[ { "id": 204578, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 59, "title": "RAS-1963", "content_text": "48\n\nBEK-TO CHIU\n\nRHODOLEIA CHAMPIONI, HOOK #\n\n吊鐘花\n\nFamily: Hamamelidaceae ### 金縷梅科\n\nCommon name: King of Hanging Bells\n\nHooker, who described Rhodoleia from Hong Kong named it championi to commemorate Col. J. G. Champion who was the first to collect this plant while stationed here 1847-1850, as an ensign in the 95th Regiment. Champion wrote on his record “the handsomest of Hong Kong's flowering plants\". Hance in 1870 described the flowers as \"of extreme beauty and rarity\". Justifiable statements to all who are acquainted with the flowers of this plant. Indeed the colour combination of the flowers is uniquely striking and perhaps breathtakingly oriental. The involucre of bracts is of a pale yellow, gold, pink and russet brown; the petals of rose-carmine and the stamens, black. Besides its beauty, the fact that the plant is indigenous and only found on Hong Kong island, is worthy of note.\n\nBentham described the flowers as having \"the appearance of a semi-double Camellia\". This is so and they particularly resemble Camellia hongkongensis. The apparent flowers are each composed of a cluster of five flowers, aggregated compactly on a recurved peduncle (and hence \"hanging\" or pendulous) at the axil of the upper leaves of the branches, with the petals of the flowers arranged at the circumference, held at the base by an involucre of overlapping bracts. This unit is in fact an inflorescence of the capitulum type, comparable with that of a chrysanthemum,\n\nThe shrubs or small trees, reaching up to 20 feet high, are evergreens, bearing coriaceous dark green leaves with a bluish bloom on the upper surfaces. The flowers start to bloom from January to March, being at their best in February, the Chinese New Year time. The fruits are woody composite capsules, maturing at the end of six months, when each dehisces both loculicidally and septicidally, setting free many small winged seeds.\n\nTrees of Rhodoleia championi that bloom regularly, are to be found in the New Botanical Gardens, near the Pavilion and in a sheltered valley in Little Hong Kong, off Shouson Hill.\n\nThe genus Rhodoleia has two other species: one from China and the other from Java and Sumatra.", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 206894, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 171, "title": "RAS-1973", "content_text": "NOTES AND QUERIES\n\n165\n\nments which were capable of delicate romance and noisy battle music.\n\nA tour through the large compound of the National Museum gave a perspective of the best examples of Thai art from the Dvaravati to the Ratanakosin periods. The latest discoveries of pots from Ban Chieng, thought to date from approximately 5,000 BC, were on display. In a museum as packed with treasures as this is hard to select any one piece as particularly outstanding; certainly the magnificent Avalokitesvara from Chaiya and some of the early Khmer pieces were much appreciated. The museum has the added advantage of containing the buildings of the former palace of the second king, which themselves are attractive and include the chapel of Buddhaisawan with its large lacquer cupboards and fine frescoes. The lavish carving of the royal funeral carriages, the rajarot, was also noted.\n\nThe group visited Suan Pakkard Palace in Bangkok, the home of H.R.H. Princess Chumpot of Nagara Svarga, whose large collection of antiques, including some fine Ban Chieng and Sukhothai pieces, is elegantly and informally arranged in adjoining traditional Thai houses modernised for contemporary living. The grounds also contain the only lacquer pavilion to survive the Ayuthia period; with its fine decoration it has been restored to its former grandeur. After visiting the palace the members of the tour were entertained to lunch by Her Royal Highness.\n\nPitsanuloke was used as a base for the visit to the Sukhothai area. In that city Wat Mahathat with its exceptional polished bronze statue of the Sukhothai period, Phra Buddha Chinarat, was seen. At Sukhothai itself some time was spent in the vast area of Wat Mahathat, strewn with ruined chedi, chapels and ante-chapels, where there is a number of stucco Buddha statues recently restored. The well-preserved Khmer style temple Wat Si Sawai, with its three symmetrical prang and double enclosure of brick and laterite was in its severity in marked contrast with the ebullience of Wat Mahathat. The ruins of Wat Trapan Ngoen and Wat Sra Si and their moats were noted, the massive walled Wat Si Chum was visited, with its vast and contemplative Buddha open to the sky surrounded by high walls with a hidden staircase in their mass, up which the adventurous climbed. The site of the ancient celadon kilns, Tao Turiang, was seen and Wat Saphan Hin, at the end of a long stone path up a hill from which it gets its name, offered a fine view over", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207040, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 111, "title": "RAS-1974", "content_text": "THE MONUMENTS OF VIENTIANE AND LUANG PRABANG\n\n105\n\non Tonkin and Laos; the Dutch merchant van Wusthoff also visited the capital of Souligna Vongsa from 1641-42 and left an interesting account of his travels. But neither Protestant merchants nor Jesuit priests could have made such a visual impression that more than two hundred years later their envoys should be recorded in a different city from that they visited. No known accounts, either written or visual, survive from the Lao side to record the visits of these gentlemen; however the visual tradition of Europeans, particularly the French, in 17th century Siam was strong during the reign of King Narai (as the lacquer pavilion in Suan Pakkard Palace in Bangkok bears witness), and was continued into the nineteenth century, and as the artists for the frescoes undoubtedly came from Siam one suspects that the inspiration for the unusual door and window carving comes from the same source. It is significant that the foundation date of the temple is also that of Mouhot's visit to Luang Prabang, one of the first recorded visits by Europeans. In the grounds of the temple a resourceful monk had utilised a plasma bottle and dripper to feed his roses.\n\nVat May, past the royal palace in the main street, was built in 1820 and has an unusually high roof; the portico is decorated with large gilded panels representing scenes from the life of the Buddha. It was for a time the shrine of the Pra Bang, the palladium of the Lao kingdom. This statue came from Cambodia in 1358 at the founding of the Kingdom of Lane Xang and was moved to Vientiane when the capital was transferred in the 16th century. It was taken in 1778 with the Pra Keo by the Siamese; the Pra Bang was returned in 1781 to Ong Boun. The Siamese again removed it in the sack of Vientiane in 1828 but King Mongkut restored the statue in 1867. Recently it has been moved from the temple for safekeeping in the Royal Palace. Between the temple and the palace is a small red lacquer post and dais; until recently, each year the royal elephants were preached at and requested to behave themselves before being sprinkled with lustral water.\n\nThe two other principal temples of the town are away from the main street. Vat Vixun was restored in 1867 and much changed in shape. It has a large nave and fat pillars and it is far more imposing than many temples in the town. A number of pieces of woodcarving have been collected in it to form the basis of a museum, but at present it is but a jumble of spirit houses and shrines. Here are to be found several flags, each with a number of small Buddhas", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207177, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 248, "title": "RAS-1974", "content_text": "242\n\nBOOK REVIEWS\n\nAs to the dating of this Liu Chih-yüan CKT, the authors of the book now under review also have said nothing. Yet, in Thomas F. Carter's well-known work The Invention of Printing in China and its Spread Westward (revised by L. C. Goodrich, 1955, New York), chapter X, footnote 16, this incomplete CKT is acknowledged as being printed around 1300, namely in the early years of the 14th century.\n\nThis reviewer's third minor dissatisfaction concerns the neglected relationships between chu-kung-tiao and some other folk-literatures in China. According to a statistical account contributed by Professor Cheng Ch'ien, the Hsi-hsiang-chi CKT by Tung Chih-yüan has used 15 kung-tiao and 129 ch'ü-tiao. As Cheng has pointed out, at least 66 out of 129 of these ch'ü-tiao are derived from four different sources4. Jen Erh-pei5, on the other hand, presenting different statistics, has pointed out the origin of 28 ch'ü-tiao of chu-kung-tiao and also demonstrated the continuation of these ch'ü-tiao with reference to the Northern drama of the Yuan period, the Southern drama of the Yüan and Ming periods, the Tsa-chü play of the Sung, the Yuan-pen play of the Chin and Yuan periods. Furthermore, he has even added the chia-ch'u songs of Mongolia, the T'ang music in Japan, and the Sung music in Korea into his statistics. The \"Introduction\" of the Ballad of the Hidden Dragon would be more authoritative had the above quoted statistical studies in relation to the CKT study been fully utilized. Mention could also have been made of Chien Nan-yang's analysis of the relationship between the Lin Chih-yüan CKT and the pai-t'u chi6 — a southern drama written in the Ming period.\n\n* See Cheng Ch'ien, \"Tung's 'Western Pavilion, the Literary Link between the Tzu Lyrics and the Ch' Ballads of the Southern and Northern schools”, in Bulletin of the College of Arts, National Taiwan University, vol. II (Taiwan, 1951): 113-137.\n\n5 See Jen Erh-pei: “Chiao-fang-chi chien-ting” (Annotated edition of Chiao-fang-chi) (1962, Peking) pp. 197-254: Appendix II, “Ch'i-ming-liw-pien-piao” (A Table about the History and variations of the titles of Ch'u).\n\n6 See Ch'ien Nan-yang: \"Liu Chih-yüan pai-t'u-chi, On the Tale of a White Hare about Liu Chih-yüan”, in his Yüan ming nan-hsi kuo-liao. Some Brief Remarks on the Southern Dramas of the Yuan and Ming periods (1958, Peking), pp. 28-33.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207898, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 286, "title": "RAS-1976", "content_text": "NOTES AND QUERIES \n\n271 \n\nwere properly cared for. For the poor, coffins were provided and a place of burial found. Thus through the years a number of free cemeteries were administered by Tung Wah. The Hospital itself was built on a site of an old cemetery and the bodies which were unearthed in the preparation of the site were reinterred in another spot, the care of which became a responsibility of the Hospital.\n\nIn the case of death of large numbers in disasters such as fire, typhoon, or explosion, the Hospital provided a place for the remains of the victims, erected an appropriate memorial, and saw that religious rites were conducted to appease the spirits. In these activities they were assuming some of the functions of the U Lan Procession Committee which was first organized in 1857, being composed of representatives of four districts: Chung Wan (Central), Sheung Wan (Lower Bazaar); Tai Ping Shan and Sai Ying Poon. Later Ha Wan (Wanchai) was also represented. The major responsibility of this committee was to arrange for the annual religious ceremonies to propitiate the spirits of the dead, particularly those who had died violently.*\n\nAnother aspect of Tung Wah's concern not only for the sick but also for the dead and their mourners are the Pavilions where farewell observances for funerals can be held. One such is on Pokfulam Road just above the Hong Kong University sports field.\n\nThe Committee assumed responsibility for the transmission of the remains of Chinese who had died overseas. These were shipped to Hong Kong usually by such overseas Chinese institutions as the \"Six Companies\" in San Francisco. Tung Wah in turn would arrange for their transmission to the home place of the deceased for burial. They also performed the same service for those who died in Hong Kong and whose survivors wished them to be buried in China. At times it was customary for the overseas community to wait until there had occurred a sufficient number of deaths to warrant a mass removal of the bodies from their temporary resting place in a local cemetery for transhipment to the authorities at Tung Wah. The Committee would insert notices in the local Chinese press when a shipment of remains was received to notify relatives of the arrival with a request that arrangements should be made for their final disposal.\n\n* See also p. 219, and reference, for the U Lan Procession Committee.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207914, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 302, "title": "RAS-1976", "content_text": "NOTES AND QUERIES\n\n287\n\nof incorruptness. The last name of Ho Chung's studio was T’ing-yü-hsien, that is, a pavilion for listening to the rain. The melancholy atmosphere of a rainy day, from the point-of-view of Chinese literary life, has been a special but poetic mood favoured by poets of Sung China in the 13th century. Transferring this sad feeling of listening to the rain as one of Ho Chung's studio names showed that this late 19th century Kwangtung artist certainly shared the Sung poets' feeling of melancholy.\n\nWith regard to Ho Chung's biography, due to the lack of information his life as an artist is not completely clear, although according to an art history written in 1927 and devoted to Chinese artists in Kwangtung, Ho Chung was over seventy years old when he died. Based on this clue, the chronology of this artist can be ascertained in general. There are 34 pictures all by Ho Chung in the Luis de Camoes Museum in Macau. Among them, a circular fan painting has been inscribed by the artist with the date Keng-tze ✯; a year corresponding to the 26th year in the Kwang-shü * era during the Ch'ing Dynasty, which in turn corresponds to the year 1900. This is a very helpful discovery, since if Ho Chung died around 1900 at the age of seventy-five, he might have been born around 1825. At any rate, Ho Chung must have been an artist chiefly active in the second half of the 19th century and presumably his late years touched at least the first one or two years of the 20th century.\n\nFrom the 17th to the 19th centuries, Chinese painting in Kwangtung certainly developed into a more fruitful stage than in the preceding centuries. Nevertheless, the artistic quality of these Kwangtung paintings was not only less significant than those of the Chiang-nan area, the centre of Chinese painting of that time\n\n- but also can hardly be compared with the standard of her neighbouring province, Fukien. For this reason, within these three centuries, artists who were not natives of Kwangtung and were also not first class artists of the Chiang-nan area, but whenever and wherever settled in Kwangtung, were always regarded by Kwangtung art historians as Kwangtung artists. For instance, Wang Hou-lai, a native of An-hui province settled at Pan-yü during the 18th century, was treated as a representative artist for Kwangtung landscape painting. Similarly, Sung Kwang-pao and Meng Chin-i, two artists of the Kiangsu province, lived in Kwang-", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 209024, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 186, "title": "RAS-1980", "content_text": "154\n\nNOTES AND QUERIES\n\nnumerous minor grades excel those of other places in their colour, fragrance and taste. Chu Yi-chuen of Sau Shui remarks, \"There is no fixed standard as to which place in Fukien and Kwangtung produces the best quality of lychee, but in my opinion “Kwa Luk” from Kwangtung tops all.\" The three most outstanding selections of \"Kwa Luk” are \"Siu Fa Shan”, “Luk Law Yi” and \"Kau Kei Wan”.\n\nA species named \"Sheung Shu Wai\", literally \"being carried (wai) by the Minister (Sheung Shu)\", originated from a minister Cham Man-kang who brought back a pip of lychee from Windy Pavilion. Most lychees fall into this category. The most valuable lychee tree whose fruit is priced scores of times more than others is the one growing in the West Garden located outside West Gate of the County Seat. In fact, there were other lychee trees which were as good as, or even better than, that tree. Another species called “Crystal Ball\" of Cha Kong is of the same grade as \"Kwa Luk”, and also on the list of the delicious lychees are \"Sai Kok\" (rhino's horn), \"Kwai Mei” (taste of osmanthus), \"Nor Mai Chee\" (like glutinous rice), \"Sung Ka Heung\" (fragrance of Sung Family), \"Chun Fung Yuk” (jade offered to emperor) and Ho Pau (wallet).\n\n(translation by District Office, Tsuen Wan)\n\n3. By chance, I heard recently of the existence of at least one tree of the special type of “Kwa Luk” mentioned in the opening paragraph from the father of a friend. This gentleman, a Hakka from Ng Wah District, served pre-war in the provincial administration of Kwangtung at Canton. He had a friend Mr. Wong Ping-kwan (*A), who was the district magistrate (*) of Tsang Shing at that time (about 1937-38). This official used to send a parcel of this special lychee to his superiors in Canton. The fruit came from trees in the courtyard and gardens of his office in Tsang Shing. It was not for sale, and although my friend said he had heard of some being available on the market in recent times, he was sure they were not the genuine article.\n\nHong Kong.\n\nDecember, 1979.\n\nJAMES HAYES", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209773, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 32, "title": "RAS-1983", "content_text": "10\n\nOccupation 1941-45 due to a desire to avoid political exploitation and incorporated in May 1959.\n\n—\n\nThis school, together with another Buddhist school in Sham Shui Po, Kowloon, take it in turns to provide Buddhist services for the souls of the dead at the Race Course Fire Victims' Memorial Pavilion (c above). Known as ta chiu (打醮) these rites are performed at Ching Ming (March-April) and last 7 days.\n\nAccording to Holmes Welch, writing on Hong Kong's Buddhist institutions in Vol. I of the RAS Journal, Hong Kong Branch, the principal religious role of Buddhist organizations in Hong Kong is \"to provide funeral ceremonies and care for the souls of the dead”. The annual service at the Race Course Fire Victims' Memorial mentioned above is not the only one performed. \"In January 1960, the Hong Kong Jockey Club after a series of mishaps during the racing season, in the last of which a prominent jockey had been killed (the fourth since the war), invited the Buddhist Association to arrange for appropriate rites of exorcism. For three days and four nights some 68 monks and 44 nuns performed elaborate ceremonies at altars set up on the Club's premises. They prayed continuously in teams, not only for the repose of the souls of the jockeys, but also for those of the 2,000 persons [actually 600] who lost their lives in the grandstand fire of 1918, and for any other souls whose welfare was brought to their attention by relatives. According to the local press, some 40,000 persons attended.\" In addition, there is an annual public service for the souls of the (general) dead every Remembrance Day at the Tung Lin Kok Yuen, founded by Lady Clara Ho Tung at Happy Valley in 1935,\n\n(g) The Shing Kwong Church of the Church of Christ in China\n\n(h) St. Mary's Anglican Church", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210997, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 59, "title": "RAS-1987", "content_text": "34\n\nAt the head of the pier was the Lung-chin Pavilion which provided shelter for travellers. It was also known as the “Mandarin-Greeting Pavilion” (ying-kuan t’ing), for it was presumably here that officials landing at Kowloon were officially greeted before they proceeded to the Walled City.21\n\nIronically, the first invaders of the Walled City were not British, but Chinese. In 1854, certain anti-Dynastic elements in Hong Kong, taking advantage of the general disturbance caused by the T'ai-p'ing uprising, attacked the Walled City across the harbour and occupied it. According to British officials, they were mainly Hakka stone workers and Triad members. Though the rebels had promised the inhabitants protection if they withdrew their support from the Imperial forces, as soon as they took possession of the City, they ransacked the houses and seized pigs, poultry and dogs for food.\n\nThe Kowloon officials fled to Hong Kong Island. At one point, nine war junks carrying 2,000 Imperial soldiers were ready to confront an equal number of rebel naval forces. The British in fact held the ring by ordering all warships to leave Hong Kong waters and so averted a major naval battle. The Imperial troops finally prevailed.22 However, the hsun-chien's official residence in the Walled City was so damaged by fire that for a while, he was obliged to move to Ch'ih-wei on the Shumchun river.23\n\nChinese officials at Kowloon and British officials in Hong Kong kept in close touch and generally co-operated in maintaining law and order in the vicinity. In 1867 for instance, when conflict broke out between villagers from either side of the border, Governor Macdonnell made a special trip to Kowloon, met the Chinese official on his steamer and agreed to co-operate in keeping peace.24 In 1884, Kowloon officials warned the Hong Kong authorities of a possible rising of the Triad Society.25\n\n24\n\n26\n\nUnder Ordinance 2 of 1850, Chinese fugitives in Hong Kong were handed over to Kowloon officials, but the provision was not reciprocal — China had no obligation to extradite criminals to Hong Kong. Chinese authorities, however, did arrest and convict them. The Namoa case was the most dramatic example. In 1890,", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211392, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 108, "title": "RAS-1988", "content_text": "84\n\nit T's ing Wan Kwun (EU) \"green cloud Taoist temple,\" At first many people visited it, but its popularity did not last long, and eventually it became deserted.\n\nIn 1918 a Buddhist came to Castle Peak, and established the present Buddhist monastery, adding to the buildings and becoming the first abbot.\n\nAny one visiting Castle Peak now, will find much of interest. About half-way up the path leading to the monastery there is a handsome gate that was erected in 1929. On the front of it are the characters Heung Hoi Ming Shaan (9) \"Hong Kong Sea Famous Mountain\" which were put there by Sir Cecil Clementi. On the reverse side is written Wui T'au Shi Ngon (1004) meaning, the shore is just behind you, i.e. you can mend your ways easily. This is a Buddhist saying and was written on the gate by Tit Shim (HP) a famous abbot in Canton. The gate was erected by twenty Chinese benefactors, and their names are written on the left hand side of the front of the gate.\n\nThe monastery itself consists of several buildings, the Abbots Lodge, the Pooi To pavilion and a garden with an arbour called Hoi Yuet T'ing (H) \"Sea Moon Arbour\" which was placed there for the delightful purpose of looking at the moonlight on the sea. The Fishers Tomb is an object of interest. The Buddhists who believe that no form of life should be taken are in the habit of buying fish from the fishermen and releasing them in the sea again. If, however, the fishes are dead, they bury them in this Tomb so that no one will eat them.\n\nJust above the buildings there is a small cave with the remains of a whale's bones in it. This whale is supposed to have crushed the mountain in remote times, but there is more appearance of the whale having suffered than the mountain! Unfortunately a lot of the bones have been taken away by unscrupulous visitors, and only one very worn vertebra and some ribs are left. Near this cave is the little shrine with Pooi To's figure in it.\n\nIf the path leading up to the summit of the mountain is followed a little summer house with stone benches by it is found near the top. This is called \"Clementi Arbour\", and was erected by a Chinese gentleman, who visited Castle Peak with Sir Cecil one day, and heard him remark\n\n: \n:", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211973, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 388, "title": "RAS-1989", "content_text": "363\n\nThey now entered Tai Hong Tsuen. They first worshipped at the san-teng. The party worshipped at a well of Tsi Tong Tsuen. Next they worshipped at Lai-Gaan Tong, and then at an altar for the God of Earth and Grain.\n\nThey made offerings at the spot where Gau Ga Chyun used to be.\n\nThen they proceeded to Wing Lung Wai, where they worshipped first at an altar of the God of Earth and Grain, then at the village gate, then the san-teng, and finally at the ancestral hall of Gwok-Yin Jou.\n\nThe procession turned back and went to worship at the altar for the God of Earth and Grain of Shing Mun San Tsuen, a village of outsiders who moved to Kam Tin when their village, Shing Mun, was destroyed in the 1930s for the construction of the Shing Mun Reservoir. Then the procession entered Tai Hong Wai to worship at its san-teng, village gate, altar for the God of Earth and Grain and well. After this the procession went back to the festival site.\n\nThe procession was received and treated to soft drinks and cakes at Shui Mei, Shui Tau, Sa Bui Leng, Ko Po, Kat Hing Wai, Wing Lung Wai and Tai Hong Wai by the local villagers.\n\nE. Procession of incense II\n\nThis second procession took place on the day after the main day. It was to visit Ying Lung Wai, the village of Hung-Yi's descendants outside Kam Tin, as well as the Yuen Long Old Market and the villages in its vicinity. The other spots were included because the Yuen Long Market had once belonged to a segment of the Kam Tin Dang lineage, and they used to have landed property in the surrounding villages.\n\nThe procession started at 12:40. The equipment involved was more or less the same as the previous day, but I also noticed something I had not seen before: two lanterns saying \"to offer incense\" and two banners saying \"keep quiet\" and \"keep clear\", and burning incense inside a \"pavilion\" on a table carried by poles. There were a very large number of people again, but less than the previous day. The same Dang Jik-Wai, and the headmaster of Mung Yeung School, originally from Ko Po, led the procession.\n\n363", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212098, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 40, "title": "RAS-1990", "content_text": "17\n\nwith its inculcation of “right thinking\", the complete process has been summed up in a few well-chosen words by Dr. Monlin Chiang, one of the most prominent educationalists of the early Republican period:\n\n“These moral precepts came from the Confucian classics. Moral ideas were driven into the people by every possible means — temples, theatres, houses, toys, proverbs, schools, history and stories until they became habits in daily life, 233\n\nThe effect of both the legacy and the drilling was not lost on competent Western observers. Writing over 150 years ago, in his standard work on China first published in the 1830s, a future governor of Hong Kong, Sir John Davis, then only lately returned to England from many years' membership of the Honourable East India Company's Select Committee at Canton, had this to say: \"The Chinese lower classes are better educated or at least better trained than in most other countries”.\n\nPART THREE: “Right Thinking\" in Action in Tsuen Wan\n\n134\n\n+\n\nTsuen Wan District (like all the rest) provides plenty of evidence for the effectiveness of the indoctrination, as well as occasional examples of emulation and performance. People knew what to think and what to do, and recognized the attainment of the prescribed high standards of conduct and behaviour even if they themselves did not measure up. Men who did so were greatly respected, to the point of veneration.\n\nIt is the general opinion among Tsuen Wan natives, then and now, that such a one was the late Mr. Chan Wing-on, a former Tsuen Wan Rural Committee leader and also Chairman of the New Territories Heung Yee Kuk. Mr. Chan, who unfortunately died comparatively young, left a fine reputation behind him. He is commemorated by a tablet in a traditional-style pavilion, named for him, which was erected the year after his death near the entrance to the Chuk Lam Sim Yuen, one of the large religious houses located above the town. The memorial tablet records his life and achievements as a teacher and as a public figure; with an emphasis on his virtuous conduct and character and how it had influenced others for good:\n\n\"Entering the teaching profession, he taught the village", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212106, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 48, "title": "RAS-1990", "content_text": "G. Knapp, The Chinese House: Craft Symbol, and the Folk Tradition (Hong Kong, Oxford University Press, 1990). Knapp does not cover the paintings and stucco work that were a marked feature of the Kwangtung architectural style. For examples of this fine traditional decorative work, see Rural Architecture in Hong Kong (Hong Kong, Government Information Services Department, 1979).\n\nIn the Hakka villages of the Tsuen Wan district, this \"animal\" was always a unicorn. In Cantonese villages the lion was usual. However, their purpose and motivation was clearly the same. Informants said there were differences in the dance performances of lions and unicorns; unicorns \"crept, bobbed and weaved\", whereas lions would \"stand up and prance\". The musical accompaniment, drums and gongs, was the same, and previously firecrackers had been an indispensable part of any performance by lions or unicorns.\n\nHugh Baker mentions that the Liaos of Sheung Shui were known throughout the New Territories for their unicorn dance team. See the interesting information given in his Sheung Shui, A Chinese Lineage Village (London, Frank Cass & Co., Ltd., 1968), p. 193.\n\nSee my \"Notes on Temples and Shrines on Hong Kong Island\" in Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 27 (1987), p. 287.\n\nMonlin Chiang, Tides from the West (New Haven, Yale University Press, 1947), p. 9. John Francis Davis, The Chinese, A General Description of the Empire of China and its Inhabitants (London, Charles Knight, 1836) Vol. 2, pp. 29-30.\n\nFrom the memorial tablet to Mr. Chan Wing-on, Chairman of the Tsuen Wan Rural Committee and Chairman of the 18th Term, New Territories Heung Yee Kuk 1950-52, at the Wing On Pavilion, Fu Yung Shan, Tsuen Wan. Mr. Chan died on 15 October 1956; see Annual Departmental Reports, District Commissioner, New Territories, (1953-54 para. 56, and 1956-57 para. 119).\n\nFrom a “Short History of Yeung Uk Village\" (in Chinese), published at the time of the village resiting in 1965 and written by Yeung's eldest grandson, Mr Yeung Cho-ling. According to the commemorative tablet, the grave was repaired on a lucky day in the middle month of the autumn season in the 10th year of Kuang Hsu, that is in September-October 1884.\n\n1736; but in fact the ping-san year is the 1st year of Ch'ien Lung's long reign. There was probably another, less altruistic factor at work here too: since it was believed that the graves of good people have a beneficial effect on the fortunes of their family for generations to come. It is implicit in this case that the good influences of the grave were not yet spent.\n\nFor a more recent example from Tsing Yi Island, see my Rural Communities, op. cit., p. 143.\n\nContents more than values, I suggest? Wolfram Eberhard, Cantonese Ballads (Munich State Library Collection) (Taipei, The Orient Cultural Service, 1972), p.2.\n\nR. David Arkush, \"Orthodoxy and heterodoxy in Twentieth-Century Chinese Peasant Proverbs\" at pp. 310-335 of Kwang-Ching Liu (ed.) Orthodoxy in Late Imperial China (Berkeley, University of California Press, 1990).\n\nHelen Kwok and Mini Chan, Fossils From a Rural Past, A Study of Extant Cantonese Children's Songs (Hong Kong, Hong Kong University Press, 1990), pp. 17, 29.\n\nLucien Bianco, Origins of the Chinese Revolution, 1915-1949, (Stanford, Stanford University Press, 1971), successively pp.126, 94-95.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 215638, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 415, "title": "RAS-2001", "content_text": "367\n\nTEA AND OPIUM:\n\nSOME FURTHER NOTES ON MACARTNEY'S\n\nROLE1\n\nDAVID AKERS-JONES\n\nMacartney's audience with the Emperor Qianlong recorded in the journal which the former wrote actually took place on 14th September 1793 (not on the 30th) at Jehol (Chengde) which is now about five hours journey by 'bus from Beijing. It took the Embassy six days. Macartney himself travelled in a post chaise which he had taken to China especially to ride about in, 'drawn by four little Tartar ponies.' His cavalcade amounted to seventy people of which forty composed the guard. He says that about two hundred porters were required to carry their baggage.\n\nThe great circular yurt where the audience subsequently took place is described in the journal as follows:\n\nThe Emperor's tented pavilion which is circular I should calculate to be about twenty or twenty-five yards in diameter and is supported by a number of pillars, either gilded or damasked according to their disposition....\n\nMacartney then gives a colourful account of the audience.\n\nHe was seated in an open palanquin carried by sixteen bearers attended by numbers of officers bearing flags, standards and umbrellas, and as he passed we paid him our compliments by kneeling on one knee, whilst all the Chinese made their usual prostrations. As soon as he had ascended his throne I came to the entrance of the tent, and, holding in both my hands a large box enriched with diamonds in which was enclosed the King's letter, I walked deliberately up, and ascending the side-steps of the throne, delivered it into the Emperor's own hands, who, having received it, passed it on to the Minister, by whom it was placed on the cushion. He then gave me as the first present from him to his Majesty the ju-eu-jou or giou-giou (a white jade sceptre) as the symbol of peace and prosperity, and expressed his hopes that my Sovereign", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216076, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 375, "title": "RAS-2002", "content_text": "309\n\nDuring their drive north to eliminate the War Lords and unify China under the Republic, the Nationalist [KMT] forces entered Zhenjiang in March of 1927 and at the same time took over the Concession. Most westerners left for Shanghai whilst those who remained lived aboard hulks on the River or as close to the River as they could get. Even the British Consul was withdrawn to Shanghai where he continued to carry out his Zhenjiang duties. Eventually, in 1929, bowing to the inevitable the Zhenjiang Concession was finally retroceded to Chinese control and the treaty port, as such, was no more.\n\nGerald Yorke travelled to China in 1931 planning to spend a couple of years travelling around China and studying, to satisfy a childhood dream. Not long after his arrival, as Reuter's correspondent, he joined a party chosen by the Chinese Government to inspect the dyke systems of the Yangzi and Huai river valleys which had just been rebuilt as a result of the disastrous floods in 1931. During the tour with the party they departed from Shanghai and reached Zhenjiang early the next morning. They were greeted on the hulk by a band which played valiantly out of tune. After motoring through the town to a public garden they were entertained at a European luncheon. The weather was cold but presuming that any entertainment would be indoors an under-dressed Yorke froze in the open pavilion. A Shandong medicinal wine was served with the first course; appetising dishes came hot from the kitchen, all of which sat on the table waiting for the Chairman of the Provincial Reconstruction Committee to finish his welcoming speech. When the tepid lunch was over they were each given a pamphlet describing the flood protection work done and the reconstruction planned for the future, a perfect example of how provincial officials wasted their time and country's money by publishing, with their portraits next to the title-page, an account of rather more than they have done and of what they would like one to think they are going to do.\n\nThe afternoon was spent sight-seeing at the monastery on Silver Island [Jin Shan], with its hundred or so monks and its ancient fir tree in the outer courtyard. The tree had but one branch still alive, its trunk bound in iron and its base enclosed in marble - a symbol of the passing of classical Chinese culture. The monastic treasures were all displayed, the bronze vessel from the Zhou dynasty, a drum from the Han, and a jade belt belonging to a former statesman, possibly Ming. There was also a small hexagonal column inscribed with the Daode Jing, the Daoist classic which had surprised Yorke as he had not expected to see a Daoist classic in a\n\nPage 375\n\nPage 376", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216308, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 67, "title": "RAS-2003", "content_text": "16\n\nappear during the Northern Song Dynasty (960-1126). In the year 1066 the Northern Song Emperor Ying Zong (1063-1067) built a new Big Buddha Hall (Da Fo Dian) and the New Precious Pagoda (Xin Bao Ta) on this same site. Although at that time it was named Kong Xiang Si, it is from this date that Longhua Temple's history can accurately be traced through a continuous progression of events up to the present day. In fact, it is even possible that the 11th Century Xin Bao Ta is the same pagoda which still stands today, albeit after having been repeatedly repaired and restored countless times.\n\nDuring the Li Zong reign (1224-1264) of emperor Zhao Gui Cheng at the end of the Southern Song Dynasty (1127-1279), four boundary stones were erected in 1262, one in each of the four corners of the temple's property. Two of these supposedly still exist today, and one of them can actually be seen in the Mu Ta Yuan, lying on the ground beside the Tao Ming Chan Si Mu Ta.\n\nIn the Yuan Dynasty (1279-1368) the temple was given several land grants which added considerably to its territory. However, at the end of the Yuan Dynasty the temple buildings were completely destroyed during a battle, except for the Bao Ta pagoda, which is recorded as somehow miraculously surviving the conflagration, as it supposedly would in many similar situations throughout the temple's history.\n\nThe third Ming Emperor Yong Le (1403-1424) completely rebuilt the temple from the ground up between 1410-1416, and also changed its name from the Northern Song Dynasty name of Kong Xiang Si to the present day name of Longhua Si. Later, the Shan Men front gate was built between 1506 and 1521.\n\nThe structures built by Yong Le importunely had a short life span of only 140 years as the whole temple was destroyed during an invasion by Japanese Wako pirates in 1553. Nonetheless, after the destruction of the Wako pirates, the Ming Dynasty began a reconstruction project which lasted for about ten years, from 1563 to 1574. However, during the late Ming Dynasty the temple suffered from neglect and only one new hall, the Scripture Storage Pavilion (Cang Jing Ge), was built in 1611. A Cang Jing Ge is used by a temple to store the Tripitaka (San Zang) scriptures.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 68, "title": "RAS-2003", "content_text": "17\n\nIn the early Qing Dynasty Longhua Temple received considerable attention in the form of repairs to the existing buildings and construction of new ones. A major construction project started in 1647 resulted in the completion of the Abbot or Temple Master's Room (Fang Zhang Shi) and the Wei Tuo Hall (Wei Tuo Dian), as well as the repair of the Scripture Storage Pavilion (Cang Jing Ge).\n\nIt will be recalled that during the Yuan Dynasty the temple experienced a massive expansion in the size of its territory, if not its actual structures. In 1672 the Qing authorities measured the size of the immediate area around the temple halls as occupying 93 mu of land, plus an additional 74 mu of open land in the surrounding area which was used to plant vegetables. It was this later open space which gradually evolved into first Longhua Park, and then the present day Martyr's Cemetery.\n\nDuring a 155 year period in the middle of the Qing Dynasty, from 1672 to 1827, no new construction, reconstruction or repairs were recorded. This begs the question as to why the temple was dormant during such a long period of time. Was it lack of imperial sympathy for Buddhism in general, or simply the absence of wars and destruction requiring later rehabilitation during this relatively peaceful time?\n\nAfter a century and a half of dormancy, the Taiping Rebellion finally provided the opportunity or the need for new construction and repairs. Between 1860 and 1862 the Taiping rebels attacked Shanghai three times, during which records say vaguely that most of the Longhua Temple buildings were destroyed. On August 18, 1860 the Taipings captured Xu Jia Hui, and it was probably then when the nearby Longhua Temple was destroyed. Although no list is provided of exactly which buildings were destroyed, we can infer from later lists of the structures rebuilt afterwards that this included the Great Sadness Hall (Da Bei Dian), the Precious Hall of the Great Hero (Da Xiong Bao Dian), the Heavenly Kings Hall (Tian Wang Dian), the Three Gods Hall (San Sheng Dian), the Maitreya Buddha Hall (Mi Le Fo Dian), the Drum Tower (Gu Lou), the Bell Tower (Zhong Lou), and the Big Buddha Hall (Da Fo Dian). Basically every previously existing key structure is mentioned as having been rebuilt after this period of destruction, with the exception of the die-hard Precious Pagoda (Bao Ta) and the Master's Room (Fang Zhang Shi), raising the possibility that the two structures which stand today are both authentic originals.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216314, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 73, "title": "RAS-2003", "content_text": "22\n\nsuccessive courtyards which separate the six main halls on the central axis. All told there are about a dozen halls, towers, and pavilions, each containing golden effigies of a wide variety of various Buddhist deities. This goes well beyond the typical scale of the average Buddhist temple which normally has only three main halls and sometimes just one.\n\nIn this first courtyard are four stone relics of uncertain age, but probably not older than the Minguo era at most. These include two stone lions and two octagonal stone lanterns, all four enclosed by stone railings. Two large trees in the courtyard were transplanted here in January 2004. On the right side of the courtyard is a new expanded gift shop (shu dian) added in January 2004. It offers not only Buddhist trinkets, but a fine selection of Chinese language books containing histories of Longhua Temple and Buddhist scriptures. Until 2004, there was not a single published history of Longhua Temple available for sale here, but late in December 2003 no less than three new well-researched titles on this topic were published, several of which can be found here.\n\nThe first main hall is the one-story Maitreya Buddha Hall (Mi Le Dian). This hall dates from an 1884 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1981. It is dedicated to the Maitreya Buddha of the future, known in China as Mi Le Fo, and depicted here as the fat laughing Buddha of the Song Dynasty (960-1279). This Mi Le Fo image is a golden effigy, seated on a square stone base and protected by a glass case. He is depicted as having a third eye in the centre of his forehead. The Buddha can be seen from the first courtyard through a partially open gate of the hall, but the hall itself cannot be entered without passing through the adjoining orange wall into the second courtyard and entering from the other side.\n\nAlthough, Mi Le Fo usually does occupy the first hall of many temples, he often has to share his space with the Four Heavenly Kings (Si Tian Wang). In this case he has the whole hall to himself, the kings occupying a separate building of their own. Until January 2004 he had to share his home with the temple gift shop (shu dian), but this has now been moved out to a separate new hall in the first courtyard.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216497, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 256, "title": "RAS-2003", "content_text": "207\n\nTHE MIDDLESEX (“TYNDAREUS”) STONE\n\nDAN WATERS\n\nFor those of you who can picture Hong Kong's Victoria Peak, on the small, flat, grassy, sitting-out area in the saddle between High West and Victoria Peak, there used to lie a Boulder. This sitting out area complete with pavilion is close to where Lugard Road joins Harlech Road. The Boulder used to lie just above where Hatton Road joins Harlech Road. A ring of small stones roughly three metres in diameter, partially overgrown with grass, still marks the position. The Boulder is in its natural state except for one side which was flattened to take the original plaque. As far as can be measured the Stone is 110cms x 130cms x 71cms and it is estimated to weigh a little less than one tonne.\n\nThen suddenly one afternoon I spotted it was missing. While trying to find out what had happened to it, over the next week or so two letters appeared in the South China Morning Post. Both writers expressed concern. One letter, dated 8 April 1994, from the late Martin Booth the well-known author who spent time in Hong Kong as a child - but in later years lived in England - was headed, 'An outrage.' He said the Stone also celebrated, by association, those men of the Middlesex Regiment who so valiantly defended Hong Kong in 1941 against the Japanese. Booth went on to say that the monument was also of interest because it was erected by Lieutenant Colonel John Ward \"whose prompt action, military efficiency and strong sense of humanity saved many during the disastrous Happy Valley Race Course fire. This took place in February 1918 and has been well documented. Booth states the death toll in the fire was 570. 'That [the \"Middlesex Boulder\"] has disappeared is an outrage to local history and an insult to those it commemorates. A patch of newly seeded grass is all that remains.'\n\nThe two letters were followed by another from R I Goodwin, Director of Public Relations HQ British Forces Hong Kong, dated 18 April 1994. He stated he wished to reassure Mr Booth that the Middlesex Stone was in good hands and that it was en route back to the Regiment's safe keeping in the United Kingdom. Goodwin then went on to mix up the whole issue. He took the figure of 570 lives lost in the Hong Kong Racecourse Fire in 1918 (as quoted by Booth) and quotes this as the number of lives lost when the troopship Tyndareus was mined off South", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]