[ { "id": 204859, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 162, "title": "RAS-1964", "content_text": "BOOK REVIEWS\n\n137\n\nMr. Liu to task for an alleged sacrifice of sense and style to rhyme. There is, however, much to be said for Mr. Liu on this debatable issue. Poetry does not aim merely at the transmission of information or even of ideas. It is in essence a mood, the purpose of which is to induce the same mood in the reader. A completely literal translation no doubt conveys to the reader all the telling details in the original, but often fails to impart the æsthetic pleasure which rhyme and rhythm can alone create. A rhymed translation may lose in factual reality and may at times sound affected; nevertheless, it more often succeeds in conveying the original mood of the poem. Provided that the meaning is clear to the translator, there is always room in the rendering of Chinese poetry for a choice between rhymed verse and prose, and between an emphasis on what is said and how it is said. Mr. Liu's English version of Ma Chih Yuan's lyric to the tune \"T'ien Ching Sha\" perhaps justifies his method:\n\nWithered vines, aged trees, twilight crows.\n\nBeneath the little bridge by the cottage the river flows.\n\nOn the ancient road and lean horse the west wind blows\n\nThe evening sun westward goes,\n\nAs a broken-hearted man stands at heaven's close.\n\nThe translation as it stands does not, may I say so for the translator, pretend to be poetry in its own right: it is entirely up to the reader to judge whether or not it is superior to a completely literal translation which would look something like this:\n\nWithered vines-old trees-twilight crows.\n\nLittle bridge-flowing water\n\n— people's house. Ancient road-west wind—lean horse.\n\nEvening sun- west set\n\nBroken-bowel man at heaven's end.\n\nThe book classifies themes in Chinese poetry into Nature, Love, History, Time, Nostalgia and Leisure. The conspicuous absence of Friendship in these categories is a bit disturbing to most readers whose impressions of Chinese poetry are based on the \"Three Hundred Tang Poems\". But Mr. Liu explains the omission as follows: \"Some Western translators, it seems to me, have over-emphasized the importance of friendship between men in Chinese poetry and correspondingly underestimated that of love", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 205107, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 63, "title": "RAS-1966", "content_text": "58\n\nHERBERT FRANKE\n\nas if the court historiographers and recorders recognized the importance of the mission. The Western horse, at least, impressed Mongols and Chinese alike. It was, if not one of the Flemish battle horses, certainly much bigger and stronger than the native breed of horses familiar to the Mongols. The court painter Chou Lang was commissioned to paint a portrait of the horse. This painting was still extant in the eighteenth century when the Jesuit Father Gaubil saw it; the Catalog of the Imperial Collections compiled in 1815 lists it. There is no trace of that painting left, but in a time when so many and sometimes stunning discoveries are made in China and Chinese archives we should not give up all hope of tracing this pictorial evidence of Giovanni da Marignolli's embassy. Apart from painting, there are many passages in fourteenth-century Chinese literature where allusion is made to the gift of Western horses to the emperor. Many poets of that time wrote poems praising this kingly gift and extolling the horse which, as one poet says, stood out like a camel among the other horses in the Imperial stables. At least a full dozen writers can be found who considered this horse important enough to be the subject of a poem. Almost invariably, allusion is made to the famous \"Heavenly Horses\" brought to China under the Han Dynasty from the Western Regions by Chang Ch'ien. Then, as under Shun-ti, the gift of a Heavenly Horse was regarded as an auspicious omen for the Imperial house and the emperor in particular. All this is completely in accordance with Chinese tradition. If far-distant countries send tribute, this shows that the Mandate of Heaven truly extends to the end of the inhabited world. One wonders what Giovanni da Marignolli would have thought, being the representative of the Vicar of Christ on earth, if he had known that his embassy served as the subject for a display of Sinocentric sentiment and an exhibition of pro-dynastic loyalty. The lucky omen of the Heavenly Horses turned out to be of not much avail, however. A few decades later, the emperor had to flee to the Mongolian steppes when the Ming troops took Peking. It remains, nevertheless, quite surprising that so many Chinese poets (there is hardly a non-Chinese among them) went to the length of writing hymns of praise of the dynasty when nobody forced them to, and it seems that at least among the literati, there was not yet much anti-dynastic and anti-Mongol feeling. In any case, it is striking how much this incident is treated in literature in a traditional Chinese way.", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205277, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 39, "title": "RAS-1967", "content_text": "32 \n\nJEN YU-WEN \n\nComparing this map with two others (Military Survey Map 1902-03, GS3749, and Map of Kowloon, 1960, Sheet 2) and checking it with my personal observation in the old and new roads around that area, I found that the original site of the village was directly west of the southern foot of the former Sacred Hill, about 1,200 ft. distant from it (see map). The northern tip of the Two Emperors' Palace Hill has been levelled leaving a high cliff there.16 As to the precise boundaries, population and number of houses in the former village, there is no way to ascertain this, although the military map of 1902-03 shows only a very small number of houses in comparison with other villages in Kowloon.\n\nVII, THE MA-TAU-WEI TEMPLE \n\nWe should note one more, the last, historical site in this area. It is the Ancient Temple of Shang-ti (Shang-ti Ku-miao1) situated on the western side of the present Lomond Road, behind the St. Theresa Hospital (see map). The original temple was near the former Ma-tau-wei Village directly east of the present site. When the villagers were evacuated by the government and the whole village was levelled to construct new roads and buildings in 1927-28, the temple was destroyed and a new temple was constructed at the present site.17 Later on, the new temple was also demolished but the stone gate was preserved, the name of the temple remaining.\n\nThe idol worshipped there represents the God of the Black (Northern) Heaven (Hsuan-t'ien Shang-ti✯AL) which is identical with the Northern God (Pei-ti). According to Chinese ancient mythology, North has been considered as the centre of water, symbolized by the colour black. Hence, it became the patron deity of the people living along the seacoast, and almost every coastal village had such a temple wherever there were fishermen or seafarers. There are still some temples of the Northern God in Kowloon and elsewhere. Some years ago the Hong Kong Government accepted my suggestion and preserved this stone gate. Moreover, the piece of ground was converted into a small garden. Mr. Jao Tsung-i of the Chinese Department of the University of Hong Kong was asked to prepare the Chinese text which is engraved on a tablet erected by the side of the gate. Work was completed in 1962.", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205354, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 116, "title": "RAS-1967", "content_text": "A NOTICE OF THE SANON DISTRICT\n\n109\n\nThe third remarkable mountain lies a few miles south of the district town, and is called \"Nam-shan\" — 南山 the Southern mountain. In a bay at the foot of this mountain is the famous temple of \"Teen-h'aou” — the Queen of Heaven at Chek-wan; and to the right and left of the entrance to this bay are two forts, now in ruins and unoccupied. A tolerably broad highway leads from the district town to this temple, and four or five rest-houses are erected along the road for the convenience of its devotees. Several altars exist on different parts of the mountain, and to these the Mandarins resort, to worship in times of scarcity or danger,\n\nLastly, is mentioned the mountain of Castlepeak, called by the Chinese \"Poe-lou-shan\" ✯✯J, on the western borders of the province, near the bay of Tun-wan. This mountain, remarkable for the fine view it affords, has near its summit a monastery occupied by Tauist priests. The mountain is reckoned one of the eight wonders of the Canton province. Some of its large granite boulders are said by the priests to represent various mythological monsters; and several springs well-up near the top, which are also esteemed supernatural wonders by the Chinese. The mountain is often visited by students and literati, and its wonders and beauties have been celebrated by them in many verses. The legends connected with the mountain seem not to be very clearly understood. The most remarkable of them is the following, which gave it the name it now bears: Hundreds of years ago there lived a renowned Buddhist priest who went by the name of \"Poi-tow,\" the Tea-cup Navigator. One night he took up his quarters in a certain house, and went away the next morning carrying with him the golden idol belonging to his host. This man started out in pursuit; but though he could see the priest before him, travelling on foot, apparently very leisurely, he could not, though he was on horseback, overtake him; and presently he saw the holy man carried over a river in a Tea-cup, and so gave up the pursuit as useless.\n\nSome time afterwards this priest effected the cure of a woman of rank, merely by writing a charm; often she had applied in vain to many doctors and sorcerers. Gratitude attached the whole family of the patient to him. Not long after this he died on his travels. Five years after his death he again appeared, and declared that he should now go into the Canton province, and accordingly he took up his residence on Castlepeak mountain; and being seen", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 206541, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 89, "title": "RAS-1972", "content_text": "SIR JAMES HALDANE STEWART LOCKHART\n\n54 Index to the Tso Chuan, p. iii of Lockhart's preface.\n\n55 Ibid., p. iii.\n\n56 T'oung Pao, vol. xxix, 1932, p. 180.\n\n83\n\n57 On the study of folklore see Alan Dundes (ed.), The Study of Folklore, Englewood Cliffs, New Jersey, 1965.\n\n58 N. B. Dennys (1840?-1900), a student interpreter in the Consular Service, published in Hong Kong in 1867: The Folklore of China, and its affinities with that of the Aryan and Semitic Races. It was a reprint of a series of articles first published in the China Review. Dennys' study is influenced particularly by the work of Max Müller. A typical example of Dennys' conjecturing would be the following: 'But what are we to make of the monotheistic spirit pervading the numerous sayings in which the \"Heaven\" of the Chinese answers to the \"God\" of Christian Europe or the \"Jehovah\" of the chosen race? Is this the spontaneous invention of an isolated people, or is it the surviving trace of a long-forgotten worship, when the ancestors of the Chinamen and the Semite worshipped at the same tomb?' (p. 155). See also Thomas Watters, 'Chinese Fox-Myths', JNCBRAS, vol. viii, 1873. The article by E. T. C. Werner, 'China's Place in Sociology', China Review, vol. xx, 1891/92, pp. 303-310, provides another example of the speculative thinking current among the educated in the 1880s.\n\n59 Lockhart's circular was also printed in the JNCBRAS, vol. xxi, 1886, p. 120.\n\n60 China Review, vol. xiv, 1885/86, p. 352.\n\n61 In 1860 the Hong Kong Daily Press published a separate newspaper in Chinese. This was the Chung Ngoi San Po and its first editor was Wong Shing (Huang Shêng).\n\n62 The collection contains over 600 letters from R. F. Johnston to Lockhart.\n\n63 JNCBRAS, vol. xlvii, 1916, p. 152.\n\n64 Arthur Bradden Cole, An Encyclopedia of Chinese Coins, New Collegiate Press, Kansas, 1967, vol. 1, p. 335.\n\n65 South China Morning Post, 5 January, 1972.\n\n66 Jean Gittins, Eastern Windows, Western Skies, Hong Kong, 1969, p. 47.\n\n67 The Times, 4 March, 1937. See also the obituary in the North-China Herald of 10 March, 1937. The South China Morning Post on 1 March, 1937, declared that Sir James' name is immortalised in Hong Kong by Lockhart Road on the Praya Reclamation.' Lockhart received the C.M.G. in 1898 and became a K.C.M.G. in 1908.\n\n68 R. F. Johnston's obituary notice of Lockhart: Journal of the Royal Asiatic Society for 1937, p. 393. Johnston states he was one of the first to receive the honorary degree of LL.D from the newly founded University of Hong Kong. He received this honour in 1919 and was in fact the twelfth person to be so honoured.\n\n69 See, for example, Lockhart's letter to Dr. G. E. Morrison after Morrison's speech to the China Association in 1907: 'I admired your pluck', Lockhart wrote, 'in telling your hosts what could not have been entirely pleasing to their self-satisfied ears, and in giving expression to what you well know will not make you popular with the white men in the Far West. You boldly advised removal of the troops. See Cyril Pearl,", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206863, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 140, "title": "RAS-1973", "content_text": "134\n\nNOTES AND QUERIES\n\nof a new building for Queen's College. In January 1877, the Government advertised for sale at public auction the \"materials, bricks, stones, tiles, doors, windows, joists, floors, etc. of buildings on Inland Lots 55, 93, 91 and 91A—known as Rangel's Estate”. Among the properties was \"the Joss House, No. 10 Shing Wong Street\". Soon after, the wreckers moved in and the temple was no more. So passed what was presumably the first community project of the Chinese population of urban Hong Kong.\n\nIt is difficult to establish the exact date for the erection of the Temple from records now available. It is possible that a notice in The Chinese Repository, October 1843, (Vol. XII, p. 549) may refer to the Shing Wong Temple. \"A new Chinese temple is about to be undertaken [in Hong Kong]. Handbills and placards are out, for the purpose of raising money for the erection of the building\".\n\nThe references to Chinese temples in the Hong Kong Blue Books are confusing and difficult to interpret. In 1844 under the heading of Ecclesiastical Establishments there is listed:\n\nBuddhist in Victoria, W.D. [Western District]\n\nBuddhist in Chekchoo [now Stanley]\n\nBuddhist in Shekpaiwan [Aberdeen Harbour]\n\nBuddhist in Sookumpoo\n\nEstablished in 1842 Chinese\n\nIn 1845 it is stated that \"There are 17 Chinese Temples in the colony, dedicated with few exceptions to 'Tee-how-mong-mong' (the Queen of Heaven)\". In 1846 and 1847 it is stated that there are three small Chinese temples in Victoria, and in 1847 it is noted that there is \"a small one in each village\".\n\nUnder the Blue Book schedule of Chinese buildings a Chinese Town Hall is listed in 1845 and 1846. In 1847 two Town Halls are enumerated, with the addition of one Joss House. Was the Shing Wong building listed as a Town Hall? A statement made in a Chinese document entitled \"Information as to the period of the formation of Districts in Hongkong and the alteration of the Character Wan-a bay-to Wan—a circuit” translated and published in The China Review, Vol. I, p. 133 (1872-1873) suggests that the Town Halls were Temples.\n\nThis article also provides a date for the construction of the Man Mo Temple on Hollywood Road:\n\nIn 1843 one Sz-man-king opened a place for gambling. . Two years later, traders began to come, and two years after that", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206937, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 8, "title": "RAS-1974", "content_text": "2\n\nday, five short papers were read on fish, fauna and flora of the sea-shore; insects; land vertebrates, and birds, and the talks were illustrated by an exhibition of both stuffed and live specimens. The field trips, held on the Sunday, were to Tai Tam Bay which supports fauna communities, some of them unique to Hong Kong Island, on its extensive sand and mud flats; and to the Mai Po Marshes, a wetland habitat dominated by deep ponds producing ducks, mullet and carp, and having a marginal zone of dwarf mangrove. This provides a unique eco-system of considerable scientific interest. Professor Lofts is currently engaged in editing the materials presented by his team for one of our symposia publications. The materials from our previous symposium, held the preceding year, should be ready for publication shortly.\n\nOur first local visit of the year was to the Sikh and Hindu temples in Happy Valley. This took place in April. Of the 10,000 Indians in Hong Kong, some 2,000 are Sikhs and the majority of the remainder, Hindus. The Hong Kong Khalsa Diwan, “Sacred Assembly”, as both the Sikh temple and its congregation are called, was founded in 1935 and the Hindu temple some time later. Led by Mr. Ian Watson of the Department of Philosophy, University of Hong Kong, a group of members first attended a Sikh service (Sikhism is a revisionist movement within Hinduism, founded at the close of the seventeenth century) and then visited the Hindu temple and its library.\n\nOur second excursion was to Cape D'Aguilar, named after Major General G. C. D'Aguilar, first general officer commanding the Hong Kong Garrison in the 1840s. A group of members visited Hok Tsui village, founded in the eighteenth century, and providing the older name for the Cape D'Aguilar area. They looked at old houses and the village's granite watch-tower, together with its temple to the god Pak T'ai, probably of the nineteenth century.\n\nIn January, members visited the Lo Pan temple—Lo Pan is the god of carpenters and building constructors. The temple is situated in Kennedy Town, in an interesting old corner of Western District, still largely in its pre-war condition, and first built about 1884. The fourth and last local visit was to Tai Miu, Joss House Bay, one of the most historical sites of Hong Kong and well-known in Chinese historical and geographical works. The Tai Miu, or \"Great Temple\" is dedicated to T'in Hau, “Empress of Heaven”, a very popular", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 206997, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 68, "title": "RAS-1974", "content_text": "62\n\nCAROLE MORGAN\n\nAlthough, as we have seen, horses were hunted as early as the third millennium, there is still some controversy among experts as to whether horses were eaten by the Shangs. Certainly by Chou times the practice of eating horse meat had become prevalent enough to warrant an injunction in the Chou Li against eating bad horse flesh27 and a warning in the Li Chi that the taste of a horse with black hair growing along its spine is no better than that of a burrowing animal.28\n\nIn a book from the latter part of the third century B.C. called the \"Travels of King Mu\" we are told that King Mu, while on a journey through Western China, was offered 300 edible horses by the Chu Tse (✯✯) tribe, 900 by Tsao Nu (✯ ✯) and 700 by the Chih ( ),29\n\nAs for dogs they, along with pigs, constituted the major source of animal protein in ancient China. The Shuo Wen even gives a special character for dog's meat (1) written with the radicals for dog and flesh, while the Chou Li divides dogs into three categories: the tien chuan (□) or watch dog, the fei chuan (ok†) or barking dog and the chih chuan (✯✯) or edible dog.30 With the exception of the liver every part of the animal was considered edible.31\n\nAt the banquets of feudal lords a dish of dog's broth and glutinous rice was considered a great delicacy;32 for Summer dried fish fried in pungent dog's fat was thought to be cooling33 and when dog's meat was prepared as sacrificial meat it had first to be marinated in a mixture of vinegar and pepper.34 (Animals whose meat was used for sacrificial purposes were never referred to by name. Thus an ox was known as i yuan da wu (~✰✰✰) a head一元大武) on large feet; cocks as han yin (4) birds whose cry reaches heaven and dogs as gao hsien ( ‡**) animals used to make ancestor soup.35\n\nThe Emperor was required to eat dog's meat during the first three Autumn months36 and much later dog's meat was credited with the power of reducing fatigue and was recommended for scholars sitting for their examinations.37\n\nBoth edible dogs and horses were considered fit presents for the Emperor and feudal lords, although a pure white horse was deemed unsuitable, possibly because white was the colour of mourning.38 (The writer is more inclined to believe that since white horses were", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207417, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 185, "title": "RAS-1975", "content_text": "CAPTIVE SURGEON IN HONG KONG\n\n177\n\nOur food came from four sources; the Japanese rations, food sent in by our friends in Hong Kong, supplies received from the Red Cross Society and food purchased with funds contributed by officers mainly those in the hospital but also those in the camps from time to time. These contributions were made from pay received from the Japanese by these officers.\n\nJapanese Rations\n\nI have prepared tables (Appendix A) to show the kinds and the amounts of foods issued to us from Japanese sources and used on behalf of patients and staff who were on a full diet. Notes given in the tables give additional information and include details of certain additional Japanese food received and how it was used. The amounts in these cases were very small and while they must be recorded, especially the milk, it was rare for any to appear in the general diet and then only as a treat when supplies allowed. Since this is not a scientific treatise, I intend the tables to present a broad picture of our food situation. The daily quantities of food therefore are shown as averaged over five months in 1942, rather under three months in Bowen Road in 1945, rather over three months in Kowloon in 1945, and over the whole years of 1943 and 1944. These averages should be read in conjunction with specimen daily menus I set out in tables at Appendix B. There were many, many days on which our diet consisted of boiled rice and vegetables.\n\nIn these tables, I make no allowances for losses resulting from poor quality, preparation, and cooking in the case of vegetables and fish. These losses were usually high, and on occasions reached a level of 30% in the case of vegetables, which were sometimes rotten when received. We were not choosy when deciding when food was fit to cook and eat. The fresh vegetables, in addition to the more usual varieties, which practically never included Western-type potatoes, though we had sweet potatoes more often, did however include such unusual varieties as chrysanthemum leaves, Chinese lily root, tara root, and so on. The fish varied greatly; on 10 October 1942, I noted that we had received \"long thin fish, shark flesh, baby sharks, and heaven knows what, most of it a little old\". Sergeant Seino, of whom I shall have more to say later, warned the quartermaster that some fish was perhaps poisonous and advised us to be careful using it. I believe Seino's intention was to be helpful, though...", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207549, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 317, "title": "RAS-1975", "content_text": "NOTES AND QUERIES \n\n309 \n\nwith Taoist exorcisms and are performed at wedding ceremonies to obtain from Heaven the happy union, using the ritual of a local Taoist folk religion heterodox cult of the Three Ladies' (三娘). The 'Three Jesters' are called by the puppeteers the \"Three Brothers' (三兄弟) or, individually, the Great, Second and Third Wang Yeh.* \n\nSchipper then explained that he and his informants had made many conjectures in order to identify the Three Jesters. He believed tradition links the Three Brothers (Three Jesters) with the Three Tien Brothers and thus with Tien To Yuan Shuai, and this seemed to him to be better founded than other conjectures. He continued that the identity of T'ien is extremely confused, and claimed that T'ien is reputed to be the master of T'ang Emperor Ming Huang (唐明皇) and to have taught the actresses of the Peach Garden (梨园), popularly believed to be the first academy of the theatre. Iconography, he said, represents T'ien the puppet as the 'laughing lad', similar to T’ien To Yuan Shuai. \n\nSchipper observed that when the plays are of the northern Fukienese type, the Three Jesters are identified with T'ang Ming Huang, the patron of the theatre of North China. When the play is Southern Fukienese or Ch'aochow, T'ien To Yuan Shuai (Chief Marshal T'ien) is the patron, and the Three Jesters are identified with him. The T'ang Emperor is also often referred to in Taiwan and South East Asia, where he is also accepted as the God of Actors bearing the title of the Imperial Prince or King of the Western Ch'in (Hsi Ch'in Wang Yeh, 西秦王爷) or Hsi Ch'in Lao Wang Yeh (西秦老王爷), or, on Taipei and Keelung altars just as Hsi Ch'in Wang (西秦王). (He is called the King of the Western Ch'in because of his exile in Szechuan, in Western China). His image is more colloquially referred to as The Young Gentleman (小哥) and less respectfully as The Old Boy (老郎). Schipper agreed all this might seem highly incongruous, but, he continued, the tradition which links the 'Three Brothers' (The Jesters) with Tien To Yuan Shuai (Chief Marshal T'ien) seems, as we said earlier, better founded than others. \n\nWang Yeh \n\nSchipper has linked the Three Jesters with the Fukienese epidemic gods by the title of Wang Yeh. He also noted the legend \n\n* More often than not Wang Yeh (Imperial Princes) in Fukienese communities are epidemic deities.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207847, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 235, "title": "RAS-1976", "content_text": "220\n\nMAURICE FREEDMAN\n\nputting the point. In the traditional Chinese view man stands in a relationship to Heaven and Earth which links him with both and causes him to stand with them as one of the three primary powers of the cosmos. The conception is as old as Chinese metaphysics and is basic to a classical work, the Book of Changes, which is cited as an authority by geomancers of the present day. True, much of what is to be heard and seen in the New Territories under the name of fung shui cannot be explained from the classical works; we are dealing here with popular religion, not an expression of canonical purity; but just as the Bible supplies conceptions to modern Christians who are not very familiar with it, so ancient Chinese thought lives on in some of the ideas of contemporary Chinese peasants.\n\n50. Again in a Western idiom, we may say that fung shui is the craft of adapting the abodes of men (graves and buildings) to the landscape. But while it may be perfectly true that geomancy has produced in the Chinese a sharpened aesthetic appreciation of their natural surroundings and led to a superb technique of landscaping, it is not in fact the physical landscape which is directly in question in fung shui. I have heard people in the New Territories commenting enthusiastically on the prospects from geomantically favourable sites; but their appreciation is grounded in their feeling for the virtues flowing from the harmony between the site, its owners, and the segment of the universe within which it is placed. Man is involved in his surroundings; in some places he feels at ease and at peace (shue fuk, he is content), the properties of the setting having an immediate effect on him and his fortunes. And it is for this reason that English-speaking Chinese will often say that fung shui is ‘psychological'. They do not mean, as one might superficially conclude, that geomancy is an illusion, a figment of the imagination; what they are asserting is that a man's mind is responding to a mysterious field of forces set up in a given place. He need not know very much about the details of fung shui as a craft or body of esoteric science; it is enough to be conscious of the few hints contained in the landscape—a stretch of still water, embracing hills—that he is being soothed and protected. 'You', living or dead, ‘are content'. That is the heart of the matter.\n\nL\n\n51. Fung shui: Winds and Waters. The Breaths (hei) which constitute the virtue of a site are blown about by the wind and held by the water. If the wind is high the Breaths will disperse; if the", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207989, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 28, "title": "RAS-1977", "content_text": "BRUNEI: AN HISTORICAL RELIC\n\nLEIGH WRIGHT*\n\nI\n\nVery little is known about Brunei before 1500. Place names identified with locations in western Borneo and which were connected with Indonesia in trade in the 5th and 6th centuries A.D. are mentioned in some recent research. The same sources suggest a considerable \"political, economic and cultural development” in northwestern Borneo as early as the 7th century. The existence of a \"state\" in the area of Brunei Bay first appears in the Chinese records of the early Sung dynasty when a kingdom called Po-ni sent tributary missions to the court of China in 977 and in 1082. By the 14th century Po-ni was also tributary to the Javanese empire of Majapahit while continuing to send trade/tribute missions to the Ming court. The Ming court entertained such missions in 1371, 1405 and 1408. The ruler of Po-ni visited China on the latter date and died while there. He was buried \"with honour\". From 1408 to 1425 missions went to China at three-year intervals bearing trading goods and tribute gifts. After that date the Ming restrictions on foreign trade discouraged any further intercourse,\n\nHistorians generally identify ancient Po-ni with modern Brunei. There is no hard evidence of a continuity, nor is there hard evidence to indicate otherwise. The position of Brunei Bay in the trading system of Nan Yang at an earlier time and in the 16th century, and the descriptive similarity would seem to lend credence to the theory.\n\nThere is in Brunei tradition a legend about the origin of Brunei.2 The legend is related in Malay folklore common to much of northern Borneo and is contained in a long epic called Sha'er Awang Semaun. Legendary Brunei was founded “29 reigns ago by fourteen brothers of heroic stature and semi-divine descent\". The brothers were sired by a father who descended in an egg from the heaven of the ancient pre-Muslim Malay gods. The father, called\n\n* Lecture given before the Royal Asiatic Society (Hong Kong Branch) on Monday, December 6, 1976.\n\nDr. Wright is Reader in History at the University of Hong Kong. He is also a Councillor of the Hong Kong Branch, Royal Asiatic Society.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208948, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 110, "title": "RAS-1980", "content_text": "78\n\nJOHN VILLIERS\n\ncommercial acumen, of piety and profit. It demonstrates how in Macau as elsewhere in their far-flung empire, the Portuguese desire to win both converts to Christianity and fortunes by trade went hand in hand.\n\nThe Macaonese received the news with \"tears of joy in their eyes, congratulating each other on such a piece of good fortune, especially the families and relatives of the martyrs, all of whom dressed not in mourning but in gala clothes. They did not shut the windows of their houses from grief, but opened them wide, placing many lights in them, and sounding shawms and other musical instruments for many days, singing many tuneful songs as a sign of their joy. It is a most noteworthy thing that, as the welfare, maintenance, and almost the very existence of this city depends chiefly on the Japan trade, if the news that the embassy had failed in its purpose had come without that of this glorious triumph, the citizens of Macau would have been aghast and their spirit would have sunk to their shoes. With this glorious news, however, everyone rejoiced exceedingly, and nobody spoke sadly or showed any sorrow because the trade was not reopened. On the contrary, they all rejoiced in the comforting thought that they had their ambassadors in Heaven, hoping with good reason that through their intercession, God would cast his eyes on that commonweal to save and sustain it, either by restoring the Japan trade or by opening some other way for its preservation\".34\n\nFOOTNOTES\n\n1 Tomé Pires Suma Oriental. Trans. and ed. Armando Cortesão. 2 vols. Hakluyt Society 2nd series. LXXXIX, 1944. 1. p. 286.\n\n2 Pires, op cit. 1 pp. 128-134. João de Barros. Da Asia, dos feitos que os Portuguezes fizeram no descubrimento das terras e mares do Oriente. Ed. N. Pagliarini 3 vols. Lisbon, 1777-1778. III. 2. ch. 8.\n\n3 O. H. K. Spate. The Spanish Lake. London, 1979, pp. 147-148.\n\n4 On Sino-Japanese relations and European dealings with the Japanese in the 16th century see C. R. Boxer, The Christian Century in Japan. University of California Press and Cambridge University Press, 1951, G. Sansom, The Western World and Japan, London 1950, Idem, A History of Japan 1334-1615, London, 1961, J. Murdoch, A History of Japan II. 1542-1651, London 1949, M. Cooper S.J. (ed.), The Southern Barbarians. Tokyo, 1971, especially D. Pacheco SJ. The Europeans in Japan, 1543-1640, Knauth, Confrontación Transpacifica, el Japon y el Nuevo Mundo Hispánico. Mexico, 1972, and Kuichi Matsuda, The relations between Portugal and Japan. Lisbon, 1965.\n\n73", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208959, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 121, "title": "RAS-1980", "content_text": "FUNG SHUI: ILLUSTRATED BY KAT HING WAI, N.T.\n\n89\n\nfor defensive purpose, it is my firm belief that careful planning was previously done in order to make possible the coherent relationship that I have mentioned. If original planning was not enhanced, then what had prompted the builders 200 years later to know where and how to trim off excess settlements in order to build the orthogonal wais? Above all, compared to the Hakka walled village in Sheung Shui, the enclosing wall which was also built during the same period and also for the same protective reasons as Kat Hing Wai, is of much more irregular shape. This further reinforces my assumption.\n\nNone of the four wais coincides in size and proportion. This variation is partly due to the size of the extended family, but most importantly, such adjustments are essential to achieve the subtle relationships after each hamlet's position and orientation have been determined. Thus, a square is not a perfect square, but an idealised (or symbolised) square. The dependency of geometrical configuration and proportion in physical forms in China is not so rigid as that of the Western counterpart of the Renaissance period (incidentally concurrent with Ming Peking and Kat Hing Wai): As Joseph Needham points out in his work Science and Civilisation in China, \"the Chinese did not feel the need for [geometrical] forms of explanation — the component organism in the universal organism followed their Tao [way] each according to its own nature.”21 Compared to the T'ang Dynasty capital Ch'angan, one that has been designed most closely with the canonical prescription, Kat Hing Wai is the epitome of the cosmic archetype, the most fundamental stratum of agricultural China. The organic expression of wall and moat architecture is symbolic of Heaven and Earth. The palace in the north in the capital can be seen to parallel the shrine of the Earth God in Kat Hing Wai in which both are protective powers guarding their respective territories. The orientation to the four quadrants, the representational north-south axis, and the division of the compound into smaller living units are all too profound for the sinologist and missionary Arthur H. Smith to grasp the intricacy. In Village Life in China, he writes:\n\nIt is customary in Western lands to speak of ‘laying out' a city or a town. As applied to a Chinese village, such an expression would be most inappropriate, for it would imply that there have been some traces of design in the arrangement of the parts, whereas the reverse is the truth. A Chinese village, like Topsy.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208960, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 122, "title": "RAS-1980", "content_text": "90\n\nDAVID LUNG\n\n'just growed,' how, or why, no one knows or cares. At some remote and generally unascertainable time in the dim past some families arrived from somewhere else, camped down, made themselves a 'local habitation.' ... and that was the village. It has a street, and perhaps a network of them, but no two are parallel, except by accident, and no one of them is straight. . .\"22\n\nThere is little doubt that fung-shui has played an important role in the planning of Kam Tin village. The reluctance of Smith and other Western observers alike to accept geomancy as a viable scientific planning principle has rendered their statements inaccurate.\n\nThe manifestation of the innermost layer of the Chinese mandala in built forms is the private home. In the farmsteads of Kat Hing Wai, the longitudinal axis penetrates through the enclosed space and open space recapturing the rhythm of light and shadow, gradient intimacy, and fusion of space, time and motion.\n\nThe private dwelling, resembling the cosmic diagram of the walled city and the walled empire, focuses inwards. The central courtyard in the house, just as the term t'ien-ching, well of Heaven, implies, is the ceremonial centre for worship vis-à-vis the two roofed areas housing mundane activities of men. The exceedingly narrow lanes and the windowless rear walls reiterate this idiom of privacy. No one from the outside world can tell what goes on behind the blank facades of the row houses, since rich men and poor men live side-by-side. Only the telltale granite slabs in the exterior walls show unostentatiously which house was once occupied by a scholar. Inside the house, the back room is generally more private and is, therefore, used as sleeping area and storage for more personal belongings, while the front room is an undesignated space in which various activities take place according to the purpose and the time of the day. In a way, Kat Hing Wai is more like a large house inside which there are many rooms. The clustering of several walled hamlets together resembles a residential neighbourhood. As Wong Chung-hong points out in \"Walled and Moated a Hong Kong Village\", the Chinese regard a village, a town or even a nation as just an enlarged family... all were to be built with the same principles in mind.\"23 Such a strong desire to attain an intimate relationship between man and nature in Chinese cities and villages", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209169, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 72, "title": "RAS-1981", "content_text": "58\n\nHUIBERT SEIWART\n\nculture is by no means absolute. As can be observed in the above quoted text, the real contrast is not between the Chinese and the Western cultural traditions but between spiritual and materialistic approaches to life. To be sure, the spiritual culture is represented above all by the religious and moral traditions of China, while materialism is seen as the product of Western civilization. But at the same time it is admitted that in the West there also exist spiritual traditions, namely the two religions Christianity and Islam.\n\nIn this view Western civilization is not objected to in its totality, only its materialism is rejected. The menace of the modern world results from the fact that the West has submitted to materialistic thinking and this materialism gains more and more ground in China as well. Since the Chinese religious traditions and the Western religions are equally opposed to this materialism, they are all fighting for the same cause, they are allies not adversaries.\n\nThe recognition of Christianity and Islam as true religions equal to the Chinese religious traditions can be observed at different intellectual levels. A rather superficial level is represented by some of the fu-luan cults. While the deities which manifest themselves by the writing-stick originally all belonged to the traditional Chinese pantheon, it does happen today that Western gods, above all Jesus and Mohammed, give revelations by fu-luan. This integration of Western deities into the fu-luan cults may be seen as symbolic of the lack of opposition to Christianity and Islam; it is no proof, however, of any deeper understanding of these foreign religions. Actually, as far as I could observe, the knowledge of the general fu-luan believer and even the mediums about Islam is virtually non-existent, though somewhat more is known about Christianity. When I asked a medium how Jesus and Mohammed could manifest themselves in a Chinese temple, I was simply answered that in heaven no boundaries between East and West exist and all gods live in the same heaven3.\n\nWhile the recognition of Christianity and Islam in the fu-luan cults is purely formal, allowing Jesus and Mohammed a status equal to the Chinese gods, the teachings of I-kuan Tao go one step further, trying to integrate the doctrines of these Western religions. To be sure, a manifestation of Jesus during an I-kuan Tao fu-luan session is recorded as early as the year 1939, and we might suppose that at that time their understanding of Christianity was much like that of today's fu-luan cults in Taiwan. But in recent years texts have been published which prove beyond doubt that one is earnestly attempting", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209170, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 73, "title": "RAS-1981", "content_text": "RELIGIOUS RESPONSE TO MODERNIZATION IN TAIWAN THE CASE OF I-KUAN TAO 59\n\nto form a syncretism of the Chinese and Western religious traditions. In the same way that Confucianism, Taoism and Buddhism are traditionally said to form a unity, today Christianity and Islam are included in this overall religious tradition. Consequently, the former slogan san chiao he i, “the three teachings form a unity\", has been changed into wu chiao he i. \"the five teachings form a unity\".\n\nAs an illustration of the attempts to give a theoretical, or theological, foundation to the unity of the five religious I shall quote some passages from an I-kuan Tao publication. The chapter is entitled \"The theory of the unity of the five teachings\" and starts as follows:\n\nThe so-called unity has the following aspects: 1. The unity which is due to the common origin of the five teachings in the Tao. 2. The unity which is due to the fact that the doctrines of the five teachings shed light on each other. 3. The unity which is due to the fact that the doctrines of the five teachings complement and complete each other. 4. The unity which is due to the fact that according to the trends of development of each of the teachings they must reunite in the Tao.\"7\n\n37\n\nIn the succeeding parts of the chapter these four aspects of the unity of the five teachings are explained in detail. I confine myself here to a few selections:\n\n1. The five teachings have their common origin in the Tao. The culture of all mankind has its origin in the Tao. Prior to the Chou dynasty there was only one school of the Tao. During the time of the Warring States at first the separation between Confucianism and Taoism developed, later on Buddhism, Christianity and Islam rose in India and in the West and so it came to the five religions coexisting side by side. One can compare the Tao to a fountainhead, the five teachings are like five streams springing from this fountainhead. They each run through different lands and on their way nurture the hearts and enrich the lives of the people [in their respective lands]. ... Although the five teachings are separated, in their sayings there are no differences, since in reality they all belong to the same principle.\n\n2. The doctrines of the five teachings shed light on each other. Irrespective of their differences regarding race, colour and sex all men are brought forth by Heaven and have the same nature given to them by Heaven. Therefore, the human", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209929, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 188, "title": "RAS-1983", "content_text": "166\n\nmanagerial succession is made more difficult. Patronage cannot easily be transferred to ensure the perpetuation of the enterprise.\n\nThe ideal of self-employment is not uniquely Chinese. It is also found to be an essential part of the American 'dream' in a land where social ascent is similarly treasured, (Mayer 1953: 160-180). How is this dream reconciled with the need for stable and dedicated corporate personnel? The chairman of Mill 22 was aware of the Western solution to this problem, but he did not think it practicable in Hong Kong:\n\n'In the West, there is a contract system to control the subordinates. Contracts are made for, say, two years and then renewed. This will check the managers, and they will watch their step because of the uncertainty. I am sure you have read the news recently of the dismissal of the top executive of Ford. I saw it work in the West. In the Brussels' Fair in the 1950s, I was struck by the maxim written on the banner of a display counter: \"If Heaven should fall tomorrow, I would still plan today\". But the Chinese don't act like that. If you don't know whether you will be fired next year, why should you work like hell? This is a difficult management problem.'\n\nThe Western system of contracts for senior executives is often accompanied by a profit-sharing scheme as an incentive for the executives. This tends to reduce the attraction of self-employment and enable the firms to recruit and keep ambitious and capable employees. How did the spinners regard the admission of senior executives to the circle of owners in their companies?\n\nProfit sharing\n\nThe desire to confine ownership rights to a chosen few emerged when I asked the spinners on their preferences for the public and private form of company organization. They were evenly divided in their opinions on the relative merits of these two forms, as shown in Table 10. The reasons they gave for their decisions indicated that the notion of a diffused 'public' as owners and the related idea of a 'corporation' as an independent and enduring entity have not taken hold among them. Those", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 211629, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 44, "title": "RAS-1989", "content_text": "19\n\n2\n\nGoullart in his description of the monastery in Kiangsi in which he spent several holidays, describes in one hall 'Shang Ti smiling benevolently and enigmatically from his canopied throne'. He then refers, in his description of another temple, to the Jade Emperor and speaks of him as Shang Ti. There are various explanations offered as to why this deity is called the Jade Emperor. One suggests that the reference in the Book of Changes to '. . . heaven being the ruler, and is... jade' is its origin; Goullart however gives, in translation, an invocation from the abbot to Shang Ti in which he refers to him by title as 'the Mightiest Emperor over all Heavenly Kings, who lives in the Jade Hall of the Western Heaven'. This, surely, is a clue. The supreme deity, Shang Ti, lives in the Jade Hall, hence his title the Jade Emperor. This title is a relatively recent development in Chinese chronology having only become prominent during the 11th century AD. However, popular recognition of and interest in the cult became apparent during the Manchu (Ch'ing) dynasty.\n\nThe title of the sovereign divinity of the Chinese State religion until 1911 was Huang T'ien Shang Ti, the First Rank Supreme Deity in the 17th century regulations of the Ch'ing dynasty. Shang Ti, as the All-highest, was never portrayed in image form, and in a number of temples in South-East Asia the title of Huang T'ien Shang Ti is still given for the supreme deity, usually carved on plaques, and in one temple in Singapore an image of the Jade Emperor even bore a vertical slip of paper inscribed with this title.\n\nMany Chinese myths and legends involve the Jade Emperor; those surrounding his origins are shrouded in mystery and probably his genesis will never be known. China has a rich popular tradition incorporating local tales from every corner of the vast empire, and it is no wonder that numerous and varied explanations have been given by devotees of how and when the Jade Emperor became the senior deity. The earliest known reference to him is from the T'ang but he could have existed long before that. Since then it has commonly been believed that he was either an incarnation of, or given the task of Supreme Deity by Yuan Shih T'ien Chun, the senior deity of the Taoist trinity, the Three Pure Ones (San Ch'ing). His popularity declined somewhat during the Ming. Although a Taoist deity, his image is to be found on altars in several Buddhist temples and some Buddhists even claim that he is really just an adaptation of Indra. To the man in the street all Buddhist, Taoist and folk religion deities are his subordinates, and well timed worship will", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212573, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 127, "title": "RAS-1991", "content_text": "107\n\nis unacceptable to many Chinese. In China, therefore, organs are often obtained from executed criminals.\n\nIn this study the three sisters cried bitterly when informed an autopsy would be carried out on their mother's body. They were relieved when the authorities relented. The three blamed themselves because the mother was alone at the time of the heart attack. A soothsayer, however, said that nobody could have saved her. If she had been taken straight to hospital at the onset she would have died just the same. Because of her age and the hour of death it was prophesied the deceased would go to heaven.\n\nThat the dead person had not eaten that evening before death was construed as a good omen. Missing the meal signified she has left everything behind for her children. However, she was in the habit of drinking from a special mug. This had disappeared. It was assumed she had taken it with her. That three months before death she had given a friend a piece of jade and had told her: 'I may not be here for your next birthday,' was repeated frequently by mourners.\n\nIn her early thirties, influenced by eldest daughter, mother had been baptised a Catholic. But the attractions of a combination of native Taoism, Buddhism and folk religion were too great. By the 1960s, mother was no longer practising Christianity. She never expressly told relatives why she left the Church. It was probably because, to a very Chinese person who spoke no English, Catholicism was too western; in spite of the Church adopting a few Chinese customs, such as three bows to a deceased's photograph and the 'last glance' at a funeral. Many quote the saying: 'One Christian more is one Chinese less.'\n\nA few hours after death, the mother's spirit, which left the body as visible vapour, was in limbo wandering about'. Depending upon deeds performed on earth there are six possible 'destinations': hell, heaven, and becoming an animal, a ghost, a human again or a buddha. Everybody possesses a number of spirits, one of which first descends into hell (described as dark and yin) to await sentencing by 10 judges. There the spirit is tried, punished and purged. Those who have committed excessive evil spend longer in purgatory before going to heaven (seen as bright and yang). People can later be reborn as children, or, if sinful, as animals.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212581, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 135, "title": "RAS-1991", "content_text": "115\n\nmanifestion of poverty to symbolise the family has sold everything to pay for an elaborate funeral. Two hanging bands of the attire are left of different lengths to imply the mourner is distraught and does not know how to tie it properly. Women do not make-up.\n\nFor Chinese Christian funerals family mourners wear black gowns, but it is not a 'good' colour as it absorbs bad luck. When Chinese wear a black necktie they often remove it as soon as they can after the service.\n\nThe dead person in this study, who for major events such as birthdays used the Chinese calendar, knew she was born in the year of the ram but she was never sure in which year of the western calendar she was born. Because she used Chinese reckoning she was one year 'older' than if she had used the Gregorian calendar. In addition, on death, three years are usually added, 'one each for heaven, earth and mankind (天 · 人 · 地). A little subterfuge regarding age seems justified. It increases importance at one's destiny. Emphasis is placed on prolongation of age and symbols of longevity are many. They include the peach, crane and tortoise. The God of Longevity is sometimes depicted riding a deer. Because in this study the deceased was around 70 it was described as a 'happy funeral' (喜事).\n\nBy midnight all had left the funeral parlour except the three daughters, two granddaughters and two amahs (maids) who kept vigil, taking naps on the floor or on chairs. In the past gongs were banged throughout the night to keep away evil spirits. Noise restrictions today prohibit this. Although all-night vigils are not common in England now, they are still practised in eastern European countries and among those, for example, of Lithuanian descent in Scotland. Wakes are also held in Ireland, often accompanied by card playing, drinking and jollifications in an adjoining room.\n\nFuneral Day\n\nThe same as the previous day visitors paid respects, some early, shortly afterwards leaving for work. Later, the hall filled for the service. Day and time were important, as with other events concerning mourning. The Chinese Imperial Calendar and Almanac (usually known as Tung Sing(通勝) meaning 'know everything book') was consulted. Some editions of this sell a million copies a year. Dating back before 2205 BC, it is said to be the oldest, continuous publication in the world.\n\nPage 135\n\nPage 136", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 213277, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 99, "title": "RAS-1994", "content_text": "Fung shu' originated from the love of, and the worship of nature. It consists, simply, of geographical advantages and orientation rules similar to requirements home builders take into consideration in many parts of the western world today (Maitland, 1977:11). Often, with the landscape being manipulated so it falls into line with culture and cosmological requirements, 'the setting can be more important than the Jewel'. For example, a house on low-lying ground may become flooded and water can affect the foundations. Fung shu doctrine maintains that dry soil which is arid and does not support vegetation is bad. Earth which is dark and moist and has an appropriate bearing pressure will bring happiness.\n\nIf the architect prepares a good design the occupants will be contented living there. A home shapes the destiny of its master and his family. If a Chinese makes a fortune while living in a particular house he is likely to believe it brings him luck. He will be loathe to move. The flat under examination in the case study has a superb view. That makes sense in any language.\n\nIn Chinese culture vital cosmic breath and magical currents, known as hei shar (*) and described as a form of primordial force, animate superbly landscaped countryside. This may be studded with pagodas, grottoes and temples. Generally, highland and ridges are yang and valleys are yin. But in every type of ground, in every range of mountains, in every bluff or rock, nature has laid down a certain quantity of yin. Or terrestrial breath. Balance between the two is important. In an idyllic place, where life forces flow from heaven along the veins of the earth, obviously, people are more likely to be content. If there is not a 'bond' between person and place, then he or she will feel miserable, and, in the extreme, illness, paralysis or death will result.\n\nBruce Lee, the popular martial arts expert and film star who died tragically in 1973 at the age of 33, lived, many believe, in an 'unlucky house' (Block, 1974:passim). A fung shu master would more likely say, 'compatibility between Lee and his home in Hong Kong were lacking.'\n\nFung shui has been described as the doctrine of nature's breath in which one 'inhales and exhales nature'. Fung shui enters every stem and every fibre (Eitel, 1882:37). Just as acupuncture is about subtle energy in the body, so fung shui is about discriminating energy in the earth.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 214243, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 101, "title": "RAS-1998", "content_text": "64\n\nMaritchi [or Marici Deva], [a Sanskrit term for the Indian mythological form of Parbati, the wife of Siva]; and Ma-yeh, the mother of Sakyamuni, The Buddha, the whole being confused by devotees who tend to describe them all as Chun-t'i, with the legends of Maritchi and Cundi producing an inextricably involved and perplexing picture.\n\nImages of Marici are present in both the Ta Pei Ssu and the Pi-yun Ssu and in both temples he, rather than she, is portrayed as a standing Buddhist deity with eight arms and with three faces. The face facing forward is of a benign human with hooded eyes commonly seen on Tibetan images. He has a third eye in the centre of his forehead. The other two are faces of a pig and of a human. He is dressed in colourful robes and a five-leaf Buddhist crown, and is barefoot.\n\nThe association between Chun-t'i and Kuan Yin goes back to the original relationship in Buddhism of Chun-t’i with the bodhisattva Avalokitesvara who promised to save mankind and bring them to deliverance before they, the two bodhisattvas, Chun-t'i and Avalokitesvara themselves entered Nirvana. Marici has the face and eight arms of Chun-t'i, and is one of the six manifestations of Avalokitesvara who is concerned especially with humans, rather than the deities and demons. Chun-t'i in the form of Avalokitesvara is a male deity, though Tantric sects, giving her an entirely different role left her feminine.\n\nLegends about Chun-t'i usually include stories of her valour in battle. According to the Ming novel The Deification of the Gods [Feng-shen Yen-i], from which many of the beliefs of folk religion devotees have evolved, Chun-t’i was summoned to Heaven during the legendary period of Chinese history when the heroes and Immortals were emerged, in order to acquire the necessary skills to take on K'ung Hsüan, one of the contestants for the dynastic throne. This was because she had attained the required degree of perfection on Earth. She found herself whisked aloft in a rainbow, and having acquired the skills necessary she reappeared in a cloud of fire with twenty-four heads and eighteen arms and, throwing a silken cord around her adversary's throat, she turned K'ung Hsüan into a one-eyed peacock on which she rode off to the Western Heavens.\n\nImages of Chun-t'i show her with four or nine pairs of arms, each", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214263, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 121, "title": "RAS-1998", "content_text": "84\n\nShan is one of the five sacred mountains of China and is located in Shantung. It is believed to be inhabited by many divinities both male and female with T'ai-shan Yeh the primary deity for most pilgrims to the mountain even though the main deity in the temple on the peak is the Jade Emperor. Temples dedicated to the Lord of T'ai-shan were to be found in all parts of China, where he was regarded as the guardian of life and death.\n\nAs the Supreme Lord of the Underworld he has a very large bureaucratic organisation responsible to him for the maintenance of the Book of Life, the register of the due date on which the soul of every living soul must be summoned to appear before the Judges of the Underworld. Popular belief claimed that the entrance to the Underworld was to be found in one of the temples at the base of the mountain. The arrest and escort of souls is carried out by lictors and runners from the yamen of the local City Gods who drag each soul before the local City God, together with the biography and report on the soul prepared by the local Earth God [T'u-ti] who has carried out the first, very preliminary interview to ensure that the right soul has been arrested and is ready for onward despatch. Again, after verification of the identity of the soul the City God endorses the Earth God's report and if available adds any further information on the soul he might possess, and sends the soul under escort to the First Court of the Underworld where the process of purging the soul of all sin commences. After the soul has passed through all Ten Courts and been fully purged of its sins, it is then despatched either to the Western Heaven [Celestial Paradise] or for rebirth in an incarnation to be decided upon depending upon the weight of sins incurred during the previous incarnation.\n\nIn parts of China and in Taiwan, the alter ego is Tung-yüeh Ta-ti with Yen-lo Wang being the senior and chief of the Ten Judges who are under his charge. This dual role played by both Tung-yüeh Ta-ti and Yen-lo Wang is a further complication and a confusion which appears to be insoluble. The former is not only the Supreme deity of the Underworld but also the Judge of the Seventh Court whilst Yen-lo Wang is not only the senior Judge in charge of all Courts but also the Judge of the Fifth Court. The latter has been explained as Yen-lo Wang having ten different forms, as Judges in each of the Ten Courts. This, however, would mean that T'ai-shan Yeh of the Seventh Court would also be a form of Yen-lo Wang.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214264, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 122, "title": "RAS-1998", "content_text": "85\n\nIn addition to being the final arbiter in the judgement of souls and the Keeper of the Registers of Life and Death, Tung-yüeh Ta-ti protects the virtuous, especially those who are truthful, good and excel at filial piety.\n\nImages of Yama, that is Yen-lo Wang, are to be seen in both of the temples in the Western Hills where they are Deva, but together with Tung-yüeh Ta-ti, indicating that they are regarded as two separate deities in these temples.\n\n38] Tzu-wei Ta-ti\n\nThe Great Emperor of the Purple Heaven, a major Chinese Taoist stellar deity of the North Pole Star, the keeper of the book of destiny, a controller of blessings, and one of the most potent destroyers of demons, is revered for his power to ward off evil influences and spirits. In northern China he was occasionally regarded as one of the Four Heavenly Kings and portrayed as a benign middle-aged Taoist, with Taoist crown and tablet held between both hands before his chest. Icons bearing his likeness are pasted or nailed to doors as popular charms to ward off demonic attack.\n\nHis image stands in both the Ta Pei Ssu and the Pi-yun Ssu. In both he is portrayed as a standard Chinese Taoist figure, with long multi-coloured and highly decorated robes, and a small Taoist crown on his head. He has a benign face, a small goatee and moustache and in the Ta Pei Ssu holds both hands together before his chest as if holding a tablet. His image in the Pi-yun Ssu is similar but has the tablet in place.\n\nA mural in the Mahavira Hall of the Yunlin temple at Yangkao in Shansi portrays the Emperor Tzu-wei of the North Pole.\n\nThere is also some confusion within Cantonese communities about the role of this deity. In some temples he has been claimed to be the chief of the heterodox Taoist stellar deities and identified either as the god, or one of the gods of the Pole Stars. He is popular with the Boat People of the Pearl River estuary, and is also one of the stellar deities seen on charms and scrolls used during rituals. A number of devotees", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214316, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 174, "title": "RAS-1998", "content_text": "138 \n\nLegends surrounding the birth, life and death of Xu Sun are numerous, complicated and tangled stories. Just before his birth his mother is said to have dreamed that a golden phoenix dropped a pearl from its beak into her hand. A popular story claims that he was born either in Henan province or at Nanchang in Jiangxi, ca AD 240 where he lived out his life as a saintly doctor. Xu Sun passed the imperial examinations, became a prefect of a district and distinguished himself by his benevolence. According to some versions, his popularity was due to his power and ability to heal diseases using secret preparations. Others claim that he was an official who, having served in Sichuan province, died in about AD 293 or AD 374 when still only in his fifties. In another version, a typical mythological finale to a virtuous and extraordinary life, he died at the great age of 134 and was borne off to Heaven 'together with his wives, children, dogs, chickens and beasts'. \n\nMembers of the Daoist Jingming sect claim that he was the founder of the cult with its centre at the temple dedicated to him in Nanchang city. This no longer exists; however, a temple dedicated to him in the small town of Xi Shan [Western Hill] some twenty miles south-west of Nanchang, is the present cult centre. A large notice before his altar in the temple informs devotees that he lived during the Eastern Jin [317-420 AD] and during a twenty year struggle managed to solve the problem of annual flooding in the province and that he should be revered mainly for his success in water conservancy in northern Jiangxi, particularly around the Boyang Lake. The notice also claims that he lived for 136 years. \n\nHis cult centre in Xi Shan is now a bustling temple complex with two main halls and some four lesser halls set in large grounds. The two large main halls, side by side, are dedicated one to Xu and the other to the Jade Emperor. The inside walls of the hall dedicated to Xu are lined with some twenty or so anonymous minor perfected lords whilst the Jade Emperor's hall is lined by sixteen guardian generals, again unnamed. The Jade Emperor is flanked by four major Daoist deities, the philosopher Lao Zi; the founder of the Heavenly Master sect Zhang Daoling; the doctor of the Eight Immortals Lü Dongbin and the Northern Emperor, Zhen Wu. The main altar in Xu's hall bears two images of Xu, one tall gilded statue of Xu standing, and a smaller, portable image of him sitting swathed in red robes. Neither has any unique characteristic and he is depicted with a black beard, pink face and holding a tablet in both hands before his chest. He is attended by two youthful attendants.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214318, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 176, "title": "RAS-1998", "content_text": "140\n\nborne to Earth by the Celestial Immortal Tian Fei, to his apotheosis when he was about to be borne off to Heaven; he is portrayed in one scene preparing medicinal drinks and in another overcoming the flood dragon.\n\nA popular legend related in Jiangxi about Xu describes how he destroyed a monstrous snake which had been terrorising the areas of western Jiangxi. Another describes how in Changsha in neighbouring Hunan province he killed a dragon which had transformed itself into a woman and had married a local mandarin.\n\nXu Sun, according to Fitkin, had been a good and sympathetic magistrate and as such was regarded as a protective deity throughout Jiangxi province as well as among Jiangxi people wherever they went. According to folk memory he never took 'squeeze' nor would he tolerate corruption. He also threw the flood dragon down a well telling him as he did so that he might come forth when the iron tree blossomed. This well was in the huge Wan Shou Gong, a temple in the centre of Nanchang and though the temple was burned down in about 1916, it was [in 1922] being rebuilt at a huge cost and, as far as can be ascertained, no longer exists. Folklore claims that plague and flood, as well as brigandage would come to Jiangxi if there were no Wan Shou Gong in which to offer up worship and reverence.\n\nAccording to Bai Youchan [the Daoist Thunder Ritual master of the Mao Shan cult - ca. 1200 AD] Xu was venerated initially because, using water-charms, he had cured multitudes who were suffering from a virulent epidemic. Imperial patronage of the cult ensued in the 12th century AD. All his temples used to be called Wan Shou Gong as indeed his cult centre temple at Xi Shan still is.\n\nAnother legend, possibly a variant on the water-charms story, and related in neighbouring Anhui, claimed that Xu had been an important tea merchant. Tea brewed from his leaves not only quenched the thirst but also cured sickness and even prevented people from becoming sick. He was widely renowned for his generosity giving away his tea to the poor in the Spring for people to infuse and drink to ward off sickness. He was deified for such benevolence by order of the emperor.\n\nIn 1920 Nanchang was claimed to be unique in that it had never", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214955, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 51, "title": "RAS-2000", "content_text": "6\n\nmet in armed conflict - futile and unnecessary. Ironically, both were strongly devoted to tea though their actual taste in tea may have been different.\n\nThe Chinese did not call their country China. To them it was the Middle Kingdom, the kingdom between heaven and earth, the Celestial Kingdom. The Emperor was the Son of Heaven who possessed divine powers. Their civilization was 5,000 years old, and for nearly half that period they lived in solid houses, dressed in silk, and produced works of art which are still admired today. Almost completely isolated from the western world since the Song Dynasty, China was oblivious to the achievements of the West in many fields. Proud and self-contained, China shunned outside contacts. In their self-proclaimed superiority, the Chinese in the 18th century still believed that only barbarians lived beyond their boundaries and that their countries were automatically vassal states of the Celestial Kingdom. Chinese contempt for foreigners persisted into the later periods, no doubt fuelled by the shameful behaviour of the foreign powers towards China, humbled and humiliated by the defeats in the Opium Wars. 'Barbarian devils' was a description often uttered even by relatively enlightened Chinese. Is it then any wonder that even in our time “Kwai Lo” (though no longer “Fan Kwai”) is still often heard, though perhaps more in jest, and used even by the foreigners themselves?\n\nBritain, on the other hand, in the early 19th century was opening one of the most glorious pages of its history. Napoleon was defeated and France was no longer a threat. The Royal Navy reigned supreme over the waves and Britain had become truly a great imperial power dominating huge areas of territory and much of the trade from the New World to the Far East. In 1837 the young Queen Victoria ascended the throne and a long period of British colonial rule had asserted itself. The British nation had every reason to feel proud and superior. But with superiority came also arrogance and a deep distrust of foreigners.\n\nWe live in a time when the world has discarded Imperialism and Colonialism, the right of strong nations to rule over weak ones, when some disputes at least are settled in a forum of nations, when the right of all peoples to self-determination is recognized. The latter is a recent principle: born of the Versailles Treaty, after the 1st World War, it has forged ahead without stopping. But in the 19th century, imperialism", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215909, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 208, "title": "RAS-2002", "content_text": "142\n\nhave to admit I can hardly understand Waters' Cantonese most of the time. His tones are not perfect and for myself I have difficulty understanding second language Cantonese speakers. I'm sure that Waters is more fluent and accurate than I am,\n\n\"It was difficult [to learn Cantonese] as an older person. If you learn it as a child, it's easy...I still know my tones are not good by any means. As a rule, I can get away with what I want to say because of the\n\ncontext.\"\n\n171\n\nWaters reads, but does not write Chinese characters very well. As we talk about learning the characters, Waters jumps up from his recliner and stands with legs apart to mimic the character for the word person (yan), then outstretches his arm for the word big (tai), and adds another mark in the middle for the word sky or heaven (tien). He is fascinated with the way Chinese characters are built.\n\nIn an article on Chinese and Western humour, Waters wrote: \"How can you expect the Chinese who cannot, usually, stand the smell of cheese, be able to understand the complex English. But you can argue too, how can the British, who cannot enjoy a succulent chicken's foot for breakfast, understand the Chinese?\"\n\nIt's true that not everyone can appreciate a chicken's foot. I played the role of a typical overseas Chinese or juck sing, for many years.\n\nI had been too squeamish and maybe snobbish, to have anything to do with chicken feet. Only recently have I tasted them, and honestly, really enjoyed the clear white variety, with garlic dip.\n\nThe Hong Kong Branch of the RAS has published 38 volumes of its journal, which focuses on local customs, culture and history. Volume 38, a special Millennium and 40th Anniversary Edition entitled “T'ai Sui, The God of Time,\" came out in December 2000. The 39th is expected out mid-year while the 40th is due by the end of the year.\n\n\"If someone wants information about a temple in Kwun Tong or a temple in Tuen Mun, as a rule, you can find something about it in our journals. They are quite unique in their own way and there's nothing really quite like them,\" said Waters.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 215992, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 291, "title": "RAS-2002", "content_text": "225\n\nA recently prepared description of the area from local sources can be seen, along with fuller descriptions of this famous mountain and its history, in Bóluóxiàn zhì (The Gazette of Bóluó District) (Bóluó: Guangdong Provincial Cultural History Research Library, 1988), pp. 69-79, 325-329.\n\n16. These are drawn from Legge's notes in \"Journal of a Missionary Tour\" and materials from 19th century gazettes (fangzhi) from the Nanbai district of western Guangdong province.\n\nA description of the refurbishing and building up of the temple complex dedicated to Master Kong in Poklo, initiated in the seventh year of the Kangxi emperor (1668) is rehearsed in Bóluóxiàn zhì, pp. 315-316. In the third year of the Qiánlóng reign (1738) yellow tiles were added to the roof reflecting imperial honour and a decorative sign was added to the main temple, honouring Master Kong as one yǔ Tiān Dì gēn (“a Partner with Heaven and Earth\"), a phrase from the Zhongyong which Legge translated \"[Confucius] may with Heaven and Earth form a ternion\" (Ch. 22, CC1, p. 416). Three other similarly adulatory signs were added in the fourth year of the Jiaqing emperor (1800), during the Dàoguāng reign (1821-1850), and the second year of the Tongzhi reign (1863).\n\n17. See Chinese Classics, Volume 1 (CC1), prolegomena, pp. 112-127. The following footnote (p. 113) provides the necessary details for understanding the layout and furnishing of the \"temples (diàn) of Confucius\". [Transliterations replace characters in the original text, which can be looked up in the attached glossary. Here I use standard Pinyin for the sake of easier identification.]\n\nThe principal hall, called Dàchéng diàn, or 'Hall of the Great and Complete One,' is that in which is his own statue or the tablet of his spirit, having on each side of it, within a screen, the statues, or tablets, of his 'four Assessors.' On the east and west, along the walls of the same apartment, are the two xù, the places of the shí'èr zhé, or 'twelve Wise Ones,' those of his disciples, who, next to the 'Assessors,' are counted worthy of honour. Outside this apartment, and running in a line with the two xù, but along the external wall of the sacred inclosure, are the two wǔ, or side-galleries, which I have sometimes called the ranges of the outer court. In each there are sixty-four tablets of the disciples and other worthies, ... Behind this principal hall is the Chong shèng cídiàn, sacred to Confucius's ancestors, whose tables are in the centre, fronting the south, like that of Confucius....\n\nFrom a rubbing of a stele portraying the arrangement of the sacred tablets in the Beijing temple dedicated to Master Kong, it is seen that the \"four Assessors” are (from left to right when facing the Sage) Mèngzǐ (“Mencius,” c. 372 B.C. - c. 289 B.C.), Zēngzǐ (noted for his filial piety, 505 B.C. - 436 B.C.), Yánhuí (noted for his humane virtue, the Master's favourite student, 521 B.C. - 490 B.C.), and Zǐsī (a grandson of the Sage who edited and/or wrote the Zhongyóng, one of the four books Legge first called it the Doctrine of the Mean, but later gave it the more preferable title, the State of Equilibrium and Harmony (see CC1, p. 383).\n\n18. See Legge's descriptions of these ceremonies and some of their prayers to the Sage in CC1, prolegomena, pp. 91-93.\n\n19. According to the journal record, Legge and Ch'ea had preached in the grounds of the Confucian temple at Lung Ch'un on May 15, 1861.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216014, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 313, "title": "RAS-2002", "content_text": "247\n\nenemy were the people named the Qiang. Although superficially one might take it for granted that the Qiang were an enemy tribe waging war against the Shang, there is nevertheless a close similarity between the way animals were listed as prey in hunts and the way the Qiang recorded. Both Qiang and animals were similarly used as sacrifices to the ancestors. We should not exclude the possibility that the Shang nation regarded the Qiang as half-animal, and hunted them for sport and to provide material for sacrifices.\n\nSima Qian's Yin Ben Ji (Shiji: Yin Ben Ji: Di Wu Yi. Selby: 3D.) relates how Wu Yi resorted to black magic (“shooting at heaven') with the bow and arrow. Tentatively, I put 'magic' as one of the cultural attributes of archery in the Shang period.\n\nArchery and education in the Zhou period\n\nThe tradition alluded to in the Zhou Li, in which archery formed part of the syllabus of the xiao xue education curriculum (Zhou Li: di guan - Bao Shi, Zheng Zhong's note.), as well as the rich ritual tradition of archery first recorded in the 'Rites' (Yi li, Li ji. Selby: 4D) and elsewhere, were probably recorded in the Spring and Autumn Period. But the ritual practices recorded would reflect Western Zhou usage.\n\nArchery in Zhou tradition had a number of ritual expressions:\n\n* the three-tier archery competition rituals (she li)\n\n* the sou hunting ritual\n\n* the 'bow and arrow dance'\n\n* the ritual presentation of bows and arrows as tokens of office\n\nThese expressions can all be regarded as a natural out-growth of the use of the bow and arrow in hunting and warfare. Logically more remote, however, are the claims in the Confucian 'Archery Ritual' (Li Ji: She Yi. Selby: 5B.) that the shooting of a bow was a right of passage (at birth and puberty) and was the proper method of selection of officials. Key to the explanation is the use of two sets of puns: the She pun and the Ze pun. In one we see 'shooting' punned with 'release of emotion,' and", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216042, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 341, "title": "RAS-2002", "content_text": "275\n\ntitles of the god”. \n\nThe third hall contained Guan Yin, as the 'patron of offspring', with statues of the Buddhist trio Dicang Wang etc., about her. A special little shrine to the left contained the 'thousand-handed' Guan Yin. \n\nDoré added that a visit to a smoky grotto, reeking with the acrid odour of 'joss-sticks' rounds off the tour of the cult buildings. Here there were two ugly statuettes, Guan Yin and Yanguang Pusa, the Bodhisattva of Eyesight: strings of cash hung as ex-votos for the former. In the depths of the grotto, sticks of incense were burning night and day before the statue of one, Pei Toutuo, a Hunanese [so said the monks] who discovered gold in what was then called Fuyu Shan E. He was said to have built the temple with the proceeds of his mining and the temple name was then changed to Jin Shan, Gold Mountain. \n\nA square artificial lake enclosed by a stone balustrade is referred to as the First Spring under Heaven after the waters were declared to be the sweetest for brewing tea. Not surprisingly a tea house offering tea brewed with water from the spring is served to today's visitors. \n\nMy wife, eldest daughter and I visited the Jin Shan Temple during a cold spell one March in the mid-1990s and found to our disappointment that the images were all modern, replacing those destroyed during the Cultural Revolution. However, along the leading edge of the main altar we recognized some twenty or so small images of the Sinicised Vedic deities similar to those I wrote about in Vol. 38 of JHKBRAS. The fact that the great Qing emperor Qian Long had a particular love for the monastery at Jin Shan, referred to earlier, may explain why these Vedic images are also present on the altar in the Jin Shan Si, possibly copied from the images in the temples in Beijing's Western Hills, again connected with the early Qing. \n\nAnother highly visible pagoda, known as the Sengjia Ta, stands on top of the Dingshi Shan, just under a mile south from Zhenjiang's former southern gate. It was built on this site during the Ming having been moved from its former location during temple reconstruction.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216043, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 342, "title": "RAS-2002", "content_text": "276\n\nThe fight between Lady White Snake and the monk Fa Hai leading to the flooding of Jin Shan\n\nA popular and well-known opera, Bai She Chuan, tells of Lady White Snake's fall from grace and of her eternal imprisonment under a pagoda. It begins with a small white snake which, having been both virtuous and devout for many thousands of years, became immortal and could change at will into the form of a beautiful young maiden. As a snake she had been saved from death by a compassionate man and would have to repay the debt at a future date. She discovered that the man, in his latest incarnation, was a young scholar, Xu Xian, living in Hangzhou and after recruiting as her maid a small blue snake who too could change into a young woman, she returned to Earth having been warned by the Xi Wangmu, the Goddess of the Western Heaven, not to abuse her magical powers.\n\nShe met the young scholar and they promptly fell in love. She explained that she was the daughter of a deceased army officer and lived in some style in a large house, produced by her magic, on the lakeside at Hangzhou. They were soon married and set up a herbalist store in which all three helped prepare and sell the medicines. White Snake enabled her husband's recipes gain widespread fame by the addition of a small addition of a magical powder and their fortunes were made. However, Xu began to be suspicious of the personality and origins of his wife and went to consult his old teacher, the Abbot Fa Hai at his monastery, Jin Shan Si, on the island in the Yangzi and sought his advice. The Abbot too was suspicious and gave Xu a potion to add to his wife's drink which would change any non-human back into its true self. To his horror his wife was revealed in her herpetological form and he, petrified, dropped dead with fright.\n\nThe power of the potion soon wore off and when White Snake found that her beloved husband was dead she went off to the Western Heaven to obtain herbs of resuscitation. Her husband, now recovered, was unable to get over his experience and lived a life of nervous apprehension. He returned to his teacher and explained what had happened. The Abbot explained that he too feared for Xu as both his wife and her maid must be transformed snakes who could do him great harm. Xu remained in the monastery in hiding. His anxious wife set out to find him and was met by the Abbot who ordered her away.\n\nShe", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]