[
    {
        "id": 209609,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 266,
        "title": "RAS-1982",
        "content_text": "244\n\n1870/71\n\nP\n\n1871/72\n\n1872/73\n\n1873/74\n\n—\n\n1874/75\n\n—\n\nCARL T. SMITH\n\n25 Nov. 1867 first performance of season at Club Lusitano Theatre:\n\n\"All that Glitters is not Gold\" comedy (J. M. Morton, 1851)\n\n\"Cox and Box, married and settled\" farce (F. C. Burnard and J. M. Morton, 1867)\n\n19 Dec. 1867 Hong Kong Amateur Theatrical Society second performance:\n\n\"Romeo and Juliet\" burlesque\n\n\"Little Toddlekins\" farce (J. Mathews, 1852)\n\n4 Nov. 1870 Amateur Dramatic Club first performance of season at Theatre Royal, City Hall.\n\n\"Diamond Cut Diamond\" farce (W. H. Murray, 1838) \"Orpheus and Eurydice\" burlesque (H. J. Bryon, 1863)\n\n20 Apr. 1871 \"I've Written to Brown\" farce (T. J. Williams, 1859) burlesque by Francis Talfourd.\n\n28 Apr. 1871 \"Ici, en Parlais Francais\" (T. J. Williams, 1859)\n\n\"Shylock, or the Merchant of Venice Preserved\" burlesque (F. Talfourd, 1853) also given in 1867.\n\n-\n\n26 Jan. 1872 - \"The Two Bonnycastles\" farce (J. M. Morton, 1851)\n\n\"Masanielle\" burlesque (R. B. Brough, 1857)\n\n21 Feb. 1872 - \"The Rifle and how to use it\" farce (J. V. Bridgeman, 1859)\n\n11 Apr. 1872 \"Castles in the Air\" comedy (T. W. Robertson, 1854)\n\nInstead of \"Castles\", the production may have been \"Caste\" by T. W. Robertson (1867)\n\n3 Jan. 1873 - \"Locked In\" farce (J. P. Wooler, 1870)\n\n\"The Cricket on the Hearth\"\n\n13 Feb. 1873 \"Kenilworth, or Ye Queen, Ye Earl and Ye Maiden\", burlesque\n\n13 Apr. 1873 \"The Blighted Being\" farce (T. Taylor, 1854)\n\n\"Checkmate\" comedy (Andrew Halliday, 1869)\n\n30 Oct. 1873\n\n1853)\n\n\"Plot and Passion\" (T. Taylor and J. Lang, 1853)\n\n15 Nov. 1873 \"The Spitalfield Hospital\" farcical comedy\n\n\"Not such a Fool as she Looks\" (H. J. Bryon, 1868)\n\n2 Mar. 1874 —— \"A Romantic Idea\" (J. R. Planche, 1849)\n\n\"The Steeple Chase\" (J. M. Morton, 1865)\n\n5 Apr. 1875 - \"Ticket of Leave Man\" (T. Taylor, 1863)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209610,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 267,
        "title": "RAS-1982",
        "content_text": "245\n\n26 May 1875 \"An Unwarranted Intrusion\" farce (J. M. Morton, 1868)\n\n\"Alladin\" burlesque (J. S. Bryon, 1861) 1863, 1867, also given\n\n1875/76\n\nno production on record.\n\n1876/77 11 Nov. 1876 \"The Field of the Cloth of Gold\" (Wm. Brought, 1868)\n\n19 Feb. 1877 \"Alladin, or the Wonderful Scamp\" (J. S. Bryon, 1861)\n\n8 May, 1877 \"Not Such a Fool as She Looks\" (H. J. Bryon, 1868) given in 1873.\n\n1877/78\n\n7, 12, 13 Jan. 1878 \"The Boots at the Swan\" farce (Charles Selby, 1842)\n\n4 Feb. 1878 \"Still Waters Run Deep\" Tom Taylor comedy; given in 1862.\n\n1878/79\n\napparantly no production this season.\n\n29 Dec. 1879 \"The School for Scandal\" (Sheridan, 1777) first appearance of women in casts of the amateurs.\n\nMar. 1880 \"Porter's Knot\" (J. Oxenford, 1858)\n\n\"The Critic\" (Sheridan, 1779) - second act.\n\n27 Apr. 1880 \"New Men and Old Acres\" (T. Taylor and A. W. Dubourg, 1869)\n\n1870/80\n\n1880/81\n\n11 Nov. 1880 repeat of \"New Men and Old Acres\"\n\n1 Mar. 1881 \"A Wonderful Woman\" (C. Dance, 1849)\n\n\"The Area Belle\" (W. Brough and A. Halliday, 1864) given in 1867.\n\n18 Mar. 1881 \"The Cup of Tea\" (author unknown, 1866) \"A Happy Pair\" (S. T. Smith, 1868) two characters only screen scene from \"School for Scandal\" (Sheridan, 1777)\n\n1881/82\n\napparantly no production this season.\n\n1882/83\n\n23 Jan. 1883 \"The School\" (T. W. Robertson, 1869)\n\n1883/84\n\n25 Sept. 1883 \"She Stoops to Conquer\" (O. Goldsmith, 1773)\n\n7 Dec. 1883 \"The Wedding March\" eccentricity (W. S. Gilbert, 1873)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209611,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 268,
        "title": "RAS-1982",
        "content_text": "246\n\n1884/85\n\n1885/86\n\nCARL T. SMITH\n\n16 Dec. 1884 \"Still Waters Run Deep\" comedy (T. Taylor, 1855) given in 1862, 1878.\n\n17 Dec. 1885 \"Chiselling\" farce (J. J. Dilley and J. Albery, 1870) \"Nine Points of the Law\" (T. Taylor, 1859) in 1878.\n\n18 Feb. 1886 — \"The Overland Route\" (T. Taylor, 1860) second performance of season.\n\n1886/87\n\n9 Mar. 1886 \"Weak Woman\" (H. J. Byron, 1875) benefit with Canton Amateurs for burned Canton Theatre.\n\n7 Apr. 1886 — \"Heads or Tails\" (J. Palgrave Simpson, 1854) \"Chiselling\" farce (Dilley and Albery, 1870) given in 1885,\n\n18 Nov. 1886\n\n\"A Widow's Hunt, or Everybody's Friend\" comedy (J. Sterling Coyne, 1859)\n\n30 Dec. 1886 — \"Cups and Saucers\" musical sketch (G. Grossmith 1878) \"Our Wife\" comedietta (J. M. Morton, 1850)\n\n13 Apr. 1887 — \"A Comical Countess\" (Wm. Brough, 1854) \"Our Soldiers\" comedy (H. J. Byron, 1873)\n\n1887/88 8 Nov. 1887 \"Withered Leaves\" comedietta (J. W. Broughton, 1875) \"The First Night\" comedy (J. M. Maddox, 1853) \"The Rivals\" (Sheridan, 1775)\n\n17 Jan. 1888\n\n1888/89\n\n1889/90\n\n1890/91 apparently no production this season.\n\n26 Dec. 1889 last performance Mar. 1890 - 1 Christmas Pantomime: \"Ali Baba and the Forty Thieves\"\n\nGrand\n\n26 Dec. 1890 --- \"Ali Baba and the Forty Thieves\" pantomime 30 Mar. 1891\n\n- \"The Two Roses\" (J. Albery, 1870)\n\n1891/92\n\n24 July 1891\n\n1864) \"David Garrick\" comedy (T. Robertson,\n\n26 Dec. 1891, 23 Jan., 20 Feb. 1892- Christmas Pantomime: \"Beauty and the Beast\"\n\n27 Feb., 1 Mar, 1892\n\n21, 30 Apr. 1892\n\n+ \"Betsy\" (F. C. Burnand, 1879) \"Turned Up\" (or \"Too Much Married\") comedy, (M. Melford, 1886)\n\nPage 268",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209612,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 269,
        "title": "RAS-1982",
        "content_text": "1892/93\n\n―\n\n1893/94\n\n247\n\n\"Honour Bound\" (W. S. Gilbert and Sydney Grundy, 1880)\n\n12, 15 Nov. 1892\n\n\"On Bail\" a farce (W. S. Gilbert, 1877)\n\n26, 28, 30 Dec. 1893, 3, 6, 9, 16, 24 Jan. 1894\n\n\"Princess Toto\" (W. S. Gilbert and Clay, 1876)\n\n1894/95\n\n30 Jan. 4, 6, 9, 12, 16, 18, 23 Feb. 1895\n\n\"Robinson Crusoe\"\n\nPantomime:\n\n17, 20, 24 Apr. 1895 \"The Magistrate\" (A. W. Pinero, 1885)\n\n1895/96\n\n26, 28 Dec. 1895\n\n\"Dandy Dick\" (A. W. Pinero, 1887)\n\n8, 10, 20 Feb. 1896\n\n1888)\n\n1896/97\n\n\"Trial by Jury” (Gilbert and Sullivan, 1888)\n\n19, 21 Dec. 1896 — “Cups and Saucers\" (G. Grossmith, 1878)\n\ngiven in 1886.\n\n\"Charley's Aunt\" (Brandon Thomas, 1892)\n\n25 Feb. 1897 — \"Les Cloches de Carneville\" (H. B. Farnie and R. Reece, 1878)\n\n1897/98\n\n19 Nov. 1897\n\n1890)\n\nF\n\n1898/99\n\n19, 21 Feb. 1898\n\n—\n\n\"A Pair of Spectacles\" (Sidney Grundy, 1890)\n\n\"The Duchess of Bayswater and Co.\" comedietta (A. M. Heathcote, 1888)\n\n\"A Pantomime Rehearsal\" (C. Clay, 1891)\n\n17, 19 Nov. 1898 — “Our Bitterest Foe\" (G. C. Herbst, 1874)\n\n\"Sugar and Cream\" comedietta (J. P. Hurst, 1883) \"The Steeple Chase\" (J. M. Morton, 1865) given in 1874.\n\n―\n\n5, 7, 9, 11, 14, 17, 18 Jan., 1, 3 Feb. 1899 pantomime \"The Yellow Dwarf, or Harlequin the Knave of Hearts\"\n\n1899/1900\n\n4, 6 Nov. 1899\n\n\"The Magistrate\" (A. W. Pinero, 1885) given in 1895.\n\n12, 13 Dec. 1899 \"The Mother In Law\" farcical comedy (G. R. Sims, 1881)\n\nJL\n\n12, 15, 17, 24, 26 Feb. 1900 \"Yeoman of the Guard\" (Gilbert and Sullivan, 1888)\n\n1900/01 24 Nov. 3 Dec. 1900—\n\n1901/02\n\n1902/03\n\n—\n\n―\n\n\"Our Flat\" (Mrs. M. Musgrove, 1889)\n\n15, 19 Nov. 1901 “Trying It On” farce (W. Brough)\n\n\"Plantation Revels\" minstrel variety\n\n13, 14, 15 Nov. 1902\n\n\"Liberty Hall\" drama (R. C. Carton, 1892)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 210713,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 64,
        "title": "RAS-1986",
        "content_text": "47\n\nThe intention to recruit engineers to undertake these works in Hong Kong was presumably advertised in the Home Civil Service and Borough Councils, where Jackman was employed from 1897. Given his training and experience in Sheffield, he was well qualified for the type of work needed in Hong Kong and he was recruited to the Colonial Service on 20 October 1902.\n\nThe City of Hong Kong at the turn of the century was undoubtedly impressive: with most industry and wharfage on the eastern part of the Island and Kowloon, Central District had developed into a well laid-out commercial area with fine examples of architecture in a number of styles. The city was expanding rapidly, and 65 acres with two miles of sea-front were added with the completion of the Praya reclamation in 1903. Even back in the 1900's, the view of Victoria Harbour often prompted heady descriptions\n\n\"Viewed from the Harbour, Hong Kong presents a very picturesque appearance, not unlike that of the north coast of Devon or the west coast of Scotland. At night, the scene resembles a city en fête. The riding lights of the shipping sparkling like gems on the bosom of the deep, the bright illuminations of the waterfront, the countless lamps that bespangle the hillsides and stretch along the terraces as though in festoons, furnish a sight that fascinates the eye and leaves an enduring impression of delight upon the mind.\" (H.A. Cartwright, in Twentieth Century Impressions etc. 1908)\n\nJackman arrived in Hong Kong in 1903 and reported for duty in the P.W.D. on 15 July at an annual salary of $3,000. His rank was Executive Engineer, of which there was a single grade then (the rank was split into First and Second Grade Executive Engineer in 1911). The Director of Public Works at that time, as during much of Jackman's Civil Service career, was William Chatham. Soon after his arrival, the Government started payment of salaries to expatriate staff in Sterling, and Jackman's salary was fixed at £480 per year, with some allowances paid in local currency.\n\nDuring his early career in Hong Kong, Jackman was mainly involved in drainage and sewerage works. He was responsible for",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063",
        "rank": 0
    },
    {
        "id": 211069,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 130,
        "title": "RAS-1987",
        "content_text": "105\n\nALPHABETICAL LIST OF PERSONS BURIED IN THE PROTESTANT CEMETERY, MAKATI, RIZAL\n\nTO BE TRANSFERRED TO MANILA MEMORIAL PARK\n\n  \n    Date of death\n    Name\n    Date of death\n    Name\n  \n  \n    12.6.1944\n    AARON, Margaret Tyre\n    \n    ADAMS, Henry\n  \n  \n    Not known\n    AEROBE (baby)\n    26.4.1886\n    AHR-LEGER, Suzanne\n  \n  \n    5.10.1919\n    AITKEN, Charles H W\n    2.3.1921\n    AITKEN, Mary Louise\n  \n  \n    29.10.1952\n    ALFON, Jose\n    21.4.1919\n    ALKAN, Camille\n  \n  \n    3.10.1915\n    ALLEN, George\n    15.4.1906\n    ALLINSON, James\n  \n  \n    20.5.1918\n    AMER, Basserody\n    14.11.1904\n    AMOLOCHITIS, John\n  \n  \n    30.6.1962\n    ANDERSON, James\n    20.11.1936\n    ANDERSON, William\n  \n  \n    6.4.1908\n    Roberts\n    \n    ANDREWS, James\n  \n  \n    27.1.1894\n    ANDREWS, Richard\n    31.8.1900\n    Montgomerie Henry\n  \n  \n    \n    ARMSTRONG, George\n    12.11.1920\n    ATKINSON, Dorothy\n  \n  \n    20.6.1925\n    AULE, John\n    30.9.1889\n    AYLETT, William\n  \n  \n    20.8.1880\n    BAALK, Emil Ch. M\n    13.8.1878\n    BACKHOUSE, C\n  \n  \n    18.3.1903\n    BAEL, Joe\n    25.9.1919\n    BAENZIGER, Gustav Adolph\n  \n  \n    27.10.1899\n    BALLEY, George\n    3.9.1909\n    BARKAS, Gabriel\n  \n  \n    25.4.1938\n    BARNES (still-born)\n    25.1.1923\n    BARNETT, Edward\n  \n  \n    8.5.1936\n    BARR, Robert\n    24.1.1926\n    BARRIOS, Raphael Plaza\n  \n  \n    28.4.1960\n    BATCHELLOR, John\n    8.1920\n    BAUEN, G William\n  \n  \n    Not known\n    BENZIE, John M\n    12.5.1925\n    BERGACKER, Johanna Maria\n  \n  \n    3.10.1963\n    BERNARD, Son of M L\n    8.7.1881\n    BERNSTEIN, Simon\n  \n  \n    13.3.1900\n    BETZ, Max\n    11.9.1882\n    BIERMANN, Fritz\n  \n  \n    12.1903\n    BINDER, Heinrich\n    22.8.1892\n    BIRD, Isaac J\n    \n    BLACK, John Gordon\n  \n  \n    22.2.1870\n    BLANCO, Emilio Palomov\n    6.8.1964\n    BOIE, Reinhold\n  \n  \n    14.9.1896\n    BLAIR, William A\n    \n    BLOCH, Leon\n  \n  \n    Not known\n    BOLLWILL, DE\n    6.7.1887\n    BOLTON, Edwin\n  \n  \n    10.12.1920\n    BONIFACE, Mark Graham\n    15.1.1945\n    BOUNTIFF, Eliza\n  \n  \n    13.11.1918\n    BOWER, I H\n    19.3.1899\n    BRAMHALL, J C\n  \n  \n    7.5.1868\n    BRAMMER, Agnes\n    26.8.1902\n    BARMMER, Heinrich\n  \n  \n    2.9.1898\n    BRAMMER, Otto Franz Ernst Rudolf Hugo\n    15.9.1893\n    BRAMMER, Pauline\n  \n  \n    8.10.1901\n    BRAMMER, Richard\n    20.11.1900\n    BRAMWELL, Geoffrey\n  \n  \n    17.1.1915\n    BRAUN, Max Francis\n    12.4.1909\n    BREMER, Adelisa\n  \n  \n    25.1.1962\n    BREMER, Ann Marie\n    25.9.1961\n    BREMER, Dennis\n  \n  \n    30.11.1941\n    BRENNER, Issac\n    2.9.1915\n    BRETTHAUER, G Luísa Gonzales de\n  \n  \n    6.1903\n    BRIGENDIRE, Maria\n    10.1.1945\n    BROUGH, Robert\n  \n  \n    \n    BRIDGE, Harry\n    27.12.1922\n    BROOK, John Evans\n  \n  \n    24.2.1902\n    BROWN, Bright\n    18.6.1921\n    \n    16.12.1913",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 211804,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 219,
        "title": "RAS-1989",
        "content_text": "194\n\n6.5.1852 (Thur)\n\nJ.M. MORTON: \"Attic Story\" (1842)\n\nT: Farce (1 act)\n\nR.B. PEAKS: \"The Haunted Inn\" (1828)\n\nT: Farce (2 act)\n\nC: Amateurs\n\nF: Music, i.a. selections from Mozart's “Le Nozze di Figaro\" and other operas. Epilogue.\n\nTh: New Theatre Royal (A)\n\nN: Last performance of the season\n\nR: Again there was a new drop scene. \"A View near Palermo, a very pleasing view of an Italian villa with the bay and hills in the background\". The pieces were \"well performed and excited much merriment, especially the mistakes of the Attic Story\" (NCH 8.5.1852).\n\n27.1.1853 (Thur)\n\nD. BOUCICAULT & C. MATHEWS: \"Used Up\" (1846)\n\nT: Comedietta (2 acts)\n\nG.A.A. BECKETT: \"The Turned Head\" (1834)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: Imperial Theatre (B)\n\nN: First performance of the season\n\nR: After not a little uncertainty about the state of affairs respecting the theatre, finally the management for the new season was laid in the hands of Horatio BUSKIN (a compound pseudonym: Horatio, from Hamlet; Buskin, the boot worn by Greek actors) who succeeded \"Doldrum\".\n\nFor a \"very good attendance graced by many of the beau sexe\" the evening \"came off with great éclat\" (NCH 22, 29.1.1853).\n\n23.3.1853 (Wedn)\n\nJ.M. MORTON: \"Betsey Baker\" (1851)\n\nT: Farce (1 act)\n\nW. BROUGH: \"Apartments\" (1851)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Prologue; comic songs\n\nTh: Imperial Theatre (B)\n\nR: In the presence of the British Superintendent of Trade and Governor of Hong Kong, Sir George Bonham, Betsey Baker turned out to be \"a most decided and palpable hit, received throughout with shouts of laughter and applause\". Bonham was in Shanghai on his way to Nanking which had been taken by the Taipings on March 19. The Rebellion had a profound effect on the foreign community and although the Taipings enjoyed for some time a lot of sympathy, on this occasion they were satirised in a **most original and witty Prologue**: \"The Manager appeared before the curtain, in a state of intense excitement, informing the audience of mutiny in the corps! Dreadful consequences!! No performance!!! What could be done!? Then arose such a \"Row and Bobbery\" [Bobbery: an Anglo-Indian word meaning 'noise, disturbance' - JH] led by those who were in the secret and poor Horatio BUSKIN could scarcely be heard amidst the crash of broken glass and was almost unable to face the shower of oranges aimed at his devoted head. An amiable conspirator elevating himself on a bench expressed most loudly and eloquently his indignation at this state of affairs; however, after a parley with the Manager, he proposed a compromise, and the curtain was drawn up exposing the corps evidently in a state of 'Rebellion'. Fortunately they would listen to reason and the 'refractory members' agreed to 'go on' for this occasion, and the Manager retired with...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211807,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 222,
        "title": "RAS-1989",
        "content_text": "197\n\nfrom Shanghai on the 20th. Despite that, the \"soirée\" was \"kept up to a late hour with great spirit\". The programme consisted of tunes by Dabney, de Costa and Tripp: one of them was called \"Japanese make yourselves ready\" (NCH 26.5.1855).\n\n23.1.1856 (Wedn)\n\nE. MAYHEW: \"Make your Wills” (1836)\n\nT: Farce (1 act)\n\nW. BROUGH: \"No 1 Round the Corner\" (1854)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Whitebait at Greenwich\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music\n\nTh: D\n\nN: Once more politics crept into the theatre since, due to the Anglo-French campaigns in the Crimean War, \"the proscenium was very tastefully emblazoned with the arms and ciphers of the Allies”. The drop scene now represented the \"Lake of Geneva with the far famed Castle of Chillon” (far famed because of Lord Byron's poem \"The Prisoner of Chillon\"). For a change the Herald allowed itself some criticism of the amateurs, but about the costumes only: \"We are perfectly aware of the great difficulties which beset the wardrobe department of the Theatre here, but still we think that two or three alterations might be made with advantage. It must be remembered that the assumption of a part on the stage requires the submergence of the individual into his assumed character. Proteus must not be more unlike his last shape than the actor must be unlike his mere self and the difficulty of effecting this is enormously increased by an appearance in every-day costume. In melodramatic pieces some decided change is absolutely necessary because success depends on the power of exciting the sympathies of the audience for the various situations of the actors and it is quite impossible that the desponding accents of one young gentleman or the grasping villainy of another (both of whom we know to be very good fellows and far from desponding or hypocritical characters) in the garb of 1856 can excite these sympathies. In Farce it is less important because the effect depends upon a successful appeal to our sense of the ludicrous and this may be done by situations which are quite within the range of every-day life. (...) It also struck us that a little more attention to the chronology of dress would be attended with increased effect; there were two or three anachronisms: for instance the mob cap of Mrs. Foreright (a most admirable 'make-up' by the way) hardly accorded with the modern elegance of Clara; or the venerable beard of the implacable Mr. Ireton with the modern costume of his disinherited son. It is astonishing how greatly unity in these matters adds to the effect of such performances and in spite of the difficulties of such performances and in spite of the difficulties of securing dresses we think a consultation between the Manager and the performers might produce a harmony which would be attended with the best effect”. The music too was thought to be \"ineffective\", but for the remainder it was, as usual, amusing, with Whitebait at Greenwich as the hit of the evening. The character of Buzzard — by no means a graceful one — was played with great effect and we heartily congratulate Mr. SLOWCOME upon the power he displayed\". In Make your Wills the reviewer could not \"forbear mentioning the excellent impersonation of Joseph Bragg by Mr CLAY\" (NCH 26.1.1856).\n\n21.2.1856 (Thur)\n\n—\n\nJ.S. COYNE: \"The Infanticidal Farce\" (1846)\n\nT: Farce (1 act)\n\nMrs. C.G.F. GORE: \"A Good Night's Rest\" (1839)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Slasher and Crasher\" (1848)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211823,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 238,
        "title": "RAS-1989",
        "content_text": "213 \n\nOur Wife: \n\nCount de Brissac: Major Taylor \n\nRosine: Mr. W. Hyslop (of Gibb, Livington & Co) Pomaret, father of Rosine: D.A.C.G. Cooksley \n\nMarquis de Ligny: Mr. Stuart \n\nMariette: Lt Maynard of the 31st regiment \n\nThe Goose with the Golden Eggs: \n\nMr. Turby: D.A.C.G. Cooksley \n\nHis wife: D.A.C.G. Hayter \n\nClara, their daughter: Mr. A. Broom (of Jardine, Matheson & Co) \n\nBonsor, clerk: Dr. Sexton of the 5th Bombay N.L.I. (native lancers and infantry) Flickster: Li Yonge, 2nd Beloochi regiment \n\nAfter a lapse of almost three years the amateur theatricals took a new lease of life in a tastefully fitted up godown-theatre (for a description see Survey). It was a subscription-night with about 250 spectators, of whom 30 were female. For the first time some real names of actors were given and it became clear that the cooperation of the military had been sought for the occasion. Because the names are no longer phoney, it is finally useful to present a cast list. Among those mentioned was D.A.C.G. (i.e. Deputy Assistant Commissary General) Cooksley who died in July during one of the campaigns against the Taipings, at Quinsan. Fine playing, if one did not mind the pieces. That, however, had become a standard complaint by now. \"There was nothing striking or witty in either of the plays so that an occasional local pun or remark interpolated by the actors elicited the greatest applause\"; rather sourly the critic continued “this should not be as it interferes with the harmony of the play”. In Our Wife \"the gentle blushing Rosine was capitally got up by Mr. HYSLOP who created quite ‘a sensation' when he made his curtsey to the audience\". In contrast Mr. STUART \"was graceful in his part but lacked energy where it was requisite to give effect to the plot\". That female dress was not always easy to wear for the men was underlined when \"Lt MAYNARD acted the strong-minded cousin Mariette very fairly, despite the difficulties of crinoline”. In The Goose with the Golden Eggs the Mrs. Turby of D.A.C.G. HAYTER was \"the best piece of masculo-feminine performance we have seen\". It had to be admitted though that not all men were equally up to female characters: \"Clara, as represented by Mr. BROOM, although admirably got up in the coiffure, was rather outré in the dress, especially about the sleeves; while the manner and voice resembled more the roughness of the father than the gentleness of the mother\". (NCH 14.2.1863). \n\nL \n\n17.2.1863 (Tue) \n\nRepeat of 13.2.1863. \n\n2.3.1863 \n\nS. LOVER: \"The White Horse of the Peppers\" (1838) \n\nT: Comic drama (2 acts) \n\nR.B. BROUGH: \"Crinoline*\" (1856) \n\nT: Farce (1 act) \n\nC: Amateurs of the British 31st regiment \n\nTH: N.N. \n\nR: Cast: \n\nThe White Horse of the Peppers: \n\nMajor Hans Mansfeldt: W. Parrott Gerald Pepper: A. Keeble Magdalene: H. MacGuire Crinoline: \n\nMrs. Coobiddy: S. Gale Mr. Coobiddy: W. Phillips \n\nAgutha: S. Gule \n\nDillon: J.S. Galbreath \n\nCapt. LeBrown: J.S. Galbreath Miss Tite: P. Conron",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211833,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 248,
        "title": "RAS-1989",
        "content_text": "223\n\nharmonium by D.H. ENGEL\n\n17. \"Eupeidee\" (German student song and chorus) Th: Olympic Theatre (H)\n\nR: An advertisement only was published in the Herald of 29.10.1864. From it we learn that tickets could be obtained at the premises of Hiram Fogg & Co (ship chandlers, general store and auctioneers; one of the oldest foreign firms in Shanghai, located at the southern end of the Bund); Hall & Holtz (see 29.6.1864); A.A. Hayes Jr (Olyphant & Co, Nanking Road, ex Park Lane); and Herbert Cope (Geo Barnet & Co, Kiangsi Road (ex Church Street) and Hankow Road (ex Custom House Road)). It also becomes clear that there were at that moment at least two theatres in the Settlement: the Lyceum and the Olympic. The programme is interesting for the number of composers which have now been forgotten (Silcher, Kücken, Becker, Werner, etc.) and the piano arrangements of well-known opera arias.\n\n12.11-18.11.1864\n\nW. BROUGH: “Conrad and Medora” (1856)\n\nT: Burlesque pantomime (1 act)\n\nJ.B. BUCKSTONE: “Married Life\" (1834)\n\nT: Comedy (3 acts)\n\nJ.W. MARSTON: \"A Hard Struggle\" (1858)\n\nT: Domestic drama (1 act)\n\nW. SHAKESPEARE: “King John”, prison scene (Act IV, scene III)\n\nFurthermore:\n\n“Cinderella”, possibly by H.J. BYRON (1860) or T. TAYLOR (1845).\n\n\"Wonder\"; no contemporary pieces are listed in HED; only: Mrs. S. CENTLIVRE: “The Wonder. A woman keeps a secret” (1714) and H. CAREY: \"A Wonder or an honest Yorkshireman\" (1735).\n\nC: Lewis A.D.C.\n\nTh: N.N. (E)\n\nR: The Lewis company continued to draw large houses and ventured even to put a Shakespeare scene on the programme, from King John. It proved to be \"the hit of the week\". In it starred Miss Julia EDouin and Mr. Henry BIRCH: \"The acting was perfect. Miss Julia EDouin doing the fullest justice to the character of Prince Arthur and indeed taking the house by storm!\" (NCH 19.11.1864).\n\n19.11.1864 Sat\n\nH.J. BYRON: “Aladdin or the Wonderful Scamp” (1861)\n\nT: Burlesque extravaganza (1 act)\n\nC: Lewis A.D.C.\n\nTH: N.N. (U)\n\nN: Benefit of Miss Tilly Earl who played the role of Aladdin\n\nR: NCH 26.11.1864\n\n23.11.1864 (Wedn)\n\nR.B. SHERIDAN: \"The Rivals\" (1775)\n\nT: Comedy (5 acts)\n\nC: Lewis A.D.C.\n\nTH: N.N. (P)\n\nN: Benefit of Mrs. Gill who played the role of Mrs. Malaprop.\n\nR: NCH 26.11.1864\n\n26.11.1864 (Sat)\n\nH.J. BYRON: \"Aladdin or the Wonderful Scamp” (1861)\n\nT: Burlesque extravaganza (1 act)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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        "rank": 0
    },
    {
        "id": 211834,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 249,
        "title": "RAS-1989",
        "content_text": "224\n\nF. TALFOURD: \"A Household Fairy\" (1859)\n\nT: Domestic sketch (1 act)\n\n\"Aurora Floyd\".\n\nHED lists the following authors: C.S. CHELTNAM (1863), C.H. HAZLEWOOD (1836), J.B. JOHNSTONE (1836), B. WEBSTER (1863). In addition, Adams' \"Dictionary of the Drama\" mentions W.E. SUTER.\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of J.B. Creswick\n\nR: NCH 26.11.1864, advertisement only\n\n3.12.1864 (Sat)\n\nL.B. BUCKINGHAM: \"Take That Girl Away\" (1855)\n\nT: Comic drama (2 acts)\n\nJ.M. MORTON: \"A Capital Match\" (1852)\n\nT: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of Miss Lizzie Naylor\n\nR: NCH 3.12.1864, advertisement.\n\n9.12.1864 (Fri)\n\nBenefit of Mr. Henry Birch of the Lewis Company.\n\nNo titles of plays were mentioned. (NCH 10.12.1864)\n\n10.12.1864 (Sat)\n\nFarewell performance, also the benefit of Mr. Lewis, of Lewis Australian Drama Company. No titles of plays were mentioned (NCH 10.12.1864).\n\nR: No detailed reviews of the Lewis season were published in the North China Herald, only short announcements. It is quite well possible that more nights than the above ones were given, but they have not been recorded. In general, the company had attracted rather full houses, but for the 9th \"home sweet home\" was preferred; \"the unfavourable state of the weather prevented many ticketholders from putting in an appearance\" (NCH 10.12.1864)\n\nNovember and December 1864\n\nPerformances by the \"Christy Minstrels\".\n\nTh. N.N.\n\nR: Another travelling company that visited the port in these months were the \"Christy Minstrels\" (see also Survey). They too managed reasonably to fill the theatre (it was not stated where the performances took place, but as the Lyceum Theatre was occupied by Lewis, it must have been another location - perhaps the Olympic Theatre). \"No boredom here for by a pleasing variety they prevent that weariness which even the finest display of musical talent must, through frequent repetition, occasion\" (NCH 26.11.1864). In September they had visited Macao (BGM 5.9.1864) and before December 10 they departed for Hong Kong (NCH 10.12.1864).\n\n22.12.1864 (Thur)\n\nPerformance by the Portuguese Amateur Dramatic Corps.\n\nR: It was \"as usual largely attended\" (NCH 24.12.1864).\n\n28.12.1864 (Wedn)\n\nR.B. BROUGH: \"Medea\" (1856)\n\nT: Burlesque (1 act)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211837,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 252,
        "title": "RAS-1989",
        "content_text": "227\n\nA. DUMAS: \"Camille\"\n\nT: Drama\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: The drama Camille, an English adaptation of Alexandre Dumas' \"La Dame aux Camélias\" was, in the eyes of the Commercial Record (5.5.1865) \"singularly unfitted for the powers of the performers. Miss Rose EDOUIN acted with her usual ability but as the heroine is a character almost impossible to render we must not object where we cannot praise”. Miss Jenny NYE starred in the farce Which is Which? written by a member of the company, Mr. GILL, who himself was a “capital low comedy actor”.\n\n28.3.-5.4.1865\n\nJ.B. BUCKSTONE: \"The Flowers of the Forest\" (1847)\n\nT: Musical drama (3 acts)\n\nJ.B. BUCKSTONE: “Isabella or Woman's Life\" (1834)\n\nT: Drama (3 acts)\n\nD.W. JERROLD: \"Black-eyed Susan\" (1829)\n\nT: Musical drama (3 acts)\n\nT.J. WILLIAMS: \"Nursery Chickweed\" (1859)\n\nT: Farce (1 act)\n\n\"Kenilworth\", possibly by A. HALLIDAY and F. LAWRANCE (1858)\n\nT: Burlesque\n\n\"Mr. and Mrs. Peter White\", anon. (1854)\n\nT: Farce (1 act)\n\n\"Rob Roy”, Numerous pieces with this title are listed in HED. i.a. by W.H. MURRAY (1818) and C.H. HAZLEWOOD (1864).\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: More than the Herald, the Record went into a rather detailed description of the Lewis season. Thus about Flowers of the Forest it wrote that there was \"an energy of revenge predominating all through the play while the occasional glimpse of pathos, combined with the jovial jocularity of the gipsys, tone down the otherwise tragic situations. Miss Rose EDOUIN, Miss NAYLOR and Mr. CRESWICK acted with power and well restrained manner“, Mr. CRESWICK “possesses great dramatic force and expresses himself well. His manner is somewhat stiff, but appearances before larger and more requiring audiences will obviate this habit\", \"His voice is good but somewhat monotonous of lone\" (SCR 5.5.1865).\n\n8.4.1865 (Sat)\n\nW. BROUGH: \"Perdita\" (1856)\n\nT: Burlesque (1 act)\n\nJ.B. BUCKSTONE: \"A Lesson for the Ladies” (1838)\n\nT: Comedy (3 acts)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Rose Edouin's benefit\n\nR: NCH 22.4.1865: no review,\n\n11.4.1865 (Tue)\n\nJ.B. BUCKSTONE: \"A Dead Shot\" (1827)\n\nT: Farce (1 act)\n\nJ. KENNEDY: \"Sweethearts and Wives” (1856)\n\nT: Burlesque (3 acts)\n\nC: Lewis A.D.C.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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        "rank": 0
    },
    {
        "id": 211843,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 258,
        "title": "RAS-1989",
        "content_text": "233\n\n(SCR 5,6. 1865). \"The gentleman is gifted with rare powers of voice and action which enable him to throw an immense amount of dramatic spirit in his readings and recitations\" (NCH 3.6.1865). It was his second (recorded) performance; earlier he had been successful on March 3 1857.\n\n1.6.1865 (Thur)\n\nPerformance by the Shanghai Amateur Burlesque Company Ltd.\n\nNo titles have been recorded. (NCH 3.6.1865; SCR 5.6.1865)\n\nR: It was \"not quite so successful as some of their previous representations\" (SCR).\n\n3.6.1865 (Sat)\n\nPerformance by Mr. Benjamin Seare.\n\nTh: N.N. (I)\n\nEarly June 1865\n\nConcerts by the Police Band on the Bund.\n\n17.6.1865 (Sat)\n\nC. SELBY: \"The Unfinished Gentleman\" (1834)\n\nT: Farce (1 act)\n\nC: Amateurs of the 67th Regiment\n\nF: Music\n\nTh: N.N.\n\nR: Whereas in days gone by it was quite usual that there were only a couple of theatrical or musical entertainments during the whole season, now, after a fortnight since the last occasion, the Herald complained that \"considerable dullness has prevailed in Shanghai during the week owing to the lack of any public amusement of any description\" (NCH 17,6,1865). The night of the 17th was \"well attended and gave great satisfaction” (NCH 24.6.1865).\n\n30.9.1865 (Sat)\n\nW. BROUGH & A. HALLIDAY: \"The Area Belle\" (1864)\n\nT: Farce (1 act)\n\nH.J. BYRON: \"The 'Grin' Bushes or Missis Brown of the Mississippi\" (1864)\n\nT: Burlesque extravaganza (1 act)\n\nC: Shanghai Amateurs Burlesque Company Ltd\n\nTh: N.N. (1)\n\nR: This was the first night of the new season (NCH 30.9.1865). No review was published in the Herald or the Record.\n\n10.11.1865 (Fri)\n\nH.J. BYRON: \"Princess Springtime\" (1864)\n\nT: Fairy extravaganza\n\nJ. KENNEY: “Turn Out!\" (announced as \"Turn Him Out!'')\n\nT: Musical farce (2 acts)\n\nC: Amateurs of the Shanghai Mounted Rangers\n\nF: Prologue spoken by Capt. Markham\n\nTh: N.N.\n\nR: The evening \"proved a complete success. The acting throughout was excellent and not a single hitch occurred\" (NCH 16.11.1865)\n\n20.11.1865 (Mon)\n\nRepeat of 11.11.1865,\n\nR: The proceeds of this performance went to the Shanghai Hospital, an institution founded",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211847,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 262,
        "title": "RAS-1989",
        "content_text": "237\n\nCOYNE, Joseph Stirling (1803-1868)\n\n\"Binks the Bagman\" (13.12.1843). P: 8.10.1857\n\n\"Duck Hunting\" (29.9.1862). P: 30.3.1864; 4.4.1865\n\n\"The Infanticidal Farce or Did you ever Send your Wife to Camberwell?\" (16.3.1846). P: 21.2.1856\n\n**Urgent Private Affairs** (7.1.1856). P: 5.5.1858\n\nCROSS, John C (d 1810?)\n\nThe Golden Farmer or Harlequin Ploughboy (28.6.1802). P: 8.10.1857\n\nDANCE, Charles (1794-1863)\n\n**Delicate Ground or Paris in 1793** (27.11.1849). P: 13.2.1864\n\n\"The Dustman's Belle\" (1.6.1846). P: 9.2.1858\n\nDANVERS, Henry (??)\n\n**A Conjugal Lesson** (3.7.1856). P: 26.3.1857\n\nDIBDIN, Thomas John (1771-1841)\n\n**The Birthday** (16.3.1799). P: 9.2.1858\n\nDUMAS, Alexandre fils (1824-1895)\n\n\"Camille\" (English adaptation of 'La Dame aux Camélias') (1852; London: 1858). P: 27.3.1865\n\nEDWARDS, Henry Sutherland (1828-1906)\n\n**The Goose with the Golden Eggs** (with A. Mayhew) (1.9.1859). P: 13.2.1863\n\nFITZBALL, Edward (1792-1873)\n\n\"The Daughter of the Regiment\" (30.11.1843). P: 15.4.1865\n\nGILL, W.B.\n\n**Aurora Floyd Burlesqued**. P: 19.4.1865\n\n\"Which is Which?\". P: 27.3.1865\n\nGORE, Catherine Grace Frances (1799-1861)\n\n**A Good Night's Rest or Two in the Morning** (19.8.1839). P: 21.2.1856\n\nHALLIDAY, Andrew (1830-1877)\n\n\"The Area Belle\" (with W. Brough) (7.3.1864). P: 30.9.1865\n\nHARDWICKE, Pelham: See C. Mathews\n\nHARRIS, Augustus Glossop (1826-1873)\n\n\"The Rose of Castille\" (Music by M.W. BALFE) (29.10.1857). P: 8.10.-14.10.1864\n\nHAZLEWOOD, Colin Henry (1823-1875)\n\n? \"Aurora Floyd or the First and Second Marriage\" (21.4.1863). P: 26.11.1864; 17.4.1865\n\n? \"Lady Audley's Secret\" (25.6.1863). 142 P: 28.12.1864\n\n\"Rob Roy\" (19.6.1864). P: 28.3.-5.4.1865\n\nJERROLD, Douglas William (1803-1857)\n\n\"Black-eyed Susan or All in the Downs\" (8.6.1829). P: 28.3-5.4.1865\n\nJERROLD, M. William Blanchard (1826-1884)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211850,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 265,
        "title": "RAS-1989",
        "content_text": "240\n\nRODWELL, James Thomas Gooderham (d. 1825)\n\n\"A Race for Dinner\" (15.4.1828). P: Announced in March 1854 but not performed. \"The Young Widow or A Lesson for Lovers\" (1.11.1824), P: 27.4.1865\n\nSELBY, Charles (1802?-1863)\n\n\"The Boots at the Swan\" (5.4.1843). P: 14.12.1865\n\n**A Fearful Tragedy in the Seven Dials\". P: 15.2.1860\n\n**A Lady and a Gentleman in a Peculiarly Perplexing Predicament\" (9.8.1841), P: 13.2.1864\n\n**The Unfinished Gentleman'' (1.12.1834). P: 17.6.1865\n\nSHAKESPEARE, William (1564-1616)\n\n\"King John\" (1594–1596). P: 12.11.-18.11.1864 (Prison scene, Act IV.1 only) **Richard III\" (1592-1593). P: 26.4.1865 (Act V only)\n\nSHERIDAN, Richard Brinsley (1751 1816)\n\n**The Rivals\" (17.1.1775). P: 28.9.1858; 23.11.1864\n\nSUTER, William E. (1812-1882)\n\n? \"Lady Audley's Secret\" (22.2.1863). P: 28.12.1864\n\nTALFOURD, Francis (1827-1862)\n\n\"A Household Fairy\" (24.12.1859), P: 26.11.1864\n\nTAYLOR, Tom (1817-1880)\n\n? \"Cinderella\" (12.5.1845). P: 12.11.-18.11.1864; 28.4.1865 \"Still Waters Run Deep\" (3.3.1856). P: 23.4.1857; 15.3.1860\n\nTOBIN, John (1770-1804)\n\n? \"The Honeymoon\" (31.1.1805). P: 19.4.1865\n\nTOWNLEY, Rev. James (1714-1778)\n\n\"High Life below Stairs\" (31.10.1759), P: 21.4.1851\n\nWEBSTER, Benjamin Nottingham (1797-1882)\n\n? \"Aurora Floyd' (11.3.1863). P: 26.11.1864; 17.4.1865\n\n? \"The Golden Farmer or the Last Crime\" (26.12.1832). P: 8.10.1857\n\nWILLIAMS, Thomas John (1824-1874)\n\n\"Nursery Chickweed\" (12.11.1859), P: 28.3-5.4.1865\n\n\"On and Off\" (6.6.1861). P: 25.4.1864\n\nAPPENDIX II\n\nAn alphabetical list of plays staged in Shanghai 1850-1865\n\nThe Adventures of Bonnie Prince Charlie or the Rising of 1745: N.N.; 13.6.1864.\n\nAladdin or the Wonderful Scamp: H.J. Byron; 2.9.1864, 19.11.1864, 29.4.1865,\n\nAnything for a Change: C.W. Brooks; 15.5.1854.\n\nApartments: W. Brough; 23.3.1853.\n\nThe Area Belle: W. Brough & A. Halliday; 30.9.1865.\n\nAttic Story: J.M. Morton; 6.5.1852.\n\nAurora Floyd: C.S. Cheltnam? C.H. Hazlewood? J.B. Johnstone? B. Webster? 26.11.1864, 17.4.1865.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211851,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 266,
        "title": "RAS-1989",
        "content_text": "241\n\nAurora Floyd Burlesqued: W.B. Gill; 19.4.1865.\n\nThe Babes in the Wood: J.H. Byron; 17.4.1865.\n\nA Bachelor of Arts: P. Hardwicke; 10.2.1858, 8.5.1865. Betsey Baker; J.M. Morton; 23.3.1853.\n\nBinks the Bagman: J.S. Coyne; 8.10.1857.\n\nThe Birthday: T.J. Dibdin; 9.2.1858.\n\nBlack-eyed Susan: D.W. Jerrold; 28.3-5.4.1865.\n\nBombastes Furioso: W.B. Rhodes; 28.1.1851, 5.5.1858.\n\nThe Boots at the Swan: C. Selby; 14.12.1865.\n\nBox and Cox: J.M. Morton; 15.5.1854, 18.2.1857.\n\nThe Bride of Abydos: H.J. Byron; 22.10.-28.10.1864.\n\nBullrick at Kroll: N.N.; 28.3.1864.\n\nCamille: A. Dumas Jr; 27.3.1865.\n\nA Capital Match: J.M. Morton; 23.4.1857, 3.12.1864.\n\nCharles the Second: J.H. Payne; 16.3.1858.\n\nCinderella: H.J. Byron? T. Taylor?; 12.11.-18.11.1864, 28.4.1865. The Colleen Bawn: D. Boucicault; 25.4.1865.\n\nA Conjugal Lesson: H. Danvers; 26.3.1857.\n\nConrad and Medora: W. Brough; 12.E.-18.E.1864.\n\nCool as a Cucumber: M.W.B. Jerrold; 26.3.1857, 30.3.1864, 4.4.1864. Crinoline: R.B. Brough; March 1863; 16.3.1863, 1.4.1864.\n\nThe Daughter of the Regiment: E. Fitzball? 15.4.1865.\n\nA Dead Shot: J.B. Buckstone; 11.4.1865.\n\nThe Debut: N.N.; 1.4.1864.\n\nDelicate Ground: C. Dance; 13.2.1864.\n\nDiamond cut Diamond: W.H. Murray; 12.12.1850.\n\nDone on both sides: J.M. Morton; 10.2.1858.\n\nThe Dragon of Wantley: H. Carey & J.F. Lampe; 26.1.1852.\n\nDuck Hunting: J.S. Coyne; 30.3.1864, 4.4.1864,\n\nThe Dustman's Belle: C. Dance; 9.2.1858.\n\nFaint Heart never won Fair Lady: J.R. Planché; 8.10.-14.10.1864, 14.12.1865.\n\nA Fast Train! High Pressure!! Express!!!: J.M. Maddox; 8.3.1854.\n\nA Fearful Tragedy in the Seven Dials: C. Selby; 15.2.1860.\n\nFitzsmythe of Fitzsmythe Hall: J.M. Morton; 26.3.1863.\n\nThe Flowers of the Forest: J.B. Buckstone; 28.3.-5.4.1865. Fra Diavolo: H.J. Byron; 15.10.-21.10.1864.\n\nThe Frantic Husband: N.N.; 26.4.1865.\n\nThe Golden Farmer: J.C. Cross? B. Webster? 8.10.1857,\n\nA Good Night's Rest: C.G.F. Gore; 21.2.1856.\n\nThe Goose with the Golden Eggs: A. Mayhew & H. Sutherland; 13.2.1863, 17.2.1863, 26.4.1865\n\nThe Governess (Die Gouvernante): T. Körner; 28.3.1864.\n\nGrimshaw, Bagshaw and Bradshaw: J.M. Morton: 2.6.1859.\n\nThe 'Green' Bushes: H.J Byron: 30.9.1865.\n\nA Hard Struggle: J.W. Marston; 12.11.-18.11.1864.\n\nThe Harvest Home: A.F.F. von Kotzebue; 28.3.1864.\n\nThe Haunted Inn: R.B. Peake; 6.5.1852.\n\nThe Heir at Law: G. Colman the Younger; 21.4.1851.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211852,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 267,
        "title": "RAS-1989",
        "content_text": "242\n\nHigh Life below Stairs: J. Townley; 21.4.1851. The Honey Moon: W. Linley? J. Tobin? 19.4.1865. A Household Fairy: F. Talfourd; 216.11.1864.\n\nI couldn't help it: J. Oxenford; 13.4.1865.\n\nIII Treated Il Trovatore: H.J. Byron; 22.6.1864, 29.6.1864. The Infanticidal Farce: J.S. Coyne; 21.2.1856.\n\nThe Invisible Prince: J.R. Planché; 23.3.1865.\n\nThe Irish Tutor: R. Butler; 5.5.1853.\n\nIsabella: J.B. Buckstone; 28.3.-5.4.1865.\n\nI've Eaten My Friend: J.V. Bridgeman; 22.3.1854.\n\nKenilworth: N.N.; 28.3.-5.4.1865.\n\nKing John: W. Shakespeare; 12.11.-18.11.1864.\n\nA Kiss in the Dark: J.B. Buckstone; 26.3.1857.\n\nThe Knights of the Round Table: J.R. Planché; 24.5.1865.\n\nA Lady and a Gentleman in a Peculiarly Perplexing Predicement: C. Selby; 13.12.1864. Lady Audley's Secret: C.H. Hazlewood? G. Roberts? W.E. Suter?; 28.12.1864.\n\nThe Lady of Lyons: E. Bulwer Lytton; 10.2.1864.\n\nThe Lady of Lyons: H.J. Byron?; 22.10.-28.10.1864, 29.4.1865.\n\nLend me Five Shillings: J.M. Morton; see p. 15.\n\nA Lesson for the Ladies: J.B. Buckstone; 8.4.1865.\n\nAs Like as Two Peas: H. Lillo; 16.3.1858.\n\nLittle Toddlekins: C.J. Mathews; 26.5.1864.\n\nLove Laughs at Locksmiths: G. Colman the Younger; 9.5.1864,\n\nLove, Law and Physics: J. Kenney; 28.1.1851.\n\nA Lucky Escape: C.S. Cheltnam; 25.4.1864.\n\nThe Maid and the Magpie: H.J. Byron; 8.10.-14.10.1864, 15.10.-21.10.1864, 15.4.1865. Make your Wills: E. Mayhew; 23.1.1856.\n\nMarried Life: J.B. Buckstone; 12.11.-18.11.1864.\n\nMedea: R.B. Brough; 28.12.1864.\n\nA Most Unwarrantable Intrusion: J.M. Morton; 22.3.1854, 1.4.1864,\n\nNature and Philosophy: N.N.; 9.5.1864.\n\nThe Nigger Doctor and his Patient Patient: N.N.; 14.8.1856.\n\nNo!: W.H. Murray? F. Reynolds?; 23.2.1852.\n\nNo 1 round the corner: W. Brough; 23.1.1856.\n\nNursery Chickweed: T.J. Williams; 28.3.-5.4.1865.\n\nThe Octoroon: D. Boucicault; 7.1.-13.1.1865, 14.1.1865,\n\nOn and Off: T.J. Williams; 25.4.1864.\n\nOur Wife: J.M. Morton; 13.2.1863, 17.2.1863.\n\nPerdita: W. Brough; 8.4.1865.\n\nPoor Pillicoddy: J.M. Morton; 15.3.1860, 26.5.1864.\n\nA Practical Man: W.B. Bernard; 8.3.1854.\n\nPrincess Springtime: H.J. Byron; 10.11.1865, 20.11.1865.\n\nA Race for Dinner: J.T.G. Rodwell; announced but not performed. Raising the wind: J. Kenney; 9.2.1858, 30.3.1864, 4.4.1864.\n\nThe Rendez-vous: R. Ayton; 24.3.1852.\n\nRetained for the Defence: J. Oxenford; 25.4.1864. The Review; G. Colman the Younger; 24.3.1852.",
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