[ { "id": 209709, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 366, "title": "RAS-1982", "content_text": "344\n\nBOOK REVIEWS\n\nbegan to develop around 4000 B.C., that iron metallurgy was practiced in the Shang dynasty, and that the Hsia dynasty existed as described in much later texts—all highly controversial views—but the reader does not glean this information from the essay. Cheng's concluding sentence typifies his approach, with confident optimism and will to believe displacing scholarly caution: \"and what an exciting day it will be when the discovery of a Hsia capital site is announced to the world!!\" (emphasis added).\n\nWILLIAM MEACHAM\n\n+\n\nOxford Reprint Series: Things Chinese J. Dyer Ball (reprint of Kelly and Walsh 1925 Edition, Shanghai) 766pp inc. index, Peking J. Bredon (reprint of Kelly and Walsh 1931 Edition, Shanghai) 571pp inc. index, The Moon Year J. Bredon and I. Mitrophanow (reprint of Kelly and Walsh 1927 Edition, Shanghai) 514pp + index, The Hong Kong Guide 1893 (reprint of Kelly and Walsh 1893 Edition, Shanghai) 137pp + 36pp of advertisements, Kwang Tung, or Five Years in South China J. A. Turner (reprint of S. W. Partridge and Co. 1894 Edition, London) 194pp inc. index. All Oxford University Press, Hong Kong, 1982, all with introduction by H. J. Lethbridge.\n\nThe Oxford University Press is to be wholeheartedly congratulated on their courage in deciding to reprint many of the classic western texts on China dating from the last decades of the Ch'ing and the first years of the Republic. These works have become increasingly difficult to buy in recent years, and their reappearance on the market is most welcome. The reprints of this year do not represent the end of OUP's hopes in this field; also under consideration for reprinting are, it is understood, among others, Couling's Encyclopedia Sinica, Eitel's Europe in China, and Montalto de Jesus' Historic Macau.\n\nThe last decades of the last century and the first years of this are usually considered a period when Europeans either merely had contempt for the Chinese or else, at best, regarded them with patronising condescension. Surely, it will be thought, books on Chinese religion, society, or customs written by Europeans in China in this period would have nothing of value to tell us today. There are, certainly, remarks in almost all these books which", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 211825, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 240, "title": "RAS-1989", "content_text": "215\n\nProgramme:\n\nC.M. Von WEBER: \"Der Freischütz\", overture; by Messrs Essex and Ewing, piano. Sir Henry BISHOP: \"Foresters sound the cheerful horn“ (glee). Heinrich PROCH (1809-1878): \"Within the grove's deep shadow\", a song by Mr. J.P. Tate, W.A. MOZART: String quartet No 7 by Messrs Tate and Howell (violin). Ewing (viola) and Essex (cello). William HORSLEY (1774-1858); \"By Celia's Arbour\" (glee), F. MENDELSSOHN-BARTHOLDY: \"Andante, presto and allegro vivace\" (from?) by Messrs Essex and Howell. Ibidem: “Andante and finale\" (from?), by Messrs Essex and Howell, Sir Henry BISHOP: \"Sleep gentle lady\" (glee), William Vincent WALLACE (1813-1865); **The Bellringer\", a song by Mr. Essex, F. von FLOTOW: “Allessandro Stradella\", fantasia, by Messrs Essex and Howell, William HORSLEY: \"See the chariot at hand\", song, L. van BEETHOVEN: \"Egmont\", overture, played on two pianos by Messrs Essex and Ewing.\n\nTh: Theatre Royal (G)\n\nR: This was the first occasion on which the names of the amateur musicians who entertained the public were mentioned. Some can be traced in the **Shanghai Almanac for 1862”. others belonged to the military forces. Thus the names have come to us of the following gentlemen: H. Cope and E.C. Essex (both of Geo. Barnett & Co). D.A.C.G. Ewing. F.R. Gantwell (Silk broker), A.A. Hayes Jr (of Olyphant & Co), Howell, Inglis, J.M. Nixon (of Blain, Tate & Co). J. Priestley Tate (of Blain, Tate & Co; Municipal Council member 1861-1862) and J. Wheatly (of Reiss & Co). In general the Herald was very satisfied: \"It was pleasing to see the gentlemen who volunteered to throw aside for the nonce the cares of business and entertain con amore their less gifted fellow residents with a charming chamber concert. Everything was conducted in a quiet gentlemanly manner so that we imagined ourselves in a drawing room more than a theatre. There was no attempt at grandeur of display or extraordinary performance on special instruments which characterize too much the quasi-musical taste of the day where the composition of the author is sacrificed frequently to the execution of the performer and the audience is led to think more of the latter than the former\". These were rather stringent remarks for someone living in an area where very few opportunities arose to compare musical qualities of instrumentalists. Yet the argument of faithfulness to the author's or composer's intentions crops up from time to time and that was obviously regarded as important by the Herald. Unfortunately the acoustics of the theatre were not of the very best so that \"Mr. TATE's delicate tenor voice (in the song by Proch) could not fill the house sufficiently for all to hear the diminuendo passages of his beautiful voice\". (NCH 18.4.1863). The Lancashire Relief Fund had been established in order to help those in Britain who had become a victim of the stoppage of cotton imports from the Southern states of America (due to the Civil War), with the result that numerous labourers in the mills were laid off.\n\n29.4.1863 (Wedn)\n\nPerformances by the amateurs of the Royal Artillery.\n\nNo titles of plays were recorded.\n\nTh: Theatre Royal (G)\n\nR: In consequence of the \"great success\" a \"Second Fashionable Night” would be given on May 4th (NCH 2.5.1863).\n\n4.5.1863 (Thur)\n\nAs on 29.4.1863.\n\n1.8.1863 (Sat)\n\nThe last of a series of performances by Mr. Smythe's company. Soloists: Miss Amelia Bailey (singing) and Martin Simonsen (violin) Th. N.N. (H)\n\nPage 240\n\nPage 241", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211832, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 247, "title": "RAS-1989", "content_text": "222\n\nthe stage properties were unexceptionable\". (NCH 22.10.1864)\n\n15,10-21. 10. 1864\n\nH.J. BYRON: \"Fra Diavolo\" (1858)\n\nT: Burlesque burletta (1 act)\n\nH.J. BYRON: \"The Maid and the Magpie\n\nT: Burlesque burletta (1 act), and other pieces.\n\nC: Lewis A.D.C.\n\nTh: N.N. (I\n\nR: NCH 22,10,1864\n\n17.10.1864 (Mon)\n\nConcert by Mr. Desvachez (violin) and some local amateurs\n\nTh: Shanghai Club\n\nR: Another musical evening was given by Mr. DESVACHEZ in the recently completed Shanghai Club building. On this occasion \"the audience was numerous and seemed to fully appreciate M. DESVACHEZ's musical talents”. (NCH 22.10.1864)\n\n22.10.-28. 10. 1864\n\nH.J. BYRON: \"The Bride of Abydos\" (1858)\n\nT: Burlesque extravaganza (1 act)\n\nN.N.: \"The Lady of Lyons”, (No author mentioned, so it may have been original play by Lytton or the burlesque by H.J. Byron (1868)), and other pieces.\n\nC: Lewis A.D.C.\n\nTh: N.N. (l\n\nR: For some actors of the Lewis troupe the strains of appearing every evening on the stage had become too much, for in the Herald it was \"regretted that in thus making strenuous efforts to afford satisfaction to their audiences, two of the most promising members of the Company have become so severely indisposed as to be unable for some time to appear in public\" (NCH 29.10.1864).\n\n5.11.1864 (Sat) (See: Theatrical Advertisement, No. 10)\n\nAmateur concert in aid of the repair fund of the \"Hongque Free Episcopal Church”, the \"Shanghai Vocal Quartette Club\" and Mr. Marquis Chisholm, piano, Programme:\n\n1. V. BELLINI: \"La Sonnambula\", duet (presumably 'Prendi l'anel ti dono' from act I) arranged for piano and harmonium by David Hermann ENGEL (1816-1877)\n\n2. Sir Henry BISHOP: \"Foresters sound the cheerful horn\" (glee)\n\n3. Marquis CHISHOLM: \"Japanese Fantasia”\n\n4. MULLER: \"Maying\" (sic; quartet)\n\n5. Ballad \"Arleen Aroom”\n\n6. Philipp Friedrich SILCHER (1799-1860): \"The Miller's Daughter” (quartet)\n\n7. G. VERDI: \"Rigoletto\", duet ('E il sol dell' anima', act I; 'Piangi, fanciulla', act I), arranged for piano by John George CALLCOT (1821-1895)\n\n8. Friedrich Wilhelm KÜCKEN (1810-1882): **Soldier's Love\" (glee)\n\n9. Valentin Eduard BECKER (1814-1890); \"Cheer Up Companions” (choral march)\n\n10. RADETSKA: \"There's music in the air\" (quartet)\n\n11. G. DONIZETTI: \"Lucrezia Borgia\", arrangement for flute and piano by JAMES\n\n12. Heinrich WERNER (1800-1833): \"War Song\" (glee)\n\n13. CAXTON: \"Breathe soft, ye winds\"\n\n14. William HORSLEY (and not F. Mendelssohn as stated in the advertisement): **By Celia's Arbour\" (song)\n\n15. Sir Henry BISHOP: \"Sleep gentle lady\" (glee)\n\n16. William Vincent WALLACE (1813-1865): \"Lurine\", duet arranged for piano and", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212328, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 270, "title": "RAS-1990", "content_text": "247\n\n―\n\nand Godown Company. 'Monuments' still standing include the Helena May Institute (completed 1916), Saint Andrew's Church (foundation stone laid 1904) and Church Hall, and the Peninsula Hotel (official opening 1928) which — along with the Taj Mahal in Bombay, Raffles in Singapore and a few others was classified, before World War II, as one of the 'great hotels of the East'. Another of Leigh and Orange's edifices is the main, 'Renaissance' style, building at Hong Kong University which was completed in 1912 and extended in 1952. It has been gazetted as an historical monument. The now demolished Sir Paul Chater's 'Marble Hall', generally accepted as the most luxurious residence in Hong Kong before World War II, was another example.\n\nThe Colony's first, full-time, chartered accountant was Arthur Lowe, who came to Hong Kong in 1902. Joseph Bingham became his partner in 1905, and Frederick Mathews (Lowe, Bingham and Mathews) in 1909. There were other accountants in the Territory before 1902, but few had professional qualifications and auditing was usually a subsidiary activity to their main lines of business. For instance, Linstead and Davis were mainly property agents, but they also sold bicycles, and, up to 1926, they had an agency for Manila cigars. The partners audited the accounts of various companies. The senior partner of Gibb Livingston was one of the two Hong Kong Bank auditors, and so on.\n\nLowe Bingham (Lo Bing Ham in Chinese) became part of the international firm of Price Waterhouse in 1974,\n\nHong Kong and China Gas Company\n\nWilliam Glen, who had no knowledge of the gas industry in 1861, obtained from the then Governor, Sir Hercules Robinson (when the population was 123,281), a concession to supply gas to the city of Victoria. The company was incorporated on May 31st 1862: most of the shareholders lived in the United Kingdom, although 500 shares were offered locally.\n\nThen, on December 3rd 1864, Hong Kong was lit with gas for the first time by about 15 miles of mains and 500 lamps, in Queen's Road extending up the hill to Upper Albert Road. Previously, the only street lights had been installed voluntarily by residents, and burned peanut oil. The residents of Caine Road complained that they\n\n---\n\nPage 270\n\nPage 271", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 213568, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 164, "title": "RAS-1995", "content_text": "133\n\nJoss\n\nThis word is supposed to be derived from the Portuguese Deos. The Anglicised written form, Joss, appears in many sources, and Tong does not have a Chinese form.\n\nTwo sources dated 1672 quoted in Hobson Jobson are intriguing.\n\n\"But the Devil (whom the Chinese commonly called Joosje) is a mighty and powerful Prince of the World..\", and\n\n\"In a four-cornered cabinet in their dwelling-rooms, they have, as it were, an altar, and therean an image. This they call Joss.\"\n\nWhat is striking is that the latter is clearly describing a household ancestral altar for the worship of ancestors. Moreover, the former quotation, which gives the word used by Dutch writers, joosje, is the pronunciation of “ancestors\" in the Wu dialects. There is a possibility, then, that Joss has a Chinese and not a Portuguese origin.\n\nMaskee\n\nThis word basically means \"whatever\", “never mind” or “perhaps\" in Pidgin. Tong gives it as maskee. Batalha lists a Patoa word, masqui, and says that in the meaning of \"all right” the word is commonly used in Creole. She concludes that there is no basis for some assertions that the word is derived from the Cantonese m sai.\n\nAPPENDIX I\n\nSelected Pidgin Dialogues Quoted in 19 C. Western Sources Bits of Old China. William C. Hunter. Kegan, Paul, Trench & Co. London 1855.\n\nPage 5\n\nOlo flen. My savee you last voyagee My savee you two, te-lee voyagee.\n\nPage 6\n\nMake look see", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 } ]