[ { "id": 208356, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 80, "title": "RAS-1978", "content_text": "64\n\nGÖRAN AIJMER\n\nA chronicler of Yuanjiang2 states that people used cut paper 'to hang money on the mountain'. This was called 'to drink wine on the grave and hang up.' The chronicler goes on to say:\n\nIf it is graves of newly buried, then there is affection. On Earth God Day and earlier, one suspends and sweeps. The proverb says: For the new graves one does not pass she. For old graves one suspends when thirty nights have passed.14 A record of local customs in Yiyang tells us that at Qingming to sweep the graves were repaired. This was called sao mu 'the graves'. Paper money was suspended on the graves. This was called gua shan 'to hang up on the mountain'.15 From Baling we learn that, in the Qingming solar period, women hung up cut paper strips on the graves. It was called gua fen 'to hang on the grave'. Paper money was burnt and wine poured out. It is said that this practice gave rise to much mournful thought 哀思.16\n\nIn Anxiang it was the practice that 'scholars' and 'commoners' swept their grave mounds: Officials arrange money, prepare cattle, and arrange in order wine. Thereby are made ji sacrifices.17\n\nIn Hanzhou the graves were swept and there was much offering.18 In Jingshan the graves were visited, there were ji offerings, sweeping, and suspension of paper money on them.19 Similarly, in Wuchang, the old graves were swept and paper money hung up on them. Here people encircled the grave wailing loudly.20\n\nIn Chongyang everyone made ji offerings at the graves. People used 'top branches' with paper money on top of the graves.21 In Yingshan it was the practice to construct offering tables in front of the graves. This was called 'to welcome (the ancestors?) to return'. This celebration was continued up to the end of the moon.22\n\nI said above that Qingming is a period of about fifteen days. When our sources mention visits to the graves we may assume that these were spread out over this duration. It may well be that the visits were initiated on the Qingming day, the first day of the solar period: I will soon provide some evidence for the importance of", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208358, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 82, "title": "RAS-1978", "content_text": "66\n\nGÖRAN AIJMER\n\nearth.30 We are told that in Yingshan there were jiao offerings on the graves in the eighth moon. It is said explicitly by the chronicler to be similar to the practice of Qingming. This Yingshan custom began on the day of the new moon and continued for the next few days. It is said that one 'escorted the departing'.31 On the first day, and continuing through the first half of that moon, people of Tongshan burnt paper (money?) sheets on the burial grounds.32\n\nUnfortunately, we know very little about traditional funeral customs in the Dongting area and the surrounding region. The few notes I have found tell us that in Taoyuan, in the Yuan River valley, people practised an excess of slaughtering at mourning.33 In Baling, it was the custom to have music, food, and Buddhist monks to perform.34 From Zhongxiang, we read that at an instance of death, there was drumming and singing mixed with lamentations.35\n\nI will assume, in the absence of evidence to the contrary, that double burial did not exist in this area of Hubei and Hunan. Further, I will assume that the graves were, in the general Chinese fashion, marked by small brick or chunam structures.36 A later traveller through Hunan reports that graves in the Xiang River valley were cone-shaped and whitewashed. There seems also to have been some concentration of graves into 'yards'.38 I will assume that the body of a dead person was placed in a wooden coffin and interred in a dugout grave, probably covered by a tumulus, on or at which, as mentioned, was erected some sort of structure to mark it. The grave was a permanent one, and it was only for very particular reasons of fengshui* geomancy39 the body might be exhumed. The graves were ritual foci for members of continuous social groups, membership in which was determined by agnatic ascent and descent. Sometimes such kinship groups seem to have formed lineages.\n\nIn our present attempt at understanding the essential features of the semantics of the grave, we are helped by some local terms, names of customs, and other phrases. We have already met the expressions 'to hang money on the mountain' and 'to suspend on the mountain'. From such instances, it seems permissible to say that they represent some conceptual link between graves and mountains. How is this? Graves look perhaps like small mountains or hills—but I think there is more to the grave-mountain association", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208363, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 87, "title": "RAS-1978", "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA\n\n71\n\nAll this is guess work, but as guess work goes it seems to account for the given data in a systematic way. As I see it, the only way to challenge this interpretation (given, of course, that my understanding of the source material is correct) is for those who doubt to produce an alternative way of thinking on this matter, and to provide a new and different explanation which could account better for the data discussed here—and any additional data—in a more interesting way.\n\nFinally, the top branches planted on the graves could be interpreted also as a kind of beacon. Biao means not only 'top branch' but also 'beacon' or 'mark'; such an implication does not necessarily contradict our earlier hypothesis. But if the bamboo arrangements led the way to the graves by marking them and making them conspicuous, we must ask who benefitted from the presence of such signs? Here is another guess. It may be that the yang ancestors are led to the graves of their bones, but I cannot substantiate this at all. It may be mentioned here as a possible interpretation, a vague hypothesis which could be tested at some future stage.\n\n6. Rice Wine\n\nAnother prominent feature of the visit to the graves was the offering of food and wine. The worshippers ate and drank also. The general term used for offerings is ji, or in some notes si. In some cases libations are indicated by the use of the words dian and jiao. Rice wine was an important sacrificial gift used in many contexts. Apart from general wine drinking on various festive occasions, and medical use of wine when it was drunk mixed with herbs and spices on particular days, wine was used in sacrifices. So for instance, on the 24th day of the twelfth moon in offerings to the spirits of the kitchen and the fields in Baling,55 and Jiangling;56 on New Year Eve to the ancestors in Jingshan; On the Lantern Festival in the first moon it formed part of the ji offerings in Jiangling;58 and in the offerings to spirits and ancestors on the Buddhist festival of Zhongyuan, the 15th of the seventh moon, wine was part of the sacrificial gifts, as in Wuling,59 Hangzhou,60 Chongyang,61 and Yingshan.62 Wine was used also in sacrifices to gods like 'General Goan' (Goan Di) in his temple in Mianyang on the 13th day of the fifth moon,63 and to ‘Shui Goan'64 on his birthday on the 15th day of the tenth moon in Zhongxiang;64 Two words", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 215009, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 105, "title": "RAS-2000", "content_text": "61\n\nChinese Labour Corps. A native of Pudsey, he died on 16th February 1919. And also the grave of Lt AE Player of the Labour Corps, attached to the Chinese Labour Corps. He died on 10th July 1919.\n\nWe also saw the graves of twenty-three seamen from the SS British Sovereign, amongst which were those of Ah Ling and Doe Gai [no Chinese characters on their gravestones] who died on 7th September 1918. There is also a grave of a member of the Japanese Merchant Marine Service, 1st Class Engineer Yioshto [or Yiosto as it appears on the gravestone], who died on 31st December 1918. His name is not listed nor his grave location shown in the cemetery register which, I believe, is only used for British and Commonwealth personnel. It is listed on the CWGC Foreign National register database. The CWGC has written to the Japanese Embassy, London, to ascertain the correct spelling of his name and await their reply.\n\nIn our wanderings in this cemetery, my wife and I also saw the grave of a young civilian who was buried alongside those who had fought and died in the War. He was Joseph Leng, who drowned at Audricq on 2 October 1917 whilst visiting his father, Sapper J Leng. He was only seven years old and on his gravestone his parents have had carved the epitaph 'Suffer little children to come to me.'\n\nAlso in this cemetery are five graves containing the remains of men of the CLC who were 'shot at dawn'. Their gravestones carried the usual epitaphs and were in every way indistinguishable from other CLC gravestones. Wang Enrong (Wang En Jung in Wade-Giles romanisation) [10299] 29th Company CLC was executed on 26 June 1918, together with Yang Jingshan (Yang Ching Shan in Wade-Giles romanisation) [10272] also of the 29th Company CLC, from Liaocheng county of Shandong province, for murdering a French woman at her estaminet [coffee house] during a robbery. The former's gravestone only carries his number and the inscription ‘Faithful unto Death' whilst that of the latter bears the inscription ‘A Noble Duty Bravely Done.'\n\nSt\n\nZhao Gongyi [Chao Hsing I (Chao Kung-i) in Wade-Giles romanisation] [46090], 161 Company CLC, from Jinan county in Shandong, having murdered a fellow-countryman, possibly as a result of gambling, was executed on 9th August 1918 and Hui Yihe [Hui I He (Hui I-ho) in Wade-Giles romanisation] [42476], 112th Company CLC,\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215302, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 79, "title": "RAS-2001", "content_text": "27\n\n'Establishment of Spring' starting on the fifth of February, Gregorian reckoning. A wu day would have been a day which showed a stem-branch combination that contained the character wu. The day of interest here would occur some forty to fifty days after the first day of the Li Chun. So this day would have fallen sometime by mid-March, generally in the second moon, but at varying dates there. This day was called She Ri 'She Day'. It seems likely that it was celebrated according\n\nto the date provided by the official calendar-chronicles from Yingshan Magistracy (in De'an Prefecture), Suiyang Magistracy 陽縣 (in Wuchang Prefecture 武昌府) and Wuchang Magistracy 武昌 (also in Wuchang Prefecture) place the festival in the second moon.3\n\nIt is not so easy to say what the She was in late imperial times in this lake land in Central China. In terms of State rituals there was still an imperial sacrifice in the spring on an altar southwest of the palace in the capital, devoted to She Ji *. Sometimes this two-character name is understood as referring to one deity, sometimes as to a combination of two-She being the god ruling the land and Ji the divine controller of grain crops. There was a hierarchy of provincial, prefectural and magistratial She Ji, who were all part of the imperial official state cult. The imperial offering was the exclusive privilege of the Emperor. Before his sacrifice the altar was covered with earth of five colours - a colorific togetherness which expressed the total universe, and thereby the generative and destructive power of the five activities, wu xing 4. A special stone tablet was erected in the middle. After the ceremony this was taken down and buried in the ground until the next occasion for worship.4\n\nIn some areas in the south, present-day villagers tend to see the She as a chthonic registrar of deaths and births, an earth god who is thus associated with both death and human fecundity. More generally it appears as if the She in many areas of China signified a notion of locality. Both the Imperial cult and the present day Cantonese example may serve us as pointers, but what the demotic ideas about the She, and the She Day, actually were in the area surrounding Lake Dongting a few hundred years ago, is something we must try to glean from the\n\n3 古今圖書集成.1888. VI,1166: 風俗考毯4a; 1120:風俗考2b4b.\n\n4 Bredon & Mitrophanow 1972: 63-64.\n\n5 Aijmer & Ho 2000: 37-41 and Yang 1961: 98-99.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 86, "title": "RAS-2001", "content_text": "34\n\nbrought into contact. The stalk which in this way drew up the drop of the other was declared the winning party. Perhaps this was an élitist thing to do and we have no description from the central lake land to improve our knowledge. At least the name suggests games in the open under festive conditions. Another designation used for this day was, in Tongshan, pu die hui 'the meeting of the fluttering butterflies.'38\n\n撲蝶會\n\nA note from Yingshan claims that Hua Zhao was a day when young women got their ears pierced. It was also a day when girls who had reached the age of twelve, thirteen or more, started allowing their hair to grow long. In the same place, this day of Flower Dawn was also an occasion for sending presents to a (future?) bride's home, and to arrange- or confirm-betrothals (na bian). Alternatively, it was a day for wen ming or 'to ask names.' This was a preliminary ceremony leading to a likely engagement to be married, generally implying a comparison of the two candidates in terms of the combinations of celestial signs going with their respective birthdays. The Flower Dawn was generally regarded as an auspicious day for this.39 We can see that this festival was marked by femininity-girls were coming of age, passing into womanhood by starting using jewellery and letting their hair grow long. Female reproduction is also stressed in the arrangements for coming marriages. Also, full moon days were generally associated with femininity.\n\nTurning to Zhongxiang we find that the full moon day of the second lunary was an occasion for the flying of paper kites (feng yuan) and this custom implied some games-but we are not informed as to the rules of these. There is the possibility that these competitions were in terms of appearance and beauty.40\n\nThe flying of paper kites in southern China was not only a children's pastime, but was done in a ceremonial way in certain seasons and on specific days. In Fujian Province, around the city of Fuzhou it was an activity associated with the autumnal Chong Yang festival on the ninth day of the ninth moon. In a different context I have suggested\n\n38 古今圖書集成.1888.VI,1166:風俗考4a.\n\n39 古今圖書集成.1888.VI,1142:風俗考2a.\n\n40 Hodous 1974: 190-92; Bredon & Mitrophanow 1927: 430-35.\n\n41 Aijmer 1991.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215347, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 124, "title": "RAS-2001", "content_text": "72\n\nuniquely Hainanese. In practice of the seventeen only one was Hainanese and that bore the odd title. It was Li San Shengmu, literally the Saintly Mother Li the third. This is obviously Li Shan, misheard with the 'san' assumed to be the 'Third'.\n\nThe most widespread claim is that Lishan Shengmu or Lishan Laomu24 was a ferocious lady general of the Tang dynasty known for her love of fighting, and is now a popular character in Chaozhou plays. However, to many Chinese she is better known by the maiden name of Fan Li-shan as merely the wife and mother of two famous generals, Xue. Several stories told about her contain in addition to common factors, others involving unconnected genuine historical heroes, some from entirely different eras. The composite story of the best known legends about Miss Fan25 begins with her warrior father giving her a 'sword to execute Immortals' and a 'whip to beat the spirits' and after she had completed her military training and prior to her going off to help General Xue Dingshan26 to pacify the west. In one version she joined up with him, served and fought alongside winning his trust and favour. In another Xue met and fought her on the battlefield. She defeated him but, because he was a handsome general, and with a bit of persuasion, she married him. A photocopied broadsheet distributed by the temple keeper in a small immigrant settlement shrine above Kowloon claimed that the Lishan cult had been popular in central China, and that her story, described in the 'Conquest of the West,' ostensibly written by Xue Dingshan himself, explained that she had been the wife of Xue, later transformed into an Immortal as a reward for her miracles and achievements.\n\nThere is also a Lishan Laomu who is also a definitive goddess appearing in the great novel The Journey to the West, the story of the fantastic journey made by Xuanzang, together with Sun, the Monkey, Sha the monk and Pigsy. In part of the story it appears likely that Lishan was Monkey's elder sister, a courtesy title rather than a blood relationship. She, together with her three daughters, all Bodhisattvas, named Truth, Love and Pity, transformed themselves into beautiful women in order to tempt the Buddhist pilgrim Xuanzang and his entourage of Monkey, Pigsy and Sha with their beauty. She changed herself into a widow and proposed to Xuanzang who rejected her. She and her daughters teased Pigsy, who after many adventures found that they were merely figments of his imagination. This goddess would", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215355, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 132, "title": "RAS-2001", "content_text": "80\n\n21 This is present day Maoming in western Guangdong province, not too far from the Liaozhou peninsula leading down to Hainan.\n\n22 A city in south eastern Guangdong province, half way between the Liaozhou peninsula and the Pearl River.\n\n23 Note that there are two different deities, Longwei Shenggong worshipped by the Hainanese and Longwei Shengwang worshipped by the Chaozhou people. The latter is, to all intents and purposes, a local Earth God.\n\n24\n\n25 Laomu, Old Mother [or Elderly Matron], is a title often mentioned in popular stories. In Xue Dingshan's Campaign to the West Laomu was Fan Lihua's teacher who, in eight years, taught her the art of moving mountains and raising armies from a handful of beans.\n\nAn elderly Chaozhou man in a Kowloon temple confided that Lishan [‘Fan Lihua' he called her] is a fictional character to support the story of the two generals Xue, and that much of their legends have little or no historical basis.\n\n26 Xue Dingshan's father, Xue Rengui, also a general, was an early Tang hero who not only also led an expedition to the west, he also served in the Korean campaign of Tang Tai Cong. Xue Dingshan, otherwise known as Xue Gang, is claimed to have saved the life of his emperor and is now a Fukienese cult deity, the face of whose image is characterised by extraordinary and colourful decorations.\n\n27 William Mesny relates that recumbent iron images of oxen were believed to be a protection from floods when these images were placed along the banks of river courses and lakes likely to overflow. He noticed several along the banks of the Grand Canal in 1874 and was told that they had been placed there by Liu Bowen Mesny's Chinese Miscellany: Vol. IV: Shanghai: 11 February 1905.\n\n28 As in Taipan, the Senior Boss.\n\n29 The shrine and its images disappeared, doubtless into a high rise flat, though it could have gone the way of so many minor cults and disappeared due, perhaps, to the aged temple keeper's demise.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215991, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 290, "title": "RAS-2002", "content_text": "224 \n\n(Sevenoaks: Hodder and Stoughton, 1981), the first volume subtitled Barbarians At The Gates, pp. 143-147, 174-175, 224-225.\n\n11. Both Hong Réngan and He Jinshan have been discussed in detail in Pfister's Striving for \"The Whole Duty of Man\", especially chapters 4-6. A more thorough study of He Jinshan's contribution to Chinese Christian history by Lauren Pfister is an essay entitled \"A Transmitter but not a Creator: The Creative Transmission of Protestant Biblical Traditions by Ho Tsun-Sheen (1817-1871)” in Irene Eber, et. al., eds., Bible in Modern China: The Literary and Intellectual Impact (Nettetal: Steyler Verlag, 1999), pp. 165-197.\n\n12. The name of Ch'ëa Kam-Kwong is constituted by particular Chinese characters Legge described as the \"Golden Light Chariot,\" a way of expressing in English what the common meaning of each character is. Unfortunately, two misspellings have predominated in other literature, one in English and one in Chinese. In English, we surmise that Helen Edith Legge put together the typescript entitled \"Che'a Kin-KWáng,\" horribly mixing up the transliteration with something like the proper name in Hoklo dialect, but the given name in Mandarin. Legge never uses these transliterations in his own writings. In Chinese, Wáng Tão wrote the wrong characters for the name in his personal diary for 1862 when he had first come to Hong Kong, showing also his struggle in understanding Cantonese pronunciations, making his given name \"Embroidered River\" (M. Jinjiang, C. Gam-gong) presumably by guessing from the sounds he heard from other Hong Kong Chinese Christians who referred to him. Consult Fang Xing and Tăng Zhijūn, eds., Wáng Tão rìjì (Wáng Tāo ’s Diary) (Beijing: Zhōnghuá Book Store, 1987), pp. 196-197, record for the date of the 10th month and 15th day of the lunar calendar (or a day in September, 1862).\n\n13. There is no study of Ch'ea Kam-Kwong in Chinese language sources as far as I know, and very little published about him in English after the 1860s. Part of the reason, as will be argued below, is that his murder became an embarrassment to both the British embassy and the Qing dynasty at the time.\n\n14. Legge wrote memorials for his elder brother, an important Congregational minister in Great Britain, George Legge (1802-1860), and his co-pastor, Hé Jinshan, published in 1863 and 1872 respectively. See the typescript on the \"Sketch of the Life of Ho Tsun-sheen\" in SOAS/CWM/South China/Personal/Legge/Box 7, the original manuscript on Ch'a being held in the Bodleian Library (the second item in MS Eng. misc. c. 865, fol. 1-19). Consult the long introduction written for George Legge's Lectures on Theology, Science and Revelation already mentioned above. The text of \"Che'a Kin-KWáng” is a compilation done most likely by his daughter, Helen Edith Legge. It uses many original and secondary sources citing her father's and other missionaries' writings, but also includes some perspectives and interpretations which may not portray the full story.\n\n15. The story of their visit to Daoist and Buddhist sites on Mount Lo-fow is described in Legge's \"Journey of a Missionary Tour along the 'East River' of Canton Province,\" China Mail, Supplement to #853 (June 20, 1861), p.4 (covering events of May 22-23, 1861). This is the full text from which extracts were and published in EMMC/MM, No.304 (New Series, No. 21) for September 2, 1861, pp. 249-260.\n\nmade", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]