[
    {
        "id": 208357,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 81,
        "title": "RAS-1978",
        "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA\n\n65\n\nthe first day or days. But before we continue to discuss such social messages as may have been conveyed by way of the grave ritual, I wish to draw some further attention to the distribution in time of grave worship. Consider the following cases:\n\n+\n\nIn Baling, it is recorded, all families cut paper, 'climb the mounds' £*, and repair the graves on the third day of the third moon.23 Grave offerings were considered at Gold Food or Hanshi in Wuling.24 From Zhongxiang #the chronicler reports that on the same date sons and daughters pay respect with cattle meat as ji offerings on the graves of the deceased. Paper streamers were hung up and the graves were worshiped #. Loud lamenting was to be heard.25 In Jiangxia the graves were swept at Cold Food.26 Cold Food is an occasion of one to three days, celebrated 105 days after the winter solstice. This means that it coincides with the opening days of the Qingming solar period. There is good reason to return to this calendar event in the following discussion. In Baling the grave worship had crossed from the solar calendar to the lunar almanac; the third day of the third moon will be a varying solar date in the spring.\n\nSome other data are more interesting--and puzzling. We find, widely dispersed in time, grave worship of a form which strongly resembles the accounts presented above. Consider the following notes: The chronicler of Baling tells us:\n\nthe people during the leisure of the first moon pay respect # to and sweep the graves. It is named 'to pay respect to the year on the grave' Moreover, matters of death resemble the way of life 車死如生之道也.27\n\nThe last phrase may be taken to mean that the paying of respect at or on the graves in the festive season of the first moon followed an order which resembled the conventions of paying respect between living relatives at the lunar New Year.\n\nWe have noted already that grave worship occurred in Yuanjiang on Earth God Day in the second moon,28 before the spring equinox. A further record from Wuchang states that in that ‘county\", in the second moon, on Earth God Day people si je offered fresh things on the graves.29 On the same day the graves in Chongyang were decorated with 'top branches' and were given ji offerings. In the same locality it was customary to make ji offerings on the graves on the sixth day of the sixth moon to the shen † spirit(s?) of the",
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    {
        "id": 208358,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 82,
        "title": "RAS-1978",
        "content_text": "66\n\nGÖRAN AIJMER\n\nearth.30 We are told that in Yingshan there were jiao offerings on the graves in the eighth moon. It is said explicitly by the chronicler to be similar to the practice of Qingming. This Yingshan custom began on the day of the new moon and continued for the next few days. It is said that one 'escorted the departing'.31 On the first day, and continuing through the first half of that moon, people of Tongshan burnt paper (money?) sheets on the burial grounds.32\n\nUnfortunately, we know very little about traditional funeral customs in the Dongting area and the surrounding region. The few notes I have found tell us that in Taoyuan, in the Yuan River valley, people practised an excess of slaughtering at mourning.33 In Baling, it was the custom to have music, food, and Buddhist monks to perform.34 From Zhongxiang, we read that at an instance of death, there was drumming and singing mixed with lamentations.35\n\nI will assume, in the absence of evidence to the contrary, that double burial did not exist in this area of Hubei and Hunan. Further, I will assume that the graves were, in the general Chinese fashion, marked by small brick or chunam structures.36 A later traveller through Hunan reports that graves in the Xiang River valley were cone-shaped and whitewashed. There seems also to have been some concentration of graves into 'yards'.38 I will assume that the body of a dead person was placed in a wooden coffin and interred in a dugout grave, probably covered by a tumulus, on or at which, as mentioned, was erected some sort of structure to mark it. The grave was a permanent one, and it was only for very particular reasons of fengshui* geomancy39 the body might be exhumed. The graves were ritual foci for members of continuous social groups, membership in which was determined by agnatic ascent and descent. Sometimes such kinship groups seem to have formed lineages.\n\nIn our present attempt at understanding the essential features of the semantics of the grave, we are helped by some local terms, names of customs, and other phrases. We have already met the expressions 'to hang money on the mountain' and 'to suspend on the mountain'. From such instances, it seems permissible to say that they represent some conceptual link between graves and mountains. How is this? Graves look perhaps like small mountains or hills—but I think there is more to the grave-mountain association",
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    {
        "id": 208363,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 87,
        "title": "RAS-1978",
        "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA\n\n71\n\nAll this is guess work, but as guess work goes it seems to account for the given data in a systematic way. As I see it, the only way to challenge this interpretation (given, of course, that my understanding of the source material is correct) is for those who doubt to produce an alternative way of thinking on this matter, and to provide a new and different explanation which could account better for the data discussed here—and any additional data—in a more interesting way.\n\nFinally, the top branches planted on the graves could be interpreted also as a kind of beacon. Biao means not only 'top branch' but also 'beacon' or 'mark'; such an implication does not necessarily contradict our earlier hypothesis. But if the bamboo arrangements led the way to the graves by marking them and making them conspicuous, we must ask who benefitted from the presence of such signs? Here is another guess. It may be that the yang ancestors are led to the graves of their bones, but I cannot substantiate this at all. It may be mentioned here as a possible interpretation, a vague hypothesis which could be tested at some future stage.\n\n6. Rice Wine\n\nAnother prominent feature of the visit to the graves was the offering of food and wine. The worshippers ate and drank also. The general term used for offerings is ji, or in some notes si. In some cases libations are indicated by the use of the words dian and jiao. Rice wine was an important sacrificial gift used in many contexts. Apart from general wine drinking on various festive occasions, and medical use of wine when it was drunk mixed with herbs and spices on particular days, wine was used in sacrifices. So for instance, on the 24th day of the twelfth moon in offerings to the spirits of the kitchen and the fields in Baling,55 and Jiangling;56 on New Year Eve to the ancestors in Jingshan; On the Lantern Festival in the first moon it formed part of the ji offerings in Jiangling;58 and in the offerings to spirits and ancestors on the Buddhist festival of Zhongyuan, the 15th of the seventh moon, wine was part of the sacrificial gifts, as in Wuling,59 Hangzhou,60 Chongyang,61 and Yingshan.62 Wine was used also in sacrifices to gods like 'General Goan' (Goan Di) in his temple in Mianyang on the 13th day of the fifth moon,63 and to ‘Shui Goan'64 on his birthday on the 15th day of the tenth moon in Zhongxiang;64 Two words",
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    {
        "id": 208364,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 88,
        "title": "RAS-1978",
        "content_text": "GÖRAN AIJMER\n\nfor wine are used, jiu H, and it's 'sweet wine'. It is hard to tell from the data whether different kinds of wine were used on different occasions. More generally, we may remember that wine is manufactured from rice; in fact, it is rice transmuted into liquid form.\n\n7. Food\n\nFood was sacrificed and eaten on the graves after they had been swept. Again, the lack of detailed data makes it difficult to interpret the presenting of food as a ritual act. Some notes could be observed here. In Yiyang people ate 'stalks and grass', which, being unusual food, probably signified 'non-rice' or 'non-food'.65 We are told that in Anxiang officials prepared 'cattle'. The term may have a more narrow sense of 'beef'. Meat seems to have been paired with rice wine in many sacrifices throughout the area: on the Lantern Festival (in the first moon) in Jiangling, on Earth God Day in Wuling and Zhongxiang,7 on the Dragon Boat Festival (in the fifth moon) in the Yozhou prefecture (around Baling), and Yunmeng #,68 on Zhongyuan (in the seventh moon) in Wuling,69 and on Churia, New Year Eve, in Jiangling, Hanzhou, Jingshan, Chongyang, and Yingshan.70\n\nAgain, in the temple dedicated to General Goan in Mienyang, mentioned above, the offerings on the 13th day of the fifth moon consisted of 'cattle' meat and sweet wine. A chronicler mentions that in Tauyuan, at mourning, there was an 'excess' of slaughtering.71\n\nIf we assume that the wide category of sheng-cattle-indicates that cows, oxen and buffalos, and such bovine animals were of primary interest as slaughtering animals on Qingming (although pigs may have been included in the category), it may be interesting to associate that circumstance not only with the excessive slaughtering which was part of the mourning practices in Tauyuan, but also with the display of a clay oxen at the Lichum 'Establishment of Spring' festival around the 5th of February in the solar calendar.72 In Chongyang the 5th day of the fifth moon was called niu ri ✈ a Ox Day. Then the buffalos or cows were fed, and it was not allowed to whip the beasts or swear at them on this day.73 These practices seem all to have a close link with agriculture.74\n\nThe fact that cattle was modelled in clay seems to indicate that the nature of cattle was earthly. The breaking of the clay oxen may,",
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    {
        "id": 208365,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 89,
        "title": "RAS-1978",
        "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA \n\n73 \n\non one hand, have had connotations of slaughtering, and on the other, associations with 'breaking of clay or earth', as is done in ploughing. This is, of course, but a vague hunch; if, for the sake of our present argument, we accept this interpretation, we could transpose this hunch to the universe of Qingming and say that what is given to the ancestors as edible meat and drinkable wine is earth and rice. \n\n8. Order in Worship \n\nThe note from Yuanjiang, quoted above (p. ), tells us that grave worship started before Earth God Day which falls around the vernal equinox in the second moon. The ceremonies directed to the new graves took place before that particular date. Then there seems to have been an intermission of thirty days before the ritual was continued, and then it was focussed on the old graves. There is no explanation given in the chronicle for the different categories of 'new' and 'old' graves, so we will assume that new graves were those of the recently deceased. If we accept this we must look for possibilities to account for this difference between the two categories as it is represented in time, and why in that mode of representation the point of reference is She ri, Earth God Day. \n\nThis particular day was devoted to offerings to She ji, the Earth God.75 Meat and wine were used in this ritual. From Jiangling we learn that the meat for the She offerings was a mixture of pork and mutton which was placed inside a pumpkin.76 In Wuling the term sheng describes the meat. The day was generally for divining about the coming crops, and qi gu 'prayer for grain'. In Zhongxiang, according to the chronicler, there were shamanistic performances accompanying the offerings.78 \n\nThere are at least some superficial similarities between the Qingming practices and the offerings on She ri. In this context one main question concerns the sort of relations conceived of in this area of China as linking the grave ancestors and the She. I have found no substantial information from the Dongting area to provide us with any further clues. But it appears as if it was necessary to do the grave rituals for the recent dead before one could go ahead with the worship of the Earth God. And perhaps the She offerings were a necessary precondition for a successful grave worship at the older graves. At any rate, the note from Yuanjiang stresses the",
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    {
        "id": 208366,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 90,
        "title": "RAS-1978",
        "content_text": "74\n\nGÖRAN AIJMER\n\nconnection between the rice growth cycle, the agricultural activities and the grave ancestors, a connection suggested already by the information from Wuchang and Chongyang, quoted above, that grave worship was conducted on She ri.\n\n9. Willow Twigs.\n\nIn Wuling people inserted willow twigs over their doors and also carried willow twigs in their hair. There was a term for this custom: neng pixie 'ability to punish evil'. The same convention was observed in other places in the Dongting area, like Taoyuan,80 Hanzhou,81 Jingshan,82 Chongyang, where it was called 'nun lo'83 'tender willow', and Yingshan.84 It seems as if the twigs were protective and their function was to guard the house, or doorways, and the individuals living behind them. It is hard to say against what willow provided protection. It is interesting, though, to note that willow twigs were used in Jiangling on the full moon day of the first moon when, again, they were inserted above the doors.85\n\n10. Strolling in the Wilderness and Treading on the Green.\n\nSeveral chroniclers report that Qingming was an occasion for strolls and wanderings away from built-up areas. These excursions may well be seen in connection with the visits to the graves, the latter being situated outside the villages. Such ramblings in the countryside are recorded from the prefecture Changde (around Wuling),86 Hanzhou,87 Chongyang,88 and Wuchang.89 From the latter two places it is also reported that men and women 'tread on the green', ta qing, in connection with their strolls in the 'wilderness'. The latter term seems to be a name for strolling and eating al fresco. Earlier I have interpreted this practice as a feature which stresses periphery as contrasted with centre, the latter being emphasized, for instance, at Duanwu. It is interesting to note that the chronicler of Changde says that there were no such customs in that area as ta qing or qui qian 'swinging'. Swinging is reported as part of the Lantern Festival in Zhongxiang,91 Swings are referred to in a Liang dynasty calendar, Jingchu suishi ji,92 in connection with the Cold Food festival. Ta qing was part of the Flower Dawn celebrations in Zhongxiang,93 in this area generally observed on the second full moon of the lunar year. It is probable that a number of notions were expressed in such\n\n90\n\nPage 90\n\nPage 91",
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    {
        "id": 208373,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 97,
        "title": "RAS-1978",
        "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA\n\n81\n\n39 See Maurice Freedman: Geomancy. Proceedings of the Royal Anthropological Institute of Great Britain and Ireland for 1968. London\n\n1.15.\n\n40 Aijmer, A Structural Approach...p. 95,\n\n41 GJTSJC VI:1223 *** 126.\n\n42 Maurice Freedman, Chinese Lineage and Society: Fukien and Kwangtung. London School of Economics Monographs on Social Anthropology No. 33. London: Athlone Press, 1966.\n\n1* For instance, Lewis Hodous provides an account in his Folkways in China, London: Arthur Probstain, 1929, p. 92. Hodous draws mainly on his long Fujian experience.\n\n44 Aijmer, A Structural Approach\n\np.96.\n\n45 Aijmer, The Dragon Boat Festival, p. 77f.\n\n46 GJTSJC VI:1193, &$ 26.\n\n47 GJTSJC II:51, 6a. A Similar arrangement occurred in Youxian, GJTSJC II:51, 19b.\n\n48 Aijmer, The Dragon Boat Festival, pp. 78f.\n\n49 There were probably several kinds of paper money in use. The yellow kind referred to above was in all likelihood the 'gold variety. As our sources do not carry information in detail on this subject we must leave such further implications aside.\n\n50 I have notes from Gongan (GJTSJC VI:1193, * 36), Hanzhou (VI:1130, 風俗长 Ib), Zhongxiang (VI:1142: #6# 1b, 2b), Jingshan (VI:1142, & 3a) Chongyang (VI:1120 † 4a, 5a), and Tongshan (VI:1120, Afb† 6a).\n\n51 I have found notes from Baling (GJTSJC VI: 1223, K## 2b, ennt juan 11:6a), Wuchang (GJTSJC VI:1120, ✩ 26), Chongyang (VI:1120, £#* 46), Tongshan (VI:1120, ### 6b) and Yingshan (VI:1166, BB‡ 4b).\n\n52 Freedman, Chinese Lineage and Society. pp. 140f.\n\n53 Other names for this festival used in the region are Yulan dahui, 王蘭大會 Yulan penhui 盂蘭盆會,and Duwang dahui 度亡大會\n\nAll are Buddhist terms.\n\n54 I have, at present, no information from the Dongting area on the handling of paper money at funerals, for instance.\n\n55 GJTSJC VI:1223, # 2b.\n\n56 GJTSJC VI:1193, £&$ 26.\n\n57 GJTSJC VI:1142, R&* 3a.\n\n58 GJTSJC VI:1193, # 2a.\n\n59 GJTSJC VI:1259, 6 2a.\n\n60 GJTSJC VI:1130, &‡ 2a.\n\n61 GJTSJC VI:1120, K✩‡ 4b.\n\n62 GJTSJC VI:1166, ### 46.\n\n63 GJTSJC VI:1142, ‡ 4a.\n\n64 GJTSJC VI:1142, &* 2ab.\n\n65 mm, juan 2:96.\n\n66 GJTSJC VI:1193, R 2a.\n\n67 GJTSJC VI:1259, ✩ lb; 1142, * 2a.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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        "page_number": 98,
        "title": "RAS-1978",
        "content_text": "82\n\n68 GJTSJC II:51, 19b.\n\nGÖRAN AUMER\n\n69 GJTSJC VI:1259, RG 2a.\n\n70 GJTSJC VI:1193, 風俗考 26; 1130, 風俗考 2a; 1142, 風俗考 38; 1120, 風俗考 5a; 1166, 風俗考 5a.\n\n71 GJTSJC VI: 1259, + 2ab. For two interesting discussions on foodstuffs as part of offering rituals, and in terms of cooked and raw food, see Emily M. Ahern, The Cult of the Dead in a Chinese Village. Stanford: Stanford University Press, 1973, pp. 167-170, and Arthur P. Wolf: Gods, Ghosts, and Ancestors, pp. 131-182 in Arthur P. Wolf (ed.), Religion and Ritual in Chinese Society, Stanford, Cal.: Stanford University Press, 1974.\n\n72 Chroniclers report this custom from Hanzhou (GJTSJC VI:1130, 1b), Jingshan (VI:1142, 3a), Zhongxiang (VI:1142, 6b), Chongyang (VI:1120, 4a), and Yingshan (VI:1166, 3b, 4a).\n\n73 GJTSJC VI:1120, 4a.\n\n74 A local tradition from Daye (GJTSJC VI: ... 17a) tells of a persecuted jiao dragon that turned itself into an ox island in a river; this was henceforth called Bull Island. A similar transmutation is mentioned in a legend referring to the Yuan River; see E. T. C. Werner, A Dictionary of Chinese Mythology, Shanghai: Kelly and Walsh Ltd. 1932, p. 116f.\n\n75 In Tongshan, there was an idea of a pair of Earth Gods, She Gong and She Mu. I have no other evidence for ideas of a female counterpart in the Dongting area; GJTSJC VI:1120, 6b.\n\n76 GJTSJC VI:1193, 2a. This may be compared to the use of a mixture of rice and red beans, sometimes contained in a pot, on other ritual occasions; see Aijmer, The Dragon Boat Festival, p. 76.\n\n77 GJTSJC VI:1259, 1b.\n\n78 GJTSJC VI:1142, 2a.\n\n79 GJTSJC VI:1259, 1b.\n\n80 #Ma juan 3: 8a. 風俗考\n\n81 GJTSJC VI:1120, 4b.\n\n82 GJTSJC VI:1142, 4b.\n\n83 GJTSJC VI:1120, 3a.\n\n## 4b.\n\n84 GJTSJC VI:1166, 4b. 風俗考\n\n85 GJTSJC VI:1193, 2a. 荆楚歲時記 Seasons in Jing and Chu. Auth. Tsung Lin\n\n86, juan 13:4a.\n\n87 GJTSJC VI:1130, 1b. 風俗考\n\n88 GJTSJC VI:1120, 4b.\n\n89 GJTSJC VI:1120, 2b.\n\n90 Aijmer, A Structural Approach... p. 95.\n\n91 GJTSJC VI:1142, 1b, 2b.\n\n92 荊楚歲時記 7b. 風俗考 16, 2b. M16\n\n93 GJTSJC VI:1142, 2a.\n\n94 loc. cit.\n\n95 GJTSJC VI:1166, 5b. Records of the ... Ed: MELAR‡ n.d.",
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        "id": 212120,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1990",
        "page_number": 62,
        "title": "RAS-1990",
        "content_text": "39\n\nKat Hing Wai and Wing Lung Wai terminated their own independent Jiao but continue to participate actively in the Jiao of the whole Kam Tin community. Still others, like Tai Wai and Tin Sam, celebrate their own Jiao festivals on the one hand but also participate as members in the Jiao celebrated by the Sha Tin Kau Yeuk (Sha Tin Village alliance). Reasons such as the Japanese occupation or economic recession given by villagers themselves cannot explain the diversities found in the New Territories. All villages experienced the Japanese occupation. With regard to economic constraints, a community like Ping Shan, though as prosperous and powerful as Kam Tin and Ha Tsuen, stopped the celebration for some unknown reason. Therefore, the continuity or discontinuity of the Jiao festival depends on the effectiveness of the festival's communal structure and organization. In Lam Tsuen, the Jiao festival is a means to reconfirm the roles of its alliances (the Luk Hap Tong [Lui He Tang] “Hall of the Six [Sc. Village Clusters] United\"). In Kam Tin and other single lineage communities, the Jiao plays an essential role in re-establishing the structure of the segmented lineage as well as in re-confirming membership in the branches. The question of whether Jiao festivals will survive after the 1997 take-over is in fact a question of whether or not there is a need to preserve such a tradition in the community.\n\nNOTES\n\nLiu Zhi-wan, \"Taiwan Taibeixian Zhonghexiang Jianjiao Jidian\" Bulletin of the Institute of Ethnology, Academia Sinica 33 (1972): 135-64.\n\nTanaka, Issei, Chugoku Kyoshon Saishi Kenkyu: Chihogeki no Kankyo [Village Festival in China: Background of Local Theatres] (Tokyo: Tokyo Univ. Press, 1989), 799. Some fishing villages in Hong Kong like Kau Lau Wan, Tap Mun and Kat O name their Jiao festivals \"An Long Qing Jiao\" meaning the Jiao celebrated to pacify the earth dragon.\n\nTanaka claimed that originally \"Qi An Jiao\" was celebrated only when there was need to pray for peace (Ibid., 799). However, evidence in Hong Kong, at least, shows that the festival is celebrated in a regular cycle. The shortest cycle is the Jiao of Cheung Chau where it is celebrated yearly. The longest is Sheung Shui and Shuen Wan where the Jiao is said to be celebrated once every 60 years. In some fishing villages in the New Territories, it is celebrated once every two or seven years. A five-year cycle is also practised in some agrarian communities like Tai Hang. However, a ten year cycle is the most popular in agrarian communities. Nonetheless, the method of counting also differs from one community to another. For instance, Lam Tsuen claims to celebrate the Jiao once every ten years but they actually celebrate it once in nine years. Their Jiao festival was celebrated in the following years: 1963, 1972, 1981, 1990.\n\nMr. Cheung Chi-fan (Zhang Zhi-fan), JP, and Mr. Chung Chi-leung (Zhong Ji-liang), interviewed by author, Lam Tsuen, Dec. 1, 1990. According to Dean, about 80,000 Chinese yuan was spent on the Jiao in a village in Zhangzhou, Fujian in 1986. See",
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2001",
        "page_number": 80,
        "title": "RAS-2001",
        "content_text": "28\n\nsparse evidence we have from local chronicles.\n\nIn Gong'an Magistracy (in Jingzhou Prefecture) people hoped for rain on the She day as this was a good omen. In the same vein we find a note from Tongshan Magistracy (in Wuchang Prefecture) to the effect that if it rained on the She Day, it was said: 'She Weng yu rain of the Worthy She'. A rustic proverb had it that 'She Gong Mr. She'--and 'She Mu Lady She'--'do not drink old water'. The metaphor here was that the fresh water of the spring rains was drunk by the earth. It is interesting to note that the proverb insists on a female counterpart to the She.\n\nIn Yingshan Magistracy there were si offerings to the She; these were spoken of as qi gu 'prayer for grain'. Similar offerings, but this time described as jiao libations, occurred here in Yingshan on the third day of the third moon, later on in the spring. On the She Day we encounter offerings taking place in Zhongxiang Magistracy, the capital in Anlu Prefecture, and here we get some more detail concerning the rustic population. The chronicler describes how the celebration engaged wu and xi male and female sorcerers-who appeared with drums and singing, thus welcoming the shen spirits. With 'arms joined' they were stamping on the ground, all this being a ge jie ji 'an offering of rhythmic singing'. Everyone drank She wine and shared She meat. The wine was supposed to cure deafness. Sacrificial meats (sheng) and sweet wine (li) are also mentioned from Wuling Magistracy, the capital of Changde Prefecture. From Jiangling Magistracy, the capital of Jingzhou Prefecture, we get a description of She fan 'She food' -which was a mixture of pork and mutton put inside a pumpkin. The magistracy of Suiyang is said to have been a place where four neighbourhoods combined to ji offer to ben jing She shen 'the local She spirit'. People shared out delicacies\n\n6 古今圖書集成, 1888. VI, 1193: 風俗考 3b.\n\n7 古今圖書集成, 1888. VI, 1120: 風俗考 6ab.\n\n8 古今圖書集成, 1888. VI, 1166: 風俗考 4a.\n\n9 古今圖書集成, 1888. VI, 1166: 風俗考 4ab.\n\n10 古今圖書集成, 1888. VI, 1142: 風俗考 2a.\n\n11 古今圖書集成, 1888. VI, 1259: 風俗考 1b.\n\n12 古今圖書集成, 1888. VI, 1193: 風俗考 2a.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215307,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 84,
        "title": "RAS-2001",
        "content_text": "32\n\nDragon Boat Festival when in various ways the dead helped to secure the successful transplantation of rice.28\n\nIn that essay on the cult of the ancestors in spring time I also addressed briefly the fact that in late Imperial days we find these grave visits dispersed in time, occurring on several dates in the progression of the spring, even if the day and the period of Qing Ming seem to have dominated. Taking account of the fact that Qing Ming and worship at the graves were phenomena not mentioned in our earliest source from the sixth century, I proposed that perhaps grave worship was introduced into this area as part of an ongoing sinicization process in the course of a somewhat later phase in history. If this was so, there may have been some local options as to when the graves should be visited.\n\nThe She Day was a day of agricultural renewal with offerings on the altar of the She. Like the dead, the She was a chthonic phenomenon. Both god and ancestors were active forces beneficial to the sowing of rice. How the dead actually related to the She—directly or indirectly—is not known for this area. The spread over time of vernal worship at the graves may best be seen as a set of local variations on a theme, the standard Qing Ming practice. These alternatives in terms of points in time do not seem to have posed a problem for the robust iconic architecture of the annual ritual cycle as a whole.\n\nThe She Day seems to have been one of merriment, parties al fresco, and social games and competitions. In Baling, the capital of Yuezhou Prefecture, there were competitions and people congregated to feast and drink.29 In Zhongxiang it was the custom to drink ‘earth god wine’ and eat ‘earth god meat.’30 This custom seems to indicate some commensality in which the sacrificial gifts—wine and meat—were shared between the donors and the divinity. No doubt such feasting was combined with the processions and the shamanistic performances mentioned earlier.\n\nReviewing our findings, we observe that the She Day was a day for celebrating the earth and praying for good results in agriculture. It\n\n28 古今圖書集成. 1888.VI, 1223:風俗考2a.\n\n29 古今圖書集成.1888.VI,1142:風俗考2a.\n\n30 古今圖書集成.1888.VI,1120:風俗考6ab.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215308,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 85,
        "title": "RAS-2001",
        "content_text": "33\n\ncould also be a day for worshipping at the graves—a spring practice spread over several possible days. There is likely to have been a link of association between the She and the dead—in a way similar to what can still be discerned in some southern parts of China today. The offerings on this day were sometimes made in a grand style with cavalcades and officiants engaging the spirits. It was an occasion for feasting, drinking and games.\n\n31\n\nThere was another festivity in the second lunar month of the year which was called Hua Zhao or 'Flower Dawn,' which occurred on the full moon day, the fifteenth of the moon. The festival is mentioned in chronicles from Tongshan, Baling,32 Yingshan,33 Zhongxiang,34 and Gong'an.35 If the sky was clear on this day in Baling, then the cotton plants would have a good harvest.36 In Gong'an there were similarly good prospects for cotton if there was a clear full moon on this night.37\n\nThe Flower Dawn as a social event is not extensively described, but we learn that in Zhongxiang there were outdoor activities in the open country outside the town, and so there were presumably also picnics. It is said that gentry and commoners ta qing—‘trod on the greenness’—and they dou bai cao ‘gathered one hundred grasses.’\n\nTa qing is a name for a spring outing, and the designation for this festive picnic is in the wider Chinese world associated with various dates, like the eighth day of the first moon, the second day of the second moon and the third day of the third moon. It is also generally held to be among the customs of Qing Ming in early April, even signifying grave visits. In this present corpus of ethnography we find mention of ‘treading on the greenness’ at the Flower Dawn. Dou bai cao was a game in which people armed themselves with stalks of grass. From each of a pair of stalks was pressed a drop of liquid and the two drops were\n\n31 古今圖書集成,1888.VI,1223:風俗考2a.\n\n32 古今圖書集成,1888.VI,1166:風俗考4a.\n\n33 古今圖書集成,1888.VI,1142:風俗考2a.\n\n34 古今圖書集成,1888.VI,1193:風俗考3b.\n\n35 古今圖書集成,1888.VI,1223:風俗考2a.\n\n36 古今圖書集成,1888.VI,1193:風俗考3b.\n\n37 古今圖書集成,1888.VI,1120:風俗考6ab.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215309,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 86,
        "title": "RAS-2001",
        "content_text": "34\n\nbrought into contact. The stalk which in this way drew up the drop of the other was declared the winning party. Perhaps this was an élitist thing to do and we have no description from the central lake land to improve our knowledge. At least the name suggests games in the open under festive conditions. Another designation used for this day was, in Tongshan, pu die hui 'the meeting of the fluttering butterflies.'38\n\n撲蝶會\n\nA note from Yingshan claims that Hua Zhao was a day when young women got their ears pierced. It was also a day when girls who had reached the age of twelve, thirteen or more, started allowing their hair to grow long. In the same place, this day of Flower Dawn was also an occasion for sending presents to a (future?) bride's home, and to arrange- or confirm-betrothals (na bian). Alternatively, it was a day for wen ming or 'to ask names.' This was a preliminary ceremony leading to a likely engagement to be married, generally implying a comparison of the two candidates in terms of the combinations of celestial signs going with their respective birthdays. The Flower Dawn was generally regarded as an auspicious day for this.39 We can see that this festival was marked by femininity-girls were coming of age, passing into womanhood by starting using jewellery and letting their hair grow long. Female reproduction is also stressed in the arrangements for coming marriages. Also, full moon days were generally associated with femininity.\n\nTurning to Zhongxiang we find that the full moon day of the second lunary was an occasion for the flying of paper kites (feng yuan) and this custom implied some games-but we are not informed as to the rules of these. There is the possibility that these competitions were in terms of appearance and beauty.40\n\nThe flying of paper kites in southern China was not only a children's pastime, but was done in a ceremonial way in certain seasons and on specific days. In Fujian Province, around the city of Fuzhou it was an activity associated with the autumnal Chong Yang festival on the ninth day of the ninth moon. In a different context I have suggested\n\n38 古今圖書集成.1888.VI,1166:風俗考4a.\n\n39 古今圖書集成.1888.VI,1142:風俗考2a.\n\n40 Hodous 1974: 190-92; Bredon & Mitrophanow 1927: 430-35.\n\n41 Aijmer 1991.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215310,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 87,
        "title": "RAS-2001",
        "content_text": "35\n\nin brief that kite flying may have been an iconic expression for the reaching of Heaven. People strove on that day for affinity with what was celestial by climbing hills and mountains. The upwards direction was a characteristic feature of this festival associated with the male cosmic principle of yang. So here in Zhongxiang people were also devoted kite flyers, but on the fifteenth day of the second lunary, a day followed by a full moon night, which like all full moons had female implications. Furthermore, it was a day associated with betrothals, awakening of flowers and also the re-appearance of butterflies.\n\nPerhaps it is in this 'awakening' aspect of spring that we might find a clue to the flying of kites at Flower Dawn. In the second moon two categories of beings woke up after hibernating all through the winter—insects and dragons. We are on loose ground here. In Tongshan the solar day and period of ‘Arousal from Hibernation' was a time for forecasting the seasonal weather. Jing Zhi is, however, not only a name for the solar period corresponding to the fifth to the twentieth of March, and often also for the first day of that duration; it is at times used as a name for the second day of the second moon. That particular day is sometimes and in some places also known as 'the dragon raises his head'.43 This designation does not occur in our present corpus ethnography, nor have we found any explicit references to dragons in the material. Even so, it could be that the notion of risin-striving upwards—referring to flowers and insects, and perhaps also dragons, was alive in this area. At least in the magistracy of Zhongxiang the idea was dramatized in the rising kites. This is nothing more than a suggestion.\n\nof\n\nThe second moon in the year was one inspired by spring and the release of vernal generative forces. There were two festive celebrations at this time which were both connected with the theme of growth and remuneration, and there were many concerns about the coming agricultural season. It was a time for the plowing of the fallow fields and the sowing of rice in the seedbeds was soon to follow. It was also a period when farmers wished for rain and there was customary divination, both about weather and coming crops, the latter of course dependant on the former. The two festivals which have been described\n\n42 Bredon & Mitrophanow 1927: 176; Tun 1987: 25.\n\n43 Bodde 1975: 56. 252; see also ch’ü 1972: 31.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215350,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 127,
        "title": "RAS-2001",
        "content_text": "75\n\nsouls (that is the Second to the Ninth as the First and Tenth Courts are basically administrative.)\n\nc] Yinya Ya Shuai\n\nThe Silver Tooth Vice-marshal, P, has been noted only in one temple, a popular religion rural shrine in a Hainanese community in Paya Lebar in Singapore now long gone due to urbanisation. It is a unique image, a stark and fierce black-faced soldier holding two magic “swords\" (whips) one in each hand and sitting astride a mythical animal, possibly a Qilin. He is portrayed as demonic and may well be an aide to a major deity, the main deity on the altar being Lei Zu. He was not venerated in his own right, though devotees did place incense before his, and every other image in the temple.\n\nThe Silver Tooth Vice-Marshal is co-located in several Hainanese temples with the White Tooth General, Baiya Zhongjiang, who is also a minor deity, an assistant and escorting-general to Doutian Yuanshuai (Lei Zu) and also known as Baiya Jiangjun. His image has been noted only in Singapore and Seremban on folk religion altars where he is portrayed standing on one foot, with his right foot raised behind as if running, and holding a flag bearing the character, ling [By Order] in his left hand. He has a stark white face. His image in a Hainanese community temple in Payar Lebar Crescent, now long removed for a housing development scheme, was referred to together with the Silver-Tooth Vice-Marshal as one of the pair of deputies to the main deity on the altar, Doutian Fushuai. In another temple, he was co-located on a Hainanese community altar with Wantian Zhushuai who was less starkly white-faced. His image, primarily revered in Henghua Hokkien communities in Singapore and Malaysia, was portrayed as the main deity in the Under Altar at the side wall of the main hall of the Nine Carps Temple [Jiuli Xian] in Singapore as a seated scholar dressed in a white robe and scholar official's cap, holding a triangular flag in his right hand and a red globe in his left.\n\nThe temple custodian knew nothing of the origins or legends of either the White Tooth Marshal or the Silver Tooth Vice Marshal.\n\n7: Deified Locals\n\na] Two separate women have been individually revered on altars",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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    },
    {
        "id": 216045,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 344,
        "title": "RAS-2002",
        "content_text": "278\n\nBeigu Shan\n\nThe Ganlu Si [Sweet Dew Monastery] is situated in the north-west corner of the city on the summit of Beigu Shan, a low hill with steep cliffs down to the coast. It is the site described in the old legend of the marriage of Liu Bei, the ruler of the Kingdom of Shu. Traditional operas and tales of teahouse story tellers based on this legend are still popular today. The romantic legend, which may have a genuine historical basis, is said to have taken place during the Three Kingdoms period, 2nd century AD, when Liu Bei was the ruler of the kingdom of Shu [in what is today Sichuan and then, one of the Three Kingdoms]. Liu went to the rival state of Wu [nowadays Jiangsu province and part of Zhejiang] and married as his secondary consort the sister of its ruler, Sun Ce, whom we have already mentioned. He is said to have either courted or married her in the Sweet Dew Monastery during his stay there. Another version claims that Liu Bei was invited by Sun to visit the Sweet Dew Monastery to meet his future mother-in-law. Sun actually planned to have Liu assassinated though Liu learned of the plan and escaped taking the ruler's sister, Sun Shangxiang, with him. Yet another version describes how Sun Quan, the king of Wu and brother of Sun Ce, was displeased by Liu Bei's failure to return a piece of land he had borrowed from Wu. Sun offered Liu the hand of his sister in marriage but planning all along to withdraw the marriage offer when the ceremony was about to be held and Liu Bei was in Wu territory. At the same time he would require Liu to hand back the land. Liu's secret agents warned him of the plan and Liu managed to get Sun Quan's mother and, of course, the prospective bride, to meet him at the Ganlu Temple. They were delighted with what they saw and immediately consented to the marriage. Sun was furious at being outsmarted and not only losing his sister but without even regaining the land.\n\nThe dating of Liu Bei's visit and the conventional date of the foundation of the temple during the Eastern Jin dynasty cannot be reconciled unless Liu Bei's host, Sun, had a palace on the site which two hundred years later was either converted into the temple or the temple was built on the site of the palace.\n\nThe Ganlu Si iron pagoda was first built during the Tang, originally with nine storeys. However, down the ages natural disasters have removed the top five, though a further two storeys have been added.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    }
]