[
    {
        "id": 207568,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 336,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n\"A THOUSAND PEAKS AND MYRIAD RAVINES, by CHU-TSING LI, Zurich Artibus Asiae, 1974 (Vol. 1, pp. xi + 319, Vol. 11, 104 plates, signatures and seals, maps)\n\nIn studying the history of Chinese art, particularly that of painting, Professor Chu-tsing Li of the University of Kansas is an active scholar. Formerly his main field of study was the Yuan Dynasty (1280-1368); and for this period his thorough studies on Chao Meng-fu (1254-1322), Tsao Chih-po (1272-1355) and Hsueh Ch'uang (active ca. mid-14th century), as well as a general, but extensive, study about a group of artists active in the late Yüan period in Soo-chou area, are all highly regarded. However, in studying the history of Chinese painting, he seems now no longer to confine himself to individuals of the Yuan Dynasty but has begun to focus on other aspects of the later periods of Chinese art history, c.f. his latest monographs on Ting Yun-peng and Chin Nung (1687-1765). Following this, his latest publication; A Thousand Peaks and Myriad Ravines, a voluminous work in two volumes, deals, with the exception of one painting by a late Yüan artist, many different types of Chinese paintings of either Ming or the Ch'ing Dynasties. It was published in 1974.\n\n5\n\nBeginning from the late 19th century, when private collecting of Chinese art reached its climax, in the East as well as the West, a detailed illustrated catalogue, more commonly edited by a specialist in the field rather than by the collector himself, was published. A few examples for ancient Chinese bronzes are those essential works contributed by Professors Kosaku Hamada,1 Yoshito Harada,2 and Sueji Umehara3 in Japan, and those works by Professors Bernhard Karlgren,4 Gustav Ecke, and Chen Meng-chia in America or other countries; all well-edited bronze catalogues on private collections. For archaic Chinese jade, the catalogue produced by Professor Alfred Salmony is also well known. In addition to those cited which always deal with a specific subject of Chinese art, there are also some catalogues characterized by dealing with more than two branches of Chinese art in the one publication, or separately devoted to Chinese art and art objects in another Asiatic country. For the former, the over-sized catalogues about the famous collection",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207572,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 340,
        "title": "RAS-1975",
        "content_text": "Chu-tsing Li \n\nYoshito Yonezawa 10 \n\nOsvald Siren 11 \n\nChang Jui-tu \n\n1576-1641 \n\nearly 17th century \n\n1607 obtained chin-shih \n\ndegree \n\nVictoria Contag 12 \n\nB. ca. 158 - after 1660 \n\nChang Hung \n\nHung-jen \n\nK'un-ts'an \n\nChu Ta \n\n1577 - after 1668 \n\n1610 - 1663 \n\n1612 - ca. 1674 \n\n1626-1705 \n\nChen Kuan \n\nact. 1620. 1640 \n\nShen Hao \n\nact. 1630 - 1650 \n\nKung Hsien \n\n1617/18 1689 \n\nTao Chi \n\n- 1663 \n\n1626-1705(?) \n\nearly 17th century \n\nmid-17th century \n\n1625 · 1705 \n\n+ \n\nactive 1600 \n\nact. 1630-1650 \n\nd. 1689 \n\ndied in his forties \n\n1612 - 1697 \n\n1626 - 1705 \n\nc. 1620-1689 \n\nHung Ting \n\n1641 - before 1720 \n\n1660-1730 \n\nChiao Pin-chen \n\nca. 1680 - 1720 \n\nlate 17th century \n\n1650(1660) - 1730 \n\n- 1700 \n\n1630 - after ca. 1717 \n\n166--1730 \n\n1641 - 1707 \n\nChang Tsung-ts'ang \n\n1686. 1756 \n\n1686-1755 still alive \n\nact. 1680 - 1720 \n\n1686 - 1756 \n\nChin Nung \n\n1687 - 1765 \n\nHuang Shen \n\n1687 - 1768 \n\nYung Jung \n\n1744 - 1790 \n\n1687 - 1788 still alive \n\nlate 18th century \n\n1687 - after 1768 \n\nBOOK REVIEWS \n\n331",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207581,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 349,
        "title": "RAS-1975",
        "content_text": "340\n\nBOOK REVIEWS\n\nChinese bronze is again by Prof. S. Umehara and was separately published in Kyoto in 1961.\n\n2 The Senoku Seisho is sub-divided according to nature of bronzes, into two parts. The first part dealing with ritual vessels is by Prof. K. Hamada while the next part, devoted to Chinese bronze mirrors, is edited by Prof. Yoshito Harada.\n\n3 In addition to these catalogues about the Sumitomo collection, in 1951 Prof. S. Umehara has also edited Kakkaku Kikkin Senshu (Selected specimens of the Chinese Bronze collection in the Hakkaku Art Museum), an illustrated and descriptive catalogue on Chinese bronzes housed in a private museum possessed and financed by Mr. Jihei Kano in Kobe.\n\n4 For instance, among his various studies on ancient Chinese bronzes, there are three catalogues. The first, \"Bronzes in the Hellström Collection\", is in the Bulletin of Museum of Far Eastern Antiquities (hereafter abbreviated as BMFEA) (1948, Stockholm), No. 20, while the second, \"A catalogue of the Chinese Bronzes in the Alfred F. Pillsbury Collection\" was published in Minneapolis in 1951. The third, \"Bronzes in the Wessen Collection”, is in BMFEA, (1958, Stockholm), No. 30.\n\n5 For instance, his Fruhe chinesische Bronzen aus der Sammlung Trautmann (1939, Peking).\n\n6 For instance, the Chinese Bronzes from the Buckingham Collection, (1946, Chicago), jointly edited by M. C. Chen and Charles F. Kelley.\n\n7 Alfred Salmony (1890-1958): Archaic Chinese Jades from the Edward and Louis B. Sonnenschein Collection (1952, Chicago).\n\n8 W. Perceval Yetts (1878-1957): The Georg Eumorfopoulos Collection: Catalogue of the Chinese and Corean Bronze, Sculpture, Jade, Jewellery, and Miscellaneous objects (1929-32, London).\n\n9 Howard Hansford: The Seligman Collection of Oriental Art, Vol. I, (1957, London).\n\n10 Yoshito Yonezawa: Painting of the Ming Dynasty, (1956, Tokyo).\n\n11 Osvald Siren: Chinese painting, Vol. VII, (1958, London).\n\n12 Victoria Contag: Chinese Masters of the 17th Century (1969, London).\n\n13 The date of Hsuan-ho hua-p'u is not known. But a general date, 1120, the second year of the Hsuan-ho era during the reign of the Emperor Hui-tsung of the Northern Sung Dynasty, associated with its preface, is normally considered to be the date of completion of its compilation. Regarding its authorship, it has been previously suggested by scholars in the Ch'ing Dynasty, such as Wang Wan, as having been edited by Emperor Hui-tsung himself, and by Chou Chung-fu as being by Tsai Ti, and by Pien Yung-yu as being by Hu Kuan. But according to Yu Shao-sung, a 20th-century specialist on the historiography of Chinese art, none of these old identifications are reliable. Instead, a possible editor of this imperial catalogue is perhaps an anonymous eunuch of the Northern Sung palace. For detailed discussion see his Shu-hua shu-lu chieh ti (hereafter abbreviated SHSLCT), \"A Collection of Summary of content and Studies of Titles of Books on Chinese calligraphy and painting\", (1931, Peking).\n\n14 Although it carries a preface by the author, this book is undated. In general, as Yu Shao-sung has suggested (SHSLCT Chuan 12, p. 9), Hsu Hsin must have lived in the transitional period of Ming and Ch'ing but the book itself is written in early Ch'ing.\n\n15 See Yen-Tzu chun-chiu, Nei pien, 10th chapter of the Tsa-hsia section. This book is generally regarded as a work of the 6th century B.C.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 215009,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 105,
        "title": "RAS-2000",
        "content_text": "61\n\nChinese Labour Corps. A native of Pudsey, he died on 16th February 1919. And also the grave of Lt AE Player of the Labour Corps, attached to the Chinese Labour Corps. He died on 10th July 1919.\n\nWe also saw the graves of twenty-three seamen from the SS British Sovereign, amongst which were those of Ah Ling and Doe Gai [no Chinese characters on their gravestones] who died on 7th September 1918. There is also a grave of a member of the Japanese Merchant Marine Service, 1st Class Engineer Yioshto [or Yiosto as it appears on the gravestone], who died on 31st December 1918. His name is not listed nor his grave location shown in the cemetery register which, I believe, is only used for British and Commonwealth personnel. It is listed on the CWGC Foreign National register database. The CWGC has written to the Japanese Embassy, London, to ascertain the correct spelling of his name and await their reply.\n\nIn our wanderings in this cemetery, my wife and I also saw the grave of a young civilian who was buried alongside those who had fought and died in the War. He was Joseph Leng, who drowned at Audricq on 2 October 1917 whilst visiting his father, Sapper J Leng. He was only seven years old and on his gravestone his parents have had carved the epitaph 'Suffer little children to come to me.'\n\nAlso in this cemetery are five graves containing the remains of men of the CLC who were 'shot at dawn'. Their gravestones carried the usual epitaphs and were in every way indistinguishable from other CLC gravestones. Wang Enrong (Wang En Jung in Wade-Giles romanisation) [10299] 29th Company CLC was executed on 26 June 1918, together with Yang Jingshan (Yang Ching Shan in Wade-Giles romanisation) [10272] also of the 29th Company CLC, from Liaocheng county of Shandong province, for murdering a French woman at her estaminet [coffee house] during a robbery. The former's gravestone only carries his number and the inscription ‘Faithful unto Death' whilst that of the latter bears the inscription ‘A Noble Duty Bravely Done.'\n\nSt\n\nZhao Gongyi [Chao Hsing I (Chao Kung-i) in Wade-Giles romanisation] [46090], 161 Company CLC, from Jinan county in Shandong, having murdered a fellow-countryman, possibly as a result of gambling, was executed on 9th August 1918 and Hui Yihe [Hui I He (Hui I-ho) in Wade-Giles romanisation] [42476], 112th Company CLC,\n\nPage 105\n\nPage 106",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
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]