[ { "id": 204308, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 76, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n72\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nhua-pên (story-tellers' prompt-book), we can hardly know their origin or the invaluable part played by the author of the Fêng-shên in transforming them into interesting characters.\n\nLi Ching, bearing the same name as the historical hero in the early part of the T'ang dynasty, is no doubt derived from the Buddhist heavenly king Vaisravana.\n\nWe know from many Buddhist texts the legends of the Four Heavenly Kings. According to the Abhiniskramana-sutra (出曜集經) translated by Jnanagupta in 587, they are,\n\nDhritarashtra or Chih-kuo T'ien-wang in the East, who leads the gandharvas, musicians in heaven; Virudhaka or Tseng-chang T'ien-wang in the South, who is the sovereign of the kumbhandas or deformed demons; Virupaksha or Kuang-mu T'ien-wang in the West, who is king of the nagas who dwell in their palaces at the bottom of the lakes; and Vaisravana or To-wen T'ien-wang in the North, who is head of the yakshas, strong and brave genii.\n\nThe author of the Fêng-shên Yen-i adapted these four heavenly kings in his novel (Chs.31-40) and called them \"the four generals of the Mo family\". He made them brothers and commanders who took charge of the Chia-mêng Pass under the command of the Premier Wên T'ai-shih. Their individual names are Mo Li-ch'ing, Mo Li-hung, Mo Li-hai and Mo Li-shou. But in Ch.31 when they are summoned by Premier Wên T'ai-shih, the author writes, \"The four heavenly kings (ssu t'ien-wang) strode forward,” thus unconsciously revealing their origin, and afterwards in Ch.99 they are given the titles of Tsêng-chang T'ien-wang (Mo Li-ch'ing), Kuang-mu T'ien-wang (Mo Li-hung), To-wên T’ien-wang (Mo Li-hai) and Ch'ih-kuo T'ien-wang (Mo Li-shou) respectively. In Ch.40 the author describes the weapons of these four brothers through the mouth of General Huang Fei-hu as follows:\n\nThe eldest brother Mo Li-ch'ing is twenty-four feet in height, with a face resembling that of a crab, and his beard is like copper wires. He fights always on foot with a long spear, and he has a sword which is called \"Blue Cloud\", on which there are charms and a seal saying \"earth, water, fire and wind\". The wind caused by the brandishing of this magic sword is a black wind in which hundreds of thousands of spears would run and cut off the limbs of men. Following the wind is a blaze in which flaming golden serpents cover the atmosphere with black smoke. The weapon of Mo Li-hung is an umbrella.\n\n* chúan 16, Shê-kung Ch'u-chia P'in (攝功出家品).", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 206842, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 119, "title": "RAS-1973", "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES: KAM TIN 113\n\nof Shui Pin Ts'uen, and enlarged to the size of a temple very soon after. It remains almost unaltered since except for the written characters over the door which were put there by Tang P'ooi Ch'oh (**) in the 27th year of Kwong Sui (***) of Ts'ing ( ) dynasty A.D. 1901.\n\nIt is the custom in China for men to count back the generations to their \"first ancestor.\" Thus a man may speak of himself as being the twentieth or fortieth generation meaning that he belongs to the twentieth or fortieth generation after one particular family ancestor who, by being the most ancient known forbear, or the founder of a particular branch or even the first of a particular name to settle in a certain locality, is given the title of \"first ancestor\". In many families there are more than one \"first ancestor\", the Tang family have several whom they venerate equally.\n\nFirst they have Tang Yue ($) their earliest known ancestor. A native of San Ye (†) now Honan province, (i) he was born in the second year of Hon Ping Tai (+) A.D. 2 and died 52 years later in the 1st year of Wing P'ing (†) of Tung Hon (**) dynasty. He was a very famous and high officer, and a personal friend of the first emperor of Tung Hon, Kwong Mo (†). He was only twenty-four years of age when Kwong Mo became emperor, but he was given the high office of \"Tai Sz To,\" (✯a✯) equivalent to Prime Minister (during Tung Hon dynasty), for having helped him to rid the country of the numerous bandits that infested it. After Kwong Mo died his son Ming Tai (8) gave him the honour of “Taai Foo (AM), the second highest honour it was possible to receive from the Emperor, at that time, and he was created \"Ko Mat Hau\" ( 4 ) which means Marquis of Ko Mat, now Kiaochow (*) in Shan Tung (R) province. After the death of Tang Yue his portrait was placed first among those of twenty-eight generals in one of the Emperor's palaces called Wan Toi (雲臺)\n\nTang Hon Fat, forty-seventh generation after Tang Yue, is also venerated by his descendants. It is believed by some, that he was the first of the Tang family to settle in Kam Tin. He was a government officer holding the post of \"Shing Mo Long” (**) and was a native of Paak Sha Ts'uen ( & ††) of Kat Shui ( #7†) district in the province of Kiangsi ( ¿1). According to one old family history he was visiting Kwangtung (*) and coming by chance", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206846, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 123, "title": "RAS-1973", "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES: KAM TIN 117\n\nfrom Kwantung province Wong Chi Tsoi (£*) of Tung Koon district was rewarded with this privilege.\n\nThe Lik Ying Tsaai had a large library which housed many thousands of books, and outside the North gate of the village Tang Foo built several hostels for the students to live in. He cultivated the surrounding fields, and the income derived from them was used for forming scholarships for poor students. Tang Foo lectured to the scholars himself sometimes, but he also paid learned men to teach regularly. In the 24th year of Ka Hing (✯✯) A.D. 1819 of Ts'ing (†) dynasty when \"The History of the San On district\" was revised the ruins of the school were still to be seen, but now there is no trace of it left.\n\nAccording to a copy of the family tree belonging to the Ping Shaan (1) branch of the Tang family, the original stone on Tang Foo's grave was replaced in the 45th year of Ka Tsing (†) A.D. 1566 of Ming dynasty, by a man named Tang Shui Faan (†4K) as it was broken and illegible. On the new stone it was said that the date of Tang Foo was not obtainable, but it stated that he lived during the Sung dynasty. In the 33rd year of Hong Hei () A.D. 1694, of Tsing dynasty another stone was erected, and it is this one, that gives the date of Tang Foo passing his Tsun-sz (+) examination to be the 2nd year of Sung Ning ($) of Sung dynasty A.D. 1103, but considering that his great grandson Tang Sin (#) (or Tang Yuen Leung, one of the \"five yuens”) is known to have been district officer of Kung Yuen (4) Kiangsi province in the 3rd year of Kin Yim (£ƒ) A.D. 1129 of Sung dynasty, it is probable that Tang Foo lived a good deal earlier. In fact in the 8th year of Shing Fa (1 ) A.D. 1472 of Ming dynasty the Tang family wrote in their family tree the suggestion that perhaps the 2nd year of Sung Ning () was miswritten for 2nd year of Hei Ning ( ) which would put the date of Tang Foo back to A.D. 1069, a far more possible date.\n\nThe system of district magistrates in the Sung dynasty was quite different to the system in the modern dynasty of Ts'ing (). When the \"Five Dynasties” Ng Toi (£†) A.D. 907-959 began China was in a state of rebellion and disunion. Large armies under their separate generals had to be sent to the various localities to keep order, but far from supporting the Emperor the generals turned the country they were sent to control, into feudatory states, Faan Chan", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207550, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 318, "title": "RAS-1975", "content_text": "310\n\nNOTES AND QUERIES\n\nof the assistance given to Chang T'ien Shih (*) the First Master of Orthodox Taoist folk-religion, by the Three Jesters when they played their music, attracted and led the evil spirits (as the Pied Piper led the rats) to the spirit boat on which they were shanghaied, whereupon the epidemic immediately ended.\n\nNow we know from many sources, in addition to our own observations, that the rite for expelling pestilence performed by the Fukienese of Taiwan and South East Asia consists of a ceremony at which the spirits of the Wang Yeh encourage the demons of pestilence to board a paper boat which is set fire to and pushed out midstream. These Fukienese pestilence gods, the Wang Yeh (*), an heterodox cult of folk religion, although they are worshipped as one on altars, can be classified into two types. The first is the large group of musicians or scholars, varying from 36 to 360, who in legend died at the whim of an Emperor and were deified; the second group are individual spirit generals bearing family surnames, said to be either blood brothers or close friends. These appear individually or in groups of up to six on altars. Wang Yeh from both groups have identical roles, the prevention of epidemics. Most Chinese with whom I have discussed these Wang Yeh, although they subconsciously realized it existed, had not considered this separation into two groups. They had unconsciously accepted the multitude of blood brothers with their individual surnames as individual musicians or scholars from the large group. Du Bose6, incidentally, heard another legend which described one single Fukienese deity, the Wang Yeh, as a scholar who sacrificed himself and saved the village from a demon-infested public well.\n\nThe Wang Yeh festival of expelling the pestilence demons usually takes place during the fourth month, when sickness is (or was) rife. In South East Asia and in Taiwan individual images of Wang Yeh (seated, unarmed and bearded generals) are taken down to the water's edge during the launching ceremony, and occasionally a wooden image is actually launched aboard a more substantial miniature boat, and wherever it lands a temple is supposed to be built to house the deity, thereby spreading the cult.\n\nChief Marshal T'ien is not the localized cult deity Miss Werle believed him to be. He has appeared not only in Ch'aochow and\n\n6 H. C. du Bose: The Dragon, Image & Demon. Partridge & Co., London, 1886.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208398, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 122, "title": "RAS-1978", "content_text": "106\n\nFREDRIKKE S. SCOLLARD\n\nnone of the human warmth characteristic of Shiwan sculpture. (Plate 18).\n\nWith familiarity, this very human art then becomes so charismatic that it is often referred to as loveable. The sentiment was well expressed by one of the potters of the Republican period who styled himself “Liang Zui Shi” (#45) (literally Liang drunken rock). Literally translated, Shiwan means \"rock bay\". As Liang's son explained, the style actually referred to the fact that his father was \"drunk\" with “Shi” wan.\n\nIn addition to its handicraft art, in the Qing period Fushan was also the pivot centre for Cantonese opera. Every year between autumn and summer, opera companies from all over the province would come to Fushan to hold auditions. This activity involved the whole community and especially the Shiwan potters who drew material from it for their iconography and figure sculpture, and who in their long rooftop friezes preserved and immortalized this evanescent drama which was so much a part of their lives. (Plate 15).\n\nAccording to Fushan archaeologist Mr. Chen Zhiliang (陈志亮), these ceramic rooftop friezes had two meanings. On the one hand the gala opera scenes such as Jiang Tai Gong deifying the gods (姜太公封神), and Guo Ze Yi celebrating his birthday (郭子仪庆寿), unfolding on the rooftops were auspicious symbols. On the other hand they disguised the anti-Manchu sentiments of \"overthrowing the Qing and restoring the Ming\" (†). In his short history of Guangdong opera, one of Mai Xiaoxia's major thrusts is to reconstruct scattered evidence in emphasizing the opera's role, and especially that of the Guangdong branch, as a disseminator of revolutionary thought. With the fall of the Ming and the advent of the Qing dynasty, heads were shaved, dress and language changed, and the civil service examination system was proclaimed open. But actors and actresses were despised as people of the lower nine grades of society and were prohibited from taking the examinations. Mai describes the opera as being the one loophole in one hundred prohibitions in which everywhere was hidden significance of national revolution. Ming costumes were preserved, except for non-Manchu enemy barbarians who were dressed in Manchu clothing; themes of Song loyalists such as the Yang Family Generals were common. One thousand pieces, Mai says, shared", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208399, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 123, "title": "RAS-1978", "content_text": "SIIIWAN POTTERY EXPLORED\n\n107\n\nthe theme of \"restoring rivers and mountains\" to the point of becoming formula, but no one complained.\n\nMai further describes how the Guangdong opera actors practised the martial arts of the Shaolin branch (*) and finally put this art to use when in 1854 their leader, the actor Li Yunmao (***) also known as Wen Mao () led three armies of actors to join the Taiping effort against the Manchus. These armies were destroyed along with the rest of the Taiping army, and in the aftermath, the Qing court issued an order forbidding the performance of Guangdong opera and had the actors' Qiong Hua (hortensia flower) Association Hall (1446) in Fushan burned to the ground.\n\nA gilt wood carved altar in the Ancestral Temple in Fushan, and a Shiwan frieze depicting the story of the Yang Family Generals, preserve in their carvings the significance of these events and their broader implications for a community not under the domination of a foreign Manchu government, but also besieged with Caucasian foreigners pressing for trade and territorial rights.\n\nThe Qing dynasty gilt wood altar carving has double meaning. The carving depicts the story of Tang dynasty Li Yuanba fighting the dragon colt (*£#£#6). On a second level however, the horse represents the unruly foreigners, and Li Yuanba, having the same surname, represents Li Wenmao. Verifying this are two hidden plaques hung above the scene which can only be seen from a crouching position. One reads \"Great Ming Mountains and Rivers\" (11) and the other \"Qiong Hua Hall\" (44), with the middle character Hua (4) substituted as disguise for the similar sounding Hua (*) of the Hortensia Flower (Qiong Hua) Association. Furthermore, according to Mr. Zhang Tao (**), curator of the Ancestral Temple, the characters on these two wood plaques were originally covered with extra slabs of wood and were only discovered while renovation was being done to the temple between 1971 and 1972. (Plate 14).\n\nIn addition to this gilt wood altar scene, a beautiful ceramic frieze depicting the story of the Yang Family Generals, Song dynasty loyalists, is displayed in the rear courtyard of the Ancestral Temple. In addition to this anti-Manchu theme (the Yang family's loyalty to the native Song dynasty during the period of barbarian Yuan conquest, symbolising the loyalty of the Chinese people to the", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208519, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 243, "title": "RAS-1978", "content_text": "Plate 15. Shiwan ceramic rooftop friezes at the Ancestral Temple. The tower one depicts the story of the Yang Family Generals.\n\nPlate 16. Vase with tiger skin glaze and plum blossom branches in high relief sculpture.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208521, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 245, "title": "RAS-1978", "content_text": "Plate 19. Closeup of Shiwan frieze depicting the story of the Yang Family Generals with figure in European dress in the centre.\n\nPlate 20. Shiwan urn! sculpted in the form of British Consul Harry Parkes. Reproduction of the original sent to Beijing.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 211665, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 80, "title": "RAS-1989", "content_text": "55\n\nare all standard images but, without the temple keeper's clarification it would not have been possible to identify the three as Koxinga in the centre, flanked by two of his generals.\n\nKoxinga was however, an important figure known nationwide, whereas most of the non-pestilence Wang Yeh are petty individuals whose story and influence rarely ranges beyond the boundaries of their native area. The following three examples are from the Tainan area of southern Taiwan.\n\nThe first of the three non-pestilence Wang Yeh is Ch'ih Kan-lin (**), the youngest of three children. His father, Ch'ih Chung-ming brought his family to the small fishing village of Hsiangyang some 350 years ago, at the beginning of the Ch'ing era, from Tainan, the then capital of the island. He had fled from Tainan where he had been an official as he had been falsely accused. His wife was eight months pregnant and when they reached the wretched and poverty-stricken village of Hsiangyang she just could not face going any further. They found a small shack and moved in. The village was in the throes of a very serious drought and the villagers were slowly losing all hope. Their crops were failing and fish ponds, lakes, and rivers had all dried up; the future looked bleak indeed. The father, Chung-ming and his wife joined the villagers in prayers for rain and no sooner had they done so than the mother gave birth to Kan-lin and the rains fell. The rivers and lake filled and the villagers were able to fish again and their crops thrived. The father started a school in the village.\n\nKan-lin was a highly intelligent child and pleased his father with his diligence. When he was twelve he saved the entire village by bringing timely warning of an impending flash flood which destroyed the village but, due to the boy's warning, without loss of life. In the years that followed he did many good deeds which benefited the village as a whole and on several occasions drove off bandits single-handed. He died at the age of 60 and was carried off straight to Heaven from whence he was posted back to the village as the protective deity and has been known as Ch'ih Wang Yeh ever since.\n\nThe second example of a non-pestilence Wang Yeh is Hsu Wang Yeh who lived some five hundred years ago. His mother and father lived in Hsuchou in Kiangsu province where they had put everything they had into a partnership in a silk and textile shop. The father was cheated, badly", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 213938, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 8, "title": "RAS-1997", "content_text": "CONTENTS\n\nPage\n\nPRESIDENT'S REPORT\n\nxi\n\nHON. AUDITOR'S REPORT\n\nXXV\n\nHON. LIBRARIAN'S REPORT\n\nxxxiii\n\nARTICLES\n\nA.Trevor Clark - The Dickinson Report: An Account of the Background to, and Preparation of, the 1966 Report of the Working Party on Local Administration\n\n1\n\nDan Waters - The Craft of the Bamboo Scaffolder\n\n19\n\nKeith Stevens and Jennifer Welch - The Yang Family of Generals\n\n39\n\nKwok-shing CHAN - Negotiating the Transfer Practice of Housing in a Chinese Lineage Village\n\n63\n\nC. Michael Guilford - A Look Back: Civil Engineering in Hong Kong, 1841-1941\n\n81\n\nSPECIAL FEATURE\n\nA Collection of Rare Photographs of Early Civil Engineering Projects in Hong Kong\n\n103\n\nNOTES AND QUERIES\n\nThomas Kvan and Justyna Karakiewicz - A Brief History of Reclamation in Macau\n\n137\n\nDan Waters - The Royal Asiatic Society and Heritage Education\n\n149\n\nKeith Stevens - Are the Tanka People Descendants of Mongol Soldiers?\n\n161\n\nvii", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214004, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 73, "title": "RAS-1997", "content_text": "THE YANG FAMILY OF GENERALS\n\nYang Chia Chiang\n\n楊家將\n\nKEITH STEVENS AND JENNIFER WELCH\n\n39\n\nThe story of the Yang Family of Generals is inextricably involved with the struggle between the Chinese of the Sung dynasty [early in the 10th century AD] and the invading hordes from Central Asia. Memories of the fearless Yangs, who were dreaded by the Tatars from beyond the Wall, are kept fresh by tea-house story tellers, Chinese opera, and tales told by temple keepers. We have, therefore, three versions of the story of the Yangs: first, as we read it in history books; then, the story as told in novels, by professional story tellers, and in opera; and finally, tales related by temple custodians and devotees about the deified Yang heroes.\n\nWe shall never know the real story of the Yang family; nevertheless, the chronological story as told in history books is relatively straightforward. General Chao K'uang-yin became the first emperor of the Sung in AD 960 with his capital at Kaifeng and with the reign title of T'ai Tsu. He eventually achieved his primary aim and unified most of China under his rule, one of the exceptions being the small state, a princedom in the area of today's Shanxi province known by its dynastic title as the Northern Han, and also known by its regional name as Ho-tung [East of the (Yellow) River]. When the Northern Han refused to submit to him in the Autumn of AD 968, T'ai Tsu decided to invade and moved on Taiyuan, the capital of Ho-tung. The Prince of the Northern Han, realising that they were powerless before the Sung, called on the warlike and powerful Liao [Khitans'], a minor empire to the north of the Great Wall, for assistance. Also realising that outside aid could not arrive in time to save the immediate situation, the Prince made his most able soldier, Yang Chi-yeh, possibly better known simply as Yang Yeh, Generalissimo and ordered him and his five senior sons to lead the resistance against the Sung to allow time for the Liao forces to join up with them. The combined Northern Han and Liao forces were too strong for the Sung, and even though Taiyuan had twice been besieged by the Sung, T'ai Tsu pulled back and turned south where he subdued the Southern Han. Once more, in 976, he sent an", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214006, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 75, "title": "RAS-1997", "content_text": "41\n\nheroes of the Yang-chia Chiang, [the Romance of the Generals of the Yang clan), the novel in which elements of fact are linked and held together by chunks of fiction, embellished over the generations by public story tellers and opera. The title by which several of the family are known individually is Yang Fu Ta-shih. This is also the group title in the few temples in which the whole family of the Yangs are revered as protective deities. The family in the novel includes not only the mother, but also a daughter-in-law, two daughters and a serving maid, all of whom served as generals during the Sung dynasty, as did all seven sons.\n\nIn one of the numerous episodes in the novel, P'an Jen-mei is said to have planned during the martial promotion jousts to promote his soldier son, P'an Pao, by unfair means. He caused the sons of Yang Yeh to be forbidden to compete and also eliminated other major contestants by having them killed. The Seventh Son of Yang Yeh was furious and despite the ban, entered the jousts and killed P'an Pao. Yang Yeh and two of his sons were sentenced to death but had the sentence commuted to banishment.\n\nAt one stage P'an Jen-mei, who hated Yang Yeh, had him beaten for disobeying orders and then ordered him and his sons to attack the Liao forces. Unfortunately for Yang Yeh during the battle he and his sons were cut off on Liang Lang Shan [the Mountain of the Two Wolves]. The Seventh Son managed to escape and on returning to P'an's headquarters to seek help was accused by P'an of desertion and shot to death with arrows. Yang Yeh, surrounded and without hope, killed himself by banging his head against a tombstone whilst the Sixth Son managed to get away and back to the capital at Kaifeng. There he laid charges against P’an Jen-mei who was brought back to the city and put on trial. After various machinations he was finally convicted but attempted an escape to the Liao only to be caught and killed by the Sixth Son and his sisters. As a result the Sixth Son was banished by the Sung Emperor.\n\nOn his way to Ho-tung [Taiyuan] and banishment at his old family home, the Sixth Son by chance met his elder brother, the Fifth Son, who had become a Buddhist monk on the holy mountain, Wu T’ai Shan. The Fifth Son listened to the story of the fate suffered by members\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214007, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 76, "title": "RAS-1997", "content_text": "42\n\nof his family and decided that the banished Yang the Sixth should feign illness and death, meanwhile hiding out in the old family home. Not long after this the Liao once more invaded and the Sixth Son emerged to join other senior Sung soldiers to confront the Liao Khitan forces at the San Kuan, the Three Passes through the mountains where, in a long-fought battle, the Liao army was defeated.\n\nThe romantic novel now becomes complicated with the Yang family home being demolished by a rival and Yang the Sixth once more sent off into banishment. He was then thought to be dead and, yet again, when the Liao Khitan invaded and no competent general seemed forthcoming, in the nick of time, the Sixth Son once more emerged and was pardoned. He first ordered that the family home be rebuilt before he returned with his two sisters to the Three Passes, San Kuan, to confront the Liao forces.\n\nAnother twist in the story brings the Yang household kitchen-maid, Yang P'ai-feng, into the tale. She was yet another skilled in martial arts and a very courageous woman. As this was common knowledge within the Yang household she was asked by Lady Yu [Yang Yeh's wife] to help fight against the Liao. This she was delighted to do and as soon as she joined up with Yang the Sixth at the Three Passes she fought hand to hand with one of the Liao strong men and defeated him. She then helped Yang the Sixth to defeat the Liao army and on her own rescued the two Yang sisters who had been cut off.\n\nThe Sixth Son realising the situation was still fraught with danger summoned his mother, the Lady Yü and his elder brother, the monk, the Fifth Son, to help. The Fifth Son explained to the messenger that as a Buddhist monk he was unable to fight; however, the messenger noticed that the Fifth Son had a secret vice, wine which he had concealed under a bed. Together they drank the night away and eventually the Fifth Son was convinced that it was his duty to join his younger brother at the Three Passes.\n\nDuring a convoluted episode describing the confrontation between several Sung generals and a Miss Mu Kuei-ying in the mountains of Shantung where they were seeking out a special wood for the handle of the sword belonging to the Fifth Son, the son of Yang the Sixth and grandson of Yang Yeh, Yang Tsung-pao, appeared on the scene in his", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214169, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 27, "title": "RAS-1998", "content_text": "REPORT OF THE UNITED KINGDOM FRIENDS OF THE HONG KONG BRANCH OF THE ROYAL ASIATIC SOCIETY\n\nIt gives me great pleasure to write about and report on the first year's activities of the 'Friends.'\n\nWhy has such a society been formed you may ask? There is, as many of you know, a very respectable Royal Asiatic Society already in existence in London, which is the parent body of the Royal Asiatic Society in Hong Kong, and some of our members are already members of that august body. However, with the handover of Hong Kong to China in 1997, and the return to the United Kingdom of many members of the Hong Kong Society, there was a general view that a continuous identification of the Hong Kong Society's aims should in some way be perpetuated in the United Kingdom. A loose federation was not considered to be suitable - a more defined affiliation was felt to be desirable and it was therefore decided to sound out those members who had returned to see to what extent they would be interested in joining a Hong Kong Branch in the United Kingdom. In deciding to do this there was great encouragement from the Royal Asiatic Society in London, and from our Royal Asiatic friends in Hong Kong; the latter were particularly helpful in that they very kindly loaned us £250 (now repaid) for initial start-up expenses.\n\nThe response to the first circular was very encouraging and over 100 RAS members who were in Hong Kong expressed a strong interest in joining and, importantly, a large majority sent in the first year's subscription (£15 single, £25 joint). Such a response enabled the committee to plan the first year's activities and decide where and when to meet.\n\nSince the first committee meeting in the Oxford/Cambridge Club in London in April, 1998 there have been three well attended functions:\n\na) An inaugural lecture given by Mr. Keith Stevens on 11th July, 1998 on the subject \"The Yang Family of Generals of the Sung Dynasty\" at the London School of Oriental and African Studies (SOAS)\n\nb) A lecture by Mrs. Kirsty Norman on 31st October, 1998 on \"Drugs, Prisons and Paparazzi,” again at SOAS\n\nxxvi", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214365, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 223, "title": "RAS-1998", "content_text": "189\n\nIn late 1997 in northern Shansi province whilst touring round village temples as well as those on high mountains it was soon apparent that the Cultural Revolution had laid the majority of village temples low and left them in ruined dereliction. However, Buddhist temples far from the cities had been more fortunate and these still contained undamaged images albeit in a poor state of care. Many of the village temples were being used as squatter residences usually for a single elderly person, with the walls crumbling, the roofs matted with grass and weeds between the roofing tiles, doors and windows agley and hanging on one hinge, and in a few places the images of the old deities still lying on their backs on the floor where they had been flung thirty years earlier by the Red Guards, and awaiting rescue. Villagers were still interested in their temples but have not the funds to do anything about renovation, at least for yet a while. The elderly remembered the gods and the majority had small cheap images, on their household altars or paper icons pasted to their walls, mainly of Kuan Yin and Kuan Kung.\n\nOne temple stood out as a born-again Buddhist establishment, with an in-house priest and several ladies ranging from very old to a young woman in her late twenties who all cared for him and hung on his every word. They were punctilious with their greetings and their constant invocation of O-mi-t'o Fu, as well as with their gentle pressure on their foreign visitors to feel the sanctity of the place and, in particular, of their priest. The temple, a recently refurbished building of wood and tiles on the site of a former temple, had no feel of age nor did it in any way bring to mind its former self, the building which had been destroyed during the Cultural Revolution. Sadly, it was a utilitarian construction with a few religious appendages, and similar in style to many an old village school with little if any of the sense of numinous felt in old temples.\n\nAlso during this visit to northern Shansi we came across the old temple which had been dedicated to Wu Lang. This was described in detail in Volume 37 in an article entitled the Yang family of Generals.\n\nMainland press reports during the years 1995-6 have frequently referred to provincial crackdowns on the construction of 'illegal' religious temples as well as the excessive building of tombs. Some regions, it was reported, had been seeking to promote tourism by engaging in superstitious activities on the pretext of respecting \"the traditional culture of the motherland.\" The People's Daily, the mouthpiece of the party, called for a complete ban on Chinese tourists paying homage at temples and monasteries, even though such practices have been tolerated", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 215111, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 207, "title": "RAS-2000", "content_text": "164\n\nThe next of our euhemerized heroes is the loyal victor, Guo Ziyi, whose armies were to a great extent the power behind the throne during the rebellion. He is best known to many by his title, Fenyang Wang, the King of Fenyang, an erstwhile name for Anhui province. He is one of the most renowned of Chinese generals, greatly distinguished following service under four successive Tang emperors. He lived to the then great age of 84, dying in AD 781 having been blessed with innumerable progeny, the offspring of his eight sons and seven sons-in-law, all of whom occupied high official posts. Legend claims that he had one hundred sons and one thousand grandsons, hence another of his titles, the Ancestor of Five Generations [Wu Dai Tongtang]. He is also known as Father of the Realm [Shang Fu] and having such a wealth of sons and grandsons, is popularly regarded and worshipped China-wide as the God of Happiness, Lushen. The image of the God of Posterity and Happiness, stage left in the trio of elderly men, the San Xing, the Three stellar Gods of Wealth, Fortune and Posterity, is frequently identified as Guo Ziyi. Such groups of three are to be seen in many Chinese homes and in the UK in most Chinese take-away shops [Photographs 4 and 5]. The standard image portrays him as an elderly scholar-official, standing, dressed in blue robes leading or holding his eight year old son in his arms. The blessings he enjoyed, namely honours, riches, longevity and posterity, were attributed in popular legend to the stellar maiden Zhi Nü, who was said to have appeared to him once on the day consecrated as her annual festival, the double seventh, when she promised him these rewards.\n\nIn temple legend he was born of a peasant family whereas in fact he was the son of a wealthy official, born in the far north in Shaanxi province. In southern China, however, he is claimed by Hakkas to have been a Hakka. His youngest son married the daughter of the Gao Zong emperor, and among the many stories related about Guo and his relationship with the Tang Court, possibly the best known tells of the princess refusing to offer her greetings to Guo, her father-in-law, on his eightieth birthday, as he was a mere commoner. Her furious husband beat her causing her to return to the Palace to complain to her father, the emperor. Meanwhile, Guo had his son bound and sent to Court for punishment. The emperor, recognising Guo's years of service and that domestic affairs were nothing to do with the Court, set his son-in-law free whilst the empress advised her daughter reach an accord with her husband.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 216031, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 330, "title": "RAS-2002", "content_text": "264\n\nAbout two miles west of Zhenjiang railway station, on rising land, there was a temple called Xiu Wang Miao, the Temple of the Xiu Kings, dedicated to the memory of the Xiu dynasty of Nantang.\n\nLu Xiufu [AD 1238 - 1279] was a native of Zhenjiang, and a statesman and military commander during the latter years of the Southern Song. He had been appointed to the Court of Imperial Family Affairs, a form of Minister of Protocol, during the reign of Song Gong Zong [ca 1276]. He is remembered as a man of integrity and a devoted Minister who, when the Mongols were on the point of capturing Hangzhou, was sent in an attempt to reach an accommodation with them. This ended in failure. The Court was persuaded by Wen Tianxiang [one of the Three Loyal Generals of the Song] that the imperial heirs should be sent to the coast of south China, to Fuzhou and later to Quanzhou to ensure their safety. The emperor and his mother were captured by the Mongols and taken to Beijing, whilst Lu followed the Court in its retreat to the south. Lu met up with Zhang Shijie [the third of the Three Loyal Generals of the Song] in Wenzhou to rally support for the imperial cause, but had to flee on south to Fuzhou where they joined the forces of Wen Tianxiang. The senior heir was enthroned in Fuzhou as the Song Jing Yan emperor. At this point, following a reorganisation, Zhang and Lu became deputies to Chen Yizhong, the Commissioner of Military Affairs and Grand Counsellor. The new emperor was forced to flee further and further south pursued by the Mongol forces until he reached the area of present day Kowloon where Lu Xiufu rejoined the force from Chaozhou. The Mongol fleet having captured Guangzhou destroyed the forces of Zhang Shijie thus driving the Song Court out to sea. A typhoon struck the fleeing Song fleet and even though the ship carrying the young emperor was sunk he was rescued but died from shock and exposure near the Leizhou peninsula in mid-1278. Lu and Zhang stood firmly against any talk of surrender and ensured that the younger heir, a boy of six, was made emperor. Zhang became the Junior Guardian whilst Lu was Grand Counsellor. The next year the Mongol forces having been reinforced compelled the last of the Song forces to attempt to escape. Lu is said to have committed suicide but the official records do not reveal how the last of the Song, the boy of seven, died. The popular version claims that Lu, the hero from Zhenjiang, leapt into the sea with the boy in his arms.\n\nAn imperial hostelry, the Danyang Guan, was founded in Zhenjiang\n\nPage 330\n\nPage 331", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]