[
    {
        "id": 208356,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 80,
        "title": "RAS-1978",
        "content_text": "64\n\nGÖRAN AIJMER\n\nA chronicler of Yuanjiang2 states that people used cut paper 'to hang money on the mountain'. This was called 'to drink wine on the grave and hang up.' The chronicler goes on to say:\n\nIf it is graves of newly buried, then there is affection. On Earth God Day and earlier, one suspends and sweeps. The proverb says: For the new graves one does not pass she. For old graves one suspends when thirty nights have passed.14 A record of local customs in Yiyang tells us that at Qingming to sweep the graves were repaired. This was called sao mu 'the graves'. Paper money was suspended on the graves. This was called gua shan 'to hang up on the mountain'.15 From Baling we learn that, in the Qingming solar period, women hung up cut paper strips on the graves. It was called gua fen 'to hang on the grave'. Paper money was burnt and wine poured out. It is said that this practice gave rise to much mournful thought 哀思.16\n\nIn Anxiang it was the practice that 'scholars' and 'commoners' swept their grave mounds: Officials arrange money, prepare cattle, and arrange in order wine. Thereby are made ji sacrifices.17\n\nIn Hanzhou the graves were swept and there was much offering.18 In Jingshan the graves were visited, there were ji offerings, sweeping, and suspension of paper money on them.19 Similarly, in Wuchang, the old graves were swept and paper money hung up on them. Here people encircled the grave wailing loudly.20\n\nIn Chongyang everyone made ji offerings at the graves. People used 'top branches' with paper money on top of the graves.21 In Yingshan it was the practice to construct offering tables in front of the graves. This was called 'to welcome (the ancestors?) to return'. This celebration was continued up to the end of the moon.22\n\nI said above that Qingming is a period of about fifteen days. When our sources mention visits to the graves we may assume that these were spread out over this duration. It may well be that the visits were initiated on the Qingming day, the first day of the solar period: I will soon provide some evidence for the importance of",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    {
        "id": 208357,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 81,
        "title": "RAS-1978",
        "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA\n\n65\n\nthe first day or days. But before we continue to discuss such social messages as may have been conveyed by way of the grave ritual, I wish to draw some further attention to the distribution in time of grave worship. Consider the following cases:\n\n+\n\nIn Baling, it is recorded, all families cut paper, 'climb the mounds' £*, and repair the graves on the third day of the third moon.23 Grave offerings were considered at Gold Food or Hanshi in Wuling.24 From Zhongxiang #the chronicler reports that on the same date sons and daughters pay respect with cattle meat as ji offerings on the graves of the deceased. Paper streamers were hung up and the graves were worshiped #. Loud lamenting was to be heard.25 In Jiangxia the graves were swept at Cold Food.26 Cold Food is an occasion of one to three days, celebrated 105 days after the winter solstice. This means that it coincides with the opening days of the Qingming solar period. There is good reason to return to this calendar event in the following discussion. In Baling the grave worship had crossed from the solar calendar to the lunar almanac; the third day of the third moon will be a varying solar date in the spring.\n\nSome other data are more interesting--and puzzling. We find, widely dispersed in time, grave worship of a form which strongly resembles the accounts presented above. Consider the following notes: The chronicler of Baling tells us:\n\nthe people during the leisure of the first moon pay respect # to and sweep the graves. It is named 'to pay respect to the year on the grave' Moreover, matters of death resemble the way of life 車死如生之道也.27\n\nThe last phrase may be taken to mean that the paying of respect at or on the graves in the festive season of the first moon followed an order which resembled the conventions of paying respect between living relatives at the lunar New Year.\n\nWe have noted already that grave worship occurred in Yuanjiang on Earth God Day in the second moon,28 before the spring equinox. A further record from Wuchang states that in that ‘county\", in the second moon, on Earth God Day people si je offered fresh things on the graves.29 On the same day the graves in Chongyang were decorated with 'top branches' and were given ji offerings. In the same locality it was customary to make ji offerings on the graves on the sixth day of the sixth moon to the shen † spirit(s?) of the",
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    },
    {
        "id": 208360,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 84,
        "title": "RAS-1978",
        "content_text": "68\n\nGÖRAN AIJMER\n\nsymbolic statement which parallels the set of technical acts which cluster together into the agricultural phase of sowing. Just as the graves are cleaned and repaired, the seed beds are cleaned and repaired.44 In the same light, the offerings on the grave make sense as a statement parallel to sowing. Meat and wine were offered to the graves and rice was offered to the seed beds. The grave offerings were probably shared between the dead and those who were presenting them. In Yuanjiang it was called to 'drink wine on the grave'. If these suggestions are correct, do they fit in an interesting way with our earlier reasoning? At any rate they lead us to a new and puzzling juxtaposition: graves are not only mountains, they are also seedbeds.\n\n5. Money trees.\n\nThe other important feature of the spring grave worship was the erection of bamboo top-branches with paper money or paper strips hung on the twigs. This kind of ritual arrangement has a certain Southeast Asian flavour, but here we shall resist all temptations to make comparisons in this broader perspective. Here we deal with Chinese ritual phenomena in their Chinese setting.\n\nI have discussed the sign of bamboo elsewhere,45 and from its contextual appearance in rituals in the lake area of Hubei and Hunan I induced the conclusion that it had ambiguous connotations to productive force and ‘driving-away' power. When the sweeping of the graves implied that they were swept with bamboo twigs, this may have entailed some sort of 'driving-away' or purification. A reminiscent practice is that of Jiangling where, on the 24th day of the twelfth moon, the doorways were swept with bamboo branches.46 It would, then, be possible to argue that the bamboos erected on the graves gave protection to the graves or the dead. But if so, what about paper money and paper strips? The latter are in all probability a version of the former. But what does it mean to hang paper money on bamboo branches?\n\nA similar arrangement is mentioned in the essay Wuling jingdu lue. It is said that during the dragon boat races in the fifth moon there were special small boats on the river; their task was to supply the competitors with food and wine. Each of these small boats was equipped with two trees in which 'yellow money' had been hung. They also had 'multicoloured scrolls', drummers and flutists.47",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208365,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 89,
        "title": "RAS-1978",
        "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA \n\n73 \n\non one hand, have had connotations of slaughtering, and on the other, associations with 'breaking of clay or earth', as is done in ploughing. This is, of course, but a vague hunch; if, for the sake of our present argument, we accept this interpretation, we could transpose this hunch to the universe of Qingming and say that what is given to the ancestors as edible meat and drinkable wine is earth and rice. \n\n8. Order in Worship \n\nThe note from Yuanjiang, quoted above (p. ), tells us that grave worship started before Earth God Day which falls around the vernal equinox in the second moon. The ceremonies directed to the new graves took place before that particular date. Then there seems to have been an intermission of thirty days before the ritual was continued, and then it was focussed on the old graves. There is no explanation given in the chronicle for the different categories of 'new' and 'old' graves, so we will assume that new graves were those of the recently deceased. If we accept this we must look for possibilities to account for this difference between the two categories as it is represented in time, and why in that mode of representation the point of reference is She ri, Earth God Day. \n\nThis particular day was devoted to offerings to She ji, the Earth God.75 Meat and wine were used in this ritual. From Jiangling we learn that the meat for the She offerings was a mixture of pork and mutton which was placed inside a pumpkin.76 In Wuling the term sheng describes the meat. The day was generally for divining about the coming crops, and qi gu 'prayer for grain'. In Zhongxiang, according to the chronicler, there were shamanistic performances accompanying the offerings.78 \n\nThere are at least some superficial similarities between the Qingming practices and the offerings on She ri. In this context one main question concerns the sort of relations conceived of in this area of China as linking the grave ancestors and the She. I have found no substantial information from the Dongting area to provide us with any further clues. But it appears as if it was necessary to do the grave rituals for the recent dead before one could go ahead with the worship of the Earth God. And perhaps the She offerings were a necessary precondition for a successful grave worship at the older graves. At any rate, the note from Yuanjiang stresses the",
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    },
    {
        "id": 208372,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 96,
        "title": "RAS-1978",
        "content_text": "80\n\nGÖRAN AIJMER\n\n8 D. H. Perkins, Agricultural Development in China 1368-1968. Edinburgh: Edinburgh University Press, 1969, p. 47.\n\n9 Göran Aijmer, 'A Structural Approach to Chinese Ancestor Worship'. Bijdragen tot de taal-, land- en volkenkunde 124, pp. 91-98, 1968, and The Dragon Boat Festival on the Hupeh-Hunan Plain, Central China. A Study in the Ceremonialism of the Transplantation of Rice. Statens Etnografiska Museum, Monograph Series, No. 9. Stockholm, 1964.\n\n10 Several terms are used: *, **, *, ; it is hard to tell whether they signify different types of graves.\n\n11 GJTSJC VI:1259, ##† 1b.\n\n12 TRAŁ. Records of Changde Prefecture. Auth. A, 1813. Juan 13:4a. Wuling is the capital of this prefecture.\n\n13 ****, juan 3:8a, quoting older edition.\n\n14 # Records of Yuanjiang County. 1807-1819. Juan 18:2b.\n\nJuan 18:2b.\n\n益陽縣\n\n154, juan 2:9b,\n\n16 CM, juan 11:2b.\n\n17 ***. Records of Anxiang County. Eds. ## et al., 1748, no pagination.\n\n風俗考\n\n18 GJTSJC VI:1130, £## 1b.\n\n19 GJTSJC VI:1142, ## 3a.\n\n20 GJTSJC VI:1120, #2b.\n\n21 GJTSJC VI:1120, ‡ 4b.\n\n風俗考 BB\n\n22 GJTSJC VI:1116, + 4b.\n\n23 GJTSJC VI:1223, 2a.\n\n24 A#. Records of Wuling County, Auths, $ et al., 1862-63. Juan 7:4b.\n\n25 GJTSJC VI:1142 ### 2a.\n\n26 GJTSJC VI:1120 * 2a.\n\n27 eums, juan 11:12b, quoting 'old record' — presumably an earlier edition of the gazetteer.\n\n28 Sometimes there is also an autumnal she ri, but the present case certainly refers to a spring offering.\n\n29 GJTSJC VI:1120 $ 2b.\n\n風俗考\n\n30 GJTSJC VI:1120 ## 4b.\n\n31 GJTSJC VI:1166 ## 4b.\n\n32 GJTSJC VI:1120\n\n33 GJTSJC VI:1259\n\n34 GJTSJC VI:1223 #‡ 6b.\n\n# 2ab.\n\n# 1b, 2a.\n\n風俗考\n\n35 GJTSJC VI:1142 ## 1b.\n\n36 For a general survey of the architectural features of Chinese tombs, see Magdalene von Dewall, 'Grab und Totenbrauch in China.' Tribus, no. 25, November 1976, pp. 31-81.\n\n37 Harry A. Franck: Roving through Southern China. New York & London: The Century Co., 1925, p. 64.\n\n38 On Tongshan, see GJTSJC VI:1120, A#‡ 6b, and on Wuling, GJTSJC VI:1255, 1, 7ab.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208394,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 118,
        "title": "RAS-1978",
        "content_text": "GUANGXI\n\nYangjiang\n\nGUANGDONG\n\nGuangzhou\n\nNANHAI XIAN\n\nGuangzhou\n\nSha\n\nFushan\n\nwan\n\nHong Kong\n\nArea of larger map\n\nYANGJIANG\n\nXIAN\n\nHISTORIC SHIWAN SITES\n\nDONGGUAN XIAN\n\nJishi\n\nHONG KONG\n\nFUSHAN\n\nShiwan\n\nansh\n\nXiqiao\n\nAreas of recent excavation\n\nFigure 1. Map showing historic Shiwan sites. Insert showing areas of recent excavation is based on a map published in Wen Wu by Chen Zhiliang (***) (see Reference 2).\n\n102\n\nFREDRIKKE S. SCOLLARD",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208395,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 119,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n103\n\nMy own research on Shiwan has continued in the Department of Fine Arts and the Centre of Asian Studies over the past two and a half years. This included in March of 1978, the opportunity for a three-week individual study trip in Guangzhou and Shiwan. Encountering the concrete reality of what I had researched for so long, discovering a wealth of material I had no idea existed, while adjusting to completely different perceptions of life and study methods within a socialist system, heightened my sense of exploration. Hence the intent of the present lecture is to introduce, in a little more depth, a few of the problems explored on that trip.\n\nExploration across the border revealed that significant archaeological research relating to Shiwan had been carried on for a number of years. There was great excitement over these discoveries and I was warmed by the measure of trust placed in me by the researchers who, despite their own uncertainty, showed me the new discoveries before publication.2\n\nThe research itself calls for the re-thinking of traditional beliefs concerning the history of Shiwan pottery. These traditional beliefs can be traced back to two major written sources. In 1941, Li Jing-kang (*), principal of the Clementi Middle School in Hong Kong, wrote what was up until that time the most careful and logical account of Shiwan history, taking into account scanty written references, oral traditions, and actual objects available. His main source was a handwritten manuscript in the possession of “a certain gentleman in Fushan\". This manuscript recounted that Shiwan pottery began in Yangjiang Xian (縣), where due to the turmoil of war, potters migrating from the Jun (鈞) kilns in Northern Honan Province (河南), established kilns sometime in the late Southern Song dynasty (early 13th century). In the Ming period (A.D. 1368-1643), according to Li, these Yangjiang potters moved to the present location of the potteries in Nanhai Xian (Figure 1). Xu Zhiheng (#2), a Cantonese, and professor of Chinese literature at Beijing University in the early Republican period, recounts the same story and describes this so-called \"Yang-jiang ware\" as having sky blue-indigo blue-ash blue flambe (i.e. streaky multicoloured) glaze, which imitated Honan Jun ware.4 A group of wares which corresponded to this description were identified and placed on exhibition at the Fung Ping Shan Library in 1940.5",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208396,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 120,
        "title": "RAS-1978",
        "content_text": "104\n\nFREDRIKKE S. SCOLLARD\n\nArchaeological excavations to date have failed to uncover any flambe wares in Yangjiang Xian of the above-described type. In 1955, excavations instead indicated that pottery produced in Yangjiang Xian in the Song period (A.D. 960-1279), belonged to the green celadon tradition. Furthermore, even more recent discoveries in the vicinity of Shiwan town in Nanhai Xian at a location called Ji Shi (†), Northern Song (A.D. 960-1127) “dragon kilns” (i.e. sloping tunnel-like kilns) are found built on top of earlier Tang dynasty (A.D. 618-906) \"mantou kilns” (i.e. round bun-shaped kilns). (Figures 1 & 2.) In association with the Northern Song kilns have been discovered shards with an early type of blue flambe glaze. As the date of these shards is much earlier than the Southern migration of the Honan potters in the Southern Song period, the discoveries raise the possibility that this blue flambe glaze was an indigenous development and not stimulated by influx of Northern potters and techniques. Combined with the earlier excavation in Yangjiang Xian, where no flambe glaze of the Song period was found, archaeologists in Guangdong now seriously question the historical connection of Shiwan village in Yangjiang Xian with the present Shiwan village in Nanhai Xian.\n\nIn addition to the above discoveries, archaeological finds reveal a succession of kilns from the Tang site of Ji Shi (*) to the present day village of Shiwan as, over the centuries, the potters moved down the river closer and closer to Fushan municipality (†) which by the Ming and Qing periods (A.D. 1368-1912) had developed into an important commercial and handicraft centre.\n\nAs it developed, Fushan was no elite or scholastic art centre, but rather an unpretentious city of craftsmen with the pervasive idea that beautiful things could be made from waste materials. The town is said at one time to have had a population of over 300,000 which supported over 240 different types of business. The artists were famed for their skill in turning commonplace and useless materials into godlike creations. Clay and papier mache were moulded to look like old pottery, copper and jade; sesame seeds created figurines; silkworm cocoons made decorative flowers and grass. Every year at the time of the autumn festival, a competition was held in Fushan in which people vied to make the best \"autumn colours\" (i.e. paper handicrafts), not for the purpose of gaining fame or making money, but rather simply for the enjoyment of the people.*\n\nPage 120\n\nPage 121",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208403,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 127,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n111\n\nsuch as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process.\n\nI regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression.\n\nNOTES\n\n1 Nigel Cameron, \"Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977).\n\n2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha\" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199.\n\n3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47.\n\n4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci\" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160.\n\n5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165.\n\n6 \"Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162.\n\n7 Op. cit. Ref. 2.\n\n8 \"Gong Yi Ming Cheng Fushan\" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37.\n\n9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961).\n\n10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f.\n\nThis theory is discussed more fully in: Fredrikke Skinsnes Scollard, \"Destruction and Creation: The Impact of Revolution on Shekwan Pottery\", Leverhulme Conference, University of Hong Kong, 1977, (In press).\n\n11 Manuel da Silva Mendes, \"Barros de Kuang Tung\", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,",
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        "id": 212471,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 25,
        "title": "RAS-1991",
        "content_text": "However, many emigrants also went from Xiangshan, Chixi and Baoan prefectures.\n\nSome features of Cantonese emigration were as follows. Firstly, similar to other ethnic groups, Cantonese from the same geographic regions tended to emigrate to the same places because of district and kinship ties. Secondly, Cantonese emigrants kept in close contact with their home villages. The reasons for maintaining ties with the home community were twofold: first, the uncertainties of emigrant life in a hostile environment meant that many could not afford to forego their homeland as a possible refuge in case of discrimination and in times of economic dislocation; second, many emigrants wanted to return to their home communities, where they could experience a substantial increase in prestige compared to their status before they emigrated and their status in the host societies.\n\nFigure 1\n\nThe Pearl River Delta\n\n19\n18\n16\n15\n12\n13\n\n  \n    Canton\n    8. Xiangshan\n    1. Yangjiang\n    7. Heshan\n  \n  \n    \n    9. Shunde\n    2. Enping\n    3. Kaiping\n  \n  \n    \n    10. Nanhai\n    4. Xinning\n    \n  \n  \n    \n    11. Panyu\n    5. Chixi\n    6. Xinhui\n  \n  \n    \n    12. Zengcheng\n    \n    \n  \n  \n    Macao\n    13. Dongguan\n    14. Baoan\n    15. Gaoyao\n  \n  \n    \n    \n    16. Sihui\n    17. Sanshui\n  \n  \n    \n    \n    18. Huaxian\n    \n  \n  \n    Hong Kong\n    19. Qingyuan\n    20. Fogang\n    21. Conghua\n  \n\nSource, adapted from June Mei (1979), p. 466",
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    {
        "id": 213795,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 147,
        "title": "RAS-1996",
        "content_text": "118\n\n*In Jiang Yinghang, Xinan Bianjiang Minzu Lancong, prefaced 1948, reprinted Taiwan Xinwenfeng Chuban Gongsi 1978. pp 224-228\n\n*Jacques Lemoine, Yao Ceremonial Paintings. Bangkok White Lotus Co Ltd, 1982, pp 24-27\n\n7 See for example Lemoine, op cit, for references to the god as a patriarch of the Yao religion in their documents\n\n*There is evidence suggesting that in the Hakka case the attainment of the fang title does not rely on his sons subsequently being initiated to a high level, as in some Yao cases mentioned in Zhongguo Xinan Yu Dongnanya de Kunjia Minzu. In at least one Hakka case, that of a Xu which we should mention later, the man had a fang styled ordination name but no descendants\n\nリ\n\n*Shi Lian-zhu, She Zu, Beijing Minzu Chubanshe, 1988, pp 113-115\n\n*Meng Hui-ying, Hetai Shenhua (*Living Myths - A Study in the Myths of Chinese Ethnic Minorities*), Tianjin Nankai Daxue Chubanshe, 1990, pp 116-2. See Also ibid p. 222 for a description of the ceremony, which included the learning of 'magic'\n\n\"See, for example, Shezu hanshi, Fujian Fujian Renmin Chubanshe, 1980, p 104. The same characters are found in some Hakka genealogies as a character put before a numeric character to form a name of the fang format. Studies on the She, for example articles in Shi Lianzhu ed. Shezu Yanjiu Lunwenji, Minzu Chubanshe 1987, has shown that the She was in close contact with the Hakka in earlier times. Most of them speak a version of Hakka, apparently as their only language. The She called themselves shan ha, 'guests of the mountain', reminiscent of the name the Hakka used for themselves (Hakka or \"guest\" families'). There are some interesting features of the Hakka language that have not yet attracted the attention of students of language. Although the Hakka of the New Territories of Hong Kong called their Cantonese neighbors va (Hakka pronunciation of she) derogatorily, they do use va for person in certain contexts, e.g. gido sa (\"how many people\"). Sometimes hat, is used instead (gido ha), as is in another expression long ha ('two people'). I suspect that this ha is the same as the ba in shan ha by which the She called themselves. In fact, the Hakka pronunciation of She as Sa could have been a shortened form of san ha. Some books written in the Hakka dialect, however, write sa in such context as chat (\"fellows')\n\n\"See Zhonghua Minzu Fengsu Cudian, Jiangxi Jiaoyu Chubanshe, 1988, p 288-9 under their Luo, op cit, p 230\n\nont\n\nFor example the one in the Savings of Bai Yuchan in the Daoist Canon, vol. 1016\n\nIs Included in Luo, op cit, pp 97-98\n\nIn In Luo op cit p 161\n\n17 In his arguments he does bring our attention to an interesting point fang as a title of some",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 215306,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 83,
        "title": "RAS-2001",
        "content_text": "31\n\nShe further on in the year, by the summer solstice, when people in Changsha Prefecture sacrificed to the She and provided the earth god with wine.”\n\nIn some places the She Day was also associated with visits to the graves of the dead. This was so already in the early Liang dynasty in the sixth century when the chronicler notes that there were sheng-meat-offerings to the dead on the She Day.23 A much later account describing Yuanjiang Magistracy in Changde Prefecture tells us that on the She Day and earlier, people suspended paper—possibly ritual paper stripes or paper money—on the graves and swept them. There was a maxim saying: 'For new graves, one should not pass the She; for old graves one suspends [paper] when thirty nights have passed'.24 In Wuchang Magistracy people sacrificed fresh things on the graves on the She Day of the second moon.25 In Suiyang the graves were decorated with twigs and banners on the She Day and there were ji offerings.26\n\nIn an earlier essay27 I have discussed the visit to graves at springtime in the lake area of southern Hubei and northern Hunan. Grave rituals were most prominent in the solar period of Qing Ming and seem to have been one of the cardinal activities in a grand exchange of visits and counter-visits between the dead and their living descendants. This ritual scheme of reciprocity over time was parallel with the agricultural year and integrated into the major structure of the annual progression of festivals. The graves were swept and cleaned, which paralleled the weeding and preparation of the soil in the rice nurseries. There were offerings to the dead of food, generally in some sort of commensality. There was a gift-giving combined with the insertion of bamboo branches with hanging paper money on top of the graves. These bamboos can be seen in the area even today. Gifts corresponded to sowing—the dead and the soil were closely related in iconic symbolism. These visits to the graves and the dead were later rewarded by counter-visits of the ancestors to their living progeny, which occurred on the\n\n22 古今圖書集成. 1888. II, 1142: 山川考 8b.\n\n23 沅江縣志: 1807-19, 卷18, 風俗 2b.\n\n24 古今圖書集成. 1888. VI, 1120: 風俗考 2b.\n\n25 古今圖書集成. 1888. VI, 1120: 風俗考 4b.\n\n26 Aijmer 1979.\n\n27 Aijmer 1964.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215313,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 90,
        "title": "RAS-2001",
        "content_text": "38\n\nthe divinity of these chthonic domains. That underworld was also the universe of the dead in their graves. In a sense the altar, or shrine, of the She (She Ji) may have been intuited as a symbolic epitome of the collective of graves, but this would then have been a synthesis of death and the dead with a difference. In grave worship it was explicitly dead individuals who were addressed, and possibly also a multitude of such individuals, all of whom were discursively brought together by a grammar of agnatic kinship. It may be significant that, as in Yuanjiang, the recently dead should be worshipped at their graves before the She Day—when they were still 'uncollectivized' individuals. Perhaps they were incorporated into the She and the common ground of the vicinage on this very day. In a social landscape filled with localized lineage communities, it may be that the dead of an area or a neighbourhood were always former members of a particular localized lineage. But that may not always have been true.\n\nWe might hypothesize that the She was a manifestation of the collectivity of the dead in an area, an aggregation of 'death force' without discrimination in terms of agnatic kinship. The She brought his worshippers the blessings of the vegetative power of the underground and its inhabitants for the coming crops, for the production of rice and the reproduction of society. This train of thought would also account for the political component, the She being the centripetal energy in a demarcated space—in contrast to ancestors and their cults which were articulated in idioms of time, to enhance various particularized claims of specific kinship communities. The She was, like the Imperial administration, for everyone and, in the final analysis, the Emperor was the mediator of the blessings of the underground for his Imperial realm.\n\nAbout the same time, and in the same annual phase of spring and vernal tasks in the agricultural cycle, people in the Dongting area also celebrated the Flower Dawn. This was a festival of certain female presuppositions, being connected with the full moon. People observed the awakening Nature, the re-emergence of butterflies and other insects and the sprouting vegetation. They sought out areas outside of towns and villages for outings with picnics and games. On occasion, this seasonal striving upwards from the ground in the direction of Heaven, was made symbolically explicit by the flying of paper kites. The day was one on which initiatives were taken to betroth young women and,\n\nPage 90\n\nPage 91",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215317,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 94,
        "title": "RAS-2001",
        "content_text": "42\n\nFaure, David, 1986. The Structure of Chinese Rural Society: Lineage and Village in the Eastern New Territories, Hong Kong. Hong Kong &c: Oxford University Press.\n\nGu jin tu shu ji cheng 4 (The Complete Collection of Ancient and New Matters from Illustrations and Documents). 1885-88 (1726). Compiled by Chen Menglei and Jiang Tingxi. 3rd edition. Shanghai: Major Brothers.\n\nHODOUS, Lewis. 1974 (1929). Folkways in China. Taipei: Ch'eng Wen Publishing Company.\n\nJing Chu sui shi ji (Records of the Seasons in Jing and Chu). Complied by Zong Lin. Liang Dynasty. In Hubei yunxin yi shutt (Documents on Traditional Morals in Hubei). N.d.\n\nTUN LI-CH'EN. 1987 (1936). Annual Customs and Festivals in Peking as Recorded in the Yen-ching Sui-shih-chi. Translated and annotated by Derk Bodde. Hong Kong: Hong Kong University Press.\n\nTURBAN, HELGA. 1971. Das Ching-Ch'u sui-shih chi, ein chinesischen Festkalender. Augsburg: Dissertationsdruck W. Blasaditsch.\n\nYANG, C.K. 1961. Religion in Chinese Society: A Study of Contemporary Social Functions of Religion and Some of Their Historical Factors. Berkeley: University of California Press.\n\nYiyang xian zhi (Chronicle of the Magistracy of Yiyang). 1874. N.p.\n\nYuanjiang xian zhi (Chronicle of the Magistracy of Yuanjiang). 1807-09. N.p.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 216019,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 318,
        "title": "RAS-2002",
        "content_text": "252\n\nthe Tang Dynasty can be divided into two streams. There was a nomadic cultural stream that was the patrimony of the horse-based cultures of the North. This stream can be summed up by Sima Qian's description of how Hun children rode with their mothers before they could walk, learned archery riding on a goat and shooting rats as infants, and were well skilled for hunting and warfare by maturity. (Shiji: Xiongnu Liezhuan. Selby: 8G.)\n\nThe Han Chinese did not regard archery as an innate skill, although they were quick to claim outstanding archery skills for model founding emperors of new dynasties. (Han Shu: Chao Cuo Liezhuan. Selby: 84H.) Nevertheless, archery was an acquired skill for the Han Chinese, and the acquisition took place most likely in an aristocratic sporting or educational setting.\n\nTexts on archery from the Song and later periods treated archery on foot and mounted archery separately. They offered few insights beyond what was set out in Wang Ju's Tang text. Much was made of the aesthetic aspects of archery on foot, and layers of philosophical introspection were added. Mounted archery, on the other hand, was utilitarian and fast. Writing in around 1040 the compiler of a Song military encyclopaedia, Zeng Gongliang, roundly attacked Wang Ju's 'flowery' method (Zeng Gongliang: Wu Jing Zong Yao. Selby: 10L.) Judging from the continued preference for the 'flowery style' into the Ming Dynasty, however, his views did not have much influence.\n\nDespite acquiring skill in horseback archery through training, there is no sign that the Han Chinese troops were not good at it. It would be wrong to imagine that the defeat at the hands of the Mongols and the fall of the Southern Song was due to unfamiliarity or an inability to deal with mounted archery tactics. That was largely a European defect.\n\nMing archery was firmly rooted in the Confucian tradition. In the early part of the Hong Wu reign, Zhu Yuanzhang appears to have re-established the full archery ritual in parallel with the military examination, which had lapsed during the Yuan Dynasty. (Hong Wu 3: Edict on the Establishment of the Examination System. Selby: 11A.)\n\nIn both the Song and Ming military examinations, there was a controversy over whether to give preference to candidates who could",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    }
]