[
    {
        "id": 204274,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 42,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n38\n\none called \"The Capture of Chi Pu\". This refers to the same General Chi Pu mentioned earlier, whose life was saved by the knight errant Chu Chia. In this popular version, which is in doggerel verse, the story differs from the historical account. The name of Chi Pu's benefactor is given as Chu Chieh instead of Chu Chia. This is probably due to a confusion between the names Chu Chia and Kuo Chieh, the two most famous knights of early Han. Moreover, in this version, Chu is the official sent to arrest Chi Pu, and he is blackmailed into saving the latter's life rather than doing so voluntarily. This tale in doggerel verse has no great literary merits, but is of considerable historical interest as a specimen of popular chivalric literature of the Tang period.\n\nDuring the Sung dynasty, professional story-tellers flourished. According to the Tsui-weng t'an-lu (B680), a miscellaneous collection of stories and verses probably printed at the end of Sung, the story-tellers divided their tales into eight categories: \"miracles\" (ling-kuai), “female ghosts\" (yen-fen), “love romances\" (ch'uan-ch'i), “legal cases\" (kung-an), “long swords\" (p'u-tao), “clubs\" (kan-pang), \"gods and immortals\" (shen-hsien), and “magic” (yao-shu).\" Two of these, \"long swords” and “clubs”, obviously deal with chivalrous deeds. The difference between the two, judging by the examples given in the Tsui-weng t'an-lu, seems to be that the former refers to battles waged between armies using long weapons, while the latter refers to private fights involving the use of short weapons. The latter is therefore more strictly concerned with knights errant, who usually fought as individuals rather than as leaders of armies. As for chivalric tales involving the supernatural, such as the story of Hung Hsien, they were classified under \"magic\".\n\nMany of the prompt-books used by the story-tellers, known as hua-pen, have come down to us, though usually edited by later hands. Moreover, some of them became integral parts of long prose romances. The most outstanding example of a chivalric romance based on oral tradition is the Shui-hu chuan, of which there are two English versions, one by J. H. Jackson entitled The water margin, the other by Pearl S. Buck entitled All men are brothers. The historical events on which the oral legends and the prose romance were based took place at the end of the Northern Sung period. According to the History of the Sung dynasty, in A.D. 1121 a group of rebels led by Sung Chiang and thirty-five others ravaged several prefectures\n\n: \n\n: \n\n10 Wang Chung-min and others, Tun-huang pien-wen chi (Peking, 1957), vol. 1, pp. 58-71,\n\n17 Tsui-weng t'an-lu (reprinted Shanghai, 1957), pp. 3-4. This is the most precise contemporary account of the classification of stories. Other accounts are similar but not so clear.",
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    {
        "id": 204329,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 97,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol 1 (1961)\n\nISSN 1991-7295\n\n93\n\nThe climax of the dramatic struggle between No-cha and his father Li Ching may be summed up here:\n\nLi Ching, hearing that No-cha had come again with his magic arms, was infuriated. He mounted his black horse and came out to meet No-cha with his halberd with crescent-shaped blade. The fighting had not lasted many minutes when Li Ching was in a profuse perspiration and had to flee for his life. No-cha pursued him with desperate efforts and nearly caught him when Mu-cha, the second son of Li Ching and disciple of the Immortal P'u-hsien (Samantabhadra), came on the scene. Although they were brothers they had not known each other before and No-cha had to tell Mu-cha the whole story. Mu-cha rebuked No-cha and called him a patricide, and defended the father with his precious sword. No-cha hurled his golden brick in the air which fell on the back of Mu-cha and hurt him. No-cha resumed his pursuit, and as Li Ching, being exhausted, did not wish to be overtaken by his son, he drew his sword and was about to commit suicide when he was stopped by a Taoist who was no other than the Wên-shu Kuang-fa Tien-tsun (Mañjusri) who was invited to come by Immortal T'ai-i to give No-cha an impressive lesson. Wên-shu now hid Li Ching in his grotto and seized the naughty hero with his \"Dragon-concealing Stake\"--which was also called \"Seven Precious Golden Lotuses\"--which in a mist of dust fastened No-cha's neck and feet with three golden rings and bound him to a golden stake. Wên-shu ordered Chin-cha, his disciple and No-cha's eldest brother, to beat No-cha black and blue with a staff until T'ai-I himself appeared. At the intercession of T'ai-i, No-cha was released and both father and son were brought before the two Taoist masters. T'ai-i rebuked the father for his petty-minded action and told him to go home. After Li Ching's\n\nAfter Li Ching's retreat, he instructed No-cha not to bear any grudge against his father and charged him to return to the grotto in Mt. Ch'ien-yuan on the pretext that he would stay with Wên-shu and play chess. No-cha, raging with anger, taking advantage of the absence of the two masters, pursued his father again. When Li Ching was in danger of falling into the hand of the son, another Taoist, the Jan-têng Tao-jên (Dipamkara) of the Yüan-chüeh Cave on the Vulture Peak, appeared on the scene as if by accident. He sheltered Li Ching behind, and when No-cha demanded single combat with his father, he increased Li Ching's strength by spitting on him and touching him on the back. Li Ching was then able to get the upper hand in the fighting and No-cha was defeated. No-cha was beside himself with rage. He jumped aside suddenly and tried to pierce Jan-têng with his spear, but the thrust was repelled by a white lotus flower emitted from the latter's",
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    {
        "id": 205166,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1966",
        "page_number": 122,
        "title": "RAS-1966",
        "content_text": "THE HANLIN ACADEMY\n\n117\n\n24 Wang Hsien-ch'ien, Tung-hua lu (509 chüan in 30 ts'e, Taipei, 1963), K'ang-hsi, 3:26. 王先謙:東華錄康熙朝,\n\n25 Ibid., 3:3a.\n\n26 Ibid., 3:13b.\n\n27 Huang-ch'ao tz'u-lin tien-ku, 23:11a-b.\n\n28 Ibid.\n\n29 Ibid., 21:206.\n\n30 Ch'ing-shih, vol. 2, 1375.\n\n31 S. Van Der Sprenkel, Legal Institutions in Manchu China - A Sociological Analysis (London: Athlone Press, 1962), pp. 30-32. Also see J. K. Fairbank, The United States and China (New ed., completely rev. and enl.; Cambridge: Harvard University Press, 1958), pp. 94-5,\n\n32 Wang Hsien-ch'ien, K'ang-hsi, 4:9a.\n\n33 Huang-ch'ao tz'u-lin tien-ku, 21:22a-24a.\n\n34 Ibid., 24a-b.\n\n35 Ibid., 24b-25a.\n\n36 Ibid., 22:1b-2a.\n\n37 Ibid., 22:4a-4b.\n\n38 Wang Hsien-ch'ien, Ch'ien-lung, 3:34a.\n\n39 Ch'ing-shih, vol. 2, 1375.\n\n40 Ta-Ch'ing hui-tien, 84:4a-b.\n\n41 Ta-Ch'ing hui-tien, 84:3b.\n\n42 Huang-ch'ao tz'u-lin tien-ku, 22:12b.\n\n43 W. A. P. Martin, The Hanlin Papers: Essays on the Intellectual Life of the Chinese (London: Trübner & Co., New York: Harper Brothers, 1880), pp. 24-26.\n\n44 Huang-ch'ao tz'u-lin tien-ku, 23:20b.\n\n45 Consult Fa Shih-shan ... (16 chüan in 6 ts'e, preface dated 1799), Ch'ing-pi shu-wen ...\n\n46 Shang Yen-liu, p. 92; Huang-ch'ao tz'u-lin tien-ku, 24:19b-20a.\n\n47 Ta-Ch'ing hui-tien, 84:4b.\n\n48 Huang-ch'ao tz'u-lin tien-ku, 24:20b.\n\n49 Ibid., 24:28b-29a, 10a-10b.\n\n50 Ibid., 24:21a-21b.\n\n51 Ibid., 24:22a.\n\n52 Ta-Ch'ing li-ch'ao shih-lu ... (compiled by Man-chou ti-kuo kuo-wu-yüan, 4664 chüan, Tokyo, 1937-38), Shih-tsung, 44:9a-b.\n\n53 Huang-ch'ao tz'u-lin tien-ku, 24:22b-23a.\n\n54 Ibid.\n\n55 Ibid., 24:24a-25a.\n\n56 Ta-Ch'ing li-ch'ao shih-lu, Shih-tsung, 15:15a-b; also see The Chinese, Their History and Culture, 531-533.\n\n57 See The Hanlin Papers and Ho Ping-ti, Studies on the Population of China, 1368-1953,",
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    },
    {
        "id": 206326,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 143,
        "title": "RAS-1971",
        "content_text": "The District Watch Committee\n\n137\n\nto be the richest man in Hong Kong. When Ho Tung retired as chief compradore to Jardine, Matheson's in 1900, Ho Fook succeeded him. Ho Fook's assistant was Ho Kom Tong, another of Ho Tung's brothers. The members of the District Watch Committee were members of a small circle of businessmen, often related through ties of blood or marriage. When the Tai Yau Bank was established in 1914 with a paid-up capital of $6,000,000, the proprietors were named as Lau Chu Pak, Ho Fook, Ho Kom Tong, Lo Chung Shiu and Chan Kai Ming. Lau Chu Pak was compradore to A. S. Watson and Co., chairman of the Po On Commercial Association and chairman of the Chinese General Chamber of Commerce; Chan Kai Ming was manager of the Opium Farm; and Lo Chung Shiu, assistant compradore to Jardine, Matheson and Co., was Ho Fook's brother-in-law. All were or became members of the District Watch Committee.\n\n22 T. C. Cheng writes that Wei Yuk 'was very much concerned about law and order among the Chinese masses because in those early days riff-raff and political refugees from South China continued to come into Hong Kong. Thus it was at his suggestion that the District Watch Force was founded in 1888. Mr. Cheng appears to be mistaken about the date and is no doubt referring to the ordinance of that year, no. 13 of 1888 rather than to its proper date of origin. Wright and Cartright, Feldwick, and Professor Woo all state that the Committee was formed on Wei Yuk's suggestion. See: T. C. Cheng, 'Chinese Unofficial Members of the Legislative and Executive Councils of Hong Kong up to 1941', Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 9, 1969, pp. 17-18; Arnold Wright and H. A. Cartright, Twentieth Century Impressions of Hong Kong, Shanghai and other Treaty Ports, London, Lloyd's Greater Britain Publishing Co., 1908, p. 109; W. Feldwick, ed., Present Day Impressions of the Far East and Prominent Chinese at Home and Abroad, London Globe Encyclopedia Co., 1917, p. 576; Professor Woo Sing Lim, The Prominent Chinese in Hong Kong, Hong Kong, Five Continents Book Company, 1939, p. 4.\n\n23 Unfortunately all the records in the Secretariat for Chinese Affairs were destroyed or lost during the Japanese occupation and hence anyone trying to reconstruct the history of the District Watch must work mostly from scraps of information found in government publications, newspapers, books.\n\n24 My guess is that a large number were traditional Chinese merchants from the Five Districts operating on a relatively small scale. The Committee after 1891 represented the views of a more westernised and modernised elite with a knowledge of modern business techniques and modern financial manipulations. Dr. Ho Kai, for example, played the stock exchange with great success and speculated in many fields, particularly land development. He was, properly speaking, a financier although his occupation is often given tout court as lawyer. He had also qualified in medicine at Edinburgh but gave up the practice of medicine soon after his return to Hong Kong in 1882 because of Chinese resistance to western medicine.\n\n25 In 1903, for example, the Committee opposed the re-introduction of the night-pass system but suggested other remedial measures (see Index to Correspondence (General Register) 1894-1904, Hong Kong, Noronha and Co., 1909, p. 100). In 1909 'at the request of the District Watchmen Committee, children who are hawking without a licence are on their first offence sent to the Registrar General who cautions their guardians. This procedure seems to have proved effective in each case' wrote the Registrar General in 1909. It is worth noting that both Registrar General and Committee wanted to end the night-pass system and were opposed by the Captain Superintendent of Police, who was unsuccessful. As for hawkers, very few Chinese regarded them as a serious menace although colonial administrators",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
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    {
        "id": 206640,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 188,
        "title": "RAS-1972",
        "content_text": "182\n\nCo-location of deities\n\nKEITH STEVENS\n\nIn Fukienese temples in Singapore and Malaya, the T'ai Sui images are often seen with Hsuan Tien Ta Ti (***) or with the Goddess of Mercy (##). In Cantonese and Amoy temples there, the T'ai Sui images are occasionally to be seen with the medical deities Lu Tung Pin (†) or Hua To ($) and in one temple with T'ai Shang Lao Chün (LB).\n\nIn another Fukienese temple in Singapore a triad occupying the centre altar was said by the temple keeper to be three of the Nine Emperors (g). Two were positively identified, one as the second brother of the main deity Chiu Hwang ( ). He is black skinned, bare footed, with one foot on a fire wheel, has protruding eyes, black beard, and his hair is wound into a top knot. His two arms are at his side, otherwise he is very similar to Fa Chu Kung (✯✯2). The second identified image is on the right of the main deity, and he is, without doubt, Wang Tien Kung (1A). The third unidentified image on the left of the main deity could easily be T'ai Sui. He is black faced and bearded, a standing general in armour, holding a bell in his left hand and a sword in his right; he has three eyes, ear tufts of hair, and wears a Taoist crown.\n\nIn one Fukienese temple in Taipei, Yin Ch'iao was seen together with Ch'ü Kung Chen Jen (AA). (Plate 19)\n\nIn North China in Kalgan his second brother Yin Hung ( *) is a special deity said to save people from the \"fifteen bad deaths\". He sits on the opposite side of the central deity, the Jade Emperor (11), from Yin Ch'iao. Both brothers are naked and, surprisingly, have claws, beaks and wings. Grootaers10 says that Yin Ch'iao is never to be seen except as an attendant to the Jade Emperor. It would appear that either the local god maker in Kalgan did not know the identification features of Yin Ch'iao and has confused him with the Thunder God; or that there is a local legend which we do not know about; or thirdly that Grootaers misidentified the two attendants of the Jade Emperor.\n\nC. B. Day bought a hand-painted scroll in Hangchow, depicting five Buddhist figures and six Taoist ones. This pantheon chart included T'ai Sui Ti Chün ( *#*#) together with the San Kuan\n\n10 W. A. Grootaers, Rural Temples around Hsüan Hua (Folklore Studies vol. 10).",
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    {
        "id": 206644,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 192,
        "title": "RAS-1972",
        "content_text": "186\n\nKEITH STEVENS\n\nfeatures, but as with all Chinese images there are local variations of which two major ones observed have been:\n\na. A shiny black Fa Chu Kung with six arms and standing barefoot, holding in his six arms:\n\n(1) a sword held in each of three of them,\n\n(2) a scimitar in one,\n\n(3) a magic ring in one (this is identical to the bracelet of San T'ai Tzu),\n\n(4) the sixth has a hand making the magical sign described above.\n\nHe is dressed in flowing golden robes, and has a small snake entwined around the arm with the hand making the magical sign. (Plate 25)\n\nb. A Ch'ao Chow style carving of Fa Chu Kung has two pillars protruding from the base on either side of his body reaching to his waist height, making two \"side table\" tops on either side of him. On one side, on the \"table top\", stands a vase and on the other stands a bowl. Otherwise he is exactly as described in the basic description.\n\nThe images most likely to be confused with Fa Chu Kung are those of his two brothers which apart from the colour of their faces are identical to his. They have never been observed on an altar without him.* Also possibly confused with Fa Chu Kung is T'ai P'ao or Sha Ho Shang who is described at the end of this article.\n\nTitles\n\nFa Chu Kung is known by various names or titles than by his best known title of Fa Chu Kung. According to Fukien temple keepers, Fa Chu Kung means the Controlling Duke. There is, however, a Buddhist term, Fa Chu, for the Lord of the Dharma, which is the Buddha himself. It is unlikely that this is the origin of Fa Chu Kung's title, even though several informants have suggested that, as he is black, he was an Indian and was formerly a trader from India. The various titles and names by which he is referred to, are:\n\na. Fa Chu Sheng Chün 法主聖君\n\nTitle given in Mutseh near Taipei to the group of the three brothers, all to be seen on one\n\n* See Plate 26. A Fukienese god-carver's sketch of Fa Chu Kung is at Plate 27.",
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    {
        "id": 206645,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 193,
        "title": "RAS-1972",
        "content_text": "THREE CHINESE DEITIES\n\nb. Chang Kung Sheng Chün\n張公聖君\n\nC.\n\nd. Kung Sheng Chün\n公聖君\n\nFa Tze Chu\n法子主\n\ne. Fa Tze Wang\n法子王\n\n+\n\nf. Fa Tze Kung\n法子公\n\ng. Sheng Chih\n聖\n\nh. Min Shan Fa Chu\n閩山法主\n\nt. Wu Sheng Kung\n巫聖公\n\n187\n\naltar. Fa Chu Kung is wearing a gilt crown, and robed with red robes. Seen in Seremban and Kuala Lumpur, and in a famous Foo-chow temple in Singapore.\n\nSeen in a Fukien temple in Toa Payoh, Singapore, co-located with Chiu Kung Sheng Hou (II).\n\nA Fukien god carver says that this is the Cantonese name for him. However, this is normally the short title for the Ch'aochow rain deity Feng Yu Sheng Chih (風雨聖者).\n\nIn a Foochow temple in Singapore.\n\nSeen in a Fukien temple in Tampin in Malaya.\n\nOne temple keeper said that he is called Fa Chu Kung in all places in Fukien Province, except for Pu Hsien area where he is known as b. above.\n\nDisciples, attendants and other gods sharing the same altar as Fa Chu Kung\n\nWhen Fa Chu Kung is the main deity, he is to be seen either alone, or with his two brothers, or with his two or four attendants. If he is with a large group of major and minor deities, he is comparatively near to the main deity, often on the immediate left. The most frequent main deity with whom he appears is Hsüan Tien (太上玄天).\n\nFeast and Birthdays\n\nHis feast and birthdays vary with the place, town or city in which his temple is located. In Taiwan the most frequent date is",
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    {
        "id": 206646,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 194,
        "title": "RAS-1972",
        "content_text": "188\n\nKEITH STEVENS\n\nthe 23rd day of the sixth lunar month. In Singapore and in Malaya the usual date is the 23rd of the seventh lunar month; but other comparatively common dates are the 6th of the third lunar month, the 18th of the fifth lunar month, the 26th of the sixth lunar month, and the 10th of the eighth lunar month.\n\nNames of his family\n\nFa Chu Kung's family name was Chang (**張**) and he was called Chang Kung (**昌公**). His two brothers are called variously:\n\na. Chang Kung (#2); red face; in Fukien temples\n\nb. Hsiau Kung(); pink face; in Fukien temples\n\na. Hung Kung (#2); pink face; in Fukien temples\n\nb. Hsiau Kung (2): white face; in Fukien temples\n\na. Chiang Chün Ye (*): red face; this last group was seen in a Cantonese temple in Seremban\n\nb. Fa Ch'ing(): white face; this last group was seen in a Cantonese temple in Seremban\n\nHis four assistants have been observed in one temple only, a Hengwa Fukien temple, and are called:\n\na. Liu 劉\n\nb. Lien 遵\n\nc. Chang 張\n\nd. ...\n\nHe has two main disciples:\n\nMa Ye: white faced; with a bell in right hand for punctuating prayers, and wearing a horse head hat.\n\nHu Ye: red faced; with a bottle in his left hand containing magic water for frightening demons, and wearing a tiger head hat.\n\nCommunity Groups worshipping Fa Chu Kung\n\nEach temple in which Fa Chu Kung has been observed has had a temple keeper, appointed by the temple committee or from whom he had purchased his franchise. The main community groups in which Fa Chu Kung is to be found are from the An Chi and Ying Ch'üen areas of Fukien province. Other community groups which have images to Fa Chu Kung are Foochow City, T'ung An and Heng Wa. He is to be seen in at least 34 temples in Singapore and",
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    {
        "id": 206647,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 195,
        "title": "RAS-1972",
        "content_text": "THREE CHINESE DEITIES\n\n189\n\nMalaya, in nine of which he is the main deity. Twenty-seven of these temples are run by Fukienese emigrants or their descendants; one is run by Hakka, three by Cantonese, two by Ch'ao Chow and one by Hainanese. In Taipei all eleven observed images are in temples maintained by Ch'üan Chow emigrants. There are three Cantonese temples in Malaya in which he has been seen; one is in Seremban and two are in Kuala Lumpur. In one of the Kuala Lumpur temples he is to be seen beside a sand divination table; the temple keeper in the other said that he was a lesser deity donated by a Fukienese devotee. The Seremban temple had all three brothers seated together on an altar in a temple devoted to Hsuan Tien Shang Ti (玄天上帝).\n\nIn a Hainanese temple in Singapore there is a standing image of Fa Chu Kung with the usual unkempt hair, but he has only one foot resting on a fire wheel. He is the secondary deity in the temple, which is dedicated to Wen Chow Hou Wang (溫州侯王) who is a specifically Hainanese deity.\n\nIn one spirit medium temple in Singapore, where Fa Chu Kung is the main deity, the medium and the keeper are both Fukienese. The female medium speaks with a very deep voice, said to be that of Fa Chu Kung, and writes prescriptions for medicines dictated by him. To stimulate the spirit to reply, and thereby causing considerable interest to the spectators around the table, the female medium pauses between writing each prescription and extinguishes a lighted candle on the roof of her mouth.\n\nProfessor Wolfram Eberhard has confirmed that in his researches he has encountered this deity, the god of the cult of tea merchants localized in the areas of Ying Ch'üen (#) and Te Hui (德惠) whose birthday is on the 27th day of the 7th lunar month. Law suits were settled before this deity, who is mentioned in the Taiwanese folk almanac of 1963.\n\nMyths concerning the origins or deification of Fa Chu Kung\n\nMost temple keepers who have an image of Fa Chu Kung in their temples tell a different story about his origin. These tales do, however, contain certain common factors:\n\na. Fa Chu Kung is the head of all demons and is to be feared. His black face signifies his demonic origins. He warned all gods in the area of Ying Ch'üen in Fukien that the area was too\n\nPage 190 is missing\n\nPage 195\n\nPage 196",
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        "id": 206648,
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        "document_key": "RAS-1972",
        "page_number": 196,
        "title": "RAS-1972",
        "content_text": "190\n\nKEITH STEVENS\n\npoverty stricken to maintain them all, and was so persuasive that he managed to gain the monopoly of worship and offerings in that area. He is always to be seen poverty stricken and unkempt in his efforts to keep up the pretence before all the other gods.\n\nb. Chang (3) was a local peasant who, in Ying Chüen presented himself before the leader of a large invading force, dressed in rags and burnt black with exposure due to heavy labour in the fields, thus showing the invader just how poverty stricken the area was. The invaders changed their direction of march and laid waste neighbouring counties, saving Ying Ch’üen. Chang was deified Fa Chu Kung by the Emperor of China for his heroism.\n\nC. A very evil king came to Ying Ch’üen and demanded considerable tribute. This was collected from the peasants and was about to be transported away, when Chang (k), a peasant, challenged the enemy king to a duel. Chang using more powerful magic, defeated the king, and gave him three days to be clear of the district. However, some of the king's followers cut the ropes securing the king's boat, stranding him. He had, therefore, to pay a ransom of $130,000 to Chang, which was then shared among the peasants. When Chang died, the peasants requested the Emperor of China to deify him Fa Chu Kung.\n\nd. Whilst still a youth, Fa Chu Kung was living with his brothers and his sister-in-law in the barren hills. His sister-in-law told him to go out to collect wood for the stove. As he walked over the hills, he heard a voice telling him to go deeper into the unknown woods and when he did so, he met a sage who taught him magic. He was away for several years and when he returned his sister-in-law was more irritated by the fact that he had not brought back any firewood rather than by his being missing for so long. She scolded him and sent him out to gather some, telling him to return quickly as the rice had to be ready for the return of her husband. Fa Chu Kung surreptitiously returned and employing his magic, used his legs as firewood and soon had a roaring fire burning, quickly boiling the rice. This he did for every meal and his sister-in-law became very suspicious because she never saw any ash nor any wood lying around. Next meal she peeped around the door and saw Fa",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    },
    {
        "id": 206649,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 197,
        "title": "RAS-1972",
        "content_text": "THREE CHINESE DEITIES\n\n191\n\nChu Kung with his feet stretched out under the pan and flames leaping up from them boiling the rice and, being frightened, she screamed. Fa Chu Kung transformed himself into a god, flew up the chimney and thus became black on the way.\n\ne. In the An Chi area of Fukien province there was a very large snake which required one youth or maiden to be fed to it annually. Chang (3), a common straw sandal maker, and two men who had been chased from the An Chi area to a cave in Ying Ch'üen, fought and killed the snake after a battle lasting three days. Chang was so exhausted that he turned black. He was deified Fa Chu Kung and the two men who had helped him were deified with him as his foster brothers, for ridding the place of the nightmare.\n\nf. In a Singapore Hainanese temple a variation of e. above tells that Fa Chu Kung met an old man weeping. He told Fa Chu Kung that his grandchild had to be sacrificed to the big snake. Fa Chu Kung told the old man not to worry and went out and strangled the big snake; but, because he was bitten so badly, he turned black, his eyes became staring and he died.\n\ng. Fa Chu Kung was originally called Chang Kung (2) but later, after he had cured the Empress's boils which had been pronounced incurable by all the other physicians and magicians, he was given the title of Shen Chün (#).\n\nh. Fa Chu Kung was an Indian sailor or trader who settled in Fukien and helped the poor and the sick.\n\nThese various tales tell of Fa Chu Kung's ability to do magic, give a reason for his blackness and several explain why he has a snake wrapped round his arm. The snake is reminiscent of other sacrificial stories and may well be a story dating back to one of the early local cultures in Fukien. There is no indication of what era Fa Chu Kung is supposed to have lived—if, of course, he ever did. Temple dates in South East Asia and Taiwan are of little assistance here and the only dating the temple keepers suggested was the usual \"several hundreds of years ago\" or \"during the T'ang or Sung Dynasties\" (650-1100 A.D.).\n\nThere are at least two other major legends of people who use their legs as fuel for the stove. The first, in Ch'üan Chow, is the monk I Po who gave great assistance during the construction of the famous bridge there. He caused great astonishment when, because",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    },
    {
        "id": 206717,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 265,
        "title": "RAS-1972",
        "content_text": "Plate 25. Fa Chu Kung with six arms in a Fukienese god shop in Singapore. 1969.\n\nPlate 26. In a Fukienese temple in Singapore, Fa Chu Kung seated below his two brothers, top left Hsiao Kung and top right Chang Kung, 1969.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
        "rank": 0
    },
    {
        "id": 206827,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 104,
        "title": "RAS-1973",
        "content_text": "98\n\nCHUANG SHEN\n\nNeedless to say, the two works by Sun and Kao mentioned in the text refer to Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Although Liang T'ing-nan pointed out that it would be unsuitable to compare his T'êng-hua-t'ing shu-hua-pa with the two works of Sun and Kao—which was, moreover, something that he would not venture to do—it could be deduced that, in his opinion, the two catalogues compiled by Sun Ch'êng-chê and Kao Shih-ch'i must have been held in reverence. Otherwise, it would be difficult to explain why he must necessarily take his work to compare with the Kêng-tzŭ hsiao-hsia-chi and the Chiang-ts'un hsiao-hsia-lu, and not with Pien Yung-yü's Shih-ku-t'ang hua-k'ao. According to Liang's remark, it is clear that owing to Pan Chêng-wei's recommendation of the Kêng-tzŭ hsiao-hsia-chi, Sun's work became an art catalogue capable of being compared with Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu in the mind of Kwang-tung art collectors some time later; while, on the other hand, Pien Yung-yü's work seemed to remain unnoticed, as it was during Wu Yung-kuang's time. It thus seems rather questionable whether Liang T'ing-nan was ever aware of Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao.\n\nAs to the origin of the editing method employed in Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, some hints may be obtained from the preface written by Li Ch'ao-t'ang, which reads,\n\nThe two brothers Huai-min and Shao-tang (i.e., Kung Kuang-yung and Kung Kuang-tao) had the largest collection of books in Kwangtung. At his leisure hours, Kung Kuang-tao compiled this catalogue by following the editing system set down in the catalogues of Sun Ch'êng-chê and Kao Shih-ch'i.\n\nThus, it can be seen that the origin of the editing method employed in the Yüeh-hsüeh-lou shu-hua-lu was also that used in the two catalogues of Sun Ch'êng-chê and Kao Shih-ch'i. From the time when Wu Yung-kuang completed his Hsin-ch'ou hsiao-hsia-chi to the time when Liang T'ing-nan completed his T'êng-hua-t'ing shu-hua-pa, 15 years had elapsed, and up to the completion of Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, 21 years. During these 21 years, apart from the fact that owing to Pan Chêng-wei's recommendation, Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi received more attention, and that Liang T'ing-nan's T'êng-hua-t'ing shu-hua-pa",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
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    },
    {
        "id": 209977,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 236,
        "title": "RAS-1983",
        "content_text": "214\n\nand general merchant, who came to Hong Kong with his brothers when young. As the eldest, he controlled the family finances and the distribution of work. The second brother went on to Australia, and then returned to Hong Kong. The third brother was a small ship-builder, running his own sampan construction business near the old Kowloon City pier. The fourth brother was a policeman. The eldest Chan's son, my informant, succeeded him as manager of the temple on his death in 1925.\n\nDuring these years the temple's following had been steadily growing. It is reported that in the younger Chan's time, and before, over twenty villages of central and east Kowloon2 took a regular part in the religious celebrations conducted at the two temples. This represents a striking difference from the days, a century before, when the Goddess of Mercy shrine and temple were the private concerns of the small and unimportant Chu family of Tai Hom,\n\n3\n\nThis statement of interest is substantiated by the practices described to me by elders of villages in the area. Two managers, styled chik li (1) were provided by each village. Each year, some weeks before the main Kwun Yam festival, the chief manager called them together for a discussion as to whether the usual arrangements would be made. These consisted of chantings by nam mo lo (), the staging of the customary puppet shows for the four days and five nights usual in this region, and a dinner held in front of the temple the day after the festival. Upon agreement to proceed as usual, each village was allocated one or more subscription books, and the chik li or their helpers collected funds from those among their fellow villagers who wished to take part in the dinner and the general celebrations.\n\nThe chik li were not elected by the villagers: they seldom if ever were in the villages of this region. They came from among that body of working elders who managed the affairs of each village. They were either the elders themselves, or persons deputed by them. The Chairman of the body of chik li was selected through a procedure basically the same as that described for other temples and shrines in the Hong Kong region. All the village chik li gathered at the temple at a fixed day and hour. The divining blocks were cast an agreed number of times and the\n\n3",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
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    },
    {
        "id": 211662,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 77,
        "title": "RAS-1989",
        "content_text": "52\n\nA second legend also tells of five scholars, again during the T'ang dynasty, on their way to the capital to take the imperial examinations when they overheard demons plotting to poison a village well with pestilence pills. The villagers themselves would not believe the scholars so the five jumped into the well and polluted it with their corpses. The Jade Emperor was impressed by their self-sacrifice and appointed them Pestilence Wang Yeh. This story was originally specifically told by people from Ch'uanchou in Fukien.\n\nA third legend claimed that five men, Li, Chih, Wu, Chu and Fan became blood brothers in order to serve the man who, after his military campaign, established the T'ang dynasty and became its first emperor, Kao Tsu. The five were appointed to various offices of state, served the country well, and after they died were appointed Celestial Inspectors, known colloquially as Pestilence Princes, Wen Wang (HE).\n\nTwo further legends date the origins of the Pestilence Wang Yeh to the Ming, some four hundred and sixty years after the T'ang. The first tells of 36 literati ordered by an early Ming emperor to travel forth beyond the borders of China to tell the world about China's greatness and in particular about the history of the great Tang dynasty. On one of the voyages all 36 were lost in a storm at sea and according to one of the surviving sailors, an auspicious pink cloud drifted over the roaring waves and celestial music was heard as the 36 were borne aloft. The emperor ordered a new ship to be built to be called the Ship of the Wang Yeh into which was placed a tablet for each of the 36 together with a decree personally written by the emperor requiring the officials at every port where the ship docked to welcome and honour the spirits of the dead literati.\n\nYet another local legend claims that towards the end of the Ming era five literati, Chih, Li, Chu, Hsing and Chin, on their way to invigilate at the local imperial examinations at Ch'uanchou fell ill and died of plague. They lost their lives in the service of the people of the town and have been worshipped ever since as the Five Excellencies (Wu Fu Wang Yeh).\n\nIn a popular story teller's tale, the Feng Shen Pang, recorded during the Ming dynasty, Lu Yueh, a Taoist with his four disciples fought for the last of the Shang dynasty against the Chou forces, using germ warfare (pestilence weapons). All five were on the losing side and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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        "rank": 0
    },
    {
        "id": 211956,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 371,
        "title": "RAS-1989",
        "content_text": "346\n\nthe 71st birthday of Dang Nga-Chyun, a member of a rich family descended from the mou-geui-yan Dang Ying-Yun. Also on display in the same room were other scrolls of calligraphy and painting. Put on display for a couple of hours were relics of the wong-gu. As many of the Dangs were proud of telling, there were two of them (1) a set of twelve small paintings known as Gwai-Fei Tip, believed to be the work of Fu Qing, a lady-in-waiting in the Song court; and (2) a painting of an eagle, reputed to be the work of the Emperor Song Huizhong; both given to the wong-gu as souvenirs.54 Although they were put on display during a visit by about 200 members of the Hong Kong Branch of the Royal Asiatic Society, to put those two antiques on display had always been part of the tradition.55\n\nEach of the villages was decked out with fa-paai banners too. In most cases there was a fa-paai presented by all the members of the village in celebration of the ten-yearly jiu. In the case of Tai Hong Wai there was one from all the descendants of Sung-Gok jou (father of Dang Man-Wai and his brothers) as well as one from the \"youngsters\" of Tai Hong Wai. The village gate had red slips of paper saying Fast (tsai-gai) and Clean (git-jing).\n\nC. Ritual Representatives\n\nIt was explained to me that the people in each gu divided into family groups (chu). In some cases, the nearest common ancestor such a \"family\" group could trace was more than ten generations distant. For example, under Mr. Dang Tim-Kau's entry were his blood brothers, the sons of his father's brothers, as well as others who were more remotely related to him. The nearest common ancestor of the chu as a whole was Git-Sau jou, who was, from the standpoint of Dang Tim-Kau's grandsons, 12 generations up the lineage tree. The selection of ritual representatives was done by divination with bui.56 The theory of an elder is that each chu chooses its own candidate for ritual representative. But, according to a younger ritual representative, if a man failed in the divination, then his son would try his luck in the same selection process. The candidate who got the longest series of sing-bui would be the no. 1 ritual representative. The others were chosen and ranked in the same manner. But there were additional rules. Each gu section must have one man among the no. 1 to no. 5 ritual representatives, and each had to have three men among the no. 1 to no. 15 ritual representatives. The last three places (58-60) were, as a rule, alloted to the Ying Lung Wai people,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211957,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 372,
        "title": "RAS-1989",
        "content_text": "347\n\nwho were not allowed to compete for the other places among the 60 ritual representatives.\n\nThe selection of ritual representatives, which I did not witness, took place on the fifth day of the first moon. It lasted twelve hours on this occasion, and I was told that in the past it took even longer. Several hundred men were present. In casting the bui every man in the chu could try his luck. Therefore those chu having more members had better chances of winning the first places. The men from each chu numbered from two to a few dozen. The first five places were filled before the others, and some of the participants avoided them because the first five places entail much work. Many people repeated the divination process several times for better results.\n\nIn the festival memorial one can see that for the Dangs of Kam Tin, there were 60 ritual representatives entries and only 50 ordinary entries, and the number of members in each chu, as represented by an entry, ranged from a few to almost 100. It is obvious that for those who could get more people into their chu it would not be difficult to get a good place among the ritual representatives.\n\nEach of the 60 places was actually shared by all the male members of a chu, who took turns to attend the rites in their cheung-saam. There were different reasons why a person would be eager to compete for a good place in the group of ritual representatives. I know in some detail the case of a young man in Tsi Tong Tsuen. His deceased grandfather had had the position in many of the previous celebrations, and he had been pressed by his mother to compete for a place. To gain the favour of the gods by worship was one of the reasons why she would like him to be a ritual representative. Another important factor is that ritual representatives get better seats in the opera matshed than ordinary participants, and the higher one was in the list of ritual representatives, the better the seats one got. It is usual that a Kam Tin family invited their relatives to the opera. In the case of this young man, the family had invited his mother's brothers, among others, and the guests took up the six seats they received in the distribution. Seats were distributed to each chu, but the seats for ritual representatives were towards the front, while the other seats for the chu were towards the back.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211978,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 393,
        "title": "RAS-1989",
        "content_text": "368\n\nSung, Hok-p'ang et. al. (1984), pp. 1-9.\n\n1973 \"Legends and stories of the New Territories: Kam T'in', JHKBRAS xiii, 1973, pp. 28-40.\n\n1974 \"Legends and stories of the New Territories: Kam T'in\", JHKBRAS xiv, 1974, pp. 160-185.\n\nTaga, Akigoro Tanaka, Issei\n\n1982 Chugoku Sofu no Kenkyu, vol. 2, Tokyo.\n\n1985 \n\nTsui, Bartholomew\n\nWatson, Rubie S.\n\nWolf, Arthur P. (ed.)\n\nA Chiu 亞潮(?) baai 拜 baai-san\n\nBaak Mou-Seung Ú Baak-Ging\n\nBaishe Zhuan\n\nLineage and Theatre in China. Interdependence of Festival Organization, ritual, and theatre in the lineage society of South China, Tokyo.\n\n1989 Village Festivals in China: Backgrounds of Local Theatres. Tokyo\n\nforthcoming\n\n\"Daojiao Yili ya Jishen Kiju zhijian de Guanxi”,\n\nforthcoming\n\n\"Taoist Ritual Books of the New Territories\".\n\n1985 Inequality Among Brothers: Class and Kinship in South China, Cambridge University Press.\n\n1974 Religion and Ritual in Chinese Society, Stanford.\n\nGLOSSARY\n\nchiu-gaan chiu-dou * Chiu-Yip #\n\nchu 柱\n\nChuk Yuen 竹園\n\nChung E\n\nChung Yeung 重陽\n\nChung-Saan\n\nU\n\nBak Bin 北便\n\nBak Dai 北帝\n\nbei 陂\n\nbong 榜\n\nBou-Dak Chi #AM\n\nbui\n\ncha-gwo 茶果\n\nChan Gau 陳九\n\nChan 陳\n\nchau-san\n\n+\n\nChenghua 成化\n\ncheun-ding\n\nT\n\ncheun-fu 巡撫 Cheung-Cheun Yun cheung-saam Chi-Naam Ching Ming U Ching-Lok\n\nChung-Yut Я\n\nchyun 村\n\nDaai-Si Wong ✰±\n\nDaai-Wong E\n\ndaai-yan ★A daai-yau daam\n\ndaam-jung da-jai 打仔 da-jiu 打醮 dan 躉 Dang 鄧\n\nDang Chung 鄧璁 Dao 道 da-saat\n\nDei-Jong Wong E",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 212500,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 54,
        "title": "RAS-1991",
        "content_text": "34\n\nChan Kin Tong 陳健堂 Cheang Hoong WA Chen Xuyuan 陳照元 Ding Richang TRS Guo Piao 郭標\n\nHo Kai 何啟\n\nHo Tung 何東\n\nHuang Huan'nan #\n\nJian Dongfu 簡東甫\n\nGlossary\n\nWu Jianzhang f Xu Rongcun 徐榮村 Xu Run 徐潤 Xu Yuting 徐鈺亭 Yuan Shikai 袁世凱 Zheng Guanying\n\nZheng Tingjiang\n\nBaoyuanxiang 寶源祥\n\nZuo Zongtang E\n\nLaw Pak Sheung\n\nA\n\nBendi 本地\n\nLaw Sai Nam 劉世南\n\nLee Chak 李澤\n\nguandu-shangban\n\nLeung Xiu 梁喬 Li Hing 李慶\n\nLi Hongzhang 李鴻章 Lo Hok Pang #09 Ng A Cheong AS\n\nO Kee Cheung 柯其祥 Sheng Xuanhuai 盛宣懷 Soong Xe 宋琪\n\nSung Chin Tseung\n\nTong Mow Chee #\n\nTong Ying Shu (Xing Sing)\n\n唐廷樞(景星)\n\nWei Kwong #*\n\nWei Yuk 韋玉\n\nDanjia 晉家 #\n\nGuang Yang Xing 廣陽興\n\nGuang Zhao Gongsuo 廣肇公所 Heshengxiang #\n\nhuashang fugu huodong HÆ!\n\nKejia 客家\n\nlianhao 聯號\n\nO Chin Sin Tong\n\nQing Xu Yuzhi Xiansheng Run\n\nZixu Nianpu\n\n清徐雨之先生潤自序年譜\n\nSanyi 三邑\n\nShiyi 四邑\n\ntongxiang hui 同鄉會\n\nZongban 總辦\n\nWong Kong 黄亞廣\n\nReferences\n\nCheng, T C. 1969 Chinese Unofficial Members of the Legislative and Executive Councils\n\nin Hong Kong In Journal of the Hong Kong Branch of the Royal Asiatic Society 9: 1-30\n\nChoi, Chi-cheung 1991 Cong difangzhi kan Xiangshan xian difang shili de zhuanbian (The influence of migration in Xiangshan county as viewed from local gazetteers) In Zhongguo Shehui Jingjishi Yanjiu 1991/1: 60-8\n\n1993. Competition among Brothers: the Kun Tye Lung Company and its Associate Companies, Unpublished paper presented at the Workshop on Chinese Business Houses in Southeast Asia since 1870 School of Oriental and African Studies, University of London",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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    },
    {
        "id": 212508,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 62,
        "title": "RAS-1991",
        "content_text": "42\n\ncorrespondence with Ruan Yuan, if such items are extant.\n\nThis paper is not a prosopographic study of a generation of mid-Qing scholars, but I need to involve all of them in order to come to certain conclusions about one of them.\n\nPatronage of scholarship and learning during the mid-Qing\n\nProviding scholars who did not have government offices or private income with a means of livelihood while pursuing their research and writing was not a practice unique to China, nor was it a new phenomenon of the mid-Qing era. Often, the individuals offering this support had been motivated by political considerations. Lynn Struve of Indiana University and Kent Guy of the University of Washington have recorded in English the result of their studies on early Qing patronage of scholarship and learning. Struve has found that the Kangxi Emperor commissioned major literary projects from roughly the 1680s through the 1710s, including the Ming Shi (Ming History), to legitimize the Qing rule by making use of scholars who were not officials. This tradition was followed by the Qianlong Emperor in such monumental compilation tasks as the Si ku chuan shu (Complete Library in Four Branches of Literature).\n\n5\n\nLiterary works were produced under the patronage of individual scholar-officials as well. The Xu Brothers of the Kangxi era, who had several as chief editors of several imperially commissioned compilations, maintained a retinue of scholars. The most celebrated mid-Qing officials who were patrons of scholars were the Zhu Brothers. They gave scholars jobs on their personal staff, or in academic institutions, or an allowance while working on literary projects they sponsored. Zhu Yun (1729-1781), who was remembered for having suggested to the Qianlong Emperor the idea of the Si Ku Chuan Shu, and his younger brother, Zhu Gui (1731-1807), personal tutor to the Jiaqing Emperor, for instance, had on their staff at one time or another such scholars as Zhang Xuecheng (1738-1801), Shao Jinhan (1743-1809), Hong Liangji (1746-1809) and Ruan Yuan. Guy observed that\n\nAlthough Chu's was the first group of this type of scholarly patronage to coalesce, such circles became a fairly common feature of the era's intellectual life. Among the most important successors of Chu's circle in this regard were the",
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 63,
        "title": "RAS-1991",
        "content_text": "43\n\ngroups which Pi Yuan (Bi Yuan) formed in Shensi in the late 1770s, and the group Juan Yuan (Ruan Yuan) formed at the Hsueh-hai t’ang in Canton in the first decades of the 19th century. The (Bi and Ruan) circles were more active in publication: Pi Yuan underwrote the publication of many monographs and critical editions, and Juan Yuan was responsible for the 1400 volume compilation of classical commentary entitled Huang-Ch'ing ching-chieh (Qing period commentaries on the classics).\n\nWang Jun Yi of the People's University recognized how important this form of patronage was to the development of scholarship and learning during the mid-Qing period.\n\nUnder the leadership of the central government, officials enthusiastically supported scholars' research. Xu Qian xue, Bi Yuan, Ruan Yuan, for example, had on their staffs a large number of scholars. They established academies and compiled books. Their activities of collecting books, compiling books, checking texts against ancient editions, and printing books, made it fashionable to collect and create books. Under these circumstances, scholarship and learning developed during the mid-Qing era.\n\nRuan Yuan had inherited the tradition of scholarly patronage from the Zhu Brothers and Bi Yuan. When Ruan Yuan first went to Peking to take the metropolitan examination in 1786, he was taken into the Zhu circle. His first important official assignment was director of studies in Shandong 1793-95 when Bi Yuan was governor. As Ruan Yuan's official career spanned half a century, in such areas as Zhejiang, Jiangxi, Guangdong, Guangxi, Yunnan and Guizhou, his patronage was widespread. Since his interests were all-embracing and his ability to identify quality of scholarship more than adequate, he managed to leave works in all major areas of learning of that time.\n\nImportance of Ruan Yuan as a scholar and patron of learning as seen by 20th century scholars\n\nAlthough Ruan Yuan's contributions to mid-Qing scholarship and learning have been recognized by 20th century scholars, a comprehensive study of the scholars around him is yet to be made. Qian Mu...",
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 67,
        "title": "RAS-1991",
        "content_text": "47\n\n1820-1840. Ding xiang ting pi tan, 4 juan, 1800 and several other volumes.\n\nHow Ruan Yuan managed his scholarly projects\n\nAs Chief Executive in the provinces, with authority to allocate public resources and solicit private funding, Ruan Yuan was able to make decisions to sponsor academic and scholarly activities. With government affairs demanding his constant attention, the scholars around him, with expertise in various fields, were entrusted with the actual research and writing of the works. Ruan Yuan could draw from the large field of scholars he knew who either did not qualify or had preferred not to enter government service. A number of these scholars from Ruan Yuan's own home district, the Yangzhou and Jiangdu area, which had enjoyed a long literary and intellectual tradition, followed him throughout his career. From the provinces of Shandong and Zhejiang where the scholarly heritage was also exceptionally strong, and where there was a rich legacy of book collecting as well, he was able to recruit many scholars. In addition, as examiner for several provincial level examinations and in particular as Metropolitan Examination examiner in 1799, he could lay claim to a network of 'students' all over the country. Lynn Struve's observation about the Xue Brothers is equally applicable in Ruan Yuan's case.\n\nThe opportunities to serve as examiners for the most important capital and provincial examinations, through which they could develop networks of \"student-teacher\" relations among the most promising examinees in the country.21\n\n122\n\nRuan Yuan himself showed how he gave up all his time away from government affairs on literary production. “I have no time-consuming avocation. Nor do I enjoy a capacity for wine. Therefore, I tend to spend all my spare time with a brush in my hand, in the company of books and scholars.” He indicated in the preface of each work where the idea for its creation had originated. The subjects for his earlier works as a young Hanlin had been assigned to him. Two major subjects for compilation later on had been proposed by other scholars—the Chou ren zhuan by Li Rui (1765-1814) and the Shi san jing zhu shu fu jiao kan ji by Lu Wenchao (1717-1796). In addition to the scholarship needed for such tasks, Ruan Yuan provided the management for such productions. He wrote on how his writing projects were organized.",
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    {
        "id": 212519,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 73,
        "title": "RAS-1991",
        "content_text": "53\n\nJiang Fan (1761-1831) was one of the scholars from Yangzhou who followed Ruan Yuan all their lives. After losing his fortune and library in a drought that devastated Yangzhou 1785-86, he worked for a number of major officials on their personal staff, including Grand Secretary Wang Jie (1725-1805) and Ruan Yuan. At the recommendation of Ruan Yuan, who was then Director of Grain Transport, Jiang was appointed to the Lizheng Academy as Director in 1813. He followed Ruan Yuan to Canton as tutor to Ruan Fu (b. 1802), who, alone among Ruan Yuan's children, had entertained any pretension as a classical scholar. While at Canton, Jiang edited the Guangdong tongzhi 1819-1822 under Ruan Yuan's aegis. Ruan Yuan published Jiang's major work, Hanxue shicheng ji.\n\nJiao Xun (1763-1820) was another scholar from the Yangzhou area. He was considered to be a major force of the mid-Qing era in Classics, history, astronomy, mathematics, phonetics, etymology, and geography. He was a close personal friend of Ruan Yuan and worked as Ruan's personal secretary in the early days of Ruan Yuan's official career. A record of anti-piracy campaigns in Zhejiang 1799-1809 was compiled by Jiao and printed as Yingzhou shu ji. Jiao also worked on Chouren zhuan. He was recorded to have been paid 1,000 taels to compile the Yangzhou fu zhi [Local gazetteer of Yangzhou]. With this money, he was able to purchase land and build a house. His own works, mostly printed by Ruan Yuan, included Bei hu xiao zhi [Local history of Bei hu, a community north of Yangzhou], Li tang xue suan ji (Jiao Xun's mathematical studies), and Diao gu lou ji [Studies from Diao gu lou], comprising three major treatises on the Classics.\n\nHung Yixuan (1770-1815) was an example of those scholars whose personality and inclination had made it difficult for them to fit into the trials and tribulations of official life. One of three brothers all known for their intellectual achievements, which embraced astronomy, history, the Classics, and geography, Hung first came to the attention of Ruan Yuan in Hangzhou in 1796 or 1797. As Governor-General at Canton, Ruan Yuan rescued Hung from office by appointing him to his personal staff to work with Feng Dengfu on epigraphical notes they were compiling on Zhejiang.\n\nLing Tingkan (1757-1809) had made his home in Yangzhou, where he had become a close friend of Ruan Yuan. A jinshi of 1790, Ling had",
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 82,
        "title": "RAS-1991",
        "content_text": "62\n\nYun nan tong zhi gao\n雲南通志稿\n\n選平樂府重建聖廟碑記\nXuan Ping lo fu chong jian sheng miao bei ji\n\nTa xin shuo 塔性說\n\nSan jia shi bu yi 三家詩補遺\n\nWen xuan lou shu cang shu ji\n文選樓書藏書記\n\nBa zhuan yin guan ke zhu ji 八轉吟館刻記\n\nBu bi tu shi 布幣圖識\n\nA4\n\nRuan shi Chi gu zhai Han tong yin te\n阮氏積古齋漢銅印得\n\nWen xuan lou cang bei\n文選樓藏碑\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nHan shi jing can zi 漢石經藏碑\n\nLang huan xian guan shi\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nLun yu lun ren lun 論語論仁論\n\nMeng zi lun ren lun\n\nNOTES\n\nArthur F Wright, \"Values, Roles, and Personalities” in Confucian Personalities, edited by Arthur F Wright and Denis Twitchett (Stanford 1962), 11\n\nIbid., 4\n\nSee Appendix 1 chronology of Ruan Yuan's government appointments and Appendix 2. Ruan Yuan's major works and compilations\n\n4\n\nLyn Struve, \"The Hsu Brothers and Semi-official Patronage of Scholars in the K'ang-hsi Period\", Harvard Journal of Asiatic Studies 42-231-266 (1982). R Kent Guy, The Emperor's Four Treasuries. Scholars and the State in the Late Ch'ien-lung Era, Harvard, 1987 Guy has inscribed \"We await Ruan Yuan\" on the front piece of my copy of his work\n\nStruve, 231\n\nThe three Xu Brothers were Xu Qian xue (1631-1694), Xue Bing yi (1633-1711), and Xu Yuan wen (1634-1691) Other officials who were patrons of scholars included Ye Fang ai (1629-1682), Song De yi (1622-1687), and Yu Guo zhu (d ca 1688), Struve, 232-239\n\n7 Guy, 52 Guy had neglected to include the group Ruan Yuan had organized at the Gu Jing Jing she in Hangzhou earlier. A number of scholars from this group had followed Ruan throughout his official life from the late 1790s to the late 1830s for over 40 years I have opted to keep the Wade-Giles transliteration of the Guy original\n\n8 Wang Jun-yi, “Kang Qian sheng shi yu Qian Jia xue pai — jian lun Qian Jia xue pai di liu pai ji chi ping jia\" 清代乾嘉學派的流派及其評價 Qing shu yen jiu 4 342-366 (Beijing, 1986). Unless otherwise indicated, all translations into English in this paper are made by me\n\n9 Qian Mu, Zhong guo jin san bai nian xue shu shi [A history of Chinese learning during the past 300 years], (Taipei edition, 1976), 478",
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1993",
        "page_number": 141,
        "title": "RAS-1993",
        "content_text": "122\n\nshih. The latter has not been noted in any altars in southern Fukien province, nor in SE Asia, though it is almost certainly a local Fukienese cult. However, in one of the temples in Singapore containing the image of San P'ing Tsu-shih it was claimed that there was a trio of sworn blood brothers, San Tai Tsu-shih, San P'ing Tsu-shih and Ch'ing-shui Tsu-shih. This group logically ties together the concept of a trio, with Ch'ing-shui being involved as a junior deity and with a black face.\n\nThe confusion arises presumably due to the similarity of the images. San Tai Tsu-shih is also depicted as a standard image of a monk, sitting cross-legged, wearing the five-leaf bodhisattva crown, but with a pink face. He is also depicted holding a fly whisk in his right hand and his left hand in a Buddhist mystical sign. Legend, as related in one of the temples, claims that the three generations, the father, grandfather and son, were fortune tellers of great renown who lived a thousand years ago in Ankur in Fukien, who cured the sick. In several successive years of desperate drought and famine, so the legend continues, they disposed of all their worldly wealth, giving it away to the poor and needy. Revered predominantly by emigrants from the Ankur region the triad is prayed to for a cure for all forms of sickness. They are also revered by local people who bear the same surname, Lin, with people referring to the old grandfather for advice on land purchase and before starting up a new business.\n\nThese three cult deities are revered separately and on their own altars in different temples both in the Amoy region and elsewhere, and are regarded as important cult units. Ostensibly the latter two, the deified Buddhist monks, would seem to be Buddhist deities; however, in practice all three cults are to be seen nowadays only in popular religion temples though never together. As with virtually all popular religion cults, they are not revered in isolation and stand on their own altars in temples beside altars bearing other deities of unconnected cults.\n\nNOTES\n\nOthers claim that it was the Lord of the North Star (Pei-tou Hsing-chun) who introduced this deity to mankind.\n\nThis is one of the instances when he appears to be being confused with Sun Ssu-miao.\n\nChang Sheng-che was identified in a rural temple in Chin-mei, on the mainland across the strait from Amoy island as the 'magician' Fa-chu Kung [qv]",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
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    {
        "id": 215317,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2001",
        "page_number": 94,
        "title": "RAS-2001",
        "content_text": "42\n\nFaure, David, 1986. The Structure of Chinese Rural Society: Lineage and Village in the Eastern New Territories, Hong Kong. Hong Kong &c: Oxford University Press.\n\nGu jin tu shu ji cheng 4 (The Complete Collection of Ancient and New Matters from Illustrations and Documents). 1885-88 (1726). Compiled by Chen Menglei and Jiang Tingxi. 3rd edition. Shanghai: Major Brothers.\n\nHODOUS, Lewis. 1974 (1929). Folkways in China. Taipei: Ch'eng Wen Publishing Company.\n\nJing Chu sui shi ji (Records of the Seasons in Jing and Chu). Complied by Zong Lin. Liang Dynasty. In Hubei yunxin yi shutt (Documents on Traditional Morals in Hubei). N.d.\n\nTUN LI-CH'EN. 1987 (1936). Annual Customs and Festivals in Peking as Recorded in the Yen-ching Sui-shih-chi. Translated and annotated by Derk Bodde. Hong Kong: Hong Kong University Press.\n\nTURBAN, HELGA. 1971. Das Ching-Ch'u sui-shih chi, ein chinesischen Festkalender. Augsburg: Dissertationsdruck W. Blasaditsch.\n\nYANG, C.K. 1961. Religion in Chinese Society: A Study of Contemporary Social Functions of Religion and Some of Their Historical Factors. Berkeley: University of California Press.\n\nYiyang xian zhi (Chronicle of the Magistracy of Yiyang). 1874. N.p.\n\nYuanjiang xian zhi (Chronicle of the Magistracy of Yuanjiang). 1807-09. N.p.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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