[ { "id": 204322, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 90, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n86\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nThe prince Siddhartha thereupon asked, \"Is there any good bow in this city which will suit my strength?\" The father, King Suddhodana was very glad and said, \"Yes, there is.\" \"Where is it then, Your Majesty?\" asked the prince. \"Your grandfather Simhahanu (the lion's cheek) had a bow which is now kept in the temple and flowers are offered to it. No man has ever been able to bend it.\" The prince urged the king to send for it, and when it had been fetched, all the Shakya nobles were allowed to have a trial, but no one could string, nor draw it. Then the minister Mahanama was given an opportunity. He exhausted all his energy yet he could not move a single inch of the string and so he presented it to the prince. The prince remained seated without moving. He seized the bow with his left hand and bent the string with a single finger of his right hand. A startling noise broke out throughout the city Kapilavastu which made all the people frightened. \"What noise is it?\". \n\n+\n\n28\n\nIn Ch.2 of the Pei-yu-chi, the king of the Kingdom of Ko-ko () received a tribute from the Western tribes. It was a bronze drum twelve inches thick. Upon the challenge of the tributary messenger, no one in the court, not even the generals, could pierce its surface with an arrow. The prince, \n\nThe prince, who was only seven, claimed that he could shoot through it. \"He seized the bow with his left hand and put on the arrow with his right hand. The arrow darted off and pierced the surface with the feather of the arrow left outside.' \n\nThe age of No-cha and that of the said prince were seven years. We can see that No-cha's story is derived partly from the Pei-yu-chi and both originated from the story of the Buddha.\n\nNo-cha's arrow darted off to a far distance and accidentally killed a Taoist disciple of Madame Shih-chi (ENR), who was a goddess of the Intercepting Sect. Shih-chi sent the Athlete of the Yellow Turban to bring Li Ching to her grotto in the K'u-lou Shan (Mt. Skeleton) and pressed him for an explanation, Li Ching vowed his innocence and was set free so that he could investigate the matter. No-cha again admitted to his father what he had done, and followed Li Ching to Shih-chi's place to settle the matter. At the entrance to the grotto he had a desperate clash with the goddess, and though he hurled all his precious weapons they fell into her hands and sleeves. No-cha fled to Mt. Ch'ien-yüan for protection. His master, the Immortal T’ai-I had a violent quarrel with Shih-chi on his behalf, and the quarrel\n\n28 No. 190, The Tripitaka in Chinese, translated by Jfianagupta; also Sister Nivedita & Ananda K. Coomaraswamy, Myths of the Hindus & Buddhists, Harrap, 1914, pp. 261-2.\n\nPage 90\n\nPage 91", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 205115, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 71, "title": "RAS-1966", "content_text": "66\n\nHERBERT FRANKE\n\nChinese artists of the tenth and twelfth centuries respectively. One does not even have to look at reproductions of his paintings to see how Chinese he is; the titles of his paintings alone show this. \"Mountains in Rain\", \"A Grove of Leafy Trees in Mist and Rain\", \"Clearing after a Spring Rain over the Mountains\" -- all these and many other titles suggest strongly that Kao stayed strictly within the Chinese tradition.21 In this connection another phenomenon must be noted. These foreigners not only seem to have lost their national background but also their religion. When we read, for example, the poems written by a Nestorian Önggüt in Chinese we do not find any Christian elements, nor is there any hint to Islamic faith in the poems of writers like Sa'd ad-Daula. Nothing could, of course, prevent these authors from, say, praising Allah in Chinese or writing a Christian hymn. And there was also nothing and nobody to prevent them from continuing to use their native language as a literary medium. The Mongol Government remained, on the whole, tolerant towards foreigners and foreign languages. But it seems as if the attraction of Chinese civilization was so strong that foreigners residing in China tried hard to be acknowledged by the Chinese intelligentsia as their equals. Or must we ascribe this phenomenon to a hostility of the Chinese who did not care to preserve literature written in foreign languages? There may have been poems written in Persian or Turkish in Yüan China, but if so, they certainly did not survive. There are certain indications that later Chinese nationalism under the Ming may have wiped out any traces of foreigners. In 1269 a new script for the Mongol language had been invented by Phags-pa Lama, a script that was meant to supersede the Uighur-Mongol script. The use of this new script, the so-called square script which was based on the Tibetan alphabet, was made obligatory by Imperial decree, and also used for printing Mongol books. But only fragments of one Mongol book printed in the Phags-pa script have survived, fragments of a Buddhist text (Subhāsitaratnanidhi) that have been found in Turfan. The Yuan dynastic history contains some data on the translations of Chinese works into Mongol. Apart from Buddhist scriptures at least seven works, some of them quite lengthy, were translated and printed, and nine more have at least reached the MS stage. But not a single one of these printed books and manuscripts has survived, with the possible exception of the bilingual Chinese-Mongol Classical Book of Filial Piety (Hsiao-", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205117, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 73, "title": "RAS-1966", "content_text": "68\n\nHERBERT FRANKE\n\nadministration of the local rulers of the Tun-huang region who were descended from the Chagatay branch of Chingis Khan's clan was still modelled after the Chinese prototypes. The names of offices mentioned in this Mongol letter written in the Mongol script are transcriptions from Chinese. The same applies to the feudal titles of these local rulers: they are Chinese and can be identified through Chinese sources. The document must have been written about 1355 or 1360, that is, rather late and at a time when the Tun-huang and Turfan regions were certainly not under direct control from Peking. Another document found in Turfan and dating from the same period has furnished evidence for another set of Chinese titles, in a context which is, linguistically, a strongly Turkicized Mongolian. The names of offices mentioned show that the administration of these Chagatay kings was a replica of the Chinese central and provincial government organization. Even the disposition of the Mongol documents found in Central Asia shows Chinese influence: wherever the name of a Khan occurs, a new line is begun.23 This same feature occurs also in the Mongolian letters written by the Ilkhans of Persia to the King of France and to the Pope. The presence of Chinese chancellery practices in Persia under the Ilkhans is further shown by the Chinese seals or rather stamps on these letters.24 We could even go one step further and ask how much of the government and taxation practices of the Golden Horde rulers in Southern Russia is of Chinese origin. It is generally recognized that medieval Russia, that is, the Muscovite kingdom of the Ruriks, was deeply influenced by the \"Tatar\" domination and took over some of the Tatar or Mongol patterns of government. The tendencies toward centralization in sixteenth century Russia can be explained by these Tatar influences which might eventually go back to Chinese administrative patterns.\n\nChinese art forms too have spread West under the Mongols. A good example is Persian miniature painting. It is not necessary to be a trained art historian or a specialist in Islamic art; even a layman would notice that thirteenth and fourteenth century Persian miniatures were deeply influenced by Chinese painting. On some early miniatures we find trees, rocks and clouds painted in the same way as Chinese painters did. Chinese painting must therefore have been known to the Persians under Mongol rule. Recently unassailable proof for the presence of Chinese art in Persia has", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205121, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 77, "title": "RAS-1966", "content_text": "72\n\nHERBERT FRANKE\n\nNOTES\n\n1 On Europe and Europeans as mentioned in Chinese sources, see H. Franke in Saeculum, Vol. II (1951), pp. 65-75.\n\n2 W. Fuchs, The Mongol Atlas of China by Chu Ssu-pen, Peiping, 1946, Monumenta Serica Monographs, No. 8; J. Needham, Science and Civilization in China, Vol III, pp. 555-556.\n\n3 H. Franke in Zeitschrift der deutschen morgenländischen Gesellschaft, 112 (1962), pp. 228-232 (review of Leonardo Olschki, Marco Polo's Asia).\n\n4 Francis A. Rouleau, \"The Yangchow Latin Tombstone as a Landmark of Medieval Christianity in China\", Harvard Journal of Asiatic Studies, Vol. 17 (1954) pp. 346-365.\n\n5 John Foster, \"Crosses from the Walls of Zaitun\", Journal of the Royal Asiatic Society, 1954, pp. 1-25. (pl. XII).\n\n6 Saeculum, Vol. II (1951), p. 74-75.\n\n7 J. Needham, op. cit., Vol. III, pp. 167-382.\n\n8 See for example, H. Franke, Beiträge zur Kulturgeschichte Chinas unter der Mongolenherrschaft, Wiesbaden 1956, p. 34 (Nestorian surgeon).\n\n9 J. Needham, op. cit., Vol. III, p. 381, note (c).\n\n10 A. C. Moule, \"The Siege of Saianfu and the Murder of Achmach Bailo\", Journal of the North China Branch of the Royal Asiatic Society, Vol. 58 (1927), pp. 1-28; Vol. 59 (1928), pp. 256-257.\n\n11 J. Needham, op. cit., Vol. I, p. 141.\n\n12 Yüan-shih ed. K'ai-ming, ch. 190, p. 6565, II/III. For the Ho-fang t'ung-i see Ts'ung-shu chi-ch'eng, Vol. 1486.\n\n13 A. C. Moule, op. cit.\n\n14 R. Loewenthal, \"The Nomenclature of Jews in China\", Monumenta Serica, Vol. XII (1947), p. 113.\n\n15 H. G. Farmer, \"Reciprocal Influences in Music 'twixt the Far and Middle East\", Journal of the Royal Asiatic Society, 1934, pp. 327-342.\n\n16 Ch'ing-lou chi, ed. Ts'ung-shu chi-ch'eng, Vol. 2734, p. 9.\n\n17 H. Franke, \"Der kluge Richter\", in Asiatische Studien, 1950, pp. 55-59.\n\n18 Renate Noethen, Das Sha-kou ch'üan-fu, München, 1961 (Diss.).\n\n19 L. C. Goodrich, \"Westerners and Central Asians in Yuan China\", Oriente Poliano, Rome, 1957, pp. 1-21; \"Western Regions Writers of Chinese Lyrics during the Yuan\", International Conference of Orientalists in Japan, No. VII (1962) pp. 17-21.\n\n20 L. C. Goodrich, Oriente Poliano, p. 15.\n\n21 O. Sirén, Chinese Painting, Vol. IV, New York/London, 1958, pp. 54-59, plates Vol. VI, Nos. 57-60.\n\n22 W. Fuchs, \"Analecta zur mongolischen Übersetzungsliteratur der Yüan-Zeit\", Monumenta Serica, Vol. XI (1946), pp. 34-39; W. Fuchs und A. Mostaert, \"Ein Ming-Druck einer chinesisch-mongolischen Ausgabe des Hsiao-ching\", ibid., Vol. IV (1939/40), pp. 325-329.\n\n23 E. Haenisch, Mongolica der Berliner Turfan-Sammlung, II, Berlin 1959.\n\n24 A. Mostaert and F. W. Cleaves, Les lettres de 1289 et 1305 des ilkhan Argun et Öljeitü à Philippe le Bel, Cambridge, Mass. 1962.\n\n25 M. S. Ipsiroğlu, Saray-Alben, Wiesbaden, 1964, pl. XLIV, No. 64.\n\n26 J. Needham, op. cit., Vol. II, pp. 217-219.\n\n27 H. Franke, \"Some Sinological Remarks on Rashid ad-Din's History of China\", Oriens, Vol. 4, (1951), pp. 21-26.\n\n28 W. Franke, \"Zur Frage der Mongolen in China nach dem Sturz der Yüan-Dynastie\", Oriens Extremus, Vol. 9 (1962), pp. 57-68.", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205733, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 39, "title": "RAS-1969", "content_text": "MILITIA, MARKET AND LINEAGE\n\n33\n\nBritish at Canton, and second, the Taiping Rebellion. Imperial resources were now strained to the limit and the paramilitary associations of the Kwangtung hinterland became an essential if volatile and unpredictable adjunct to government strategy. Contingents of gentry-organized militia contributed, with government encouragement and varying degrees of success, to the defence of Canton on several occasions and were largely responsible for the suppression of the mid-century Red Turban revolt.?\n\nThe existence of such composite militia forces raises many interesting problems. For the moment they may be subsumed under two general questions. How were these militia forces organized? Can they be related to what is known of other, enduring aspects of social organization in rural Kwangtung? These questions are central to this article, as they are to Wakeman's study of the militia movement in Kwangtung province between 1839–1861. His analysis will be discussed in conjunction with the smaller, but in some respects similar, resistance movement which sought to prevent the British occupation of Hong Kong's New Territories in 1899. However, before turning to these events, it is necessary to consider two other recent contributions to the study of Chinese society.\n\nTheoretical Considerations\n\nSkinner has suggested that \"anthropological work on Chinese society, by focussing attention almost exclusively on the village, has with few exceptions distorted the reality of the rural social structure. Insofar as the Chinese peasant can be said to live in a self-contained world, that world is not the village but the standard marketing community. The effective social field of the peasant... is delimited not by the narrow horizons of his village but rather by the boundaries of his standard marketing area.”\n\nFor present purposes the central elements of Skinner's thesis are: (i) that the patterned economic activities of a predominantly peasant and agrarian society are discernible in the spatial distribution of its markets; (ii) that the markets, in terms of their different functions, can be conceptually ordered in a hierarchy; and (iii) that the overall system of differentiated marketing activities is integrated by a series of co-ordinated periodic market schedules. The resulting typology is: minor market, standard market, intermediate", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205871, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 177, "title": "RAS-1969", "content_text": "BOOK REVIEWS\n\n171\n\ntung. On the military side these events included two assaults on Canton itself, nearly four years of military occupation of the city (5.1.1858 - 21.10.1861) and various punitive expeditions on the Canton river and inside the province. On the civil and diplomatic side were the sequence of events connected with the question of entry to Canton, which the British held to have been promised them under the terms of the Treaty of Nanking in 1842. This culminated in the triumph of the Canton Viceroy in 1849 who was able to defer entry still further on the grounds of the rooted opposition of the gentry and people of the province to this step by their officials — though deferment was also due to Bonham's conviction that the real key to Canton lay not by warlike action there as in the North. These years also saw economic crises at Canton occasioned, among other factors, by the opening of four other treaty ports under the Nanking Treaty, and a wave of growing lawlessness across the province culminating in the great disorders of the 1850s in the wake of the Taiping rebellion.\n\nMr. Wakeman's theme is the re-emergence of local militia in the early 1840's to assist in repelling the British forces and their continuance through the later years of the entry question (1846-49); the part they played in local defence against the Red Turban and other rebels, pirates and banditti in the early 1850s; their efforts against the British attack in 1857-58 and, under secret orders from Peking, in the guerilla struggle against the British in Canton in the first period of the occupation, until diplomatic agreement in the North led to their being told to desist.\n\nHe traces the ebb and flow in official attitudes to the local militia from encouragement to discouragement, from enthusiasm to apprehension. He describes, too, the methods by which the militia were raised and financed and shows how they were a two-edged weapon to Government and people alike. Mr. Wakeman also traces the rise and wane of anti-foreign attitudes in Kwantung during this period and the paradoxical change from bitter enmity to a realisation, at least in Canton and its surrounds, that British troops were a guarantee against a multitude of threats from lawless elements. The treatment is masterly and authoritative, being based on a wide variety of sources in English and Chinese; the book is compelling and the narrative moves smoothly.\n\nIn this review I shall confine my remarks mainly to the militia. First of all I wish to comment briefly on the use of the English", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205874, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 180, "title": "RAS-1969", "content_text": "174\n\nBOOK REVIEWS\n\ntive or sub-administrative area?\" So far as the Kowloon school was concerned it served the rural areas immediately east, west, north of and round Kowloon, whose principal villages were linked in yeuk (yueh) (#5) or 'compacts” — though whether the latter were self-organised or instituted by Government is still unknown to me. These villages used Kowloon as a market centre though there were small local markets in some of the yeuk. Together these yeuk do not appear to have constituted either an administrative or sub-administrative area of the county (1) save in the sense that the Kowloon sub-magistrate utilised their existence as a medium of contact and, no doubt, control. Again, whether they had any tuan lien is unknown - though village tradition at Nga Tsin Wai just in front of the Kowloon Walled City has it that, assisted by the Tin Hau goddess from the village temple, whose image glistened with her supreme effort, the villagers 'saved' the City from the Red Turban rebels in the 1850s and their leading elder was given a kung ming (1) by Government in recognition of their part in the defence.\n\nIn short, the detailed picture remains unfilled but we stand greatly in Mr. Wakeman's debt for having set the scene in such a stimulating and authoritative manner.\n\nHong Kong, 1969,\n\nJAMES HAYES\n\nHONG KONG: A SOCIETY IN TRANSITION. CONTRIBUTIONS TO THE STUDY OF HONG KONG SOCIETY, ed. I. C. Jarvie, in consultation with Joseph Agassi, Routledge and Kegan Paul, London, 1969, pp xxix, 378, illustrated.\n\nA symposium such as this might be approached from one of two angles: its theme could be either an exploration of the conflicts within Hong Kong society, or a comparison between the problems of Hong Kong and those of other areas in a similar situation of rapid and profound change. None of the papers in this volume attempts the latter; and those which attempt the former are noticeably more stimulating and more valuable than those which attempt neither. Hong Kong is a place in which a number of almost totally disparate groups, their interests sometimes diametrically opposed (e.g. the indigenous people and the immigrants in the New Territories), coexist in an exceedingly small compass: an opportunity to survey the relationships, often\n\nPage 180\n\nPage 181", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 208004, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 43, "title": "RAS-1977", "content_text": "BRUNEI: A HISTORICAL RELIC\n\n27\n\nMalaya a \"new nationalism” has not yet emerged. It is in a sense \"bought off\" by the prosperity and good times made possible by the oil revenues.\n\nA recent account of Brunei in a well-known western journal began this way: 21\n\nThere are moments when visitors feel this sleepy state on Borneo island's northern shore is something dreamed-up in a Hollywood script conference.\n\nOur film opens in some place wild like the South China Sea coast. It's a place run by a sultan — you know, a chap with a turban and a name like Sir Omar Ali Saifuddin. He lives in this big box of a palace with a flock of cars and a bunch of hungry relatives.\n\nAnd get this, the country sits atop a huge pool of oil so nobody wants to work. In fact, most everyone just kinda mooch-es off the government, which sits back and collects millions from the oil company.\n\nThen we need something spectacular like a huge mosque with a gold-plated dome that's lit with coloured floodlights at night.\n\nExcept for the presence of the opulent gold-domed Sultan Omar Ali Saifuddin mosque which now towers on the skyline Pigafetta of Magellan's crew would still recognize Brunei if he were able to sail up the river to the town today,22\n\nThe \"Water Village” (Kampong Ayer) has changed little in character. More than half the people in the capital live in houses built on piles above the water of the river, and it is said that some old women in the kampong have never set foot on land, having spent their whole lives in the river village. Today, however, Kampong Ayer is dominated by the mosque, constructed at the water's edge and opened in 1958. This dignified building, the pride of the present and the fulfilment of the hopes of the past, approached from water on one side and land on the other, seems to stand symbolically where tradition and progress meet. For although the water village changes little, on the landward side Brunei Town grows, encouraged by the easy wealth obtained from oil revenues and by the fervent desire, both patriotic and religious, to outdo its neighbours,", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 214238, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 96, "title": "RAS-1998", "content_text": "59\n\nConclusion\n\nWe have been examining a particular arrangement of Indian Deva within two temples in the Western Hills of Peking. Each group has an image of the Bodhisattva Kuan Yin as the main deity within the Deva hall itself. Although monks explained that the images of deities down the side walls of the hall had been created in accordance with researches in old Buddhist books, there was no explanation why they should all have a Chinese rather than an Indian form. It has been suggested by devotees that the concept of the Deva might have reflected the Manchu dynasty's affinity with Tantric Buddhism, and perhaps Vedic beliefs or been brought by Lamaist monks during the late Ming but there is no evidence that this was so. Yet another devotee thought that when the images were first created during the early sixteenth century, Chinese craftsmen had a somewhat limited idea of the origins of the deities concerned and even, perhaps, no idea what the people of South Asia looked like and therefore made the images in the form of Chinese. An unanswered question is the presence of several deities within the groups of Deva whose origins were entirely Chinese without any connection whatsoever with Vedic Hinduism.\n\nA small number of individual images of deities with a Brahmanist origin have been seen on altars in temples in all Chinese communities; these however have not been at all widespread. Typically they were adopted by immigrant Chinese from native Buddhism. A remarkable example of a syncretic group of Buddhist, Hindu and Chinese folk religion deities is to be seen in a joint Buddhist, Hindu and Chinese folk religion temple in a quiet area of Angsila some sixty miles south of Bangkok. The three altars against the rear wall in the main hall of this temple are the Thai Buddhist altar, stage right with an image of Sakyamuni Buddha in its centre flanked by two other Thai Buddhist images. The central altar, the Hindu altar, contains one large image of Shiva [Siva], holding a trident and dressed in a robe and turban, and with several small unidentified images standing before him. And finally, the Chinese folk religion altar dedicated to T'ien Hou, the patron deity of sailors, with her small image on the altar, stage left, flanked by her usual demonic attendants, Thousand-Mile Eye and Following-Wind Ear. Devotees of all races pray before each altar in turn, usually beginning with the altar of their own culture and cursorily placing incense before the other two. In the temple forecourt are large brightly painted", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214791, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 206, "title": "RAS-1999", "content_text": "171\n\nSusan Stewart (1984; 1993) therefore exaggerated when she said that “Nostalgia is a sadness without an object', although otherwise she well expressed the facticity of nostalgia: 'By the narrative process of nostalgic reconstruction the present is denied and the past takes on an authenticity of being...which...it can achieve only through narrative'; and \"Nostalgia is the repetition that mourns the inauthenticity of all repetition and denies the repetition's capacity to form identity'. \n\nThe Hmong people with whom I have worked, in Thailand and in Southwest China, express an almost incalculable nostalgia for the past through their death rituals, when the Song of Opening the Way' (Chuab Ke) is sung by a Master of the Way (mo). The soul of the deceased is addressed very gently by the Master, who figuratively takes him by the hand and leads him to collect his placenta from where it was buried beneath the floor of the house at his birth. Then slowly, step by step, the Master leads the dead back through a series of terrifying ordeals which encompass the entirety of historical time itself, back and back until the very point of origin is arrived at, the village of the lineage ancestors (your Mother and Father) from where you will be reborn. Here the soul will at last meet its true Mother and Father - but not those pleasant ones who seem to recognise you. greeting you with open arms and smiles at the door, but those terrifying, tall angry-looking ogres, these are your real Mother and Father...\" \n\n*Saub yom yiaj, at daybreak came one walking from the edge of the sky, dressed up in beautiful finery and wearing a splendid turban. I called you once but you did not hear, I called you twice and three times and still you did not listen. I fear that the one dressed in beautiful finery coming along the path is you, come out to play\n\nSaub us uj, listen carefully to what the Master has to say, I bear the crossbow on my back and take the cock under my arm to guide you on your way, you will come upon three roads, do not take the road to the left, for that is the road for the Yi people, do not take the road to the right, for that is the road for the Han people, but take the road in the middle, the little one with the filthy footprints and hoof marks, for that is the road of your ancestors, that is the road where you should go and play", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 215112, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 208, "title": "RAS-2000", "content_text": "165\n\nIn 755, during the revolt of An Lushan, Guo helped defend the capital, and in 760 he was despatched to recover territory from Central Asian barbarians and finally, three years after the Turfans [Uighurs] had captured the capital, Guo raised an army and drove them out, more by cunning than military force. The disasters which broke out during the declining years of the Tang Ming Huang emperor were suppressed chiefly by the vigour and determination with which Guo wrested province after province from the hands of the insurgents. He spent a considerable part of his life in warfare and was uniformly successful.\n\nHis images in temples in Northern and Central China usually portrayed him as an old mandarin, with a parted beard, both halves held separately in each of his hands, and with a tiered hat. Occasionally his image depicted him as an old man, sitting, with a long white beard and a white robe, carrying a ruyi sceptre engraved with the four characters for 'Everything shall be as You Desire'. According to one sect, the Jin Dan H., Guo is said to have founded the sect in collaboration with Lü Dongbin, the doctor of renown and one of the Eight Immortals. His image on altars in Sichuan was referred to as Cifu Tianguan14 where he was regarded as a God of Wealth.\n\nNo images of Guo have been noted on temple altars in Taiwan, Hong Kong, Macau or South-east Asia, though a temple in Haikang in Tainan county bears the hall title of Fenyang Dian and contains on its main altar not an image of him but one of a local provincial cult deity, Guangze Zunwang, the patron of the Guo clan.\n\nBoth Mesny and Timothy RichardR claim that Guo Ziyi was a follower of Nestorian Christianity, Mesny even claiming that Guo's name was carved on the famous Nestorian tablet at Xi'an.\n\nWe move on to images of the two major deified heroes of the era on temple altars who have had their historic figures embellished by tea-house story-tellers down the centuries include:\n\nZhang Xun✯ and Xu Yuan,F are heroes of renown and unique deities whose images have been seen on temple altars in Zhejiang, Taiwan, Hong Kong and South-east Asia [Photographs 6 and 7]. Both are protective deities worshipped particularly by the southern Fukienese, both within Fujian province and in southern Fukienese", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215304, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 81, "title": "RAS-2001", "content_text": "and sacrificial meats (zuo IF) that had been used in the ji sacrifice.13\n\n29\n\nThe oldest source we have is from the Liang dynasty (502-556 AD), a thematically organized chronicle accounting for the customs of the lake land in Central China, called Jing Chu sui shi ji, or Records of the Seasons in Jing and Chu. It is very apparent that this text has had an influence on later scribes. For instance, it is quite clear that the compiler of the record of Suiyang has copied from the old Records the note saying that four neighbourhoods combined to celebrate the She. This description of social organization might not have been very accurate in late Imperial times, nor can we assume that it was anything more than an idealized picture in early medieval China. Perhaps it only means that a vicinage had one centrally located She altar. The Liang source also mentions sacrificial meats and strong wine and in this there may have been more of a true historical continuity through the centuries.14\n\n16\n\nThe chronicler of Wuling magistracy juxtaposes the celebrations of the She with the vernal breaking of the earth in agriculture and the inundation of the fields in the second moon.15 Some names also indicate an agricultural connection: In Yingshan the offerings to the She were called qi gu 'prayers for grain'16 and the day seems to have been known as gu ri—'grain day'. As was noted above, the peasants of Suiyang were on this day forecasting inundations, droughts and tao rice growing in the fields'. There was a saying here: She zhong xin *£*—'to sow the new [crop] at She [time]'. There can be no doubt that the day of the She and its celebrations were connected with the new agricultural season, the breaking of the earth in the spring and the sowing of the rice grains.\n\nIn a sense the Li Chun festival was a precursor of the She Day. The latter was officially calculated on the basis of the occurrence of the former. Both festivals were concerned with the breaking of earth, but it seems clear from this juxtaposition that Li Chun was more 'prospecting' and anticipating—an official recognition of the arrival of\n\n13 古今圖書集成.1888.VI,1120:風俗考4b.\n\n14 On the Jing Chu sui shi ji, see Turban 1971: 3-46.\n\n15 古今圖書集成.1888.VI,1259:風俗考1b.\n\n16 古今圖書集成.1888.VI,1166: 風俗考4a.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215317, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 94, "title": "RAS-2001", "content_text": "42\n\nFaure, David, 1986. The Structure of Chinese Rural Society: Lineage and Village in the Eastern New Territories, Hong Kong. Hong Kong &c: Oxford University Press.\n\nGu jin tu shu ji cheng 4 (The Complete Collection of Ancient and New Matters from Illustrations and Documents). 1885-88 (1726). Compiled by Chen Menglei and Jiang Tingxi. 3rd edition. Shanghai: Major Brothers.\n\nHODOUS, Lewis. 1974 (1929). Folkways in China. Taipei: Ch'eng Wen Publishing Company.\n\nJing Chu sui shi ji (Records of the Seasons in Jing and Chu). Complied by Zong Lin. Liang Dynasty. In Hubei yunxin yi shutt (Documents on Traditional Morals in Hubei). N.d.\n\nTUN LI-CH'EN. 1987 (1936). Annual Customs and Festivals in Peking as Recorded in the Yen-ching Sui-shih-chi. Translated and annotated by Derk Bodde. Hong Kong: Hong Kong University Press.\n\nTURBAN, HELGA. 1971. Das Ching-Ch'u sui-shih chi, ein chinesischen Festkalender. Augsburg: Dissertationsdruck W. Blasaditsch.\n\nYANG, C.K. 1961. Religion in Chinese Society: A Study of Contemporary Social Functions of Religion and Some of Their Historical Factors. Berkeley: University of California Press.\n\nYiyang xian zhi (Chronicle of the Magistracy of Yiyang). 1874. N.p.\n\nYuanjiang xian zhi (Chronicle of the Magistracy of Yuanjiang). 1807-09. N.p.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 } ]