[ { "id": 204272, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 40, "title": "RAS-1961", "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n36\n\nThe next example is from Li Po, who, having been a knight errant himself, naturally eulogized them in his poetry. In his \"Song of the Knight Errant\", he describes a knight thus:\n\nThe man from the North wears a tasselled hat\n\nAnd a curved sword as bright as frost or snow.\n\nHis silver saddle shines on his white steed\n\nOn which he rides as fast as a shooting star.\n\nHe can kill anyone within ten paces\n\nAnd will not stop till he has gone a thousand miles. Shaking the dust from his clothes, he goes into hiding,\n\nTo shroud in secret his person and his name.\n\nAfter mentioning two famous knights of antiquity, the poet concludes:\n\nAfter death, their chivalrous bones are fragrant;\n\nThey can compare with any heroes in the world. Who cares to imitate the pedantic scholar\n\nWriting books until his hair grows white?\n\nIn another poem he again says:\n\nIt is better to be a knight errant than a scholar:\n\nWhat is the good of studying hard when your hair\n\nis turning white?12\n\nFinally, a poem by Chia Tao (A.D. 777-841), which seems to me to sum up the spirit of knight errantry in four lines:\n\nThe Swordsman\n\nThis sword I have been polishing for ten years;\n\nIts frosty edge has never been put to the test.\n\nNow that I've shown it to you, pray tell me:\n\nIs there anyone suffering from injustice?*\n\nBut the richest fruits of chivalric literature are naturally to be found not in poetry but in fiction. Among the romances in classical prose of the T'ang period, we find many tales of chivalry. Apart from their generally high literary standard, these tales are remarkable for two interesting features: first, in many of them, a supernatural element is introduced; secondly, we encounter as many female hsia, or chivalrous ladies, as knights. The story of Hung Hsien is a typical example. Hung Hsien, or \"Red Cotton\", was a maid in the household of Hsüeh Sung, the military governor of Lu-chou, in the T'ang dynasty. She was a skillful p'i-pa player\n\n11 Li T'ai-po shih-chi, chüan 3, 31.\n\n12 Ibid., chüan 3, 14.\n\n13 Ch'üan T'ang shih, chüan 571. (In the Peking, 1960 edition, p. 6618).", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204308, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 76, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n72\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nhua-pên (story-tellers' prompt-book), we can hardly know their origin or the invaluable part played by the author of the Fêng-shên in transforming them into interesting characters.\n\nLi Ching, bearing the same name as the historical hero in the early part of the T'ang dynasty, is no doubt derived from the Buddhist heavenly king Vaisravana.\n\nWe know from many Buddhist texts the legends of the Four Heavenly Kings. According to the Abhiniskramana-sutra (出曜集經) translated by Jnanagupta in 587, they are,\n\nDhritarashtra or Chih-kuo T'ien-wang in the East, who leads the gandharvas, musicians in heaven; Virudhaka or Tseng-chang T'ien-wang in the South, who is the sovereign of the kumbhandas or deformed demons; Virupaksha or Kuang-mu T'ien-wang in the West, who is king of the nagas who dwell in their palaces at the bottom of the lakes; and Vaisravana or To-wen T'ien-wang in the North, who is head of the yakshas, strong and brave genii.\n\nThe author of the Fêng-shên Yen-i adapted these four heavenly kings in his novel (Chs.31-40) and called them \"the four generals of the Mo family\". He made them brothers and commanders who took charge of the Chia-mêng Pass under the command of the Premier Wên T'ai-shih. Their individual names are Mo Li-ch'ing, Mo Li-hung, Mo Li-hai and Mo Li-shou. But in Ch.31 when they are summoned by Premier Wên T'ai-shih, the author writes, \"The four heavenly kings (ssu t'ien-wang) strode forward,” thus unconsciously revealing their origin, and afterwards in Ch.99 they are given the titles of Tsêng-chang T'ien-wang (Mo Li-ch'ing), Kuang-mu T'ien-wang (Mo Li-hung), To-wên T’ien-wang (Mo Li-hai) and Ch'ih-kuo T'ien-wang (Mo Li-shou) respectively. In Ch.40 the author describes the weapons of these four brothers through the mouth of General Huang Fei-hu as follows:\n\nThe eldest brother Mo Li-ch'ing is twenty-four feet in height, with a face resembling that of a crab, and his beard is like copper wires. He fights always on foot with a long spear, and he has a sword which is called \"Blue Cloud\", on which there are charms and a seal saying \"earth, water, fire and wind\". The wind caused by the brandishing of this magic sword is a black wind in which hundreds of thousands of spears would run and cut off the limbs of men. Following the wind is a blaze in which flaming golden serpents cover the atmosphere with black smoke. The weapon of Mo Li-hung is an umbrella.\n\n* chúan 16, Shê-kung Ch'u-chia P'in (攝功出家品).", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 77, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n73\n\ncalled \"Umbrella of Noumenon and Unity\" (hun-yüan san A) which is decorated with emeralds and precious pearls of divine power which are threaded together to form the words: \"to pack up the universe.\" When this umbrella is opened, heaven and earth, the sun and the moon, will be covered up by darkness, and when it is rolled the world will be shaken. Mo Li-hai carries a spear and on his back there is a four-stringed guitar (p'i-p'a) which will produce the same effect as the \"Blue Cloud Sword\" when played on and the four strings correspond to earth, water, fire and wind. Mo Li-shou carries two whips and a bag in which is concealed a peculiar creature resembling a rat, hua hu-tiao (the striped marten). When hurled into the air this creature will assume the shape of an elephant with wings from its ribs and will devour every one.\n\nThe combat between these four brothers and the heroes from the camp of King Wu can be found in Chs.39-41 of the novel. They are engaged in mortal combat with the Li brothers, Chin-cha, Mu-cha and No-cha in Ch.40. If the reader knows that Li Ching, the fabulous father of these three Li brothers is in fact derived from one of these four heavenly kings, Vaisravana, the ingenuity of the author of this novel can be appreciated, because before the publication of this novel, in many other works Vaisravana and the Chinese god Li Ching, based on the historical hero so named of the Tang dynasty, had long been amalgamated and formed a single name, P'i-sha-mên t'ien-wang Li Ching (Vaisravana or Li Ching, the Heavenly King of Vaisravana). The Chinese transliteration from the Sanskrit \"Vaisravana\" since the T'ang dynasty has been Pi-sha-mên (R), the last character of which, mên, though senseless in this connection, normally means \"gate\". Thus, in popular literature, the term P'i-sha-mên lost its original meaning and became the name of the P'i-sha Gate, and it was therefore natural enough to have a heavenly general, like Li Ching, to take charge of it, though in English this may appear peculiar.\n\n* In Yang Ching-hsien's (MRK) play T'ang San-tsang Hsi-t'ien Ch’ü-ching (EXRE), Scene 9, we read \"P'i-sha-mên hsia Li Tien-wang\" (TX) which means the Heavenly King Li under the P'i-sha Gate. In the prompt-book Ch'i-kuo Ch'un-ch'iu P'ing-hua ta (TH), chüan 3, we have \"P'i-sha-mên To-t'a Li T'ien-wang\" (*XE) or P'i-sha-mên, the Heavenly King Li who holds in his hand a pagoda. Sometimes the story-tellers thought since there was a P'i-sha mên (gate), it was wise to create a palace, called P'i-sha Kung (CE W D). In the Nan-yüeh-chi, Ch. 11, we have \"P'i-sha Kung Li Ching Tien-wang\" (K*XE). In a long eulogistic poem in Ch. 12 of the Feng-shen, there is a palace in heaven called K'un-sha Kung (R V E) which is obviously an erratum.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204333, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 101, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n97\n\nthree chapters (Ch.12-14) of the Fêng-shên Yen-i and all the other chapters except those parts inherited from the prompt-book Wu-wang Fa-Chou P'ing-hua3 and Lieh-kuo Chih-chuan (@) are the original work of the author.\n\n39\n\n40\n\n38\n\nLu Hsün told us that the approximate dates of Wu Ch'êng-ên are about 1510-1580, and the earliest editions of the Hsi-yu-chi by Wu Ch'êng-ên we have were all published late in the Wan Li period, probably after 1592. It is therefore safe enough if we suppose that the novel Fêng-shên Yen-i was first compiled in the middle of the Chia Ching period (about 1545).\n\n4\n\n38 \"King Wu's Expedition against Chou\", the original copy of which is from an edition dated Chih Chih (a), the reign of Emperor Ying Tsung (1321-23) of the Mongol Yüan dynasty. It was published in Chien-an (# now Chien-yang of Fukien province), then a very famous paper-manufacturing and publishing centre. No less than five different prompt-books of the same sort, historical and fictional, including the Wu-wang Fa Chou, have been found, now kept in the Japanese Cabinet Library, bearing the same sub-title as \"published by the Yu family of Chien-an\" (ZREKƒ). A complete English translation of the last-named is included in my \"The Authorship of the Fêng-shên Yen-i”,\n\n39 The Lieh-kuo Chih-chuan FHEN, a book in a very rare edition, copies of which are now preserved only in a few libraries. See my article \"The Discovery of the First chuan of the Lieh-kuo Chih-chuan and Its Relation to Wuwang Fa Chou P'ing-hua and the Novel Fêng-shên Yen-i\" (元至治本全相武王伐紂話明刊本列國志傳一與封神演義之關係), The New Asia Journal, Vol. 4, No. 1, Aug. 1959.\n\n4o Chung-kuo Hsiao-shuo Shih lüich, Ch. 17, p. 168. Yang's translation, p. 210. cf. (2).\n\n41 See Prof. Sun K'ai-ti's (H) Jih-pên Tung-ching So Chien Chung-kuo Hsiao-shuo Shumu (B££££+5), pp. 101-2, Shanghai, 1953. Shih-tê Tang (H) edition, dated \"the fourth day of the fifth month in the year jên-chên (IR)\",", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204399, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 31, "title": "RAS-1962", "content_text": "22\n\nF. S. DRAKE\n\nappeared also. But a number of relics have come to light from time to time, such as the crosses which are the subject of this paper, confirming the statements of the travellers.\n\nThe first great discovery of Nestorianism in China is a relic in fact of the T'ang dynasty, long before the Mongol era commenced, the famous Nestorian Stone Tablet of Sianfu, which was erected in A.D. 781 and describes how a group of Nestorian missionaries from Syria or Persia reached the capital of China in A.D. 635; it describes how a monastery was built for them by the Emperor and recounts the fortunes of the Church and its off-shoots until A.D. 781 when the monument was erected. The name given to the foreign religion is Ching-chiao'** (The Bright or Luminous Religion) and the text is composed in classical rhythmic style imbued with Chinese traditional religious thought. The script is an example of the masterly calligraphy of T'ang times. This and other later discoveries show that the T'ang Nestorians endeavoured to express their faith in relation to the intellectual and religious environment in which they found themselves. In addition to the text in Chinese the names of the foreign monks are engraved on the sides in Syriac, and on the head-piece above the title is engraved a Greek Cross similar in shape to the bronze Mongol Crosses we have been considering, with three circles at each end, and circles at the angles between the arms, no doubt indicating flowers—the blossoming Cross. The Cross stands upon a lotus, Buddhist symbol of purity, at each side of which are Taoist symbols, the ling-chih, or fungus of Longevity.\n\nThe Tablet of Sianfu was discovered in A.D. 1623, and through the interest of Chinese scholar-friends of Matthew Ricci, who had died in 1610, it was identified as a Christian relic. Through the same interest attention was called to three other Crosses engraved on stone (probably tomb stones), which had been seen by Chinese Christians in 1638 at Ch'üan-chou (Marco Polo's Zayton) in Fukien. Wood-cuts of these were printed in a publication on the Sianfu Tablet in A.D. 1644.20 A fourth stone cross, similar to the above, was found at Ch'üan-chou and photographed in 1906.21\n\n20 See Moule, op. cit., Figs, 9, 10: Diaz, Inscriptio Si-ngan Fou, 1644. 21 Moule, op. cit., Fig. 11; and Ecke and Demiéville, The Twin Pagodas of Zayton, Harvard Univ. Press, 1935, Pt. 70b.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204400, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 32, "title": "RAS-1962", "content_text": "NESTORIAN CROSSES\n\n23\n\nFrom this time on discoveries were frequent. In 1885 two Nestorian cemeteries were discovered in Tokmak (Semirechinsk) with stones from about 610 graves, some engraved with the outline of the now familiar Nestorian Cross, associated with inscriptions in Syriac dating from A.D. 1267 to 1316.3\n\nIn 1890 stones engraved with Nestorian Crosses were found at Hsi-wan-tzu in Sui-yüan province, north-west of Kalgan.23\n\nBut perhaps the most important Nestorian relics in China, after the Tablet of Sianfu, are the T'ang dynasty manuscripts found in 1908 in the sealed cave-library at Tun-huang, commencing with the 'Gloria in Excelsis Deo' with its important List of Scriptures and Historical Note (probably dating from about A.D. 781), the 'Jesus Messiah Sutra' dated A.D. 641, the earliest Nestorian document preserved in China, and three other T'ang Nestorian manuscripts, written probably between that date and the period of the Sianfu monument (A.D. 781).24\n\n+\n\nIn 1919 two beautifully carved Nestorian crosses, with short Syriac inscriptions, possibly from the chancel of a church, were found at Fang-shan in a Buddhist monastery called to this day 'The Monastery of the Cross' + (perhaps the one where Mark and Barsauma dwelt) south-west of Peking.25\n\nIn 1933 several Chinese scholars sought for and found the ruins of a 'Ta-ts'in Monastery' ★ (Nestorian Monastery) at Chou-chih in Shensi province, described in poems by the famous Sung dynasty poet Su Tung-p'o in 1062.26\n\nIn 1935 gravestones engraved with Nestorian crosses similar to those from Fang-shan were found at Pai-ling Miao TEM in Sui-yüan province (on the edge of Mongolia).27\n\nIn a number of places, too numerous to note in detail here, stone tablets have been found engraved with dated edicts of Yüan dynasty times, sometimes in the Mongol language, sometimes in Chinese, and sometimes in both, for the protection of\n\n22 Saeki, Nestorian Documents and Relics, 2nd ed., 1951, Part II, chap. 4.\n\n23 Saeki, op. cit. p. 426.\n\n24 Moule, op. cit. p. 53; Saeki, op. cit. chs, III to XIII.\n\n24 Saeki, op. cit., p. 430, and Moule, op. cit., Fig. 12.\n\n24 Hsiang Ta, Tang-tai Ch'angan yû Hsi-yü wên-ming, App. II, 'Notes on the Ta-ts'in Monastery at Chou-chih' 向達著,唐代長安與西域文明, Yenching Monograph Series II, 1933.\n\n27 Saeki, op. cit., pp. 423-4.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204401, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 33, "title": "RAS-1962", "content_text": "24\n\nF. S. DRAKE\n\nthe property and exemption from taxes of members of religious orders, including the Nestorians, called by the Mongols 'Yeh-li-k'o-wen' 2*\n\nThese and other scattered references to Nestorianism and to Nestorian Christians mentioned in Chinese records of the Yüan dynasty have been collected and published by Dr. Ch'ên Yüan in Yuan Yeh-li-k'o-wen k'ao 29\n\nV. THE CH'ÜAN-CHOU CROSSES\n\n29\n\nThe latest discovery of Nestorian relics in China is a remarkable one and takes us back to Ch'üan-chou once more, the great international port of Ibn Batuta and Chao Ju-kua, the Zayton of Marco Polo and Odoric, with its Buddhist monasteries and Twin Stone Pagodas, its great Mohammedan mosque, and two Franciscan houses, and as we shall now see, its many Nestorian relics.\n\nHere a local scholar, Mr. Wu Wen-liang, became interested in the many fragments of stone with foreign writing and designs that strewed the ground, 'the very pavement stones mingled with inscribed Arab tomb slabs' (Ecke and Demiéville, p.4). For some thirty years, commencing in 1928, Mr. Wu collected these inscribed stones for his private study. During the war, it appears that the city wall of Ch'üan-chou was demolished, and from it many inscribed stones came to light, which added greatly to Mr. Wu's collection. By 1957 the number had reached 160 and included those with Islamic, Nestorian, Manichee, Brahman and other inscriptions. He made rubbings and photographs of these, which he published in that year with explanatory text in Chinese: Ch'üan-chou tsung-chiao shih-k'o (\"Stones from Ch'üan-chou with Religious Inscriptions\").30\n\nIn this book he illustrates twenty-seven stones with Christian inscriptions or designs. Foremost among these are four slabs carved with Christian Crosses, of which two (Nos. 72 and 73) are the very ones illustrated by wood-cuts in Emmanuel Diaz's book on the newly discovered Nestorian Tablet, published in\n\n28 Saeki, op. cit., pp. 418 and 420.\n\n29 Chên Yüan, Shanghai, Commercial Press, 1923. See also Moule, op. cit., and T'oung Pao, Vols. XVII, XVIII, 1916-17: Cordier, 'Le Christianisme en Chine et en Asie sous les Mongous; and Vols. XII, XXI, 1914 and 1934: Pelliot, \"Chrétiens d'Asie Centrale et d'Extrême Orient\".\n\n30 Peking, K'ê-hsüeh ch'u-pan shê, 1957.\n\n30", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204426, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 58, "title": "RAS-1962", "content_text": "49\n\nCHINESE SEALS\n\nA lecture delivered on Monday, 12 June 1961\n\nDr. T. Y. Li, M.D. (H.K.)\n\nA few preliminary remarks on some terminology used in connection with this subject may be of advantage if a brief definition is to be made beforehand,\n\n(1) The term \"seal\" has been used (a) to denote the whole substance and (b) the impression made. It is now proposed that the seal substance be known as “matrix” 印材 and the impression made by the seal as \"seal impression\" 印拓.\n\n(2) \"Intaglio\": This means cutting the desired symbol down below the surface of the material. In this way we have white letter seals 白文,翰文.\n\n(3)\n\n(4)\n\n\"Relief\": This means leaving the device standing up beyond the plane of the surface and cutting away the surrounding blank portion. In this way we have \"red letter seals \" 朱文,陽文.\n\n55\n\nDecoration *. Originally this part was the handle of the seal, but later on it was being made into different decorative articles such as animals, flowers etc. It also includes the cord or string attached to it.\n\n(5) \"Inscription\": This means writings or pictures made on the side or top of the matrix.\n\nTo present a complete study of Chinese seals would take a complete book and it certainly cannot be done in such a short article, because the art of Chinese seal-making embraces Chinese calligraphy, principles of design and composition, classification of seals and the technique of seal engraving. The present article, however, only attempts to present the subject in its historical setting in a simple and concise way so as to serve as an introduction to this subject.\n\nChinese history recorded the terms hsi or and yin 印 in the Chou Dynasty (1122-221 B.C.). It was thought that the\n\n* Dr. Li is a keen student of Chinese art, and has accumulated a large collection of seals and publications on this subject for his own study and relaxation.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204427, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 59, "title": "RAS-1962", "content_text": "50 \n\nT. Y. LI \n\nThe seal originated from jade tablets used by the Emperor and members of his Court in religious rituals. Later, seals were used to seal articles in the same way as we use sealing-wax nowadays. The only difference is that in those days, a ball of clay was used to receive the impression made by a seal. Writings on slips of wood or bamboo were bundled and sealed. Valuables were placed in a sack which was tied by string and again sealed in the same way. Naturally, these seals had to be small. Paper or silk for writing was not in popular use until long after the Han period (206 B.C.-221 A.D.), and it was then that vermilion ink was first used for seals. This practice has continued to the present day. \n\nThe Ancient Seals. \n\nThe so-called ancient seals were discovered at a much later period. They were thought to belong to the Chou Dynasty (1122-221 B.C.), or possibly earlier, but there is a lack of historical evidence to support it. The form of this class of seal is most variable. The size ranges from a fraction of an inch to a few inches square. The shape is mostly square, but many odd and strange shapes are also found. The engraving may be intaglio or relief. Many characters are difficult to decipher. The matrix was of bronze, though a few were of jade. The decorations are simple but elegant. They are the \"platform\" or \"nose\" type with an \"eye\" or \"hole\" provided for a cord to go through it. \n\nSubsequently, in the late Chou or Warring States Period (481-221 B.C.), a type known as Small Seals is found. The size is usually about one inch square. The shape may be oblong, oval, or round. The style of engraving is either intaglio or relief. Many characters are difficult to read because during the Warring States Period, each feudal state developed their own writing, and these were afterwards prohibited by the Emperor of the Chin Dynasty (221-206 B.C.). Hence, they became obsolete. However, their style is delicate, graceful, and well-balanced. They are all made of bronze with simple decoration, as in the ancient seals. \n\nAfter the First Emperor of the Chin Dynasty united the feudal states (221-206 B.C.), China was once more under one Government. Great reforms were carried out in many things, among which was the standardization of Chinese characters. A form known", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204430, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 62, "title": "RAS-1962", "content_text": "CHINESE SEALS\n\n51\n\nas Small Seal was proclaimed by the Government in place of the previous existing irregular characters which were known as Big Seal characters 大篆 or ch'ou wen 籀文,\n\nIt was during the Chin Dynasty that the term sist 鉥 was restricted to mean the Emperor's seal and official or personal seals were known as yin 印. The Chin seals are usually cut in intaglio, with cross or vertical dividing lines and a line at the margin. The size is about 1 inch square and the shape is usually square. The personal seals were more or less of the same style as the later Chou type.\n\nThe Royal Seal was said to be made of jade with eight Chinese characters cut in relief ****, with dragons carved on it as decoration. Official and personal seals were made of bronze with simple decoration.\n\nThe Han Dynasty (206 B.C.-221 A.D.) followed the short-lived Chin (221-206 B.C.). This was the golden age of seal making. During the Han Dynasty, a form of calligraphy was specially proclaimed for seal making. This is a cross between the small seal character of the Chin and the later Li 隸 character. It is regular, simple and upright, most suitable for seal making. The different types of Han seals 印 were most numerous, the chief of which were the official seals, personal seals and miscellaneous seals. The engraving may be in intaglio, relief or both in the same seal. Han seals exist to the present day in abundant numbers and their style is studied and copied up to this moment.\n\nThe decoration on Han seals was more elaborately made in that different ranks of officials possessed seals of different decoration; such as camel, horse, tortoise, tiger, leopard, bear, sheep, rabbit, lizard and etc. Even the colour of the cord signified different ranks. Personal seals might have decorations such as a tortoise or other animals.\n\nAs for the matrix of the seal, records show that Han seals were made from gold, silver, bronze or jade according to the rank of the official. Royal seals were made from jade. Personal seals might be made from precious stone, precious metal, bronze or gilt bronze. Ivory or horn of rhinoceros were also used.\n\nAfter the Han Dynasty, the art of seal making suffered a great set-back during the Sui (600 A.D.), T'ang (618-907 A.D.),", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204431, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 63, "title": "RAS-1962", "content_text": "52 \n\nT. Y. LI \n\nSung (907-1280 A.D.) and Yuan (1280-1368 A.D.) periods. The size of official seals became very big, over three inches square, and the writing became most unconventional. \n\nThe only interesting point during the Sung and Yuan periods is the development of signature seals 私印 and commercial seals 商業印. \n\nThe signature seals of the Sung Dynasty consisted of only one signature, but that of the Yuan Dynasty consisted of a surname with a signature below it; apparently this type of personal seal was very popular during the Yuan period. Occasionally Mongolian characters were found on these seals. At about the same time there was a considerable intercourse on the Chinese North-western border with foreign traders. It is obvious that these people were not well versed in Chinese writing, and even less so in Chinese seal characters. A peculiar type of seal came into existence. Each seal was made with an individual picture design incorporated with Chinese or Mongolian characters. These picture designs were most artistic. I have been able to collect about fifty of these specimens from different books on seals. It is a type of seal which so far has escaped the attention of seal engravers. I believe they were used by illiterate tradesmen who could recognize a picture design better than the different characters. Pure pictorial seals without any writing at all were found even as early as the Chou and Chin periods. These seals had no writing and their pictorial designs are most simple but beautiful. \n\nTwo new developments that took place in the Sung Dynasty (907-1280 A.D.) are worth mentioning. One is the publication of books on seal impressions 印譜, the other is the introduction of porcelain seals, \n\nDuring the Ming Dynasty (1368-1644 A.D.) many scholars became interested in seal carving. They studied the Han seals and ancient calligraphy, and there was a renaissance in the art of seals. The reason for this advancement was caused by a great discovery made by a seal engraver by the name of Wong Mien who lived at the end of Yuan and the beginning of Ming Dynasty. He introduced soft stone to make seals. This method soon became very popular because the texture of soft stone makes cutting very easy. From that time scholars were able to engrave their own seals and the art of seal-making was revolutionized.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204434, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 66, "title": "RAS-1962", "content_text": "CHIN-SHA R.\n\nMEKONG R.\n\nSALWEEN\n\n104\n\nCHIA\n\n708\n\nZI\n\nTANG TZE\n\nYAO\n\n21:20\n\nYAC\n\nSPOL\n\nPAI\n\n...\n\nTA\n\nY\n\nTA/LARVA\n\nYI\n\nVUA TÂY HÀNH TÀI\n\nAN\n\n#\n\n#.\n\nMUL\n\nMIA\n\nTA\n\nMIAO\n\nY:\n\n...\n\nMIAO\n\nMITAC\n\nMIAO\n\nYIMIAO\n\nMIA\n\nHUL KELAQS\n\nPUAY!\n\nMIAO\n\nSHAMMAD Y40\n\nAMA\n\nMIAO\n\nZKK\n\nTUACHIA\n\nTUNG'AQ\n\n...\n\nYAO\n\nTUNG\n\nMIAO\n\nCHUANG\n\nYAO\n\nHUANG\n\nCHUANO\n\nBURMA\n\n**1\n\nWe are Man barbarians and have nothing to do with Chinese titles\". Actually, these \"barbarians\" were proud enough to bear Chinese titles later, but this statement in the Eighth Century B.C. showed what manner of people occupied the Yangtze valley at this date.\n\n1 Friedrich Hirth, The ancient history of China to the end of the Chou dynasty, New York, 1908, 120-123.\n\nBURMA\n\nTHAILAND\n\n\"NAM\n\nSHANGHAI\n\nSHA\n\n971\n\nSHONGKONG\n\nCHINA'S 35 MILLION NON-CHINESE\n\nTAIWAN\n\nISLAND\n\nKAO-3\n\nNYNHVH)\n\n...\n\nI\n\nISLAND\n\nDISTRIBUTION OF NON-HAN ETHNIC GROUPS\n\nIN SOUTH CHINA\n\n500\n\n17\n\nKMS.\n\nK. WIENS\n\n55", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204561, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 42, "title": "RAS-1963", "content_text": "PRINTING IN CHINA\n\n37\n\nin the desert beyond Tun-huang, which Lao Kan subsequently dated around A.D. 98 or a little later. This confirms the date of 105 given for the announcement of the invention to the throne in the biography of Ts'ai Lun in the Hou Han shu. The technical processes included:\n\n(a) the fashioning of seals out of metal, stone, and clay;\n\n(b) the taking of rubbings (or inked squeezes) of inscriptions on bronze and stone.\n\nSeveral bronze seals have been found in Shang sites, and many later ones made of bronze, ivory, horn, stone, pottery, jade, and iron. They were cut both in relief and in intaglio. Known as yin, the seals were generally small; their purpose was a proof of genuineness. (The woodblock, yet to appear, was large and its purpose was reduplication.)\n\nAs to inked rubbings, these make their appearance during the 5th and 6th centuries; by 649 three professionals were appointed to the T'ang court. They were called T'a shu shou. Chinese scholars love to own copies of prized inscriptions; so the making of rubbings became a popular pastime.\n\nBy the year 640, after the T'ang had consolidated the empire, and achieved victories everywhere, except in Korea, China entered upon a period of material prosperity and cultural advance. It is small wonder that in the ensuing century printing should have developed. The demand must have been very great for elementary texts, dictionaries, copies of the canon, histories, Buddhist sutras, almanacs, etc.\n\nOne must mention here the interesting hypothesis of Robert Shafer [Journal of the Oriental Society, v. 80, No. 4 (Oct.-Dec. 1960), pp. 328-329] that the printing block originated in Tibet. This may be true; but was it first used for literature, or for some other purpose, such as textiles? The authors of both the Chiu T'ang shu (196 A/la) and the Hsin T'ang shu (216 A/lb), writing of the early years of the Tang dynasty, state categorically that the Tibetans had no writing. So do the writers of the Tibetan annals, covering the years 650-747, found by Pelliot at Tunhuang. (Cf. the translation of J. Bacot and Ch. Toussaint in Documents de Touen-Houang relatifs à l'histoire du Tibet.)", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 204845, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 148, "title": "RAS-1964", "content_text": "LUN HENG\n\n123\n\nHe still allows, however, of a kind of pre-established harmony between the omens and the human events to which they correspond (but do not respond). In his important chapter 10, he gives several other examples of phenomena which are linked together without any true physical causation. This last theory of one organic world in which all phenomena are rhythmically linked is typically Chinese, common to the Han and Sung philosophers. In fact, many of the ideas thought original to the Sung dynasty are found, some adopted unconsciously and others consciously, in Wang Ch'ung's Lun Heng of the Han. It is a mistake to suggest, as some scholars have done, that Wang Ch'ung was outside the main stream of Chinese thought.\n\nWang Ch'ung is worth reading as a philosopher in his own right. Moreover, his eighty-four essays are amongst the main sources for the more orthodox Han Confucianism; even though he attacks it, we learn as much about it from the Lun Heng as from any other work of the period. Much too is learned about the Taoist religious practices of the time from his chapter 24, in which he pours scorn on their methods to achieve immortality. The Lun Heng is essential reading for the Han intellectual scene.\n\nIt is also an invaluable work for the earlier legends and historical facts. Wang Ch'ung was an iconoclast who did not take even Confucius as infallible. In his Lun Heng, we have a source of independent value for the Chou period as well as for the Han.\n\nTo give a particular example. When Ssu-ma Ch'ien in his Shih-chi (book 47) describes the life of Confucius, he relies very heavily on the Analects, which he quotes extensively. These quotations have a limited value as confirmation of the saying as existing in Ssu-ma Ch'ien's time. But there are almost no passages where the text as transmitted in the Shih-chi differs from that as transmitted in the Analects as such. We can never be sure that later editors of the Shih-chi did not alter minor discrepancies of their text to fit the almost sacred Analects of Confucius. This doubt in the independence of our source is less strong in the case of the Lun Heng. There are slight variants between the quotation in the Lun Heng and the Analects itself. Moreover, several interpretations adopted by Wang Ch'ung are quite different from the orthodox Han interpretation given in the Analects.", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204907, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 15, "title": "RAS-1965", "content_text": "S. G. DAVIS\n\n1897). Laufer also pointed out that the only reference that he could find in Chinese literature to pottery of the Han Dynasty is by Chow Mi in the Kuei Hsin Tsa Shih, Chow Mi lived under the Southern Sung Dynasty in the thirteenth century.\n\nSuch an observation by Laufer is of importance because he was an established authority on Chinese archaeology. As Curator of Anthropology at the Field Museum of Natural History in Chicago he was in China from 1901 to 1904 collecting specimens and making investigations with the Jacob H. Schiff Chinese expedition. He returned again to China in 1910 with the Mrs. T. B. Blackstone expedition. While he collected most of his Chou and Han pottery mainly in Shensi Province he also travelled widely in China and visited Canton and Hong Kong. Thus he would certainly have reported Han pottery if it had been known in the area.\n\nThis relatively recent discovery of neolithic archaeology in China is certainly paralleled here in Hong Kong. The first reference to it that I can find is by Dr. C. M. Heanley in 1928 when he described Hong Kong celts (8). Dr. Heanley, who fortunately is still active and keenly interested in Hong Kong (I received a letter from him recently), lives in Salisbury, Southern Rhodesia. He was head of the Government Vaccine and Bacteriological Department and in his spare time was a devoted amateur geologist. He knew of Laufer's work and in his article on celts referred to Laufer's statement that prehistory stone implements were scarce in China. Heanley suggested that they were only scarce because prospectors did not know how to look for them. He said, \"To find celts in South China select the crests and spurs of granite hills bared of vegetation by rain erosion. Do not look for celts but look for isolated fragments of pottery and water-worn stones. The eyes should be kept ranging well ahead and on either side and little attention given to the ground near the feet.\" Heanley estimated that on granite outcrops in Hong Kong there was an average of about 30 to 40 celts to the square mile within 600 yards of the sea and land reclaimed from the sea.\n\nDr. Heanley's shrewd advice to prospectors has helped considerably in later searches. It is on raised beaches, terraces and hill-spurs that most of our archaeological remains have been\n\nPage 15\n\nPage 16", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 204970, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 78, "title": "RAS-1965", "content_text": "69\n\nPIRACY ON THE CHINA COAST\n\nA. D. BLUE\n\nFor most of recorded history piracy has been a menace to sea-borne trade, and there have been times when it has been difficult to distinguish between pirates and honest or should one say legitimate traders. Nationality has often been the only mark of distinction, as Spanish and English views of Drake, Hawkins, and the like illustrate.\n\nThe Chinese were pioneers in piracy, as in so many other things, and a history of piracy in China would begin many thousands of years ago. The Chinese were probably skilled practitioners of the art before history began to be recorded. The earliest accounts are in the records of the Chou Dynasty in the fourth century B.C., and piracy continued in China long after it had been suppressed in other parts of the world.\n\nWhen the first Europeans arrived in the China Seas in the sixteenth century, many of the pirates on the coast were Japanese. For three centuries after the defeat of Kublai Khan's invasion of Japan in 1281, Japanese pirates mainly from Kyushu were active along the whole coast, from the Liaotung Peninsula in the north to Hainan Island and the Straits of Malacca in the south. The famous Arctic explorer, John Davis, met his death at their hands in 1604. Davis was serving on an East India Company ship which was anchored off the island of Bintang, east of Singapore, when it was attacked by Japanese pirates.\n\nThis was at the end of the Japanese era, which came about as the result of several different factors. One was the establishment of a strong central government in Japan by Iyeyasu, the first of the Tokugawa Shoguns at the beginning of the seventeenth century; and another was the increasing superiority of Chinese over Japanese junks.\n\nThe depredations of these Japanese pirates often extended far inland, and they were accompanied by atrocities reminiscent of the Japanese Rape of Nanking in 1937. Because of this the Ming Emperors banned all intercourse between the two countries, and this afforded the Portuguese the opportunity to act as", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205010, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 118, "title": "RAS-1965", "content_text": "BOOK REVIEWS\n\n109\n\nof Buddhist Tantrism\" with a discussion of the mystic's approach to what is 'experience.' When he treats the concepts of 'reality' and 'spirituality' his reference to S. Freud's 'super-ego' for the Tibetan yid i.e. 'mind,' lacks persuasiveness, but admittedly this is not part of the main argument. Comparisons with Hegel and Kant as well as the Sanskrit sources and their interpretation could not be checked for this review. Apart from referring, among others, to Bertrand Russell and Karl Jaspers, the author seems to agree repeatedly with William S. Haas's The Destiny of the Mind. Taken as a whole, this broadly conceived study is valuable food for thought to the informed philosopher.\n\n\"Three Impressions of Bamian\" by Alastair Lamb is an exciting introduction to the sculptures, caves and wall paintings of this Buddhist monastic cave complex in Afghanistan. The views and pictures of three visitors to Bamian are compared: Charles Masson in 1832, Vincent Eyre in 1842 and Lamb himself in 1958. The picture section comprises altogether thirty-two plates, mostly photographs. The main features of Bamian are the Buddha colossi of 120 and 175 feet in height respectively, the \"giants of Gandhara sculpture.\" Bamian is taken as “a gigantic demonstration of the great extent of contacts between China, India, Iran and the Mediterranean which flourished from the foundation of the Roman Empire to the period of the T'ang Dynasty.\" The various early domes in Bamian cave architecture are treated in some detail and described as \"convincing proof of the strong Western influence in the Buddhist architecture of Afghanistan.\"\n\nThaung Blackmore presents a comprehensive view of the \"Founding of the City of Mandalay by King Mindon\" in 1857. Though some ancient Burmese customs such as myosade, i.e. human sacrifices at the foundation of a city, were given up, the construction of Mandalay was still mainly influenced by traditional concepts, in particular by astrology.\n\nWalter Hochstadter is a very outspoken fighter for the \"Real Shen Chou,\" as he sees him. Under the heading of \"Popular Conceptions of Shen Chou's Style\" he particularly criticizes Professor Osvald Sirén. Hochstadter lists seven points which are useful to establish a major painter's work, the main one being brushwork. He arrives at the conclusion that only two works", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205107, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 63, "title": "RAS-1966", "content_text": "58\n\nHERBERT FRANKE\n\nas if the court historiographers and recorders recognized the importance of the mission. The Western horse, at least, impressed Mongols and Chinese alike. It was, if not one of the Flemish battle horses, certainly much bigger and stronger than the native breed of horses familiar to the Mongols. The court painter Chou Lang was commissioned to paint a portrait of the horse. This painting was still extant in the eighteenth century when the Jesuit Father Gaubil saw it; the Catalog of the Imperial Collections compiled in 1815 lists it. There is no trace of that painting left, but in a time when so many and sometimes stunning discoveries are made in China and Chinese archives we should not give up all hope of tracing this pictorial evidence of Giovanni da Marignolli's embassy. Apart from painting, there are many passages in fourteenth-century Chinese literature where allusion is made to the gift of Western horses to the emperor. Many poets of that time wrote poems praising this kingly gift and extolling the horse which, as one poet says, stood out like a camel among the other horses in the Imperial stables. At least a full dozen writers can be found who considered this horse important enough to be the subject of a poem. Almost invariably, allusion is made to the famous \"Heavenly Horses\" brought to China under the Han Dynasty from the Western Regions by Chang Ch'ien. Then, as under Shun-ti, the gift of a Heavenly Horse was regarded as an auspicious omen for the Imperial house and the emperor in particular. All this is completely in accordance with Chinese tradition. If far-distant countries send tribute, this shows that the Mandate of Heaven truly extends to the end of the inhabited world. One wonders what Giovanni da Marignolli would have thought, being the representative of the Vicar of Christ on earth, if he had known that his embassy served as the subject for a display of Sinocentric sentiment and an exhibition of pro-dynastic loyalty. The lucky omen of the Heavenly Horses turned out to be of not much avail, however. A few decades later, the emperor had to flee to the Mongolian steppes when the Ming troops took Peking. It remains, nevertheless, quite surprising that so many Chinese poets (there is hardly a non-Chinese among them) went to the length of writing hymns of praise of the dynasty when nobody forced them to, and it seems that at least among the literati, there was not yet much anti-dynastic and anti-Mongol feeling. In any case, it is striking how much this incident is treated in literature in a traditional Chinese way.", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205271, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 33, "title": "RAS-1967", "content_text": "26\n\nJEN YU-WEN\n\nout and the local people made facsimiles of the originals and preserved them from generation to generation in order to commemorate the glory of their ancestors. Moreover, in the Dragon Boat Festival (the 5th day of the 5th month) every year since then, they have placed the parasols on the racing boats, called huang-chou1 (Imperial boats). Before the boat race started, the gentry and elders of the villages used to kneel and kow-tow to the royal gifts to pay respect to the Sung Emperor. Sung Hsueh-p'eng says that the custom was perpetuated for many years.10 Less than a month after the landing of the royal party, the Dragon Boat Festival was observed. It can be imagined what a delightful day the boy Emperor Tuan Tsung (Shih) and his small brother Wei Wang (Ping) had in watching the races, along with the Queen Mother and many dignitaries, generals, and ministers, and, of course, the local people who were particularly happy to have such distinguished guests participating in their annual festival.\n\nIV. SUNG WONG TOI (Sung Huang Tai-Man)\n\nThe most important site which furnishes the key to our study of the Kuan-fu Travelling Palace of Southern Sung is a small mound near the seashore, north of Ma-tau-kok. It can be definitely located and is recorded in the Hsin-an Gazetteer, other literature, and maps. Besides, there were three Chinese characters engraved on one of the great rocks there, which many of us have seen with our own eyes.\n\nThe small mound was called Sacred Hill1 (see map). This name was probably given to it by the Hong Kong Government when it took over the territory in 1858, as no Chinese literature recorded such a name, and even Hong Kong people of the older generation, including Sung Hsueh-p'eng, did not know of it. On the top of the mound were two large rocks, one on the northern side, the other on the southern. The characters Sung Wong Toi1 were engraved on the western face of the northern rock in the Yuan Dynasty, long after the royal party departed from Kowloon and after the Mongols conquered the Southern Sung.\n\nThe characters were horizontally inscribed, being uniformly 20 inches in width and respectively 26, 22½, and 27 inches in", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205275, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 37, "title": "RAS-1967", "content_text": "30 \n\nJEN YU-WEN \n\nthat this legend is also ill-founded, because it has been ascertained that there are at least six other Temples of Hou-wang in Kowloon and the nearby island of Lantau. Moreover, there are other Hou-wang Temples in different districts of Kwangtung, and the images worshipped in them are different deified persons. But the decisive counter-proof of Ch'en's theory is found in a book written by Chou Mi, Kuei-hsin tsa-chi hsü-chi (B), 47a in early Yuan which records that in the last battle between the Sungs and Mongols at Ya-men in 1279, Young Liang-chieh perished at sea with the Emperor Ping (successor of Tuan Tsung) and other generals and ministers.14 \n\nAnother story tells how Emperor Tuan Tsung occasionally established his court at Yu-hsien-yen on Pê-ho-shan (Lé iao), northwest of Kowloon Tsai. There was a stone that looked like an armchair. Tuan Tsung used to sit on it as his temporary throne. From that time, the stone got the name “The Royal Armchair Stone\" (Yu-tso chiao-i shih #PERM ̄ ). This is a more reasonable tradition for a historic event although there is also no proof for it. \n\nVI. THE ERH-HUANG-TIEN VILLAGE \n\nThere was yet another historical site called Erh-huang-tien Village (in Cantonese Yi-wong-tin Two Emperors' Palace Village) which was closely related to the royal visit. Amongst the many old villages listed in the Hsin-an Gazetteer was the name Erh-huang-tien but written in the form, meaning Two Huangs' Store. Ch'en Pê-tao was the first scholar to point out that this was a mistake and should be Two Emperors' Palace. (The Cantonese pronunciations of huang for emperor and huang for yellow are the same, and in Mandarin tien for palace and tien for store are the same. The error in the Gazetteer may be ascribed to intentional alteration of the two characters to avoid political trouble in the Yuan dynasty which exterminated the last two emperors of Southern Sung.) This interpretation is acceptable. \n\nA few other writers in modern times in describing the historical sites in Kowloon have likewise confirmed the existence of such a village. It has been generally taken for granted that it was so named because the last two Sung emperors stayed there for some time, or constructed a palace there. Furthermore, the", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205280, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 42, "title": "RAS-1967", "content_text": "The Travelling Palace of Southern Sung\n\n35\n\nits followers to a nearby islet, Ku-ta (†) or Ancient Pagoda, Tung-lung Island.19 In the autumn they proceeded to Ch'ien-wan (*) which is now definitely identified as Tsun-wan (now written) along the western coast of Kowloon. Two months later, the Mongol army, which had been pursuing them along the shore, began to attack. The boy Emperor sailed to Hsiu-shan (ƒ), now known as Hu-men or the Bogue. Continuously under pressure from the Mongols, Tuan Tsung passed by Hsiang-shan District (at present Chung-shan) and reached Tseng-o (#4), south of Macao, where his ship was badly damaged by a typhoon. He himself fell into the sea but was rescued. The terrible shock led him to contract a fatal disease. He was sick on board ship until the spring of 1278, when the whole fleet sailed northward back to the harbour at the mouth of the Pearl River. By that time Canton had been recaptured by some royalists and so they felt safe enough to anchor and encamp at Kang-chou which is identified as Ta-yu-shan or Lantau Island20.\n\nTwo months later he died there. His younger brother Ping succeeded him on the throne and became the last emperor of Sung. He named the new reign Hsiang Hsing (#) and the 1st year began in the next month, still 1278. In the 6th month the new emperor had to sail away with the whole fleet southwestward until they arrived at Ya-Shan of the Hsin-hui District. Finally, in the 2nd month of the next year (spring 1279), they fought the last battle against the Mongol forces commanded by the arch-traitor Chang Hung-fan (K). As a result of the defeat the whole army perished. The boy Emperor with his royal seal was tied to the body of his prime minister, Lu Hsiu-fu, who plunged into the sea, to be followed by thousands of court officials in a mass suicide. When the Queen Mother Young heard of the tragic and heroic death of the Emperor she also drowned herself, thus ending the long reign of 315 years of the Northern and Southern Sung Dynasty.\n\nBefore concluding this talk let me point out that besides the above story there is a deep and important meaning to be derived from our study of the Travelling Palace of Southern Sung in Kowloon. Throughout the Sung Dynasty, China was frequently invaded by neighbouring foreign tribes. Almost every year there was war, not only against the Hsi Hsia (the Tangut), but also, in turn, the Liao (Khitan), the Chin (Nuchen) and the Mongols.", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205283, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 45, "title": "RAS-1967", "content_text": "38 \n\nJEN YU-WEN \n\ncheung Street (###) and west of the new Shing-tak Street (##). The main entrance to the estate is directly west of the junction of Shing-tak Street and Ma-tau-kok Road. These buildings are constructed on the very site of the Two Emperors' Palace Village (No. 8 in the map). \n\n17 Ibid., p. 108. \n\n18 Ch'en Chung-wei, Erh-Wang pen-mo. \n\n19 See my article, \"The Southern Sung Stone-engraving at North Fu-t'ang\" in Journal of the Hong Kong Branch, Royal Asiatic Society, Vol. 5 (1965). \n\n20 There has been a different theory, from the Ming Dynasty down to the present, that Kan-chou (A) is a small island commonly called Nau-chou (4) south of Hua-chou (#1) near Kuang-chou-wan, but I do not agree with this. See Sung Wong Toi, a Commemorative Volume, pp. 175-206, 313f., 323-301 for my lengthy discussion and argument with Jao Tsung-i, the present exponent of this theory. See also Jao, op. cit., chuan 5, pp. 51-83 and Lo Hsiang-lin, ★ R★ Hsiang-kang Ch'ien-tai-shih, Hong Kong, Institute of Chinese Culture, 1959, pp. 92-94. [This book has been translated into English and its title is Hong Kong and Its External Communications Before 1842]. Professor Lo's conclusion agrees with mine. \n\nPage 45\n\nPage 46", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205349, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 111, "title": "RAS-1967", "content_text": "104\n\nA NOTICE OF THE SANON DISTRICT 新安城:\n\nBy the REV. Mr. Krone\n\n(Editor's Note. Beginning with Vol. 5 (1965) the Society made a start with reprinting selected articles from the Transactions of the old China Branch of the Royal Asiatic Society which existed in Hong Kong between 1846-59. The only known complete extant sets of the Transactions in the Colony are the microfilmed sets recently acquired by the Library of the University of Hong Kong and by the Society. The article reprinted below is taken from pp. 71-105 of the sixth and last volume of Transactions, published in Hong Kong in 1859. It is a valuable contemporary account of the north-western part of the San On (Hsin An) district (新安縣) and will be of special interest to readers of this Journal in that it describes something of the history and conditions of life in the area just beyond the present Sino-British frontier in the New Territories. Its re-appearance in print will also provide scholars with the text in a more accessible form than the microfilmed sets which are available here and elsewhere. The author was a missionary of the Rhenish Missionary Society which, according to the account of its history given in The China Mission Hand Book (Shanghai, American Presbyterian Mission Press, 1896) pp. 272-275 came to South China in 1847. From this account, Mr. Krone appears to have come to China about 1850 and worked there for upwards of ten years. He seems to have gone on leave thereafter and died in the Red Sea on his way back to China from Germany. The article is reprinted here exactly as it appears in the original, despite a few obvious errors and inconsistencies).\n\nA NOTICE OF THE SANON DISTRICT 新安城:\n\nRead before the Society, February 24th, 1858\n\nTHE District of Sanon, to which the mainland opposite to the Island of Hongkong belongs, is one of the fourteen districts of the department of Canton. During the Han dynasty, and at the time of the Three States, the present Sanon District, together with those of Túng-kun and Pok-lo, formed only one large district, bearing the name of Pok-lo *.\n\nand Túng-kun\n\nUnder the following dynasties, Sanon ✯✯ constituted one district, which was denominated Túng-kun 東莞 ★, afterwards Po-on, and since the 2d year of the Emperor Chi-tok of the Tong dynasty, Túng-kun ✯ £. 東莞. Hung-mo, the founder of the Ming dynasty (1368-1399 A.D.), found it necessary in the 27th year of his reign to appoint an officer with the title \"Shou-yu-sho\"-Protector of the region, in order to protect the population, which was rapidly increasing, against the bands of robbers and vagabonds which infested the district.", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205362, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 124, "title": "RAS-1967", "content_text": "A NOTICE OF THE SANON DISTRICT\n\n117\n\noften held by a Keu-jin or a Sew-tsai, whilst a Keu-jin very seldom accepted the office of Fan-to.\n\nThe chief officers of a town-ship were generally such as had purchased a low rank, and who frequently had been long in the service of high mandarins. Throughout a long list of these officers, only two Man-chu names appear. During the Ming dynasty, graduates, even Seu-tsai, thought it beneath their dignity to accept this office, as they might fairly hope for higher employment; but at present the sale of places has reached so great a height, that even this low office is not bestowed on them gratuitously; and accordingly we find that, as the most learned are not always the most affluent, many meritorious men are lost in obscurity.\n\nWe must now proceed to cast a glance at the Military Mandarins and their establishments. There are two Ying-pun camps in the district: the one at Nam-tou, the other at Tai-pung. At the former place the force consists of one “Yau-kik”, or Lieutenant-Colonel; one \"Shou-pe\", or Major; two \"Tsing-tsung\", or Lieutenants; four “Pa-tsung”, or Sergeants; and five \"Ngai-wai\", or Corporals. They are in command of 995 soldiers, of whom 20 are cavalry, 293 infantry, and 682 garrison soldiers.\n\nThe pay of the whole establishment amounts to 14,000 taels per annum, with an allowance of 3,650 piculs of grain, and 15,000 bundles of straw, (principally used as fuel.) Extra emoluments are derived from the Imperial rice-fields, which are cultivated by the soldiers. This force is employed in garrisoning the district town and three forts, one of which is in the neighbourhood of Sanon, and the other two occupy the promontories of the bay of Chik-wan. It has also to supply men for twenty-four guard stations. The three forts above mentioned are ordered to have a garrison of twenty men, and to mount six guns each. I have visited these three places, but found neither guns nor soldiers, and the places themselves showed no signs of fortification, save a dilapidated wall.\n\nThe guard stations should be furnished with from two to six soldiers each; they are scattered over the whole western part of the country, and are intended to serve as a check against the frequent highway robberies. I never found one of these stations", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205397, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 159, "title": "RAS-1967", "content_text": "152\n\nNOTES AND QUERIES\n\nA CANNON FROM THE END OF THE MING PERIOD\n\nYour Honorary Editor has suggested that I write a short piece about the cannon recently found near the Sino-British frontier about twenty miles from Kowloon. I do so with some hesitation, as I have not seen the piece and it has probably already received some attention, including a translation of the inscription. Nonetheless here is my rendering of the latter:\n\n\"Weight: 300 catties.\n\nConstructed on the 26th September 1650 by the following: Wu, Superintendent of Inland Seas, Chief Military Commissioner, installed (?) as Ting-hai General,\n\nTu, Governor General of Kwangtung and Kwangsi, by imperial order.\n\nFan, Regional Commander of Kwangtung and guardian of the imperial heir (?),\n\nHsiao Li-jen, Local Commander of military operations, Su, Chief of bureau (?), Chief of military commission.”2\n\nIt is of some interest to note that the names of Tu, Fan, and Hsiao Li-jen appear also on the inscription of the cannon dated June/July 1650, found in Kowloon Bay in 1956.3 So far I have not been able to identify any of these individuals, especially since four of the five are listed by their hsing only. Doubtless they would all have owed their appointments to one or other of the Ming princes who were trying to uphold the authority of the tottering dynasty. One of these was Chu I-hai (Prince of Lu), then with headquarters at Chusan, captured by the Manchus on October 15, 1651. Another and more likely one was Chu Yu-lang (Prince of Kuei) who at this date held his court on boats at Wu-chou. Canton, after a siege of eight months, was taken by the Ch'ing forces on November 20, 1650.\n\nThese, as may be imagined, were parlous days for the house of Ming. Not alone for the surviving members of the imperial family, but also for the local population and the foreigners in their midst.4 One may surmise that the casting of cannon in the summer and early autumn of 1650 was a singularly difficult and hazardous one. But cannon and their casting were well known to the Chinese in this and earlier times.", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205580, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 122, "title": "RAS-1968", "content_text": "SUN YAT-SEN AND CHINESE HISTORY\n\n117\n\nequal it.\"20 However this might be, Sun also conceded that it had not been implemented. Sun noted too that in the halcyon days of the Chou dynasty, which he saw as the period of maturity or the Golden Age of Chinese civilization, \"the political, economic, and educational systems, literature and the arts, attained in China the same development roughly, as they have today in the modern Western countries.\"21 This period \"of great and unlimited liberty,\" was succeeded by 2,000 years of decline. But because of reforms during the Golden Age, China's despotism was reduced sufficiently so that it was never as severe as it was in the West, or so Sun claimed.22 Whatever pride or identity serving purposes such remarks may have had, they were also among those which made for Sun more practical points as well. Such a view of history served to illustrate Sun's philosophical dictum that knowledge was difficult and action easy. Thus China's historical decline had been caused by too much intellectual reflection in the centuries following the Golden Age. Therefore, it was a revolutionary call to the Chinese people for more practical action, a necessary revolutionary ingredient which was Sun's main purpose and concern.23 Such a view of history was also designed to support the not entirely unreasonable contention that China need not seek to borrow all of its modern political forms from the West, because China had certain distinctive needs for which suitable political forms should be created.24 Whether or not the political forms Sun went on to suggest were suitable or not is something else. The point here is that the nationalistic implications of Sun's use of history were strongly action-orientated, designed to mobilize people behind his revolutionary program. The identity-serving side is there, but it is a blurred image of China's past. While containing elements of the traditional self-image, it represents as many pragmatically-necessitated departures from it, and a number of misunderstandings of it as well.\n\nIn summary then, while it is certainly legitimate to presume the influence of nationalism on Sun Yat-sen's use of history, it is a factor requiring careful qualification. Nationalistic influences there were, but there are also problems of Sun's personal identity and his shifting appreciation of the meaning of nationalism. Beyond this was his tendency to use history as seemed required or desirable for what he considered practical political programming. Finally, and most fundamental of all, was a basic lack of interest in his-", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205731, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 37, "title": "RAS-1969", "content_text": "31\n\nMILITIA, MARKET AND LINEAGE:\n\nCHINESE RESISTANCE TO THE OCCUPATION OF HONG KONG'S NEW TERRITORIES IN 18991\n\nR. G. GROVES*\n\nIntroduction\n\nViolence, or the very real possibility of violence, was endemic in southeastern China during the nineteenth century. The provinces of Kwangsi, Kwangtung, and Fukien were notorious to imperial official and foreign observer alike for their varieties of armed conflict. Brine, a British naval officer with contemporary experience of the coastal provinces, described the mid-nineteenth century situation as follows: \"the whole history of the period is little else than a continual series of local insurrections, bursting out in all directions. The coast was infested with pirates, who not only caused great injury to the coasting trade, but frequently landed and sacked the villages lying adjacent to the sea. In the two Kwang provinces armed bodies of men moved from town to town, and committed large robberies in open day... the Pekin Gazettes were full of reports from the provincial governors acquainting the emperor with the disorganized state of the country, and complaining of the inadequacy of their troops to quell the interminable revolts.\" To this catalogue of ills may be added the Opium and Arrow Wars, inter-lineage and clan warfare, ethnic conflict, and major and minor rebellions.\n\nThe prevalence of violence was by no means new. Writing of the Hsin-an District of Kwangtung Province, just over a century ago, the German missionary Krone noted: \"Hung-mo the founder of the Ming dynasty (1368-1399 A.D.), found it necessary... to appoint an officer with the title ‘Shou-yu-sho'... Protector of the region, in order to protect the population, which was rapidly increasing, against the bands of robbers and vagabonds which infested the district.\"3 More recently Professor Maurice Freedman, surveying a mass of evidence and arguing that organized violence\n\n* Mr. Groves is a Lecturer in Sociology at the University of East Anglia. He conducted field research in the New Territories between 1963-65. His article \"The Origins of Two Market Towns in the New Territories\" appeared in Aspects of Social Organization in the New Territories (ed. M. Topley) published by the Hong Kong Branch, R.A.S. in 1965.", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 206088, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 168, "title": "RAS-1970", "content_text": "HONG KONG BEFORE THE BRITISH\n\n163\n\nTung Kun district, Heung Shan, and Kwangsi. Two brothers of the eldest branch remained in Tung Kun, of their cousins one received lands in P'ing Shan next to Kam T'in and another Tang Yuan Liang succeeded to Kam T'in and to a place called Lung Yeuk T'au in our region, besides lands at Tung Kun,\n\nThis Tang Yuan Liang led the spacious life that might be expected of a man of widely extended property. He is buried in Tung Kun, but his family lived in Kam T'in and he himself was appointed an official in Kiangsi, near to the original home of his ancestors. His power over all this area was the greater because the Sung dynasty during his time was hard pressed by the Tartars. Tang Yuan Liang had established a kind of outpost in Kiangsi behind which he and his family governed a more or less independent region, officially loyal to the Sung dynasty, but in reality ready to take advantage of its misfortunes.\n\nIn 1127 the Emperor's family was captured, but one daughter of the royal house escaped as far as Tang Yuan Liang's outposts, where she was taken charge of and sent half captive half refugee to Kam T'in where she married Yuan Liang's son. When the Tartars were driven back, her father became the Emperor Kao Tsung of Sung. He recognised the marriage, received the princess and her husband Tssŭ Ming at the capital, and gave him an official title. The family received a large dowry, tax collecting rights and the monopoly of the ferries in Tung Kun district.\n\nThe four main centres of the Tang clan at present are Kam T'in, Ping Shan, Lung Yeuk T'au and Ha Tsün. We have already mentioned that one of the \"five Yuans\" received lands in P'ing Shan. The present Tangs of P'ing Shan are descended from him and are therefore probably the eldest branch in direct descent. The settlement at Lung Yeuk Tau also dates from one of the “five Yuans\", that of Ha Tsün appears to be much later though directly descended from the great grandson of Tssŭ Ming and the princess, a man called Shou Tsu who lived in the Yuan dynasty and appears to have been the first of the Tangs to settle permanently at Kam T'in, instead of in Tung Kun district where his ancestors had lived. These four centres can be seen on the attached map (See T'ien Hsia, Vol. XI, No. 4).*\n\nIt will be noticed that they contain many adjacent walled villages due chiefly to the fact that their houses\n\n*Plate 16 at end of this volume.", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206094, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 174, "title": "RAS-1970", "content_text": "HONG KONG BEFORE THE BRITISH\n\n169\n\nwhich had belonged to the last Emperor and in it the seal of the dynasty which was brought back as a token of the complete extinction of Sung. At Ch'ek Wan on the peninsula called Nam Shan just north-cast of our region there is a tomb which purports to be that of Ti Ping. It bears the inscription \"Grave of the Little Emperor Hsing Hsing24 of Sung\" and it is tended by a family named Chiu which was the surname of the Sung emperors. There are graves of both Tuan Tsung and Ti Ping in other places along the coast of Kwangtung province and it is not certain that this one is genuine. Most likely it was a \"garment grave\" containing some relic of the Emperor and made to deceive his enemies as to his real burial place.\n\nMany Chinese families in the district claim to be descended either from royal blood or from ministers and soldiers of Sung. These claims may be unsubstantiated individually but the fact that they are made in the mass points to a tradition that much of the Sung army settled in South China after their defeat. It may be asked whether the Tang family helped the Emperors whose kins-men they were. Tang Shou Tsu who lived about this time was a minor officer in the Yuan armies and probably fought against Sung. The Tang family nevertheless lost its paramount influence in Tung Kun district after these events, and this may be the reason why members of the elder branch settled more permanently at Kam Tin and in other parts of the region.\n\nVIII. T'UN MUN AND THE PORTUGUESE\n\nMention has been made in a previous section of the prevalence of pirates in the South China Seas in early times. The earliest record of any piratical action within the region is as early as the 10th century when a pirate named Wu Ling Kuang attacked T'un Mun but was defeated. A later event was a revolt of the population of Lantau Island in 1278 when the Yuan government attempted to enforce a monopoly of the salt production and arrested the private salt makers. It is recorded that soldiers tried to land on the island but were prevented by means of wooden stakes placed along the coast, and that the Tanka inhabitants then sailed up the estuary and attacked Canton. The civil population fled, but the sailors defending Canton, by using incendiary arrows\n\n24 The reign title of Ti Ping.", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206471, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 19, "title": "RAS-1972", "content_text": "CHINESE MEDICINE\n\n13\n\nof centuries, and which represents the observations and experiences of many bright minds.\n\nThe most glorious epoch in Chinese medical history was the Han (漢) dynasty, 206 B.C.-264 A.D. This is sometimes referred to as the Age of Science in Chinese medical history. Great stress was laid on direct observation during this period. It was in this period that we had the greatest medical Trio in Chinese history, namely Tsang Kung (倉公), Chang Chung-ching (張仲景), the Hippocrates of China, and Hua To (華佗).\n\nTsang Kung was the first medical man in China to introduce clinical case taking.\n\nChang Chung-ching is well-known for his Essay on Typhoid (傷寒論) which is regarded as a classic in Chinese medicine. It was he who advocated the use of enema, and also hydrotherapy, for treating fever. He contributed much to the medical world, especially in his own period.\n\nHua To was the most celebrated surgeon in the Three Kingdoms period (221-264 A.D.). It is usual to associate anaesthetics with him. According to the Later Han Annals (後漢書), Hua To caused the patient to take an effervescing powder in wine which rendered him completely unconscious. He then opened the abdomen, washed and cut the diseased portion. He sutured the parts together and applied a salve to the wound which cleared up in four or five days, the patient completely recovering within a month. The surgical skill of Hua To is highly commended by all Chinese medical men.\n\nDuring the Tsin (晉) dynasty (265-419 A.D.) two noteworthy features were the Classic on Pulse (脈經) by Wang Shuo-ho (王叔和) and the first authentic description of small-pox in the publication of Chou Hou Pei Chi Fang (肘後備急方) or Handbook of Prescriptions for Emergencies by Ko Hung (葛洪).\n\nAs is probably known, the most characteristic and typical Chinese method of diagnosing diseases is the feeling of the pulse. Space does not permit a long account of this art. Suffice it to say the native doctor, having no other means, either instrumental, chemical or biological at his disposal, has developed the sense of touch to such a degree as to be able to tell what is wrong from the pulse better than the modern doctor whose faculties of observation have been dulled for want of practice.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206475, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 23, "title": "RAS-1972", "content_text": "CHINESE MEDICINE\n\n17\n\nEuropean notice in the last century through the publications of the Jesuit fathers.\n\nPreventive medicine was only stressed in recent years by scientific medical men, but in China the idea that \"Prevention is better than cure\" has been advocated long ago. I quote the following passages from different writers in support:\n\nIn the Su Wen (†), The Basis of Chinese Medicine, supposed to be edited by Emperor Huang Ti (†), it is said: “The sage does not treat those who are ill but those who are well.\" Huai Nan-tzu (††) said: \"The good doctor pays constant attention to keeping people well so that there will be no sickness.” In the Difficult Classic (##) (Nan Ching), it is said: \"The skilful doctor treats those who are well but the inferior doctor treats those who are ill.\" In the Nei Ching (#) Canon of Medicine, it is said: \"The good physician first cures the disease of the nation, then human ailments.\"\n\nHygiene and Public Health were also in an advanced state during the Chou (B) dynasty. The writings of Confucius (R), Huai Nan-tzu (†), Kuan Chung (4) and others contain numerous references to them. Thus, as regards food and drink, Confucius advised one to abstain from rice which had been injured by heat, moisture and turned sour; fish and meat that was stale; what was discoloured; what was of bad flavour; anything that was not in season, etc. The relation between contaminated food and disease was recognized. The Confucian Analects (3) said: “Diseases enter by the mouth.\" \"Eat nothing that is improperly cooked.\" \"Meat and wine bought from the street stands must not be taken.”\n\nMany of the so-called \"new\" methods can be traced back to China. Take for instance Fletcherism; that is, thorough mastication of food. It was first advocated by an American, named Fletcher; hence the term. Mr. Gladstone, the Grand Old Man of England, who lived to be 85, was so convinced of its benefits that he chewed every mouthful of food 36 times before swallowing it. Strange to say, Ho Yang-heng long ago described: \"Rice (i.e. food) should be chewed into pulp before swallowing. It nourishes the heart and abdomen. It tastes better and is more nutritious.\n\nAgain, health advocators teach that the teeth should be brushed twice a day. It is interesting to note that Sun Szu-mo (R) of", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206476, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 24, "title": "RAS-1972", "content_text": "18\n\nDR. F. I. TSEUNG\n\nthe 7th century taught that the mouth should be cleansed with water several times after each meal so as to preserve the teeth.\n\nSir James Cantlie, teacher of Dr. Sun Yat-sen, once speaking before a medical congress in England said that the Chinese knew a great deal of fundamental hygiene. As illustrations, he mentioned the light, loose and comfortable Chinese dress, and the habit of drinking tea. This general adoption of tea as a beverage is a distinct step of progress. It saves people from many intestinal diseases caused by contaminated water such as typhoid, dysentery, cholera and diarrhoea, etc. The present day habit of taking cold drinks and ice creams is a common source of infection for these diseases. It seems that the ancients were wiser, in this respect, than we moderns. Now, a few words about Chinese medical education and administration in the early days.\n\nState medical examinations may be said to date from as early as the 10th century B.C. The Chou Rituals () state that at the end of the year the work of the doctors was examined and the salary of each fixed according to the results shown. If the statistics showed that out of ten patients treated, all got well, the results may be regarded as very satisfactory. If, however, one out of ten died, the results may be regarded as good; if two out of ten died, only fair; if three out of ten died, poor; and if four out of ten died, bad.\n\nRegular medical schools were organized in the Sung dynasty, about the 10th century, first in the capital and later in other parts of the country. In 1076 A.D. an Imperial Medical College was founded. At first it was put under the Tai Shang Szu (✯✯✦) (Imperial Court of Sacrificial Worship) but later transferred to the Kuo Tzu Chien (F) (Directorate of Education). Three hundred students were enrolled, with a staff of medical officers to teach them the three branches of medicine; namely, medicine, surgery and acupuncture. After examination, the candidates were classified into grades. The best ones were given official appointments or ordered to compile and write medical books, or engaged as teachers. The second grade ones were given a licence to practise. Those who were not satisfactory were required to study again; while those who failed were ordered to change their profession.\n\nOfficers and other medical staff were appointed to the prefectures and districts, the number depending on the size and importance of the places. These positions were often filled by men selected by...", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206535, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 83, "title": "RAS-1972", "content_text": "SIR JAMES HALDANE STEWART LOCKHART\n\n77\n\nLastly, reference should be made to Lockhart's great interest in Chinese painting. He built up during the forty years he spent in Hong Kong and China a notable collection of Chinese paintings dating from the Sung Dynasty (960-1279) down to the closing years of the Empire, including one by the Empress Dowager Tz'u-hsi herself. Lockhart's collection was exhibited in June 1928 at the Betty Joel Galleries, Knightsbridge, and created wide interest. In January 1972 a painting by Yün Shou-p'ing (1633-1690), one of the six masters of the early Ch'ing Dynasty, was presented to the University of Hong Kong by Lockhart's daughter, Mrs. Mary Stewart Lockhart, 'in memory of her father and as a perpetual token of her father's admiration and affection for the Chinese of Hong Kong.'65 The remainder of Lockhart's collection of Chinese coins, paintings, and papers have been given to George Watson's College.\n\nLAST YEARS\n\nLockhart returned to England in 1921 and settled down with his family in South Kensington, London. He returned with undiminished vigour, his interest in China and in things Chinese as acute as ever, and he continued to keep in touch with his Chinese and European friends in Asia. Jean Gittins, Sir Robert Ho Tung's daughter, tells us in her autobiography66 that when the Lockharts heard she was contemplating staying in England, they at once suggested she should live with them and that Lockhart should act as her guardian. Lockhart became a regular attendant at the Council meetings of the Royal Asiatic Society — he was in fact one of its oldest members (nominated in 1879) and of its vigorous North China Branch (nominated in 1885) — and he contributed a number of book reviews to its Journal. He frequently presided at the ordinary meetings and lectures given under the Society's auspices and in 1928 became its honorary Secretary and also the Society's nominee on the Governing Body of the School of Oriental Studies at London University. He held both these honorary appointments until 1935, when failing health forced him to resign from both. He died on February 26, 1937, aged 79, at his home. The Times obituary was headed appropriately: 'Forty years in China', and it spoke of him as 'a colonial official who had served with distinction for more than 40 years in the Far East.'67 The obituary in the Journal of the Royal Asiatic Society said: 'most of his contemporaries in Hong Kong have passed away or have left the Colony, but there are still", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206619, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 167, "title": "RAS-1972", "content_text": "ARCHAEOLOGY IN HONG KONG AND SOUTH CHINA (1938)\n\nW. SCHOFIELD*\n\nOf all the ancient and famous seats of early civilisation, China is the one where the smallest amount of scientific investigation has hitherto been done. Years of excavation and research have revealed to us many of the details of the life and history of Ancient Egypt, Babylon, Assyria, Palestine, Minoan Crete, the Hittite confederacy, and prehistoric India; but of China all that was known came partly from the chance finds of curio-hunters, about which their finders carefully suppressed all information of scientific value such as provenance, depth of burial, and context of other finds; and partly from the literature of the Chou and Han dynasties, which, valuable as it is, is a distorting medium for historians.\n\nIn the last ten years, however, scientific investigation has been started. The Chinese National Research Institute has excavated several important dwelling sites in North China, including that of the capital of the Shang dynasty. Several distinguished foreign scholars, mostly Swedes, have conducted explorations and excavations in the service of the National Government, and various provincial societies of scholars and archaeologists have worked in their own areas. A few years ago the Research Institute discovered and excavated untouched graves of the great Shang civilisation; the report on their work is eagerly awaited.\n\nAll this activity, however, relates to the area of North China traditionally known as the centre of ancient Chinese civilisation. From China south of the Yangtse and especially from its coast provinces, hardly any object had been known to come that was\n\n* Mr. Schofield (1888-1968) was a Cadet Officer in the Hong Kong Civil Service 1911-1938. Previous contributions will be found in the 1968 and 1969 Journals, (Vols 8 and 9).\n\nThe first of these, Ch'eng-tsu-yai (*‡A), a Report of Excavations of the Proto-historic Site at Cheng-tzu-yai, Li-ch'eng Hsien, Shantung was published as Archaeologia Sinica Number One by Academica Sinica Nanking 1934. A translation into English by K. Starr has been published by the Yale University Press, Yale Publications in Anthropology, No. $2, under the title Ch'eng-tzu-yai: The Black Pottery Culture Site at Lung-shan-chen.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206628, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 176, "title": "RAS-1972", "content_text": "170\n\nKEITH STEVENS\n\ncombination of an historical hero, with considerable legend surrounding him, and a mythical being who is very popular in Chinese folklore; thus creating a complicated and fabulous story. The second, Fa Chu Kung, was in all probability a historical being, the actuality of his origins lost in time, who now appears as a legendary being. The third, Cheng Ho, is a comparatively recent and well-documented historical being, deified by popular appeal, with little myth or legend added to his story.\n\nTwo of the three are popular Taoist spirits or gods (†‡) and believed to be beneficent whereas the third, T'ai Sui, is a feared Taoist god.\n\nThe detail of the development of each cult, the recognition features of each deity, the frequency of sightings and the identities of other deities co-located with the main deity described below are based on sightings and conversations in some two and a half thousand temples, and six god-carvers' shops located in Hong Kong and Macau, Taiwan, the Philippines and in most parts of South East Asia; and also from notes culled from many books, mostly written by Christian missionaries who so often vented their spleen on the subject of heathen idols.\n\nOne final prefatory note is necessary at this point, a short description of a novel which is one of the main sources of myth and legend about the gods.\n\nThe novel, the Feng Shen Yen I (#Ħ✯A), The Deification of the Gods*, written in about the fifteenth century about the supernatural, describes the historical struggle between the last king of the Shang Dynasty, King Chou (*†£) and the victor, the first king of the subsequent Chou Dynasty, King Wu (1). The capital of the Shang Dynasty was the ancient city of Anyang, where King Chou, infamous for his tyranny, cruelty and excesses is said to have reigned for thirty-three years, 1154-1121 B.C. King Chou was destroyed with the Shang Dynasty in the flames of his palace at the Deer Terrace after a crushing defeat by a rebellious army under Hsi P'o (‡) on the banks of the Yellow River. Hsi P'o founded the Chou Dynasty and is remembered as King Wu (1). This defeat of the Shang and the inception of the Chou is variously\n\n* See (in translation) Lu Hsun, A Brief History of Chinese Fiction, Peking, Foreign Languages Press, 1959, pp. 220-224, where the title is rendered Canonization of the Gods.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206630, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 178, "title": "RAS-1972", "content_text": "172\n\nKEITH STEVENS\n\nT'ai sui is worshipped to avert calamities and appears on altars individually; although in Cantonese, Shanghainese and possibly in other areas, he is usually to be seen in groups of sixty images, often each with the dates for which they are responsible marked on their base or above their heads. In some areas of China he is said to be also a Member of the Ministry of Thunder, which is the premier Celestial Ministry in the spirit world. No Cantonese devotee of T'ai Sui with whom this has been discussed appears to have heard of Yin Ch'iao; whereas Fukienese and Chinese of the Yangtse will know him as Marshal Yin rather than T'ai Sui. In some eastern and south-eastern parts of China T'ai Sui was referred to as the God of Spring.\n\nT'ai Sui was listed in Ch'ing Dynasty regulations in the seventeenth century A.D. to receive official worship as a second-rank deity.\n\nThe words T'ai Sui mean the \"Great Year\", the Jupiter Year, the twelve-year sidereal period which the planet takes to travel around the sun. This figure of 12 is extended to include the 12 hours (each of 120 minutes) of the Chinese day, the twelve months of the year, and the 12 constellations of the zodiac which are believed in North China to be all ruled over by this key star, Jupiter.\n\nConfusing though it may seem, the actual Ministry of Time is itself called T'ai Sui. Depending upon which part of China you are in, it consists of either sixty or one hundred and twenty officials who rule the hours, days and months.\n\nThe Story of Yin Ch'iao\n\nGeneral Yin Ch'iao was the eldest son of the evil King Chou of Shang. He is depicted in the Deification of the Gods as both a good human and an evil, very ugly deity with a face as blue as indigo, and with long protruding fangs. He is also referred to in another famous novel of the same era, the Hsi Yu Chi (The Travels to the West) as blue-faced with ugly protruding teeth. T'ai Sui, according to the Feng Shen Yen I (The Deification of the Gods) was\n\n1 In order to calculate a person's horoscope by the traditional Chinese method, the two characters for the hour, day, month and year on which he was born and which govern his fate forever, are required. These four pairs of eight characters comprise one from each of two sets: one set of 12 called Branches, the other of 10 called Stems. These combinations of characters produce a cycle of 60, the cycle of Cathay, which are 120 binomial terms.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206655, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 203, "title": "RAS-1972", "content_text": "NOTES AND QUERIES\n\n197\n\nand his three small survey ships have given their names respectively to Sulphur Channel, Starling Inlet and Plover Cove.\n\nJ. R. JONES.\n\nCHINA'S EARLIEST PRINTING A NOTE\n\nLLL\n\nIn Volume 7 (1967) of this Journal I published a brief note entitled \"Printing, a new discovery.\" This told of a find in a stone stupa, standing in the courtyard of a temple called Pulguk-sa, in Korea, erected in 751, of a printed Buddhist sutra. The find was hailed by the Korean archaeologists as perhaps the oldest example of printing known, although the exact date of the printing still remains a mystery.\n\nRecently I have learned that the Chinese discovered another piece of printing as far back as 1944. (Somehow, perhaps because of the war, news of this had escaped my attention.) Known in Chinese as T'o-lo-ni ching chou (dharani sutra charm), it was unearthed in a T'ang dynasty grave site in Chengtu, Szechwan, inside the silver bracelet of a young woman. As Professor Max Loehr has written, it \"is a charm printed on a single sheet showing a six-armed Bodhisattva figure in the center of concentrically laid out Sanscrit words written in Lantsa letters.\" This is surprising, but not unreasonable. In the last half of the Tang, Chengtu happens to have developed into perhaps the chief center of printing, and, as everyone knows, by the middle of the eighth century Chinese civilization had reached one of its heights. It was the age of Li Po and Tu Fu, Wu Tao-hsüan and Wang Wei, and Buddhism was at the summit of its influence. With the demand for reduplication in every circle - Confucian, Buddhist, and Taoist - and with all the tools and techniques at hand, the printing of a highly popular charm seems natural. So it came about that there have come to light charms, printed within a few years of each other, in Korea (751?), China (757), and Japan (764-770).\n\nBibliography:\n\nChung-kuo pan-k'o lü-lu, compiled by the Peking Library (Peking 1961), pl. 1, text Vol. I, p. 7;", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206805, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 82, "title": "RAS-1973", "content_text": "76\n\nHELGA WERLE\n\nThe hands are made of wire (Plate VII) which facilitates the fastening of the sticks or arms, but their appearance is ugly.\n\nThe sticks have the length of chopsticks. Made of iron, they form a small ring at one end and have a wooden handle on the other, to prevent the sticks from slipping out of the hands. The third stick is thicker and is hooked into a hole at the puppet's back from below. The puppeteers tell that in Ch'aochow some puppets were considered so precious that they were handled with sticks made of pure gold.\n\nNeither the waist nor the stick is movable.\n\nThe Historical Background in Ch'aochow\n\nAlthough well proportioned and even beautiful, this puppet has many technical disadvantages compared to the Cantonese rod-puppet or the Fukienese string or glove-puppet. The reason for this incongruousness can be found in the dominance of Ch'aochow's ancient leather shadow-puppet tradition, which was definitely well established in the Ming dynasty in that area. One can assume that it existed earlier but any proof is lacking so far.\n\nIn Ch'aochow these shadow-puppets were cut out of cowhide (which is very rough when compared to the donkey-hide used in North China or Szechuan) which was coloured. They have two-jointed arms and legs and are handled with three sticks attached to the hands and the back of the two-dimensional puppet. The author has seen such Min-nan shadow-puppets in Taiwan, and some old Ch'aochowese confirmed that the Ch'aochow ones had exactly these features. By the end of the last century, supposedly under the strong influence of the extraordinary perfection of the string and glove puppets of Ch'uan-chou, Fukien, a new type of puppet evolved, a hybrid with the beauty of a Ch'uan-chou puppet, but handicapped in movement by the technique of a two-dimensional puppet. The name paper-shadow-theatre chih-ying-hsi was also applied to the new puppet. These two kinds of puppets existed side by side for one generation, and according to witnesses the leather shadow-puppets disappeared in the 1920s.\n\nIt is yet possible to receive first-hand accounts of the time when puppets were much used. An educated elderly Ch'aochow gentleman, Mr. Su related that in his childhood, at the beginning of the Republic, there were still 3 different kinds of puppets: shadow, horizontal stick-puppets and a third kind which he describes as...", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206808, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 85, "title": "RAS-1973", "content_text": "SWATOW HORIZONTAL STICK PUPPETS\n\n79\n\nthe Pear-Garden Opera School, the Ch'aochow actors and puppe-teers have backstage a tablet or image of Feng-huo-yuan T’ien-yuan-shuai. Feng, the First Heavenly Commander. His biography can be found on page 125 of E.T.C. Werner, A Dictionary of Chinese Mythology, and reads as follows: \"Tien Hung-i, his real name, was the second of three brothers, Hsun-liu and Chih-piao who, during the K'ai-yuan Period (AD 713-742) of the T'ang Dynasty became famous court musicians....\n\n\"They were such skilled players that even clouds stopped to listen to them, and the la-mei hua (very fragrant flowers which open only in the coldest part of the winter) blossomed. The Emperor having fallen ill, saw them in a dream playing the mandolin and violin, and was promptly restored to health. As a reward he bestowed on them the title of Marquis.\n\nA ravaging epidemic having broken out, the Grand Master of the Taoists sought the musicians' aid. T'ien Yuan-shuai had a large shen-chou, spirit-boat, built, and called together a million spirits, whom he instructed to beat drums placed on it, whereupon all the demons came out of the city to listen to the music, and were seized and expelled by the musician and the Taoist Grand Master. This is said to be the origin of the dragon-boats to be seen everywhere in China on the fifteenth day of the first moon,\n\nChang Ta-shih having recognised his great ability and power, memorialized the Emperor, who canonized the three brothers as Marquises, and all the members of their family and near relatives were given posthumous titles.\"\n\nThis account indicates clearly the Feng was chosen as a patron: namely for the beauty of his music and its magical power of exorcising the evil spirits. It shows a very basic approach to music and brings to mind the many opera and puppet-performances which are staged by the Ch'aochowese at all festivals and ceremonies that deal with ghosts of which the main one is the Ta-chiu in the 7th lunar month. As a contrast it is interesting to know that the Peking opera actors have chosen T'ang Ming Huang, who already in his life time was a patron of opera as a sophisticated entertainment of the court.\n\nAnother interesting characteristic of Ch'aochow puppets (though not unique to them) is the ceremonies required to cleanse the theatre stage. Besides the veneration of the patron saint the ceremony of", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206816, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 93, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n87\n\nsame tradition. For instance, Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao of 1682 (60 chüan altogether; 30 for painting and 30 for calligraphy); Ku Fu's P'ing-sheng chuang-kuan of 1692 (10 chüan altogether; 5 for painting and 5 for calligraphy); Wu Shêng's Ta-kuan-lu of 1712 (20 chüan altogether; for painting and calligraphy, 10 chüan each); An Ch'i's Mo-yüan hui-kuan of 1742 (There are mainly 2 chüan; one for painting and the other, calligraphy. However, near the end of this work there appears an additional chüan with simplified descriptions of painting); and finally, Ku Wên-pin's Kuo-yün-lou shu-hua-lu of 1882 (6 chüan for painting and 4 for calligraphy). All these important works on the history of either painting or calligraphy were edited by separating records of painting and calligraphy into two different sections.\n\nOn the other hand, speaking in general, works in which records of painting and calligraphy were put together as a combined chronicle were far fewer. From the earlier period, only Huang Po-ssu's Tung-kuan-yu-lun (2 chüan, edited in 1147 by the author's son, Huang Nai) and Chou Mi's Yün-yen kuo-yen-lu (4 chüan, edited probably around 1291) may be regarded as representative works in this line during the Sung and the Yüan.\n\nHowever, during the Ming and the Ch'ing periods, works in this line were innumerable. During the Ming period the most important were: Chu Ts'un-li's (1444-1513) San-hu-mu-nan (8 chüan); Tu Mu's (1458-1525) Yü-i-pien (only 1 chüan); Wên Chia's (1501-1583) Ch'in-shan-r'ang shu-hua-chi (1 chüan, edited in 1565); Chu Chih-ch'ih's Ao-an shu-hua-mu (1 chüan); Sun Feng's Shu-hua-ch'ao (1 chüan); Chen Chi-ju's (1558-1639) Ni-ku-lu (4 chüan); Tung Ch'i-ch'ang's (1555-1636) Hua-chan-shih sui-pi (4 chüan); and Li Jih-hua's (1565-1635) Wei-sui-hsüan jih-chi (compiled in 1616). In all these works, the records of painting and calligraphy of various dynasties were combined, forming one chronicle.\n\nThis type of books became even more numerous during the Ch'ing dynasty. Those completed in early Ch'ing were Sun Chêng-che's (1592-1676) Kêng-tzŭ hsiao-hsia-chi (8", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206830, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 107, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n101\n\nphies listed in the table of contents can be located in the text of their corresponding chüan. According to the table of contents in this catalogue, chüan 5 should include 46 items of painting and calligraphy.* Yet, the text in chüan 5 only includes the entries of 36 items. The last ten items listed in the table of contents have been left out, i.e.\n\n1. Sung and Yüan artists\n\n2. Chi Jan\n\nSung dynasty\n\n3. Shen Chou\n\nMing dynasty\n\nlandscape album\n\nlandscape hanging scroll\n\nCh'ih-pi-t'u, handscroll\n\n4. Hsieh Shih-ch'ên #, landscape album\n\nMing dynasty\n\n5. Ni Hung-pao **,\n\npainting album\n\nMing dynasty\n\n6. Li Yü-ming\n\n£, calligraphy album in regular style\n\nMing dynasty (?)\n\n7. Jen-wu mao-shih t'u £# 圖卷 handscroll\n\n8. Hsing Tzu-yüan *, hanging scroll of rocks\n\nMing dynasty\n\n9. Yün Nan-tien,\n\nCh'ing dynasty\n\n10. Ch'ien Hsi-pai\n\nSung dynasty\n\nhanging scroll of peonies\n\nCh'ing-chieh-t'u ***, handscroll\n\nThe supplement of this catalogue is divided into two chüan. According to the list of contents, chüan 2 consists of 74 items of painting and calligraphy.† However the text only records up to the 62nd item, i.e. Li Chien's landscape hanging scroll. Starting from the 63rd item, the last 12 items have been left out. These are:\n\n1. Wang Hui £*\n\nhanging scroll executed in the style of Wang Meng\n\n*Each album is tentatively regarded as one item here.\n\n†Each album is again tentatively regarded as one item here.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206835, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 112, "title": "RAS-1973", "content_text": "106\n\nCHUANG SHEN\n\nBesides, in the table of contents of chüan 4 of T’êng-hua-t'ing shu-hua-pa, the 126th item is recorded as a landscape executed by Fang Hsün-yüan. Although there were quite a large number of artists in the Ch'ing dynasty, there was no one whose surname was Fang19. However, during the period between the Yung Chêng era and the beginning of the Chien Lung era, there was an artist by the name of Fang Shih-shu ✯±✯ (1692-1751) who was a native of An Hui and yet lived in Yang Chou. The literary name of Fang Shih-shu is Hsün-yüan20 #✡. Since in T'êng-hua-t'ing shu-hua-pa, it was Liang T'ing-nan's practice to designate all artists by their literary names and not their real names, therefore this unidentifiable Fang Hsün-yüan is very likely a name mistaken for Fang Hsün-yüan. If this assumption is correct, then Liang T'ing-nan had not only recorded incorrectly the literary name of this An Hui artist, but also mistaken his real name. Such an inexcusable mistake is again due to carelessness in proof-reading.\n\nC. Chronological Mistakes\n\nI have not thoroughly investigated the number of chronological mistakes in the art catalogues of the Kwangtung collectors. However, this kind of error can at least be discovered in Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi. It should be noted here that Wu Yung-kuang had left two most important documentary records. One was the Li-tai ming-jen nien-p'u in 10 chuan, compiled in the 23rd year of the Tao Kuang era (1843) which was the year of his death. The other was Hsin-ch'ou hsiao-hsia-chi in 5 chuan, which, though printed a little earlier than the Li-tai ming-jen nien-p'u (in the 21st year of the Tao Kuang era, 1841), was in fact completed two years before his death. In other words, the two most important works of Wu Yung-kuang were both completed during the last three years of his life. Unfortunately, there are certain mistakes in both works. As early as ten years ago, the chronological mistakes in the Li-tai ming-jen nien-p'u have already been pointed out by experts21. It is also regrettable that in his Hsin-ch'ou hsiao-hsia-chi, he had committed some other curious chronological mistakes. On page 4 of chüan 4, there is recorded Wu Yung-kuang's own colophon inscribed on Ch'ien Hsüan's Li-hua-chüan #4, which reads,", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206838, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 115, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n109\n\n9 In chuan 4 of Hsin-ch'ou hsiao-hsia-chi pp. 22b-33a, after entering Ni Tsan's Yu-po-t'an-hua-t'u and inscriptions and recording the three colophons written by Tung Ch'i-ch'ang and emperor Chien Lung, Wu Yung-kuang's own colophon follows, beginning thus,\n\nThis painting agrees with the one recorded in Wu's Ta-kuan-lu\n\n4. It was after this painting had been dispersed from Chiêng Chi-pa's collection that Wu Tzu-min came across it. Soon it was acquired by the imperial household.....\n\nIn saying that \"this painting agrees with the one recorded in Wu's Ta-kuan-lu”, it is apparent that Wu Yung-kuang must have used Wu Sheng's Ta-kuan-lu in order to make a comparison between the inscriptions recorded in this catalogue and those appeared on the painting.\n\n10 See Hsin-chou hsiao-hsia-chi chuan 5, p. 54b.\n\n11 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 23a.\n\n12 Ibid chuan 5, p. 54b.\n\n13 See Ping-sheng chuang-kuan chuan 3, p. 20; published in Shanghai, 1962.\n\n14 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 39a.\n\n15 Refer to footnote 10.\n\n16 An Ch'i's description of Yü-tung hsien-yüan-t'u can be found in Mo-ylian hui-kuan chuan 3. However he recorded it as Tao-yuan hsien-ching-t'u, which is somewhat different from that recorded by Wu Yung-kuang.\n\n17 See Pien Yung-yu's Shih-ku-t'ang hua-k'ao chuan 37. The edition used here is a photo copy of this catalogue in the collection of Mr. Chiang's Mi-chün-lou, made by Ying-yin chien-ku shu-she of the Cheng Chung Book Co., Taiwan in 1958, p. 4966. (The Chêng Chung Book Co. shows its ignorance in combining two pages of the original book into one page, and instead of following the original page number, gives each page a new number).\n\n18 The titles of these three scrolls of painting can be found in T'êng-hua-t'ing shu-hua-pa chuan 1, which are: Pai-l'ou an-ch'un tu p. 35b; Hua-kuo-r'u, p. 36a; Lan-hua-t'u, p. 36b.\n\n19 Among the documents that were completed in the Ch'ing dynasty and mainly dealt with biographies or names of the Ch'ing painters, the following are, in general, regarded as the most important:\n\n(1) Chang Kêng's Kuo-ch'ao-hua-chêng-lu in 3 chuan, supplement in 2 chuan. According to his own preface, this book was completed in the 13th year of the Yung Chêng era (1734).\n\n(2) P'êng Yün-ts'an's (1780-1840) Hun-shih hui-chüan\n\n史棠傳 in 70 chuan and appendix in 2 chuan.\n\n(3) Fêng Chin's Li-tai hua-chia hsing-shih pien-lan in 7 chuan, published in the 6th year of the Tao Kuang era (1826).\n\n(4) Lu Chün's Sung Yüan i-lai hua-jen hsing-shih-lu in 37 chuan. The preface written by Tang Chin-ch'ao is dated in the 10th year of the Tao Kuang era (1830).", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207002, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 73, "title": "RAS-1974", "content_text": "DOGS AND HORSES IN ANCIENT CHINA\n\nBIBLIOGRAPHY\n\n67\n\nPrimary Sources\n\nChou Li, Ssu-pu Ts'ung K'an, ts'e 9-14, Commercial Press, Shanghai, 1920-1922.\n\nMu Tien Tzu Chuan, Ssu-pu pei-yao, ts'e 1129, Chung-hua shu-chu, Shanghai, 1927-1935.\n\nSsu Ma Ch'ien, Shi Chi; Er. Shih-Ssu pen, Wu Chou Tung, Wen Shu Chu, Shanghai, 1903.\n\nSecondary Sources\n\nANDERSSON, J. G. Children of the Yellow Earth, Kegan Paul, London 1934.\n\nBIOT, Edouard Le Tcheou Li, Wen Tien Ko, Peking 1929, (reprinted 1939).\n\nBURKHARDT, V. R. Chinese Creeds and Customs, South China Morning Post press, Hong Kong 1955 and 1958.\n\nCHANG Kwang-chih The Archeology of Ancient China, New Haven, Yale University Press, 1963.\n\nCHAVANNES, Edouard Les Memoires Historiques de Se Ma Ts'ien, Brill, Leiden (reprinted 1939).\n\nCHENG Te-K'un Archeology in China, Vols. I, II, III, Heffer, Cambridge 1960.\n\nCOUVREUR, S. Le Li Ki, Imprimerie de la Mission Catholique, Ho Kien Fu 1913.\n\nCREEL, Herrlee G. Studies in Early Chinese History, Kegan Paul, London 1938.\n\nDUBS, Homer The History of the Former Han by Pan Ku, Waverly Press, Baltimore 1955.\n\nERKES, Eduard (1) \"Der Hund im Alten China\" in T'oung Pao, Vol. 37 (1944) 186-225.\n\n(2) \"Das Pferd im Alten China\" in T'oung Pao, Vol. 36 (1940-42) 27-36.\n\nKARLGREN Grammata Serica, Museum of Far Eastern Antiquities, Bulletin No. 12, Stockholm, 1940.\n\nLAUFER, Berthold Chinese Pottery of the Han Dynasty, Brill, Leiden 1909.\n\nSCHAFER, Edward The Golden Peaches of Samarkand, University of California Press, Berkeley and Los Angeles, 1963.\n\nSCHINDLER, Bruno (1) \"The Development of the Chinese Conception of Supreme Being\" in Hirth Anniversary Vol., 298-366.\n\n(2) \"On Travel, Wayside and Wind Offerings\" in Asia Major, Vol. 45 (1924) 624-656.\n\nYETTS, Perceval \"The Horse; A factor in Early Chinese History\" in Eurasia Septentrionalis Antique, Vol. 9 (1934) 231-235.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207046, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 117, "title": "RAS-1974", "content_text": "THE HONG KONG REGION\n\n111\n\nOctober 1860, and again by the lease of the New Territories by the Convention of Peking in June 18981.\n\nThe population of the region was probably around 100,000 in 1898, including boat people. These persons inhabited — in round figures — a thousand villages and a number of market centres. Seven hundred of these settlements were located within the present New Territories of Hong Kong, with many others around Sham Chun and in Hong Kong island and Kowloon. The Punti or Cantonese-speaking element accounted for rather more than half the land population, with Hakka speakers comprising most of the remainder. The boat population, mainly Tanka, lived afloat in the main.2\n\nDescriptions of the geography and climate of the present British Crown Colony are generally applicable to the Hong Kong region. They have long been given in the Hong Kong annual reports. The most recent is supplied in the opening sections of chapter 18 of the report for 1974.3\n\n1. The Hong Kong Region in the wider scene: some historical and geographical considerations\n\nIn Ch'ing times Hsin-an was one of the 14 hsien of the Kuang-chou prefecture. The designation fu or 'prefecture' was adopted only at the start of the Ming dynasty but the area of Canton and the Delta had long been administered under various designations that changed through the centuries and with dynastic change. The oldest of its hsien, Nan-hai, was established in the Sui dynasty in the year 590-591; the next, P'an-yu in 703-704 during the Tang; with the rest becoming separate districts at various times until the first year of Wan Li of the Ming (1573-1574) when, finally, Hsin-an was created from one of the former commanderies of Tung-kuan district (a hsien of 973-974) established in the 27th year of the first Ming ruler (1394-1395).\n\n1 The relevant documents are given in Alabaster, III, pp. 2-4 and 6-8. 2 See Baker 1968: 3-4. Also the Colony Census for 1911 in SP1911: 103(27-36) and (37-38), though it does not list all the villages of the Southern District of the New Territories or of New Kowloon.\n\n3 CR1974, pp. 176-178.\n\n4 See e.g. TCITC 41/1 and KCFC 6/10.\n\n5 KCFC 6/1-10 and YCKC 4/1-9.\n\n6 KTTC 2/93 and KTKKCY 1/1. The administrative areas to which the Hsin-an district belonged from the Ch'in dynasty (221-207 B.C.) onwards are shown in KCFC 6/24 and in HNHC 1/1. The date of the establishment of the commandery is given as Hung Wu 27 in HNHC 1/3, KTKKCY 1/1, TCITC 41/3 and KTTC 2/93, but as Hung Wu 14 in KCFC 6/24.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207136, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 207, "title": "RAS-1974", "content_text": "NOTES AND QUERIES\n\n201\n\nLU PAN―The God of Carpenters. President of the Celestial Ministry of Public Works. Family name Kung-shu, personal names Pan and I-chih. Born at Yen-chou Fu, Shantung, the ancient feudal kingdom of Lu, whence his name Lu-Pan, i.e. Pan of Lu. His father was Kung-shu Hsien, his mother being of the Wu family. He was born in 506 B.C. As a youth he practised and became skilled in all kinds of metal, stone and wood work. At 40 years of age he retired to live the life of a hermit on Li Shan, Mount Li, in Shantung, and was initiated into miracle-working, being able to rise into the air and ride on the clouds. In the reign of Yung Lo (A.D. 1403-25) of the Ming dynasty he received the title of Grand Master, Sustainer of the Empire. Artisans who pray to him have their requests granted immediately.\n\nC\n\nAnother biography gives his name as Kung-shu Tzu, adds that he was called Pan and describes him as a clever man of Lu. Some say he was the son of Mu, duke of Lu. He carved wooden magpies which could float in the air for three days, and constructed a wooden coachman which drove an automobile, as well as engines of war for battering down the walls of cities.\n\nStill another account of his life states that Lu Pan belonged to Tung-huang Hsien, Kansu. He made a wooden kite, on which his father could fly long distances in the air. When he flew to Wu-hui, Kiangsu, the people mistook him for a devil and killed him. Angered at this, Pan constructed an Immortal in wood which, on pointing its finger in the direction of the town, caused a drought which lasted three years. When the inhabitants ascertained the cause, they sent him presents to appease him and he cut off the image's hand, whereupon copious rain fell in Wu.\n\n44\n\n+\n\nThese differences can only be reconciled by concluding that Lu Pan and Kung-shu Tzu were two different persons, the one having lived in Shantung in the time of the Six Kingdoms (3rd cent. B.C.), and the other in Kansu after the time of the Emperor Ming-ti (A.D. 58-76) of the Han dynasty, when Buddhism was officially recognised in China. At the present day, Lu Pan is worshipped, without regard to the question whether the name belongs to one man or to two. Temples dedicated to Lu Pan are still maintained. He is especially worshipped (on the thirteenth day of the fifth and on the twenty-first day of the seventh", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207357, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 125, "title": "RAS-1975", "content_text": "EMPLOYMENT OF FOREIGN MILITARY TALENT\n\n117\n\nobvious and absolute.22 The greater the stake a barbarian had in the order he was defending, the more likely he was to serve China faithfully. Thus, financial attractions, marriage and other personal ties, and bureaucratic checks, worked together to assure barbarian fidelity.\n\nLike Chinese rebels who had been induced by the dynasty to repent of and abandon their rebellious ways, barbarian employees who had “returned to loyalty\" might be honored with rank and title, and brought within the Chinese social and institutional framework.23 But their devotion was never beyond question. Regardless of how close a foreigner might approximate the Chinese cultural ideal, or how long his family boasted residence on Chinese soil, his barbarian origins were seldom forgotten; and if he caused trouble, or proved unfaithful, the problem was usually attributed to his barbarian-ness.24 Nonetheless, the use of foreigners in military positions remained a persistent feature of Chinese administration for well over two thousand years. The nature and extent of this barbarian service may be suggested by a few examples taken from various periods in China's pre-imperial and imperial past.\n\nChina's Early Use of Foreign Employees\n\nWith the rapid expansion of the Chinese cultural sphere during the latter half of the Eastern Chou, the employment of aliens by the various contending states became a common phenomenon although one not without its opponents in this period of continual conflict and intrigue. During Li Ssu's tenure as \"alien minister” (k'o-ch'ing) of the Ch'in, members of the royal house and other dignitaries, fearful that men from foreign states had come to sow dissension, requested that there be a complete expulsion of aliens. Li Ssu, himself from the state of Ch'u, argued persuasively against such a course, citing earlier examples of Ch'in's beneficial employment of foreigners: \"Of old, when Duke Mu was seeking for officials, he procured Yu Yü from the Jung [barbarians] in the west, and obtained Po-li Hsi from Yüan in the east. He welcomed Chien Shu from Sung, and sought P'ei Pao and Kung-sun Chih from Chin. These five men had not been reared in Ch'in; yet Duke Mu, by using them, united twenty [sic] states, and so became Lord Protector over the Western Jung.\"25 Yu Yü's case is especially worthy of note, not only because he was largely responsible for the defeat of the barbarous Jung, but also because he himself had originally", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207375, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 143, "title": "RAS-1975", "content_text": "EMPLOYMENT OF FOREIGN MILITARY TALENT\n\n135\n\nWu-ti's Northwestern Campaigns,\" HJAS, XXVI (1966), 170, 172-173; Yü, 14; Lattimore, 485. Northern barbarian cavalry units were designated Hu-ch'i; southern barbarian units were called Yueh-ch'i.\n\n29 Michael Loewe, \"The Case of Witchcraft in 91 B.C.,\" Asia Major, XV.2 (1970), 180-181 traces Chin's career, major offices, and impact. See also Han-shu, 7: 1b; 38: 21ff; 68: 2a-b, 20b; 112: 16a-b.\n\n30 G. Haloun, \"The Liang-chou Rebellion 184-221 A.D.,\" Asia Major, I (1949-1950), 119; 121. Note the interesting case of Chao Hsin, discussed in Loewe, \"The Campaigns,\" 79.\n\n31 WSM, TC 79; 11; WCSL, 129: 17.\n\n32 Cited in Ch'ien and Goodrich, 9.\n\n33 See, for example, Yü, 205; Chi Ch'ao-ting, Key Economic Areas in Chinese History (New York, 1963), 99; Eberhard, 126; etc.\n\n34 Mackerras, 56-61, especially 60-61.\n\n35 See Su Ch'ing-pin, 399; Yüan, 160; Gabriella Molé, The T'u-yü-hun from the Northern Wei to the Time of the Five Dynasties (Rome, 1970), 157, 163, 167, 169, 180.\n\n36 See Yüan, 153-163; Su Ch'ing-pin, 589.\n\n37 See Wang Kung-wu, The Structure of Power in North China During the Five Dynasties (Kuala Lumpur, 1962); also Su Ch'ing-pin, 399.\n\n38 The preface to this work is very illuminating. Therein, Li Te-yü describes the general circumstances of Wen-mo-ssu's submission, making repeated reference to past experience with submissive barbarians and lauding the present emperor's virtue. After extolling Wen-mo-ssu's merits, Li suggests that just as the Hsiao-ching (Classic of Filial Piety) defines the proper relationship of ruler and minister, father and son, so the I-yü kuei-chung chuan defines the proper behavior of foreign employees in the Chinese service. Implicit in the comparison is the idea that Li is to T'ang Wu-tsung what Tseng Ts'an was to Confucius. For further information on Wen-mo-ssu, see Chang Ch'ün, T'ang-tai hsiang-hu an-chih k'ao [An examination of the treatment of surrendered barbarians in the Tang dynasty]. Hsin-Ya hsieh-pao [New Asia College Journal], 1.1 (August, 1955), 310-311; James R. Hamilton, Les Ouïghours à l'époque des Cinq Dynasties d'après les documents chinois (Paris, 1955), 69, 71, 153-154; Su Ch'ing-pin, 397; Hsin T'ang-shu, 217(B) [lieh-chuan, 142 hsia]: 1-3; T'ang-shu, lieh-chuan, 145: 13-14.\n\n39 Li Te-yü, 2: 10-11; see also ibid., 7: 56; 8: 57; etc.\n\n40 Ibid., 2: 11.\n\n41 Ibid., 5: 29, 31; 5: 33-35; 7: 56; 8: 59-60; 13: 101-109; 19: 159-160.\n\n42 See Mackerras, 14-47; also Li Te-yü, 14: 116-119. Tseng Kuo-fan undoubtedly had the T'ang experience in mind when he wrote: \"Since ancient times outer barbarians (wai-i) have assisted China; but in each case, after success, there have been unexpected demands,\" IWSM, HF 71: 10b.\n\n43 Howard Levy, Biography of An Lu-shan (Berkeley, 1961), 17-20.\n\n44 See Richard J. Smith, “Chinese Military Institutions in the Mid-Nineteenth Century, 1850-1860,\" Journal of Asian History 8.2 (1974), 124-125; also Lo Jung-pang, \"The Decline of the Ming Navy,\" Oriens Extremus, 5 (1958), 165-168.\n\n45 Sung-shih, 472: 18-21; Liu Sheng-mu, Ch'ang-ch'u-chai hsü-pi [Supplementary writings from the Ch'ang-ch'u study] (preface date 1929), 5: 146.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207568, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 336, "title": "RAS-1975", "content_text": "BOOK REVIEWS\n\n\"A THOUSAND PEAKS AND MYRIAD RAVINES, by CHU-TSING LI, Zurich Artibus Asiae, 1974 (Vol. 1, pp. xi + 319, Vol. 11, 104 plates, signatures and seals, maps)\n\nIn studying the history of Chinese art, particularly that of painting, Professor Chu-tsing Li of the University of Kansas is an active scholar. Formerly his main field of study was the Yuan Dynasty (1280-1368); and for this period his thorough studies on Chao Meng-fu (1254-1322), Tsao Chih-po (1272-1355) and Hsueh Ch'uang (active ca. mid-14th century), as well as a general, but extensive, study about a group of artists active in the late Yüan period in Soo-chou area, are all highly regarded. However, in studying the history of Chinese painting, he seems now no longer to confine himself to individuals of the Yuan Dynasty but has begun to focus on other aspects of the later periods of Chinese art history, c.f. his latest monographs on Ting Yun-peng and Chin Nung (1687-1765). Following this, his latest publication; A Thousand Peaks and Myriad Ravines, a voluminous work in two volumes, deals, with the exception of one painting by a late Yüan artist, many different types of Chinese paintings of either Ming or the Ch'ing Dynasties. It was published in 1974.\n\n5\n\nBeginning from the late 19th century, when private collecting of Chinese art reached its climax, in the East as well as the West, a detailed illustrated catalogue, more commonly edited by a specialist in the field rather than by the collector himself, was published. A few examples for ancient Chinese bronzes are those essential works contributed by Professors Kosaku Hamada,1 Yoshito Harada,2 and Sueji Umehara3 in Japan, and those works by Professors Bernhard Karlgren,4 Gustav Ecke, and Chen Meng-chia in America or other countries; all well-edited bronze catalogues on private collections. For archaic Chinese jade, the catalogue produced by Professor Alfred Salmony is also well known. In addition to those cited which always deal with a specific subject of Chinese art, there are also some catalogues characterized by dealing with more than two branches of Chinese art in the one publication, or separately devoted to Chinese art and art objects in another Asiatic country. For the former, the over-sized catalogues about the famous collection", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207569, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 337, "title": "RAS-1975", "content_text": "328\n\nBOOK REVIEWS\n\nof George Eumorfopolos edited by Professor Perceval Yetts is certainly representative; and with respect to the latter, a good example is the first volume of the catalogue about the Charles Seligman Collection, on Chinese, Central Asian and Luristan bronzes, edited by Professor Howard Hansford.\n\nProfessor Li's latest publication, although independently associated with a book title, yet, by its nature, should be classified as an illustrated catalogue about a private collection of Chinese art, since every item discussed by the author in Volume I and illustrated in Volume II is from the collection of Dr Charles Drenowaltz in Switzerland.\n\nVolume I consists of 15 chapters. I propose to give a brief summary for each chapter before presenting other remarks about this book in this review. Chapter I:\n\nChapter II:\n\nChapter III:\n\nChapter IV:\n\nChapter V:\n\n\"Introduction\", gives a general account of how European collectors built up their collections of Chinese art. It also gives a survey of the general development of Chinese painting. \"Figure painting: Persistences and Transformation of the past\", Here the central discussion is focused on figure paintings by Chao Liu (ca. 1350-1370) of the late Yuan Dynasty, and Hsieh Shih-chen (1487-after 1567), Chen Hung-shou (1599-1652) and Ting Yün-peng (b. 1547) of the Ming Dynasty; also Chao Yuan of the late Ch'ing Dynasty. \"Landscape painting of Ming and Ch'ing: A point of view\", serves as a general introduction to this branch of Chinese painting over some 500 years. \"The Wu School: Re-establishment of the Yuan Tradition\", emphasis is laid upon works by five literati artists of the Ming Dynasty; Shen Chou (1427-1509), Wen Cheng-ming (1470-1559), Lu Chih (1496-1576), Ch'en Kuan (ca. 1570-1640). In addition, works by artists of the school of T'ang Yin (1470-1523), and an album painting by an anonymous artist are also discussed.\n\n\"The Wu School in the Seventeenth century: A Host of Little Masters\", points of view are based on works by the following seven artists: Ch'en Kuan, Ch'en Huan (act. 1600-20), Chang Hung", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207570, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 338, "title": "RAS-1975", "content_text": "BOOK REVIEWS\n\n329\n\nChapter VI:\n\nChapter VII: (1577-after 1668), Sheng Mao-yueh (act. 1620-40), Hsiang Sheng-mo (1597-1658), Yün Hsiang (1586-1655) and Shen Hao (act. 1630-50).\n\n\"The Sung-chiang School: Triumph of a New Theory\", under this headline five artists of the Ming Dynasty, Mo Shih-hung (ca. 1540-1587), Tung Ch'i-chang (1555-1636), Ku Shau-yu (act. early 17th century), Li Liu-fang (1575-1629), and Pien Wen-yü (act. 1620-1670) are discussed.\n\n\"Various Directions of Late Ming: A Mixture of Old and New\", this chapter covers Mi Wan-chung (1595-1628), Chang Jui-t'u (1576-1641), and Lan Yü (1585-1664).\n\nChapter VIII: \"The Orthodox Masters of Early Ch'ing: The Great Synthesis”, discussions are concentrated on Wu Li (1632-1718), Wang Hui (1632-1717) and Wang Yuan-ch'i (1642-1715).\n\nChapter IX:\n\nChapter X:\n\nChapter XI:\n\nChapter XII:\n\n\"The Lou-tung School: Homage to Wang Yuan-ch'i\", in this chapter the Lou-tung school artists are represented by Huang Ting (1660-1730), Chang Tsung-ts'ang (1686-still alive in 1755) and Wang Ch'en (1720-1797).\n\n\"The Yu-shan School: Homage to Wang Hui”, in this chapter, Chiao Ping-chen (act. 1680-1720), Wang Chiu (act. later 18th century) and Prince Yung-jung (1744-1790) are taken as being representatives of this School,\n\n\"The Anhwei School: Transformation of the Ni Tsan Tradition\", four early Ch'ing artists: Hsiao Yün-ts'ung (1596-1673), Yao Sung (1648-after 1717), Hung-jen (1610-1663), and Mei Ch'ing (1623-1697) are discussed in this chapter.\n\n\"Monks and Hermits: A silent Revolution”, another four early Ch'ing artists; K’un-ts'an (b. 1612-ca. 1673), Kung Hsien (b. 1617-1618, d. 1689), Chu Ta (1626-ca. 1705), and Tao-chi (b. 1641-d. before 1720), are discussed under this heading.\n\nChapter XIII: \"The Yang-chou School: Haven of the creative mind”, two Yang-chou school artists; Chin Nung (1687-1765) and Huang Shen (1687-1768) are discussed in detail.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207571, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 339, "title": "RAS-1975", "content_text": "330\n\nBOOK REVIEWS\n\nChapter XIV: \"The Nineteenth century: Looking Backward and Forward\", is mainly a discussion of the landscape paintings of the 19th century, represented by Ch'ien Tu (1763-1844) and Tai Hsi (1801-1860).\n\nChapter XV: \"Bird-and-flower painting: The end of a tradition”, five artists of the Ming Dynasty; Lu Chih, Hsiang Yuan-pien (1525-1590), Chou Chieh-mien (act. 1580-1610), Chang Hung, and Sun K’o-hung (1532-1610), and two artists from the Ch'ing Dynasty; Hua Yen (1682-after 1755) and the Empress Dowager Tz'u-hsi (1835-1908) form key figures for discussion.\n\nThe merits of this book are shown, first of all, by a detailed chronology of the artists of the Ming and Ch'ing Dynasties. This point can be clearly seen if the chronologies of the same group of artists as they appear in other writings on history of Chinese painting are compared with those in Prof. Li's new publication. In order to make this point clear, a concordance table about the chronology of many artists is provided below.*\n\nThe second merit of this book seems to be a new use of old editorial principles practised in Chinese historical writings. As stated, Volume I consists of 15 chapters. In every chapter, a detailed study of each picture is always preceded by an introductory essay. The origin for presenting such an essay in a descriptive catalogue, when old writings on Chinese painting are studied, can be traced back at least to the early 12th century work, Hsuan-ho hua-p'u *1#,\" a descriptive catalogue about paintings, in Emperor Sung Hui-tsung's imperial collection, the Ming Hua Lu ***;14 and also to \"Records of History of painting in the Ming Dynasty\", edited by Hsü Hsin in late 17th century, both edited according to this principle. In the former, the subject-matter of Chinese painting is classified by the anonymous editor into 10 categories; and in the latter, into 15 subdivisions. Using modern concepts to review Hsuan-ho hua-p'u and Ming hua-lu, each category in these two historical documents should evidently be read as an independent chapter. More significantly, introductory essays, no matter whether long or short, are always addressed to each chapter-like category.\n\np. 330.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207581, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 349, "title": "RAS-1975", "content_text": "340\n\nBOOK REVIEWS\n\nChinese bronze is again by Prof. S. Umehara and was separately published in Kyoto in 1961.\n\n2 The Senoku Seisho is sub-divided according to nature of bronzes, into two parts. The first part dealing with ritual vessels is by Prof. K. Hamada while the next part, devoted to Chinese bronze mirrors, is edited by Prof. Yoshito Harada.\n\n3 In addition to these catalogues about the Sumitomo collection, in 1951 Prof. S. Umehara has also edited Kakkaku Kikkin Senshu (Selected specimens of the Chinese Bronze collection in the Hakkaku Art Museum), an illustrated and descriptive catalogue on Chinese bronzes housed in a private museum possessed and financed by Mr. Jihei Kano in Kobe.\n\n4 For instance, among his various studies on ancient Chinese bronzes, there are three catalogues. The first, \"Bronzes in the Hellström Collection\", is in the Bulletin of Museum of Far Eastern Antiquities (hereafter abbreviated as BMFEA) (1948, Stockholm), No. 20, while the second, \"A catalogue of the Chinese Bronzes in the Alfred F. Pillsbury Collection\" was published in Minneapolis in 1951. The third, \"Bronzes in the Wessen Collection”, is in BMFEA, (1958, Stockholm), No. 30.\n\n5 For instance, his Fruhe chinesische Bronzen aus der Sammlung Trautmann (1939, Peking).\n\n6 For instance, the Chinese Bronzes from the Buckingham Collection, (1946, Chicago), jointly edited by M. C. Chen and Charles F. Kelley.\n\n7 Alfred Salmony (1890-1958): Archaic Chinese Jades from the Edward and Louis B. Sonnenschein Collection (1952, Chicago).\n\n8 W. Perceval Yetts (1878-1957): The Georg Eumorfopoulos Collection: Catalogue of the Chinese and Corean Bronze, Sculpture, Jade, Jewellery, and Miscellaneous objects (1929-32, London).\n\n9 Howard Hansford: The Seligman Collection of Oriental Art, Vol. I, (1957, London).\n\n10 Yoshito Yonezawa: Painting of the Ming Dynasty, (1956, Tokyo).\n\n11 Osvald Siren: Chinese painting, Vol. VII, (1958, London).\n\n12 Victoria Contag: Chinese Masters of the 17th Century (1969, London).\n\n13 The date of Hsuan-ho hua-p'u is not known. But a general date, 1120, the second year of the Hsuan-ho era during the reign of the Emperor Hui-tsung of the Northern Sung Dynasty, associated with its preface, is normally considered to be the date of completion of its compilation. Regarding its authorship, it has been previously suggested by scholars in the Ch'ing Dynasty, such as Wang Wan, as having been edited by Emperor Hui-tsung himself, and by Chou Chung-fu as being by Tsai Ti, and by Pien Yung-yu as being by Hu Kuan. But according to Yu Shao-sung, a 20th-century specialist on the historiography of Chinese art, none of these old identifications are reliable. Instead, a possible editor of this imperial catalogue is perhaps an anonymous eunuch of the Northern Sung palace. For detailed discussion see his Shu-hua shu-lu chieh ti (hereafter abbreviated SHSLCT), \"A Collection of Summary of content and Studies of Titles of Books on Chinese calligraphy and painting\", (1931, Peking).\n\n14 Although it carries a preface by the author, this book is undated. In general, as Yu Shao-sung has suggested (SHSLCT Chuan 12, p. 9), Hsu Hsin must have lived in the transitional period of Ming and Ch'ing but the book itself is written in early Ch'ing.\n\n15 See Yen-Tzu chun-chiu, Nei pien, 10th chapter of the Tsa-hsia section. This book is generally regarded as a work of the 6th century B.C.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207582, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 350, "title": "RAS-1975", "content_text": "BOOK REVIEWS\n\n341\n\n16 This mountain is clearly marked in the map (pl. CXIV of Vol. II) of the book review. In addition, according to Chun kuo ku-chin ti-ming ta tzu-tien \"Dictionary of Ancient and Present Place Names in China\", edited by Tsang Li-ho and others (1933, 2nd edition, Shanghai), p. 135, Mt. Tien-chu is at the northwest of Chien-shan in the present western An-hui Province.\n\n17 In Tung Shih-heng's Li-tai chiang-yu hsing-shih i-lan-t'u (1914, Shanghai), Map 3 (Chan-kuo ch'i-hsung-t'u A Map of the Seven Strong States during the Warring States period); again in Watari Yanai's Toyo Tokushi Chizu (1934, 3rd edition, Tokyo), Map 3; also in Albert Herrmann's A Historical Atlas of China (1966, 2nd edition, Chicago), Map 8 (The Contending States), the Huai River area is always marked as part of the territory of the State of Ch'u.\n\n18 This is to be seen in Fujiwara Sosui's Chokuoku shoho rokutai dai-jiten, Dictionary about Six Different scripts of Chinese calligraphy, (1960, Tokyo), pp. 615-616.\n\n19 See Chin Shu, History of the Chin Dynasty (1974, Peking punctuated edition), Chüan 40, (in Book V), p. 1366.\n\n20 Ibid., p. 1359.\n\n21 For the latest findings of scholars of this small circle, see Ho Ch'i-min: \"Chu-lin ch'i-hsien yen-chiu\" \"A study of the Seven Talents of the Bamboo Grove\", 1966, Taiwan.\n\n22 Po-hsüeh hung-tz'u. This examination, initiated in 731, the 19th year of the K'ai-yüan era during Emperor Hsüan-tsung's reign in the Tang Dynasty was during the Ch'ing Dynasty confined to some limited candidates primarily recommended by the Education Department in each province.\n\n23 For sound scholarship on the economic importance of Yang-chou during the Ch'ing Dynasty, see Prof. Ho Ping-ti: \"The Salt Merchants of Yang-chou: A Study of commercial capitalism in Eighteenth century China\", in the Harvard Journal of Asiatic Studies (1954, Cambridge), Vol. 17, pp. 130-168.\n\n24 Tsang Li-ho and others, op. cit., p. 923.\n\n25 The edition that the reviewer used is the Yüeh-ya-t'ang ts'ung-shu edition, first wood-blocked in Canton in 1850.\n\n26 The Chinese title reads: \"44415447\".\n焦山看月分得辇字\n\n27 In Chiao-shan chi it is to be found in p. 1b-p. 2a, while in Fan-hsieh shan-fang chi, (1937, Shanghai), hsü-chi (a supplementary collection), chüan 7, pp. 359-360 (In the Kuo-hsüeh chi-pen ts'ung-shu edition).\n\n28 The Chinese title reads: \"9493A7”.\n同作分得月字“\n\n29 In Chiao-shan chi it is to be found in p. 9a-9b, while in Fan-hsieh shan-fang chi it is in hsü-chi, chüan 7, p. 360.\n\n30 In Ma Yueh-kuan's own Sha-ho i-lao hsiao-kao (also the Yüeh-ya-t'ang ts'ung-shu edition), it is to be found in chüan III, p. 17a-17b.\n\n31 The Chinese title reads: \"宿佛日淨慈\". It is to be found in Fan-hsieh shan-fang chi, chüan 7, p. 134.\n倪龍瘢痕\n\n32 The Chinese title reads: “晚起 撖上人導行黃萬峯下 倪龍瘢泉 尋龍”. It is in Fan-hsieh shan-fang chi, chüan 7, p. 134.\n\n33 The Chinese title of this poem reads: \"...\". It is to be found in Fan-hsieh shan-fang chi, chüan 7, p. 135.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207583, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 351, "title": "RAS-1975", "content_text": "342\n\nBOOK REVIEWS\n\n34 This observation is mainly based on the fact that the first poem from his own collection is entitled \"Chin shou-men has shown me a rubbing of the inscription taken from the bronze bells being made for the Ching-lung Monastery during the Tang Dynasty.”\n\n毒門见示所裁唐景龍觀錘髭拓本 In Li E's Fan-hsieh SFC, chuan 1, p. 1 under this poem, the date of its completion is recorded by the combined used of the Chinese cyclical characters: chia-mu which according to Li E's chronology, is to be identified as 1714 (the 53rd year of the Kang-hsi era).\n\n35 Ever since 1963, the Kwang-tung ying-jen chuan, “A Biographical study of the seal-carvers in Kwang-tung\", edited by Ma Kuo-chuan, has continuously appeared in the -lin section of Hong Kong's Ta Kung Pao Daily News. His study about Chang Hsiang-ming in particular, appeared in Ta Kung Pao, December 19, 1965. In October 1974 this biographical information was edited and published by the Nan Tung Company in Hong Kong, still entitled Kwang-tung ying-jen chuan. The portion concerning Chang Hsiang-ning is to be seen in this book edition p. 98.\n\n36 This is based on Takikawa Shiteru's colophon being inscribed on Hsiao Yün-ts'ung's painting entitled Li Sao T’u. A full reproduction of this painting has been printed in 1924 in Tokyo by Seigei Omura as one item of his edited Zubon Sosho. In addition, Takikawa's colophon was also quoted by Professor Akiyama Mitsuo in his Sho Sekiboku to Shuzan Koryo zu which appeared as the last article, being collected in the same author's Nihon bijusisu ronko (1943, Tokyo), pp. 413-414.\n\n37 According to Tzu Hai (1967, Taiwan edition), Appendix V (A conversion chart British, Japanese and Metric Lengths), each Japanese feet equals 0.3030 metre. Thus, 40 Japanese feet equal 12.12 metre. On the other hand, since the Drenowaltz handscroll measures 1302 cm; namely, 13.02 metre, the lengths of this painting, now in Switzerland, and the Li Sao Tu, once in Japan, are certainly very close.\n\n38 See Hu I: \"Hsiao Yun-ts'ung Nien-p'u” “A Biographical study of Hsiao Yün-ts'ung on A Yearly Basis”, in Mei-shu Yen-chiu (1960, Shanghai), No. 1.\n\n39 For these literary men who were gifted artists as well as members of the Fu She Association, these were, in addition to Hsiao Yün-ts'ung, many others, such as Li Sui-chlu from Kwangtung province, Wan Shou-ch'i (1603-1652), Wu Wei-yeh (1609-1671), Chi Pao-chia (middle 17th century) and Mao Hsiang (1611-1693) from the Kiangsu province, Fang I-chih (1611-1671) from the An-hui province, and Yang Wen-ts’ung (1597-1645) from the Kwei-chou province. These were all example-figures of such a type.\n\n40 Hsiao Yün-ts'ung name is listed in Fu She Hsin-Shih Lu \"Records of Members of the Fu-she Association\" first volume, p. 7a. This rare book is now owned by the Institute of History and Philology, Academia Sinica at Nankang, Taiwan.\n\n41 Hsieh Kuo-chen: \"Nan-ming shih-luch\" “A Brief History of the Southern Ming Period\" (1957, Shanghai), pp. 12-13.\n\n42 S. W. Stephen: Chinese Art, 2 vols. (1904-06, London).\n\n43 Ch'eng Wei: “A primary study on the Origin and Development of Ancient Bird-and-flower paintings\" in Wen-wo (1963, Peking), No. 10, p. 22-29. This article probably serves as the only research on the history of Chinese painting by using one single painting collection as its basis. Yet unlike the work done by Professor Li", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207918, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 306, "title": "RAS-1976", "content_text": "NOTES AND QUERIES\n\n291\n\n* This poetic feeling can be reflected by a Tzu poem written by Chiang Chieh # which reads:\n\n\"The rain song in youth I heard from song bedroom 樓上\n\nred candle setting behind a satin screen *****\n\nolder and travelling I heard rain in a boat #\n\nhuge river, low clouds, ***›\n\na goose crying in the west wind parted from the flock. $$$\n\nK\n\nNow when I hear the rain, in a hermit's cell MET\n\nmy hair has long turned grey 11\n\nsorrow, happiness, parting, joining are all neutral #46BAH raindrops all night long on the stone steps. Ħ¶¤àa¤N ·\n\nFor the English translation, see John Scott: Love and Protest (1972, London), p. 118.\n\n9 see Wang Chao-yung, op.cit. p.7.\n\n10 Its registration number in the Luis de Camoes Museum is AL 1 No. 10.\n\n11 Chiang-nan is a conventionalized geographic term referring to the vast area of Kiangsu, Chekiang, An-hui and Fukien provinces.\n\n12 See Chuang Shen op.cit. pp. 14-18. There I have pointed out that in the 19th century, the painting styles of Hua Yen and Huang Shen, two artists of Fukien, were followed by the Kwangtung artists.\n\n13 See Chu-tsing Li: \"Landscape painting in Kwangtung during Ming and Ch'ing\", in Landscape paintings by Kwangtung Masters during the Ming and Ch'ing Period (published in 1973 by the Art Gallery of The Chinese University of Hong Kong, Hong Kong), p. 4.\n\n14 Sung Kwang-pao and Meng Chuii were both artists of Kiangsu province. Followed Li Ping-shou, they came to Kwangtung during the first half of the 19th century. Later, Sung was regarded as the founder of a more laborious and decorative school, while Meng became the forerunner of a different school, less decorative, and mainly stressing the artist's inner self.\n\n15 See Lin Po-ting *** \"Brief Notes on the Taiwan painters during the Ch'ing Dynasty”滑朝台灣畫人輯系 history selected in Central Chinese culture and Taiwan AXLA÷ (1971, Taipei), pp. 531-539,\n\n16 See Lin Po-ting: ibid, p. 535.\n\n**MFIL\n\n17 See Sohokaku Shogaki **M***, Descriptive catalogue of Chinese paintings and calligraphies in the possession of Bardo Asano (1864-1880), (published in 1973 by the Kansai University in Japan), pp. 143 - 144.\n\nAs to this catalogue and its editor, see also Kokuro Wakimono + A 'Notes on paintings and calligraphy in the Shohokaku Shogaki Collection and its Author Asano Baido\", *NTORE *o****** The Bijutsu Kenkyu ✯ (Journal of Art Studies), No. 35 (1973, Tokyo), pp. 531 - 544.\n\n18 See Chuang Shen: op.cit. p. 21.\n\nUniversity of Hong Kong,\n\nMarch 1977.\n\nCHUANG SHEN", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208037, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 76, "title": "RAS-1977", "content_text": "60\n\nJ. T. KAMM\n\nexercise of ownership, and are contented to do nothing further than to receive a yearly rent. They can sell this right of receiving rent, but the land is otherwise under the absolute control of the cultivators, who often sell their perpetual leases.\n\nThe landlord is called the owner of the \"T'i Kwat\" (note: Cantonese equivalent for t’i k’u), which may be termed the right of receiving rent. The tenant is said to possess the T'i P'i, or right of cultivation. Constant lawsuits result from this double ownership and the contending interests which it necessarily involves16\n\nTo summarize, perpetual lease in Hsin-An was characterized by the division of land into two values, surface-value, which corresponded to cultivation-value, and subsurface-value, which corresponded to rent-value. Landlords held rights over the rent-value, conceptualized locally as t'ien-ku-chuan (†), while tenants held title to the cultivation-value, or t'ien-p’i-ch’üan (✯✯). The process by which rent-value became separated from cultivation-value, i.e. the process of its primary accumulation, becomes manifest in an examination of the social and economic evolution of the county following the resettlement during the early 18th-century.\n\nOf the several kin groups displaced by the Kang-Hsi evacuation, the Tangs were among the least adversely affected. This was so for two reasons: 1) the proximity of the Hsin-An Tangs to several Tang settlements in Tung-Kuan,17 and 2) close relationships between Tang gentry and local officialdom.18 Not only were the Tangs able to keep abreast of developments while residing in a secure base not far from the evacuated county, moreover, the evacuation had the unintended result of increasing clan solidarity. In this regard, the establishment of the Tu-Ch'ing Tang (**)- the largest order ancestral trust uniting the clan, was most significant:\n\nTang Pao-sheng (£), a chin-shih of the Ch'ing Dynasty, had the intention of constructing an ancestral temple, but his plans were not realized. An official, Tang Hsu-chou (✯✯✯), seeing that the five branches of his clan resided in different places far from one another, decided to fulfill Pao-sheng's wishes. After choosing a beautiful site at Chiu-Ch'iao (**), Tung-Kuan, the clan gathered together to construct a great temple. At each winter sacrifice (), the male descendents of the various branches would assemble and encourage each other to", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208044, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 83, "title": "RAS-1977", "content_text": "TWO ESSAYS ON THE CH'ING ECONOMY OF HSIN-AN\n\n67\n\n12 Lockhart lists 255 villages occupied by Hakkas, with a total population of 36,070 in the Tung Lo in 1898. Assuming a population of 250,000 for the total district in 1900, Hsin-An probably had a Hakka population of around 90,000.\n\n13 Rawski's bibliography in Agricultural Change and the Peasant Economy of South China offers the most complete listing of works bearing on perpetual tenancy.\n\np. 64.\n\n14 CSO280/04 Extension. See note 4, Essay 2.\n\n15 Hsu T'ien-tai, Fu Chien Wen Hua (福建文化), Vol. 1, No. 1, (1941),\n\n16 Correspondence Respecting Affairs of China, March 1898-September 1900. \"Report on the New Territory at Hong Kong,\" (Presented to both Houses of Parliament, November 1900) p. 19.\n\n17 The Shih Chien T'ang Chia P'u (世鑑堂家譜), a collection of genealogies from Kam Tin, gives the following settlements of lineal descendants in Tung Kuan: Chuh Yuan (竹園), Yen Tien (燕田), Fu Lung (福龍), Huai Te (懷德), Shih Ching (石井), Tu Kao (土高), and Ping Hu (平湖).\n\n18 \"These clans gain their local influence, not through numbers alone, but owing to the fact that certain of their numbers have official rank, gained through competitive examinations, or obtained by purchase, which keeps them in touch with the Magistrate and even higher officials.\" Correspondence Respecting Affairs of China ibid., p. 20. The Shih Chien T'ang Chia P'u records that, from Cheng Hua (Ming Dynasty) to Tao Kwang (Ch'ing Dynasty)—that is, from roughly 1470-1820—fourteen Kam Tin Tangs passed the state examination. Several of these became office holders. Another indicator of gentry connections with officialdom was the construction, in Kam Tin, of a temple (祠堂) dedicated to the two officials (Chou Yu-te (周有德) and Wang Lai-jen (王來任)) who petitioned the Emperor, on behalf of the inhabitants of the coastal areas, to allow resettlement.\n\n19 Introduction to the Nan Yang Tang Shih Tsu P'u (南陽堂世族譜), compiled by the Ping Shan Tangs.\n\n20 Sung Hok-P'ang, in his articles on the Kam Tin Tangs in the Hong Kong Naturalist, claims to have seen references to Tang lands on Hong Kong in the Land Register (土地冊) of Tung Kuan. \"One may judge that the land was owned by the Tangs before the first year of Maan Lik, AD 1525, (sic) as after that the San On District was formed” (Vol. VIII, nos. 3 and 4).\n\n21 HKTCSMTC, \"Details of Cultivated Land” (耕地詳情).\n\n22 ibid.\n\n23 The landlord clans were often referred to by the British as \"first cultivators.\" See, for instance, CSO3172/1915 cited in the essay on tax-lordism.\n\n24 Correspondence Respecting Affairs in China, ibid., p. 16.\n\n25 Hsin-An Hsien-chih, ch'uan 8.\n\n26 In this regard, note the high degree of correlation among the different \"tax-burdens\" in Table II. One is tempted to speculate that a native formula for the conversion of rent rates from tax-rates existed.\n\n27 In the 1934 edition of the Chung-Kuo Ch'ing-chi Nien-chien (中國經濟年鑑), chapter 7 (Chinese Tenancy Systems), contains the following description of the Fen Chih Chih (分種制) system, a form of perpetual lease found in the East River counties of the Kwangchow Prefecture: \"This", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208324, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 48, "title": "RAS-1978", "content_text": "32 \n\nRICHARD J. SMITH \n\npractice of \"interchangeable commanders\"--a striking departure from the personalistic command structure of yung-ying armies such as Chou's. Moreover, the Tientsin academy provided a large pool of new talent for modernizing purposes, men whose \"careers were grounded in change\" and whose \"qualifying education and . . . prominence were owed to reform.\"112 Many Tientsin Military Academy graduates became instructors in other military schools established after 1895;113 several prominent engineers were produced by the academy;114 and of course many of the most famous political and military leaders of the early Republic—including Tuan Ch'i-jui, Feng Juo-chang, Wang Shih-chen, Ts'ao K'un, Chang Huai-chih and many others—were Tientsin Military Academy graduates.\n\n \nIn short, significant changes in Chinese military education took place prior to 1895, despite the absence of meaningful reform in either the civil or military examinations and numerous other problems.116 Nonetheless, it took the successive humiliations of the Sino-Japanese War, the \"Scramble for Concessions,\" and the Boxer fiasco to prompt the Ch'ing dynasty into fundamental military reform,117 And even then, \"national\" policies were often implemented piecemeal at the local level.118 \n\nIn retrospect, it seems evident that the obstacles to meaningful reform in Chinese military education were less ideological than institutional. To be certain, Confucian critics of new-style training programs could always be found, especially after the establishment of modern military academies in China during the 1880's.120 But the throne's lack of enthusiasm for military reform along Western lines certainly cannot be explained in terms of ideology alone. In the first place, it must be remembered that little if anything in the way of Confucian learning had ever been expected of regular Ch'ing military officers. Paradoxically, it was in the innovative yung-ying armies, about which the throne had very mixed feelings, rather than the Green Standard and Banner forces of the empire, that the inculcation of Confucian virtues received special stress. Moreover, officials such as Chang Chih-tung, and even the pragmatic Li Hung-chang, emphasized the importance of Confucian education not only in their own \"personal\" armies but also in their new-style military academies.12 Surely, the subordinate officers of Chang and Li were no less \"Confucian\" than their Green Standard and Banner counterparts.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208458, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 182, "title": "RAS-1978", "content_text": "166\n\nC. MARTIN WILBUR\n\nChing Ho; A Sociological Analysis. The Report of a Preliminary Survey of the Town of Ching Ho, Hopei, North China. (Hsu, Leonard, S., Editor.) Peiping, Yenching, 1930.\n\n\"Clanship Among the Chinese\". (Chinese Repository, vol. 4, 1836, p. 411-415).\n\nCreel, Herrlee G.; Sinism; a Study of the Evolution of the Chinese World View. Chicago, Open Court, 1929.\n\nDe Groot, J. J. M.; Les Fêtes Annuellement Célébrées à Emoui (Amoy); Étude Concernant la Religion Populaire des Chinois. 2 vols. Paris, Leroux, 1886.\n\nDe Groot, J. J. M.; The Religious System of China. 6 vols. Leyden, Brill, 1892-1910.\n\nDemiéville, P.; \"Hou Che Wen Ts'ouen (MILŻ#)\" (Bulletin de l'École Française d'Extrême-Orient, vol. 23, 1923, p. 489-499).\n\nDes Routours, Robert; \"Les Grands Fonctionnaires des Provinces en Chine sous la Dynastie des T'ang.\" (T'oung Pao, vol. 25, 1928, p. 219-330).\n\nDuyvendak, J. J. L. (translator); The Book of Lord Shang, a Classic of the Chinese School of Law, London, Probsthain, 1928.\n\nFerguson, John C., \"Political Parties of the Northern Sung Dynasty\" (Journal of the North China Branch of the Royal Asiatic Society, vol. 58, 1927, p. 36-56).\n\nFerguson, John C.; \"Southern Migration of the Sung Dynasty\" (Journal of the North China Branch of the Royal Asiatic Society, vol. 55, 1924, p. 14-27).\n\nFerguson, John C.; \"Wang An-shih\" (Journal of the North China Branch of the Royal Asiatic Society, vol. 35, 1903-04, p. 65-75).\n\nGiles, Herbert A.; A Chinese Biographical Dictionary. Shanghai, Kelly and Walsh, 1898.\n\nGiles, Herbert A.; A Chinese English Dictionary. 2nd ed., 2 vols.; Shanghai, Kelly and Walsh, 1912.\n\nGranet, Marcel; Chinese Civilization, London, Kegan Paul, 1930.\n\nHirth, Friedrich; The Ancient History of China to the End of the Chou Dynasty, New York, Columbia, 1911.\n\nHsieh, Pao Chao; The Government of China (1644-1911). Baltimore, Johns Hopkins, 1925.\n\nHu, Shih; \"The Establishment of Confucianism as a State Religion During the Han Dynasty” (Journal of the North China Branch of Royal Asiatic Society, vol. 60, 1929, p. 20-41).\n\nHu, Shih: \"Religion and Philosophy in Chinese History\" (in Symposium on Chinese Culture. (Zen, Sophia H. Chen, Editor). Shanghai, Institute of Pacific Relations, 1931, p. 24-58).\n\nHu, Shih; \"Wang Mang, the Socialist Emperor of Nineteen Centuries Ago” (Journal of the North China Branch of the Royal Asiatic Society, vol. 59, 1928. p. 218-230).\n\nHuang, Han Liang; The Land Tax in China. New York, Columbia, 1918.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208471, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 195, "title": "RAS-1978", "content_text": "# WOODBLOCK PRINTING\n\n179\n\nthan eight thousand volumes together with the world's oldest wood-block printed book are now kept by the British Museum in London. In 1908 a Frenchman, Professor Paul Pelliot, took away two thousand five hundred more volumes. What remained in the library, around eight thousand volumes, were sent to Peking in 1911 and are now kept in the Peking Library.\n\nBuddhism came to China along the Old Silk Road first from Central Asia at the end of the last millennium BC and again in 67 AD when a mission sent to India by the Han Emperor Ming Ti (***) returned with two learned Indian scholars. Chinese pilgrims, notably Fa-hsien (3); §) 399-424 AD and Hsuan-tsang (✯✯) 625-645 AD, used the Old Silk Road. All went through Tun-huang,\n\nBy the time of the Tang Dynasty, 618-905 AD, woodblock printing had already developed to a high state of artistry. Buddhists made full use of the printing technique to popularize their religion. Buddhism was very prosperous at that time. There were more than five thousand temples in existence, and around three million people became monks or nuns. The temple authorities and their followers engaged in publishing Buddhist texts or sutras with great enthusiasm, as they believed that the more texts or sutras that could be published and circulated the more merit would be rewarded. Most of the sutras were printed with images and illustrations so that they could be better understood by those followers with only little education.\n\nIn the year 931 AD the government of Late Tang (k) set up a special printing section under the Education Department (§76) to engage scholars, carvers, and printers to make woodblocks to print all classical texts copied from the stone texts, the first official textbook printing in Chinese history. It took twenty-two years to accomplish the whole series, consisting of nine classical texts totalling one hundred and thirty volumes and finished in the year 953 AD, Late Chou (£§).\n\nThe great advance in wood engraving skill should be credited to Northern Sung Dynasty (a). In the period of the tenth or twelfth centuries, the production of both classical texts and illustrated novels, including imprints of stone and woodblock folk prints, increased in quantity and quality. Books of fiction printed in the Sung Dynasty 960-1179 AD were amply illustrated, with illustrations\n\nPage 195\n\nPage 196", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208487, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 211, "title": "RAS-1978", "content_text": "NOTES AND QUERIES \n\n195 \n\nGuo's cult centre was at Phoenix Mountain Monastery (4 +) near Nan An, a county capital some 15 miles inland from Chuan Zhou, the prefectural capital on the coast of Fujian province opposite Taiwan. Though Chuan Zhou lies only forty miles up the coast as the crow flies from Amoy, before the advent of buses travel between those two cities took several days. Immigrants to South-east Asia took the Saintly Guo with them, and wherever his temple is to be found you can be certain that the local populace includes a fair percentage of Nan An, Chuan Zhou and Amoy settlers. \n\nHe is usually seen on altars, as he is on the Hong Kong altar, sitting beside his consort and with his parents behind him and two unnamed male servants before him. \n\nHis festivals are celebrated on his birthday the 22nd of the second lunar month, and on the 22nd of the eighth lunar month, the day he was whisked away to Heaven and achieved Tao. \n\nGuo has two or three legends describing his origins and life. Some readers will have heard all or parts of these differing legends connected with various deities. The main one relates how Guo was born in Nan An district during the Sung Dynasty where he grew up with his poverty-stricken widowed mother. She worked as a maid for a rich but unpopular man who, as did all very rich heads of families, also employed his own feng shui specialist (a form of fortune adviser) who provided advice and plans for each day. The feng shui specialist foretold that the child Guo who worked as a goatherd, would have a great future, and would inherit everything from the rich man, as Guo's family had been pious, honest and good for three generations. The question posed by the rich man after he had heard this prognostication from the feng shui specialist was \"would Guo prefer to be a great man for one generation\", or \"ashes and incense forever?\" (In another version it was Emperor for one generation and Duke or King for many generations). The feng shui specialist secretly explained to Guo which was the best plot in the rich man's acres, the plot with the most auspicious characteristics. Here he was to bury the remains of his dead father. To obtain the plot Guo indentured himself to the rich man for a fixed period without the rich man realizing the auspicious nature of the site. After years of hard work Guo was able to bury his father in the plot, earning the", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208952, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 114, "title": "RAS-1980", "content_text": "82\n\nDAVID LUNG\n\ndesires and aspirations are no longer a priority in design. The trend toward brutalism in architectural design has urged theoreticians in the field like Robert Vickery and Christopher Alexander to advocate a return to basic principles, to refathom the timeless way of building and to rediscover the fundamental 'pattern language' in environmental design.\n\nIn the long search for meaning in Chinese architecture, I have come to the conclusion that buildings should reflect the characteristics, the values and the sensitivities of a culture so that people who live in them can sense their archetypal foundations and, in turn, heighten their awareness of their own culture and values. Hence, architecture is didactic, a device for expression. Architecture becomes a life-sustaining process, and not an end object itself.\n\nChinese architecture, like its civilisation, is an accumulation of a continuous, monolithic tradition. Unlike its European counterpart where building types of certain periods characterise certain architectural styles, Chinese architecture basically carries one archetype throughout the ages. Be it a commoner's house, or a palace, or a temple, they share a common set of design principles and methods. From the founding of an imperial city in Peking to the building of a farm village, the same tradition is followed. Chinese farm villages do not just 'grow in a haphazard fashion' as a number of scholars have suggested. Rather, they follow the same set of values as city building of the Chou Dynasty (1122-256 B.C.). I have chosen Kat Hing Wai, a farm village in the New Territories in Hong Kong, to demonstrate one significant theory that \"vernacular architecture and the monumental buildings of the grand design tradition have a common root and serve the same symbolic function, both express the meaning, values and needs inherent in public form of life.\" This village was built in the Ming Dynasty (1368—1644) and is the best surviving example of Cantonese farm architecture remaining in the Colony. It still serves as a viable living habitat for the original Tang clan who migrated to this region during the tenth century. I want to document and preserve this 'vanishing' farm village in drawings, photographs and writing, as well as to examine the reasons why this architecture, and the life it supports, have survived into the twentieth century. What lessons can we learn from the village built forms that can significantly contribute to the making of future environments?", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208969, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 131, "title": "RAS-1980", "content_text": "SYMBOLISM OF THE NEW LIGHT \n\n99 \n\nbeen pointed out in other areas as well.16 Other channels of inspiration are not therefore excluded; in the structure of the Taoist ritual some essential elements can hardly be explained by pointing to an old Chinese model only. (See below).\n\nIf Chou rituals are, however, accepted to be the prototype of the Taoist fen-teng, there is still an important discrepancy between the two; if the old Chinese custom was related to the four seasons and in the Han dynasty to the spring equinox exclusively, the change brought in by the Taoists is the disconnection of the ritual from the spring equinox: as it stands now, the fen-teng can take place any time during the year, whenever the chiao festival is celebrated. Since the chiao is a grand occasion for renewal, the fen-teng or the striking and blessing of new fire, harmoniously blends together with the meaning and essence of the chiao,\n\nThere is another indication of the eclectic origin of the fen-teng ritual within the sequence of the present-day chiao festival. As was mentioned above (footnote 10) it is a regular occurrence in some temples to have the essential chiao preceded by two days of preliminary exorcism: exorcism of the water-spirit and of the fire-spirit. 'Water' and 'fire' have throughout history been extremely dangerous elements in South China; water especially has often been a threat in Taiwan, where every summer typhoons and floods have destroyed crops and property and caused the drowning of many fishermen. Fire also is a potentially destructive force: before the age of concrete building, fire was an enemy against whose rage little could be done; once a fire broke out, it would destroy a whole cluster of buildings, if not large sectors of a town or city. At the beginning of the chiao, the 'water' and 'fire' spirits are pacified by means of recitations and sacrifices, performed by the Taoist priests, and ultimately almost 'sacramentally'17 restrained from doing harm to the community in the new time period to come.\n\nIn view of this exorcistic ritual, in which 'fire' (and 'water') is seen as a threat, the fen-teng ritual, which takes 'fire' as a blessing, appears to be paradoxical and can only be explained as to derive from a different conception and origin altogether.18\n\n2. The Christian Consecration of Fire and the Easter Candle\n\nAlthough the Liturgy of the Roman Catholic Church has been changed throughout the centuries to accommodate new perspectives", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208974, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 136, "title": "RAS-1980", "content_text": "104\n\nJULIAN F. PAS\n\n(1) The names fen-teng or chu-teng appear to have replaced an older name jan-teng which is found in older manuscripts, dating from the fifth century.28 The change of name to fen-teng appears in the later manuscripts (Sung dynasty) and must have a special reason: the name indicates the significance of the rite as a whole; a new name implies a new meaning perhaps not totally replacing the old one, but certainly emphasizing a new theme in the structure.\n\nSimilarly the name chu-teng points to a new perspective in meaning. It is not clear where this name came from, but ‘blessing’ or 'consecrating' fire-light appears to be an innovation in Taoist liturgy. The Christian parallel is very clear: 'blessing' of light, like so many other types of blessing, is a truly Christian ritual act; in the texts of the Easter candle the terms 'sanctify' and 'bless' occur several times.29 By contrast, no type of \"benediction\" or blessing is found in the Chou-Li. The idea and even the expression \"fen-teng\" is also found in the Christian ritual: during the Exsultet chanted by the deacon, this passage occurs:\n\nAnd now we perceive the glory of this pillar, which the sparkling fire lights for the honour of God. Which, (fire) though now divided (divisus in partes) suffers no loss from the communication of its light.30\n\nBefore the Easter liturgy was changed in recent times, this was the moment when the lights in the church (the lamps or candles in older times) were lit from the Easter candle: the very moment of fen-teng.\n\n(ii) The actual striking of new fire is amazingly similar in the Taoist and Christian liturgies: in contrast with the Chou Li where light was said to be taken directly from the sun with a mirror (and therefore presumably in bright daylight), the rituals here both take place in the hours of darkness. In M. Saso's description, \"striking a match\" produces the new fire:31 this, however, is certainly a modern adaptation, and since a mirror cannot be used at night, we may assume that the striking of rocks must have produced a new fire in older times.\n\nThe similarities go even further: the new fire is produced outside the temple or church building in both cases; also, the lights in temple and church are extinguished and are relit after the new fire has been taken inside.\n\n(iii) The Trinitarian formula. In the Christian liturgy, there are three successive moments of lighting a candle during the en-", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208980, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 142, "title": "RAS-1980", "content_text": "110\n\nJULIAN F. PAS\n\na transliteration from the Syriac. If this is correct, it would provide serious evidence of historical contacts between Taoism (Lü Tung-pin) and Nestorianism.\n\nHowever, besides the doubt concerning the actual language of these stanzas, another difficulty lies in some of the terminology used in the transcription of Syriac: in the stanzas quoted, the Chinese transliteration of 'Jesus' is I-sha-ho. Although a variety of Chinese characters may be used to transliterate the same foreign terms or expressions, some doubt can be expressed in this case, since in other Nestorian texts, translated into Chinese, the more common transliteration for 'Jesus' is I-shu #(a) or I-shu **(b).45 Therefore, since the presence and meaning of these enigmatic verses remain so far unsolved, it is premature to conclude to a positive Nestorian influence.\n\nLü Tung-pin's possible contacts with Nestorianism are not limited to these verses. Although he is better known under his Taoist name, his personal name was Lü Yen, and has been identified by Saeki with Lü Hsiu-yen & who wrote the calligraphy for the text on the Nestorian Monument in 781.46 If this identification is correct, Lü Yen (born in 755)47 was at that time a junior official in the imperial civil service.\n\nLu's contacts with Nestorianism are nowhere else positively attested. In his biography, however, there are passages that could be interpreted as doctrinal borrowings from Christianity: examples are stories told about Lü similar to narratives in the Gospels, such as the transformation of wine into water, or the feeding of a large group of monks with only a little food.49\n\nIf Lü Tung-pin's contacts with Nestorianism can be historically established, there still is a long way to go before the main theme of this paper can be affected by it. There is, however, another sinologist, who has tried to link Taoism and Nestorianism. L. Wieger50 claims that the \"Mystic Taoism\" of the T'ang dynasty was connected with Basilides.\n\nHe further states that in 741 (or 742?) Lao Tzu appeared to emperor Hsuan-tsung with the message that his statue would be found at Chou-chih near Ch’ang-an.51 After the emperor received the statue a Nestorian service was celebrated in the palace by seven priests. All this again is circumstantial evidence suggesting that\n\nT", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209061, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 223, "title": "RAS-1980", "content_text": "BIBLIOGRAPHY OF TAOISM\n\n191\n\nTao shu shih ĕrh chung. Shanghai, 1913.\n\n道書十二種,上海,江東書局,1913. 16 v.\n\nCA\n\nTao-tsang. Shanghai, 1924–26.\n\n道藏,上海,商務,1924-26.\n\n1200 v. in 128 cases.\n\nCA, SA\n\nTao-tsang chi yao. Taipei, 1971.\n\n道藏輯要,賀龍驤校勘,台北,考正出版社,1971.\n\n25 v. (11308 p.)\n\nLC, SA\n\nTao-tsang ching hua lu. Shanghai, 1922.\n\n道藏精華錄,丁福保編纂,上海,醫學書局,1922.\n\n12 v.\n\nCA\n\nTao-t'ung ta ch'eng. Taipei, 1975.\n\n道統大成,汪東亭輯,台北,新文豐出版公司,1975.\n\n2 v.\n\nLC\n\nTs'ao, Wen-i. Ling yüan ta tao ko pai hua chieh. Taipei, 1964.\n\n曹文逸. 靈源大道歌白話解,台北,自由出版社,1964.\n\n1 v.\n\nLC, SA\n\nWan, Shang-fu (Ming dynasty). T'ing hsin chai k’o wen. Taipei, 1966.\n\n萬尚父,聽心齋客問,台北,台灣商務,1966.\n\n13 p.\n\nSA\n\nWei, Po-yang. Ku pen Chou-i ts'an-tung-ch'i chi chu. Taipei, 1974.\n\n魏伯陽,古本周易參同契集註,台北,自由出版社,1974.\n\n398 p.\n\nSA\n\nWu shang mi yao. Taipei, 1966.\n\n無上秘要,撰人不詳,台北,台灣商務,1966. 8 p.\n\nSA\n\nYen Ling-feng, 1903- Tao-chia ssu tzu hsin pien. Taipei, 1968.\n\n嚴靈峯,道家四子新編,台北,台灣商務,1968.\n\n2, 6, 2, 858 p.\n\nLC\n\nYoshioka, Yoshitoyo, 1916– Eisei e no negai. Kyoto, 1970.\n\n吉岡義豐, 永生への願、道教, 京都,淡交社,1970.\n\n271 p.\n\nLC\n\nYü-ch'iao-tzu. Hsüan-hsüeh mi lu. Taipei, 1975.\n\n玉樵子,玄學秘錄,再版增訂本. 台北, 1975.\n\n[41] double leaves.\n\nLC", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209170, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 73, "title": "RAS-1981", "content_text": "RELIGIOUS RESPONSE TO MODERNIZATION IN TAIWAN THE CASE OF I-KUAN TAO 59\n\nto form a syncretism of the Chinese and Western religious traditions. In the same way that Confucianism, Taoism and Buddhism are traditionally said to form a unity, today Christianity and Islam are included in this overall religious tradition. Consequently, the former slogan san chiao he i, “the three teachings form a unity\", has been changed into wu chiao he i. \"the five teachings form a unity\".\n\nAs an illustration of the attempts to give a theoretical, or theological, foundation to the unity of the five religious I shall quote some passages from an I-kuan Tao publication. The chapter is entitled \"The theory of the unity of the five teachings\" and starts as follows:\n\nThe so-called unity has the following aspects: 1. The unity which is due to the common origin of the five teachings in the Tao. 2. The unity which is due to the fact that the doctrines of the five teachings shed light on each other. 3. The unity which is due to the fact that the doctrines of the five teachings complement and complete each other. 4. The unity which is due to the fact that according to the trends of development of each of the teachings they must reunite in the Tao.\"7\n\n37\n\nIn the succeeding parts of the chapter these four aspects of the unity of the five teachings are explained in detail. I confine myself here to a few selections:\n\n1. The five teachings have their common origin in the Tao. The culture of all mankind has its origin in the Tao. Prior to the Chou dynasty there was only one school of the Tao. During the time of the Warring States at first the separation between Confucianism and Taoism developed, later on Buddhism, Christianity and Islam rose in India and in the West and so it came to the five religions coexisting side by side. One can compare the Tao to a fountainhead, the five teachings are like five streams springing from this fountainhead. They each run through different lands and on their way nurture the hearts and enrich the lives of the people [in their respective lands]. ... Although the five teachings are separated, in their sayings there are no differences, since in reality they all belong to the same principle.\n\n2. The doctrines of the five teachings shed light on each other. Irrespective of their differences regarding race, colour and sex all men are brought forth by Heaven and have the same nature given to them by Heaven. Therefore, the human", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209707, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 364, "title": "RAS-1982", "content_text": "342\n\nBOOK REVIEWS\n\nform a coherent and readable entity, since they only contain information of a very specialized nature, and constitute only snippets from the enormous archaeological literature of even the 1930's and 1940's. Four of the seven articles deal with Szechuan province, which Cheng wrongly described in 1947 as “fundamentally a marginal area [whose culture] has never been a product of an independent development.\" Another article treats Tang dynasty tombs in Fukien, while the remaining two of the pre-1950 period concern monuments of the Hopei-Honan-Shantung area, and cannon of the Opium War.\n\nAs the author notes in the Introduction, these and many similar studies are scattered in various learned journals. One may thus entertain serious doubts about the claim of the publishers that “it is worth gathering some of the more important [of Cheng's archaeological writings] together for reference.\" For whose reference? The few interested scholars can easily obtain copies of the original publications, whereas the general reader would have little interest in reading 40-year-old site reports and field surveys, concluded by out-dated interpretations. Regardless of Cheng's occasionally enjoyable style, as in the anecdotal archaeological tour of the three provinces, the reader will not gain even a partial overview of Chinese archaeology from these articles.\n\nMany of the same considerations apply to Cheng's essay on archaeology in Sarawak. Although more recent (1969), it does not give a current or balanced view of Sarawak's past. One assumes that Cheng himself approves of including Sarawak in a volume on “Chinese archaeology,\" since he views the area as the extreme southern frontier of the Han empire—a notion which is highly debatable, to say the least. In support of this line Cheng in this article takes \"Chinese relics\" automatically to indicate \"Chinese activities”, relates Sarawak's Iron Age to the Chinese invention of iron metallurgy in the Shang dynasty (the date should actually be Late Chou, and it may have been a borrowed idea rather than an “invention”), describes a flat stone with two perforations as \"an import from the mainland”, and suggests that the custom of boat burials in cliff caves was spread by \"southern Chinese\" throughout southeast Asia. Suffice it to say that the chapter on Sarawak, though containing interesting tidbits of information, is cast in a strong sinocentric perspective.", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 210065, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 36, "title": "RAS-1984", "content_text": "15\n\nThe Present-day Temple Oracles\n\nThe temple oracles, described in modern historical writings and still found in contemporary practice in Taiwan, Hong Kong, Singapore, etc. can be traced back as far as the Sung dynasty. Yet such a long interval between the milfoil-I Ching oracles of early Chou and the Sung practice does not necessarily mean a historical continuity. But although today the literary links are missing, some scholars have assumed a continuous line of development. J. Needham is very definite when he states that \"The milfoil, ... has descended continuously to the Taoist temples of the present day, where simple folk choose a stick from a box ...\" This method of using sticks is, in Needham's opinion, different from the use of the I Ching symbols, although he admits that, in the latter, milfoil sticks were also used.\n\n14\n\nMore recently a German anthropologist Werner Banck, has focused his attention on the study of temple oracles. A first volume of his work, a large collection of temple oracle texts, was published in 1976.1 (A second volume is promised in which the author will analyse and evaluate the collected source materials). In his foreword to Banck's work, Wolfram Eberhard clearly expresses the belief that there is continuity between the contemporary oracles and the tradition of the I Ching and the Han alternative version, embodied in the T'ai-hsuan ching. W. Banck himself shares this opinion and plans to examine the literary tradition of China for more exact information.\n\nA possible reason why direct evidence is not easily available consists in the very nature of the contemporary temple oracles: they are used by the people in the temples. Two conditions make such a practice possible: the existence of temples and the availability of printing. This double factor only started to materialize toward the T'ang period and therefore it seems plausible to look for the origin of temple oracles in the middle or later T'ang era. Before that time, people who wanted to consult the oracles in private matters, could visit diviners, who did not need temple oracles since they could read the I Ching and similar texts and cast the oracles for their clients.", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210336, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 307, "title": "RAS-1984", "content_text": "286\n\nCHOI CHI CHEUNG\n\nThe Cheung lineage was not prosperous until the Tao Kuang (*) period. Ancestor Yao-chih (2) of the 2nd sub-lineage became a successful merchant, and through his generous donation, an Ancestral Hall for the whole lineage was built. The Ancestral Hall of the Ya-kang segment was built in the middle of the Chia Ching period by the effort of ancestor I-pi ( ), brother of Ah-lum's grandfather (see clan record, Tz'u yu pu (3) section, Tz'u T'ang Chi (2) sub-section pp. 1-4). Though the lineage had several National School students (B), no one succeeded in the official examinations until the end of the Ch'ing dynasty when they had three chüren (A). Two of them were Ah-lum's sons. Ah-lum's father was also a National School Student who earned his living by teaching in the villages nearby (see the biography of Ah-lum's father in the Clan record, Chi-ching pu (it) section, Hang Chuang ((HA) sub-section p. 5).\n\nThis man is not otherwise mentioned in the Clan record.\n\nAccording to Ah-lum's statement as given in court, \"he first came to the colony at only 18 years of age. He was first employed by Mr. Bigham, who went to California; after that by Mr. Franklyn; then by Murrow, Stephenson & Co.; then by Mr. De Silver, for whom he made biscuits, as well as did other business see: British Parliamentary Papers, China, no. 24: Hong Kong, P. 183. (= BPP 24:183).\n\nThe Russell was owned by Russell & Co., and the Shamrock by Mr. Xavier, c.f. BPP 24:170 and 173.\n\nSee BPP 24:164–184. The bakery had three machines making bread to supply most of the foreigners in Hong Kong.\n\nSee BPP 24:155-184, and Eitel op.cit. p. 311-313.\n\n10 The Arrow War. The anti-foreigner movement was supported by Yeh Ming-shen (), the Imperial Commissioner for Kwangtung, in Canton. See Wakeman, F. Jr. Strangers at the Gate. 1966, pp. 109ff. Also Eitel op.cit. p. 305.\n\n11 Eitel: op.cit. p. 312-313.\n\n12 According to Chen Kuan-ying (###), Ah-lum was chief of the China Merchants Steam Navigation Co. (TERA) in Vietnam. He owned a shop Hung Tai Ch'ang() in Saigon, and his son Ti-fu (#) was chief manager (*) of the Cambodia Opium Co. (12). Chen Kuan-ying (E), Nan-yu Jih-chi (12), (Diary of a Journey to the South), reprinted 1967, Taiwan, p. 19ff, 81-89. According to the Clan Record Tsa Chi-pu() section, Pa-yu (if) sub-section, p. 1, Ah-lum had businesses in Saigon, Haiphong, Comuponton, and in Nha Trang in Kwangnam (ÂM NHIỀU).\n\n13 According to the clan record, we know that one of Ah-lum's sons was buried in the free cemetery of Haiphong (), and another was buried in the free cemetery of the Canton City Association in Vung Tau, Vietnam (#).\n\n14 In 1884, when Chen passed through Vietnam, Ah-lum was chief manager (*) of the China Merchants Steam Navigation Co. in Vietnam. See Chen: p. 19.\n\n15 Chen: ibid.\n\n16 Clan record, Chi-ching pu (###) section, Ch'i-shou (##) sub-section, pp. 1-4; has two essays presented on this occasion by the gentry of Heung Shan, and by the merchants of the Canton City Association in Vung Tau, Saigon (F#城會館).", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 211242, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 303, "title": "RAS-1987", "content_text": "278\n\nNOTES AND QUERIES\n\nTAM KUNG: HIS LEGEND AND WORSHIP\n\nOccasionally, one hears of the deity Tam Kung #2 as having originated in Kowloon. That mistake arises from confusing Kowloon (Chiu-lung 九龍) with Chiu-lung shan in Lin Kuei-shan 歸 county.\n\nTam Kung, named Tao, was a native of Kuei-shan (present Hui-tung) in the Yuan Dynasty. He cultivated his moral conduct at Chiu-lung shan. He was often seen in the mountains with a tiger carrying his things. He cured the sick when they approached him. He died and was revered as a deity. When drought came, people went to him to ask for rain, and often they were satisfied.\n\nIn the 6th year of Hsien-feng (1856), he was granted the title ‘Hsiang-chi 祥濟’ (“Assistance and Aid”) by the emperor.\n\nIn Hui-chou, two temples were erected to offer sacrifice to Tam Kung; one on Chiu-lung shan in Kuei-shan and the other in Hui-chou City. A pavilion was built at the place where he cultivated his moral conduct.\n\nOn my visit to the Chiu-lung shan in 1986, I saw both the temple, the Lung-feng tsu-miao 龍峰祖廟, and the pavilion, the T'an-kung te-tao-t'ing 譚公德道亭. A stone tablet now kept in the Hui-tung county museum, given the title, \"The repair of the T'an-kung Temple of Chiu-lung shan\" dated 4th year of Tao-kuang (1824), records that the original temple was built thousands of years ago, was repaired in the 40th year of Ch'ien-lung (1775), and then rebuilt and enlarged in the 4th year of Tao-Kuang (1824). The pavilion that I saw was rebuilt quite recently.\n\nIn Hong Kong, there are two Tam Kung temples. They were built in the late Ch'ing by people from Hui-chou. The Tam Kung Temple at Wongneichung was built in 1901. It was originally built on the hill slope near the present Hong Kong Sanatorium. A bell", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211345, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 61, "title": "RAS-1988", "content_text": "37\n\nofficials in Shanghai stopped Sulin from sailing to America because Mrs. Harkness had neglected to obtain the necessary permit to export live animals. After much discussion and wrangling, Mrs. Harkness was able to leave Shanghai for San Francisco with Sulin on the President McKinley, carrying with her a \"passenger voucher\" for \"one dog\".\n\nTwo years later, in 1938, Floyd Smith succeeded in bringing five live giant pandas to England, creating a general sensation around the world.\n\nResearch into Chinese records for records on the giant panda\n\nWith all the hoopla around the world starring one of China's very own, faces were red indeed back in the Central Kingdom. Nobody had even suspected the existence of such a delightful treasure in China's own backwoods.\n\nResearchers were challenged to dig into Chinese historical records and ancient writings to find proof that, after all, the Chinese had known all about the giant panda since antiquity.\n\nThe Synthesis of Books and Illustrations of Ancient and Modern Times, a work compiled during the Ming dynasty (1368-1644) but not printed until 1722, is a wonderful source for quick reference of Chinese scholarship throughout the ages. Thumbing through the chapters on animals, scholars of the 1930s came up with a plethora of animal names that they fitted into physical descriptions of the modern giant panda in one way or another. Some of these choices could be traced to the classics, the Book of Odes, an anthology of poetry mostly dating from the early Zhou era (1122-722 B.C.), and Erya, a dictionary thought to date from the third century B.C. Antiquity indeed.\n\nThat giant pandas had existed in China since geological times was never a point in dispute. Studies of fossil remains have proved beyond any doubt that pandas had lived in China during the Pleistocene. Furthermore, their geographical distribution had been much more extensive than today's. They had lived in areas outside the southwestern mountains, and had roamed the provinces of the north and the east, including Liaoning, Shandong, Anhui, and Jiangsu.", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211348, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 64, "title": "RAS-1988", "content_text": "40\n\nwas easily dismissed by exponents with the reasoning that the illustrators of the Ming era had not the slightest idea what they were doing. Others, more sceptical, on the other hand, came to a different conclusion. The existence of this picture obviously proved that mo, like pixiu, was only a legendary animal.\n\nZhouyu\n\nThe third animal offered by scholars as the giant panda in Chinese history and literature was zhouyu.\n\nIn the Book of Odes, the zhouyu was depicted as \"A giant animal that could be as large as a tiger, that had white fur but was black in certain areas. It was not carnivorous, and displayed a gentleness as well as a sense of trustworthiness\".\n\nSo far, this portrait fitted the modern giant panda. There was one flaw, however, as the description of the animal went on to say that **its tail was even longer than its body**.\n\nSubsequent writings on the zhouyu, claiming to be based on actual sightings, however, did not mention the impressive length of its tail.\n\nIn one of the Confucian ritual texts, the Rituals of Zhou, it was stated that the term zhouyu was adopted as the title for the imperial official whose responsibilities were the upkeep of the emperor's menagerie of animals and birds. This use of the term implies that the animal of the same name was rare and valuable.\n\nIn the History of the Eastern Jin Dynasty, it was recorded that the zhouyu was sighted in 333 A.D. in Liaodong in eastern China, where fossil remains of the giant panda had been found. In the History of Five Dynasties, by the noted stateman and scholar of the Song era, Ouyang Xiu (1017-1072), the zhouyu was recorded to have been seen two times. In 908 A.D., residents of two localities reported sighting the zhouyu. These localities were Wuding and Bishan, both in Sichuan. Five years later, in 913 A.D., the animal again was seen by residents. (It is regrettable that the Chinese language makes no distinction between singular and plural nouns. Therefore it is not clear whether residents", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211628, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 43, "title": "RAS-1989", "content_text": "18\n\nTHE JADE EMPEROR AND HIS FAMILY\n\n玉皇大帝\n\nYU HUANG TA TI\n\nKEITH STEVENS\n\nThe Jade Emperor, also known as the Lord of Heaven (T`ien Kung), is the chief deity of the pantheon of the Cheng I sect of Taoism. He is only a secondary deity of the Taoist Lungmen sect. He was worshipped China-wide as the supreme ruler of the Heavens, and even of some of the Underworld. In folk religion, he is worshipped as the protector of all mankind, having replaced Lao Tzu in that role and as head of the Taoist faith, possibly because people were uncomfortable taking their problems to a philosopher. According to a majority of Taoists his earthly mouthpiece was Chang T'ien Shih, The Heavenly Master and his descendants.\n\nAlthough he is well known to both Chinese and to interested foreigners, what is not so well known are the ramifications of his family and the extent to which several of its members have their own cults.\n\nThe development of the supreme deity in China is far from clear. In earlier times the all-seeing, all-powerful, unseen god was Shang Ti who even now is occasionally referred to as the all-highest. Not only is the term Shang Ti used by Protestants for the Supreme Deity, God, but also the late Chairman Mao in his statement that, at the age of 72, “he was soon going to see God“, used this expression.\n\nHoward Smith, a missionary in China for 24 years, describes how the Chou dynasty (ca 1050-256 BC) founded its government on religion and transformed 'Shang Ti', probably originally a term used for the deified spirits of the imperial ancestors under the previous dynasty, the Shang, into a high God, independent and supreme, He added \"The importance of this change cannot be over-emphasised. When this supreme deity finds the rule of an emperor abhorrent, whenever a king fails, by persistent misrule, in his duties to God, then God rejects him and seeks out a suitable substitute.\" The transfer of the mandate of Heaven, based on the belief in a supreme deity, carried with it strong ethical implications, and continued down to the last dynasty, which fell in 1911.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211636, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 51, "title": "RAS-1989", "content_text": "26\n\nthe destinies of mankind on behalf of the Jade Emperor.\n\nImages of four of his 36 ministers are to be seen with him on several altars. They are:\n\nHsu Chenjen (許眞人)\n\nSa Chenjen (薩眞人) both on his right hand, and\n\nChang Chenjen (張眞人)\n\nKo Chenjen (葛眞人) both on his left hand.\n\nTheir collective title is Hsu Lung Chang Ko Ssu Chenjen (許呂張葛四眞人).\n\nPopular versions of the deification of the Jade Emperor are no more than an echo of the stories related by tea house story tellers who, in turn, came by many of the stories from the Ming dynasty book containing a collection of myths describing the wars which ended in the fall of the Shang dynasty and its replacement by the victorious Chou, \"The Deification of the Gods' (Feng Shen Pang). The collection, also known as the Feng Shen Yen I, describes the appointment of the Jade Emperor by Chiang Tzu-ya, the Prime Minister of the Chou, in about 1180 BC. Chiang had appointed the majority of the heroes who had lost their lives in the wars to overthrow the Shang tyrant to fill vacancies in the bureaucracy of the spirit world with only one post left unfilled, that of the Supreme Deity, the Jade Emperor, which Chiang had been reserving for himself. When he was offered the post, with customary courtesy he paused and asked people to 'wait a second' (Teng lai) whilst he considered. However, having called out \"Teng lai', an opportunist, Chang Teng-lai, hearing his name, stepped forward, prostrated himself and thanked Chiang for creating him the Jade Emperor. Chiang Tzu-ya, stupefied, was unable to retract his words. However, in tense anger he quietly cursed Chang Teng-lai, ‘Your sons will become thieves and your daughters prostitutes!' Chang Teng-lai became the Jade Emperor but was unable to prevent the curse from working. The sons, in the Feng Shen Pang, planned to steal Buddha's lotus throne, but omniscient Buddha trapped them with his fingers and enslaved them under a pagoda. Despite this human origin, and his apparent lack of qualifications for the post of Supreme Deity in the pantheon, he is above all other spirits in the Taoist and folk religion pantheon and is a distant deity to whom all others must pay their respect.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211662, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 77, "title": "RAS-1989", "content_text": "52\n\nA second legend also tells of five scholars, again during the T'ang dynasty, on their way to the capital to take the imperial examinations when they overheard demons plotting to poison a village well with pestilence pills. The villagers themselves would not believe the scholars so the five jumped into the well and polluted it with their corpses. The Jade Emperor was impressed by their self-sacrifice and appointed them Pestilence Wang Yeh. This story was originally specifically told by people from Ch'uanchou in Fukien.\n\nA third legend claimed that five men, Li, Chih, Wu, Chu and Fan became blood brothers in order to serve the man who, after his military campaign, established the T'ang dynasty and became its first emperor, Kao Tsu. The five were appointed to various offices of state, served the country well, and after they died were appointed Celestial Inspectors, known colloquially as Pestilence Princes, Wen Wang (HE).\n\nTwo further legends date the origins of the Pestilence Wang Yeh to the Ming, some four hundred and sixty years after the T'ang. The first tells of 36 literati ordered by an early Ming emperor to travel forth beyond the borders of China to tell the world about China's greatness and in particular about the history of the great Tang dynasty. On one of the voyages all 36 were lost in a storm at sea and according to one of the surviving sailors, an auspicious pink cloud drifted over the roaring waves and celestial music was heard as the 36 were borne aloft. The emperor ordered a new ship to be built to be called the Ship of the Wang Yeh into which was placed a tablet for each of the 36 together with a decree personally written by the emperor requiring the officials at every port where the ship docked to welcome and honour the spirits of the dead literati.\n\nYet another local legend claims that towards the end of the Ming era five literati, Chih, Li, Chu, Hsing and Chin, on their way to invigilate at the local imperial examinations at Ch'uanchou fell ill and died of plague. They lost their lives in the service of the people of the town and have been worshipped ever since as the Five Excellencies (Wu Fu Wang Yeh).\n\nIn a popular story teller's tale, the Feng Shen Pang, recorded during the Ming dynasty, Lu Yueh, a Taoist with his four disciples fought for the last of the Shang dynasty against the Chou forces, using germ warfare (pestilence weapons). All five were on the losing side and", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211977, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 392, "title": "RAS-1989", "content_text": "367\n\nThe villagers had already gathered at the festival site when I arrived at half past nine in the morning. The red slips of paper etc., were carried by the people responsible on a tray, and, in some cases, a \"pavilion\", back to where they had been fetched from. In all cases, I believe, the person who carried the divinities was preceded by one of his companions who beat a gong. In some cases the procession included the \"Keep quiet!\" and \"Keep clear!\" banners.\n\nI witnessed the case of the Hung-Fan Taam gods. On their arrival the villagers set up the temporary spirit tablets of the divinities at the site, and made offerings of tea, sweets, yun-bou and paper clothing to them. Then they burnt the spirit tablets as well as the paper offerings.\n\nAhern, Emily Martin\n\nBrim, John A.\n\nBIBLIOGRAPHY\n\n1981 Chinese Rituals and Politics, Cambridge University Press,\n\n1974 \"Village alliance temples in Hong Kong\", in Wolf (1974: 93-104).\n\nCheng, Sui Kwan Faure, David\n\nn.d. \"Yuanlang Xinx\", unpublished manuscript.\n\n1984 \"The Tangs of Kam Tin - A hypothesis on the rise of a gentry family\", in Faure et. al (1984).\n\nFaure, David et. al (eds.) 1984 From Village to City: Studies in the Traditional Roots\n\nHayes, James W.\n\nKamm, John\n\nof Hong Kong Society, Centre of Asian Studies. University of Hong Kong.\n\n1983 The Rural Communities of Hong Kong: Studies and Themes, Hong Kong: Oxford University Press.\n\n1977 \"Field notes on the social history and fungshui of Kam Tin”, Journal of the Hong Kong Branch of the Royal Asiatic Society (JHKBRAS) xvii, pp. 202-216.\n\nLaw, Suk-Ching and Lam Siu-Fung\n\n1985 **Jintian Dengshi shixi bogian shi'', in Renleixie Zhou Tekan, pp. 2-14. The Anthropology Society, Chinese University of Hong Kong.\n\n1984 \"Village education in the New Territories region under the Ch'ing\", in Faure et. al. (1984).\n\n1983 New Peace County: A Chinese Gazetteer of the Hong Kong Region. Hong Kong: Hong Kong University Press,\n\nNg Lun, Alice Ngai Ha\n\nNg, Peter Y.L..\n\nOfuchi, Ninji\n\n1983 Chugokujin no Shukyo Girei, Tokyo,\n\nSaso, Michael R. Schipper, K.W.\n\n1972 Taoism and the Rite of Cosmic Renewal, Washington.\n\n1974 \"The written memorial in Taoist Ceremonies\", in Wolf (1974:309-324).\n\nSiu, Augustus K.K. and Anthony K.K.\n\nSiu, Anthony K.K.\n\n1982 Studies on Chinese Genealogies and the History of the Hong Kong Region, Hong Kong: Hin Chiu Institute.\n\n1982 \"Zupu zhong suojian zhí shishi shili”, in Siu and Siu (1982), pp. 21-29.\n\n1984 **The Hong Kong Region before and after the Coastal Evacuation in the Early Ch'ing Dynasty', in Faure", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212015, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 430, "title": "RAS-1989", "content_text": "405\n\nmotivating factor, intimate to Schwartz's soul, for dismantling other political assessments gone askew. In addition, the appeal Schwartz has continued to make to the universality of certain profound questions, rendering China a case in point rather than a quixotic exception, may have something to do with the modern Jew's need to be reconciled with the nations. Although one can exhume no overwhelming evidence for or against this statement, Schwartz's penchant for locating polarities may have as much to do with the dipolar dialectics of the Book of Changes as it does with a Buberian-like discourse of I-Thou and I-It. Certainly, his support of the personal dimension of a preternatural Heaven in the Zhou dynasty texts, a claim which is currently very controversial but which has textual support, is not antagonistic to Schwartz's personal background.\n\nReaders will benefit greatly from the erudition and articulate argumentation of these essays. Still all should bear in mind, as Nathan emphasizes, that especially in cross-cultural studies evaluation is an undeniably complicated task which 'is a way of respectfully sharpening and focusing discussion, not ending it', (p. 301).\n\nLAUREN PFISTER, Hong Kong Baptist College\n\nDavid Faure, The Rural Economy of Pre-Liberation China; Trade Increase and Peasant Livelihood in Jiangsu and Guangdong, 1870 to 1937, Hong Kong: Oxford University Press, 1989. xiv + 283 pp. Appendix. Notes. Bibliography. Glossary. Index.\n\nThe topic of late Qing and Republican China's rural economy and the role played by foreign trade in its transformation has been a subject of heated debate among scholars. On the one hand, there are the 'pessimists' who emphasize long-term rural decline and the negative effects of foreign trade in accelerating the process; on the other, there are the 'optimists' who stress the positive effects of foreign trade and, related to it, continuous rural prosperity until the time of the world depression in the early 1930s. A useful summary of this debate can be found in the present volume under review, (pp. 2-10).\n\nThe task that is set for this book is, in Faure's own words, ‘to explain how the increase in trade, particularly international trade, might have affected rural livelihood in China', (p. 21). His conclusion is clearly", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212088, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 30, "title": "RAS-1990", "content_text": "\"of the respect which constituted authority commands. They keep up soldiers and police to enhance the dignity of their own positions, and, incidentally, to suppress rebellions and catch, castigate, torture or behead such persons as they consider to be malefactors; but all their actions are limited by what public opinion will allow.\"'\"\n\nA decade earlier, the American missionary educator, Bishop Graves of Canton, long acquainted with the popular will, had explained what it was and how it had to be taken into account by the authorities at all times:\n\n\"China's government consists of two elements: the Imperial authority, as represented by Mandarins, high and low, with the underlings and police runners connected with the various official courts, and the popular will represented by the village elders, the Kung-Kuk, or councils of literati, and the Kai-fong or assemblages of householders in cities and towns. Public opinion, which is, perhaps, practically the strongest element in Chinese society, is based on local traditions, clan feeling and provincial pride, modified by a sense of nationality founded on allegiance to the Emperor as the Son of Heaven or Divinely-sent Ruler.\n\nNo one can understand China who regards its government as a pure despotism, an Autocrat imposing his own will on subservient subjects. The popular element must also be taken into consideration in estimating the forces which bind Chinese society together.\n\nMuch was expected of their rulers by the ruled. It was assumed that they would be guided in their actions in accordance with the ethical code, and rule by the moral authority and example of righteous action rather than by despotic whim or tyrannical decree. When this was not the case, it was open to the oppressed people to remove their rulers. Such conduct had been openly endorsed by the sage Mencius. A propos the overthrow of the last Hsia dynasty king he had said bluntly, \"I have heard about the killing of a ruffian called Chou; I have not heard about the killing of a king\". The phrase long in use for a rising against unjust rulers is hei yi; which means literally \"to raise righteousness\". The ordinary people of China justified actions against oppressive or neglectful authorities by transforming themselves\n\nPage 30\n\nPage 31", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212123, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 65, "title": "RAS-1990", "content_text": "42\n\ndisasters. the second is for those who died because of plague. The final reason is to thank the benevolent governors Wang Lai-ren and Zhou You-de of the beginning of the Qing dynasty. In my opinion, all these reasons can be integrated into the first one.\n\n(d) Chan Wing-hoi \"The Tangs of Kam Tin and their Jiu festival\", Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989) 302-375, a rich and detailed account of the lineage, its temples and villages, and the festival which draws them together.\n\nDr. Faure gradually switched his interest to the Pearl River Delta while Prof. Tanaka, as I was told, is now looking at Sichuan province. Talk on publishing a book on Hong Kong Jiao festivals has been going on for years by members of the \"Research Circle of the Regional Society of Southern China''. In 1990, the editorial board of the society set up a schedule to compile a book focusing on the Jiao festival. It is expected that papers on various aspects will be completed by the end of April 1991. (Correspondence from the society dated 28.12.1990)\n\nSchipper, Kristofer M., \"The Written Memorial in Taoist Ceremonies\" in Wolf, Arthur P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford University Press, 1974), 324,\n\nFor example, according to Chan Wing-hoi, villagers of Shek O celebrated their 16th Jiao in 1986 (Chan, 78). The Dengs in Kam Tin claimed to have celebrated their Jiao since 1684 (Tanaka, 918).\n\nSee for instance Basel Mission Archives, doct. Al-6, No. 51 (1869), and doct. Al-7, No. 51 (1870) and Der Evangelische Heidenbote, July 1867, in which a missionary describes how he was forced to go to the Magistrate to get his support before he could avoid having to pay his share of the Jiao expenses. All these cases are from Hsin An County. The Sha Tin poem will, it is hoped, shortly be published by Dr. P.H. Hase.\n\nThese two series are part of the 15 series of historical documents collected by Dr. D. Faure and others in the New Territories. Copies of the collections are kept in the libraries of CUHK, Hong Kong University, Sha Tin Regional Council Library, and Institute of Oriental Culture, Tokyo University.\n\n31\n\nTanaka Chugoku no Sozoku to Engeki [Lineage and Theatre in China] (Tokyo Univ. Press 1985), 608. Jiao festivals celebrated by the powerful communities in Hong Kong like Kam Tin, Ha Tsuen, Lung Yeuk Tau etc., were all performed by the Zhengyi Taoist group, led first by the late Master Lin Pei and now by Master Chan Kau. Another Zhengyi Taoist group is led by Master Chan Wah. However, many Taoist priests work for both groups. There are also other Taoist groups who performed for the Jiao festivals, like a Cantonese group which performed for Ho Chung and a Heklo group for Cheung Chau. In 1983, four out of five Jiao festivals were performed by monastery Taoists. It is not clear whether it was because of tradition or out of economic reasons. A comparison of the two Taoist groups has yet to be made.\n\n14 Choi Chi-cheung **Sho matsuri no jinmei risuto ni mirareru shinzoku ban'i” [Kinship as seen in the name lists of Jiao festival] Bunka Jinnú Gaku 5 (1988): 131, table L. 35 **Shinshi men\" [Section of Believers] in Fanling Wenxian (Historical Literature of Fanling) vol. 8. This brief account records details of the arrangement of the Jiao area, including the contents of couplets, names of deities invited, location and direction of matshed stages, and the sacrifices prepared etc.. See n. 32 for the depositories of Fanling Wenxian.\n\n36 See (1972) Lin Chuan [Lam Tsuen] Xiang Taiping Qingjiao huiyi jilubu in Dapu [Tai Po] Wenzian [Historical Literature of Tai Po] vol. 1. (see n. 32 for depositories)\n\n37 Tanaka Issei's three books, all published by the Tokyo Univ. Press are: Chugoku Saishi Engeki Kenkyu [Ritual Theatres in China] (1981), Chugoku no Sozoku to Engeki [Lineage and Theatre in China) (1985), and Chugoku Kyoson Saishi Kenkyu: Chihogeki", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212133, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 75, "title": "RAS-1990", "content_text": "52\n\nNow while such a statement might have been reasonable if applied to the Christian Byzantine empire in 781, it certainly did not represent the true state of affairs in Syria, which had been under Arab Moslem rule for nearly 150 years. Here the author had in mind the Christian culture of the wider Mediterranean world, and was not thinking of conditions in Syria alone.\n\nThe term ching-chiao, 'brilliant teaching', was a striking and original expression, appropriate for a religion whose founder claimed to be the Light of the World. The character ching, 'brilliant', could be found in Buddhist contexts with happy connotations. It was a term which may also have particularly appealed to Persians, whose religious thought, whether Zoroastrian, Manichean, or Christian, has traditionally stressed the conflict between light and darkness.\n\nInterestingly, the Nestorians used a rare, but apparently permissible, form of the ching character. Its normal form consists of the character ching, 'great', which supplies the pronunciation, surmounted by the radical jih, 'sun', which indicates the meaning. The Nestorians transposed one horizontal stroke to convert the radical jih into the character kou, 'mouth', and to make a reciprocal change in the ching character below, which includes the character kou among its elements. At least thirteen variants of the character ching are known to have been used by Chinese calligraphers, but most, if not all, involve only minor alterations which enhance the character's basic meaning. A Yüan dynasty example of Chou Sheng-chou, for example, has an extra stroke, giving two suns. The Nestorian version, on the other hand, is not found elsewhere, and achieves an effect which goes beyond the elegant variation permitted to eminent calligraphers. The Nestorian variant is dominated by the kou radical, and its effect is to subtly subvert the impression made by the character in its normal form and to suggest that the 'brilliant teaching' is a doctrine to be spread to others, to be communicated by word of mouth.\n\nThe expression ching-chiao, 'brilliant teaching', occurs several times in the Sian tablet inscription. The character ching, 'brilliant' also occurs on its own in a number of different contexts in the inscription, sometimes as an adjective meaning little more than 'bright', sometimes implying 'Christian', and occasionally, when applied to the Messiah, seeking to convey a sense of divine splendour. Christian churches are ching-ssu, 'brilliant monasteries', Christian priests ching-ssu\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212164, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 106, "title": "RAS-1990", "content_text": "83\n\ntook some of the soil from his tomb and raised a shrine to him in his native village nearby. Almost immediately other villagers discovered that one could obtain good advice through divination at the shrine and his fame spread. Shortly after the Japanese occupied Formosa some of their cavalry passed through the village destroying crops. The angry Chinese villagers were unable to protest but that night as the cavalry troop tethered their horses around the shrine one of the horses neighed once and dropped dead. This was seen as hidden retribution by the spirit of Ts'ai on behalf of the villagers, punishing the Japanese without providing an opportunity to blame the villagers for the mishap.\n\nA very local cult in a village near Tainan is based on the worship of a 'Young Girl' (Hsiao-niang). A two-year-old baby died in about 1908 and was deified after she reappeared as a spirit in 1935. The cult would appear to have been forced upon the family by the appearance of, and pressure from, the deity herself.\n\nMiss Ch'en Jui lived during the Ch'ing dynasty, 'about a hundred years ago', in Yen-shui in southern Taiwan where she died a spinster at the age of 28. All that is known about her according to the temple plaque is that 'her spirit did not disperse and she was deified'. A thatched shrine built over her grave was rebuilt with bricks in 1928 and the only image within is that of Miss Ch'en. Devotees claim that since she was deified she has delivered them from perils and cured their illnesses.\n\nA native of Chia I, a town in central Taiwan, was killed in about 1853. A short record of his life is kept in Chia I itself although the local residents who worship at his shrine know nothing more than his name, Luo An, and that he was a neighbourhood peasant who died \"about a hundred years ago\". None knew why he had been deified. The short record explained that Luo An had been involved in the fighting around Chia I between migrants from Chang-chou and those from Ch'uan-chou, both groups from the mainland. Although he had neither official nor unofficial status he struggled hard to prevent the fighting spreading into the town of Chia I itself. After he had succeeded and peace had been restored he was accused of acting in his own interests and killed. People remembered him as a brave man who had saved their town and a shrine was erected in his honour. His cult grew, with Luo An as a local protective spirit with an annual festival celebrated on the 29th day of the first lunar month. Like many of the very local", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212167, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 109, "title": "RAS-1990", "content_text": "86\n\nA local Ch'ao-chou cult image seen on a secondary altar in a tiny makeshift rural temple in Ulu Sembawang in Singapore is said to represent the spirit of a nine-year-old boy who died in the late 1960s. He is the medium spirit who speaks through his aunt, providing advice for local devotees. His aunt raised the image after she found that the spirit of the boy returned to her in a dream offering to help people. The boy is known by the title of 'the Prince of the East of the Sea', Hai-tung Tai-tzu.\n\nA Cantonese Kuomintang soldier, Huang Chin-ch'uang, crossed to Taiwan in 1949 with the retreating KMT forces. He was posted to Pingtung near Kaohsiung and served with a unit near the main village on the island of Little Liuchiu where some time later he became ill and died. The people of the village, remembering his kindness and goodwill and knowing that he had no family of his own, buried him in an auspicious spot on the hillside. He became the spirit guarding the hills above the village and also gained renown for his ability to protect fishermen in danger. A shrine, a privately run temple, was built in his honour and an image of him placed on the altar where he is now known as Marshal Huang despite having been a mere private soldier.\n\nWang was a sailor left behind in Java by the great Ming explorer Cheng Ho at the beginning of the sixteenth century. His image is to be seen on a side altar in the Earth God temple at Ancol, not all that far from Jakarta, whilst tablets dedicated to him are to be seen in Chinese temples in Semarang and near Sourabaya, all on the island of Java. Local Chinese belief is divided as to whether he was pure Chinese or Javanese, and whether he was a shipwright, navigator, or senior member of Cheng Ho's crew, or merely a Javanese interpreter. They are at one, however, that Wang was a Moslem and that he married a Javanese wife and lived out his days, dying peacefully in Semarang.\n\nOf these ten male and two female spirits, all but two are represented by stylised images on altars, and they are taken from each of the main ethnic groups along the south China coast, the Cantonese, Fukienese, Hakka, Ch'ao-chou, and Hainanese.\n\nFive originated during the past fifty years, three some time during the past century, whilst four definitely developed during the Ch'ing dynasty.\n\nOnly six of the spirits still have their full names remembered, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212510, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 64, "title": "RAS-1991", "content_text": "44\n\n19\n\nRuan Yuan as a \"bridge for classical learning\" between the Han Learning scholars of Jiang Fan's Guo chao Han xue shi cheng ji (Han Learning scholars of the Qing dynasty) and the later work of Chen Li (1810-1882), Dong xu du shu ji (Chen Li's notes on the classics in which he argued against the viewpoint of the earlier classicists that Han period scholars had ignored metaphysical study.) Qian pointed out that \"recent scholarship has neglected the significance of this transitional period, thereby underestimating the significance of Ruan Yuan's contributions to the development of classical learning of the mid-Qing era.\"10 This finding was echoed by He You Shen# of the University of Hong Kong, who observed that Chen Li's thinking had been influenced by Ruan Yuan.\n\nAfter becoming a fellow of Xue Hai Tang, Chen Li went to visit Ruan Yuan in Yangzhou in 1841, and again three years later. These two visits influenced the direction of Chen's later thoughts tremendously.\"\n\nOther scholars have stressed the importance of Ruan Yuan's patronage activities. Liang Chi Chao wrote that \"Ruan Yuan of Yi-zheng served in the provinces for several decades. Everywhere he promoted learning. He exerted tremendous influence on other scholars of the era in Zhejiang, Guangdong, and Yunnan.”12 Xiao Yi Shan- stated that \"Ruan Yuan's contributions to learning were not confined to his own writing. He established institutions to give other scholars an opportunity to research and to publish. He was extremely influential on other scholars of the era. His scholarly achievements far surpassed those of his contemporaries, such as Wang Chang, Bi Yuan and Zhu Jun.\"'13 Hu Shi went further by analyzing the secret of Ruan Yuan's success.\n\nRuan Yuan's special talents rested in his ability to collect the leading scholars of the day, and have them work together to compile such major works as Jing ji zhuan gu, Shi san jing jiao kan ji, Chou ren zhuan, and others. He also published works of other scholars, among them Ling Ting kan, Jiao Xun, Wang Zhong, Liu Tai gong. His Huang Qing jing jie, 1,400 juan, represented the first conclusive study of classics by scholars of the Qing dynasty.14", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212529, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 83, "title": "RAS-1991", "content_text": "10\n\n[bid\n\n||\n\n63\n\n&£#* (The\n\nHe You sheng, \"Chen Lan Fu di xue shu ji chi yen yuan\" [learning of Chen Lan Fu and its origins], Gu Gong Wen xian 2.4 (Taipei, 1971), 1-19. He's study on Ruan Yuan can also be found in \"Ruan Yuan di jing xue ji chi zhi xue fang fa\" [Classical scholarship of Ruan Yuan and his education policy], Gu Gong Wen xian 2:1:19-34 (1970).\n\n12 Liang Chi chao, qing dai xue wen gai lun [A discourse on Qing learning], (1921, Taipei Commercial Press reprint, 1975), 22\n\n13 Xiao Yi shan, ging dar tung shi [History of the Qing dynasty], (1935, Taipei Commercial Press reprint, 1976), 11 717.\n\n14 Hu Shi, Dai Dong yuan di zhe xue [The philosophical studies of Dai Zheng], 138.\n\n15 This is the only work of Ruan Yuan's that I have not been able to find. It was never printed because Ruan Yuan was not satisfied with the draft. The manuscript had been kept with Ruan Yuan's papers in his lifetime and subsequently disappeared. There was no indication whether it perished in the fires that destroyed the Ruan residence in Yangzhou in 1843, or that which burned down his studio, Wen xuan lou, in 1935.\n\n16 Ruan Yuan himself, as well as contemporary and modern scholars, complain often of the many errors in this edition. Ruan Yuan gave the excuse of not having had time to proofread the manuscript himself. In fact, he had been receiving admonitions from the Jiaqing Emperor at that time that he was expending too much time and energy on scholarly activities instead of concentrating on the affairs of state. Gungzhong dang (Palace memorials) Jiaqing 017818 (1817/29).\n\n17\n\nThis work was not printed during Ruan Yuan's lifetime, but is in Qing shi kao (Draft history of the Qing dynasty).\n\n18 There are a large number of these biographies of individual scholars, not necessarily all Ruan Yuan, scattered throughout rare book collections in various libraries. Copies of the biographies are also among the Guo Shih Guan (Qing Historiography Office) documents in the National Palace Museum (Taipei).\n\n19 For example, the Provincial Gazetteer of Fujian by Chen Shouchi, the Gazetteer of Yicheng by Liu Wenchi, and a new edition of the Gazetteer of the Prefecture of Yangzhou by Jiao Xun.\n\n20\n\nA contemporary print is in the collection of the Harvard-Yenching Library.\n\n21 Struve, 233\n\n22 Ruan Yuan, Ding Xiang ting bi ji [Informal notes from the Ding Xiang studio] 4:1b-2a.\n\n23 [bid.\n\n24 Ruan Heng, Ying zhou pi tan [Notes from Yingzhou] 1.4b; also Ruan Yuan, Yen jing shi ji [Notes written in the Yen jing studio] 11:8:8a.\n\n24 Zhang Jian, et al, Let tang an zhu di zi ji [The life of Ruan Yuan as recorded by his sons and students] 1:19b.\n\n26 The preface was dated 1804, but the work was not printed until later, in 1807 when the manuscript was finally acceptable to Ruan Yuan.\n\n27 Preface of a work entitled Ji Gu Zhai Chong ding yi chi kuan shi, printed in 1853. A copy can be found in the Fu Ssu-nien Library of the Academia Sinica in Taipei.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212594, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 148, "title": "RAS-1991", "content_text": "128\n\nAlso, many who did not believe in reincarnation did believe in supernatural powers and in retribution. Namely, that one would be punished later for sins committed on earth. In the funeral in this case study, the three daughters and the two granddaughters all believed in reincarnation.\n\nConclusions\n\nIn his long, complicated, Italian poem, I Sepolcri (Graves), Ugo Foscolo (1778-1827) looks at death, the after life and how the dead are represented on earth. We see ourselves in the tombs we erect, he maintains. What is the cult of death? It began when civilisation began. When homo sapiens ceased to be animal and 'honoured its urns'. There is conflict between erecting tombs and the law of nature which recycles bodies back into the earth's system, Foscolo continues: \"The stink of the corpse mixes with the smell of incense. In Italy, importance is attached to cypress and cedar trees which stay green with fragrances to record to eternity those who have gone. In England, these are replaced by aged yews and in the Far East sometimes by frangipani.\n\nFunerals, along with food, festivals and weddings tell us much about a nation's culture. Former British Prime Minister William Gladstone (1809-98) said: \n\nShow me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws and their loyalties to high ideals. \n\nCertainly the 'cult of death' is complex and fairly clearly defined for the Chinese who, with their ancient civilisation, rich in folklore, have been 'honouring urns' in a similar manner back as long ago as the Chou Dynasty (1122-255 BC), although there are slight regional variations. The Chinese, more than any other people, are obsessed with the dead.48 There is a fear of the dead. There is a continuing relationship between the dead and the living. Rituals demonstrate, resolve and change situations. Money, goods and food are 'dispatched' to the deceased. In return, from ancestors, the living expect luck, wealth, moral order, fertility and health. If punishment is meted out this is accepted. Feng shui plays its part.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212813, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 122, "title": "RAS-1992", "content_text": "320\n\nMESNY'S CHINESE MISCELLANY.\n\nThe total strength of the regiment is thus: One Colonel, one Second-Major, two Captains, four Lieutenants, four Sub-Lieutenants, two Sergeants, four Corporals, two Lance Corporals and about 650 to 700 men.\n\nThe strength of this regiment is, however, very much increased by over one hundred and thirty gun-boats and a score or so of old ones. Each new gun-boat is manned by one officer and nine men on a peace footing, to which are added one officer and five men in times of war. The old gun-boats have two officers and over twenty men each, and some of them cruise down in the neighbourhood of the Bogue Forts.\n\nThe new gun-boats thus give a complement of 1,300 officers and men in times of peace and over 2,000 in times of war, to be added to the strength of the above naval regiment, besides a proportionate number of commissioned officers.\n\n1439. PAN FEI-A favourite concubine of Tung Hun Hou, the last but one of the Sovereigns of the Ch'i dynasty, A.D. 499-501.\n\nThe practice of cramping the feet of Chinese girls is ascribed to her by some writers. Mayers says: \"She is celebrated for her beauty and grace, and it is related of her (but on untrustworthy grounds) that the practice of artificially cramping the feet was introduced under her auspices See Yao Niang. Her imperial lover is said to have uttered one day, when gazing at her performances in the dance upon a platform ornamented with golden lilies the amorous expression: 'Every footstep makes a lily grow!' and hence the term Chin Lien metaphorically used for the feet of women is said to have taken its rise. In allusion to the same traditions the expression Lien Kou (lily hooks) is also applied in celebrating this charm of woman-kind.\" The term Chin Lien really means Golden Lotus, not Golden Lilies, frequently translated by foreign writers, and in like manner means the term Lien Kou Lotus Hooks. I have often heard the nicely cramped feet of women described as I tui lien hua, i.e., a brace or pair of lotus flowers.\n\n1440. CHOU TICH CHÈN : The battle name of Chou-han the malicious. The rabid anti-foreign Hu-nan man, who has done so much harm to China and to the Chinese by stirring up animosity against foreigners instead of friendliness, adopted as a battle name the characters Tich-chen, which means True as Iron, or \"True as steel\" Chou Han has now fallen, and is ruined, and he is bound to die a miserable death, like everybody else who gets in the way of Christian progress. The following two characters-Tich-chen —may now be substituted for the two so boastfully selected by himself.\n\nHu-nan is bound to be opened to foreign trade and friendly intercourse with foreign nations. No mortal man even yet kicked against Christianity without hurting himself. Chou Han is as good as dead, or he ought to be dead.\n\n1441. AI YEH -The leaves of Artemisia Moxa, q.v. This is considered a lucky plant. On the fifth day of the fifth moon every family gets a few leaves to hang over the house doors. When dry and rubbed up it answers the purposes of punk or tinder, and may be lighted with flint and steel by striking fire over the punk in the usual manner. It is also burnt to drive away insects, or mosquitoes at least, and is very useful as such.\n\n1442. I-TS'AO-Healing Herbs, Medicinal Herbs, Drugs, Artemisia Moxa, q.v.\n\n1443. AI-HO-Punk made from the dry leaves of the Artemisia Moxa, q.v., and used as a cautery in various cases of disease, and burning the scars seen on the head of all properly initiated Buddhist priests. Each scar represents a vow to abstain from evil and perform good deeds.\n\nA full Index will be issued every Six Months.\n\nJan. 9th, 1896.", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 214150, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 8, "title": "RAS-1998", "content_text": "CONTENTS\n\nPRESIDENT'S REPORT ........................................................................................................................ xii\n\nFRIENDS OF THE RAS (UK) REPORT.................... xxvi\n\nAUDITOR'S REPORT ........................................................................................................................ xxviii\n\nHON. LIBRARIAN'S REPORT ............................................................................................................. xxxv\n\nARTICLES\n\nDan Waters - Laughter Across the Great Wall: A Comparison of Chinese and Western Humour ........ 1\n\nKeith Stevens - Images of Sinicised Vedic Deities on Chinese Altars ................................................ 51\n\nRichard J. Garrett - Weapons of the China Wars ............................................................................... 107\n\nKeith Stevens - Naturalist, Author, Artist, Explorer and Editor, and Almost Forgotten President: Arthur de Carle Sowerby, 1885 - 1954, President of the North China Branch of the Royal Asiatic Society, 1935 - 1940 ............ 121\n\nKeith Stevens and Jennifer Welch - Xu, the Taoist Perfected Lord Xu Zhenjun, the Protective Deity of Jiangsi Province........... 137\n\nGillian Bickley - Plum Puddings and Sharp Boys, \"One Touch of Nature Makes the Whole World Kin\": An Analysis of the China Coverage in the Illustrated London News, 5 January to 23 September, 1861 ........ 147\n\nKeith Stevens - The Deification of Heroes Following the Struggle by the Vassal State of Chou to Overthrow the Shang Dynasty...... 173\n\nKeith Stevens - Temples Arise from the Ashes of Revolution ........................................................... 187\n\nvii", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214319, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 177, "title": "RAS-1998", "content_text": "141\n\nbeen sacked in the memory of man. When the Taiping rebels came to the walls of Nanchang in the middle of the 19th century, they saw sitting on it the figure of a huge man swinging his feet in the moat. He was apparently selling sandals three feet in length to the beleaguered citizens. That was enough for the attackers who turned and fled. It was the figure of Xu Xianzhen. This, however, was not true of the Wan Shou Gong at Xi Shan which, according to temple records obtained by Professor Liang Hongsheng. These are quite clear that since the Furen Palace was first constructed there in 1743, it was destroyed by fire first in 1820 and again in 1856, after it had been rebuilt in 1848, by the Taiping rebels. It was again repaired in 1871 only to be destroyed once more nearly a century later by Red Guards,\n\nSomewhat surprisingly Xu has been seen on altars in Taiwan, Singapore and Malaysia, possibly carried there by immigrants from Fujian province, a province immediately to the south of Jiangxi. His is, however, a minor cult deity.\n\nAn image of Xu, one of the minor healers in a group of five, on the main altar in a temple in Hsinchu, in northern Taiwan, portrays him as a standard Daoist immortal with a sword and small Daoist crown. The gilded image is swathed in a golden robe and all that can be seen are his face and bald head, his black beard and one hand holding the sword aloft. He and the others are collectively revered by devotees as celestial doctors who reveal herbal prescriptions for devotees through a spirit medium. The senior celestial doctor in the group of five is Yang Zhenren, better known perhaps as Yang Zhensong; the other three junior doctors being Xuan Zhenren, Wu Zhenren and Sun Zhenren. The old temple keeper who had founded the temple and is now dead, came over to Taiwan in the 1930s bringing the cults with him from Nanping in Fujian province, some 200 miles due south of Nanchang.\n\nA temple in Singapore, opened in 1971, has Cuji Zhenjun\n\nas the main deity on its main altar. The temple keeper was in no doubt that this deity was Xu Sun, a famous Song dynasty doctor, who was portrayed as a black-bearded, seated Daoist, dressed in colourful robes and a scholar's hat, but without any unique characteristics. His image is flanked by two aides who have not been noted anywhere else:\n\nCishui Lingguan Dadi\n\n刺水靈官大帝", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214350, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 208, "title": "RAS-1998", "content_text": "173\n\nTHE DEIFICATION OF HEROES FOLLOWING THE STRUGGLE BY THE VASSAL STATE OF CHOU TO OVERTHROW THE SHANG DYNASTY\n\nKEITH STEVENS\n\nThe lives of a great number of Chinese historical figures, heroes, worthies, bandits and revolutionaries, sovereigns and commoners over the centuries have become mythologized and the subjects of teashop story tellers. Their deeds and words have been fictionalised, themes known to the majority of Chinese. Some have found their way into religious life and become deified worthies. Many of these tales, ostensibly biographies of deities, are predominantly fantasy wedded with historico-fictional legends, a number of which comprise two or more volumes, others involve an enormous cast of heroes and worthies as well as scores of supernatural characters. Three major historico-legendary tales in particular have coloured popular religion beliefs. These are The Romance of the Three Kingdoms, The Journey to the West and The Deification of the Gods. Other works have also been sources of peasant knowledge about individual deities such as The Romance of the Sui-Tang [Sui-Tang Yanyi].\n\nWe are particularly interested here with The Deification of the Gods. [Fengshen Yanyi: a novel also known to foreigners as The Investiture of the Gods]. 'The Feng-shen Yen-i addressed the moral and philosophical question of the origins of the gods and is an unsophisticated version of history describing the overthrow of the dynastic house of Shang by the vassal Zhou which took place some 3,000 years ago, at a mythological time when the \"human\" gods were created. It has an overlay of Buddhism despite this religion in practice not reaching China until some thousand years after the overthrow of the Shang and the establishment of the Zhou and not incorporated into Chinese religious beliefs until the time of Christ. It is the story of the decline of a dynasty, the Shang, with its depraved, dissolute and brutal ruler, under the spell of a beauty, his concubine, leading at first to his ineffective attempts to subdue his vassal Zhou state, and later to the Zhou mustering its forces and allies to attack the Shang and lay siege to its capital.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214351, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 209, "title": "RAS-1998", "content_text": "174\n\nThe conflict is described in gory detail with both humans and deities waging unrestricted warfare using thunderbolts, poisonous gases, and magic fans. Armies are annihilated by wizardry, bizarre and fantastic magic weapons are deployed by both sides leading to the eventual defeat of the Shang, and the suicide of the ruler and death of his concubine. The story ends with the heroes of both sides being canonised. This historical fantasy describes the struggle in the 11th century BC between the forces of the evil King Zhou3 [Zhou Wang, known also as Zhou Xin] of the Shang [Yin] dynasty and the armies of Duke Fa,a with large bodies of men clashing as well as individual duels between heroes leading to the eventual victory by Duke Fa and the end of King Zhou and his concubine. It describes individual or groups of deities, their origins, careers, and their miracles and supernatural powers during the campaign of Duke Fa against King Zhou. During the struggle, both sides called upon Heaven, who in response sent mythological deities [i.e., not deified humans] to take part in the clashes and battles.\n\nThe major hero of the forces of Duke Fa was his prime minister, Jiang Ziya, who was eventually responsible for handing out honours deifying the human heroes of both sides, with both the victors and the conquered being awarded posts in the Celestial hierarchy. Images of many of these heroes can still be seen on altars, deities in their own right, with responsibility for specific roles as gods of wealth or health or as patron deities. These deified heroes are possibly best thought of as 'human' deities in comparison with the mythological orthodox Daoist and Buddhist deities of the Creation and pre-history, a number of whom also took part in the fictional conflict. It has provided a standardisation of myths and legends woven into a continuous story which has, since its compilation, been the main spring of Chinese popular knowledge about the celestial and Underworld deities. A great many deities were familiar before this work was written, and the problem, therefore, has been well-nigh impossible, of determining how much of the work was original and how much was grafted in from earlier legends.\n\nChinese histories describing the fall of the Shang are far from clear. It was the era when the Chinese in the Yellow River basin were emerging from the mists of pre-history. Dates vary from 1050 BC to 1120 and 1127 BC, but one scenario is well known to the Chinese man in the street, the final act. The Shang was ruled by a degenerate, Zhou Xin [also known as Zhou Wang], whose army was defeated in battle on the Muye plain before the Shang capital. The victor was Duke Fa [Ji Fa], who founded...", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214352, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 210, "title": "RAS-1998", "content_text": "175\n\nthe Zhou dynasty and became the emperor of the new dynasty, the Zhou, and is known by his reign title of Wu Wang. The Book of History suggests that his army consisted in part or in the main of a central Asian race, the Western Yi. Zhou Xin is vilified as a moral degenerate under the spell of a wicked concubine, Dan Ji. The Shang were attacked and replaced as the dominant force in northern China by the Zhou just before the first millennium BC, having come from the west. They established their capital near present-day Xi'an.\n\n6\n\nThe victor, Wu Wang [King Wu], passed on the title of Zhou Gong [Duke Zhou] to his brother, Dan, and also conferred the imperial title on his father, grandfather, and great-grandfather who had only been dukes when still alive. Zhou Gong was the paragon of literary China for some three thousand years, and it was he rather than his imperial brother who was the author of the Constitution of Zhou. When his brother, the emperor, died leaving a young son, court officials and the vassals assumed that Duke Zhou would usurp the throne and kill his nephew. He did nothing of the sort, and instead, it was the young king who at the age of nineteen stripped his uncle of his powers and forced him to live in exile in Shandong where he died a few years later.\n\nThe deities described in traditional vernacular fiction, and in particular in the immensely popular novel the Fengshen Yanyi, are known to most Chinese, whereas the majority of those left out of the Fengshen Yanyi, apart from the major cult deities, have to all intents and purposes gone into limbo and are only known within small pockets of China or have been lost in the mists of time. Versions of the legend passed on orally often in local dialect, which frequently does not extend further than the extent of the dialect group, have numerous minor and occasionally major variations, whereas the written version was read China-wide in its 'established' state.\n\nSo many heroes and worthies make their appearance at one stage or another that it is impossible to name them all. Some appear momentarily during one of the battles, others are recorded in several chapters, occasionally with different names or titles, such as the Northern Emperor [Bei Di] who is also known by his titles, Xuantian Shang Di, The Supreme Lord of the Dark Heavens, and Zhen Wu, The True Warrior. And in temples today, in all probability, he will be known by only one of these titles, with local devotees vigorously denying that an identical...\n\nPage 210\n\nPage 211", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214358, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 216, "title": "RAS-1998", "content_text": "181\n\nmay be unremarkable, in Mao's China not all that long ago folk religion was taboo, and even in today's China that they offer such displays of the old deities without blatant propaganda is surprising.\n\nNOTES\n\n1 The Feng-shen Yen-i is usually attributed to Hsü Chung-lin who lived during the first half of the 16th century.\n\n2 The mythological gods of the Creation and pre-history are different from the “human” deities, the latter being canonised since the 11th century BC [and, indeed, up to the present day]\n\n3 Confusion between the new dynasty, the Chou and the last ruler of the Shang, Chou Hsin was so general that it became the convention for a while to romanise the name of the last ruler of the Shang as Tsou rather than Chou.\n\nDuke Fa of the Shang vassal state of Chou, the later King Wu [Wu Wang], the first emperor of the Chou dynasty\n\nFilial piety prohibited a son from bearing a higher title than that borne by his father. Should he acquire the throne it was necessary that the title should first be conferred on his father, dead or alive. We therefore hear of names like Wen Wang [the Emperor Wen] and Chou Kung, awarded to his father and brother respectively, these being the titles\n\n6 A mural portraying Duke Chou is one of the panels, together with others depicting Christ, Confucius, Lao Tzu and Mohammed, around the inside of the dome above the main hall of the cult centre temple of the I-kuan Tao at Nan Hua near Tainan.\n\n7 The only image of Pai Chien noted in today's temples is in Havelock Road in Singapore where he is one of the 24 Heavenly Generals.\n\n* The seven, who not long after this became Immortals, free from the cycle of rebirth and death, were:\n\nLi Ching\n\nThe Three Princes, Chin Cha, Mu Cha and Na Cha\n\nYang Chien\n\nWei Hu", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214551, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 409, "title": "RAS-1998", "content_text": "378\n\nthe Xuan-wu Gate. The church was built by Adam Schall and completed in 1652. Emperor Shun Zhi visited it 24 times, and often had heart-to-heart talks with Schall. On our visit the church was packed. The 7 o'clock mass was just finishing and the 8 o'clock mass then started, but many of those attending the first mass stopped for the second, for that was the Bishop's mass. After the distribution of communion he moved amongst the congregation, shaking hands, including those of several of our party. Emotional moments captured superbly on video by Allan Painter. [Also Illustration Three].\n\nThis was followed by a quieter visit to the massive National Museum of Chinese History, fortunate to have a superb view over Tien An Men Square. The many different objects set out on display in traditional museum style fascinated different members of our group. It was lovely to see a large number of children, some with parents, busy drawing different articles in the collection with notable artistic talent. At the main entrance we saw long queues of children in uniform going into an exhibition marking the 100th anniversary of Chou En Lai's birth.\n\nAfter lunch amongst the spring blossoms of Bei Hai (North Sea) Park we drove north to Prince Kung's Garden (Gongwangfu). Prince Kung (Gong), a Late Qing Dynasty statesman and reformer, was the Garden's second owner. Exquisitely designed, the mansion exhibits a high level of classical Chinese architecture. The buildings are joined together by winding corridors whilst there is also an opera hall decorated with delicate wisteria patterns, however, the actual gardens were rather dry, dusty and crowded.\n\nThen we visited the nearby Changqiao Community Service Centre in Liu Yin Street where the Society was presented with the scroll painted by elderly members of the Centre. We heard about the various activities organised by the Centre. This was followed by a short walk and then the group divided up to go to individual homes in the hutongs for a meal. This was a delightful experience, enjoyed equally by both hosts and guests alike.\n\nThe long day came to a delightful end with a visit to the Huguang Hall at 3 Hu Fang Qiao Road, Xuan Wu District. First built in 1807 it was also known as the Guangdong and Hunan Guildhall and was a", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214970, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 66, "title": "RAS-2000", "content_text": "22\n\nHan Suyin's patrimonial heritage is very specific, as her father originated from the Hakkas, or \"Guest People,\" a sub-group of ethnical Han Chinese, which initially meant displaced, dispossessed, and hungry peasants, the refugees from misery, migrating in millions from the regions struck by floods, droughts, foreign invasions, civil wars, and rural upheavals, and simply \"seeking a roof.\" The Hakkas themselves claim that they moved five times within recorded history, their first migration dating at about A.D. 311, and the fifth one at the end of the Taiping rising (i.e., in the sixties of the nineteenth century). Their culture was to a very large extent affected by the turbulence of political and social events, by their own relative insecurity in the territories of new settlement, and by the resulting enormous eagerness and ability to survive. For these particular reasons, a somewhat remote analogy can perhaps be drawn between the mobile, industrious, and hard-working Hakkas, dispersed among the settled Han population, and the Jewish enclaves dispersed in medieval Europe and in the contemporary world as well.\n\nIn the thirteenth century - the time of Gengis Khan's invasion and of the resulting third migration - Han Suyin's distant ancestors, named Chou, settled in Meihsien in the province of Kuangtung, a purely Hakka district. The wave of the Manchu-dynasty-inspired fourth migration (1680-1720) took some of them further to Szechuan, the region of Four Streams, a remote Chinese hinterland guarded from the outer world by the cliffs of Tibet, the Snow Mountains, and the Cold Mountains, and the dangerous Yangtse gorges. The recorded family history starts from the first ancestor, who arrived in Szechuan as an itinerant pedlar, most probably carrying across his shoulder a pole, with the baskets swinging at both ends to transport miserable personal property and sale goods.\n\nBy the nineteenth century, Han Suyin's family had managed to climb up the economic and social ladder, to attain the top echelon, i.e., the scholar-official-administrator class. They had become local landed gentry, the cornerstone of the Chinese feudal social setup, and this anachronistic setup might have continued ad infinitum, had it not, under pressure from the colonial superpowers, ultimately collapsed.\n\nHan Suyin's father, Chou Yentung, was born in 1886 in China already invaded by the French and the British, the two colonial", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215072, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 168, "title": "RAS-2000", "content_text": "125\n\nthe death of his mother who had been defenestrated on orders from her husband, King Zhou, as punishment for bearing such a 'monster.' Yin Jiao was determined to destroy not only his father but also the Imperial Concubine, Da Ji, the Nine-tailed Fox Spirit and current royal favourite who had caused the death of Yin's mother by her calumnies. Yin was presented with two magic weapons by the Goddess Tian Fei, a gold club and a battle-axe, and after the final great battle between the forces of the declining, sinister and corrupt Shang dynasty and the victorious future Zhou dynasty at Wan Xian Chen, Yin Jiao fought first on the side of his father, King Zhou. Later, after switching sides and fighting for the good King Wu, he was unfortunately decapitated by a general during the battles having been sandwiched by the Buddha Randeng between two mountains. He was deified during the general deification at the end of the war by Jiang Ziya, the future Prime Minister of the new dynasty, on the authority of the Jade Emperor. Yin Jiao, at the end of the novel, having been sent by Heaven to bring dread calamity down on to King Zhou because of his blasphemies and evil ways, volunteered to be the executioner of his father and his father's concubine, Da Ji. He was proclaimed Prince Jingming and was rewarded by the Jade Emperor for his bravery and filial piety with the titles of Taisui, Marshal Yin and with the presidency of the Ministry of Time. In the novel, the full title of Yin Jiao, the younger son of the evil King Zhou of the Shang dynasty, is Dou Lei Taisui Yin Yuanshuai.\n\nRC\n\nand as one of the Twenty-four Heavenly Lords he is also referred to as Yin the Heavenly Lord (Yin Tianjun).\n\nAn entirely different story is given in another novel, the Shenyi Jing which tells of Jin Chong, the son of Pan Gu the creator of the world, who lived in the mountains of Shandong province. Jin was canonised as Taisui by Fu Xi, a primeval ruler and sage, the first of the three emperors of the legendary period, for his many good deeds and was made responsible to Heaven for supervising the activities of all the spirits and demons. Few Chinese would appear to know this story.\n\nDoré, who refers to Taisui as the Patron of the Harvests, explains that Yin Jiao's baby name whilst living with He Xiangu was Jin Nazha. This adds further confusion to the legends surrounding Li Nazha [the Third Prince - San Taizi], a very popular deity who appears with great frequency in Chinese legends and fairy tales.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215092, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 188, "title": "RAS-2000", "content_text": "145\n\n15\n\n16\n\nare deities of good omen whereas the Seventy-two are stellar spirits of ill omen, without individual legends.\n\nThe bell is called The Bell which dissolves Demons - Ronggui Zhong\n\nHoudous notes in Fujian province that Taisui images sometimes wear a necklace of skulls to represent his authority over the lives of mankind.\n\nMost lone Taisui are known as the 'Intendant of the Year' [dangnian A], though a few are 'the Intendant of the Month\" [dangyue B] and even fewer the 'Intendant of the Day and Hour\" [dangri dangshi B].\n\nW A Grootaers: Rural Temples around Hsüan Hua: Folklore Studies vol. X\n\nShanghai: A Handbook for Travellers and Residents: Its Chief Objects of Interest. Rev. C.E. Darwent : Shanghai: ca 1906\n\nStudies in Chinese Life: Grainger : pub. Chengtu : 1921\n\nKing Zhou was the last ruler of Shang dynasty, described down the centuries as the most despised ruler in Chinese history due to his abhorrent excesses.\n\n}} Jiao means the 'suburbs' his whole name therefore is Yin [who was deserted in the Suburbs.\n\n20 Tian Fet, an early title of the goddess, is now known as Tian Hou [or Tianshang Shengmu]\n\n21 For details of the use of the stems and branches within the sexagenary cycle refer to the chart at the end of this article.\n\n\"The method of gauging distance used by the general populace before the 1911 downfall of Imperial dynasty, and still used by peasants for several decades thereafter, when they were uncorrupted by advanced technology, was the 'li', approximately one third of a mile, though in practice it was the distance measured in time taken between places, it being markedly shorter when travelling up hill than when travelling down.\n\n23 These extra months were added every two to three years to reconcile the annual difference of some eleven and a quarter days between the lunar and solar systems.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215104, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 200, "title": "RAS-2000", "content_text": "157\n\nBut First, the Story of the Rebellion.\n\nTang Ming Huang, or Xuan Zong, the sixth emperor of the Tang dynasty, who reigned between AD 713-756, became infatuated by Yang Yuhuan, the consort of his son, Prince Shou, and caused her notionally to enter a Daoist nunnery. She soon became the favourite concubine of the emperor who shared with him her love of music and dance and whose hold over him led to his neglect of state affairs. It is rarely explained that the Concubine Yang was comparatively plump, conforming to the social concept of beauty of the era. By about 740 the Emperor, tired of the daily routine of his high office, now addicted to luxury and women, also became indolent. As the eunuchs gained ever greater control over state affairs so the emperor surrendered power into the hands of two men, Li Linfu and Yang Guozhong, the latter being a relative of the concubine.\n\nOnly this one woman, the Concubine Yang [Yang Guifei], a famous beauty, was able to fascinate the ageing emperor. He took her into his own harem where she speedily dominated the aged emperor's consort after which he gradually slid into dissipation with his name forever linked with her and their ill-fated romance. Her hold over him led to his loss of interest in imperial duties transforming him from being a staid and good ruler to a playboy. This led to his downfall and her murder. In the late 740s she adopted An Lushan as her son and she, the emperor and An remained in a very friendly relationship until immediately prior to him rebelling. Despite An's gross and huge frame scandalous stories have circulated down the ages of his sexual excesses with the emperor's concubine, Yang, which may or may not have had any truth to them.\n\nGeneral An lost the emperor's favour when Yang Guozhong, a distant relative of Yang Guifei who had worked his way into power, became the most powerful man in Court. He hated An and with the ear of the emperor he was able to turn the emperor's fondness into one of hate and distrust. Eventually, believing the calumny spread by Yang Guozhong, the emperor lost faith in his favourite general, An Lushan found his position untenable and finally, at the end of 755, he rebelled, almost certainly to counter the threat to himself posed by the ever-growing power of Yang Guozhong and his realisation that he had lost the support of the emperor. An Lushan's army drove east and in a series", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215312, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 89, "title": "RAS-2001", "content_text": "37\n\nor She Ji was still a political manifestation up through the Tang (618-907) and the Song (960-1260) dynasties, articulating neighbourhood and local belonging. In the Ming (1368-1644) period of early modern China, government regulations required that every hundred households maintain one She shrine and the ceremony conducted there should include the slaughtering of animals. It was then a day of feasting.4\n\n48\n\nThere is reason for caution here. While it cannot be denied that the ancient rituals of the remote Zhou dynasty share something with those performed more than two thousand years after in late Imperial China, the similarities must be deemed to be no more than a certain family resemblance. There is no reason to assume that the late counterparts of pristine sacrifices were caused by a true structural continuity through the ages. Forms are similar, so are the offerings of meat and wine, and a political component was permanently involved; but having recognized this, we must also remember all those agrarian, religious, social and political changes that have had such a profound impact on life in China in these millennia. Whatever ideas and notions that informed the rites of ancient and early China, these must have been modified and transformed in the course of these two thousand years of history. Still, these resemblances over the millennia continue to fascinate.\n\nThe observation that the archaic links between the cults of the She and the dead re-appear in contemporary rituals in southern China, invites some further speculation. If death was an essential semantic component in the ancient notion of the She, a robust structure of meaning may well have survived—or been generated and generated again—despite ever changing symbolic environments; if it was true that the She could not be separated from the dead, or, possibly, was a manifestation of collective death, this close connotation [death<>vegetative force] may have been a presupposition for any ritual activity concerned with the earth and its generative power.\n\nWhat can be said here, in our present context, is that in some places in the central Yangzi valley there were visits to the graves of the dead in connection with the celebration of the She. The rituals to the agricultural god of the soil solicited blessings for the coming season by offerings and prayers which were sent in a downward direction to reach\n\n48 Aijmer 1991: 191-92.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216017, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 316, "title": "RAS-2002", "content_text": "250\n\nthe Fusang tree re-appears.) Practical aspects of archery mental training were also chosen as images to illustrate philosophical points in Taoism, as seen in the works ‘Liezi’ and ‘Zhuangzi’.\n\nBut in practical terms, it was in military affairs that archery took the lead during the Han Dynasty. Interaction with the northern tribes on the battlefield kept up the pressure to hone mounted archery skills. General Li Guang's exploits against the Xiongnu are a case in point (Qian Han Shu: Li Guang Liezhuan, Selby: 8L). Certain military ranks in the Han military system also appear to have been appointed on the basis of military skills. (Han Shu: Zhi Guan. Selby: 8K.)\n\nAccording to the Ming author, Gu Yu, (Gu Yu: She Shu Si Juan: Lidai Wuzhi Kao. Selby: 8J) when the provincial rites were over on the first day of Autumn, military examinations started. Military officials provided training in ritual archery and the ritual sacrifice of animals, as well as the Military Classics.\n\nPresumably it was during the Han Dynasty that much of the Confucian elaboration of the Zhou rituals must have occurred. Confucius's (apparent) close connection with the ‘Archery Ritual’ (‘she yi’. Selby: 5B.) - he is both quoted in it and appears as a protagonist in the narrative - proved immensely influential when it came to formalizing the imperial system for selection of military officers.\n\nArchery and the formalization of the military appointment system\n\nThe move to a formal, relatively objective and nationwide system for selecting military officials seems to have started in the Northern Wei period, when it became necessary to overcome the family-centered and ethnocentric systems of appointing officials that was endemic in the Wei-Jin period. Chinese historians have naturally associated archery with the nomadic tribes of the north, and it is these tribes who dominated the aristocratic lines of North China in the Wei-Jin Period.\n\nIn his struggle for the unification of China, Emperor Yang of the Sui Dynasty needed to undermine the traditional power-bases of the aristocratic warlord families. In 607, he implemented examinations in 10 areas, including military affairs. There is no direct historical description of the content of the Sui military examinations; but from", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216028, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 327, "title": "RAS-2002", "content_text": "261\n\nwere keen to claim association with the first rulers of the Zhou, of the 12th century BC, and also with the infamous first ruler of China, Qin Shih Huangdi who, it was claimed, had used the area of Dantu as a penal settlement.\n\nDuring dynastic times Zhenjiang was a walled administrative seat, an important prefecture, and one of twelve prefectural cities in Jiangsu province, in a major region known as Jiangnan [South of the River]. Zhenjiang means 'Guard-post of the River', a title given in 1113 during the Song dynasty, and its location, guarding the junction of the Grand Canal and the Yangzi, is such that it was a fortified post at the point where the southern arm of the Grand Canal crosses the Great River to join the northern arm, as well as being the first and ideal position to control the upstream passage of the Yangzi. The British political aim, when their soldiers captured the city in 1842, was to cut off the vital supply route, the Grand Canal, from southern China to the north in order to exert maximum pressure upon the Imperial government.\n\nAlthough Zhenjiang lays claim to a number of incidents, destruction by nature and by human hand, visits by royalty, legendary happenings we shall restrain ourselves to note but a few.\n\nSun Ce**, who was assassinated in 200 AD, conquered a wide territory down to the mouth of the Great River, to which region he gave the title Jiangdong [East of the River]. His brother, Sun Quan of Wu# succeeded to his throne, and it is to him that Zhenjiang is said to owe its existence as a city. Moreover, it was here that he came to court the beauty, Pan Furen, whose father Sun Quan had condemned to death. He pursued her until he was able to make her his wife. Although Nanjing was Sun's main city Zhenjiang had reminders of his fortifications still visible during the early years of the Republic. The foundations of the fortifications that he built round his Governor's Residence could still be traced in a line of crumbling masonry that capped the ridge of heights connecting the then existing Zhenjiang city wall northward to the monastery, Ganlu Si. Also, inside the present city stood a high solitary gateway, with a building on it known as the Old Drum Tower. The masonry foundations of the gate were alleged to date from the time of Sun Quan, and some graves outside the North gate were also said to be those of some members of his line.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216076, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 375, "title": "RAS-2002", "content_text": "309\n\nDuring their drive north to eliminate the War Lords and unify China under the Republic, the Nationalist [KMT] forces entered Zhenjiang in March of 1927 and at the same time took over the Concession. Most westerners left for Shanghai whilst those who remained lived aboard hulks on the River or as close to the River as they could get. Even the British Consul was withdrawn to Shanghai where he continued to carry out his Zhenjiang duties. Eventually, in 1929, bowing to the inevitable the Zhenjiang Concession was finally retroceded to Chinese control and the treaty port, as such, was no more.\n\nGerald Yorke travelled to China in 1931 planning to spend a couple of years travelling around China and studying, to satisfy a childhood dream. Not long after his arrival, as Reuter's correspondent, he joined a party chosen by the Chinese Government to inspect the dyke systems of the Yangzi and Huai river valleys which had just been rebuilt as a result of the disastrous floods in 1931. During the tour with the party they departed from Shanghai and reached Zhenjiang early the next morning. They were greeted on the hulk by a band which played valiantly out of tune. After motoring through the town to a public garden they were entertained at a European luncheon. The weather was cold but presuming that any entertainment would be indoors an under-dressed Yorke froze in the open pavilion. A Shandong medicinal wine was served with the first course; appetising dishes came hot from the kitchen, all of which sat on the table waiting for the Chairman of the Provincial Reconstruction Committee to finish his welcoming speech. When the tepid lunch was over they were each given a pamphlet describing the flood protection work done and the reconstruction planned for the future, a perfect example of how provincial officials wasted their time and country's money by publishing, with their portraits next to the title-page, an account of rather more than they have done and of what they would like one to think they are going to do.\n\nThe afternoon was spent sight-seeing at the monastery on Silver Island [Jin Shan], with its hundred or so monks and its ancient fir tree in the outer courtyard. The tree had but one branch still alive, its trunk bound in iron and its base enclosed in marble - a symbol of the passing of classical Chinese culture. The monastic treasures were all displayed, the bronze vessel from the Zhou dynasty, a drum from the Han, and a jade belt belonging to a former statesman, possibly Ming. There was also a small hexagonal column inscribed with the Daode Jing, the Daoist classic which had surprised Yorke as he had not expected to see a Daoist classic in a\n\nPage 375\n\nPage 376", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216307, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 66, "title": "RAS-2003", "content_text": "15\n\nHOW OLD IS SHANGHAI'S LONGHUA TEMPLE?\n\nERIC N. DANIELSON ·\n\nShanghai's Longhua Temple (Longhua Si) is a functioning Buddhist temple with a large resident monk population belonging to the Chan sect (Chan zong) of Mahayana Buddhism. It is by far the largest one in Shanghai, and probably counts among the largest in China. Located southwest of the Xujiahui shopping district, the main temple complex sits on the north side of Longhua Lu, while its seven-story pagoda stands by itself across the street on the south side. Although it has often been said by many authors that this is supposedly the only pagoda in Shanghai, that is true only if one has a very narrow definition of what Shanghai is. Within the Shanghai Municipality (Shanghai Shi) there are a total of 16 historic pagodas, the other 15 being of equal age and historical authenticity but located out in the surrounding counties of Songjiang, Qingpu, and Jiading.\n\nThe temple's long history\n\nLonghua Si undoubtedly has a long history, but the question is how long? The answer is debatable. In all likelihood, it is about 900 years old, rather than the 1800 years sometimes claimed for it. Very little evidence exists to support the often heard claims that the temple and pagoda were supposedly first built in 242 A.D. and 247 A.D. by Sun Quan, the King of Wu, during the Three Kingdoms (San Guo). Furthermore, maps of Shanghai's geological history contained in Zhou Zhen He's 1999 Shanghai Lishi Ditu Ji show that most of this area was underwater until the Tang Dynasty (618-907). Some sources also make vague claims that the temple was built by the Tang Dynasty Empress Wu Ze Tian sometime during her reign (690-705 A.D.), but later destroyed at some unspecified date during the rebellion of Huang Zhao (879-884 A.D.) against the Tang Xi Zong Emperor (873-888). The first specific year to appear in most accounts is a supposed rebuilding of a new temple on the same site as the earlier San Guo and Tang temples by the Wu Yue regional kingdom in 977 A.D. If these earlier versions of Longhua Temple did in fact exist, they were ephemeral and have left no lasting traces.\n\nSubstantial documented evidence of the temple's origins begins to", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216318, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 77, "title": "RAS-2003", "content_text": "26\n\nwhich is open to the public, the Mu Ta Yuan, so named for the Tao Ming Chan Si Mu Ta, a broken stone tomb pagoda dating from the year 1667 in the reign of Emperor Kang Xi which stands in the centre. The Mu Ta is a hexagonal stone pillar on a lotus flower with a round stone ball balanced on top decorated with dragon images wrapped around it. Two faint inscriptions can be seen on either side of the pillar. Lying on the ground beside the Mu Ta is a broken piece of an ancient inscribed tablet. This is one of the original four boundary stones of Longhua's predecessor Kongxiang Temple dating from the year 1262 in the late Southern Song Dynasty (1127-1279). Near the Mu Ta are three stone statues of a mythical animal, the Si Ge Lin Shou. These broken stone remains may be the oldest relics on the site, but their age, origin, and significance seem a mystery. In one corner of this courtyard is a corridor connecting with the Longhua Hotel next door. At the rear of the courtyard is the monk's Dining Hall (Zhai Tang), not to be confused with the separate Vegetarian Restaurant (Su Cai Guan) intended for public visitors located on the right side of the Da Xiong Bao Dian beneath the sign of the large wooden fish (pang) hanging from the rafters.\n\nTwo long barracks-like halls run along almost the full length of the western side of the temple compound and are divided up into many small Buddhist chapels. The major ones include the Arhat Hall (Luo Han Dian), and the Goddess of Mercy Hall (Guan Yin Dian). The Luo Han Dian is a new addition to the temple, added sometime during 2002. It features small golden statues of 500 arhats or Buddhist saints. This chapel has become quite popular with worshippers, but one woman who had just finished praying mistakenly told the author there were 800 arhats, testimony to the newness of this innovation. The Guanyin Dian is on the left side of the fourth courtyard and features an impressive golden statue of Guanyin, who is depicted as facing in all four directions, and has 1,000 arms. Many of her hundreds of hands hold objects of special significance.\n\nIn between the Luo Han Dian and Guanyin Dian is yet another hall, seemingly nameless, which although devoid of architectural splendor does have three splendid gilded Buddha statues. These three include Sakyamuni Buddha (Shi Jia Mou Ni Pusa) in the centre, Manjusri (Wen Shu) on your left, and Guanyin on your right. The interior walls of this hall are literally covered with memorial slips of paper and photographs meant to commemorate lost loved ones. It is", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]