RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1961 https://digitalrepository.lib.hku.hk/catalog/vd6724704 Journal of the Royal Asiatic Society Hong Kong Branch RASHKB and author Vol. 1 (1961) ISSN 1991-7295 129 HAINES, Miss F. 10-F Headland Road, H.K. HALLIDAY, Lt. Col, P. A. T. Headquarters Land Forces, H.K. HARRISON, Prof. B. Dept. of History, H.K.U. HAYDON, E. S. The Supreme Court, H.K. HAYE, C. Education Dept., Fung House, H.K. HAYIM, E. J. 41 Island Road, Deep Water Bay, H.K. HELLBECK, Dr. H. German Consulate-General, 1 Duddell St., 4th fl. H.K. HENSMAN, Dr. Bertha Chung Chi College, Ma Liu Shui, N.T. HINDMARSH, R. H. Hong Kong Club, H.K. HO Teh-Kuei 61 Fort St. 3rd fl., North Point, H.K. HOGAN, The Hon. Sir M. Chief Justice's Chambers, Supreme Court, H.K. HOLMES, D. R. N.T. Administration, N. Kowloon Magistracy, Kln. HOLMES, G. M. 9 Chater Hall, 1 Conduit Road, H.K. HOLMES, The Hon. J. C. U.S. Consulate-General, H.K. HORSMAN, Miss A. M. Colonial Secretariat, H.K. HOOK, B. G. Queen Mary Hospital, H.K. HORTON, J. R. U.S. Consulate-General, H.K. HOWARD-WILLIAMS, E. D. The British Council, 133 Gloucester Building, H.K. HOWORTH, J. F. Leigh & Orange, P. & O. Building, H.K. HSIA Tung Pei 12 Ming Yuen Street W., 3rd fl. North Point, H.K. HUANG Sheng-Fu P.O. Box 9066, Kowloon City Post Office, Kowloon. HUGHES, G. M. American International Assurance Co. Ltd., H.K. HUGHES, Mrs. G. M. 175 Sassoon Road, H.K. HUGHES, Prof. W. I. Dept. of Extra-Mural Studies, H.K.U. HUNG, C. S. 19, Hec Wong Terrace, 1st fl., H.K. INGLES, Miss J. M. Government House Lodge, H.K. JACOBSON, H. W. U.S. Consulate-General, H.K. JONES, Dr. J. R. H.K. & Shanghai Banking Corpn. H.K. KAMATH, F. M. de Mello Commission of India, Tower Court, H.K. KAY, B. Flat 4, 52 Island Road, Repulse Bay, H.K. KEOWN, W. C. Butterfield & Swire, H.K. KHAN, Dr. L. A. M.O., Tai Lam Prison, N.T. KIDD, S. T. N. Kowloon Magistracy, Kln. KILBORN, Prof. L. G. Chung Chi College, Ma Liu Shui, N.T. KIRBY, Prof. E. S. 2 University Drive, H.K. KNOWLES, W. C. G. Butterfield & Swire, H.K. KNOWLES, Mrs. W. C. G. Butterfield & Swire, H.K. KRAMERS, Dr. R. P. Tao Fong Shan, Shatin, N.T. KUNG, Mrs. T. P. 8 Sunning Road, 2nd fl., H.K. KVAN, Rev. E. St. John's College, H.K.U. KWOK Chan, The Hon. Hang Seng Bank Ltd., H.K. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1964 https://digitalrepository.lib.hku.hk/catalog/qz20zx09r JOURNAL OF OCCURRANCES AT CANTON 39 was persuaded to join the firm of Baring Brothers & Co. In 1873 he became senior partner of the house, finally retiring in 1882. (L.T.R.) 24 Lin Tse-hsü's fate. Hunter long survived Commissioner Lin. Lin Tse-hsü was dismissed from office in 1840 and later sentenced to exile in Ili in Chinese Turkistan, where he remained for three years. He was allowed to return to Peking in 1845. He later served as Governor-General of Yunnan and Kweichow, and retired from office in 1849. He died in 1850 at the age of sixty-seven. (J.L.C.B.) 25 Heang-shan (Heungshan). Former name of the District in which Macao lies. Re-named Chung-shan in honour of Sun Yat-sen. (J.L.C-B.) 26 Morrison. John Robert Morrison (1814-1843) was born in Macao, the second son of Dr. Robert Morrison and his first wife Mary (née Morton). He had some schooling in England but at the age of twelve he came back to Canton with his father in 1826. He became a fluent Cantonese speaker as well as a Chinese scholar, and on the death of his father in 1834 was appointed Chinese Secretary to H.M.'s Commission in China. In 1838 he became, in addition, Interpreter, and in 1841 succeeded Elmslie as Secretary and Treasurer to the Superintendent of British Trade in China. In 1843 he was appointed Chinese Secretary and member of the Executive Council of the newly founded Colony of Hong Kong and was recommended for appointment, by the Governor, as Colonial Secretary. Before the appointment was approved, however, he died in Macao in August 1843, and was buried in the Old Protestant Cemetery there. (L.T.R.) 27 Kwang Chow Foo. Kuang-chou fu The Prefect of the Prefecture of which Canton was the chief city. (J.L.C-B.) 28 Kam Hay Hue. No such title. But I suspect Hunter intended to indicate the Namhoi Hien which title was sometimes written Nam Hoy Hien. See note 14. (J.L.C-B.) 29 Pwan Yu Hue. Also written Punyu Hien. The magistrate having jurisdiction over the eastern part of Canton city and the District lying to the westward of the walls which included Whampoa and the foreign shipping there. (J.L.C-B.) 30 Fearon, Samuel Turner Fearon was the second son of Christopher Fearon and Elizabeth Noad who were married on 14 May 1818 at the Streatham Parish Church. His father served as a midshipman at the Battle of Trafalgar and after being discharged from the Royal Navy he joined the Honourable East India Company's marine service. In this service he made a number of voyages to Canton and when he decided to take a shore posting there he brought his wife and family out with him. Samuel became a fluent Cantonese speaker and in 1838 was appointed Interpreter to the Canton General Chamber of Commerce. After the cession of Hong Kong he was appointed interpreter and clerk of the Chief Magistrate's Court and a couple of months later were added the duties of Notary Public and Coroner. Three years later he was appointed Assistant Magistrate of Police and on 1st January 1845 he became Registrar General and Collector of Revenue. In July 1845 he was granted a year's sick leave and while in England he was appointed Professor of Chinese at King's College, London, an appointment which he held from December 1846 until December 1852. (L.T.R.) 31 Van Basel. Magdalenus Jacobus Senn van Basel, born in Groningen, Holland on 27 September 1808, was appointed clerk in the Dutch Consulate at Canton in 1826, and Vice-Consul in November 1831. He was later in partnership with G. M. Toe Laer and P. Tiedenan in the firm of Senn van Basel & Toe Laer & Co. In 1848 he became Collector General of Taxes ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1965 https://digitalrepository.lib.hku.hk/catalog/s752cj653 128 BENHAM, Miss M. E. M. Harcourt Health Centre, Morrison Hill Rd., BERTOVICH, Miss R. C. BERTUCCIOLI, Dr. G. BEVERIDGE, R. J. BIRNBAUM, Mrs. S. D. + BLACK, D. BLACKMORE, M. BLAKER, D. J. R. - BLATCHFORD, C. H, BLUE, A. D. - T BLUNDEN, Prof. E. C. BOAK, C. D. BOARD, D. B. M.* BODILLY, Mrs. M. BOLLMEYER, Mrs. H. BONSALL, G. W. BORDWELL, J. H. BORGEEST, G. BOXER, B. BOYD, J. D. I. BRAGA, J. M. BRAUN, F. 7 ד BREUIL, Mrs. N. du - BRITTON, Mrs. N. M. BROMHALL. J. D. BROOKS, D. E. BROWN, Miss B. BROWN, Mrs. D. L. + - - + + + H.K. R.D. No. 1, Box 220, Masontown, Pa. U.S.A. Italian Embassy, Tokyo, Japan. University Press, Hong Kong University, Pokfulum, H.K. 7, Braga Circuit, Kowloon, Long Acre, Gullane, East Lothian, Scotland, Dept. of History, H.K. University, H.K. c/o Gilman & Co., Ltd., P. O. Box 56, H.K. New Asia College, 6 Farm Road, Kowloon. c/o World Wide Shipping, Cornes & Co., C. P. O. Box 158, Tokyo, Japan. Merton College, Oxford University, England. Dept. of Modern Languages, H.K. University, H.K. c/o Education Dept., Battery Path, H.K. 12A Mt. Nicholson Road, H.K. c/o W. F. Bollmeyer & Co. (H.K.) Ltd., Rooms 408-9 Yu To Sang Building, H.K. Flat 4-B, 3 University Drive, Pokfulum, H.K. P. O. Box 25, H.K. P. O. Box 1058, H.K. Dept. of Geography, Michigan State Univ., East Lansing, Michigan 48824, U.S.A. c/o Political Adviser, Colonial Secretariat, H.K. P. O. Box 951, H.K, 8 Kotewall Road, 4th floor, H.K. 86, Main Street, Stanley, H.K. 6 Peel Rise, The Peak, H.K. Fisheries Research Station, The Fish Market, Island Road, Aberdeen, H.K. Radio Hong Kong, Mercury House, H.K. Medical Rehabilitation Centre, L. 254 Kun Tong, Kowloon, Chatham Galleries, 103 Chatham Road, Kowloon. * Life Member Please notify the Hon. Secretary of any inaccuracy ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d CONTENTS PRESIDENT'S REPORT TREASURER's Report THE LIBRARY: and the Library Rules TRANSACTIONS OF THE BRANCH : I Page 1 9 13 16 A Hong Kong Spirit-Medium Temple-JOHN T. MYERS Merchant Organisations in Late Imperial China: Patterns of Change and Development-WELLINGTON K. K. CHAN 28 China's Economic Planning and Changing Geography—CHIAO-MIN HSIEH 43 ∞ NOA 48 61 71 88 ARTICLES: Incident between the Hong Merchants and the Super-cargoes of the British East India Company in Canton, 1811—J. L. Cranmer-BYNG The Great Plague of Hong Kong-E. G. PRYOR Notes on Chiuchow Opera-Helga Werle Condition of the European Working Class in Nineteenth Century Hong Kong-HENRY JAMES LETHBRIDGE The Employment of Foreign Military Talent: Chinese Tradition and Late Ch'ing Practice-RICHARD J. SMITH 113 The Pacific Oyster Industry in Hong Kong-BRIAN MORTON AND P. S. WONG Captive Surgeon in Hong Kong: the Story of the British Military Hospital, Hong Kong 1942-1945- DONALD C. Bowie NOTES AND QUERIES: ... The Pottery Kilns at Wun Yiu, Tai Po-J. W. HAYES The Noon Day Gun-CARL T. SMITH The German Congregation in Hong Kong until 1914-CARL T. SMITH 139 150 291 292 292 295 Boat People's Ceremonies observed from Island House, Tai Po-D. AKERS JONES 300 The RAS Photographic Survey in Hong Kong—H. A. RYDINGS 311 Chief Marshal T'ien, patron of the stage, of musicians and wrestlers-East and South East China-K. G. STEVENS 303 Chang Yu-tang and an old Hanging Scroll from Cheung Chau-FRANCIS S. Y. SHAM AND JAMES Hayes Hung Hom: an Early Industrial Village in Old British Kowloon-Carl T. SMITH AND JAMES HAYES Typhoon Preparations in 1903 BOOK REVIEWS 318 324 327 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 144 BRIAN MORTON & P. S. WONG used in N. America e.g. Virginia, by poorer oystermen (Yonge, 1960). During summer, the oysters can be harvested more easily by diving. The oysters are usually taken by boat to the major marketing village of Lau Fau Shan (∗) and are deposited on the shore close to the village. There they are either separated from the cultch (Plate 16; A) immediately or left for a day or two according to demand. Shucking (➠) (Plate 16; C) is undertaken by hand using a traditional shucking implement (…). This is a hammer-like instrument with one long sharp-edged arm and a short, stout, pointed arm. A cotton glove is needed to hold the oyster as the shell is extremely sharp. When shucking, the opener sits on a low stool and the oyster is held firmly, left cupped valve down, on the ground. Using the short pointed arm of the shucking hammer a small hole is punched in the shell an inch or so from the posteroventral end of the right, upper valve. The long arm is then inserted into the hole and with the sharp edge working forward and upward in a right and left motion, the adductor muscle of the oyster is cut where it attaches to the upper valve. A prying motion of the long arm of the hammer also breaks the hold of the ligament. The sharp edge is again used to cut the adductor muscle from the lower valve. In Lau Fau Shan, shucking is usually undertaken by the female members of the family. The shucked oysters are usually sold fresh. With reduced demand some of them may be dried under the sun and sold impaled upon characteristic rings (∗∗) (Plate 16; D). Small ones in the cluster or those broken during shucking are used to make oyster sauce (…). Most of the fresh oysters are transported to outside markets or to restaurants in Kowloon or Hong Kong Island. A small quantity is sold at Lau Fau Shan in small market stores as the village is itself a tourist centre famous for oysters (Plate 16; B). These oysters are shucked as purchased. The shucked oysters are quantified by means of standard sized cans and sold at the following price (1973-74): H.K. $13 per large can H.K. $11 per medium can H.K. $9 per small can Long plastic bags (40 cm x 8 cm) are used to hold the shucked oysters. Previously the oysters destined for outside markets or ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d 148 BRIAN MORTON & P. S. WONG chi, 1966) by the application of anti-fouling paints. Undoubtedly the main disadvantage to this technique is that a large capital investment is required with high maintenance costs and a greater chance of damage and loss during a typhoon. As noted earlier oyster culture in Deep Bay is at present being run on a family basis lacking a large capital investment. The adoption of the more expensive raft method of culture would appear, under present socio-economic conditions, to be impossible. The setting up of a co-operative system by the oyster farmers concerned, together with an extension of the Government loan scheme for fisheries development to the oyster industry could enable the oyster farmers to obtain the necessary finance to improve the industry. With an available source of funds for investment and with further detailed research to determine the modifications required to ensure the success of a programme of modernisation in the special environment of Deep Bay, Hong Kong's oyster industry is not without a future. LITERATURE CITED Bardach, J. E. and J. H. Ryther, 1968. The Status and Potential of Aquaculture. American Institute of Biological Science, Washington, D.C. Vol. I (261pp.), Vol. II (224pp.). Bromhall, J. D., 1958. On the biology and culture of the native oyster of Deep Bay, Hong Kong, Crassostrea sp. Hong Kong University Fisheries Journal, 2; 93-107. Cahn, A. R., 1950. Oyster culture in Japan. The United States Fisheries and Wildlife Services Fisheries Leaflet, 383; 1-80. Furukawa, Atsushi, 1968. The raft method of oyster culture in Japan. In: Proceedings of the Oyster Culture Workshop (Ed. T. L. Linton). Marine Fisheries Division, Georgia Game and Fish Commission, Brunswick, Georgia, pp. 49-54. Hong Kong Annual Departmental Report by the Director of Agriculture and Fisheries, 1953-54 to 1973-74. The Hong Kong Government. Knight-Jones, E. W., 1952. Reproduction of oysters in the rivers Crouch and Roach, Essex during 1947, 1948, 1949. Fishery Investigations, London, 18; 1-48. Korringa, P., 1947. Relations between the moon and periodicity in the breeding of animals. Ecological Monographs, 17; 347-381. Leung, C., B. S. Morton, K. F. Shortridge and P. S. Wong, 1975. The seasonal incidence of faecal bacteria in the tissues of the commercial oyster Crassostrea gigas Thunberg 1793 correlated with the hydrology of Deep Bay, Hong Kong. Proceedings of the Pacific Science Association Special Symposium in Marine Science, Hong Kong 1973; 114-127. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1975 https://digitalrepository.lib.hku.hk/catalog/j0995146d PACIFIC OYSTER INDUSTRY IN HONG KONG 149 Mawatari, S. and T. Miyauchi, 1966. Studies for the improvement of Pearl oyster shell cleaning—1. Antifouling chemical coatings and their acceleration effect on shell growth. Miscellaneous Reports of the Research Institute for Natural Resources, Tokyo, 67; 54-66. Mok, T. K., 1973. Studies on spawning and setting of the oyster in relation to seasonal environmental changes in Deep Bay, Hong Kong. Hong Kong Fisheries Bulletin, 3; 89-101. Mok, T. K., 1974. Study of the feasibility of culturing the Deep Bay oyster Crassostrea gigas in Tung Chung Bay, Hong Kong. Hong Kong Fisheries Bulletin, 4 (in press). Morton, B. S., 1975. Pollution of Hong Kong's commercial oyster beds. Marine Pollution Bulletin, 6; 117-122. Morton, B. S. and K. F. Shortridge, 1976. Coliform bacteria levels correlated with the tidal cycle of feeding and digestion in the Pacific oyster (Crassostrea gigas) cultured in Deep Bay, Hong Kong. Malacological Review (in press). Morton, B. S. and R. S. S. Wu, 1975. The hydrology of the coastal waters of Hong Kong. Environmental Research, 10; 319-347. Needler, A. W. H., 1941. Oyster farming in Eastern Canada. Bulletin of the Fisheries Research Board of Canada, 60; 1-83. Quayle, D. B., 1969. Pacific oyster culture in British Columbia. Bulletin of the Fisheries Research Board of Canada, 167; 1-68. Rougley, T. C., 1922. Oyster culture on the George's River, New South Wales. Sydney, Technological Museum, Technical Education Series, 25. Tschang, S., C. Y. Chi et al., 1962. Animals of Economic Importance of China. Marine molluscs. Scientific publisher, Peking. 張靈,賽錄彥等,1962. 中國經濟動物誌,海産軟體動物. 科學出版社。 Watts, J. C. D., 1973. Further observations on the hydrology of the Hong Kong territorial waters. Hong Kong Fisheries Bulletin, 3; 9-25. Wong, P. S., 1975. The community associated with the Pacific oyster (Crassostrea gigas Thunberg) in Deep Bay, Hong Kong, with special reference to the shell borer Aspidopholas obtecta Sowerby. M.Phil. Thesis, University of Hong Kong. Wood, P. C., 1969. The production of clean shellfish. Ministry of Agriculture, Fisheries and Food Laboratory Leaflet (New Series), 20; 1-16. Yonge, C. M., 1960. Oysters. Collins, London. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1979 https://digitalrepository.lib.hku.hk/catalog/2801w5938 ORDINARY LOCAL MEMBERS MORGAN, Ms. V. Elaine, The Library, University of Hong Kong, HONG KONG. MORITZ, Mr. Frederick A., 4B, Sea and Sky Court, 92 Stanley Main Street, Stanley, HONG KONG. MORTON, Mr. R. J. McK., Legal Aid Department, 19/F Sincere Building, 173 Des Voeux Road C., HONG KONG. MOYLE, Mr. G. C., 64 Mile Taipo Road, NEW TERRITORIES. MULLOY, Mr. G. N., Flat C, 1 Homestead Road, The Peak, HONG KONG. NEWBIGGING, Mr. D. K., 35 Mount Kellett Road, The Peak, HONG KONG NG, Dr. Margaret N., Arts Mansion 5/F, Flat C, 43 Wongneichong Road, Happy Valley, HONG KONG NG, Miss Tonia, H.K. Tourist Association, Connaught Centre, 35/F, HONG KONG. NGUYET, Mrs. Tuyet, c/o Arts of Asia, 1309 Kowloon Centre, 29-43 Ashley Road, KOWLOON. O'HARA, Mr. Randolph, c/o The City Hall Library, Edinburgh Place, HONG KONG. OJEDA, Mr. J. de, Spanish Consul General, 1403 Melbourne Plaza, 33 Queen's Road Central, HONG KONG. ONG, Dr. Guan Bee, Dept. of Surgery, University of Hong Kong, HONG KONG. ORR, Mr. I. C., Room 506 Central Govt. Offices, Main Wing, Lower Albert Road, HONG KONG. OUTCH, Mr. W. T., c/o Essex Asia Ltd., 118 Austin Road, Tsim Sha Tsui, KOWLOON. OXLEY, Mr. C. W. B., District Office, Sai Kung, Sai Po Kong Govt. Offices, 792 Prince Edward Road, KOWLOON. PALMER, Mrs. R. M., 2 Old Peak Road, 2/F Front, HONG KONG. PARR, Mr. M. J., c/o Wardley Ltd, G.P.O. Box 8983, HONG KONG. PARRINGTON, Miss June, Arts Faculty Office, University of Hong Kong, HONG KONG. PARRY, Mr. Roger H., c/o The Marine Department, 102 Connaught Road C., HONG KONG. PAUL, Mrs. Anne Carse, 9 Jade House, 47C Stubbs Road, HONG KONG. PEACOCK, Mr. I. R., 5A Manhattan Tower, 63 Repulse Bay Road, HONG KONG. PERESYPKIN, Mr. Oleg P., P.O. Box 1382, HONG KONG. PICKARD, Mrs. Jane, Flat A6, 14 Shouson Hill Road, HONG KONG. 249 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 242 CARL T. SMITH 1 Dec. 1852 - first performance of amateurs under new management. 12 Feb. 1853 — Victoria Amateurs. "Twice Killed" farce (John Oxenham, 1837) "Slasher and Crasher" farce (J. M. Morton, 1848) 19 Mar. 1853 meeting at Victoria Theatre for purpose of forming a Corps Dramatique to arrange for another performance at an early date. 20 Apr. 1853 "Animal Magnetism" farce (Mrs. E. Inchbald, 1758) "A Kiss in the Dark" farce 19 May 1853 last night of season of Victoria Amateurs. "Time Tries All" dramatic drama (J. Courtney, 1848) "Toothache, or The Prince and the Chimney Sweep" farce 1853/54 27 Oct. 1853 Meeting at Victoria Theatre of those interested in theatricals to make arrangements for the coming season. (I found no notice of any performance for this season). 1860/61 3 Jan. 1861 "Still Waters Run Deep" (T. Taylor, 1855) 1861/62 1862/1863 29 Jan. 1861 new theatre, Hong Kong Amateur Theatre, performance by officers and gentlemen who have organized this establishment: "A Bachelor of Arts" (P. Hardwicke, 1853) "A Nice Firm" (T. Taylor, 1853) 25 Feb. 1861 performance of Gentlemen Amateurs Mon. last. 28 Mar. 1861 theatrical season drawing to close. Appreciation to the Committee. Difficult to see how the Amateur Theatrical Company could have managed without aid from the garrison. Dec. 1861 - first performance of season: "Cool as a Cucumber" (M. W. B. Jerrold, 1851) "The State Secret" (A. Snodgrass, 1821, or T. E. Wilks, 1836) in same commodious erection as served so well for last year's performances, 23 Jan. 1862 second public performance of Hong Kong Amateur Theatre: "Not a Bad Judge" comic drama (J. R. Planche, 1848) "The Critics" facetious tragedy (Sheridan, 1779) 1862 season "Cramond Brig" (W. H. Murray, 1826) Dec. 1862 The theatre a reproduction of last year's design. "Uncle Zachary" comic drama (John Oxenford, 1860) "Fearful Tragedy in Seven Dials" (Charles Selby, 1857) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 244 1870/71 P 1871/72 1872/73 1873/74 — 1874/75 — CARL T. SMITH 25 Nov. 1867 first performance of season at Club Lusitano Theatre: "All that Glitters is not Gold" comedy (J. M. Morton, 1851) "Cox and Box, married and settled" farce (F. C. Burnard and J. M. Morton, 1867) 19 Dec. 1867 Hong Kong Amateur Theatrical Society second performance: "Romeo and Juliet" burlesque "Little Toddlekins" farce (J. Mathews, 1852) 4 Nov. 1870 Amateur Dramatic Club first performance of season at Theatre Royal, City Hall. "Diamond Cut Diamond" farce (W. H. Murray, 1838) "Orpheus and Eurydice" burlesque (H. J. Bryon, 1863) 20 Apr. 1871 "I've Written to Brown" farce (T. J. Williams, 1859) burlesque by Francis Talfourd. 28 Apr. 1871 "Ici, en Parlais Francais" (T. J. Williams, 1859) "Shylock, or the Merchant of Venice Preserved" burlesque (F. Talfourd, 1853) also given in 1867. - 26 Jan. 1872 - "The Two Bonnycastles" farce (J. M. Morton, 1851) "Masanielle" burlesque (R. B. Brough, 1857) 21 Feb. 1872 - "The Rifle and how to use it" farce (J. V. Bridgeman, 1859) 11 Apr. 1872 "Castles in the Air" comedy (T. W. Robertson, 1854) Instead of "Castles", the production may have been "Caste" by T. W. Robertson (1867) 3 Jan. 1873 - "Locked In" farce (J. P. Wooler, 1870) "The Cricket on the Hearth" 13 Feb. 1873 "Kenilworth, or Ye Queen, Ye Earl and Ye Maiden", burlesque 13 Apr. 1873 "The Blighted Being" farce (T. Taylor, 1854) "Checkmate" comedy (Andrew Halliday, 1869) 30 Oct. 1873 1853) "Plot and Passion" (T. Taylor and J. Lang, 1853) 15 Nov. 1873 "The Spitalfield Hospital" farcical comedy "Not such a Fool as she Looks" (H. J. Bryon, 1868) 2 Mar. 1874 —— "A Romantic Idea" (J. R. Planche, 1849) "The Steeple Chase" (J. M. Morton, 1865) 5 Apr. 1875 - "Ticket of Leave Man" (T. Taylor, 1863) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 245 26 May 1875 "An Unwarranted Intrusion" farce (J. M. Morton, 1868) "Alladin" burlesque (J. S. Bryon, 1861) 1863, 1867, also given 1875/76 no production on record. 1876/77 11 Nov. 1876 "The Field of the Cloth of Gold" (Wm. Brought, 1868) 19 Feb. 1877 "Alladin, or the Wonderful Scamp" (J. S. Bryon, 1861) 8 May, 1877 "Not Such a Fool as She Looks" (H. J. Bryon, 1868) given in 1873. 1877/78 7, 12, 13 Jan. 1878 "The Boots at the Swan" farce (Charles Selby, 1842) 4 Feb. 1878 "Still Waters Run Deep" Tom Taylor comedy; given in 1862. 1878/79 apparantly no production this season. 29 Dec. 1879 "The School for Scandal" (Sheridan, 1777) first appearance of women in casts of the amateurs. Mar. 1880 "Porter's Knot" (J. Oxenford, 1858) "The Critic" (Sheridan, 1779) - second act. 27 Apr. 1880 "New Men and Old Acres" (T. Taylor and A. W. Dubourg, 1869) 1870/80 1880/81 11 Nov. 1880 repeat of "New Men and Old Acres" 1 Mar. 1881 "A Wonderful Woman" (C. Dance, 1849) "The Area Belle" (W. Brough and A. Halliday, 1864) given in 1867. 18 Mar. 1881 "The Cup of Tea" (author unknown, 1866) "A Happy Pair" (S. T. Smith, 1868) two characters only screen scene from "School for Scandal" (Sheridan, 1777) 1881/82 apparantly no production this season. 1882/83 23 Jan. 1883 "The School" (T. W. Robertson, 1869) 1883/84 25 Sept. 1883 "She Stoops to Conquer" (O. Goldsmith, 1773) 7 Dec. 1883 "The Wedding March" eccentricity (W. S. Gilbert, 1873) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 246 1884/85 1885/86 CARL T. SMITH 16 Dec. 1884 "Still Waters Run Deep" comedy (T. Taylor, 1855) given in 1862, 1878. 17 Dec. 1885 "Chiselling" farce (J. J. Dilley and J. Albery, 1870) "Nine Points of the Law" (T. Taylor, 1859) in 1878. 18 Feb. 1886 — "The Overland Route" (T. Taylor, 1860) second performance of season. 1886/87 9 Mar. 1886 "Weak Woman" (H. J. Byron, 1875) benefit with Canton Amateurs for burned Canton Theatre. 7 Apr. 1886 — "Heads or Tails" (J. Palgrave Simpson, 1854) "Chiselling" farce (Dilley and Albery, 1870) given in 1885, 18 Nov. 1886 "A Widow's Hunt, or Everybody's Friend" comedy (J. Sterling Coyne, 1859) 30 Dec. 1886 — "Cups and Saucers" musical sketch (G. Grossmith 1878) "Our Wife" comedietta (J. M. Morton, 1850) 13 Apr. 1887 — "A Comical Countess" (Wm. Brough, 1854) "Our Soldiers" comedy (H. J. Byron, 1873) 1887/88 8 Nov. 1887 "Withered Leaves" comedietta (J. W. Broughton, 1875) "The First Night" comedy (J. M. Maddox, 1853) "The Rivals" (Sheridan, 1775) 17 Jan. 1888 1888/89 1889/90 1890/91 apparently no production this season. 26 Dec. 1889 last performance Mar. 1890 - 1 Christmas Pantomime: "Ali Baba and the Forty Thieves" Grand 26 Dec. 1890 --- "Ali Baba and the Forty Thieves" pantomime 30 Mar. 1891 - "The Two Roses" (J. Albery, 1870) 1891/92 24 July 1891 1864) "David Garrick" comedy (T. Robertson, 26 Dec. 1891, 23 Jan., 20 Feb. 1892- Christmas Pantomime: "Beauty and the Beast" 27 Feb., 1 Mar, 1892 21, 30 Apr. 1892 + "Betsy" (F. C. Burnand, 1879) "Turned Up" (or "Too Much Married") comedy, (M. Melford, 1886) Page 268 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1982 https://digitalrepository.lib.hku.hk/catalog/mk61z420p 1892/93 ― 1893/94 247 "Honour Bound" (W. S. Gilbert and Sydney Grundy, 1880) 12, 15 Nov. 1892 "On Bail" a farce (W. S. Gilbert, 1877) 26, 28, 30 Dec. 1893, 3, 6, 9, 16, 24 Jan. 1894 "Princess Toto" (W. S. Gilbert and Clay, 1876) 1894/95 30 Jan. 4, 6, 9, 12, 16, 18, 23 Feb. 1895 "Robinson Crusoe" Pantomime: 17, 20, 24 Apr. 1895 "The Magistrate" (A. W. Pinero, 1885) 1895/96 26, 28 Dec. 1895 "Dandy Dick" (A. W. Pinero, 1887) 8, 10, 20 Feb. 1896 1888) 1896/97 "Trial by Jury” (Gilbert and Sullivan, 1888) 19, 21 Dec. 1896 — “Cups and Saucers" (G. Grossmith, 1878) given in 1886. "Charley's Aunt" (Brandon Thomas, 1892) 25 Feb. 1897 — "Les Cloches de Carneville" (H. B. Farnie and R. Reece, 1878) 1897/98 19 Nov. 1897 1890) F 1898/99 19, 21 Feb. 1898 — "A Pair of Spectacles" (Sidney Grundy, 1890) "The Duchess of Bayswater and Co." comedietta (A. M. Heathcote, 1888) "A Pantomime Rehearsal" (C. Clay, 1891) 17, 19 Nov. 1898 — “Our Bitterest Foe" (G. C. Herbst, 1874) "Sugar and Cream" comedietta (J. P. Hurst, 1883) "The Steeple Chase" (J. M. Morton, 1865) given in 1874. ― 5, 7, 9, 11, 14, 17, 18 Jan., 1, 3 Feb. 1899 pantomime "The Yellow Dwarf, or Harlequin the Knave of Hearts" 1899/1900 4, 6 Nov. 1899 "The Magistrate" (A. W. Pinero, 1885) given in 1895. 12, 13 Dec. 1899 "The Mother In Law" farcical comedy (G. R. Sims, 1881) JL 12, 15, 17, 24, 26 Feb. 1900 "Yeoman of the Guard" (Gilbert and Sullivan, 1888) 1900/01 24 Nov. 3 Dec. 1900— 1901/02 1902/03 — ― "Our Flat" (Mrs. M. Musgrove, 1889) 15, 19 Nov. 1901 “Trying It On” farce (W. Brough) "Plantation Revels" minstrel variety 13, 14, 15 Nov. 1902 "Liberty Hall" drama (R. C. Carton, 1892) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1988 https://digitalrepository.lib.hku.hk/catalog/ft84gb83q 261 Baker, Hugh D.R. 1966 Bibliography of Sources Cited: "The Five Great Clans of the New Territories". Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 6. Brim, John A. 1974 “Village Alliance Temples in Hong Kong", In Religion and Ritual in Chinese Society, edited by Arthur P. Wolf. Stanford: Stanford University Press. Dumont, Louis 1970 Homo Hierarchicus: An Essay on the Caste System, translated by Mark Sainsbury. Chicago: University of Chicago Press. Fei Hsiao-tung 1946 "Peasantry and Gentry: An Interpretation of Chinese Social Structure and Its Changes". American Journal of Sociology 52(1), Freedman, Maurice 1958 Lineage Organization in Southeastern China. London: Athlone Press. 1966 Chinese Lineage and Society. London: Athlone Press. Fried, Morton H. 1970 **Clans and Lineages: How to Tell Them Apart and Why with Special Reference to Chinese Society”. Bulletin of the Institute of Ethnology, Academia Sinica 29 (Taipei). Geertz, Clifford 1963 Peddlers and Princes: Social Change and Economic Modernization in Two Indonesian Towns. Chicago: University of Chicago Press. Holy, Ladislav 1979 "The Segmentary Lineage Structure and Its Existential Status”. In Segmentary Lineage Systems Reconsidered, edited by L. Holy. Belfast: The Queen's University Papers in Social Anthropology. Kuhn, Philip A. 1970 Rebellion and Its Enemies in Late Imperial China: Militarization and Social Structure, 1796-1864, Cambridge: Harvard University Press. Pasternak, Burton 1969 "The Role of the Frontier in Chinese Lineage Development'. Journal of Asian Studies 28(3), Polanyi, Karl 1944 The Great Transformation. Boston: Beacon Press. Moore, Barrington 1966 Social Origins of Dictatorship and Discovery: Lord and Peasant in the Making of the Modern World, New York: Penguin Press. Strathern, Marilyn 1984 "Localism Displaced: A "Vanishing Village" in Rural England", Ethnos 49(1-2) (Stockholm). Strauch, Judith 1983 "Community and Kinship in Southeastern China: The View from the Multilineage Villages of Hong Kong". Journal of Asian Studies 43(1), Wolf, Eric 1982 Europe and the People without History. Berkeley: University of California Press. Page 285 Page 286 262 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h The Rivals. 1861 saw some entertainment on board H.M.S. Scout, and in March 1864 there was a Prussian ship, the Gazelle, in port, and its amateur society performed three plays, two of which were by Kotzebue and Körner, whether in German or English is unknown, but the audience "frequently expressed their approval by enthusiastic applause”. As was stated in the introduction, there were times in the history of Shanghai when the Settlement was threatened from outside and foreign troops had to assist in its defence. Thus in the early sixties several regiments were brought down to the city. Both the British 31st and 67th regiment came out in 1861, to sail home in July 1863 and July 1865 respectively. The Royal Artillery started operations in 1862. After the military tasks had been largely completed in 1863, there was time left for whatever amusement could be organised — among these, of course, theatricals. Mid-March 1863 the amateurs of the 31st staged Lover's The White Horse of the Peppers and Brough's Crinoline "before the largest audience of the season"." Some weeks later the Royal Artillery scored an equal success. Shortly before their return to England the 67th amateurs put on Selby's The Unfinished Gentleman on June 17, 1865, which was "well attended and gave great satisfaction"." On more than one occasion the officers and local amateurs joined forces for the staging, for instance, of Morton's farces Where there's a Will there's a Way and Fitzsmythe of Fitzsmythe Hall on March 26, 1863 "before a crowded audience of subscribers to the fund for defraying the expenses".42 Travelling Companies Until the heyday of theatrical entertainment in Shanghai during the years 1864 and 1865 only one professional company visited the city: On August 9, 1856 Messrs Baker, Woodward and Montgomery ("formerly of the New York Serenaders") advertised that they would give, on the 14th, a "Grand Ethiopian Musical Soiree" which “could not fail to please all lovers of fun and harmony" and at which among others "the sidesplitting Negro farce 'The Nigger Doctor and his Patient, or The First Lesson in Surgery' "' would be performed. Ethiopian Soirees were another name for the minstrel shows given by blackened whites; they originated in the early 1830s and became hugely popular, especially in America, but later also in Britain,40 and to some extent in Shanghai too. These Ethiopian entertainments were given sometimes by amateurs (May 15, 1854) and sometimes by touring companies like the one mentioned above and later, in November and December 1864, by the ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 176 Or perhaps Miss Durable might suit your views. Such beauty on a stage is rarely seen How well too they contrived their Crinoline! Oh! Bachelors give up your wretched lives. And take these beauteous damsels for your wives". 85 With hindsight it is of course easy enough to see the wit and irony of these lines and for contemporaries they must have been crystal clear. 96 Not many other accounts have been left to us, but some photographs of a French amateur performance in the early seventies have been published, and there is the following amusing description of a staging on board H.M.S. Scout, when she lay in Shanghai in 1861, of J.M. Morton's farce "Lend me Five Shillings" by one of the participants: Jimmy Towers and I, being the only ladies, had to go ashore to be measured for our clothes which we thought was great fun and I must say Towers who was a handsome boy, when made up and after judicious padding and paint made a most bewitching Julia. I, being rather thin, had to be padded up also and as the sun had taken such liberties with my complexion it required a great deal of paint and labour to make me presentable, and as it was a ballroom scene we had low-neck dresses and bare arms. However we were a success and I believe that those who came off shore never knew that Towers was not really a girl. A discussion then arose as to what to wear under our dresses, and it was decided that white duck trousers were admirably fitted to represent an important article of feminine attire. This, as the sequel proved, was quite correct. The play went on well, until getting too near the footlights I had to turn quickly to prevent my clothes catching fire [candles were used JH] and being unable to manage my crinoline properly, it flew in the air and a young wretch right behind remarked in a voice loud enough for anyone to hear: 'Look at her drawers'. This of course raised a great laugh at my expense". (see also Appendix III, p. 91-93.) ― Despite the often benevolent attitude of the local paper, the actors were well aware of their limitations, as witness the prologue by Peter Proteus on February 18, 1857: And tho' our Acting may not be the best Approve what's pleasing and forgive the rest Rememb'ring what we all must e'en confess ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 186 who evidently had no 'tender cares' to occupy them, manfully maintained their seats in front, and remained so spellbound as to forget entirely the courtesies of gallantry and good breeding. We are of opinion that a perusal of Lord Chesterfield's 'Hints' might be a useful exercise for such as have no innate impulses to enable them to understand and practice what is conveyed in the phrase 'Place aux Dames' when those fair patronesses choose to honour public entertainments with their presence". 129 Once front seats were shunned by ladies, but that was not the case in mid-century Shanghai. In the Regulations to be Observed on the Evenings of Performances at the Shanghae Theatre printed in the North China Herald of February 14, 1857, it was even stipulated that, "after the front row had been set apart for the exclusive accommodation of H.B.M. Consul and the French and American Consuls, the seats numbered 2 to 6 will be reserved for ladies, and the gentlemen who escort them." VII. The Plays From the references above, and even more from the Calendar of Performances, it will be clear that the dramatic fare in Shanghai consisted for the greater part, nay for nearly one hundred percent, of pieces that could easily amuse the people. That is to say: farces, comediettas, burlesques, melodramas, burlettas, musical comedies or whatever name may be invented for the genre. There is no space here, nor is it within the scope of this Survey, to give an analysis of these plays, so I shall keep myself to some general remarks. Most pieces that were performed dated from the 19th century, but there were some from the previous one, like Henry Carey's The Dragon of Wantley (1737), a short three-act opera with music by John Frederick Lampe which burlesqued the Handel style works which were then in vogue (but hardly a century later); and James Townley's (or was it David Garrick's?) High Life below Stairs which one rather antiquarian critic thought "worth whole bales of farces of the 'Box and Cox' pattern". Sheridan's The Rivals (1775) was also on the programme several times (although not on that of the local amateurs) but it is remarkable (and, considering the travesties that were common, maybe just as well) that a classic comedy like Goldsmith's She Stoops to Conquer was not tackled. 130 Of contemporary authors the most prolific was John Maddison Morton and it should cause no surprise that his plays took top of the bill: no ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 187 less than sixteen of his farces were staged during the years 1850-1865, including of course the maligned Box and Cox which is, ironically, nearly his only piece that is still occasionally seen today. Closely following were the burlesques of Henry James Byron, written in quite a different style from Morton's farces, with many more puns in the text which makes them sometimes awkward reading, although one can feel amazement about the author's inventiveness. Yet, to see well-established works like Verdi's Il Trovatore, with its beautiful music, mangled into !!! Treated Il Trovatore, or Shakespeare's Macbeth and King John into The Babes in the Wood makes one feel a little bit queasy. Of especial interest to the Shanghai residents must have been his Aladdin or the Wonderful Scamp for he had built the entire action **around puns on China tea and he invented widow Twankay as a pun on one of the ports central to the China trade" [Shanghai presumably — JHJ]. Byron was of course not the only one who made himself into a debaser of tragedy. What is one to think of Robert Bough's Medea or the Best of Mothers with a Brute of a Husband, the title alone of which causes one to shudder. But then, this was obviously what an overwhelming majority of the public asked for, both in Britain and overseas. The British capital teemed with small, and not so small, theatres that catered for the wishes of the low and lower middle classes and their first demand was to be entertained after a hard day's work: who cared for a complex five-act Shakespearean tragedy people referred to laugh their heads off with Slasher and Crasher and Cool as a Cucumber. In British outposts abroad the attitude of the public was not very different, as is shown in this article for Shanghai. A comparison with Singapore and Hong Kong shows that tastes there were also exclusively in the direction of farce and comedy and it is not to be wondered that sometimes the same pieces were chosen, like William Rhodes' Bombastes Furioso (Sh.: 28.1.1851 and 5.5.1858; Hong Kong: 1.12.1848; Singapore: May 1844 and 25.5.1846) and Tom Taylor's Still Waters Run Deep (Sh.: 23.4.1857; 15.3.1860; H.K.: 3.1.1861; Sp.: 1862). That not all plays were to the liking of the local paper's critics has already been discussed. Apparently, no efforts were made from among the foreign community to write original comedies, a fact which was deplored by the Herald when it thought that there are certainly men capable of such mental exercise as the writing of burlesque. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 193 C: Amateurs F: Prologue, music Th: Theatre Royal (A) N: First performance of the season R: The proscenium had been adorned with "a very pretty drop scene of the Port of Leghorn". The report was in general terms only; both pieces were cleverly and effectively sustained”, During the interval “a most effective Irish song was sung and the orchestra under the veteran melodist Sir George Smart gave unqualified satisfaction* (NCH 31.1.1852). 23.2.1852 (Mon) T. MORTON: “A Roland for an Oliver" (1819) T: Farce (2 acts) "No!" by W.H. MURRAY or F. REYNOLDS T: Farce (1 act) C: Amateurs F: Music Th: Theatre Royal (A) N: Second performance of the season R: Tonight there was a "numerous attendance of the beau monde, but not so much as on the previous occasion". A Roland for an Oliver was "an old established favourite and we need only say that the scenery was admirable, the ladies well dressed, the bride quite lovely and the whole went off amidst enthusiastic cheers and bursts of applause”. The other farce "No!" was "replete with fun and sly sarcasm on unequal matches between lovely young wives and gentlemen rather the worse for wear". Somewhat contradictorily the critic continued, "it decidedly exhibited much more spirit than its precursor and was hailed accordingly with more enthusiasm and good will". There was also “a solo on the pianoforte by a young lady, her first appearance, as we believe, on any stage. The rapidity of her fingering, the clearness of her touch and what is so frequently wanting with many performers, her musical emphasis, were striking. We hear that the young lady graduated at the Conservatoire at Paris and her style is characterised by that brilliancy and distinctness so marked in performances at that capital”. No more was heard of this pianist; as to her name and career we are left in the dark. Was she the wife of a local merchant or a touring artist? Or was the "lady" in this instance too, a “gentleman"?? (NCH 28.2.1852). 24.3.1852 (Mon) G. COLMAN Jr: "The Review" (1800) T: Musical farce (2 acts) R. AYTON: "The Rendezvous" (1818) T: Operetta (1 act). C: Amateurs F: Music Th: New Theatre Royal (A) N: Third performance of the season R: For the occasion a new drop scene, depicting the Bay of Naples, had been painted. Apart from the plays "a company of excellent jugglers amused the visitors, with a good display of surprising feats of sleight of hand". Possibly these were Chinese, for in the announcement (NCH 20.3.1852) it was stated that there are several parties endeavouring to obtain Native Conjurers for the next theatrical night". Of course the whole “went off with much eclat, the characters were well sustained and admirably dressed, the scenery as usual very good and the music first rate” (NCH 27.3.1852). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 196 22.3.1854 (Wedn) J.V. BRIDGEMAN: "I've Eaten My Friend!" (1851) T: Farce (1 act) J.M. MORTON: "A Most Unwarrantable Intrusion" (1849) T: Farce (1 act) J.M. MORTON: "The Two Bonny Castles" (1851) T: Farce (1 act) C: Amateurs F: Music Th: Tac Ming Theatre (C) R: Was the new member perhaps "Mr Mercury WARREN" who scored such a great success in I've Eaten My Friend! as Hezekiah Jellytop? "The refined sensibility of the character was portrayed with a power and intensity which mark Mr. Warren as one of the true sons of Thespis. How shall we describe the horror when the internal evidence of a pie revealed a clue to the whereabouts of his departed friend". In the second piece, An Unwarrantable Intrusion "the part of Ashplant was performed by a gentleman whose via comica and power of communication were unmistakable. He completely embodied the character and infused life and vigour into his conception of it**. Until now, even the stage names of the actors had scarcely been mentioned in the reviews, but tonight we learn that in The Two Bonny Castles Messrs Bravo ROUSE, Mercury WARREN, and Horatio BUSKIN excelled as well as the ladies who acted with great spirit and sustained the dignity and elegance of the sex with most admirable effect" (Bravo ROUSE was a borrowed alias). + Among the musicians was again "Herr KOENIG" who "brilliantly executed" on, presumably, the violin. (NCH 25.3.1854). 15.5.1854 (Mon) C.W.S. BROOKS: "Anything for a Change" (1848) T: Comedietta (1 act) J.M. MORTON: "Box and Cox" (1847) T: Farce (1 act) C: Amateurs F: "A Grand Ethiopian Entertainment" with the "Virginian Minstrels" Th: Tac Ming Theatre (C) N: These performances, the last of the season, had originally been announced for April 5; on that date would also have been played J.T.G. Rodwell's farce A Race for Dinner. The evening was postponed, however, because of the Battle of Muddy Flat on April 4, 1854. R: Some of the local celebrities definitely could not go wrong, witness the following remark in the Herald: "As we dropped in for half an hour we cannot speak of the concluding (Box and Cox) but, as our favourite Mr. VERDENT and the clever Mr. WARREN enacted parts in it, we have no doubt it must have told on the audience". Earlier that night Mr. Bravo ROUSE and Mr. WARREN had starred in Anything for a Change (probably as Swoppington and Honeyball). 19.5.1855 (Sat) A "Soirée Musicale Dansante" by officers of the U.S.S. "Powhatan" with an "Ethiopian Concert by the Minstrels of the Powhatan" and a burlesque on Bulwer-Lytton's The Lady of Lyons. H.J. Byron wrote a burlesque with the same title, but according to HED, the first performance took place on February 1, 1858. R: In the Survey, it was pointed out that the officers of naval vessels sometimes entertained the local foreign residents. The first of these occasions occurred on board the Powhatan, an American warship that took part in the Japan expedition, on the eve of her departure. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 204 Pique delighted to honour, Marvellous is the ingenuity of Jack. Difficulties which would appal the ghost of Richardson* — that prince of theatrical improvisers, he makes nothing of it. Whether it be to prepare a great banquet hall or to erect a theatre, it is all the same to him and comes to his hands as readily as the marlin-spike. Huge guns disappear and hatchways vanish from the sight and are replaced by draperies and benches with all the quickness of enchantment. We sat looking around us at the proscenium, the footlights and the drop scene, representing a view on the late of Como, and fell difficult to remain in the belief that we were on board of one of H.M. 'ships of war' and not seated in a neat little theatre". Thus far the impression of the surroundings. About the acting qualities the reviewer was equally in high spirits: in the Birthday, Captain Bertram R.N. proved to be “a gouty, choleric old gentleman, a very positive, perverse individual to boot and more than becomingly addicted to the occasional use of strong language". All these little eccentricities were him forgiven, however, when "we saw him yield to the impulses of nature and even felt a degree of alarm when he well nigh became smothered in the affectionate embrace of his loving and pretty — but somewhat bulky niece. (...) The songs of Dibdin appear to be no longer the prime favorites afloat they were half a century ago; and although we cannot but regret this, we were glad to find, from the specimens we listened to, that they have been superseded by not unworthy successors. The trill of I've heard of foreign countries. That are very fair to see But England! dear old England! Is quite fair enough for me was ringing in our ear, when it was joined in by notes of a different kind — the cheering notes, to wit, of the Dustman's Bell. We are quite converts to the doctrine that believes, for the moment, in the mimic scene which is enacting before us. How could we do otherwise at the sight of such a Dustman and such a Sally! It did one's heart good to look upon such a fresh, comely and good-looking face as Miss Sally's, and to hear the praise of it sung with such evident gusto by her honest lover in the lines: Of all the girls that dress so smart There's none like pretty Sally She is the darling of my heart And she lives in our Alley." Raising the Wind the reporter found not "so brilliantly successful but not without its merit". Summing up, his **still aching sides" testified sufficiently to the "care and trouble which the performers had taken to entertain their numerous audience'' (NCH 13.2.1858) 10.2.1858 (Wedn) PELHAM HARDWICKE (= C. MATHEWS): "A Bachelor of Arts" (1853) T: Comic drama (2 acts) J.M. MORTON: "Done on Both Sides" (1847) T: Farce (1 act) C: Amateurs F: Music by "Messrs Phu & Mor" Th: Theatre Royal (C) + * An allusion to John Richardson (1767?-1837), nicknamed "the penny showman"; in his performance of J.S. Knowles' (?) "Virginius" the ghost was the great effect (Dict. of Nat. Biogr., Vol. 48, p. 230-231). ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 208 12.10.1858 (Tue) Concert by Mr. Martin Simonsen N: No review was published. Mr. Simonsen had also visited Hong Kong; there he had given his last recital on September 20, 1858 (CM 23.9.1858). 16.2.1859 (Wedn) T: Comedy (2 acts) J.M. MORTON: "Whitebait at Greenwich" (1853) T: Farce (1 act) C: Amateurs F: Music by the band of H.M.S. Highflyer Th: Theatre Royal (E) R: For the first night of the amateur season "a very numerous audience was collected and the presence of nearly all the beauty and fashion (we allude to the eccentricities [what may these have been? - JH] of masculine as well as to the elegancies of feminine costumes) of Shanghai imparted to the front benches a very brilliant appearance, which was further enlivened by the smiling faces of two or three laughing cherubs whom we detected nestling under the maternal wing". For the occasion the drop pictured "a very faithful (our travels in Italy enable us to state) representation of a most romantic spot on the banks of the Lago Maggiore". Sink or Swim was found to be a "dull plagiarism upon our old favourite 'Used Up'" but it passed off with the utmost special due to the talents and exertions of the actors", among whom "Mr. PETREL's Mr. Scampley struck us as well conceived, a swindling roué's impertinence dashed by a sense of uneasiness", Mr. FARREN (again a stage name after a London actor: William Farren, 1786-1861) sustained Lord Yawnley "admirably" and Mr. PICKWICK displayed as Adam Stirling all "the quaint humour of his immortal ancestor". Miss WALTERS, however, was thought to have been less fit for the part of Mrs. Stirling. She did not upon all occasions evince that grave decorum which usually characterises the British matron". Morton's Whitebait at Greenwich was, as on January 23, 1856, a hit. This time Mr. PICKWICK took the part of Benjamin Buzzard in a "quiet and most natural style of acting". Mr. Phunago BRUSHWOOD - "an actor of the Keeley-Robinson school, possessing a racy humour of his own" played John Small and it was "a gem of low comedy". Of course there was Mrs. NESBIT, as well as Miss WALTERS whose portrayal of the servant maid came off much better than her Mrs. Stirling: "we do not wonder at Mr. Buzzard's having been caught by her saucy face and bright complexion" (NCH 19.2.1859). (Robert Keeley, 1793-1869, and Frederick Robson, 1821-1864, were both well known low comedians in Britain). 22.2.1859 (Tue) Concert by Prof. Shonbrun, piano, and some local amateurs. Th: Theatre Royal (E) + R: The concert was given in the (New) Theatre Royal of the amateur dramatic corps, but acoustically it was not very satisfactory. No wonder that many of Mr. SHONBRUN's best efforts and most brilliant passages did not fully reach the audience", an audience which was not very numerous in the first place, which too has its influence on the sound. For the following concert it was foreseen that "a small scene will be erected and the wings closed in". For the time being the critic refrained from any strictures on the soloist, except that he hoped that "on the next occasion Mr. Shonbrun will lead us to a higher class of pianoforte music than that put forward on Tuesday last". It will come as no surprise that there was a eulogy on the amateurs who participated: "the tenor solos were given with taste and genuine voice and the recall with which he was unanimously favoured was well merited". (NCH 26.2.1859). T ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 210 Bagshaw and Bradshaw, the critic had to admit that "what it was all about we were utterly unable to discover" (NCH 4.6.1859). 15.2.1860 (Wedn) L.S. BUCKINGHAM: "Take that Girl Away" (1855) T: Comedy (2 acts) C. SELBY: "A Fearful Tragedy in the Seven Dials" (1857) T: Farce (1 act) C: Amateurs Th: N.N. (F) N: First performance of the season R: The new theatre was only a small one and therefore it was announced in the Herald of February 11 that "admission will only be given to ticket holders. Tickets will be distributed with the Bills to the various Hongs and any Gentleman who may be accidentally omitted will be supplied on written application to the Manager". From time to time politics continued to turn up in the playhouse. It was the time of the English and French wars in China; the United States was not taking part in them, only sharing in the spoils, yet the following remark closed the review: "We beg permission to observe that we should have been glad to have seen the 'Star Spangled Banner' floating over the proscenium along with the colours of France and England. All honour to the Anglo-French Alliance! But our American cousins form, in every respect, so important a section of this community that the absence of their flag on an occasion like Wednesday evening would seem to be a discourtesy of which we feel very sure that the worthy management never was intentionally guilty". Tonight, and on March 15, the faces of Messrs. PICKWICK, BRUSHWOOD, and TINTINNABULUM as well as that of Mrs. NESBIT were absent from the stage; others like Miss WALTERS and Mr. PETREL had remained. Making their debut were Mr. ADOLPHE, "gifted with both self-possession and a good voice"; Mr. WITHAM who, as Cuttle (in Take that Girl Away) "displayed a steadiness and a clearness of enunciation calculated to make him a valuable actor in 'utility' parts"; and Mr. NATIVE whom the reviewer thought "better fitted to shine as a sentimental than as a grotesque lover". Miss WALTERS was "dressed to perfection, played as well as ever (can we say more!) and was charmingly feminine". In A Fearful Tragedy in the Seven Dials, there was the first night of Mr. C. AITCH as Slumpington for whom **a great future success in 'character parts' was predicted. These hopes were not realised, however, for I have not found his name again. For the umpteenth time, the Herald judged the pieces that were represented weak - to put it mildly. (NCH 18.2.1860). 15.3.1860 (Thur) T. TAYLOR: "Still Waters Run Deep" (1856) T: Comedy (3 acts) J.M. MORTON: "Poor Pillicoddy" (1848) T: Farce (1 act) C: Amateurs F: Music by the band of H.M.S. Imperieuse Th: N.N. (F) N: Second performance of the season R: This second night took place in a house that was "crowded in every part" and proved "in every respect highly successful". The "Man on the Bund" had no longer a say in the theatrical reports, and the piece about which he had been so dissatisfied (see 23.4.1857), Still Waters Run Deep got a far better critique now: "in that scene in the second act in which the villain Hawksley is unmasked, the interest was raised to an exciting pitch and sterling dramatic ability displayed by the performers". No actors were mentioned, but in Poor Pillicoddy, a "young gentleman made his first appearance ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 211 on any stage with ease and aptitude. And the part of the soubrette was acted "in a manner for which we had not given the young lady who sustained it credit" (NCH 17.3.1860). 10.5.1860 (Thur) J. COURTNEY: “Time Tries All" (1848) T: Drama (2 acts) J.M. MORTON: “To Paris and back for £5" (1853) T: Farce (1 act) C: Amateurs F: Music by the Germania Singing Club and the band of the 101st regiment Th: N.N. (1) N: Third and last performance of the season R: Time Tries All was a revival from 1858 and in it some of the old familiar faces could be admired again. This time Mr. TINTINNBULUM personified Matthew Bates and he "threw an amount of grace and feeling into his acting that make us well regret his absence in the two former representations“. Mrs NESRIT gave a repeat of her Laura Leeson. One of the newcomers, Mr. ADOLPHE, “has assumed the character of negative instead of the positive villain of the last representation and almost succeeded in making us gape, so natural was his representation of that peculiar because catching disease". Phunago BRUSHWOOD reappeared in To Paris and back for £5 and this farce offered **full scope to his laughter moving capabilities, both as to acting and costume". There was music too, by the Germania Singverein – which reminded the critic “of their own charming Soirées Musicales" (not recorded). However, the construction of the theatre was "such as to mar to a considerable extent the effect of their well chosen and well executed pieces“ (NCH 12.5.1860). 17.3.1861 (Sunday) Concert by the band of the French 101st regiment, conducted by Mr. Dumas. Programme: G. DONIZETTI: "La Favorita", D.F.E. AUBER: "La Part du Diable", overture, **Haydée” (an opéra-comique), fantaisie, George BOUSQUET (1818-1854); “Hélène” (waltz), DENEAUX: Mazurka. Location: Headquarters of General De Montauban at Messrs. Rémi, Schmidt & Co French Concession. (NCH 16.3.1861). 24.3.1861 (Sunday) Concert by the band of the French 101st regiment, conducted by Mr. Dumas. Programme: GURTNER: Pas redoublé, DUMAS: Ronde tyrolienne. D.F.E. AUBER: "La Muette de Portici", overture, G. ROSSINI: **[Il Barbiere di Siviglia” fantasia, D.F.E. AUBER: **Les Diamants de la Couronne", overture, “La Brise”. Location: as on 17.3.1861 (NCH 23.3.1861). 31.3.1861 (Sunday) Concert by the band of the French 101st regiment, conducted by Mr. Dumas. Programme: BOSCH: Pas redoublé. C.W. VON GLUCK: "Armide", F.M.V. MASSE: "La Chanteuse Voilée", overture, G. ROSSINI: "Mosè in Egitto”, chorus **Valse allemande“. GURTNER: "France" (polka). Location: as on 17.3.1861 (NCH 30.3.1861) November 1861 Concert by Signor Robbio. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 212 26.12.1861 (Thur) Concert by Signor Robbio, violin, and some local amateurs, Programme: 4 L. VAN BEETHOVEN; Trio for strings in E-flat opus 3, V. BELLINI: “Norma”, the aria 'Casta Diva' arranged for violin, C.A. DE BERIOT: Tremolo", C. GOUNOD: **Meditation upon J.S. Bach's first prelude", i.e., the famous Ave Maria, C.M. von WEBER: "Der Freischütz”, cavatine (presumably "Und ob die Wolke sie verhülle”, act III), arranged for cello and piano. Sir Henry BISHOP: "Home sweet home" (from the opera "Clari, the maid of Milan'), Sr ROBBIO: "Grande Valse Diabolique“, In addition: some quartet and solo singing by amateurs. Th: N.N. R: Today the second concert by the violinist Signor ROBBIO came off "for a very large audience". In November he had made his debut in Shanghai but because of a gap of three November issues in the file of the Herald I have been using no details can be given. Once more, however, the paper seems to have been discontented with the selection of the pieces. Not so tonight, with the exception of one composition by Sr Robbio himself, **a work of the Paganini school” of which the critic was evidently not a lover. About the interpretations by the violinist, though, there was but praise; e.g. "he greatly charmed his audience by the power and feeling with which he executed the beautiful air from Norma, 'Casta Diva'". So all was enjoyable, the more so as "for the moribund piano used at the last concert a fine 'Broadwood' was substituted, which displayed to great advantage the admirable playing of the gentleman to whom St Robbio was so much indebted for his accompaniment". One letter writer went even so far as to exclaim that such delights in Shanghai are indeed 'like angels' visits few and far between' "' (NCH 28.12.1861). February and March 1861 Performances by "Lewis' Australian Hippodrome” Loc: Commercial House in Hongkew - ― וי N: During the months of February and March "Lewis' Equestrian Australian Troupe" gave a large number of performances, of which the first one was announced for February 15 and the last for March 17. The public was entertained with horses and artists, among whom Mr. and Mrs. COUSINS, Mr. BARLOW, Senior RAPHAEL, Jessi GARDONI, **Austin Shanghai**, and “Little Ella". For all, benefits were held in March. It was not the first time that the troupe had operated on the China Coast. In December 1859 they had visited Hong Kong (CM 15.12.1859, 22.12.1859). 13.2.1863 (Fri) J.M. MORTON: "Our Wife, or the Rose of Amiens" (1856) T: Comic drama (1 act) H A. MAYHEW & H. SUTHERLAND EDWARDS: The Goose with the Golden Eggs T: Farce (1 act) C: Amateurs (Local and British officers) 13.2.1863 (Fri) J.M. MORTON: "Our Wife, or the Rose of Amiens" (1856) T: Comic drama (1 act) A. MAYHEW & H. SUTHERLAND EDWARDS: "The Goose with the Golden Eggs' T: Farce (1 act) C: Amateurs (Local and British officers) F: Music by the band of the 67th regiment Th: Theatre Royal (G) N: First performance of the season R: Casts: ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 218 1.4.1864 (Fri) R.B. BROUGH: "Crinoline" (1856) T: Farce (1 act) J.M. MORTON: "A Most Unwarrantable Intrusion" (1849) T: Farce (1 act) N.N.: "The Debut" C: Messrs Shannon and Phillips with an amateur company Th: N.N. (H) R: Not too enthusiastically the Herald wrote that "had Messrs PHILLIPS and SHANNON been better supported the performance would probably have proved a more decided success". Must it be supposed that the amateurs were locals, who were otherwise so much lauded? (NCH 2.4.1864). 4.4.1864 (Mon) Repeat of 30.3.1864, 18.4.1864 (Mon) First performance by a Portuguese Amateur Dramatic Corps. TH: N.N. R: This first performance by a local Portuguese company was considered favourably: "the arrangement of the costumes and acting were all good and amply rewarded a visit even by those who may not understand the Portuguese language". (NCH 23.4.1864) 25.4.1864 (Mon) J. OXENFORD: "Retained for the Defence" T: Farce (1 act) C.S. CHELTNAM: "A Lucky Escape" (1861) T: Comic drama (1 act) T.J. WILLIAMS: "On and Off" (1861) T: Farce (1 act) C: Amateurs of the Shanghai Volunteer Corps TH: N.N. (H) N: Second performance of the season R: This second Volunteer Corps night drew a crowded house and the reporter was pleased to see that "a majority of the lady residents were among the audience", the more so as they "by their presence contributed to inspire the performers with the desire to excel which led to such complete success". No names were given in the review, but in A Lucky Escape “it would have required very sharp eyes to detect that the actress [who personated Louise] was, in fact, an actor". Here the truth is finally revealed! In On and Off he/she took the part of Letitia equally well. (NCH 30.4.1864) 9.5.1864 (Mon) N.N.: "Nature and Philosophy or Eighteen Years' Labour Lost" (The only piece with this title in HED is one that had its first night on 18.4.1876. However, Brown, "A History of the New York Stage", Vol. I, p. 235 mentions a performance of this play on June 1 1833). G. COLMAN Jr: "Love Laughs at Locksmiths" (1803) C: C.R. Faylor's travelling company F: Comic songs, dance, music Th: Olympic Theatre (H) R: Casts: Nature and Philosophy: Brother Philip: Major Pegus Renaldo: C.R. Faylor Eliza: Mrs. E. Yeamans Gertrude: Mr. E. Yeamans ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 219 Colins: Mrs. C.R. Faylor Love Laughs at Locksmiths Robin: Mes. C.R. Faylor Juliac: Mrs. E. Yeanians Dame Durden: Mr. E. Yeamans. Paddy Druden: C.R. Faylor Only an advertisement for this performance was published in the Herald of May 7. The stage often has its own laws as to the gender of the participants. In amateur theatricals, men dressed up as women à l'outrance, whereas in a professional company like the present one male characters were personified by ladies and vice versa! 14.5.1864 (Sat) Performance by the amateurs of the Royal Artillery. No titles of plays recorded. Th: N.N. (H) R: NCH 21.5.1864 17.5.1864 (Tue) Repeat of 14.5.1864. 26.5.1864 (Thur) J.M. MORTON: “Whitebait at Greenwich" (1835) T: Farce (1 act) C. MATHEWS: "Little Toddlekins” (1852) T: Comic drama (1 act) J.M. MORTON: “Poor Pillicoddy” (1848) T: Farce (1 act) C: Amateurs of the Shanghai Volunteer Corps F: Epilogue spoken by R.C. Antrobus, commander of the S.V.C. Th: N.N. (H) N: Final performance of the season R: For the occasion Edward LAWRENCE, who was a "practitioner at Law and Notary Public” according to the “Shanghai Almanac for 1862”, had written an epilogue which was read by the commander of the S.V.C., Robert Crawford ANTROBUS (member of the Municipal Council 1864-1865). And, as if to give more weight to its reception, the Herald added that “many of the ladies joined in the applause” (NCH 28.5.1864). 28.5.1864 (Sat) **An Evening at Home**: "Songs interspersed with anecdotes and conversation of the most lively description”. C: Mr. J.R. Black Th: Olympic Theatre (H) 31.5.1864 (Tue) As on 28.5.1864. 3.6.1864 (Fri) As on 28.5.1864. 13.6.1864 (Mon) "An Evening at Home - Great Jacobite Night" by Messrs. J.R. Black and Marquis Chisholm. Performance of the play The Advantages of Bonnie Prince Charlie or the Rising of 1745 (No piece with this title appears in HED), as well as ballads and songs (including 'Vi ravviso from Bellini's "La Sonnambula", act 1). Th: Olympic Theater (H) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 224 F. TALFOURD: "A Household Fairy" (1859) T: Domestic sketch (1 act) "Aurora Floyd". HED lists the following authors: C.S. CHELTNAM (1863), C.H. HAZLEWOOD (1836), J.B. JOHNSTONE (1836), B. WEBSTER (1863). In addition, Adams' "Dictionary of the Drama" mentions W.E. SUTER. C: Lewis A.D.C. Th: Lyceum Theatre (1) N: Benefit of J.B. Creswick R: NCH 26.11.1864, advertisement only 3.12.1864 (Sat) L.B. BUCKINGHAM: "Take That Girl Away" (1855) T: Comic drama (2 acts) J.M. MORTON: "A Capital Match" (1852) T: Farce (1 act) C: Lewis A.D.C. Th: Lyceum Theatre (1) N: Benefit of Miss Lizzie Naylor R: NCH 3.12.1864, advertisement. 9.12.1864 (Fri) Benefit of Mr. Henry Birch of the Lewis Company. No titles of plays were mentioned. (NCH 10.12.1864) 10.12.1864 (Sat) Farewell performance, also the benefit of Mr. Lewis, of Lewis Australian Drama Company. No titles of plays were mentioned (NCH 10.12.1864). R: No detailed reviews of the Lewis season were published in the North China Herald, only short announcements. It is quite well possible that more nights than the above ones were given, but they have not been recorded. In general, the company had attracted rather full houses, but for the 9th "home sweet home" was preferred; "the unfavourable state of the weather prevented many ticketholders from putting in an appearance" (NCH 10.12.1864) November and December 1864 Performances by the "Christy Minstrels". Th. N.N. R: Another travelling company that visited the port in these months were the "Christy Minstrels" (see also Survey). They too managed reasonably to fill the theatre (it was not stated where the performances took place, but as the Lyceum Theatre was occupied by Lewis, it must have been another location - perhaps the Olympic Theatre). "No boredom here for by a pleasing variety they prevent that weariness which even the finest display of musical talent must, through frequent repetition, occasion" (NCH 26.11.1864). In September they had visited Macao (BGM 5.9.1864) and before December 10 they departed for Hong Kong (NCH 10.12.1864). 22.12.1864 (Thur) Performance by the Portuguese Amateur Dramatic Corps. R: It was "as usual largely attended" (NCH 24.12.1864). 28.12.1864 (Wedn) R.B. BROUGH: "Medea" (1856) T: Burlesque (1 act) ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 240 RODWELL, James Thomas Gooderham (d. 1825) "A Race for Dinner" (15.4.1828). P: Announced in March 1854 but not performed. "The Young Widow or A Lesson for Lovers" (1.11.1824), P: 27.4.1865 SELBY, Charles (1802?-1863) "The Boots at the Swan" (5.4.1843). P: 14.12.1865 **A Fearful Tragedy in the Seven Dials". P: 15.2.1860 **A Lady and a Gentleman in a Peculiarly Perplexing Predicament" (9.8.1841), P: 13.2.1864 **The Unfinished Gentleman'' (1.12.1834). P: 17.6.1865 SHAKESPEARE, William (1564-1616) "King John" (1594–1596). P: 12.11.-18.11.1864 (Prison scene, Act IV.1 only) **Richard III" (1592-1593). P: 26.4.1865 (Act V only) SHERIDAN, Richard Brinsley (1751 1816) **The Rivals" (17.1.1775). P: 28.9.1858; 23.11.1864 SUTER, William E. (1812-1882) ? "Lady Audley's Secret" (22.2.1863). P: 28.12.1864 TALFOURD, Francis (1827-1862) "A Household Fairy" (24.12.1859), P: 26.11.1864 TAYLOR, Tom (1817-1880) ? "Cinderella" (12.5.1845). P: 12.11.-18.11.1864; 28.4.1865 "Still Waters Run Deep" (3.3.1856). P: 23.4.1857; 15.3.1860 TOBIN, John (1770-1804) ? "The Honeymoon" (31.1.1805). P: 19.4.1865 TOWNLEY, Rev. James (1714-1778) "High Life below Stairs" (31.10.1759), P: 21.4.1851 WEBSTER, Benjamin Nottingham (1797-1882) ? "Aurora Floyd' (11.3.1863). P: 26.11.1864; 17.4.1865 ? "The Golden Farmer or the Last Crime" (26.12.1832). P: 8.10.1857 WILLIAMS, Thomas John (1824-1874) "Nursery Chickweed" (12.11.1859), P: 28.3-5.4.1865 "On and Off" (6.6.1861). P: 25.4.1864 APPENDIX II An alphabetical list of plays staged in Shanghai 1850-1865 The Adventures of Bonnie Prince Charlie or the Rising of 1745: N.N.; 13.6.1864. Aladdin or the Wonderful Scamp: H.J. Byron; 2.9.1864, 19.11.1864, 29.4.1865, Anything for a Change: C.W. Brooks; 15.5.1854. Apartments: W. Brough; 23.3.1853. The Area Belle: W. Brough & A. Halliday; 30.9.1865. Attic Story: J.M. Morton; 6.5.1852. Aurora Floyd: C.S. Cheltnam? C.H. Hazlewood? J.B. Johnstone? B. Webster? 26.11.1864, 17.4.1865. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 241 Aurora Floyd Burlesqued: W.B. Gill; 19.4.1865. The Babes in the Wood: J.H. Byron; 17.4.1865. A Bachelor of Arts: P. Hardwicke; 10.2.1858, 8.5.1865. Betsey Baker; J.M. Morton; 23.3.1853. Binks the Bagman: J.S. Coyne; 8.10.1857. The Birthday: T.J. Dibdin; 9.2.1858. Black-eyed Susan: D.W. Jerrold; 28.3-5.4.1865. Bombastes Furioso: W.B. Rhodes; 28.1.1851, 5.5.1858. The Boots at the Swan: C. Selby; 14.12.1865. Box and Cox: J.M. Morton; 15.5.1854, 18.2.1857. The Bride of Abydos: H.J. Byron; 22.10.-28.10.1864. Bullrick at Kroll: N.N.; 28.3.1864. Camille: A. Dumas Jr; 27.3.1865. A Capital Match: J.M. Morton; 23.4.1857, 3.12.1864. Charles the Second: J.H. Payne; 16.3.1858. Cinderella: H.J. Byron? T. Taylor?; 12.11.-18.11.1864, 28.4.1865. The Colleen Bawn: D. Boucicault; 25.4.1865. A Conjugal Lesson: H. Danvers; 26.3.1857. Conrad and Medora: W. Brough; 12.E.-18.E.1864. Cool as a Cucumber: M.W.B. Jerrold; 26.3.1857, 30.3.1864, 4.4.1864. Crinoline: R.B. Brough; March 1863; 16.3.1863, 1.4.1864. The Daughter of the Regiment: E. Fitzball? 15.4.1865. A Dead Shot: J.B. Buckstone; 11.4.1865. The Debut: N.N.; 1.4.1864. Delicate Ground: C. Dance; 13.2.1864. Diamond cut Diamond: W.H. Murray; 12.12.1850. Done on both sides: J.M. Morton; 10.2.1858. The Dragon of Wantley: H. Carey & J.F. Lampe; 26.1.1852. Duck Hunting: J.S. Coyne; 30.3.1864, 4.4.1864, The Dustman's Belle: C. Dance; 9.2.1858. Faint Heart never won Fair Lady: J.R. Planché; 8.10.-14.10.1864, 14.12.1865. A Fast Train! High Pressure!! Express!!!: J.M. Maddox; 8.3.1854. A Fearful Tragedy in the Seven Dials: C. Selby; 15.2.1860. Fitzsmythe of Fitzsmythe Hall: J.M. Morton; 26.3.1863. The Flowers of the Forest: J.B. Buckstone; 28.3.-5.4.1865. Fra Diavolo: H.J. Byron; 15.10.-21.10.1864. The Frantic Husband: N.N.; 26.4.1865. The Golden Farmer: J.C. Cross? B. Webster? 8.10.1857, A Good Night's Rest: C.G.F. Gore; 21.2.1856. The Goose with the Golden Eggs: A. Mayhew & H. Sutherland; 13.2.1863, 17.2.1863, 26.4.1865 The Governess (Die Gouvernante): T. Körner; 28.3.1864. Grimshaw, Bagshaw and Bradshaw: J.M. Morton: 2.6.1859. The 'Green' Bushes: H.J Byron: 30.9.1865. A Hard Struggle: J.W. Marston; 12.11.-18.11.1864. The Harvest Home: A.F.F. von Kotzebue; 28.3.1864. The Haunted Inn: R.B. Peake; 6.5.1852. The Heir at Law: G. Colman the Younger; 21.4.1851. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h 242 High Life below Stairs: J. Townley; 21.4.1851. The Honey Moon: W. Linley? J. Tobin? 19.4.1865. A Household Fairy: F. Talfourd; 216.11.1864. I couldn't help it: J. Oxenford; 13.4.1865. III Treated Il Trovatore: H.J. Byron; 22.6.1864, 29.6.1864. The Infanticidal Farce: J.S. Coyne; 21.2.1856. The Invisible Prince: J.R. Planché; 23.3.1865. The Irish Tutor: R. Butler; 5.5.1853. Isabella: J.B. Buckstone; 28.3.-5.4.1865. I've Eaten My Friend: J.V. Bridgeman; 22.3.1854. Kenilworth: N.N.; 28.3.-5.4.1865. King John: W. Shakespeare; 12.11.-18.11.1864. A Kiss in the Dark: J.B. Buckstone; 26.3.1857. The Knights of the Round Table: J.R. Planché; 24.5.1865. A Lady and a Gentleman in a Peculiarly Perplexing Predicement: C. Selby; 13.12.1864. Lady Audley's Secret: C.H. Hazlewood? G. Roberts? W.E. Suter?; 28.12.1864. The Lady of Lyons: E. Bulwer Lytton; 10.2.1864. The Lady of Lyons: H.J. Byron?; 22.10.-28.10.1864, 29.4.1865. Lend me Five Shillings: J.M. Morton; see p. 15. A Lesson for the Ladies: J.B. Buckstone; 8.4.1865. As Like as Two Peas: H. Lillo; 16.3.1858. Little Toddlekins: C.J. Mathews; 26.5.1864. Love Laughs at Locksmiths: G. Colman the Younger; 9.5.1864, Love, Law and Physics: J. Kenney; 28.1.1851. A Lucky Escape: C.S. Cheltnam; 25.4.1864. The Maid and the Magpie: H.J. Byron; 8.10.-14.10.1864, 15.10.-21.10.1864, 15.4.1865. Make your Wills: E. Mayhew; 23.1.1856. Married Life: J.B. Buckstone; 12.11.-18.11.1864. Medea: R.B. Brough; 28.12.1864. A Most Unwarrantable Intrusion: J.M. Morton; 22.3.1854, 1.4.1864, Nature and Philosophy: N.N.; 9.5.1864. The Nigger Doctor and his Patient Patient: N.N.; 14.8.1856. No!: W.H. Murray? F. Reynolds?; 23.2.1852. No 1 round the corner: W. Brough; 23.1.1856. Nursery Chickweed: T.J. Williams; 28.3.-5.4.1865. The Octoroon: D. Boucicault; 7.1.-13.1.1865, 14.1.1865, On and Off: T.J. Williams; 25.4.1864. Our Wife: J.M. Morton; 13.2.1863, 17.2.1863. Perdita: W. Brough; 8.4.1865. Poor Pillicoddy: J.M. Morton; 15.3.1860, 26.5.1864. A Practical Man: W.B. Bernard; 8.3.1854. Princess Springtime: H.J. Byron; 10.11.1865, 20.11.1865. A Race for Dinner: J.T.G. Rodwell; announced but not performed. Raising the wind: J. Kenney; 9.2.1858, 30.3.1864, 4.4.1864. The Rendez-vous: R. Ayton; 24.3.1852. Retained for the Defence: J. Oxenford; 25.4.1864. The Review; G. Colman the Younger; 24.3.1852. ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1989 https://digitalrepository.lib.hku.hk/catalog/8336pm92h Richard III: W. Shakespeare; 26.4.1865. The Rivals: R.B. Sheridan; 28.9.1858, 23.11.1864. A Roarer: N.N.; 19.4.1865. Rob Roy; C.H. Hazlewood? W.H. Murray? 28.3.-5.4.1865. A Roland for an Oliver: T. Morton Sr; 23.2.1852. Roofscrambler: G.A.à Beckett; 12.12.1850. The Rose of Castille: A.G. Harris; 8.10.-14.10.1864. The Rough Diamond: J.B. Buckstone; 13.4.1865. The Serious Family: M. Barnett; 8.10.1857, 2.6.1859, 23.3.1865, 28.4.1865. Siamese Twins: G.A.à Beckett; 5.5.1853. A Silent Woman: T.H. Lacy; 29.6.1864. Sink or Swim: T. Morton Jr; 16.2.1857. Slasher and Crasher: J.M. Morton; 21.2.1856. Still Waters Run Deep: T. Taylor.; 23.4.1857, 15.3.1860. Sweethearts and Wives: J. Kenney; 11.4.1865. Take that girl away: L.S. Buckingham; 15.2.1860; 3.12.1864. Time tries all: J. Courtney; 5.5.1858, 10.5.1860, 21.3.1865. To Paris and back for £5: J.M. Morton; 10.5.1860, 21.3.1865. The Turned Head: G.A.à Beckett; 27.1.1853. Turn out!: J. Kenney; 10.11.1865, 20.11.1865. 'T Was I: J.H. Payne; 27.4.1865. The Two Bonny Castles: J.M. Morton; 22.3.1854, 8.5.1865. The Unfinished Gentleman: C. Selby; 17.6.1865. Urgent Private Affairs; J.S. Coyne; 5.5.1858. Used Up: D. Boucicault & C.J. Mathews; 26.1.1852, 27.1.1853, 18.2.1857. The Wandering Minstrel: H. Mayhew; 24.5.1865. Where There's a Will There's a Way: J.M. Morton; 26.3.1863. Which is which?: W.B. Gill; 27.3.1865. Whitebait at Greenwich: J.M. Morton; 23.1.1856, 16.2.1859, 26.5.1864. The White Horse of the Peppers; S. Lover; March 1863, 16.3.1863. A Wonder: H. Carey S. Centlivre?: 12.11.-18.11.1864, Woodcock's Little Game: J.M. Morton; 14.12.1865. The Young Widow: J.T.G. Rodwell; 27.4.1865, 243 Page 268 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 EDITOR'S NOTE The Author of the article "Thalia and Terpsichore on the Yangtze. A Survey of Foreign Theatre and Music in Shanghai 1850-1865” (Vol. 29, pages 158-251), Dr. J.H. Haan, has drawn to the Hon. Editor's attention a number of typographic and other errors in the Article as noted below. Page 174 line 9 176, 30 181, 28-29 182. footnote 191, 22-23 192, 34 192, 44 192, 50 198, 37 198, 41 199, 5 205, 28 208, 7-9 212, 26 212, 36-41 214, 38 to read "(see: Calendar. 13.2.1963, 73.1863, 26.3.1863)** delete brackets "To such a humble mansion should resort So by your usual bounty pray be led And build a lasting structure in its stead." onit “Allardyce Nicoll: A History of English Drama. I also found useful: W.G. Adams A Dictionary of the Drama **L.L.D. and A.S.S. "they have spared neither trouble **(1737)** French since 1817)** **1814-1894** "composed expressly **H. Lille" 16.2.1859 (Wedn) T. MORTON: "Sink or Swim T. Comedy (2 Acts).... **TR62** amit "considering the slender means and appliances at command. We specially observed the costumes of the male characters as being tasteful, rich............. 216, 37 omit "*p.22" 221. 25 add **(Thurs)** 222, 28 omit brackets 227, 46-228, 3 omit 228, 7 **J. Kenney** 233, 46 235, 19 235, 27 235, 29 235,40 236, 45 239, 31 239, 36 **10.1.1865** "^2.6.1859. 8.10.1859, 23.3.1865 **28.3.1860**" **26.1.1852. 27.1.1852. 18.2.1857** footnote to read 139. *^5.5.1858. 10.5.60" 27.5.1824" **14.12.1865** xxi ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 217 he testified that there was hardly a house in Victoria except the brothels - where he had not repeatedly been and where he was not known as a friend. See James Legge. "The Colony of Hong Kong", The China Review, op. cit., pp. 168-169. Unfortunately, these remarks were edited out of the reprint of this talk found in The Journal of the Hong Kong Branch of the Royal Asiatic Society 11 (1971), op. cit. See n. 26 M5 The impact and importance of Legge's life as a Non-Conformist academic has been summarized in my article in Ching Feng, “The 'Failures' of James Legge's Fruitful Life for China', op. cit. Another more general point about dissenting churches should be made: in late nineteenth century Great Britain, the academic circles of academics who were dissenters appear to have functioned as a contrapuntal voice in the mainstream of English society. The publication of The British Quarterly became an organ for dissenting viewpoints which illustrates this point. Another factor involved in the influence of dissenting believers was the fact that many of the children of these people married into major families within English society. A perfect example is one of Legge's daughters from his first marriage, Eliza, who married a gentleman who later became the first Inspector-General of the Chinese Maritime Customs, Horatio Nelson Lay. See Lindsay Ride, op. cit., p. 9. C See the case of Dr. Wong Foon, London Missionary Society Archives. Letters from South China, dated April 12, 1856. Further discussion occurs in letters of October 12, 1859, April 14, 1860, and November 28, 1860. 47 Legge's opposition to opium and coolie trades, among other problems, was stated publicly in his address at the Hong Kong City Hall in 1872. See "The Colony of Hong Kong", The Journal of the Hong Kong Branch of the Royal Asiatic Society, op. cit., pp. 190-191. In 1870, Legge had joined his Chinese pastoral colleague Ho Jinshan in promoting a petition which opposed the newly legalized gambling opened by the Hong Kong government primarily for the sake of revenue. Over one thousand two hundred names, most of whom were Chinese, signed the petitions presented to the government on February 21st and March 6th, 1871. See Hong Kong Government Office, Colonial Office Records, CO129/149, 5, pp. 188-197 and 8, pp. 208-234. 100 See the letter addressed to James Legge by Sir W. G. Liddell, the appointed representative of Oxford University, dated February 27, 1875 (Bodleian Library archives). Liddell makes it clear to Legge in the letter that his Non-Conformist background should not be a source of turmoil if he were admitted to the University. Although the letter also includes the qualification that Legge's credentials indicate a person of high standing, the doubt in Liddell's mind about the character of anyone from a dissenting tradition is explicit. It may be the case, as Mary Dominica Legge claimed, that James Legge was the first non-Anglican professor admitted to Oxford after 1871, but I have not yet found a way to verify this. 69 R. F. Horton commented, however, that Prof. Legge's involvement with the Non-Conformist Union was minimal. See his comments in his text, An Autobiography (London: 1918). *0 Among those with whom Prof. Legge had some direct spiritual interaction was the famous Hegelian philosopher, T. H. Green. In a letter dated April 29 (no year, but probably 1879, when both men were on the provisional committee of Somerville College), Green responds to a lengthy rejoinder Prof. Legge had given to a book Green had written. Green had sent the letter because, apparently, the professor had treated him like an orthodox believer," and Green felt there was a sort of hypocrisy in allowing you to continue under that impression". The letter ends with Green politely defending his philosophical position, but also mirroring some sense of challenge to alter his views which must have been expressed by Prof. Legge. This letter is found 4 IL Page 240 Page 241 ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1990 https://digitalrepository.lib.hku.hk/catalog/d79206299 255 The Hong Kong Guide 1893 (republished 1982) Hughes, Richard, Borrowed Place Borrowed Time, Hong Kong and its Many Faces (London 1968, reprinted 1976) Hunter, W.C., The "Fan Kwac" at Canton Before Treaty Days 1825-1844 (republished 1965) Hutcheon, Robin, The Blue Flame, 125 Years of Town Gas in Hong Kong (1987) Hutcheon, Robin, Wharf. The First Hundred Years, 1886-1986 (1986) Ingrams, Harold, Hong Kong (London, 1952) Jardine, Matheson & Company... an historical sketch (undated) Jarrell, Old Hong Kong Jones, Stephanie, Two Centuries of Overseas Trading. The Origins and Growth of the Inchcape Group) (England, 1986) King, Frank H.H., The History of the Hong Kong and Shanghai Banking Corporation, vols. I to IV Lawrence, Anthony, and Frederick Amentrout, The Taipan Traders Liu Kwang-ching, Anglo-American Steamship Rivalry in China 1862-1874 (Harvard 1962) Luff, John, Hong Kong Cavalcade (1968) Luff, John, The Hidden Years, Hong Kong 1947-1945 (1967) Luff, John, The Hong Kong Story (circa late 1960s) MacMillan, Alistair, Seaports of the Far East (1925) Morris, Jan, Hong Kong, Xianggang (England, 1988) Murray, Simon, Legionnaire (England, 1980) Peak Tramway. 1888–1988 Present Day Impressions of the Far East and Prominent and Progressive Chinese at Home and Abroad, Managing Director W.H. Morton-Cameron, Editor-in Chief W. Feldwick (1917) Royal Asiatic Society, Hong Kong Branch, journals, various The Thistle and the Jade. A Celebration of 150 Years of Jardine. Matheson & Co. Editor Maggie Keswick (London, 1982) Twentieth Century Impressions of Hong Kong. Shanghai, and Other Treaty Ports of China, Editor in Chief Arnold Wright (1908) Wong Siu-lun, Emigrant Entrepreneurs: Shanghai Industrialists In Hong Kong (1988) UNPUBLISHED BOOKS Book 1, The Canton Dispensary 1828-1838 Book II, The Hong Kong Dispensary 1841-1862 Book III, A.S. Watson and Company 1862-1886 COMPANY BROCHURES, LEAFLETS AND MAGAZINES A.S. Watson & Co., Limited Brief History: The Hong Kong and Shanghai Banking Corporation China Light and Power Co. Ltd. (annual reports) Deacon's The Elements of Power, China Light & Power History of Hong Kong & China Gas Co. Ltd Hong Kong Bank Group Magazines Hong Kong Land 1889/1989 Hong Kong's Noonday Gun (Jardine) Hutchison Whampoa Limited (annual reports) Inchcape: The International Services and Marketing Group A Pictorial History of Hong Kong Electric Standard Chartered News ================================================================================ RASHKB Journal 皇家亞洲學會香港分會學刊 | RAS-1991 https://digitalrepository.lib.hku.hk/catalog/k356gt84j BULLETIN SCHOOL OF ORIENTAL AND AFRICAN STUDIES Postal and African Studies EDITORIAL BOARD JC Wright, Chairman, S K M Allan, D L Appleyard, TH Barrett, G R Hawting, K Hayward, MJ Hutt, S Kaviraj, DO Morgan, A H Morton, N G Phillips The Bulletin of the School of Oriental and African Studies has been published for nearly 60 years, and is unique in its breadth of coverage. 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Paul Thieme On M Mayrhofer's Etymologisches Wörterbuch des Altindoarischen ME Yapp Two great historians of the modern Middle East Nicholas Sims-Williams Christian Sogdian texts from the Nachlass of Olaf Hansen Michael Brett The way of the nomad Clive Holes Community, dialect and urbanization in the Arabic-speaking Middle East Vassili Kryukov Symbols of power and communication in pre-Confucian China Padmanabh S Jaini Jaina monks from Mathura: literary evidence for their identification of Kusana sculptures Colin F Baker Judaeo-Arabic material in the Cambridge Genizah Collections ================================================================================