3 in Japan, and those works by Professors Bernhard Karlgren,4 Gustav Ecke, and Chen Meng-chia in America or other countries; all well-edited bronze catalogues on private collections. For archaic Chinese jade, the catalogue produced by Professor Alfred Salmony is also well known. In addition to those cited which always deal with a specific subject of Chinese art, there are also some catalogues characterized by dealing with more than two branches of Chinese art in the one publication, or separately devoted to Chinese art and art objects in another Asiatic country. For the former, the over-sized catalogues about the famous collection ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-2001 https://digitalrepository.lib.hku.hk/catalog/zg651950g 163 - Mario T. Chico. "Algumas observações acerca da arquitectura da Companhia de Jesus no distrito de Goa: igrejas, fachada, planta e espaço interior", Garcia de Orta. Lisboa, número especial 1956, pp.257-72. See Professor Giorgio Bonsanti's elucidating article dealing mainly with St. Francis Xavier's mausoleum in the Bom Jesus, published in Velha Goa, exhibition catalogue of A. Martinelli's photos. Fundação Oriente, Macao. September 15, 2000. (Unnumbered). However, vid. D.Kowal, op. cit., p. 488, who states the Jesuit Domingo Fernandes, aided by J. Simão were architects of Bom Jesus. Also Documenta Indica, **For Charles Borromeo's Instructions, see E.C. Voelker, “Charles Borromeo's Instructiones Fabricae et Supellectilis Ecclesiasticae, 1577. A Translation with Commentary and Analysis". Ph.D. dissertation, Syracuse University, 1977. "L.E. McCall. "Early Jesuit Art in the Far East". Artibus Asiae, XI. Ancona, 1948. pp. 62-9. Y. Okamoto, The Namban Art of Japan, (translation by R.K. Jones of Namban Bijutsu. Tokyo, 1965), Weatherhill/Heibonsha, New York-Tokyo, 1972, pp. 99-103. See also more recently, Gauvin Bailey. "The Art of the Jesuit Missions in Japan in the Age of St. Francis Xavier and Alessandro Valignano”. lecture in the 450th Anniversary of St. Francis Xavier's Arrival in Japan. International Symposium '98, Sophia University 1998, pp.7-22. "Guillen-Nuñez, C., "Retablo and Imafronte: A Study of the Influence of the Retable on the Church-façade in Mexico and Peru", (unpublished M.A. dissertation), University of Penn., 1973. "H. Rodriguez-Camilloni. "The Retablo-Façade as Transparency: A Study of the Frontispiece of San Francisco, Lima", in Anales del Instituto de Investigaciones Esteticas, 62, Mexico, 1991, pp. 111-22. Sylvie Deswarte, "Francisco de Hollanda et les Etudes Vitruviennes en Italie”, in A Introdução da Arte da Renascenca na Península Iberica, Coimbra, 1981, pp. 254-80. * Hugo-Brunt, op. cit., p. 11. Kubler and Soria, op. cit., p. 24. See Hugo-Brunt, op. cit., p.13, note 24. ================================================================================