[
    {
        "id": 204306,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 74,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n70\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n(P'u-hsien), and Avalokitesvara (Kuan-yin). Only certain Buddhas of the Tantric Sect, such as Cundi (Chun-t'i) and Vairocana (P'i-lu-chê-na) are mentioned as \"saints from the West\"; but even these are given Taoist-sounding titles like tao-jên. In this way, the mainly Taoist framework of the novel is preserved. This amalgamation of Buddhist and Taoist deities is highly interesting and may have influenced actual religious practice in China. The practice of worshipping Taoist gods side by side with Buddhas and Bodhisattvas seems to have started after the publication of the novel, for in earlier Taoist literature we find no Buddhist deities mentioned among Taoist gods. For instance, in the Yün-chi ch'i-ch'ien, chüan 103, we find an account of the Taoist pantheon as it was in the eleventh century, which contained no Buddhist deities or fictional gods. But after the sixteenth and seventeenth centuries, various Taoist gods mentioned in the novel came to be worshipped together with Buddhist ones. What is more, most of the temples which apparently first adopted such practice were situated in northern Kiangsu, near Hsinghua, the native district of Lu, the author of the novel. It is therefore not unreasonable to suggest that the novel influenced the composition of the Chinese pantheon and contributed to the amalgamation of Buddhist and Taoist gods in popular belief.\n\nThe amalgamation of Buddhist and Taoist gods seems to have been achieved purposely by the author of the Fêng-shên. As a concrete illustration, I propose to describe how Vaisravana (P'i-sha-mên Tien-wang), one of the Four Heavenly Kings in Buddhist belief, and his third son Nata (Na-cha or No-cha), became important characters in this novel. Vaisravana was of course an Indian god, but during the T'ang and Sung periods he became identified with the Chinese general of the T'ang dynasty, Li Ching. But stories about him were disconnected before the novel Fêng-shên Yen-i was compiled. In various prompt-books which existed before the novel, such as the Nan-yu-chi (\"Prince Hua-kuang or The Voyage to the South\") and the Hsi-yu-chi (“Pilgrimage to the West”, the prototype of the famous novel of the same name) in the Ssu-yu-chi (\"The Four Travels\"), there were already stories about this god and his son. But in the hands of the author of the Fêng-shen these fragmentary and disconnected stories were reorganized and transformed into a vivid tale which can almost stand on its own as an interesting story apart from the whole\n\n* For illustrations of some of these temples, such as the Kuang Fu Monastery in Tai-hsing, Yangchow, and the Tu Tien Temple in Hai-men, Kiangsu, see Père Henri Dore, Recherches sur les superstitions en Chine, (10 vols., Shanghai, 1913-38), Bk. 9, Pt. 2, in Vol. 6.",
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    {
        "id": 204307,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 75,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n71\n\nnovel. After this treatment, Vaisravana and Nata became completely Sinicized, and few, if any, Chinese readers ever suspect that they are \"alien\" in origin. This is typical of the way in which Chinese Buddhists took stories or ideas of foreign origin and gradually turned them into something totally Chinese.\n\nApart from its influence on religious practice, the novel Fêng-shên Yen-i is also of considerable importance from a literary point of view. It superseded previous stories from which it took some of its material, so much so that but for the efforts of scholars in the past thirty years these previous stories contained in prompt-books would have been unknown. Even now, only a handful of experts have read the prompt-books, while most readers are not aware that the Fêng-shên is not entirely the original creation of one man. This goes to show the success of the author as an imaginative writer.\n\nIn the following pages I shall attempt to describe how the stories about Vaisravana and Nata became integral parts of the novel, as an example of the Sinicization of Buddhist stories and figures and their assimilation into the mainly Taoist pantheon of China. I shall also try to show how the author, Lu Hsi-hsing, made use of the material derived from miscellaneous sources and turned it into a fascinating tale.\n\n1. VAISRAVANA AND NATA\n\nWhen we come to a discussion of some of the prominent figures in the novel Fêng-shên Yen-i, the most striking fact we shall find is that the author described these figures vividly and did not rely on previous legends for literary effect. Rather, he chose from miscellaneous and discordant materials and put them into a unified system which enlarged and modified the Chinese pantheon. The story of Li Ching and his three sons, especially the third one, No-cha, in this novel may serve as an outstanding illustration.\n\nIn this novel Li Ching was first a commander of the Ch'ên-t'ang Pass in the court of the ruthless King Chou (Ch.12), but he was also a Taoist, and for a period of years he had learnt the process of Taoist cultivation from the Immortal Tu O of the K'un-lun Mountain though he was unable to reach the final attainment. He had three sons: the eldest, Chin-cha, was a disciple of Wên-shu (Mañjusri), the second, Mu-cha, was a disciple of P'u-hsien (Samantabhadra) and the third one, No-cha, a disciple of the Immortal Tai-I. Both the father and his three sons joined the side of King Wu in the expedition against King Chou. Though they all knew some magic feats and possessed magic weapons, they are described as human beings. Unless we study the Tantric sutras and compare them with the Chinese\n\nPage 75\n\nPage 76",
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    },
    {
        "id": 204308,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 76,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n72\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nhua-pên (story-tellers' prompt-book), we can hardly know their origin or the invaluable part played by the author of the Fêng-shên in transforming them into interesting characters.\n\nLi Ching, bearing the same name as the historical hero in the early part of the T'ang dynasty, is no doubt derived from the Buddhist heavenly king Vaisravana.\n\nWe know from many Buddhist texts the legends of the Four Heavenly Kings. According to the Abhiniskramana-sutra (出曜集經) translated by Jnanagupta in 587, they are,\n\nDhritarashtra or Chih-kuo T'ien-wang in the East, who leads the gandharvas, musicians in heaven; Virudhaka or Tseng-chang T'ien-wang in the South, who is the sovereign of the kumbhandas or deformed demons; Virupaksha or Kuang-mu T'ien-wang in the West, who is king of the nagas who dwell in their palaces at the bottom of the lakes; and Vaisravana or To-wen T'ien-wang in the North, who is head of the yakshas, strong and brave genii.\n\nThe author of the Fêng-shên Yen-i adapted these four heavenly kings in his novel (Chs.31-40) and called them \"the four generals of the Mo family\". He made them brothers and commanders who took charge of the Chia-mêng Pass under the command of the Premier Wên T'ai-shih. Their individual names are Mo Li-ch'ing, Mo Li-hung, Mo Li-hai and Mo Li-shou. But in Ch.31 when they are summoned by Premier Wên T'ai-shih, the author writes, \"The four heavenly kings (ssu t'ien-wang) strode forward,” thus unconsciously revealing their origin, and afterwards in Ch.99 they are given the titles of Tsêng-chang T'ien-wang (Mo Li-ch'ing), Kuang-mu T'ien-wang (Mo Li-hung), To-wên T’ien-wang (Mo Li-hai) and Ch'ih-kuo T'ien-wang (Mo Li-shou) respectively. In Ch.40 the author describes the weapons of these four brothers through the mouth of General Huang Fei-hu as follows:\n\nThe eldest brother Mo Li-ch'ing is twenty-four feet in height, with a face resembling that of a crab, and his beard is like copper wires. He fights always on foot with a long spear, and he has a sword which is called \"Blue Cloud\", on which there are charms and a seal saying \"earth, water, fire and wind\". The wind caused by the brandishing of this magic sword is a black wind in which hundreds of thousands of spears would run and cut off the limbs of men. Following the wind is a blaze in which flaming golden serpents cover the atmosphere with black smoke. The weapon of Mo Li-hung is an umbrella.\n\n* chúan 16, Shê-kung Ch'u-chia P'in (攝功出家品).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
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    },
    {
        "id": 204309,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 77,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n73\n\ncalled \"Umbrella of Noumenon and Unity\" (hun-yüan san A) which is decorated with emeralds and precious pearls of divine power which are threaded together to form the words: \"to pack up the universe.\" When this umbrella is opened, heaven and earth, the sun and the moon, will be covered up by darkness, and when it is rolled the world will be shaken. Mo Li-hai carries a spear and on his back there is a four-stringed guitar (p'i-p'a) which will produce the same effect as the \"Blue Cloud Sword\" when played on and the four strings correspond to earth, water, fire and wind. Mo Li-shou carries two whips and a bag in which is concealed a peculiar creature resembling a rat, hua hu-tiao (the striped marten). When hurled into the air this creature will assume the shape of an elephant with wings from its ribs and will devour every one.\n\nThe combat between these four brothers and the heroes from the camp of King Wu can be found in Chs.39-41 of the novel. They are engaged in mortal combat with the Li brothers, Chin-cha, Mu-cha and No-cha in Ch.40. If the reader knows that Li Ching, the fabulous father of these three Li brothers is in fact derived from one of these four heavenly kings, Vaisravana, the ingenuity of the author of this novel can be appreciated, because before the publication of this novel, in many other works Vaisravana and the Chinese god Li Ching, based on the historical hero so named of the Tang dynasty, had long been amalgamated and formed a single name, P'i-sha-mên t'ien-wang Li Ching (Vaisravana or Li Ching, the Heavenly King of Vaisravana). The Chinese transliteration from the Sanskrit \"Vaisravana\" since the T'ang dynasty has been Pi-sha-mên (R), the last character of which, mên, though senseless in this connection, normally means \"gate\". Thus, in popular literature, the term P'i-sha-mên lost its original meaning and became the name of the P'i-sha Gate, and it was therefore natural enough to have a heavenly general, like Li Ching, to take charge of it, though in English this may appear peculiar.\n\n* In Yang Ching-hsien's (MRK) play T'ang San-tsang Hsi-t'ien Ch’ü-ching (EXRE), Scene 9, we read \"P'i-sha-mên hsia Li Tien-wang\" (TX) which means the Heavenly King Li under the P'i-sha Gate. In the prompt-book Ch'i-kuo Ch'un-ch'iu P'ing-hua ta (TH), chüan 3, we have \"P'i-sha-mên To-t'a Li T'ien-wang\" (*XE) or P'i-sha-mên, the Heavenly King Li who holds in his hand a pagoda. Sometimes the story-tellers thought since there was a P'i-sha mên (gate), it was wise to create a palace, called P'i-sha Kung (CE W D). In the Nan-yüeh-chi, Ch. 11, we have \"P'i-sha Kung Li Ching Tien-wang\" (K*XE). In a long eulogistic poem in Ch. 12 of the Feng-shen, there is a palace in heaven called K'un-sha Kung (R V E) which is obviously an erratum.",
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    },
    {
        "id": 204310,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 78,
        "title": "RAS-1961",
        "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n74\n\nR\n\nThe historical figure of Li Ching had long been admitted into the Taoist pantheon. He was, in the year 760, enshrined with Chiang T'ai-kung (B★A or Chiang Shang) as one of the ten famous historical generals. In the anonymous work, Li Wei-kung Pieh-chuan (A4), it is said, \"When Li Ching was poor, he took a journey in the valleys and stayed in a cottage. When it was mid-night there came a woman who handed him a vase and said, 'Heaven has instructed you to pour down rain ...' and as we know in the Buddhist legends that it is Virupaksha (not Vaisravana) who is the king of the nagas, we understand that even in the T'ang dynasty the popular mind could not properly distinguish the function of these guardians of Mt. Sumeru. In an inscription on a tablet erected in the Temple of Vaisravana in Ning-hwa District (LM), Fukien, dated about 920, we read,\n\nP'i-sha-mên (Vaisravana) is a Sanskrit word which means \"universal or much hearing\" (to-wên SH). He dwells on the north of Mt. Sumeru, in the crystal palace, and is the chief of yakshas,10\n\nFrom this narrative we see why in so many Chinese records it has become an undeniable fact that yakshas are believed to live at the bottom of the seas with the dragon-kings in marvellous crystal palaces loaded with wonderful treasures. The legends of these two heavenly kings have long been mixed in the popular mind.\" As Li Ching was such a famous historical hero, the Taoist priests could not forgive themselves if they failed to utilize his prestige. It is said in an anonymous work of the T'ang dynasty, Yuan Hsien Chi (E), that Li Ching was still alive in the epoch of Ta Li (766-779) and became a Taoist immortal, In addition to the book on military strategy attributed to him in the Bibliography of the Hsin T'ang-shu (MEBOXZ), the Taoist priests also ascribed to him some canonical texts dealing\n\n12\n\n• Hsin T'ang-shu (), Ch. 15, Li-yüeh Chih (M), 5.\n\n• Ku-chin Shuo-hai (546), Shuo-yüan Pu (R), Vol. chi (2) Also Tsung-shu Chi-ch'êng Ch'u-pien (£).\n\n10 See Ninghwa Hsien-chih (\"Annals of the Ninghwa District\") of the Ming dynasty, quoted in Ku-chin T'u-shu Chi-ch'êng (4), Shên-1 Tien (R), chüan 54. The essay was composed by Huang T'ao () for Wang Shen-chih (E).\n\n11 In the Ta-Tang San-tsang Ch'ü-ching Shih-hua (ERR), chüan 1, “...A\" (\"To-day, Vaisravana of the Indra Heaven, the Guardian of the North, will feed Buddhist priests in the Crystal Palace.\")\n\n12 Quoted in Chiu Hsiao-shuo (R), 2nd Series, Shanghai, Commercial Press Ltd., 1910.",
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    },
    {
        "id": 204311,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 79,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n75\n\nwith the worship of the Pole Star and with astrology. These can be found in the Tao Tsang (Two Collections of Taoist Literature). To identify him with the Vaisravana of popular legends was advantageous both to the Buddhists and Taoists.\n\nIt has been said that Vaisravana helped the Emperor T'ai Tsung during the war which led to the founding of the T'ang dynasty. But in some Tantric texts, the story is dated in the year A.D. 742 (the 1st year of Tien Pao in the reign of Hsuan Tsung). When the city of An-si (2) was besieged by the troops of five states including Tashkend and Samarkand, Vaisravana appeared above the tower of the city-gate with his celestial soldiers and defeated the invading troops. The sutra reads,\n\nIt was in the 1st year of T'ien Pao, the cyclic year being Jên-wu (4), when the city of An-si in Kansu was besieged by the troops of five states, Tashkend, Samarkand ... (five characters missing in the text). On the 11th day of the second month the commander of the city sent a petition for reinforcements. The Emperor told the Monk I-hsing (一行), “An-si is twelve thousand li away from our capital and it would take eight months for our reinforcements to reach there. I am afraid the city will fall.\" I-hsing said, \"Why does Your Majesty not supplicate the celestial soldiers of Vaisravana, the heavenly king of the North, for help?\" \"How do I get his help?\" the Emperor inquired. I-hsing said, \"Your Majesty need only summon the foreign priest Amogha and he will do everything.\" Amogha was summoned and said, \"Your Majesty sent for me. Is it not because the city of An-si is besieged by the troops of five states?\" The Emperor answered, “Yes.” Amogha said, \"Bring your urn and follow me to the place of worship and I will supplicate the celestial soldiers of Vaisravana the heavenly king of the North to rescue the city from danger.\" Hardly had he finished chanting his spells for the fourteenth time when the Emperor saw celestial soldiers clad in armour standing in front of the hall. \"Who are they?\" the Emperor asked. \"Tu Chien (毘建), the second son of Vaisravana, who is leading the celestial troops to An-si, has come to say farewell.\" The Emperor gave them food and dispatched them. In the fourth month the commander of An-si reported again, “On the 11th\n\n13 Li Ching's name appears in the Tao-chiao Hsiang-ch'êng Tzu-ti Lu *(道教相承次第録 \"Order of Taoist Teaching\") in Yün-chi Ch'i-ch'ien (雲笈七籤)(XL). chüan 4. In the Tao Tsang (道藏), Tung-shên Pu (洞神部)(1), Fang-fa Lei (方法類)(5) T'ien-lao Shên-kuang Ching *(天老神光經) is attributed to him.",
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    },
    {
        "id": 204312,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 80,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n76\n\n*\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nday of the second month, before noon, thirty li from the city, on the north-east and in the mist there was a general, who was ten feet tall, at the head of some three to five hundred soldiers all equipped with armour. Near twilight, the sound of the drums and the hubbub shook the mountains and earth within three hundred li and they stayed there for three days. The troops of the five states all retreated. The strings of their bows were gnawed through by golden rats and their other equipment was broken and became useless. Some of the enemy soldiers who were old and feeble could not escape, and were going to be killed by our men. Then there was in the air a loud voice which ordered, \"Release them and do not kill.\" We looked at the place and saw Vaisravana revealing himself over the tower of the north gate of the city with a bright light behind him. A portrait has been made and is attached to this report.\n\nVaisravana defends our boundaries and comes to the relief of our besieged garrisons to carry out the orders of the Buddha. His third son Nata (E) follows him holding up a pagoda with both hands. It is said by the great priest of the Tripitaka, Amogha, that on the first day of every month Vaisravana assembles his devas and genii; on the eleventh day his second son Tu Chien would say farewell to the father and go on a tour of inspection; on the fifteenth day the four heavenly kings would meet and on the twenty-first day Nata would receive or give back the pagoda to his father.\n\n+\n\nThe above quotation is translated from the Tantric Pi-sha-mên I-kuei (\"The Ceremonies in the Worship of the Vaisravana\") alleged to have been translated from the Sanskrit by Amogha himself. As Amogha's name appears also in the text it cannot be taken as an impartial translation.14 However, as Li Ching was such a famous general in the T'ang dynasty, who fought many victorious battles against the Turks, it was again very natural for the Chinese to identify him with one of the four newly-introduced Maharaja-devas (the four heavenly kings).\n\nThe legend of the pagoda held in the hand of Vaisravana was developed from Tantric texts into a very complicated and interesting story in the Fêng-shên Yen-i (Chs.12-14). I think\n\n14 No. 1249, P'i-sha-mên I-Kuei; No. 1247, Pei-fang P'i-sha-mên T'ien-wang Sui-chun Hu-fa I-kuei (#SNIU); No. 1248, Pei-fang P'i-sha-mên T'ien-wang Sui-chun Hu-fa Chên-yen (IBR), all translation of Amogha, in The Tripitaka in Chinese.",
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    },
    {
        "id": 204313,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 81,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n77\n\nprobably the pagoda was a mistake for the parasol originally held by Vaisravana, as stated in the Ekottarik-agamas (增一含經):\n\nThe heavenly king Vaisravana held in his hand a parasol of the seven treasures (七寶) over the Tathagata in the air to protect the Tathagata from dust and soil,15\n\nBut since the circulation of the Tantric sutras was more or less encouraged by the authorities in the Tang dynasty, the public accepted that legend without scepticism.\" According to a Tantric text, Nata (No-cha 哪吒) is the third son of Vaisravana, who attends his father and holds the pagoda with both hands. But on the twenty-first day of every month, when the son is charged to go on some mission, so that they have to separate, Nata gives the pagoda to his father. This is not at all a thrilling story and there is no combat. The author of the Fêng-shên Yen-i created his own story of No-cha, the third son of Li Ching, based upon his profound knowledge of religious beliefs and popular literature, and made No-cha one of the famous heroes in Chinese literature. In order to analyse the parts which are the creative work of the author and to explain from what sources some of his materials may have been taken, I divide the story of No-cha into several sections below.\n\n2. MU-CHA AND CHIN-CHA\n\nBefore the publication of the novel Feng-shên Yen-i and the prompt-book Ssu-yu-chi, No-cha's (哪吒) name was usually Na-cha (那吒) in many of the plays of the Yüan dynasty which preserved the original transliteration found in the Tantric sutras.17 In the Hsi-yu-chi (Ch.7), one of the \"Four Travels\", the second\n\nHi To P'in (TPE), 30, Ekottarikagamas, chian 22, The Tripitaka in Chinese.\n\n10 In the year A.D. 838 (3rd year of K'ai Chiêng), on the 15th day of the 12th month, Lu Hung-chêng (盧弘正) wrote an inscription for the image of Vaisravana in the Hsing-t'ang Monastery (興唐寺) describing him as \"having a sabre in his right hand, and in the left hand a pagoda.\" cf. Ku-chin T'u-shu Chi-ch'êng, Shên-I Tien, chian 91.\n\n27 In Yang Ching-hsien's Yang San-tsang Hsi-tien Ch'ü-ching, Scene 8, “Nacha San Tai-tzu\" (哪吒三太子); anonymous play Menglich Na-cha San Pien-hua (孟麗哪吒三變換) in the Ku-pên Yüan Ming Tsa-chü\n\n*Z9M) edited by Wang Chi-lieh (王季烈), Shanghai, Commercial Press Ltd., 1941; anonymous play Ting-ting Tang-tang P’ên-êrh-kuei (丁丁當當甕兒鬼), Act 1, \"Hê-lien Na-cha\" (黑面哪吒), Act 2, \"Na-cha Fa\" (哪吒法), the last two are influenced by Tantric works. Besides, Na-cha (哪吒) appears in many plays of the Yuan dynasty, not to mention the tune called Nacha Ling (哪吒令).",
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    {
        "id": 204314,
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        "document_key": "RAS-1961",
        "page_number": 82,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n78\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nson of Li Ching is Hui-an () who was a disciple of Kuan Yin (Bodhisattva Avalokitesvara), while his name, Mu-ch'a (*), is not mentioned except in one verse, and not in the prose part of Ch.21. This is the name the author of the Fêng-shên Yen-i adopted. The origin of the name Mu-ch'a can be found in chüan 18, Kan-t'ung P'ien (A) of the Sung Kao-sêng Chuan (***) by Tsan-ning (), who was a follower of the Monk Sangha (@). The latter was said to be an incarnation of the Avalokitesvara of eleven faces and died in A.D. 710. Apart from Mu-ch'a, Hui-an was also one of his disciples. Therefore, in popular literature, Mu-ch'a and Hui-an are mixed up into one person and in the \"Four Travels\" Hui-an remains a disciple of Kuan Yin. It was the author of the Fêng-shên who changed the character ch'a (X) to cha (RE) in his novel so that the name could have the same second character as No-cha. In some popular editions of the \"Four Travels\" the character ch'a (X) has also been changed.\n\nNow, in the Tantric works, though the second and third sons of Vaisravana (Tu Chien and Nata) play rather important parts, his other sons, especially his first son, are not mentioned. I have read through a large number of sutras about Vaisravana and consulted some Buddhist scholars in Japan,1a but they could not give me any definite opinion. In Oda Tokuno's (1) Buddhist Thesaurus (#) and in the Chinese work Fu-hsüeh Ta Tz'u-tien (BAND) edited by Ting Fu-pao (TR) based upon it,19 we find that the names of P'i-sha-mên wu t’ung-tzu (£££7 Five Attendants of Vaisravana) include Tu Chien and Nata, but no origin is given. I think they may be identical with the \"Five Yakshas\" which appear under the sub-title \"Princes and Family Members\" (ERB) in Caturmaharaja (19F諸小王及眷屬)in E) in chuan 6 of the Ch'i Shih Ching (). They are, in translation, Fifty-feet (wu-chang £), Wilderness (k'uang-yeh ), Golden Mountain (chin-shan ), Long Fellow (ch'ang-shên ) and Hair of A Needle (chên-mao E). They appear (translated literally from the Sanskrit) also in the Caturmaharaja of the Shih Chi Ching (H) and in chüan 19 of the Dirghagama (£§ÂŒ) as \"Five Attending Genii of Vaisravana.”\n\n20\n\nI Dr. Henmi Baiei), Professor of Buddhist Art, Tama University (9) and others. I have also consulted the Chinese Buddhist priest Tan-hsü (1), aged 89, a disciple of the late T'i-hsien (M) of the Tien-t'ai Sect (R) and some Tantric scholars.\n\n19 The 4th ed., I Hsieh Shu Chũ (885), Shanghai, 1939.\n\n20 No. 24, The Tripitaka in Chinese, translated by Jñanagupta. cf. No. 25, Ch'i-shih Yin-pên Ching (#LFXE), chữan 6 & 7.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
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    },
    {
        "id": 204315,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 83,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol 1 (1961)\n\nISSN 1991-7295\n\n79\n\nBut this does not explain satisfactorily the record in the Mahavaipulya Mahasamnipata-sutra (李大集遺設堂訴言),21 in Catur-maharaja (四大天王), which maintains that each maharaja has ninety-one sons, but gives no names. And this does not explain the case (in the Janavasabha suttanta22 in chüan 5 of the Dirghagama) of the other god who, because of his accumulated merits would be re-born after his death as a son of Vaisravana in the Caturmaharajakayika (四大天王部). In the Buddha Preaching Jên-hsien Ching (作請人軟訣),* (AB jên-hsien being the Chinese translation for rsi jina) concerning the future of King Bimbisara (望界藤王), it is alleged that he would be re-born as the son of Vaisravana,\n\nPerhaps such confusion would explain why the author of the Fêng-shên, though knowing a good many of the Tantric legends, and adopting (in Ch.99 of the novel)23 the Chinese names for the four heavenly kings as \"Protectors of the Tripitaka and the Country, and Regulators of Wind and Rain\", abandoned the use of the name of Tu Chien and, in order to make his name conform to those of his younger brothers, invented Chin-cha (\"金吳), as the name of the eldest son of Li Ching. Chin-cha, though his origin does not appear in any reliable records, may, I suspect, come from the Tantric dharanis. Also, I have found in Act 1 of the anonymous play, Yüeh-ming Ho-shang Tu Liu-ts'ui (月明和尚堂留利清)24 of the Yuan dynasty, the following words chanted by a priest:\n\nAn! Ch'ih ling Chin-cha, Chin-cha, Sêng Chin-cha, Wo chin wei ju chieh Chin-cha, Chung pu wei ju chieh Chin-cha, An!\n(Listen! I am speaking of Chin-cha. Chin-cha, monk Chin-cha, I come to release you from Chin-cha, not to tie you up with Chin-cha. Listen! 哈！我今為你解金吳, 终不為你縋金吳。哈！)\n\nSince the author of the Fêng-shên was interested in both Buddhism and Taoism and is proved to have known many plays and other works of popular literature, he might have made use of materials such as those quoted above, in his creation of his characters.\n\n3. A LUMP OF FLESH WAS BORN\n\nThe story of No-cha's mother giving birth to him, in Ch.12 of the Fêng-shên Yen-i is as follows:\n\nLi Ching's wife, née Yin, had been pregnant for three years and six months, so he became very much vexed at it.\n\nThe wife dreamed one night at three strokes of the watch\n\n21 No. 397, translated by Dharmaraksa.\n\n22 Tseng-chang, Kuang-mu, To-wên, Ch'ih-kuo, see No. 665, Suvana-prathasa Sutta Sutra (Chin-kuang-ming Tsui-shêng-wang Ching 金光明最膤王訣), 11 & 12.\n\n*9*",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
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    },
    {
        "id": 204320,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 88,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n84\n\nVol 1 (1961)\n\nISSN 1991-7295\n\nsaw a dazzling light penetrating into his palace making the walls transparent. He dispatched his son, Prince Mo Chieh (E), with a group of mariners to go around in the sea to investigate.”\n\n26\n\nThis Mo Chich, probably a re-incarnation of Bimbisara, who was a king of Magadha () converted by Sakyamuni and who died and was re-incarnated as a son of Vaisravana, has been changed into Ao Ping in the above quotation from the Fêng-shên Yen-i, and has lost his original Buddhist flavour. Comparing this short paragraph from the Tung-yu-chi with the composition and description of the corresponding paragraphs in the Fêng-shên, we can see the artistic superiority of the latter.\n\nThe combat between No-cha and Ao Ping, the third son of the dragon-king, has a tragic end. No-cha put his foot on Ao Ping's neck and struck the latter's forehead with his bracelet, thus killing him. No-cha pulled out the sinews of the little dragon and went back, saying he would make a good belt of it for his father to fasten his cuirass on. The dragon-king, hearing of the death of his son, went to see Li Ching, and put the latter in a very embarrassing position. Li Ching, being ignorant of his son's prodigious feats, denied his guilt. But No-cha came out and apologized for what he had done, and told the dragon-king that his son's sinews were intact. The dragon-king was exasperated and told Li Ching that he would lodge a complaint at the court of the Jade Emperor against father and son. The story continues:\n\nAfter No-cha had calmed his parents he went to the Chin-kuang Cave and told his master, the Taoist Immortal T’ai-I, of his adventure. The master ordered him to unfasten his coat, drew spells on his bosom, and told him what to do the next morning. \"After that,\" the master said, \"you may go back to Ch'en-t'ang Pass. If anything unusual happens, you must tell your parents that I shall be responsible for your misdeeds.” The next morning No-cha reached the Pao-tê Gate (F),27 the gate of heaven. After a while he saw the dragon-king approaching wearing his celestial robes, but because of the magic spells on No-cha's bosom, the dragon-king could not see him. No-cha was so angry that he strode forward from behind and dealt the dragon-king with his bracelet such a heavy blow that immediately he fell to the ground. (Ch.12)\n\n•\n\n26 No. 9, Fu-shuo Jên-hsien Ching (MA), The Tripitaka in Chinese,\n\n27 Ch. 39, Hsi-yo-chi of the \"Four Travels\", the Pao-tê Kuan (OH) is the Gate in heaven where Li Ching dwells.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
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    },
    {
        "id": 204324,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 92,
        "title": "RAS-1961",
        "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n88\n\nhis original body and by his miraculous powers preached the dharma for the benefit of his parents.\n\n邵业\n\nThis is a case which was preached as early as the Sung dynasty. But, though it looks like a part of a Buddhist legend with some details probably omitted, it occurs in no canonical texts and is found to be fabulous. In chüan 6 of the Tsu-t'ing Shih-yüan (...), a work composed by Monk Ch'ên Shan-ch'ing (*) about A.D. 1099, it says,\n\nIn the monasteries there is the legend of his \"giving his flesh back to his mother and his bones to his father,\" but nothing referring to it can be found in the texts of the Tripitaka and no one knows what its origin is.\n\n(王子肉濟父母緣\n\nIn the Tripitaka in Chinese, I have found two cases which may have some relation with the legend of Nata as adapted in the Fêng-shên. One appears in the Tsa Pao-tsang Ching (# BK), chüan 1, subtitled \"A Prince Fed His Parents with His Own Flesh\" (±‡Ùƒƒ2R). It was the prince Hsü Shê T'i (F), a young prince aged seven. His grandfather, the king of Varanasi (M) had been assassinated by an usurper who killed also his two sons. The father of the young prince was the third son. Now the young prince when fleeing for his life with his parents, was faced with the problem of food. His father intended to kill his wife. Thereupon the young prince dismembered himself and cut off his own flesh every day to feed his parents until he had only three slices of flesh to offer. He presented two to his parents and the last slice which was so dear to him was given to a hungry wolf who was a transformation of Indra himself.31\n\nThe prince was an incarnation of Sakyamuni in a previous life. The prince Hsü Shê T'i in this Buddhist legend was seven, and his father was the third prince. It is quite possible that in the popular mind the jataka story became confused with the Tantric one, because in some Tantric texts such as the Pei-fang P'i-sha-mên T'ien-wang Sui-chun Hu-fa I-kuei (... \"Ceremonies In the Worship of the Heavenly King Vaisravana, the Protector of the Army\"),\" Nata is regarded as\n\n30 Nata's relation with Tantrism was still very clear in records as well as in the public mind. cf. Hung Mai (), / Chien San-chih (BEZ) chuan 6, on \"Ch'êng Fa-shih\" (El), Han Fên Lou (*) ed.; T'ai-p'ing Kuang-chi (XP), chüan 92, 1-sêng Lei (M), on Nata, In most of the Yuan plays, Nata is a fearful god (MME).\n\n91 No. 203, The Tripitaka in Chinese. cf. No. 156, Ta-fang-pien-fu Pao-ên Ching (XSEOREC), chüan 1, Hsiao-yang P'in (442).\n\n32 No. 1247, The Tripitaka in Chinese.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
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    },
    {
        "id": 204325,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 93,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n89\n\n\"the second son of the third prince of Vaisravana, the Heavenly King of the North”(北方天王吠室羅摩那羅閣第三王子其第二之孫) and in this text Nata addresses Vaisravana as \"my grandfather\" (RAXXE). Furthermore, this legend appears also in 卷一 of the Ta-fang-pien-fu Pao-ên Ching (大方便佛報恩經) (ASENNUE), and as I have found another story about the \"reincarnation from the lotus\" also in that sutra, which is also similar to the description of No-cha's reincarnation in the novel, I think both these stories may have influenced the author besides the case cited above.\n\nThe story of No-cha's reincarnation and the combat between the father and son is a very dramatic one and it reveals again the literary gifts of the author:\n\nNo-cha's souls, being dispersed, had nowhere to go, drifting about in the air. They went directly to the grotto of the Immortal T'ai-I. Chin-hsia (金霞), the younger disciple of T'ai-I saw it at the entrance, came to the master and said, \"I wonder why No-cha is now borne on the wind and drifting about freely.' (Last paragraph, Ch.13 and first paragraph, Ch.14, Fêng-shên Yen-i.)\n\nWe know from the previous narratives of the novel that No-cha was an avatar of Ling-chu Tsu, the Intelligent Pearl. But why was he so named? I think the following paragraph from Ch.2 of the Nan-yu-chi may explain both this name and the last paragraph I have just quoted:\n\nThe Intelligent Light (Ling-kuang) was enveloped by the Purple Emperor (紫皇) with the magic weapon Nine-bend Pearl (九曲珠) and died in that Pearl. The souls of the Intelligent Light borne on the wind had nowhere to go, and were seen by the Celestial Honoured All-Merciful and All-Compassionate Marvellous-Delight (慈悲妙喜天尊) (NEVRXO) who was in his meditation in the Palace of Eight-scenes. Watching the souls drifting about, he thought...\n\nAs the Chinese character is monosyllabic, it is easy to pick out the character ling (靈) and chu (珠) from this paragraph to form a new name and give it to No-cha as his other title since the description of his reincarnation is partially derived from here. The story continues thus:\n\nThe Immortal (T'ai-I) charged No-cha, “This is your place no more. Return to Ch'ên-t'ang Pass and see your mother in dreams, request her to build a temple for you to dwell in on the Ts'ui-p'ing Hill (Green Screen Hill) forty li away from the Pass. Sacrifices will be offered to you for three years and after that you may be reincarnated. Go ahead and do not tarry.\" During the third watch of that night No-cha appeared in a dream to his mother, saying, \"Mother, my souls have nowhere to go and I have suffered bitterly. Pray",
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    },
    {
        "id": 214235,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 93,
        "title": "RAS-1998",
        "content_text": "56\n\nYin in the other temple, the Pi-yun Ssu, depicts her with only two arms sitting cross-legged on a recumbent blue lion. Her assistants are an unnamed dark-faced elderly minister who appears to be South Asian, standing holding a tablet before his chest and dressed in a long blue robe. Her other attendant is the Red Youth, Hung Hai-eh, standing on her left hand with his hands held together before his chest, and dressed in a red robe over green trousers with a flowing scarf-like halo.\n\nTaking the three groups, the twenty Deva listed in Soothill, and the two groups in the Ta Pei Ssu and the Pi-yun Ssu, we have twenty deities common to all three.\n\nThese are:\n\nBrahma, Indra, Pancika, Sarasvati, Laksmi, Skanda [Wei T'o], Prthivi, Hariti, Marici, Surya, Candra, Siva, Yamaraja, Bodhidhruma, Guyapati, Kinnara and the four T'ien-wang guardians Vaisravana, Dhrtarastra, Virudhaka and Virupaksa.\n\nIn the Ta Pei Ssu we also have five additional Deva not present in the Pi-yun Ssu, the Asura, Vimalakirti, Nanda Upananda and Mahoraga. A further two Deva images are seen only in the Pi-yun Ssu. These are Lei Kung and Sagara.\n\nTaking each of the deities in turn, we shall examine their background and in particular their Brahmanist [or Vedic] origins, their role in the Chinese pantheon and any ambiguities or contradictions we encounter. The important three Brahmanist deities are known in Sanskrit as the Trimurti:\n\nthe creator\n\nBrahma\n\nthe preserver\n\nVishnu\n\nthe destroyer\n\nSiva\n\nBrahma and Siva are indeed included in the two temples whilst Vishnu is not3. Though a major Hindu deity today Vishnu was not so during the Vedic era of the second millennium BC. His particular task",
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    },
    {
        "id": 214237,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 95,
        "title": "RAS-1998",
        "content_text": "58\n\nseen in a comparatively modern temple near Taipei. A lengthy tunnel connects the main part of the Kuan Tu temple complex, to the North-west of Taipei, with the front entrance overlooking the Tamshui River. Some twenty-eight images stand in glass-fronted niches carved into the rock down the sides of the tunnel. These large individual images are of the Early Buddhas, the Ku Fo; the Buddhas of pre-history, the Buddhas who came before Sakyamuni, The Buddha. They have no altars and as there is an altar dedicated to the Thousand-arm and Thousand-Eye Kuan Yin P'u-sa at the river end of the tunnel they are not offered incense individually.\n\nSeveral aspects of the hagiography of the images in the cave/tunnel are intriguing. First of all, those holding weapons have them in their left hand. They are mostly dressed in gilded armour, and finally, their titles in Chinese, though Sinicised Sanskrit, have proved impossible to translate into the original Sanskrit and are therefore unidentified. Several of these unidentified deities have been depicted in Taiwanese religious literature but without any explanation apart from being listed under a general title of Supportive Incantations to Buddha, Ta Pei Chou Fo 大悲咒佛.\n\nThe following Vedic deities who have been noted in one or both of the temples in the Western Hills would seem not to be present in the cave/tunnel:\n\nMarici, Pancika, Hariti, Pippala [Bodhidruma], Laksmi, Prthivi, Surya, Candra, Vimalakirti, Nanda Upananda and Skanda/Veda.\n\nOf the scores of books, both the popular illustrated and monastic academic, produced over the last half century in Taiwan describing the Buddhas, bodhisattvas and the hundreds of minor deities of Buddhism, one at least has listed what they have called The Celestial Guardians Division. This list includes not only the Four Diamond Kings, the T'ien Wang, [Vaisravana, Dhrtarastra, Virudhaka and Virupaksa] but nine of the Deva seen in the Western Hills. These are Indra [Sakra-devanam], Brahma [Maha-Brahman], Marici, Laksmi [Sri-maha-devi], Sarasvati, Yamaraja, Guhyapati, Skanda [Wei T'o] and Gandharva.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214245,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 103,
        "title": "RAS-1998",
        "content_text": "66\n\nIn Malaysia where a number of Tamils also pray in certain Chinese folk religion temples, they refer to Tou-mu on her tortoise and pigs as the sister of the deity Maritci.\n\n5] Pancika known in Chinese as Pan-chih-chia\n\nPancika is the third of the Eight Great Yakshas, one of the Eight Generals of Vaisravana, husband of Hariti. An image of Pancika is present in both the Pi-yun Ssu and the Ta Pei Ssu. His image in the latter depicts him as a semi-demon, with dark skin, large round eyes and a narrow coronet with a sunburst facing forward. He is dressed in colourful robes over armour and has the swirling scarf round the back of his head, draped over his arms. He is making a 'v' sign horizontally with his right hand pointing to his left, using his fore- and middle-fingers. He has no other unique characteristic. In the Pi-yun Ssu, however, he could easily be taken for Wei T'o but without Wei T'o's diamond sword. His hands are grasped together before his chest; otherwise, he is much the same as in the Ta Pei Ssu.\n\n6] Hariti known in Chinese as Kuei-tzu Mu The Mother of Demons\n\nHariti is also known as the Mother of Loving Children, the children sometimes being known as the malevolent Yaksha [Yeh-sha]. She was the mother of one thousand demons, half of them living in Heaven and the rest on Earth. She is one of the standard group of Twenty Devas [Erh-shih T'ien] though she, too, is regarded by some as a Yaksha.\n\nOriginally her diet had consisted solely of human children and only after Sakyamuni, the Buddha, snatched one of her five hundred children and hid it, causing her great anguish, did she come to realise the suffering she was causing to humans by her diet. She became a vegetarian and a devout Buddhist. She eventually became a Buddhist deity whose images were to be seen in a few temples in northern China, in Shansi in particular, portraying her as a tall, slim beautiful woman whilst beside her stood one or more tiny demonic creatures, some of her offspring.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214256,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 114,
        "title": "RAS-1998",
        "content_text": "77\n\ning stick of incense before each with a perfunctory bow, the Four are looked upon as mere soldier guardians with a fifth, Wei T'o [see 21 above], their commander.\n\nThe group of Four are the product of the Mahayana school of Buddhism with additions from the Tantric school. Their original Buddhist title in Sanskrit is usually Dvarapala, though others claim that they are the Chin-kang Shou, derived from the Sanskrit \"Vajrapani', the Thunderbolt Bearer, the Great Protector.\n\nThey are responsible for the security of temples, protecting them from demonic attack and also preventing evil spirits from sneaking in. In Taoist temples, where they have different individual identities, they normally stand in the side wings of the main hall, such as in the Jade Emperor Hall at the Monastery of Ten Thousand Buddhas at Shatin in the New Territories of Hong Kong.\n\nThose in Buddhist temples are the Diamond Kings whilst those in Taoist and folk religion temples are Celestial Kings [T'ien-wang]. They are easily recognisable by their stature, location and by the collocation with the others in the group; also, because each usually holds a unique identifying symbolic object, a furled umbrella or a rodent, etc. They stand with defiant stares and have faces in colours identifying the direction for which they are responsible. The Buddhist Four guardians all wear the bodhisattva's five-leaf crowns with minute Buddhas inscribed on the central leaf, and flying scarves forming a nimbus behind and above their heads and shoulders. Many have demons, thieves, liars and adulterers underfoot. The Taoist Four, who also have demons underfoot, generally wear military helmets.\n\nA manifestation of Vaisravana, the protector of the North and one of the Four Chin-kang, appeared during his journey to aid Hsuan Tsang, the Buddhist monk who trekked from China to India and back to obtain Buddhist scriptures. For this reason Vaisravana was later revered by devotees, alone and in his own right, and over the years became associated with General Li Ching.\n\nAll four of the Mo-li brothers, the Taoist identities of the Four Temple Guardian Generals, are included and represented in the sets of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214258,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 116,
        "title": "RAS-1998",
        "content_text": "The King Protector of the East and controller of Spring\n\nelement: water\n\nP'i-p'u Tung-ch'a T'ien-wang LUXXE\n\n毘普動叉天王\n\nRed face\n\nMo-li Hai\n\nLute/guitar\n\nor Umbrella\n\n摩禮海\n\nor Sword and Snake\n\nor writing brush\n\nor Green face\n\nKuang-mu Virupaksa\n\nT'ien-wang\n\nwith Red beard 廣目天王 [Colour: red]\n\nThe King Protector of the West and controller of Winter\n\nelement: fire\n\n79\n\nP'i-p'u Po-ch'a T'ien-wang OXXE\n\nMo-li Shou Rat or Mongoose\n\nPink or Green face Tseng-ch'ang Virudhaka\n\nT'ien-wang\n\n[Colour: Red] 增吒天王\n\n[which changes into\n\nand short beard\n\n摩禮壽\n\na white, winged\n\nor Red Bird\n\nelephant]\n\nor Red or Golden Dragon\n\nor Magic sword and ring\n\nor Whip\n\nThe King Protector of the South and controller of Summer [or Spring]\n\nelement: wood\n\nT'i-t'ou Lai-cha T'ien-wang DELI\n\nMo-li Hung Umbrella\n\nPink or white face T'o-wen Vaisravana\n\nClean shaven\n\nor Money bag\n\nT'ien-wang\n\n摩禮紅\n\nor Snake [and pearl]\n\n[Colour: Black]\n\n多聞天王\n\nor Rat/Mongoose\n\nor gold\n\nand occasionally",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214268,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 126,
        "title": "RAS-1998",
        "content_text": "89\n\nAppendix B\n\nTHE DEVA WITHIN THE BODHISATTVA HALL IN THE PI-YUN SSU PEKING'S WESTERN HILLS\n\nThe Chinese titles of these the Deva within the Bodhisattva Hall in the Pi-yun Ssu are as follows together with their standard Sanskrit name:\n\nFan T'ien\nBrahma\n[Mahabrahman]\n\nTi-shih\nIndra\n[Sakra Devaran]\n\nT'o-wen Tien-wang\nVaisravana\n(Guardian of the North)\n\nCh'ih-kuo T'ien-wang\nDhrtarastra\n(Guardian of the East)\n\nTseng-ch'ang T'ien-wang\nVirudhaka\n(Guardian of the South)\n\nKuang-mu T'ien-wang\nVirupaksa\n(Guardian of the West)\n\n) the Four\n) Guardians\n) of the\n) Entrance\n) to\n) Buddhist\n) Temples**\n\nMi-chi Chin-kang\nGuhyapati\nAnother Diamond King Guardian\n\nMo-hsi-shou-lo\nSiva\n[Mahesvara]\n\nPan-chih Ta-ching\nPancika\n\nPien-ts'ai T'ien\nSarasvati\n\nChi-hsiang T'ien-nü\nLaksmi\n\nWei-t'o\nSkanda or Viharapala\n\nChien-lao-ti-shen\nPrthivi\n\nP'u-t'i Shu-shen\nBodhidruma or Pippala\n\nKuei-tzu Mu\nHariti",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214271,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 129,
        "title": "RAS-1998",
        "content_text": "92\n\nPrthivi\n\nSakra Devaram\n\nSarasvati\n\nSkanda\n\nSurya\n\nTung-yüeh Ta-ti\n\nTzu-wei Ta-ti\n\nVaisravana\n\nVimalakirti\n\nVirudhaka\n\nVirupaksa\n\nYama",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214273,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 131,
        "title": "RAS-1998",
        "content_text": "94\n\nAh-hsü-lo Wang 阿修羅王\n\n[Asura]\n\nNa-lo-yen T'ien\n\n那羅延天\n\n[Narayana - son of Nara -the Original Man]\n\nMi-ta Chin-kang\n\n密達金剛\n\n[Guhyapati raja]\n\nT'i-t'ou Le-cha 提頭勒吒\n\n[Mo-li Hai - Dhrtarastra - Guardian of the East - one of the Four Diamond Kings]\n\nP'i-lo Le-cha 毘羅勒吒\n\n[Mo-li Hung- Virudhaka, Guardian of the South - one of the Four Diamond Kings]\n\nP'i-lo-po-cha\n\n毗羅博叉\n\n[Mo-li Ch'ing - Virupaksa - Guardian of the West - one of the Four Diamond Kings]\n\n[T'o-wen T'ien Wang - Mo-li Hung]\n\nP'i-sha-men T'ien 毗沙門天\n\n[Vaisravana, One of the Four Diamond Kings - the Guardian of the North - Bishamen]\n\n[Protector of Travellers in the train of the 1000 arm Kuan Yin]\n\nChin Ta Wang\n\n金大王\n\nChin-se Kung-ch'iao [Five-colour Peacock]\n\n金色孔雀\n\nMan Hsien-jen 滿仙人\n\n[Purna - The Fully-complete Immortal]\n\nMa-hu-lo Wang 摩虎羅王\n\n[Mahoraga]\n\nMa-ho-lo Nü\n\n摩和羅女\n\n[?]",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214275,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 133,
        "title": "RAS-1998",
        "content_text": "96\n\nAppendix E\n\nTHE LIST OF TWENTY DEVA\n\n十天\n\n+*\n\nIN SOOTHILL'S DICTIONARY OF CHINESE\n\nBUDDHIST TERMS\n\n  \n    Maha Brahman\n    - Brahma\n  \n  \n    Sakra devanam\n    - Indra\n  \n  \n    Vaisravana\n    \n  \n  \n    Dhrtarastra\n    \n  \n  \n    Virudhaka\n    \n  \n  \n    The Four Diamond Kings - Temple Guardians\n    of the Four Directions\n  \n  \n    Virupaksa\n    \n  \n  \n    Guhyapati\n    \n  \n  \n    Mahesvara\n    \n  \n  \n    Pancika\n    \n  \n  \n    Sarasvati\n    \n  \n  \n    Laksmi\n    \n  \n  \n    Skanda\n    \n  \n  \n    Prthivi\n    \n  \n  \n    Bodhidruma or Bodhivrksa\n    \n  \n  \n    Hariti\n    \n  \n  \n    Marici\n    \n  \n  \n    Surya\n    \n  \n  \n    Candra\n    \n  \n  \n    Sagara\n    \n  \n  \n    Yama-raja",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214281,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 139,
        "title": "RAS-1998",
        "content_text": "102\n\nDevas in the Deva Hall of the Pi-yun Ssu\n\nright to left: Brahma, Vaisravana, Virudhaka, Surya, Hariti, Prthivi and Laksmi",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    }
]