[
    {
        "id": 204575,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 56,
        "title": "RAS-1963",
        "content_text": "# FLOWERS OF HONG KONG\n\n45\n\nCAMELLIA HONGKONGENSIS, SEEM. ***\n\nFamily: Theaceae (Ternstroemiaceae)\n\nCommon names: Red Camellia\n\nRed Hong Kong Camellia\n\nThe genus Camellia is wholly native to south east Asia with the greatest concentration in abundance and in the number of species in western and southern China. Kwangtung and Hong Kong have been known to have 16 species, 5 of which are indigenous, being only known from Hong Kong. Camellia hongkongensis, with its native home on Hong Kong island, in a spinney, off a beaten track near Peel Rise, was discovered in 1849 by Colonel J. Eyre, R.A. and was first described in 1853, by Dr. Berthold Seemann.\n\nThis Camellia is the only local native species with crimson flowers. The combination of the crimson petals, the bright golden anthers, held together below by a brown involucral perule of overlapping bracts and sepals against a background of coriaceous, glossy dark green foliage is strikingly oriental. The numerous stamens of golden anthers and crimson filaments are fused to the petals and to each other, forming a fleshy rim at the base. The gynoecium G(3) consists of a tiny hairy ovary and three glabrous free styles. After blooming, the corolla and androecium are completely shed, leaving the gynoecia, protected by the persistent perules, to develop into large semi-globose brown woody capsular fruits, taking twelve months to mature. Each dehisces explosively but irregularly into three spreading valves which remain attached at the base, dispersing the large seeds and exposing the erect axis (columella) at the centre. The seeds are viable only for a short time and must be sown immediately after dehiscence.\n\nThe evergreen trees are tall and slender but much branched, reaching up to 30-40 feet. Blooming time is from December to March when blooms in Hong Kong are rare and precious and the demand for red flowers—a happy colour—is great. Much has been written about this Hong Kong Camellia but many local residents are not acquainted with its appearance nor its existence. It is time to introduce it into cultivation into our gardens and our courtyards. We, in Hong Kong, should be justly proud of producing this special Camellia hongkongensis.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v",
        "rank": 0
    },
    {
        "id": 211040,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 101,
        "title": "RAS-1987",
        "content_text": "76\n\nwith records of the \"autobiography” of the Taoist saint Huang Chuping, the figure worshipped by many thousands of devotees in Hong Kong as \"Wong Tai Sin.\" This autobiography has been reprinted in official publications of the Sese Yuan, and reads as follows (using the Sese Yuan's translation):\n\nAs a young shepherd boy, I spent my early childhood at Kim Hwa [Jinhua] Mountain located at the north of Kim Hwa City in Chekiang [Zhejiang] Province. The mountain was said to have derived its name from Venus and Mou Nui Constellation (Wunüxing) both of which were directly overhead. Orientated at the north of Kim Hwa Mountain was the Hill of Red Pines where I took abode. This hill, densely forested and often hidden in clouds and fog, was seldom frequented by outsiders. Among thick natural vegetations and interlocking peaks there was a deep ravine named Kim Hwa, one of the thirty-six caves of the similar geological structures in the neighbouring district.\n\nMy childhood was marred by poverty and hunger, compelling me to start earning my daily bread as a shepherd boy at the age of eight. At fifteen I was fortunate enough to have been blessed by a fairy who led me to a stone cave where I learned the art of refining cinnabar nine times into an immortal drug. For forty years in succession, I lived in this seclusion from the rest of the world until my brother broke this isolation. His early efforts were at first futile. However, through the guidance of a Taoist fortune-teller, he located me. My brother queried me of the whereabouts of the sheep under my custody. To this I replied that they could be traced in the east of the Kim Hwa Mountain. He was surprised, on arrival, to find nothing but heaps of white boulders which quickly transformed into sheep at my call. Fascinated by this impressive show of mine, my brother also took steps to learn to become an immortal.\n\nOriginally, I was named Wong Cho-ping (Huang Chuping), a subject of the Tsun [Jin] Dynasty and a",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 216507,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 266,
        "title": "RAS-2003",
        "content_text": "218\n\nshrines, and also larger caravanserai and trading centres. Many of the last developed into great crucibles for cultural development, cities that derived their often stupendous material wealth from trade, but also an equally magnificent cultural wealth derived from their location at the crossing point of cultures. It is this outpouring of human creativity at points along the Silk Road that is a major focus for Jonathan Tucker's book The Silk Road, subtitled Art and History.\n\nTucker's quest is bold, as befits his topic: to describe for the serious but not necessarily academic reader the art that flourished along the Silk Road during the fifteen hundred years of its heyday. Over four hundred colour illustrations conjure up a wonderful picture of the Silk Road, its places and people, its architecture (often in ruins today), paintings, sculpture, and even - through depictions on what remain of palace and temple walls - its music and ritual.\n\nIt is a difficult task that Tucker has set himself. To appreciate the art he presents, a knowledge of the complex passage and interaction of peoples and cultures is necessary. Tucker goes into enormous detail to try to ensure that his readers acquire this background. He gives the clearest picture when he concentrates on individual cities, for example, Chang'an (modern Xi'an) towards the eastern extremity of the Silk Road (which extended to Japan), and Baghdad towards the west (Istanbul is where Tucker draws his line here). By the Tang Dynasty, significant numbers of foreigners were reaching China along the overland route, and by then in Chang'an lived Zoroastrian refugees from Sassanian Persia (conquered by the Arabs in 651); Muslims (though the mosque in Chang'an is probably not as old, says Tucker, as the Huaisheng Mosque in Guangzhou, which dates from 627); Jews, who were significant and numerous Silk Road traders; Nestorian Christians; and followers of Manichaeism. Tucker painstakingly identifies elements that derived from non-Chinese influences in terracotta figurines, tomb paintings and sculptures, statues and other artefacts found in Chang'an and Luoyang from Tang and later periods. Most notable is a marble Bodhisattva, the 'Venus of the East' (his Fig. 119) which, in its sculptured clinging garments, reflected Indian antecedents, and was enormously influential on subsequent sculpture in this part of China.\n\nArt from the one hundred and ninety-three caves not far from",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    }
]