[
    {
        "id": 204275,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 43,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n10\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n39\n\nand defeated government troops again and again. They were eventually persuaded to capitulate to the government, and took part in the victorious campaign against another rebel Fang La.1 However, some modern historians believe that after they had helped the government forces, Sung Chiang and his followers were themselves liquidated in their turn. Be that as it may, the exploits of Sung Chiang and his followers soon became the subject of popular legends told orally. These grew in number and came to be written down. At first only short accounts were written, but later, towards the end of the Yuan period, about 1300, the different stories were joined together to form one long romance, possibly by Shih Nai-an, who has been identified with the dramatist Shih Hui, styled Chun-mei.2 By then, the number of heroes involved had grown from the original thirty-six to a hundred and eight. The romance continued to be enlarged and revised by various hands during the Ming period, until it became a work of 120 chapters, published about 1620. Then, at the beginning of the Ch'ing period, in 1644, the critic Chin Sheng-t'an took the first seventy chapters, added a new chapter at the end as well as commentaries, and published it as the \"Fifth Work of Genius\" in Chinese literature. This edition achieved immense popularity, and it is this truncated version which most Chinese readers have read and which has been rendered into English.\n\n21\n\nMeanwhile, some stories about knights errant found their way into the drama of the Yuan period. The plays of this period were classified by subject under twelve categories, one of which was \"long swords and clubs\". This obviously corresponded to the two categories of stories \"long swords\" and \"clubs\" mentioned earlier. In particular, some stories about Sung Chiang and his followers not included in the Shui-hu chuan were given dramatic treatment in Yuan times. For instance, there were at least a dozen Yuan plays about Li K'uei, one of the followers of Sung Chiang and one of the most colourful characters in popular literature.22 Two of these plays are still extant.23 They present with great gusto this rough-mannered, quick-tempered outlaw with a heart of gold. In plays of later periods, Li K'uei and other\n\n4a.\n\n18 Sung-shih* (SPPY), chüan 22, 3a; chüan 351, 11b; chüan 353,\n\n1 Mou Jun-sun, \"On the tombstone inscription of Chê K'ê-ts'un and Sung Chiang's end\" 牟潤孫,折可存墓誌銘考証兼論宋江之結局, Bulletin of the College of Arts, National Taiwan University, No. 2.\n\n20 Sun K'ai-ti, Chung-kuo t'ung-su hsiao-shuo shu-mu 孫楷第,中國通俗小說書目 (Peking, 1957), p. 181.\n\n+\n\n21 Chu Ch'üan, T'ai-ho cheng-yin p'u 朱權,太和正音譜 (reprinted together with the Lu kuei pu 錄鬼簿, Shanghai, 1957), p. 135.\n\n22 For the titles of these plays, see Fu Hsi-hua, Yuan-tai tsa-chü ch'üan-mu 傅惜華,元代雜劇全目 (Peking, 1957), pp. 406-7.\n\n23 There is another Yuan play in which Li K'uei appears, but only as a subsidiary character.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
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    },
    {
        "id": 204333,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 101,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n97\n\nthree chapters (Ch.12-14) of the Fêng-shên Yen-i and all the other chapters except those parts inherited from the prompt-book Wu-wang Fa-Chou P'ing-hua3 and Lieh-kuo Chih-chuan (@) are the original work of the author.\n\n39\n\n40\n\n38\n\nLu Hsün told us that the approximate dates of Wu Ch'êng-ên are about 1510-1580, and the earliest editions of the Hsi-yu-chi by Wu Ch'êng-ên we have were all published late in the Wan Li period, probably after 1592. It is therefore safe enough if we suppose that the novel Fêng-shên Yen-i was first compiled in the middle of the Chia Ching period (about 1545).\n\n4\n\n38 \"King Wu's Expedition against Chou\", the original copy of which is from an edition dated Chih Chih (a), the reign of Emperor Ying Tsung (1321-23) of the Mongol Yüan dynasty. It was published in Chien-an (# now Chien-yang of Fukien province), then a very famous paper-manufacturing and publishing centre. No less than five different prompt-books of the same sort, historical and fictional, including the Wu-wang Fa Chou, have been found, now kept in the Japanese Cabinet Library, bearing the same sub-title as \"published by the Yu family of Chien-an\" (ZREKƒ). A complete English translation of the last-named is included in my \"The Authorship of the Fêng-shên Yen-i”,\n\n39 The Lieh-kuo Chih-chuan FHEN, a book in a very rare edition, copies of which are now preserved only in a few libraries. See my article \"The Discovery of the First chuan of the Lieh-kuo Chih-chuan and Its Relation to Wuwang Fa Chou P'ing-hua and the Novel Fêng-shên Yen-i\" (元至治本全相武王伐紂話明刊本列國志傳一與封神演義之關係), The New Asia Journal, Vol. 4, No. 1, Aug. 1959.\n\n4o Chung-kuo Hsiao-shuo Shih lüich, Ch. 17, p. 168. Yang's translation, p. 210. cf. (2).\n\n41 See Prof. Sun K'ai-ti's (H) Jih-pên Tung-ching So Chien Chung-kuo Hsiao-shuo Shumu (B££££+5), pp. 101-2, Shanghai, 1953. Shih-tê Tang (H) edition, dated \"the fourth day of the fifth month in the year jên-chên (IR)\",",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
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    },
    {
        "id": 204471,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1962",
        "page_number": 103,
        "title": "RAS-1962",
        "content_text": "92\n\nJ. W. HAYES\n\nwrote a prayer for divine help to the city god of Nam Tau after a dark mist resembling the shadow of a black dog haunted womenfolk in the third moon of the third year of Ch'ung-cheng (1630): and the magistrate LI Ho Shing wrote the \"Lamentations\" or odes and addresses burnt in sacrifice, when a severe typhoon hit the district city in the fifth moon of the twelfth year of K'ang-hsi (1673); this was preserved among the literary works recorded in another chapter of the history. There is no mention of later imitations.\n\nBesides this preoccupation with spirits of all kinds and a general disposition to ensure against all possible acts of ill will on their part which was, one almost thinks, a by-product of the bad times and the uncertainties which usually surrounded the Chinese peasant and his city counterpart, there was a regular and intense devotion to the ancestors of the clans which was carried on through the centuries. This, of course, was Confucianist, as opposed to the Taoist and animist forms of religion to be seen inside temples and on the fields and hillsides. There is no doubt that the clans were kept together by the regular attention that was paid to the ancestral duties and the particular reverence accorded to the first ancestor who had settled in the village. I have already explained how, on the material side, management of land by the clan for the clan assisted in keeping both land and people together. On the spiritual plane the ancestral duties had the same effect.\n\nAt the heart of the clan was the ancestral hall.52 Here the soul tablets of past generations were ranged in rows on an altar: these can still be seen in a few ancestral halls to-day, notably at Ping Shan and Ha Tsuen, two villages of the TANG clan, whose green and gold tablets date back to the Sung dynasty. Most villages in the New Territory, large or small, appear to have had ancestral halls at the time of the lease. Many of them are standing to-day and I have traced the presence of others which have mouldered away since 1898. Each clan had its own hall and here its members gathered to perpetuate its corporate identity on occasions like births, weddings and funerals, and regularly each year at the New Year festival.\n\n53\n\nAs an adjunct to the tablets in the ancestral hall, the graves of ancestors were also the subject of regular attention by the villagers, particularly the grave of the first ancestor and his wife.54",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f",
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    },
    {
        "id": 204775,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 78,
        "title": "RAS-1964",
        "content_text": "HONG KONG BEFORE THE CHINESE\n\n67\n\nThird Edition 1643 by Man Sz-k'ei, Leung Tung-min, Tang Leung-yuk and others; Preface by Ch'an Hei-yiu.\n\nMan Sz-kei (Tai-wu) of Suichau, Sub-director of Studies in San On, 1640-?1645.\n\nLeung Tung-ming of Tun Tau, prefectural graduate in 1641.\n\nTang Leung-yuk # Perhaps a mistake for Tang Leung-sz of Kam Tin, prefectural graduate in 1610.\n\nCh'an Hei-yiu of Chingteh, Kiangnan, Magistrate of San On, 1640–1645.\n\nFourth Edition 1672 by (?); Preface by Lei Ho-shing.\n\nLei Ho-shing of T'ichling in Liaotung, Magistrate of San On, 1670-1677.\n\nFifth Edition 1688 by (?); Preface by Kan Man-mo.\n\nKan Man-mo of K'aichou in Chihli, Magistrate of San On, 1687—(?).\n\nSixth Edition 1819 by Wong Shung-hei; Prefaces by Yuen Yuen, Lo Yuen-wai, Shue Mau-kwun and the author.\n\nWong Shung-hei of Nanch'eng in Kiangsi, a prefectural sub-graduate of Chihli.\n\nYuen Yuen, an Imperial Censor, Viceroy and Commander-in-Chief of Kwangsi, Kwangtung, Hunan, Kueichou and Yunnan; of -wei in Kiangsu; born about 1760.\n\nLo Yuen-wai, a chin-shih, Intendant of Grain for Kwangtung, of Nam Ye.\n\nShue Mau-kwun (Yue-fong), a chin-shih, Magistrate of San On, 1816—(?).\n\nSixth Edition was reprinted without its maps in the 1930s.\n\n* In which case a copy of this edition might be preserved among the clan archives.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
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    },
    {
        "id": 205125,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 81,
        "title": "RAS-1966",
        "content_text": "76\n\nHOLMES WELCH\n\nagainst their own laws and protested vigorously against Japanese interference, but to no avail.\n\nThese developments frightened the Chinese Government, which proceeded to cancel the authorization for its local officials to confiscate monastic property. The wave of affiliation with the Honganji died down. In any case, however, it had been limited to the area of the Treaty ports. Japan had tried to claim the same missionary rights elsewhere, invoking the \"most favoured nation\" clause, but without success. It failed again in 1915 when the fifth group of its Twenty-one Demands (including parity with Western missionaries) was rejected.\n\nIndeed, during the whole first twenty-five years of the Republican period, its missionary work in China was said to have been \"hindered by conditions” - a phrase that may allude to growing anti-Japanese feeling as well as to civil wars. Very few new temples were established. Therefore Tokyo turned its attention to the possibilities for ecumenical cooperation. In 1923-1924 the Japanese Foreign Ministry took an interest in the Buddhist conferences held at Lu Shan under the auspices of T'ai-hsü. In 1924 it arranged for Japanese delegates to be present and to offer their country as the venue for a similar conference the next year. Accordingly, the East Asian Buddhist Conference was held in Tokyo November 1-3, 1925. Twenty-one Chinese delegates attended, unofficially led by T'ai-hsü. The only other delegations were from Korea and Formosa with three members each. T'ai-hsü pointed out that whereas the Chinese excelled at religious cultivation, the Japanese excelled in organizing propaganda and community service. Thus the Buddhists of the two countries had complementary talents. A Sino-Japanese liaison committee was set up to put these talents to work, with Wang I-t'ing as the Chinese representative, and resolutions were passed to carry on work in the fields of education and social welfare. Also included in the conference was a symposium on Buddhist doctrine at which T'ai-hsü gave papers on the doctrine of alaya-vijnana and the secularization of Japanese Buddhism. Plans were made to hold the next East Asian Buddhist Conference in Peking--plans that never materialized.\n\nAfter the meeting the Chinese delegates were given an eighteen-day V.I.P. tour. Everywhere local government officials entertained",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811",
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    },
    {
        "id": 205760,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 66,
        "title": "RAS-1969",
        "content_text": "60\n\nR. G. GROVES\n\n* Skinner, G. W. \"Marketing and Social Structure in Rural China Part I: The Journal of Asian Studies, vol. XXIV, no. 1, November 1964, p. 32.\n\n9 Ibid., p. 5ff.\n\n10 Ibid., p. 32.\n\n11 Ibid., pp. 32ff, C. K. Yang brings out clearly the significance of the market town as the centre of a system of communication. “In times of peace and tranquility, the subjects for chatting range from the births and deaths, weddings and quarrels, conditions of crops, some strange signs in the stars, some mishaps in certain villages, to all the big things and little things that make up the interest and chores in the daily life of the village peasants. But in time of war and political upheavals, in periods when banditry runs rampant or natural calamities plague upon the countryside, from the markets wild rumours fly; seeds of fear and suspicion are sown; signs of omens are interpreted and widely scattered.\" Yang, C. K., A North China Local Market Economy. Institute of Pacific Relations, New York, 1944, p. 13.\n\n12 See, for example, Freedman, op. cit., pp. 82ff., Hsiao, op. cit., p. 423.\n\n13 Skinner, op. cit., pp. 21ff.\n\n14 Skinner, op. cit., p. 27.\n\n15 Freedman, op. cit., pp. 18ff.\n\n16 Ibid., p. 20.\n\n17 Ibid., pp. 20-21.\n\n18 Amyot, J. The Chinese Community of Manila; A Study of Adaptation of Chinese Familism to the Philippines Environment, Research Series no. 2. Philippines Studies Program, Department of Anthropology, University of Chicago (mimeo), 1960. As will become clear, Amyot's analysis is important to the arguments of both Skinner and Freedman.\n\n19 Hsiang is commonly translated as 'township', a practice followed by Amyot. Freedman points out that both 'Hsiang' and 'township' have been used as administrative terms and proposes the more neutral 'vicinage' as an alternative translation, Freedman, op. cit., p. 23.\n\n20 Amyot, op. cit., p. 40. Quoted by Freedman, op. cit., p. 22.\n\n21 Ibid., pp. 52ff. Quoted by Freedman, op. cit., p. 23.\n\n22 Freedman, op. cit., p. 23.\n\n23 Ibid., p. 25.\n\n24 Ibid. It will be argued below that, even in the case of the Hsin-an higher-order lineages, the standard marketing area was organizationally significant.\n\n25 The New Territories formerly constituted roughly three-fifths of Hsin-an county. By the Convention of Peking, 6th June 1898, they were leased to Britain for 99 years.\n\n26 Wakeman, op. cit., p. 36. The term \"local corps\" is used by Chiang Siang-tseh in his work The Nien Rebellion, Seattle, University of Washington Press, 1954.\n\n27 Wakeman, op. cit., p. 38.\n\n28 Ibid., p. 39.\n\n29 Ibid., pp. 39-40.\n\n30 Ibid., p. 63.\n\n31 Ibid., pp. 64-5.\n\n32 Ibid., p. 112.",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
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    },
    {
        "id": 206239,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 56,
        "title": "RAS-1971",
        "content_text": "50\n\nCHIU LING-YEONG\n\nand the Chinese authorities. However the State Secretary, Thomas F. Bayard, was very pleased with Tseng's friendly attitude to the United States in his article. Cf. Foreign Relations of the United States, 1887, No. 168, Bayard to Denby, May 7, 1887.\n\n* Ho Kai (Ho Ch'i) was born on 12 March, 1859, the fifth son of the Rev. Ho Jun-yang. Ho Kai obtained his Bachelor of Medicine and Master of Surgery degrees from the University of Aberdeen in Scotland, 1879, and was admitted to Lincoln's Inn on 29 April, 1879. He was called to the Bar on 25 January 1882. Ho Kai was admitted to practice as a barrister in the Supreme Court on 29 March, 1882 after he returned to Hong Kong. From 1882 onward, Ho Kai appeared to be an educationalist, reformist, revolutionary etc. Ho died in September 1914. At the time of his death he was a Member of the Legislative Council of Hong Kong and had been knighted for his public services in 1912. See the account given at pp. 12-16 of T. C. Cheng's \"Chinese Unofficial Members of the Legislative and Executive Council in Hong Kong up to 1941” in JHKBRAS Vol. 9 (1969). After Ho's article was published in the China Mail on 16 February, 1887, it was translated into Chinese entitled \"Shu Tseng Hsi-hou Chung-kuo sheng-shui hou-hsing lun-hou\" by his friend Hu Li-yüan (1848-1916) and was published in the Hua Tsu Jih Pao on 11 May, 1887. Most of Ho Kai's writings like Hsin-cheng chen chian was written in English and was translated into Chinese by Hu. For Ho Kai, see Chiu Ling-yeong, The Life and Thought of Sir Ho Kai, unpublished Ph.D. thesis, University of Sydney, March, 1968; Onogawa Hidemi, op. cit.; Watanabe Tetsuhiro, op. cit.; Fang Hao, \"Ch'ing-mo wei-hsin cheng-lun-chia Ho Ch'i yü Hu Li-yüan”清末維新政論家何啟與胡禮垣, Hsin Shih-tai 新時代, Taipei III, 12 (1963) 20-25; Hsiang-Kang yali-shih Ho Miao-ling Na-ta-su i yüân ch'i-shih chou-nien ki nien, 1887-1967, Lo Hsiang-lin, Kuo-fu ti kao-ming kuang-ta, Taiwan, 1965, pp. 115-132, Kuo-fu chih 1a-hsüeh shih-tai, Taiwan, 1954, pp. 5-13; B. Harrison, (Ed): The First 50 Years, University of Hong Kong, Hong Kong, 1962 pp. 5-23; Llyod E. Eastman, \"Political Reformism in China before the Sino-Japanese War\", Journal of Asian Studies, Volume XXVII, No. 4, August 1968, pp. 695-710. André Chih: L'occident Chretien vu par les Chinois vers la fin du XIX siécle (1870-1900), presses universitaires de France, Paris, 1962, pp. 42 and 47. Hu Pin, Chung-kuo chin-tai kai-liang chu-i ssu-hsiang, Peking, 1964. pp. 82-84, pp. 173-182. Jen Chi-yü, “Ho Chi Hu Li-huan ti kai-liang chu-i ssu-hsiang” in Chung-kuo chin-tai ssu-hsiang shih lun-wen, Shanghai, 1958, pp. 75-91.\n\n中國近代思想史論文集 Liu Yü-sheng, Shih-tsai tang tsa-i, Peking, 1960, pp. 163-164. Immanuel C. Y. Hsü: The Rise of Modern China, New York, Oxford University Press, 1970, pp. 425 and 543. Harold Z. Schiffrin, in his book entitled Sun Yat-sen and the Origins of Chinese Revolution, University of California Press. Berkeley, 1968, also has a lengthy chapter dealing with Ho Kai's relations with Sun Yat-sen,\n\n9 Chung-kuo chin-tai ssu-hsiang shih ts'an-k'ao tzu-liao chien-pien, Peking, San-lien Shu-tien, 1957, pp. 174-175.\n\n10 Cf. Chung-Fa Chan-cheng, Chung-kuo shih-hsüeh hui Comp., Shanghai 1955, Vol. I; Ah Ying (Ed); Chung-Fa chan-cheng wen hsieh chi, Chung hua Shu tien, Shanghai, 1957, pp. 3-6.\n\nLi Ting-yi, Chung-Kuo chin-tai shih, Taiwan, 1959, pp. 153-162; Liu Feihua, Chung keo Chin-tại Chiến-shih, Peking, 1954, pp. 117-125.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
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    },
    {
        "id": 206674,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 222,
        "title": "RAS-1972",
        "content_text": "216\n\nBOOK REVIEWS\n\ndilettante until the Kang-hsi period scholar Ho Cho (*) made known his annotated manuscript copy of the book. Thus the KKYL comes down to the Ching period with the great prestige it acquired during the Ming period, through no merit of its own but through the obscurity of other early work. It may be said that the T'u-hui Pao-chien, composed not long before the KKYL, also suffered the same good fortune. The value of the KKYL for study today lies not in the originality of the material; rather, it deserves study for what it indirectly reveals of early Ming tastes and popular beliefs regarding works of art. More importantly, it serves as a record of the confusion that resulted from the very great cultural and social upheavals which took place in China as a result of the Mongol conquest. The Yuan and early Ming periods saw the \"popularisation\" of a class of knowledge which had hitherto been confined to a very small élite. Ts'ao Chao was a man who stood mid-way between the old élite and the newly literate, and helped to propagate such knowledge. When Ming society settled down to a new pattern, a new class of literate élite grew up in the Chiang-nan area (mainly Chiangsu and Chekiang provinces) with their own canons of taste which have been recorded in books such as Kao Lien's Tsun-shêng Pa-chien but nowhere more elegantly than in Wên Chên-hêng's Ch'ang-wu-chih.\n\nWe now turn to the additions made by subsequent editors incorporated in the Wang Tso edition. These additions occupy several times more space than the original three chapters. Wang Tso, despite the peculiarity of his tastes (which were not so for his age), at least had the honesty to quote his own sources (often not the original sources of the passages). He, like many dilettantes of his time, had a great predilection for calligraphy, especially \"ancient\" calligraphy as transmitted in the form of old rubbings and, in particular, rubbings of the Lan-t'ing Preface supposedly written in 353 by Wang Hsi-chih, the most revered of Chinese calligraphers of all times. Quite one fifth of Wang Tso's book is devoted to calligraphy and rubbings (sixty pages in a translation text of about three hundred pages), and a large portion of this section is devoted to the not always consistent myths and legends which had grown round the holy script through the centuries. Now, Chinese connoisseurship, even without the benefit of western analytical methods, is usually highly sensitive and astute. But when it came to the Lan-t'ing Preface, all the enlightened perception of nearly all scholars throughout",
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    },
    {
        "id": 206904,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 181,
        "title": "RAS-1973",
        "content_text": "BOOK REVIEWS\n\n175\n\nTHE BUDDHIST CONQUEST OF CHINA: THE SPREAD AND ADAPTATION OF BUDDHISM IN EARLY MEDIEVAL CHINA by E. Zürcher. Leiden: E. J. Brill, 1972, in two volumes (Vol. I, pp. 1-320 and 5 ink-drawing maps; vol. II, pp. 321-469, including Notes, Bibliography, Indexes, Additions and Corrections), H.K.$320.00.\n\nThis book, in two volumes, is a revised edition of the original edition first printed in 1959, also in Leiden. The text is organized in the following six Chapters: 1. \"Introductory remarks\", 2. \"Historical survey from the first to the beginning of the fourth century\", 3. \"Buddhism at Chien K'ang and in the South-East, ca. 320-420\", 4. \"The centres at Hsiang-yang, Chiang-ling and Lu-Shan, and the influence of Northern Buddhism\", 5. \"Anti-clericalism and Buddhist apologetic in the fourth and early fifth centuries\", 6. \"The conversion of the Barbarians, the early history of a Buddho-Taoist conflict\".\n\nConfining his scope to the development of Buddhism during early Chinese medieval periods, Zürcher has not only contributed a great deal of detailed researches but has also demonstrated a high degree of scholarship. Despite this, there are certain aspects which have apparently escaped the author's attention.\n\nAs to the first, speaking in general, any review of the history of Chinese Medieval Buddhism from a broad sense should not be limited to the rise of Buddhistic sects due to variations of religious theology. Other over-all aspects of Chinese culture, directly or indirectly influenced by the introduction of Buddhism at that time, should also be taken into account. One such point, the Buddhistic influence on Chinese language, seems to be notable. The earliest reference to this aspect was perhaps first made by Thomas Watters as early as 1889 when he presented his primary discussions in Chapters 8 and 9 of his Essays on the Chinese Language, a book published in Shanghai. Similar in nature but more authentic discussions of this theme were made by contemporary Chinese scholars, such as the well-noted article by Chen Yin-k'o “Ssu-sheng san-wen” 四聲三間 (which appeared in the Tsing-hua hsueh-pao 清華學報 Vol. IX, No. 2, pp. 275-288, 1934, Peking) and the \"Indian Influence on the Study of Chinese Language\" by Lo Ch'ang-pei 羅常培 (which appeared in Sino-Indian Studies, Vol. I, No. 3, pp. 117-124, 1944). The “Eastward transmission of Buddhism and its influence…",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
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    },
    {
        "id": 207577,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 345,
        "title": "RAS-1975",
        "content_text": "336\n\nBOOK REVIEWS\n\nincluding Li E, accepted an invitation of the Ma brothers to go on a joint-tour to visit Chiao-shan, the famous island situated in the middle of the Yang-tze River near the present day Ch'en-chiang in Chiang-su province.24 For this trip, all members wrote some poems which were later put together, and titled as Chiao-shan Chi-yu Shih (hereafter to be abbreviated as Chiao-shan CYS), A Collection of poems Commemorating A Travel to the Chiao Island.25\n\nThose poems inscribed by Chin Nung on leaves 11 and 12 of the Drenowaltz album are, in fact, two poems written by two different poets of this joint-tour. The first poem, \"Watching the Moon on Chiao Island but being required in designing poem rhyme to use the word 'Sheng'\"26 is written by Li E. It is not only to be found in the Chiao-shan CYS but also in Li E's own collection of poems; Fan-hsieh Shan-fang-chi #### (hereafter to be abbreviated as Fan-hsien SFC), A Collection of Poems Composed in the Fan-hsien Mountain Studio.27 Similarly, the second poem which is entitled \"Watching the Moon in the Chiao Island but Required to have the word 'Yueh' in rhyme\"28 is composed by Ma Yueh-kuan. It is found in the Chiao Island Collection29 and also in Ma Yueh-kuan's own collection of poems, “A Small Collection of Poems by An Untrammelled and Elderly figure at A Sandy River\".30\n\nIn Vol. I, from p. 235 to the first line in p. 236, Prof. Li's English translation deals with Li E's poem; and, from line two onwards, the latter portion of the poem in English is Prof. Li's translation of the cited poem by Ma Yueh-kuan. To consider these poems by two identifiable poets as one is certainly incorrect.\n\nWith respect to the second inscription, treated by Prof. Li as a long poem of Chin-Nung, it is in fact, a collection of three different poems once again all written by Li E. In Vol. II Plate LXXXI-L which is a reproduction of the last leaf of the album, from line 1 up to the first four characters in line 8, the content is to be identified as the first poem by Li E and the title of the poem is read as \"Lodged in the Fo-jih Ching-hui Buddhist Temple\".31 In Vol. I, page 236, line 1 to line 12 of Prof. Li's English translation deals with this poem. Similarly, in Plate LXXXI-L, from the fifth character of line 8 up to the first five characters of line 17, this section of the inscription on leaf 12 is to be identified as Li E's second poem associated with the long title \"Getting up at dawn, monk Ch'e\n\nPage 345\n\nPage 346",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 207970,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 9,
        "title": "RAS-1977",
        "content_text": "178\n\nDAVID FAURE\n\nTable 3. (Translation)\n\nFront:\n\nAnnual festival 19th First Month, 15th Second Month, 23rd Third Month, 5th Fifth Month, 14th Seventh Month, 24th Twelfth Month, Tung Chi in Eleventh Month, Night of 30th Twelfth Month; she t'au (leaders of the she); ALL THOSE WHO LIVE IN PAK KONG VILLAGE HAVE THE RESPONSIBILITY TO SERVE THE AFFAIRS AND PUBLIC INTEREST OF THIS VILLAGE; work collectively for the achievements of this village, do not follow the Monroe [Doctrine].\n\nBack:\n\nGOLD Cheng Tso On, Cheng Chung, Lok Tso Po, Cheng Woh, Cheng Chan Ip, Lau T'in T'ing; WOOD Lok Shek Kam, Lok T'aai Ts'eung, Lok Shue Kam, Lok Foh Kau, Lok Yau T'aai, Lok Shai Ngau, Lok Tak Kwong; WATER Lok Ting Ngau, Lei Lam, Lei Kau, Lok Kam, Cheng Tso Ning, Lok T'aai Hei; FIRE Lok Tak Lam, Lok Shiu Ch'oh, Lok Lam Kwai, Lok Kam Uen, Lok Chi K'eung, Lok Shang, Lok Uet T'aai; EARTH Lok Fuk Shing, Lei Iu, Lei Kw'ai Cheung, Lok Kau Kei, Lok Tso On, Lei Shek,\n\nIn a slight variation, in Tai Po Tsai (near Tai Mong Tsai) and Wo Mei, instead of collecting money to buy the pig at the time it had to be slaughtered, villagers bought a piglet at the beginning of the year and participating families took turns to feed it during the year. By the end of the year, it would be slaughtered, and the meat divided. In Wo Mei, the five lineages of the village also gathered into the Ng Woh T'ong for matters that affected the entire village.42 Less formal but not less important were the \"marriage clubs\" (lo p'oh wooi) found in many villages, such as Mang Kung Uk and Hang Hau, consisting of the unmarried young men of the village. The young men of the club were obliged to help the bridegroom during wedding ceremonies, and they themselves would be helped when their turn came. In general, village ceremonies, not only weddings but also funerals, required the participation of members of the village, including those outside the immediately affected lineage. It was commonly understood that on these occasions members of the village had the right and duty to participate and to help.\n\n43",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208047,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 86,
        "title": "RAS-1977",
        "content_text": "70\n\nJ. T. KAMM\n\nout to private concessions. So pervasive was tax farming in this regard that the Kowloon Customs itself joined with the local magistracy in insuring its maintenance. CSO15 of 1900 records the case of the Ying Yi Farm which was granted the concession for supplying services to trading junks at Lai Chi Kok (*** ) in exchange for supplying free water to customs cruisers.4\n\nDespite its significance for late Ch'ing finance, little has been written concerning the origins and structure of tax farming in China. C.M. Chang's case study of auctioned revenue collection in Ching-Hai Hsien **), Hopei, remains our most authoritative account. Chang, who focuses on the workings of the brokerage tax farm, ascribes the origins of tax farming in China to the growth of miscellaneous taxes imposed after the Taiping Rebellion, an assertion decisively rebutted by Lien-sheng Yang, who traces the institution as far back as the fifth century. In general, we can say that tax farming arose at various times in Chinese history to meet the demands of the specific era and locality.\n\nThere was indeed a remarkable increase in miscellaneous taxes imposed on Hsin-An in the late nineteenth century. In an appendix to his report on the New Territory, Lockhart lists a number of \"extra\" taxes and rents not found in the gazetteer of 1819. This list, in turn, is borne out by an investigation of the data contained in the Kwangtung Ts'ai-cheng Shuo-ming-shu (*****). Lockhart, distrusting the figures supplied by the Nam Tau Magistrate, persuaded an informant in Sham Chun () to provide him with an unofficial assessment of the revenue collected annually in the Tung Lu. As expected, Lockhart discovered a great number of omissions and discrepancies between the \"official\" and \"unofficial\" revenues. Lockhart observed that the magistrate and his superiors benefit substantially from these discrepancies, but noted that \"not a small portion of it (the difference between reported and collected revenue) is secured by those who farm various items of revenue, for which they pay much less than they make out of them.\"\n\nDespite the surge of miscellaneous taxes and the consequent rise in the activity of farmers in the trade sector, the origins of tax farming in the East River counties of the Kwangchow Prefecture can be traced to earlier times. I propose to show that tax farming evolved in the agricultural sector, and was the direct result of the failure to effectively implement the official li-chia system.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208336,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 60,
        "title": "RAS-1978",
        "content_text": "44 \n\nKEITH STEVENS \n\n1871) offered sacrifices at the City God temple and reported, in writing, that he and the whole family with gratitude had made an image of the Duke Wei which he presented to undergo the rite of consecration, so that it would protect all members of his family and all his domestic animals and poultry. The image is of a seated soldier, dressed in armour and military cap, his right hand is clenched and rests on his right knee. His left hand, the first and fifth fingers only, pointing vertically, is held at waist height in a magical sign. Wei had a gilded face, traces of which can still be seen, five tufts of black beard, the stubble only remaining and gilt armour covered by a red and blue robe again only traces of which are still visible. This image was blackest and greasiest of all and is quite surprisingly handsome now that the film of filth has been removed. Wei could possibly be Yu-ch'ih Ching-te (*), the Door Guardian who according to Mathews' dictionary is well-known as one of the two door guardians on temples and is “depicted with a black face and the fingers of one hand twisted up\". The image, dressed in loose robes over armour and chain mail, has a gilded face but otherwise, has his fingers twisted up. In reality Yu-ch’ih was a general who served the T'ang Emperor T'ai Tsung in his wars against rebels and died in 659 A.D. \n\nThe fourth image (Plate 5), also from Shan Men district, Wu Kang county in Hunan and dedicated in 1938 is of the bodhisattva Kuan Yin. The image, easily identifiable as such by her five-leafed bodhisattva crown, beads and vase, is seated cross-legged on a lotus, and dressed in gilded robes, The slip of paper in Kuan Yin's back relates that Petitioner and worshipper Mrs. Yin Wu-chi together with her five sons, four daughters-in-law, and one grandchild, on the 21st of the 6th moon of the 27th year of the Chinese Republic (18th July 1938) offered sacrifices to the Earth God at the City God temple in Lao Chai, presented and installed a new image of Kuan Yin. This has been done, the slip said, so that this Buddhist deity can be resorted to in her natural form and can kindly bestow good luck and eternal protection and prosperity on the Yin family and its future generations. In words of glowing praise, the petitioner described the heart, the liver, the lungs, the kidneys, the soul, the gall, the eyes, teeth, the bones, the bowels and the spirit of Kuan Yin, as 'the liver of a green dragon', 'lungs of a white tiger', ‘kidneys \n\nPage 60\n\nPage 61",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208360,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 84,
        "title": "RAS-1978",
        "content_text": "68\n\nGÖRAN AIJMER\n\nsymbolic statement which parallels the set of technical acts which cluster together into the agricultural phase of sowing. Just as the graves are cleaned and repaired, the seed beds are cleaned and repaired.44 In the same light, the offerings on the grave make sense as a statement parallel to sowing. Meat and wine were offered to the graves and rice was offered to the seed beds. The grave offerings were probably shared between the dead and those who were presenting them. In Yuanjiang it was called to 'drink wine on the grave'. If these suggestions are correct, do they fit in an interesting way with our earlier reasoning? At any rate they lead us to a new and puzzling juxtaposition: graves are not only mountains, they are also seedbeds.\n\n5. Money trees.\n\nThe other important feature of the spring grave worship was the erection of bamboo top-branches with paper money or paper strips hung on the twigs. This kind of ritual arrangement has a certain Southeast Asian flavour, but here we shall resist all temptations to make comparisons in this broader perspective. Here we deal with Chinese ritual phenomena in their Chinese setting.\n\nI have discussed the sign of bamboo elsewhere,45 and from its contextual appearance in rituals in the lake area of Hubei and Hunan I induced the conclusion that it had ambiguous connotations to productive force and ‘driving-away' power. When the sweeping of the graves implied that they were swept with bamboo twigs, this may have entailed some sort of 'driving-away' or purification. A reminiscent practice is that of Jiangling where, on the 24th day of the twelfth moon, the doorways were swept with bamboo branches.46 It would, then, be possible to argue that the bamboos erected on the graves gave protection to the graves or the dead. But if so, what about paper money and paper strips? The latter are in all probability a version of the former. But what does it mean to hang paper money on bamboo branches?\n\nA similar arrangement is mentioned in the essay Wuling jingdu lue. It is said that during the dragon boat races in the fifth moon there were special small boats on the river; their task was to supply the competitors with food and wine. Each of these small boats was equipped with two trees in which 'yellow money' had been hung. They also had 'multicoloured scrolls', drummers and flutists.47",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208363,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 87,
        "title": "RAS-1978",
        "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA\n\n71\n\nAll this is guess work, but as guess work goes it seems to account for the given data in a systematic way. As I see it, the only way to challenge this interpretation (given, of course, that my understanding of the source material is correct) is for those who doubt to produce an alternative way of thinking on this matter, and to provide a new and different explanation which could account better for the data discussed here—and any additional data—in a more interesting way.\n\nFinally, the top branches planted on the graves could be interpreted also as a kind of beacon. Biao means not only 'top branch' but also 'beacon' or 'mark'; such an implication does not necessarily contradict our earlier hypothesis. But if the bamboo arrangements led the way to the graves by marking them and making them conspicuous, we must ask who benefitted from the presence of such signs? Here is another guess. It may be that the yang ancestors are led to the graves of their bones, but I cannot substantiate this at all. It may be mentioned here as a possible interpretation, a vague hypothesis which could be tested at some future stage.\n\n6. Rice Wine\n\nAnother prominent feature of the visit to the graves was the offering of food and wine. The worshippers ate and drank also. The general term used for offerings is ji, or in some notes si. In some cases libations are indicated by the use of the words dian and jiao. Rice wine was an important sacrificial gift used in many contexts. Apart from general wine drinking on various festive occasions, and medical use of wine when it was drunk mixed with herbs and spices on particular days, wine was used in sacrifices. So for instance, on the 24th day of the twelfth moon in offerings to the spirits of the kitchen and the fields in Baling,55 and Jiangling;56 on New Year Eve to the ancestors in Jingshan; On the Lantern Festival in the first moon it formed part of the ji offerings in Jiangling;58 and in the offerings to spirits and ancestors on the Buddhist festival of Zhongyuan, the 15th of the seventh moon, wine was part of the sacrificial gifts, as in Wuling,59 Hangzhou,60 Chongyang,61 and Yingshan.62 Wine was used also in sacrifices to gods like 'General Goan' (Goan Di) in his temple in Mianyang on the 13th day of the fifth moon,63 and to ‘Shui Goan'64 on his birthday on the 15th day of the tenth moon in Zhongxiang;64 Two words",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    },
    {
        "id": 208491,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 215,
        "title": "RAS-1978",
        "content_text": "NOTES AND QUERIES \n\n199 \n\nPopularly known as FAN Yi-lang (-), his full title is 'The Great Immortal Master FAN' (FAN Ta Hsien Shih) (#14 BF). His birthday is celebrated in the village from the 12th to the 17th of the fifth lunar month, with his birthday proper falling on the 16th day. \n\nLegend claims that he was one of three brothers, believed to have lived near the county capital at Pao An (7) formerly Hsin An (†✯) (just north of the present Sino-Hong Kong border), where he and his brothers were bowl makers. FAN Yi-lang however, through his diligent cultivation of the Tao, achieved immortality. \n\nAbout 200 years ago the people of Mui Lung near Pao An (then Hsin An) moved to what became known as Wun Yiu in Hong Kong, where they continued their trade of bowl making. Most villagers bear the surname MA, and at that time they brought FAN's image with them because, as a bowl maker and an Immortal, who but he could look better after their interests? Although bowl making is no longer carried on in the village, evidence of it remains in a pile of shards and moulds lying just outside the temple. (For a note on the Wun Yiu Kilns see JHKBRAS15(1975):291). \n\nFAN continues to serve the villagers well and is consulted on a variety of topics, notably on auspicious dates for commencement of local building projects. The original image was destroyed some years ago, and the present one is a copy carved in Kowloon. \n\nIt has been said that FAN is the patron of bowl makers and by extension, of potters. This is not so. FAN is simply the local deity of a village which used to be involved in bowl making, and was a bowl maker himself. The general patrons of potters, in eastern China at least, were the twin Immortals of Fortune, Ho Ho Erh Hsien (和合二仙). \n\n(An extract from a work at present in hand, The Gods on the Altars of Hong Kong and Macau by Keith G. Stevens). \n\nHong Kong 1979 \n\nKEITH STEVENS",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208605,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 62,
        "title": "RAS-1979",
        "content_text": "THE MARYKNOLL MISSION, HONG KONG 1941-46\n\n35\n\nhis twenty-fifth anniversary of the priesthood. He sang a Solemn Mass in the morning of the second in our Maryknoll chapel, being assisted by Fathers Downs and Vincent Walsh as deacon and sub-deacon, respectively. Besides Bishop O'Gara, our own beloved Ordinary, His Excellency, Bishop Valtorta was also present, he having graciously come out for the ceremony. At the tiffin which followed a number of the local clergy was present, and the usual speeches appropriate to the occasion were made.\n\nOn the sixth of the month a long looked-for cable was received, announcing the fact that the second and last group of missioners was in Manila and would arrive in Hong Kong the next morning via the Pan American Clipper.\n\nSunday—For some time the Clippers have been passing to the seaward of our house on their way to and from Macao, and on Sunday afternoon we were on the lookout for the one carrying our confreres. At about two in the afternoon we saw it winging its flight westward, and knowing that it would not take long to return to Hong Kong, we started out for Kai Tak, Hong Kong's only airport, to greet the newest arrivals. The day was a beautiful one and everybody seemed to be on the streets and in an especial holiday mood. The buses and trams were crowded, business was brisk and everybody seemed happy. The city was literally full of refugees who, it is said, have almost doubled the population and the streets were crowded almost everywhere. Despite this overcrowding, everything functioned normally and the city was happy and gay. In due time the Clipper settled down majestically on the bosom of Kowloon Bay and our eight new Maryknollers stepped ashore. They were immediately escorted across the Bay to Hong Kong and came out to Stanley which they reached just in time for tea. We were all eager to hear of their trip and get news of home and of Maryknoll, and at the same time to give them a little background on the news of this side of the pond. Later, rooms were assigned to them temporarily, as they hoped to be able to get away to their missions very shortly. In fact, they planned to go into town the next morning in order to reserve seats on the plane as quickly as possible, to make some belated purchases and to take care of the various requirements incidental to arrival and departure from the port of Hong Kong. In our recreation room that night the whole story of the trip was rehearsed, news of the homeland disbursed and ques-",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
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    },
    {
        "id": 210163,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 134,
        "title": "RAS-1984",
        "content_text": "113\n\nproduce from the sea near the present Aberdeen Country Club. Some villagers operated stake nets lowered by windlass into the sea from a rocky headland, and others used lines catching fish like nai mang (鯺鏝) to make a sweet congee. The old lady's mother, born about 1860, planted hemp and made it into string used for tying and mending clothes until she was sixty years of age. The village people also grew a kind of rush (cheung po) (菖蒲) when she was young, using it as a charm to hang over their doorways, especially in the fifth moon, in the manner reported in old works on China.2\n\n25\n\n-\n\nThe stake nets were an especially favoured form of fishing in local waters. One can see a few surviving sites round the southern coast of Hong Kong island to this day. In the Tangs' time as sub-soil owners\n\nsee below they may have leased sites to local persons, as they were doing in the New Territories in 1899. It is also of interest that no less than 13 sites on the south side of Hong Kong island were leased out by another absentee landlord family of scholar gentry, the Wongs (王) of Nam Tau (南頭) and Cheung Chau, as shown in maps in their printed genealogy issued in the 1860s. People walked far to secure a livelihood in those days. One of the persons interviewed in the investigations into the murder of two British officers near Stanley in 1849, was a villager of Little Hong Kong who had a hut and operated a stakenet on the point where Stanley Fort now stands.\n\n26\n\n27\n\nHowever, farming was the principal occupation. The Little Hong Kong fields can be seen on the Hong Kong Government's first survey sheet for the area, whilst the extent of the Wong Nai Chung fields can be gauged by the race course at Happy Valley which was built over them.28 Rice was favoured because there was a plentiful supply of stream water available that only required damming, leading and terracing, albeit by dint of hard labour, to provide fertile land that would support two crops of rice yearly. An account of harvest time in one of the Hong Kong villages appeared in one of the numbers of the Illustrated London News for 1858.\n\n\"On the 1st of November (1857) I took a walk with a friend into the interior of Hong Kong and saw the process of rice-harvesting, beneath a bright, hot sun, the entire village popu-",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
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    },
    {
        "id": 210558,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 165,
        "title": "RAS-1985",
        "content_text": "146\n\nJOHN KARL EVANS\n\noutset that, “since our sources are so limited, I have used evidence from earlier or later periods where it seems reasonable to suppose that the thoughts or ceremonies which they report were also typical of the Augustan age” (p. 1).\n\n12 A survey of the more than 100 titles in the Etudes préliminaires aux religions orientales dans l'Empire romain (see n. 6 above) will convince the reader of this point. I cite L. Zotović, Les cultes orientaux sur le territoire de la Mésie Supérieure (Leiden, 1966); and M. Tacheva-Hitova, Eastern Cults in Moesia Inferior and Thracia (5th Century BC — 4th Century AD) (Leiden, 1983), merely as representative of this tendency.\n\n13 A.D. Nock, Conversion. The Old and the New in Religion from Alexander the Great to Augustine of Hippo (Oxford, 1933). One should also mention in this context the classic work of T.R. Glover, The Conflict of Religions in the Early Roman Empire (London, 1909).\n\n14 de Groot (1892-1910); and The Religion of the Chinese (New York, 1910); M. Granet, The Religion of the Chinese People, trans. M. Freedman (Oxford, 1975); and C.K. Yang, Religion in Chinese Society: a Study of Contemporary Social Functions of Religion and Some of Their Historical Factors (Berkeley, 1961).\n\n15 M. Freedman, “On the Sociological Study of Chinese Religion”, in Rel. & Rit., 20.\n\n16 A.P. Wolf, “Introduction”, in Rel. & Rit., 17.\n\n17 K. Hopkins, Death and Renewal (Cambridge, 1983), xv.\n\n18 For the view that the structure of the imperial bureaucracy has been superimposed upon the Chinese pantheon, cf., inter alia, Wolf, “Introduction”, in Rel. & Rit., 5, 7; Feuchtwang (1974), 124, 127; and Wolf (1974), 138-145, 176-178 et passim.\n\n19 For demonology, witchcraft and shamanism in the Roman Empire, one may begin with R. MacMullen, Enemies of the Roman Order. Treason, Unrest and Alienation in the Empire (Cambridge, Mass., 1966), 95-162; or Ferguson, Religions Rom. Empire, 150-189. The fifth volume of de Groot (1892-1910) is devoted to demonology and sorcery in China. For shamanism, cf. A.J.A. Elliott, Chinese Spirit Medium Cults in Singapore (London, 1955); and J.M. Potter, \"Cantonese Shamanism”, Rel. & Rit., 207-231. The popularization of Ceres: H. Le Bonniec, Le culte de Cérès à Rome (Paris, 1958), especially pp. 342-378; the official and Taoist cults of the gods of walls and moats: G.F. Moore, History of Religions, I (New York, 1948), 62-63.\n\n20 Christianity was by no means the only foreign cult to suffer persecution at the hands of the Roman government; cf. G. La Piana, “Foreign Groups in Rome during the First Centuries of the Empire\", HTR, 20 (1927), 183-403; L.R. Taylor, \"Foreign Groups in Roman Politics of the Late Republic”, in M. Renard and R. Schilling (eds.), Hommages à Joseph Bidez et à Franz Cumont, 2 (Brussels, 1948), 323-330; J.A. North, \"Religious Toleration in Republican Rome\", PCPhS, 25 (1979), 85-103, de Groot, Religion of the Chinese, 190-223, is a colourful description of the history of Buddhist persecution in China; briefer and more balanced, K.S. Ch'en, Buddhism in China. A Historical Survey (Princeton, 1964), 147-151, 184-194, and 226-233.\n\n21 I am indebted to Patrick Hase for reminding me of this important methodological consideration.\n\nT\n\nPage 165\n\nPage 166",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x",
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    },
    {
        "id": 210946,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 8,
        "title": "RAS-1987",
        "content_text": "278\n\nNOTES AND QUERIES\n\njoined and added one share, making the total six shares as they are now. For each share 25 silver dollars were paid to establish the Sheung Ue tung ferry for the convenience of passengers. [The operation of] the ferry has been given to the highest bidder by auction each year. [Money received] is kept for interest so that sacrifices may be paid for. Sacrifices should be paid for in accordance with former regulations. [Sheung Ue tung was another name for the Sheung Shui area, and the ferry in question took villagers across the river to Sham Chun Market as we found out in interviews in Fan Ling and Lung Yeuk Tau. The passage is, of course, not as clear as it could be. It would seem that except for the half share held by Loi Tung, other shares held before 1908 counted for something in the reconstitution of the yeuk in that year. This something was not necessarily much more than a right to re-join, and Loi Tung was thus effectively barred from re-joining.]\n\n3. Management for the year should be rotated in the following order\n\nFirst, the Hau surname, Ping Kong, Ho Sheung Heung, Kam Tsin, Yin Kong;\n\nSecond, Lung Shaan heung;\n\nThird, Tai Hang, Tai Po Tau;\n\nFourth, Fan Ling heung;\n\nFifth, San Tin heung;\n\nSixth, Sheung Shui heung.\n\n4. Each share [in the alliance] is to keep a book, and in the year it is in charge, ten days before [the sacrifice], it should send invitations to the shan-sz in the villages. There must be no delay.\n\n5. On the occasion of the celebration on the 1st of the Sixth Month, each share is to send four shan-sz to worship the gods. There should also be sufficient masters-of-ceremony and managers. [We know for a fact that some of the member villages of the New Alliance did not have degree-holders: the term shan-sz in this clause, must therefore include people without a degree.]",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
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    },
    {
        "id": 211284,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 345,
        "title": "RAS-1987",
        "content_text": "Ny 49267\n\n陳\n\nHell 34 135\n\n༩\n\nCOPY OF AN ENTRY\n\nIN A REGISTER KEPT IN THE COLONY OF HONG KONG.\n\nIN TERMS OF THE BIRTHS AND DEATHS REGISTRATION ORDINANCE. (CAP. 174)\n\nAble Lane 1941 Kam Din\n\nBoat 10.\n\nChan She Tang My\n\nThe Kwan Ying\n\nMi\n\nSeilor\n\n168\n\n水\n\n樹\n\nMidwife 4 Jardine Matheson\n\nGet. fl.\n\nТок\n\nJune 17 1941\n\n妹\n\n-ffith ..... \n\nFebruary 11.6\n\nTyme Depy.\n\nPlate 26. Copy (1956) of the birth certificate of one of Hong Kong's own boat people, 1941. (Courtesy Mr. Chan Kam-shui)\n\nPage 345\n\nPage 346\n\nPage 346\n\nPage 346\n\nPage 346",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 211381,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 97,
        "title": "RAS-1988",
        "content_text": "73\n\nAt first Maang's father refused to go, but Maang said to the pirate, \"My father is old and half mad, do not listen to him\", and then turning to his father, he said, “Do not weep for me. Go home and look after our family. My younger brother will serve you in my stead as a good son, and he will grow up and rear more sons for you.\" So the father was hustled back to the shore and the ship sailed away with Maang on board. Then Maang was filled with grief, and crying, “I will never serve these wicked men”, he jumped overboard and was drowned. His body was subsequently washed up at Taipo and buried near by.\n\nIn the fourteenth year of Maan Lik A.D. 1586 when the district Magistrate Yau T'ai Kin (游太卿) wrote the \"History of the Sun On District' he included the story of Maang in it. Twenty-seven years later the then district magistrate Wong Ting Yuet (黃廷越) petitioned the emperor for leave to put Maang's spirit table in the \"Heung Yin Ts'z” (鄉賢祠) Temple for worthy villagers, and later on the descendants of Maang's family Tang (鄧) collected enough money to build a special temple at the place where he was buried. This temple has since been destroyed but the grave still remains and a tablet about 5 feet high and 4 feet wide can be seen with the following inscription on it “[written in large characters] Grave of Tang Sz Maang, devoted son of Ming dynasty [then in smaller characters] repaired in the seventeenth year of Kin Lung (乾隆) 1752, the eighth month, lucky day\".\n\nIn the eleventh year of Hong Hei A.D. 1672, two descendants of the Tang family bought from the government enough land round the temple to make a market there. Shops were built and sub-let and the proceeds went to the upkeep of the temple. Thus old Taipo market was started. During the reign of Ka Hing of Ts'ing dynasty 1796-1820 a man named Man Yuen Chue (文元柱) of Man Uk village (文屋村) (See Note 4) wanted to build some shops for himself in old Taipo market. The Tang family objected and a lawsuit followed. The magistrate who judged the case finally gave leave to the Man family to build dwelling houses only, in the village, not shops. In the twelfth year of Tung Chi (同治) 1873 of Ts'ing dynasty a typhoon destroyed the whole of Man Uk village, and the Man family again wanted to build shops in old Taipo market. Another lawsuit resulted, as the Tang family again objected. On the fourteenth day of the fifth month of the eighteenth year of Kwong Sui (光緒) A.D. 1892 of Ts'ing dynasty it was finally settled that only the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
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    },
    {
        "id": 211640,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 55,
        "title": "RAS-1989",
        "content_text": "30\n\non an altar in a folk religion temple in Pongol in northern Singapore.\n\nIn the Feng Shen Yen I, mythical tales known to most Chinese, Yang Chien is described as the nephew of the Jade Emperor. Yang, also known as Erh Lang in some stories and in some temples, was a mythical general fighting for the legendary Shang (Yin) dynasty during the wars of the 12th century BC.\n\nAnother popular romance of the Ming, the Journey to the West, better known as the story of Monkey, tells of the incident when a heavenly being was exiled to Earth for re-incarnation as a punishment for assaulting one of the Jade Emperor's daughters. By mistake he entered the womb of a sow and was born half-man and half-pig and is now best known as Piggy, one of Monkey's assistants.\n\nThe Jade Emperor's festivals are celebrated on his birthday, the 8th and 9th of the first lunar month, and on the 6th of the eleventh lunar month, the anniversary of his ascension. In parts of Taiwan he is also feasted on the 24th of the sixth lunar month, and in South-East Asia on the 6th of the fourth, and fifth of the eighth lunar months. Though it is not a date on which humans especially revere the Jade Emperor, all the gods of Heaven assemble on the 19th of the first lunar month to pay their respects to him.\n\nHe is offered a feast on his birthday which includes duck and chicken, but must include pork. These offerings are placed on a table in the open, before the front entrance to the courtyard, together with candles and the large-size sticks of incense. Two whole sugar canes with leaves intact are especially popular offerings in Fukien communities to celebrate the escape of Fukienese who hid amongst the fields of cane to avoid being killed by an enemy. The survivors offered such canes to the Jade Emperor in thanks and the custom has persisted.\n\nIn general, routine offerings before the altar of the Jade Emperor consist of the standard three sticks of smouldering incense. However, offerings of a vegetarian feast are made to him in Hong Kong on the first day of the lunar new year, accompanied by the burning of spirit money. Not all families perform this ritual, many Hoklo and Hakka families prefer only to offer the basic vegetarian meal.\n\nThe Jade Emperor is usually accompanied on the altar by images of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211648,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 63,
        "title": "RAS-1989",
        "content_text": "38\n\none of the temple staff thought that Chih (b) bore the personal name Meng-piao (E).\n\nA very few deities, on the face of it Pestilence deities, in practice turn out to be protective Wang Yeh. One such example highlights the probability that local devotees in southern China some considerable time ago, perceiving that their local protective deity bore the title Wang Yeh, assumed that he must be a Pestilence Wang Yeh and treated him as such. This was in a temple in Tungkang, south of Kaohsiung, said in a guide book to have an impressive display of 80 to 90 images of Wang Yeh. It turned out to have but one major Wang Yeh, a protective hero, Wen Hung. Wen Hung, also known as Wen Wang Yeh, a title said to have been awarded him by a T'ang dynasty emperor for his services, lived during the seventh century AD. A dozen or so portable images of him also stood on the altar table before the main altar. A handbook presented by the temple committee not only provided Wen Hung's biography but also contained charts shewing the routes his images had been carried around the parish for five successive years during the annual 'pestilence festivals'. This suggests that two cults have been combined, the cult of the T'ang hero Wen Hung, known as Prince Wen (Wen Wang Yeh) and, almost certainly due to a misunderstanding, the cult of the Pestilence Wang Yeh. Wen Hung's image is taken out during the Pestilence festival during the fifth month but unlike Pestilence Wang Yeh, he also has his own and more important festival celebrated on his birthday during the eleventh lunar month. His original legend, over the years, has had added to it elements of the Pestilence Wang Yeh legend, and to add to the confusion he now has his own Pestilence Wang Yeh boat. Such cases of apparent Pestilence Wang Yeh having a specific and individual personality are not at all common though they have been noted in several other cults in Taiwan.\n\nAlthough there are four temples in Yunlin and one in Taipei county dedicated to ten specific Pestilence Wang Yeh, known always as the Five-Year Excellencies (†) or (EFE), the maximum number of images of Wang Yeh with different surnames seen by the author on any one altar is seven, the Ch'i Fu Ch'ien Sui (LT) in Tainan. In each of the temples dedicated to the Five-Year Excellencies images had been borrowed by devotees for private worship at home. The collective group of the Five-Year Excellencies each has an individual birthday though it was decided in 1662 that they would be feted on one day in a collective feast on the 29th of the tenth lunar month, with one",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211656,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 71,
        "title": "RAS-1989",
        "content_text": "46\n\noffered entertainments similar to those offered to deified humans such as opera, banquets and regular meals with tea and wine. Offerings to Pestilence Wang Yeh usually consist of incense, oil, tea, wine, cakes, cooked rice, vegetables and fruit and never meat, poultry or fish. In a number of temples images of the Pestilence Wang Yeh have 'hell money' placed under them, though this is possibly due to the devotees' desire to please and appease every god in the temple irrespective of their role.\n\nSeances are held in some Pestilence Wang Yeh temples with a medium communing with the Wang Yeh himself to discover the cause of a specific disease; that is, what the actual demonic attack consists of, so that the devotee may take all the necessary precautions.\n\nSome spirit mediums in Pestilence Wang Yeh temples perform their rituals and exorcisms under the watchful eye of the image or images of Wang Yeh brought to the temples by devotees from their own home altars.\n\nPestilence Wang Yeh have also been seen in temples in Kiangsi province bordering northern Fukien, though no reference to them in other areas adjacent to Fukien province has been noted in native or foreign travel or religious books.\n\nThe dates of Pestilence Wang Yeh festivals vary from temple to temple though a popular date is the 26th of the fourth lunar month; another is the 15th of the eighth lunar month. Each year during the fifth lunar month festival a 'plague boat' (Wang Ch'uan) made of paper or, in large communities, of wood, is laden with captured demonic spirits (the cause of disease) and pushed out to sea or set afire on the shore. This is a three-day event during which the Wang Yeh are entertained and feasted before the boats are despatched in flames together with their passengers, the demons. In practice images of the Wang Yeh and their wooden tablets remain in the temple and nowadays only paper tablets bearing the name of the Wang Yehs are despatched with the demons.\n\nIt has been the practice for a new small shrine to be set up in honour of the Wang Yeh wherever the boat drifts ashore. The Wang Yeh boat festival is rarely seen nowadays in Taiwan; it was popular elsewhere until fairly recently, for example it was seen in Malacca until the mid-thirties. In Malacca it was referred to as the Wang Kang and was held for the five days from the 21st of the tenth lunar month every",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211664,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 79,
        "title": "RAS-1989",
        "content_text": "54\n\n(Wu Ling Kung). The helpful keeper of a Wu Fu Ta Ti temple in Tsoying, sited almost opposite the Kaohsiung Temple of Confucius, named the Five Great Emperors of Fortune, Liu, Chin, Chang, Shih and Chao. He was also able to provide the personal names of each and identified them as five scholars who had died in an attempt to save Fuchou from pestilence demons. Four of the Wu Fu Ta Ti images have standard human faces though with nothing unique to identify them individually; the fifth, however, has a bird's beak on his demonic face and in some temples his skin is blue. No temple keeper has been able to offer a reason for this.\n\nLegends about the Pestilence Wang Yeh highlight that all the spirits which became such deities had died an unnatural death, the most popular being the deprivation of the lives of scholars before their due dates of death at the whim of the emperor.\n\nPestilence Wang Yeh were in the main scholars; in some legends ones who had been unsuccessful in the civil service examinations and in others ones who had been successful, who died before their due date either violently or by suicide. This made them spirits to be feared, potentially vengeful and dangerous ghosts who could inflict disease, though through happy circumstances they had all been deified and therefore to an extent placated, and their dangerous potential somewhat nullified.\n\nWhilst this article is primarily about Pestilence Wang Yeh now let us turn to local protective deities which also bear the title of Wang Yeh but are not Pestilence deities. The origins of each individual Wang Yeh as related in its cult centre or local village shrine provides a pattern which can best be discerned from the following examples. Legends describe how named individuals, frequently a local who died an unnatural death either fending off bandits, providing for the weak or performing some other public spirited act, were deified. As referred to earlier, the best example of a non-pestilence Wang Yeh is Koxinga, the son of a pirate and a defender of the native Ming dynasty which was crumbling before the invading Manchus, foreigners who later established the final imperial dynasty in China, the Ch'ing. Koxinga drove the Dutch out of their base in Taiwan and for this act, eliminating foreign rule, he became the patron deity of the island.\n\nA typical title, which at first would appear to be far from straight forward, is that of the rural temple near Tainan dedicated to the San Lao Yeh (=). The three, Wei (), Chu (✯) and Ts'ao (W)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211732,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 147,
        "title": "RAS-1989",
        "content_text": "122\n\nusually considered private in character, and hence the entrances are such that the general public can be excluded as desired.2\n\nIn smaller institutions, the buildings tend to form only a single range, and the Buddha Hall is built in the middle of it. Even here, however, the range of buildings will usually front an enclosed courtyard-garden, and the Hall will be raised up a few steps higher than the other buildings.\n\n1\n\nAlthough the great majority of Buddhist monasteries and nunneries in Hong Kong were founded in the last 80 years, a few are older, founded by indigenous groups before the coming of the British. Five are known to me in the mainland New Territories3 — the Ching Shan, or Pooi To (#4 · *) monastery at Tuen Mun, (certainly in existence in the fifth century*), the Ling To () monastery at Ha Tsuen (probably founded or refounded in the Ming Dynasty), the Ling Wan () nunnery at Shek Kong (an early Ming foundation4), the Lung Kai () nunnery near Lung Yeuk Tau (probably an early Ch'ing foundation5), and the Cheung Shan Kwu Tsz (££‡), near Man Uk Pin on the old road from Sha Tau Kok to Sham Tsun (Shen Zhen).\n\nThe subject of this article.\n\nOf these ancient foundations, the Ching Shan monastery was rebuilt in 1918 and several times since, and the Ling Wan nunnery was rebuilt between 1919 and 1927. These now show the standard Buddhist plan mentioned above. The Lung Kai nunnery is a total ruin, following abandonment and the stripping of the roof during the last War. The Ling To monastery was rebuilt in 1928, and again (from the foundations up) in 1970. It is believed that both rebuildings used the foundations from the 1861 rebuilding, but the interior layout of the present structure is only a shadow of the original. Only the Cheung Shan Kwu Tsz survives unreconstructured and undamaged as an example of a Buddhist institution in the area from before the twentieth century influx of immigrant monks and nuns. Because of this it seemed worth studying the monastery in some detail.\n\nThe old road from Sha Tau Kok to Sham Tsun ran more or less along the line of the present Sha Tau Kok road from Sha Tau Kok to the Wo Hang Au above Sheung Wo Hang. It then cut to the north-west of the present road, passing Man Uk Pin village, and thence on through the mountains by a low pass called Miu Keng (M, \"Temple Pass''), past Ping Yeung village, to cross the Sham Tsun river by the bridge",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 212134,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 76,
        "title": "RAS-1990",
        "content_text": "53\n\n1\n\n景案\n\n+\n\n'brilliant scholars', and a Christian community ching-chung\n\nthe 'brilliant assembly'. The Christian monasteries which\n\nappeared all over China in Kao-tsung's reign filled the land with 'brilliant happiness', ching-fu. Christ is described as 'the brilliant and reverend (ching-ch'uan) Messiah'. At his birth a brilliant star (ching-shu) told of good fortune'. In the most emotionally-charged context of all, ching occurs in a veiled and ambiguous reference to the crucifixion: the Messiah 'hung up a brilliant sun (ching-jih) to take by storm the halls of darkness'. The use of the character ching in this way shows that the composer of the Sian tablet inscription wanted to extend and deepen its normal meaning 'brilliant', thereby adding to its effectiveness as a descriptive term for Christianity.\n\nUntil the beginning of this century the Sian tablet was the only source for the expression Ta-ch'in ching-chiao, Syrian brilliant teaching', as an official identity for Nestorian Christianity in T’ang China. We now have more evidence for its use. The expression occurs in a number of Nestorian manuscripts discovered in 1980 at Tun-huang, where there was a Nestorian monastery in the Tang period. Altogether seven separate works, all in Chinese, have been discovered. Two, the Book of Jesus the Messiah, and the Essay on Monotheism, are seventh-century documents composed shortly after Reuben's arrival in China, and neither the geographical term Ta-ch'in nor the descriptive term ching-chiao are found in these early works. Of the other five works, one, the Book of the Secret of Peace and Joy, contains three occurrences of the term ching-chiao, but none of Ta-ch'in. The manuscripts of three other works, the Hymn in Adoration of the Transfiguration of Our Lord, the Hymn in Adoration of the Holy Trinity, and the Book of the Origin of Origins, all display Ta-ch'in ching-chiao prominently in their titles, but neither Ta-ch'in nor ching-chiao occurs in their contents. All three works, however, are listed in a fifth work, the Book of Praise, with the phrase Ta-ch'in ching-chiao omitted from their titles. The Book of Praise, which was found together with the Hymn in Adoration of the Holy Trinity on a single manuscript, is rather different in style from the Hymn in Adoration of the Holy Trinity. It contains one reference to Ta-ch'in pen-chiao, ‘our teachings of Syria', but does not contain the expression ching-chiao, 'brilliant teaching'. All occurrences of ching-chiao in these documents use the curious variant form of the character ching found on the Sian tablet.\n\n12",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212658,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 212,
        "title": "RAS-1991",
        "content_text": "193\n\nto and honouring the memory of Wang Te-lu, an Imperial fleet commander who helped clear the Straits of Formosa of pirates during the early years of the nineteenth century. The Wang Clan Temple in T'ai-pao village in Chia I county in central Taiwan was an elegant building first built during the late 19th century by the proud clan whose surname Wang Te-lu bore. It was rebuilt in 1979, this time a modern metal frame construction retaining the comparatively small single hall in which there is but one altar on which stands one large multi-ancestor tablet and three ancestral tablets. The flanking walls bear texts, with Wang Te-lu referred to in a number of the captions as Wang Ta-jen, i.e. His Excellency Wang, and paintings of Wang Te-lu stage left and of his primary wife stage right.\n\nAlthough we know little about Wang's early life apart from what has been retrieved from local folk memory which, as with all family recollections, is highly subjective and probably exaggerated out of all reality, we do have official records of the highlight of his life. This \"five minutes of glory\", depicted in a painting hanging in his Memorial Chapel illustrating the incident, was his victory over pirates who had been causing immense and terrible problems up and down the coasts of the southern provinces of Chekiang, Fukien and Kuangtung since the late 1790s. One pirate fleet in particular had sailed the Fukien coast under its dreaded Fukienese leader, Ts'ai Ch'ien. The Chinese Imperial naval commander, Li Ch'ang-keng, commanding the joint fleets of Fukien and Chekiang province, determined to suppress them, successfully defeated the pirates on a number of occasions but was killed in action in 1808, following which his two subordinate admirals, of whom Wang was one, were entrusted with continuing the task. Wang, in charge of the Imperial Fukien fleet, together with the Chekiang fleet under Admiral Ch'iu, fought the major battle in September 1808 near the Tai-chou islands off the Chekiang coast. The pirate fleet was destroyed with Ts'ai Ch'ien going down with his ship.\n\nWang was born and named Te-lu, literally meaning \"To become prosperous and happy\", in 1771, the thirty-fifth year of the emperor Ch'ing Ch'ien Lung, in Kiangsi's provincial city of Nanch'ang, and in later years acquired the courtesy name of Pai-ch'u, literally \"All Honours are concentrated within Him\"; and the literary name, Yü-feng, literally meaning \"The Jade Peak\". He died at the age of 71 in 1842 on the Pescadores, an archipelago in the middle of the Straits of Formosa, and having been borne in honour back to Taiwan, was buried in Hsin-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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    },
    {
        "id": 212813,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 122,
        "title": "RAS-1992",
        "content_text": "320\n\nMESNY'S CHINESE MISCELLANY.\n\nThe total strength of the regiment is thus: One Colonel, one Second-Major, two Captains, four Lieutenants, four Sub-Lieutenants, two Sergeants, four Corporals, two Lance Corporals and about 650 to 700 men.\n\nThe strength of this regiment is, however, very much increased by over one hundred and thirty gun-boats and a score or so of old ones. Each new gun-boat is manned by one officer and nine men on a peace footing, to which are added one officer and five men in times of war. The old gun-boats have two officers and over twenty men each, and some of them cruise down in the neighbourhood of the Bogue Forts.\n\nThe new gun-boats thus give a complement of 1,300 officers and men in times of peace and over 2,000 in times of war, to be added to the strength of the above naval regiment, besides a proportionate number of commissioned officers.\n\n1439. PAN FEI-A favourite concubine of Tung Hun Hou, the last but one of the Sovereigns of the Ch'i dynasty, A.D. 499-501.\n\nThe practice of cramping the feet of Chinese girls is ascribed to her by some writers. Mayers says: \"She is celebrated for her beauty and grace, and it is related of her (but on untrustworthy grounds) that the practice of artificially cramping the feet was introduced under her auspices See Yao Niang. Her imperial lover is said to have uttered one day, when gazing at her performances in the dance upon a platform ornamented with golden lilies the amorous expression: 'Every footstep makes a lily grow!' and hence the term Chin Lien metaphorically used for the feet of women is said to have taken its rise. In allusion to the same traditions the expression Lien Kou (lily hooks) is also applied in celebrating this charm of woman-kind.\" The term Chin Lien really means Golden Lotus, not Golden Lilies, frequently translated by foreign writers, and in like manner means the term Lien Kou Lotus Hooks. I have often heard the nicely cramped feet of women described as I tui lien hua, i.e., a brace or pair of lotus flowers.\n\n1440. CHOU TICH CHÈN : The battle name of Chou-han the malicious. The rabid anti-foreign Hu-nan man, who has done so much harm to China and to the Chinese by stirring up animosity against foreigners instead of friendliness, adopted as a battle name the characters Tich-chen, which means True as Iron, or \"True as steel\" Chou Han has now fallen, and is ruined, and he is bound to die a miserable death, like everybody else who gets in the way of Christian progress. The following two characters-Tich-chen —may now be substituted for the two so boastfully selected by himself.\n\nHu-nan is bound to be opened to foreign trade and friendly intercourse with foreign nations. No mortal man even yet kicked against Christianity without hurting himself. Chou Han is as good as dead, or he ought to be dead.\n\n1441. AI YEH -The leaves of Artemisia Moxa, q.v. This is considered a lucky plant. On the fifth day of the fifth moon every family gets a few leaves to hang over the house doors. When dry and rubbed up it answers the purposes of punk or tinder, and may be lighted with flint and steel by striking fire over the punk in the usual manner. It is also burnt to drive away insects, or mosquitoes at least, and is very useful as such.\n\n1442. I-TS'AO-Healing Herbs, Medicinal Herbs, Drugs, Artemisia Moxa, q.v.\n\n1443. AI-HO-Punk made from the dry leaves of the Artemisia Moxa, q.v., and used as a cautery in various cases of disease, and burning the scars seen on the head of all properly initiated Buddhist priests. Each scar represents a vow to abstain from evil and perform good deeds.\n\nA full Index will be issued every Six Months.\n\nJan. 9th, 1896.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x",
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    },
    {
        "id": 213287,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 109,
        "title": "RAS-1994",
        "content_text": "89\n\nunease (even dread) if certain lore is followed concerning the construction or the furnishing of a building. A Chinese geomancer will probably be able to give specific reasons why it is so. It is not difficult to imagine that if someone's home is 'tranquil', and that if he or she feels 'comfortable' there, that this will be 'picked up', sensitively, eventually resulting in a greater degree of self-possession and, consequently, greater accomplishment.\n\nIn Chinese communities talismanic paper emblems above door frames, like the 'Five Happinesses' (signifying long life, wealth, health and peace, love and virtue, and natural death after a full span) are common. Understanding something of metaphysics one realises the power of the negative word. The Chinese characters signifying 'Coming or leaving go in peace', painted on a strip of red paper and pasted by the entrance, although by no means hypnotic or yogic techniques, mean a great deal to many. It psychologically 'hearts are put at ease' by constantly reading such messages (a form of auto-suggestion) then the desired effect is achieved.\n\nSome Chinese symbols can be compared with an old shoe tied to the back of the car of a newly married English couple; or a horseshoe (which must hang the right way up) by the door of a cottage. Inside the parlour you might find the motto, 'Bless this house', displayed. Certainly during World War II a number of British aircraft crew members, on bombing missions over Germany, carried lucky charms, such as rabbits' paws.\n\nFung shui has been likened to the pull of gravity or high voltage electricity. Others describe it as dei mat, the veins through which the pulse of the earth can be sensed. The end result, many believe, is directly proportional to the degree of skill of the fung shui practitioner. With the cosmos in a constant state of flux his task is to analyse bad elements and to advise on cures to help balance or restore the build-up and circulation of chi. Often it is accepted the fung shui specialist cannot prevent something from happening. But if he has mastered his art he can make the effects less severe.\n\nOf course it does not always happen so. 'My fung shui lo (\"fellow\") did not tell me so much red in my flat would upset Ng Wong (the Fifth King God),' a Chinese woman told the author. 'Also, he did not forecast the death of my friend's mother. All he is concerned with now is taking on as...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
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    },
    {
        "id": 213624,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 220,
        "title": "RAS-1995",
        "content_text": "193\n\nhe became Ch'ang-ch'un Ch'uan-tao Shen-hua Ming-ying Chen-chun. He is also known as Chu Ch'u-chi and Lung Men Tsu-shih.\n\nHis main festival is celebrated on the 19th or 20th of the first lunar month, with another on the anniversary of his ascent to Heaven, on the 12th of the seventh lunar month.\n\nThe second of the disciples is Ma Tan-yang.\n\nThe third is Liu Ch'ang-sheng, and the fourth Tan Ch'ang-chen.\n\nThe fifth is Hao Kuang-ling, whose image has not been noted on any altar within southern Chinese communities though his name appears in Taoist religious writings in several temples in Hong Kong. He also appears to be known as Hao Ta-t'ung and Hao Kuang-ning.\n\nThe sixth is Wang Yu-yang. He also is regarded as the Immortal who gathered devotees around him in his sub-sect at Yu-shan. Although he is mentioned in the religious writings in the Tuen Mun Taoist temple in Hong Kong's New Territories, and has been referred to there a number of times, his image has not been noted on any altar within Hong Kong, Taiwan, and SE Asian Chinese communities. He is renowned as one of the Seven Immortals for his absolute stillness in meditation. However, he had difficulty overcoming his competitive nature and forced himself to sit perfectly motionless for lengthy periods to show up a rival. He gave up his cave to other Taoists in order to continue his life in peace, alone elsewhere.\n\nAnd finally, the seventh, the one female member, Sun Pu-erh. She formed a sub-sect at Ch'ing-ching. Known as Sun Pu-erh [literally 'Sun no-second way', that is with single-mindedness], she was the wife of another of the Seven, Ma Tan-yang, and whose real name was Sun Ch'ing-ching. She is best known for the self-disfigurement she underwent when she became a beggar to live amongst the poor. As an intellectual, she had difficulty understanding the meaning of the written word without the practical Taoist exercises she later took up.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
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    },
    {
        "id": 214006,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 75,
        "title": "RAS-1997",
        "content_text": "41\n\nheroes of the Yang-chia Chiang, [the Romance of the Generals of the Yang clan), the novel in which elements of fact are linked and held together by chunks of fiction, embellished over the generations by public story tellers and opera. The title by which several of the family are known individually is Yang Fu Ta-shih. This is also the group title in the few temples in which the whole family of the Yangs are revered as protective deities. The family in the novel includes not only the mother, but also a daughter-in-law, two daughters and a serving maid, all of whom served as generals during the Sung dynasty, as did all seven sons.\n\nIn one of the numerous episodes in the novel, P'an Jen-mei is said to have planned during the martial promotion jousts to promote his soldier son, P'an Pao, by unfair means. He caused the sons of Yang Yeh to be forbidden to compete and also eliminated other major contestants by having them killed. The Seventh Son of Yang Yeh was furious and despite the ban, entered the jousts and killed P'an Pao. Yang Yeh and two of his sons were sentenced to death but had the sentence commuted to banishment.\n\nAt one stage P'an Jen-mei, who hated Yang Yeh, had him beaten for disobeying orders and then ordered him and his sons to attack the Liao forces. Unfortunately for Yang Yeh during the battle he and his sons were cut off on Liang Lang Shan [the Mountain of the Two Wolves]. The Seventh Son managed to escape and on returning to P'an's headquarters to seek help was accused by P'an of desertion and shot to death with arrows. Yang Yeh, surrounded and without hope, killed himself by banging his head against a tombstone whilst the Sixth Son managed to get away and back to the capital at Kaifeng. There he laid charges against P’an Jen-mei who was brought back to the city and put on trial. After various machinations he was finally convicted but attempted an escape to the Liao only to be caught and killed by the Sixth Son and his sisters. As a result the Sixth Son was banished by the Sung Emperor.\n\nOn his way to Ho-tung [Taiyuan] and banishment at his old family home, the Sixth Son by chance met his elder brother, the Fifth Son, who had become a Buddhist monk on the holy mountain, Wu T’ai Shan. The Fifth Son listened to the story of the fate suffered by members\n\nPage 75\n\nPage 76",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
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        "rank": 0
    },
    {
        "id": 214007,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 76,
        "title": "RAS-1997",
        "content_text": "42\n\nof his family and decided that the banished Yang the Sixth should feign illness and death, meanwhile hiding out in the old family home. Not long after this the Liao once more invaded and the Sixth Son emerged to join other senior Sung soldiers to confront the Liao Khitan forces at the San Kuan, the Three Passes through the mountains where, in a long-fought battle, the Liao army was defeated.\n\nThe romantic novel now becomes complicated with the Yang family home being demolished by a rival and Yang the Sixth once more sent off into banishment. He was then thought to be dead and, yet again, when the Liao Khitan invaded and no competent general seemed forthcoming, in the nick of time, the Sixth Son once more emerged and was pardoned. He first ordered that the family home be rebuilt before he returned with his two sisters to the Three Passes, San Kuan, to confront the Liao forces.\n\nAnother twist in the story brings the Yang household kitchen-maid, Yang P'ai-feng, into the tale. She was yet another skilled in martial arts and a very courageous woman. As this was common knowledge within the Yang household she was asked by Lady Yu [Yang Yeh's wife] to help fight against the Liao. This she was delighted to do and as soon as she joined up with Yang the Sixth at the Three Passes she fought hand to hand with one of the Liao strong men and defeated him. She then helped Yang the Sixth to defeat the Liao army and on her own rescued the two Yang sisters who had been cut off.\n\nThe Sixth Son realising the situation was still fraught with danger summoned his mother, the Lady Yü and his elder brother, the monk, the Fifth Son, to help. The Fifth Son explained to the messenger that as a Buddhist monk he was unable to fight; however, the messenger noticed that the Fifth Son had a secret vice, wine which he had concealed under a bed. Together they drank the night away and eventually the Fifth Son was convinced that it was his duty to join his younger brother at the Three Passes.\n\nDuring a convoluted episode describing the confrontation between several Sung generals and a Miss Mu Kuei-ying in the mountains of Shantung where they were seeking out a special wood for the handle of the sword belonging to the Fifth Son, the son of Yang the Sixth and grandson of Yang Yeh, Yang Tsung-pao, appeared on the scene in his",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
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        "rank": 0
    },
    {
        "id": 214008,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 77,
        "title": "RAS-1997",
        "content_text": "43\n\nsearch for provisions for his army. After a short but very sharp duel between Miss Mu and the Yang grandson, Tsung-pao, during which he was unable to better her in swordsmanship, she realised that she had fallen in love with him, mainly because of his swordsmanship but also because he was a member of the renowned Yang family. During their long talk through the night by the camp fire he learned that she was the daughter of a famous Sung general who had been falsely accused and banished. They were soon betrothed but without parental approval.\n\nMeanwhile, the Lady Yu had arrived at the Three Passes where she astonished everyone with her tactical knowledge. She immediately identified and explained the Liao battle formation facing them which had long been regarded as a battle winner and so far had been undefeated. She was also worried about her grandson, Tsung-pao who she understood had been captured by Mu Kuei-ying. The Lady Yü's asked the Sixth Son to set out to rescue his son, her beloved grandson, whilst she took his place commanding the forces before the Three Passes. The Sixth Son reached the Mu hideaway and was confronted by Miss Mu. He, in disguise, did not realise that she was betrothed to his son and she did not realise that he was her future father-in-law. When, after a duel in which she disarmed him, they were introduced, the father, the Sixth Son returned to the Three Passes to resume command. When finally his son returned, the Sixth Son sent for him and demanded to know what provisions he had brought. His son stammered that he had not brought any which led to his father's furious outburst that his son had not only not brought provisions he had frittered away his time with Miss Mu, and immediately ordered his execution. All the officers pleaded with the Sixth Son to spare his son's life but were rejected. The Lady Yü then went to plead for her grandson's life and again the Sixth Son rejected her plea as it was a family honour to maintain military discipline. The Crown Prince then asked for a reprieve and once more the Sixth Son, who as commander of the forces and not a civil official serving the Crown Prince, refused to consider it. The Crown Prince swept out. At this point Miss Mu arrived and was shown in to see the Sixth Son. She explained that she had come with the special wood for the handle of the sword for the Fifth Son and also to join the forces under the Sixth Son's command. He welcomed her but again refused to reprieve his son, her fiancé. She eventually talked him round by promising to fight the Liao herself and when the pardon was signed she snatched it and rushed out to break",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
        "rank": 0
    },
    {
        "id": 214009,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 78,
        "title": "RAS-1997",
        "content_text": "44\n\nthe news to Tsung-pao.\n\nAt this point the commander of the Liao army arrogantly demanded that the Sung forces surrender. Miss Mu, angered by the enemy commander's comment about the Sung general dallying with her and being afraid to fight, fired a single arrow which took the helmet off the enemy commander's head. She then fired a second arrow at his left eye but he had already turned to flee and it struck his armour instead. Her popularity and prestige soared and the Liao Khitan forces' morale plummeted. Miss Mu led her force to victory whilst Yang the Fifth killed one of the Liao commanders and Yang Tsung-pao another, leading their forces in a rolling battle which lasted all of twenty-four hours. The defeated Liao Khitan fled, broken, back north leaving the field to the Sung. Peace reigned for the first time for decades and lasted for the following ten years.\n\nFinally, we have the tales told in temples, individual stories told not only by temple custodians and devotees about members of the Yang family with the father, Yang Yeh, the main character, but also by professional tea-house story tellers. One might expect versions of the lives of the Yang family as related by temple staff and devotees would reflect the religious traditional tales of story tellers and theatrical stories. As will be seen this is not always so.\n\nYang Yeh, his wife, daughters and sons were deified for their heroism and loyalty to the Sung dynasty. Images of Yang Yeh, alone or with his wife, the Lady Yü, Yü Lao T'ai-chun, also known as Yang Ling-p'o, and with one or more of his seven [eight] sons, can be seen in two temples near the Great Wall in northern China as well as on Fukienese community altars in Taiwan and South-east Asia. Yang Yeh, when portrayed on altars, is also known as The Holy Prince of the Yang Family 楊老令公.\n\nIn the majority of Singaporean and Taiwanese temples the staff were quite clear in their own minds that the two major deities of the cult are Yang Yeh, the powerful general and father of the family, and his Fifth Son. Confusion over definitive identifications of images on altars has arisen out of this almost universal belief. The reason for the popularity in temples of the Fifth Son, rather than the greater hero, the Sixth Son, is almost certainly due to the Fifth's religious background.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
        "rank": 0
    },
    {
        "id": 214010,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 79,
        "title": "RAS-1997",
        "content_text": "45\n\nas a Buddhist monk. The problem of identifying which members of the family are portrayed by images on altars has been complicated by temple keepers having their own personal views of the exact identity of each deity on their altars. At least four of Yang Yeh's other sons are individually revered on altars, with the complete family, usually seven sons, revered in at least four temples, though in two of these there are eight sons, together with Yang Yeh's two young daughters and several of his sons' wives.\n\nLegends recounted by tea-house story-tellers claimed that General Yang Yeh defeated the Mongols near Heng Shan in Shansi early in the Sung dynasty becoming one of the most powerful supporters of the Sung. Later he, together with his heroic sons, tried to save the emperor from the invading hordes, and with his wife chose to die rather than surrender. All but two of their sons died with them. The Fifth and Sixth made their separate ways home after many adventures. After falling in battle fighting the enemies of the Sung, Yang Yeh was awarded the title of The Marshal who Protected the Sung, Sung-pao Yüan-shuai*. His body was recaptured from the enemy, so legend relates, by a valorous captain who had used a secret weapon to defeat them. He caused fire to flow from a pot thereby scorching the hillside and then, having exhumed the general's corpse, he returned to the capital at Kaifeng where it was buried in state. A temple keeper in Kowloon Tsai in Hong Kong claimed that General Yang Yeh was killed by the Tatars who hung his body on a gate tower where, daily, Mongol soldiers fired arrows at it to cause pain to his soul.\n\nA popular opera describes how the Commander-in-Chief of the Sung forces, General Yang Yeh, was encircled by the Tatars and seeing no other way out defied capture by knocking out his own brains on a stone monument dedicated to the loyal Su Wu, the unyielding plenipotentiary of the Han dynasty. The Tatars recovered his remains and honouring his bravery built a mausoleum in the Hung-yang cave, but covertly buried his remains in a secret place elsewhere to avoid the Sung forces taking the corpse back to be buried in the family grave. Meng Liang, a junior officer serving with the Yangs [and possibly now represented by the image of the unidentified deity on the temple altar beside the main altar bearing the images of the Seven, near Taichung] bravely recovered the corpse from the false coffin which, as the Tatars had feared, then was buried back home. However, Yang Yeh's spirit",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
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    },
    {
        "id": 214011,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 80,
        "title": "RAS-1997",
        "content_text": "46\n\nappeared to the Sixth Son who was resting, weary and sick with over-work and revealed to him that Meng Liang had recovered the bones of another and gave the Sixth Son details of where his, the father's, body really lay. Meng Liang set out once more, disguised as a Tatar soldier and after a series of episodes the bones were recovered, but not before several of the Sixth Son's comrades had been killed or committed suicide. These deaths led the Sixth Son's condition to deteriorate and for his spirit to wander whilst he lay in a coma. The emperor's nephew on his way to visit him saw a tiger barring his path and shot and grazed it with the arrow. On reaching the bedside of the Sixth Son, who rallied at that point, the Prince was told that the tiger was the spirit of the Sixth Son roaming the hills and was duly appalled at the idea that he had nearly killed the Sixth Son. Despite all efforts, the Sixth Son's condition grew worse and soon he died, vomiting blood.\n\nIn another episode of the tea-house tales the ruler of the Liao Khitan planned to assassinate the Sung Emperor at a meeting to which the Sung Emperor had been invited at Chin-sha Nan. As the plan had been detected by the Eldest Son of the Yang family he disguised himself as the Sung emperor whilst the Second Son went as the Crown Prince, with the other brothers in attendance. In the event they in turn were recognised and in the ensuing fight the Second and Third Sons were killed and, apart from the Sixth and Seventh Sons, the others were captured.\n\nOne of several cult centres dedicated to the Yangs in northern China developed in a temple on the Buddhist holy mountain of Wu T'ai Shan, in northern Shansi province. There are at least three temples in Taiwan in which Yang Yeh is the main deity. And only in Taiwan are the Fourth, Fifth and Sixth sons collectively portrayed together on several altars with the collective title of the San Wang-tsu. In an old temple near Taichung the seven main images on the main altar represent the Seven Sons although, according to the temple keeper, the group did not include the father. However, the smaller portable images of the Seven on the front of the same altar had alongside them several other images which did include the Father, Yang Yeh, and the Mother, Yü Lao T'ai-chün, and a complete outsider, the mythological deity, Yang Chien [Erh Lang] who bears the same surname. The temple keeper explained that in about 1986 all nine main images, carved on the mainland many years ago and brought over to Taiwan, which at that",
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    },
    {
        "id": 214013,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 81,
        "title": "RAS-1997",
        "content_text": "47\n\ntime included the Father and Mother, had been stolen and whilst only one of the original images of the Seven Sons has been recovered, new large images have been made of the others; meanwhile, large images of the two parents are awaiting donations before being carved. Handsome murals on the walls of the main hall of this same temple depict scenes from the lives of the Yang family, including one of Yang Yeh's wife being presented at court. An image of a subordinate general who served under the Yang's stands on a separate side altar though his name and details have now long been forgotten.\n\nIn a temple complex in Ang Mo Kio in Singapore, recently relocated there by the State following the demolition of the original temple to make way for a new housing estate, the main altar contains images of the father and his seven sons, with the sons referred to as Marshal Yang 楊元帥, Yang the Second 楊二帥, Yang the Third 楊三帥 etc., or as Yang Erh Shih and Yang San Shih, etc. The temple keeper at first was uncertain whether the image of the father and the First Son were present but eventually decided that there were sufficient images to assume that they were.\n\nTwo cult temples in northern China, one at Ku Pei K'ou in Hopei, some sixty or so miles north-north east of Peking and another across the Yellow River from Pao-te in northern Shensi, are both close to the Great Wall just inside China. Both temples have images not only of the father and mother but also of the eight sons, the two daughters and the wives of two of the sons.\n\nImages of the First, Second and Third Sons' have not been noted individually on their own altars in southern Chinese communities; however, images of the Fourth, Fifth, Sixth and Seventh Sons have all been identified by temple keepers, individually or in groups of Seven, with details listed below.\n\nThe Fourth son, Yang Yen-hui and Yang Ssu Lang, Yang Ssu Yeh, as Yang Chi-yeh-di Ssu-tzu, Lif, known as Yang the Fourth, is also referred to as the Fourth son of Yang Chi-yeh. He is the main deity in a temple in Taipei where the only image of this son, alone, has been noted and where he is generally known as The Fourth Commissioner of Chin-hu.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
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    },
    {
        "id": 214014,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 82,
        "title": "RAS-1997",
        "content_text": "48\n\nThe Fifth Son, Yang Yen-tet known most commonly as Yang the Fifth, Yang Wu LangB, is also known in individual temples as Marshal Yang, Yang Fu Ta-jen and Wu Shih-yeh. He was driven to despair by the occupying Tatar forces and became a monk on Wu T'ai Shan where he secretly performed great deeds in the forlorn hope that he could force the Tatars to leave China. After his death stories of his deeds spread and a separate cult grew up around his memory. There are at least seven temples in Taiwan in which the Fifth Son is the main deity, as well as being the main deity on secondary altars in numerous other temples. The Fifth Son is also known in Taiwan as Wang Kung, as well as by the Buddhist titles of Ta-te Ch'an-shih, Yang Fu Ch'an-shih and Ch'an Shih-kung禪帥公.8\n\nHis image also occupies a secondary altar in a nunnery on Wu T'ai Shan, the Wu Lang Miao where he is depicted as a Buddhist monk and is very popular with visiting Chinese tourists.\n\nHe is a minor deity on side altars in three temples in Macau, three in Hong Kong and in a number of temples in Singapore, Thailand, Malaysia and Indonesia. In Macau a temple keeper explained that the Fifth Son is prayed to everywhere as a protective deity and is not usually a deity from whom people normally sought other favours. However, it had become the custom in the Macanese temple for the deity to be asked for racing tips and for good luck in betting.\n\nThe three temples in Hong Kong were all Ch'ao-chou immigrant squatter temples built on the slopes above Kowloon [and now long gone, the temporary temples being demolished by the Hong Kong Government during rehousing projects] where he was known as the Vanguard General, Hsien-feng Chiang-chünoro.\n\nThe few images of Yang Wu Lang, as he is best known, have no unique identifying characteristics other than when he is portrayed as a Buddhist priest under his Ch'an title, sitting cross-legged and wearing the Buddhist tiara. One image only depicts him astride a horse, the legs of which are bound with numerous red threads by devotees seeking help, possibly due to misunderstanding by devotees as this practice tends to be limited to the Green Horse, the Messenger to Heaven [Lu.Ma].",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
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    },
    {
        "id": 214015,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 83,
        "title": "RAS-1997",
        "content_text": "49\n\nIn one temporary temple run by Chaochou immigrants in Hong Kong the Fifth Son was portrayed simply by a stylised painting depicting him as a ferocious warrior, unarmed, standing on one foot. This likeness was on a secondary altar whilst the main deity, also represented by a portrait, was of the first emperor of the Sung, Sung T'ai Tsu. The temple keeper explained that the Fifth of the eight sons of General Yang Ling Kung, who is better known as Yang Yeh, was a bodyguard to the first emperor of the Sung.\n\nA story related in Tainan county claims that a herdsboy who, having picked up a piece of wood which had the outward appearance of a Buddhist priest, was playing with it. A teacher, having seen him with the odd-shaped wood, requested a medium to clarify whether it was an image of a spirit. He was taken aback when the answer was an affirmative and that the spirit was that of a local man who had been borne off to Heaven in the not too distant past. Furthermore, the deceased had been an incarnation of the loyal Sung \"minister\" [sic], Yang Wu Lang, who had now become a Buddha. The piece of wood was placed on the altar in the village temple where it is prayed to as the spirit of the Fifth Son, and known as Yang Wu Sai Yuan-shuai 吳賽元帥.\n\nAn image of a black-bearded general with protruding eyes, five flags on his shoulder rack, and a magic sword raised in his right hand, stands on the main altar of a rural temple in Muar near Malacca. He is only known as Yang Wu Shih is said to be \"the Fifth Son of a famous general who lived a thousand years ago\".\n\nYang Yen-chao, is known as Yang the Sixth, Yang Liu Lang or Liu Shih-yeh. His image on the main altar in the temple near Taichung is one of two individually identified. The temple near Taichung would appear to be the only temple in Taiwan in which the Sixth Son is the main deity and the temple keeper, proud of his deity's uniqueness, explained that Liu Lang was captured by the Tatars and had even married a Mongol bride. His image has not been seen in any temple in South-east Asia though a story told in Penang claimed that a massacre of Fukienese by an army under a 'cruel general, Yang Liu Lang' continued for several days until, on the 8th of the first lunar month, many were able to escape by hiding in sugar cane fields. Ever since, annually on that date, sugar canes with foliage have been placed",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
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    },
    {
        "id": 214016,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 84,
        "title": "RAS-1997",
        "content_text": "50\n\nin pairs on Min [Fukienese] community altars as offerings to the Jade Emperor, whose birthday is celebrated the following day and who had persuaded Yang to call off the pursuit.\n\nAn image categorically identified as the Seventh Son, Yang Yen-ssu has only been observed in one temple, in Medan in Sumatra, where it stands alone on a separate side altar simply marked, Yang Ch'i Yeh. He is portrayed as a black-bearded general, standing dressed in long yellow robes and holding a long staff but without any unique features. In a temple near Taichung where he is depicted together with the rest of his brothers he is inexplicably portrayed with a ferocious, decorated face and a bird's beak mouth. His black skin is decorated with a white [opera-style] face pattern, whilst the beak with a red edging is under a human nose. His eyes are staring, round and bulging, and he is holding an unsheathed sword at the ready. All in all, an extraordinary image which, whilst accepted and labelled as the Seventh Son by the temple staff, is completely out of character.\n\nFinally, in Seremban in central Malaysia, the temple keeper of a small rural temple pointed out a small standing figure of a soldier in armour at the rear of a crowded secondary altar. The image has no unique characteristic and could be any soldier/deity. The temple keeper identified him as Yang Sung-pao, a T'ang general who had been the protector of a Sung emperor. In Seremban he was also known as the Venerable Golden Lion, Chin-shih Ta-jen, as well as the Great General, Ta Chiang-chün.\n\nThe Eighth Son, Yang Pa Yeh, has only been noted on two altars in northern China despite the two Yang Family Daughters being numbered Eight and Nine, Yang Pa Chie and Yang Chiu Mei. These two daughters were involved in several battles fighting alongside the Sixth Son.\n\nPost Script\n\nChinese characters carved into a roadside rock beside the modern main road from the Fen River plain in northern Shansi to Inner Mongolia proclaimed that the nearby old temple had been dedicated to Wu Lang, the Fifth Son of the Yang. This was confirmed by a local peasant. The temple was in a col between two mountains, itself several thousand",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
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    },
    {
        "id": 214256,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 114,
        "title": "RAS-1998",
        "content_text": "77\n\ning stick of incense before each with a perfunctory bow, the Four are looked upon as mere soldier guardians with a fifth, Wei T'o [see 21 above], their commander.\n\nThe group of Four are the product of the Mahayana school of Buddhism with additions from the Tantric school. Their original Buddhist title in Sanskrit is usually Dvarapala, though others claim that they are the Chin-kang Shou, derived from the Sanskrit \"Vajrapani', the Thunderbolt Bearer, the Great Protector.\n\nThey are responsible for the security of temples, protecting them from demonic attack and also preventing evil spirits from sneaking in. In Taoist temples, where they have different individual identities, they normally stand in the side wings of the main hall, such as in the Jade Emperor Hall at the Monastery of Ten Thousand Buddhas at Shatin in the New Territories of Hong Kong.\n\nThose in Buddhist temples are the Diamond Kings whilst those in Taoist and folk religion temples are Celestial Kings [T'ien-wang]. They are easily recognisable by their stature, location and by the collocation with the others in the group; also, because each usually holds a unique identifying symbolic object, a furled umbrella or a rodent, etc. They stand with defiant stares and have faces in colours identifying the direction for which they are responsible. The Buddhist Four guardians all wear the bodhisattva's five-leaf crowns with minute Buddhas inscribed on the central leaf, and flying scarves forming a nimbus behind and above their heads and shoulders. Many have demons, thieves, liars and adulterers underfoot. The Taoist Four, who also have demons underfoot, generally wear military helmets.\n\nA manifestation of Vaisravana, the protector of the North and one of the Four Chin-kang, appeared during his journey to aid Hsuan Tsang, the Buddhist monk who trekked from China to India and back to obtain Buddhist scriptures. For this reason Vaisravana was later revered by devotees, alone and in his own right, and over the years became associated with General Li Ching.\n\nAll four of the Mo-li brothers, the Taoist identities of the Four Temple Guardian Generals, are included and represented in the sets of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214263,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 121,
        "title": "RAS-1998",
        "content_text": "84\n\nShan is one of the five sacred mountains of China and is located in Shantung. It is believed to be inhabited by many divinities both male and female with T'ai-shan Yeh the primary deity for most pilgrims to the mountain even though the main deity in the temple on the peak is the Jade Emperor. Temples dedicated to the Lord of T'ai-shan were to be found in all parts of China, where he was regarded as the guardian of life and death.\n\nAs the Supreme Lord of the Underworld he has a very large bureaucratic organisation responsible to him for the maintenance of the Book of Life, the register of the due date on which the soul of every living soul must be summoned to appear before the Judges of the Underworld. Popular belief claimed that the entrance to the Underworld was to be found in one of the temples at the base of the mountain. The arrest and escort of souls is carried out by lictors and runners from the yamen of the local City Gods who drag each soul before the local City God, together with the biography and report on the soul prepared by the local Earth God [T'u-ti] who has carried out the first, very preliminary interview to ensure that the right soul has been arrested and is ready for onward despatch. Again, after verification of the identity of the soul the City God endorses the Earth God's report and if available adds any further information on the soul he might possess, and sends the soul under escort to the First Court of the Underworld where the process of purging the soul of all sin commences. After the soul has passed through all Ten Courts and been fully purged of its sins, it is then despatched either to the Western Heaven [Celestial Paradise] or for rebirth in an incarnation to be decided upon depending upon the weight of sins incurred during the previous incarnation.\n\nIn parts of China and in Taiwan, the alter ego is Tung-yüeh Ta-ti with Yen-lo Wang being the senior and chief of the Ten Judges who are under his charge. This dual role played by both Tung-yüeh Ta-ti and Yen-lo Wang is a further complication and a confusion which appears to be insoluble. The former is not only the Supreme deity of the Underworld but also the Judge of the Seventh Court whilst Yen-lo Wang is not only the senior Judge in charge of all Courts but also the Judge of the Fifth Court. The latter has been explained as Yen-lo Wang having ten different forms, as Judges in each of the Ten Courts. This, however, would mean that T'ai-shan Yeh of the Seventh Court would also be a form of Yen-lo Wang.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 215107,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 203,
        "title": "RAS-2000",
        "content_text": "160\n\nThe Emperor\n\nTang Ming Huang was the third son of the fifth emperor of the Tang. His personal name was Li Longji [AD 685-761], though popularly known as the Third Son, San Lang. He is now the patron of actors and professional musicians, worshipped backstage by Fukienese devotees in Taiwan and several places in South-east Asia. Prior to 1949 he was also revered throughout northern China as the patron of actors, actresses and musicians, with incense burnt before his altar prior to every performance [Photograph 1].\n\nHe succeeded his father who abdicated in his favour in 713, and ruled the country fairly. The first part of his reign approximated that of his great-grandfather, Tai Zong, in prosperity and glory. He began by economising and by 740 the country was reasonably prosperous. Being a man of the arts he surrounded himself by a brilliant court, welcoming such men as the poet Li Bo. It quickly became the most glorious period of Tang culture. He loved song and dance and he had built within his palace an area known as the Pear Orchard, Liyuan, to bring together the best actors and actresses, dancers and singers in all China. The title, Liyuan, later became a common designation for anyone who sang, acted or danced professionally.\n\nMany myths are particularly centred on Tang Ming Huang - and stories about him abound describing him as a very sociable man, fond of music and drama, with men and maidservants being trained as actors and musicians for whom he composed tunes. He also founded a school of dramatic art.\n\nThere are at least six temples in Taiwan dedicated to this deity, in Taipei, Taichung, Changhua and Kaohsiung where his festival is celebrated on or about the 24th of the sixth lunar month.\n\nAs a deity he is known by a number of titles, including Ming Huang Dadi 明皇大帝; Lao Lang Ming Huang 老郎明皇; Lao Lang 老郎; and in Beijing Xi Shen, the God of Happiness. In Sichuan, however, his images were simply referred to as the Bodhisattva Prince, Taizi Pusa and, as elsewhere, were worshipped backstage, principally to prevent actors and actresses from bursting out into uncontrolled laughter or forgetting their lines. He is the patron in",
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    },
    {
        "id": 215207,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 303,
        "title": "RAS-2000",
        "content_text": "267\n\nAMENDMENTS ON THE ARTICLE \"YAUMATEI AND THE YU LAN FESTIVAL” AS IN \"IN THE HEART OF THE METROPOLIS: YAUMATEI AND ITS PEOPLE\"\n\nCHIU HANG-SHI\n\nI believe it would be desirable to amend some of the information, mainly about translation, in the article mentioned above through this Journal.\n\n1. 2nd paragraph, pg.151 (as in the book mentioned above)\n\nThe \"Shing\" in \"Yu Lan Shing Wui\" is, \"\" and not “” (as shown in the Glossary, pg. 181).\n\n2. 6th paragraph, pg. 151\n\n\"Upper Original Festival” should be held on the fifteenth day of the first moon, not of the fifth moon. Another (ancient) version of the dates of the Upper, Middle and Lower Original Festivals are the seventh day of the first moon, the seventh day of the seventh moon and the fifth day of the tenth moon.\n\n3. 4th paragraph, pg.155\n\nThe \"King\" in \"Nim King Fat She\" is, \"\" and not “\" (as shown in the Glossary, pg. 181). The English translation would be \"The Buddhist Society for Reciting with Respect\"\n\n4. 3rd paragraph, pg. 157\n\nThe title of the Announcement (\"Pong\") should be \"The Golden Piece of the Bestowal Bliss\" and not \"The Golden Seal of the Bestowal Bliss\". I was confused by the character \"\" for it means both \"seal” and “piece”.\n\n5. 6th paragraph, pg. 158\n\nMung Shan Offering Ceremony: This ceremony is held every day since it has been incorporated into the Evening Recitation in Chinese Buddhism. For those who would like to read the whole text of it in English, please refer to the “Sagely City of 10,000 Buddhas Daily Recitation Handbook” (1991) published by the Dharma Realm Buddhist University, Buddhist Text Translation Society. The founder",
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    },
    {
        "id": 215302,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 79,
        "title": "RAS-2001",
        "content_text": "27\n\n'Establishment of Spring' starting on the fifth of February, Gregorian reckoning. A wu day would have been a day which showed a stem-branch combination that contained the character wu. The day of interest here would occur some forty to fifty days after the first day of the Li Chun. So this day would have fallen sometime by mid-March, generally in the second moon, but at varying dates there. This day was called She Ri 'She Day'. It seems likely that it was celebrated according\n\nto the date provided by the official calendar-chronicles from Yingshan Magistracy (in De'an Prefecture), Suiyang Magistracy 陽縣 (in Wuchang Prefecture 武昌府) and Wuchang Magistracy 武昌 (also in Wuchang Prefecture) place the festival in the second moon.3\n\nIt is not so easy to say what the She was in late imperial times in this lake land in Central China. In terms of State rituals there was still an imperial sacrifice in the spring on an altar southwest of the palace in the capital, devoted to She Ji *. Sometimes this two-character name is understood as referring to one deity, sometimes as to a combination of two-She being the god ruling the land and Ji the divine controller of grain crops. There was a hierarchy of provincial, prefectural and magistratial She Ji, who were all part of the imperial official state cult. The imperial offering was the exclusive privilege of the Emperor. Before his sacrifice the altar was covered with earth of five colours - a colorific togetherness which expressed the total universe, and thereby the generative and destructive power of the five activities, wu xing 4. A special stone tablet was erected in the middle. After the ceremony this was taken down and buried in the ground until the next occasion for worship.4\n\nIn some areas in the south, present-day villagers tend to see the She as a chthonic registrar of deaths and births, an earth god who is thus associated with both death and human fecundity. More generally it appears as if the She in many areas of China signified a notion of locality. Both the Imperial cult and the present day Cantonese example may serve us as pointers, but what the demotic ideas about the She, and the She Day, actually were in the area surrounding Lake Dongting a few hundred years ago, is something we must try to glean from the\n\n3 古今圖書集成.1888. VI,1166: 風俗考毯4a; 1120:風俗考2b4b.\n\n4 Bredon & Mitrophanow 1972: 63-64.\n\n5 Aijmer & Ho 2000: 37-41 and Yang 1961: 98-99.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
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    },
    {
        "id": 215310,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2001",
        "page_number": 87,
        "title": "RAS-2001",
        "content_text": "35\n\nin brief that kite flying may have been an iconic expression for the reaching of Heaven. People strove on that day for affinity with what was celestial by climbing hills and mountains. The upwards direction was a characteristic feature of this festival associated with the male cosmic principle of yang. So here in Zhongxiang people were also devoted kite flyers, but on the fifteenth day of the second lunary, a day followed by a full moon night, which like all full moons had female implications. Furthermore, it was a day associated with betrothals, awakening of flowers and also the re-appearance of butterflies.\n\nPerhaps it is in this 'awakening' aspect of spring that we might find a clue to the flying of kites at Flower Dawn. In the second moon two categories of beings woke up after hibernating all through the winter—insects and dragons. We are on loose ground here. In Tongshan the solar day and period of ‘Arousal from Hibernation' was a time for forecasting the seasonal weather. Jing Zhi is, however, not only a name for the solar period corresponding to the fifth to the twentieth of March, and often also for the first day of that duration; it is at times used as a name for the second day of the second moon. That particular day is sometimes and in some places also known as 'the dragon raises his head'.43 This designation does not occur in our present corpus ethnography, nor have we found any explicit references to dragons in the material. Even so, it could be that the notion of risin-striving upwards—referring to flowers and insects, and perhaps also dragons, was alive in this area. At least in the magistracy of Zhongxiang the idea was dramatized in the rising kites. This is nothing more than a suggestion.\n\nof\n\nThe second moon in the year was one inspired by spring and the release of vernal generative forces. There were two festive celebrations at this time which were both connected with the theme of growth and remuneration, and there were many concerns about the coming agricultural season. It was a time for the plowing of the fallow fields and the sowing of rice in the seedbeds was soon to follow. It was also a period when farmers wished for rain and there was customary divination, both about weather and coming crops, the latter of course dependant on the former. The two festivals which have been described\n\n42 Bredon & Mitrophanow 1927: 176; Tun 1987: 25.\n\n43 Bodde 1975: 56. 252; see also ch’ü 1972: 31.",
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    },
    {
        "id": 215324,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2001",
        "page_number": 101,
        "title": "RAS-2001",
        "content_text": "49\n\nSecond: deities only to be seen on Hainan island and not carried abroad by emigrants\n\nThird: major deities uniquely Hainanese\n\nFourth: secondary deities uniquely Hainanese\n\nFifth: deities shared with other ethnic Han Chinese groups\n\nSixth: Images on altars of aides to Hainanese deities\n\nSeventh: deified Hainanese locals in both Hainan and South-east Asia\n\nEighth: unidentified images in Hainanese temples believed by the temple custodian to be uniquely Hainanese.\n\n2: Uniquely Hainanese gods\n\nDeities not noted beyond the shores of Hainan island\n\nThese are the deities to be seen only on Hainan island and have not been carried abroad by Hainanese emigrants:\n\na] The Five Marquises, Wu Gong LA, were all exiled to Hainan, four by Qin Gui [1090-1155], the Prime Minister of the Southern Song who is best known as the Minister who ordered the execution of Yue Fei, the hero who became the patron of soldiers. All five are revered in a shrine in the southern suburbs of Haikou where Hainanese honour the memory of the 'five patriotic officials of the Tang and Song sent into exile' on their island. It was first built in 1617 and is dedicated to the Five: Li Deyu, Li Gang, Li Guang, Hu Chuan and Zhao Ding. Four of these officials, that is apart from Li Deyu, were exiled for their opposition to the traitor Qin Gui. Their images portray them today, reconstructed following their destruction during the Cultural Revolution, as almost identical standing officials, dressed in red robes and all with black beards.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
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    },
    {
        "id": 215932,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 231,
        "title": "RAS-2002",
        "content_text": "165\n\ntalk, but was well aware of Dai's sinister \"Blueshirts,\" and thought it wise to return somewhat evasive and non-committal replies since terrorist activities would only be a source of embarrassment to us at present. Still, he held open the prospect that Dai's 'local agents may come in useful later as a check on fifth columnists and pro-Wang Ching Wei activists.'*\n\nBoxer also met a Chinese general whom he described as an 'exceptionally well-educated and much travelled individual who speaks fluent German and English in addition to being a famous classical scholar.' This was General Yu Ta Wei, who had amassed a huge store of ordnance seized from the Japanese, photos of Japanese weapons and bases, other material both of a military and intelligence nature, and chillingly, evidence that the Japanese were using chemical warfare against the Chinese. This he candidly showed Boxer, who was concerned enough to recommend that a British technical officer be sent out to examine them. General Yu, a more cosmopolitan man than Dai, had been trained in the Prussian military academy and was an urbane, well-read man, up to date with the latest developments in Europe. He wanted to develop a munitions industry in China and needed foreign help. Boxer was meeting two of the most influential men in the Chinese hierarchy.\n\nOn the evening of 10th October 1939, the Double Tenth, that most sacred celebration in the KMT calendar, a date chosen deliberately to signal how the Chinese viewed the meeting, Boxer was ushered into the presence of the Generalissimo Chiang Kai Shek. This was an important meeting, for it was perhaps the first sign that the British were making a concerted effort to help the Chinese in their long struggle with the Japanese. Boxer proposed that the Chinese and British set up a joint intelligence network to get a quicker and more efficient system of exchanging information. He proposed that a network of wireless stations be set up all along the Chinese coast from Hainan to Taiwan. Moreover, it would be financed by the British, but independently operated by Chinese to monitor Japanese troop movements. All information was to be 'equally at the disposal of Chinese and British staff,' although the Chinese could not enter the British military code system. He compounded the tribute to the Chinese war effort by suggesting that Hong Kong could learn from the efficient Chinese system of predicting air raids, whereby agents reported bombers taking",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    },
    {
        "id": 215940,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 239,
        "title": "RAS-2002",
        "content_text": "173\n\nHong Kong had symbolic meaning: he could not be seen to desert until the last minute. The drama of his escape with such a show of force and British aid was a clear and explicit political statement. The KMT had their own escape network but this particular escape was a means of showing that the British, too, had a credible system for dealing with the exigencies of occupation.\n\n+ XY\n\nMany reasons were circulated at the time to explain the escape. A smokescreen had to be concocted to disguise whatever the true purpose of the mission might have been. Much has been made of the story of a plot by the triads to massacre thousands of Europeans in Hong Kong during the Battle. The source of this story was GS Shaftain, head of Criminal Intelligence in the Police Force. He said an informant told him of the plot on 11th December to activate two days later. He then claimed that he assembled hundreds of triads leaders in a hotel, where, through the intervention of a senior Shanghai triads leader, they were persuaded to desist, in the nick of time, on payment of a large bribe. This story passed unquestioned and lauded by the kind of European whose racial stereotypes assumed that Chinese were basically untrustworthy criminals, motivated only for money. (Shaftain claimed the triads leaders stole the silverware from the hotel). However, it is, as even Shaftain himself was to admit 'an implausible and fantastic story'. As a police officer, he would have known that the idea of hundreds of triads leaders meekly turning up for a mass meeting in the middle of an invasion was bizarre. The triads were originally political secret societies as well as criminal, and many had strong links and loyalties to the KMT. Indeed, the Nationalists had long been working with the triads sympathetic to themselves against the Wang Ching Wei faction and the triads who supported them. A pragmatic police officer would also have understood the sheer logistics of preparing and indeed calling off such a huge plot in the midst of battle. Certainly there were fifth columnists, but violence towards foreigners was minimal, particularly considering the intensity of anti-foreign feeling and riots during the 1920's and 30's. In any case, the triads rank and file were gainfully employed looting and extorting in the wake of the Japanese advance. The idea seems to have developed because some of the Japanese propaganda leaflets advocated killing white people, but there does not seem to be any evidence that this was taken seriously, except perhaps by the Europeans, aware of being defeated by an enemy who believed in Asia for the Asiatics. Shaftain must have been delighted at the ease with",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    },
    {
        "id": 216317,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 76,
        "title": "RAS-2003",
        "content_text": "25\n\nYin. While Guanyin has compassionate mercy for those in need, it is Da Shi Zhi who possesses the power to actually carry out her acts of kindness. The San Sheng Dian houses by far the oldest of Longhua's three bronze bells, this one supposedly dating from 1132, which would also make it the oldest historic relic the temple possesses today. The hall itself dates from an 1884 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1986.\n\nImmediately behind the San Sheng Dian is a walled garden with trees which unfortunately is closed to the public. Inside this walled garden is a fifth main hall, the Abbot's Quarters (Fang Zhang Shi), which is for the private use of the resident monks and their master, the Fang Zhang. It was the only hall which the monks maintained control of during the Cultural Revolution. Normally it is kept off limits to the public and cannot be visited. However, the author was able to steal a glimpse and found that the hall was furnished with rows of large armchairs, and lacked any large statues. Possibly it is a modern day form of the Meditation Hall (Chan Tang). At the far left end of the hall is a small office decorated with framed color photos of the temple's Buddhist leaders posing with Communist Party leaders such as Jiang Zemin.\n\nBehind the Abbot's Quarters is the sixth and final courtyard, and the sixth hall on the central axis, the newly built two-story Scripture Hall (Cang Jing Lou). This modern building holds most of the temple's few genuine relics, including a library of 7,000 Qing Dynasty volumes; a Ming Dynasty gold seal given to the temple in 1598 by the emperor Wanli (1573-1620); a Ming Dynasty gold-plated bronze Buddha statue; Tang Dynasty scriptures; and a copy of the Heart Sutra dating from the year 1098, the fifth year of the Zhe Zong reign (1085-1100) of Emperor Zhao Xu of the Northern Song Dynasty (960-1126). Exactly how these relics survived the destruction of the Taiping Rebellion, the lengthy military occupation of the Min Guo era, and the Cultural Revolution is unclear. Possibly they were donated to the temple sometime later. Unfortunately the public is not welcomed to visit this sixth hall, and the relics are kept hidden from view, although photographs of them appear in a recent pamphlet sold at the temple's bookstore.\n\nHidden in a seldom visited corner of the temple grounds on the east side of the Fang Zhang Shi's walled garden is a smaller garden",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    }
]