[
    {
        "id": 204272,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 40,
        "title": "RAS-1961",
        "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n36\n\nThe next example is from Li Po, who, having been a knight errant himself, naturally eulogized them in his poetry. In his \"Song of the Knight Errant\", he describes a knight thus:\n\nThe man from the North wears a tasselled hat\n\nAnd a curved sword as bright as frost or snow.\n\nHis silver saddle shines on his white steed\n\nOn which he rides as fast as a shooting star.\n\nHe can kill anyone within ten paces\n\nAnd will not stop till he has gone a thousand miles. Shaking the dust from his clothes, he goes into hiding,\n\nTo shroud in secret his person and his name.\n\nAfter mentioning two famous knights of antiquity, the poet concludes:\n\nAfter death, their chivalrous bones are fragrant;\n\nThey can compare with any heroes in the world. Who cares to imitate the pedantic scholar\n\nWriting books until his hair grows white?\n\nIn another poem he again says:\n\nIt is better to be a knight errant than a scholar:\n\nWhat is the good of studying hard when your hair\n\nis turning white?12\n\nFinally, a poem by Chia Tao (A.D. 777-841), which seems to me to sum up the spirit of knight errantry in four lines:\n\nThe Swordsman\n\nThis sword I have been polishing for ten years;\n\nIts frosty edge has never been put to the test.\n\nNow that I've shown it to you, pray tell me:\n\nIs there anyone suffering from injustice?*\n\nBut the richest fruits of chivalric literature are naturally to be found not in poetry but in fiction. Among the romances in classical prose of the T'ang period, we find many tales of chivalry. Apart from their generally high literary standard, these tales are remarkable for two interesting features: first, in many of them, a supernatural element is introduced; secondly, we encounter as many female hsia, or chivalrous ladies, as knights. The story of Hung Hsien is a typical example. Hung Hsien, or \"Red Cotton\", was a maid in the household of Hsüeh Sung, the military governor of Lu-chou, in the T'ang dynasty. She was a skillful p'i-pa player\n\n11 Li T'ai-po shih-chi, chüan 3, 31.\n\n12 Ibid., chüan 3, 14.\n\n13 Ch'üan T'ang shih, chüan 571. (In the Peking, 1960 edition, p. 6618).",
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    {
        "id": 204273,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 41,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n37\n\nand well versed in history and literature. So Hsieh made her his private secretary. At that time, the military governors were practically independent war-lords paying only nominal homage to the crown. A rival governor, T'ien Ch'eng-ssu, was increasing his armed forces and planning to annex Lu-chou. Seeing that Hsüeh was worried about this, Hung Hsien offered to go to the rival governor's city one night to investigate. Brushing aside Hsüeh's misgivings, she pushed her hair back to form a bun, put on a short embroidered jacket and black silk shoes, carried a dagger, and wrote a magic spell on her forehead. In a moment she was gone. Hsüeh waited for her alone, and after a dozen cups of wine, it was already daybreak. Suddenly he heard something falling lightly like a leaf on the ground outside. It was Hung Hsien coming back. She had travelled several hundred miles and gone to the rival governor's headquarters, and, without disturbing the armed guards or waking up the governor, had taken from his bed-side a gold case containing his horoscope. Next morning, Hsieh sent the gold case back to his rival, with a letter saying, “Last night a visitor came and brought this from your bed-side. I dare not keep it and am returning it herewith.\" On receiving this, the rival governor, T'ien, was petrified. He sent Hsüeh rich gifts and a humble letter of apology, saying that he had no aggressive intentions and that he was going to cut down his forces. All was peace and quiet. Two months later, Hung Hsien asked permission to leave. Hsüeh was naturally reluctant to let her go, whereupon she said, \"In my previous incarnation I was a man and a physician, who, by mistake, caused the death of a pregnant woman conceiving twins. As a punishment, I was re-born as a girl and became a serving maid. Now that I have repaid your kindness, I must go.\" Hsieh realized it was no use trying to keep her, so he held a great farewell banquet in her honour. After a tearful goodbye, she disappeared and was never seen again.11\n\nThe above story is written in elegant classical prose. At the same time, chivalric tales also existed in the popular colloquial literature of T'ang times. Among the manuscripts discovered at Tun-huang at the end of the last century are many tales known as pien-wen (#), which may be translated as \"popularized texts\".15 These are for the most part Buddhist legends re-told in a semi-colloquial style, often in a mixture of prose and verse. However, some of them are not of a religious character. Among these is\n\n14 T'ai-p'ing kuang-chi ***, chüan 195. For a full translation of the story, see E. D. Edwards, Chinese prose literature of the T'ang period, vol. II (London, 1938), pp. 123-7.\n\n15 For further information, see Arthur Waley, Ballads and stories from Tun-huang (London, 1960).\n\n1",
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    },
    {
        "id": 204274,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 42,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n38\n\none called \"The Capture of Chi Pu\". This refers to the same General Chi Pu mentioned earlier, whose life was saved by the knight errant Chu Chia. In this popular version, which is in doggerel verse, the story differs from the historical account. The name of Chi Pu's benefactor is given as Chu Chieh instead of Chu Chia. This is probably due to a confusion between the names Chu Chia and Kuo Chieh, the two most famous knights of early Han. Moreover, in this version, Chu is the official sent to arrest Chi Pu, and he is blackmailed into saving the latter's life rather than doing so voluntarily. This tale in doggerel verse has no great literary merits, but is of considerable historical interest as a specimen of popular chivalric literature of the Tang period.\n\nDuring the Sung dynasty, professional story-tellers flourished. According to the Tsui-weng t'an-lu (B680), a miscellaneous collection of stories and verses probably printed at the end of Sung, the story-tellers divided their tales into eight categories: \"miracles\" (ling-kuai), “female ghosts\" (yen-fen), “love romances\" (ch'uan-ch'i), “legal cases\" (kung-an), “long swords\" (p'u-tao), “clubs\" (kan-pang), \"gods and immortals\" (shen-hsien), and “magic” (yao-shu).\" Two of these, \"long swords” and “clubs”, obviously deal with chivalrous deeds. The difference between the two, judging by the examples given in the Tsui-weng t'an-lu, seems to be that the former refers to battles waged between armies using long weapons, while the latter refers to private fights involving the use of short weapons. The latter is therefore more strictly concerned with knights errant, who usually fought as individuals rather than as leaders of armies. As for chivalric tales involving the supernatural, such as the story of Hung Hsien, they were classified under \"magic\".\n\nMany of the prompt-books used by the story-tellers, known as hua-pen, have come down to us, though usually edited by later hands. Moreover, some of them became integral parts of long prose romances. The most outstanding example of a chivalric romance based on oral tradition is the Shui-hu chuan, of which there are two English versions, one by J. H. Jackson entitled The water margin, the other by Pearl S. Buck entitled All men are brothers. The historical events on which the oral legends and the prose romance were based took place at the end of the Northern Sung period. According to the History of the Sung dynasty, in A.D. 1121 a group of rebels led by Sung Chiang and thirty-five others ravaged several prefectures\n\n: \n\n: \n\n10 Wang Chung-min and others, Tun-huang pien-wen chi (Peking, 1957), vol. 1, pp. 58-71,\n\n17 Tsui-weng t'an-lu (reprinted Shanghai, 1957), pp. 3-4. This is the most precise contemporary account of the classification of stories. Other accounts are similar but not so clear.",
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    },
    {
        "id": 204275,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 43,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n10\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n39\n\nand defeated government troops again and again. They were eventually persuaded to capitulate to the government, and took part in the victorious campaign against another rebel Fang La.1 However, some modern historians believe that after they had helped the government forces, Sung Chiang and his followers were themselves liquidated in their turn. Be that as it may, the exploits of Sung Chiang and his followers soon became the subject of popular legends told orally. These grew in number and came to be written down. At first only short accounts were written, but later, towards the end of the Yuan period, about 1300, the different stories were joined together to form one long romance, possibly by Shih Nai-an, who has been identified with the dramatist Shih Hui, styled Chun-mei.2 By then, the number of heroes involved had grown from the original thirty-six to a hundred and eight. The romance continued to be enlarged and revised by various hands during the Ming period, until it became a work of 120 chapters, published about 1620. Then, at the beginning of the Ch'ing period, in 1644, the critic Chin Sheng-t'an took the first seventy chapters, added a new chapter at the end as well as commentaries, and published it as the \"Fifth Work of Genius\" in Chinese literature. This edition achieved immense popularity, and it is this truncated version which most Chinese readers have read and which has been rendered into English.\n\n21\n\nMeanwhile, some stories about knights errant found their way into the drama of the Yuan period. The plays of this period were classified by subject under twelve categories, one of which was \"long swords and clubs\". This obviously corresponded to the two categories of stories \"long swords\" and \"clubs\" mentioned earlier. In particular, some stories about Sung Chiang and his followers not included in the Shui-hu chuan were given dramatic treatment in Yuan times. For instance, there were at least a dozen Yuan plays about Li K'uei, one of the followers of Sung Chiang and one of the most colourful characters in popular literature.22 Two of these plays are still extant.23 They present with great gusto this rough-mannered, quick-tempered outlaw with a heart of gold. In plays of later periods, Li K'uei and other\n\n4a.\n\n18 Sung-shih* (SPPY), chüan 22, 3a; chüan 351, 11b; chüan 353,\n\n1 Mou Jun-sun, \"On the tombstone inscription of Chê K'ê-ts'un and Sung Chiang's end\" 牟潤孫,折可存墓誌銘考証兼論宋江之結局, Bulletin of the College of Arts, National Taiwan University, No. 2.\n\n20 Sun K'ai-ti, Chung-kuo t'ung-su hsiao-shuo shu-mu 孫楷第,中國通俗小說書目 (Peking, 1957), p. 181.\n\n+\n\n21 Chu Ch'üan, T'ai-ho cheng-yin p'u 朱權,太和正音譜 (reprinted together with the Lu kuei pu 錄鬼簿, Shanghai, 1957), p. 135.\n\n22 For the titles of these plays, see Fu Hsi-hua, Yuan-tai tsa-chü ch'üan-mu 傅惜華,元代雜劇全目 (Peking, 1957), pp. 406-7.\n\n23 There is another Yuan play in which Li K'uei appears, but only as a subsidiary character.",
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    },
    {
        "id": 204306,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 74,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n70\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n(P'u-hsien), and Avalokitesvara (Kuan-yin). Only certain Buddhas of the Tantric Sect, such as Cundi (Chun-t'i) and Vairocana (P'i-lu-chê-na) are mentioned as \"saints from the West\"; but even these are given Taoist-sounding titles like tao-jên. In this way, the mainly Taoist framework of the novel is preserved. This amalgamation of Buddhist and Taoist deities is highly interesting and may have influenced actual religious practice in China. The practice of worshipping Taoist gods side by side with Buddhas and Bodhisattvas seems to have started after the publication of the novel, for in earlier Taoist literature we find no Buddhist deities mentioned among Taoist gods. For instance, in the Yün-chi ch'i-ch'ien, chüan 103, we find an account of the Taoist pantheon as it was in the eleventh century, which contained no Buddhist deities or fictional gods. But after the sixteenth and seventeenth centuries, various Taoist gods mentioned in the novel came to be worshipped together with Buddhist ones. What is more, most of the temples which apparently first adopted such practice were situated in northern Kiangsu, near Hsinghua, the native district of Lu, the author of the novel. It is therefore not unreasonable to suggest that the novel influenced the composition of the Chinese pantheon and contributed to the amalgamation of Buddhist and Taoist gods in popular belief.\n\nThe amalgamation of Buddhist and Taoist gods seems to have been achieved purposely by the author of the Fêng-shên. As a concrete illustration, I propose to describe how Vaisravana (P'i-sha-mên Tien-wang), one of the Four Heavenly Kings in Buddhist belief, and his third son Nata (Na-cha or No-cha), became important characters in this novel. Vaisravana was of course an Indian god, but during the T'ang and Sung periods he became identified with the Chinese general of the T'ang dynasty, Li Ching. But stories about him were disconnected before the novel Fêng-shên Yen-i was compiled. In various prompt-books which existed before the novel, such as the Nan-yu-chi (\"Prince Hua-kuang or The Voyage to the South\") and the Hsi-yu-chi (“Pilgrimage to the West”, the prototype of the famous novel of the same name) in the Ssu-yu-chi (\"The Four Travels\"), there were already stories about this god and his son. But in the hands of the author of the Fêng-shen these fragmentary and disconnected stories were reorganized and transformed into a vivid tale which can almost stand on its own as an interesting story apart from the whole\n\n* For illustrations of some of these temples, such as the Kuang Fu Monastery in Tai-hsing, Yangchow, and the Tu Tien Temple in Hai-men, Kiangsu, see Père Henri Dore, Recherches sur les superstitions en Chine, (10 vols., Shanghai, 1913-38), Bk. 9, Pt. 2, in Vol. 6.",
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    },
    {
        "id": 204311,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 79,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n75\n\nwith the worship of the Pole Star and with astrology. These can be found in the Tao Tsang (Two Collections of Taoist Literature). To identify him with the Vaisravana of popular legends was advantageous both to the Buddhists and Taoists.\n\nIt has been said that Vaisravana helped the Emperor T'ai Tsung during the war which led to the founding of the T'ang dynasty. But in some Tantric texts, the story is dated in the year A.D. 742 (the 1st year of Tien Pao in the reign of Hsuan Tsung). When the city of An-si (2) was besieged by the troops of five states including Tashkend and Samarkand, Vaisravana appeared above the tower of the city-gate with his celestial soldiers and defeated the invading troops. The sutra reads,\n\nIt was in the 1st year of T'ien Pao, the cyclic year being Jên-wu (4), when the city of An-si in Kansu was besieged by the troops of five states, Tashkend, Samarkand ... (five characters missing in the text). On the 11th day of the second month the commander of the city sent a petition for reinforcements. The Emperor told the Monk I-hsing (一行), “An-si is twelve thousand li away from our capital and it would take eight months for our reinforcements to reach there. I am afraid the city will fall.\" I-hsing said, \"Why does Your Majesty not supplicate the celestial soldiers of Vaisravana, the heavenly king of the North, for help?\" \"How do I get his help?\" the Emperor inquired. I-hsing said, \"Your Majesty need only summon the foreign priest Amogha and he will do everything.\" Amogha was summoned and said, \"Your Majesty sent for me. Is it not because the city of An-si is besieged by the troops of five states?\" The Emperor answered, “Yes.” Amogha said, \"Bring your urn and follow me to the place of worship and I will supplicate the celestial soldiers of Vaisravana the heavenly king of the North to rescue the city from danger.\" Hardly had he finished chanting his spells for the fourteenth time when the Emperor saw celestial soldiers clad in armour standing in front of the hall. \"Who are they?\" the Emperor asked. \"Tu Chien (毘建), the second son of Vaisravana, who is leading the celestial troops to An-si, has come to say farewell.\" The Emperor gave them food and dispatched them. In the fourth month the commander of An-si reported again, “On the 11th\n\n13 Li Ching's name appears in the Tao-chiao Hsiang-ch'êng Tzu-ti Lu *(道教相承次第録 \"Order of Taoist Teaching\") in Yün-chi Ch'i-ch'ien (雲笈七籤)(XL). chüan 4. In the Tao Tsang (道藏), Tung-shên Pu (洞神部)(1), Fang-fa Lei (方法類)(5) T'ien-lao Shên-kuang Ching *(天老神光經) is attributed to him.",
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    },
    {
        "id": 204313,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 81,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n77\n\nprobably the pagoda was a mistake for the parasol originally held by Vaisravana, as stated in the Ekottarik-agamas (增一含經):\n\nThe heavenly king Vaisravana held in his hand a parasol of the seven treasures (七寶) over the Tathagata in the air to protect the Tathagata from dust and soil,15\n\nBut since the circulation of the Tantric sutras was more or less encouraged by the authorities in the Tang dynasty, the public accepted that legend without scepticism.\" According to a Tantric text, Nata (No-cha 哪吒) is the third son of Vaisravana, who attends his father and holds the pagoda with both hands. But on the twenty-first day of every month, when the son is charged to go on some mission, so that they have to separate, Nata gives the pagoda to his father. This is not at all a thrilling story and there is no combat. The author of the Fêng-shên Yen-i created his own story of No-cha, the third son of Li Ching, based upon his profound knowledge of religious beliefs and popular literature, and made No-cha one of the famous heroes in Chinese literature. In order to analyse the parts which are the creative work of the author and to explain from what sources some of his materials may have been taken, I divide the story of No-cha into several sections below.\n\n2. MU-CHA AND CHIN-CHA\n\nBefore the publication of the novel Feng-shên Yen-i and the prompt-book Ssu-yu-chi, No-cha's (哪吒) name was usually Na-cha (那吒) in many of the plays of the Yüan dynasty which preserved the original transliteration found in the Tantric sutras.17 In the Hsi-yu-chi (Ch.7), one of the \"Four Travels\", the second\n\nHi To P'in (TPE), 30, Ekottarikagamas, chian 22, The Tripitaka in Chinese.\n\n10 In the year A.D. 838 (3rd year of K'ai Chiêng), on the 15th day of the 12th month, Lu Hung-chêng (盧弘正) wrote an inscription for the image of Vaisravana in the Hsing-t'ang Monastery (興唐寺) describing him as \"having a sabre in his right hand, and in the left hand a pagoda.\" cf. Ku-chin T'u-shu Chi-ch'êng, Shên-I Tien, chian 91.\n\n27 In Yang Ching-hsien's Yang San-tsang Hsi-tien Ch'ü-ching, Scene 8, “Nacha San Tai-tzu\" (哪吒三太子); anonymous play Menglich Na-cha San Pien-hua (孟麗哪吒三變換) in the Ku-pên Yüan Ming Tsa-chü\n\n*Z9M) edited by Wang Chi-lieh (王季烈), Shanghai, Commercial Press Ltd., 1941; anonymous play Ting-ting Tang-tang P’ên-êrh-kuei (丁丁當當甕兒鬼), Act 1, \"Hê-lien Na-cha\" (黑面哪吒), Act 2, \"Na-cha Fa\" (哪吒法), the last two are influenced by Tantric works. Besides, Na-cha (哪吒) appears in many plays of the Yuan dynasty, not to mention the tune called Nacha Ling (哪吒令).",
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    },
    {
        "id": 204323,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 91,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n87\n\nended in a fierce hand-to-hand conflict. At last T'ai-I hurled his powerful weapon, a lamp-shade of nine fire-dragons, into the air, which fell on the goddess and rendered her senseless. T'ai-I clapped his hands and immediately a flame rose up in the shade, and she died in the roaring blaze. The dragon-kings of the Four Seas now got a warrant from the Jade Emperor to arrest No-cha's parents. No-cha, with secret instructions from his master T'ai-I, rushed back to Ch'ên-t’ang Pass. When he saw the dragon-kings, he shouted in a terrific voice:\n\n\"It was I who killed Li Kên and Ao Ping and I should forfeit my life. How can you molest my parents?\" After this, he spoke to Ao Kuang, \"I am not to be slighted. I am an avatar of Ling-chu Tzu, the Intelligent Pearl. By the command of Yüan-shih I have descended to this world to fight for the establishment of the coming dynasty. I am determined to rip open my stomach, pluck out my intestines and pick out the bones, to return to my parents what I got from them. Are you satisfied with that?\" To this Ao Kuang agreed, and No-cha did as he had just said: he fell down to the ground and his souls dispersed. His corpse was put into a coffin and was ordered by his mother to be buried. (Ch.13)\n\nWe learn from the commentaries and the expository notes of the Ch'an school (or in Japanese Zen) of Chinese Buddhism that there are many historical and hereditary \"cases\" (Kung-an or in Japanese koan) handed down from generation to generation by the learned priests of this school of contemplation as material for their followers to study and to reflect upon. Most of these \"cases\" are metaphysical and to some extent mystical, and as cultivation in meditation involves some experiences which are not subject to communion between the learner and the Patriarch or the predecessors, it has relation with Tantrism.29 The story related in the Fêng-shên about No-cha (Nata) quoted above is one of the cases which appear in chüan 2 of the Wu-têng Hui-yüan (EK), a work written by Monk P'u-chi (#) of the Sung dynasty, and is retold in chüan 2 of the Chih-yüeh Lu (f), edited by Ch'ü Ju-chi (W) of the Ming dynasty. It runs as follows:\n\nPrince Nata, rending himself asunder, gave his flesh back to his mother and his bones to his father, and then manifesting\n\n20 Nan Huai-chin (RM), Ch'an-hai Li-ts'ê (THU), Ch. 15, \"Ch'an School and Tantrism\" (RANER), pp. 205-211, Ching Ming Hsüeh Shê (W204), Taipei, 1955. cf. Daisetz Teitaro Suzuki ( Kil), Essays in Zen Buddhism, Second Series, p. 94, London, Luzac, 1933.",
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        "document_key": "RAS-1961",
        "page_number": 101,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n97\n\nthree chapters (Ch.12-14) of the Fêng-shên Yen-i and all the other chapters except those parts inherited from the prompt-book Wu-wang Fa-Chou P'ing-hua3 and Lieh-kuo Chih-chuan (@) are the original work of the author.\n\n39\n\n40\n\n38\n\nLu Hsün told us that the approximate dates of Wu Ch'êng-ên are about 1510-1580, and the earliest editions of the Hsi-yu-chi by Wu Ch'êng-ên we have were all published late in the Wan Li period, probably after 1592. It is therefore safe enough if we suppose that the novel Fêng-shên Yen-i was first compiled in the middle of the Chia Ching period (about 1545).\n\n4\n\n38 \"King Wu's Expedition against Chou\", the original copy of which is from an edition dated Chih Chih (a), the reign of Emperor Ying Tsung (1321-23) of the Mongol Yüan dynasty. It was published in Chien-an (# now Chien-yang of Fukien province), then a very famous paper-manufacturing and publishing centre. No less than five different prompt-books of the same sort, historical and fictional, including the Wu-wang Fa Chou, have been found, now kept in the Japanese Cabinet Library, bearing the same sub-title as \"published by the Yu family of Chien-an\" (ZREKƒ). A complete English translation of the last-named is included in my \"The Authorship of the Fêng-shên Yen-i”,\n\n39 The Lieh-kuo Chih-chuan FHEN, a book in a very rare edition, copies of which are now preserved only in a few libraries. See my article \"The Discovery of the First chuan of the Lieh-kuo Chih-chuan and Its Relation to Wuwang Fa Chou P'ing-hua and the Novel Fêng-shên Yen-i\" (元至治本全相武王伐紂話明刊本列國志傳一與封神演義之關係), The New Asia Journal, Vol. 4, No. 1, Aug. 1959.\n\n4o Chung-kuo Hsiao-shuo Shih lüich, Ch. 17, p. 168. Yang's translation, p. 210. cf. (2).\n\n41 See Prof. Sun K'ai-ti's (H) Jih-pên Tung-ching So Chien Chung-kuo Hsiao-shuo Shumu (B££££+5), pp. 101-2, Shanghai, 1953. Shih-tê Tang (H) edition, dated \"the fourth day of the fifth month in the year jên-chên (IR)\",",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
        "rank": 0
    },
    {
        "id": 204362,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 130,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n126\n\nTa-Ming hui-tien\n\n-\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nTung-hua lu\n\n+\n\nI-tsung chin-chien\n\nSuan-fa t'ung-tsung\n\nCh'ün fang p'u\n\nErh-ya\n\n(*Statutes of the Ming dynasty', 1577)\n\n- (1734)\n\n-\n\n('Golden Mirror of Medicine', 1740)\n\n('Systematic Treatise on Arithmetic')\n\n(A Herbarium). Compiled by Wang Hsiang-chin, 1708.\n\n(The earliest Chinese 'dictionary')\n\nMan-Han ming-ch'en chuan (Records of famous statesmen, Manchu and Chinese', c. 1750)\n\nOther books are devoted to such diverse subjects as Buddhism, the ch'in (lute), a Manchu translation of the Four Books, various dictionaries (including the K'ang-hsi tzu-tien), various works on medicine, agriculture, geography, history, law, chess, and so on.\n\nA complete and annotated catalogue of these Chinese works together with the Chinese characters of their titles and authors or compilers would be of considerable value to scholars working in London. Does anyone feel like undertaking this task?\n\nJ. L. CRANMER-BYNG.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
        "rank": 0
    },
    {
        "id": 204679,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 160,
        "title": "RAS-1963",
        "content_text": "144\n\nNOTES AND QUERIES\n\nthese removals, again from long established locations and substantial houses, is also said to have been mainly on fung shui grounds following a long period of decline, reduced births, infant deaths, and other difficulties.\n\nThese removals all took place within the last fifty years, that is, within the period of British rule in the New Territories, and it would be interesting to know if there were similar cases in other districts during this period. It is, of course, extremely likely that these periodic removals were a feature of village life in the past.\n\nJ. W. HAYES.\n\nAN OLD FORT AT TUNG CHUNG ON LANTAO ISLAND\n\nIf you take a ferry-boat from Hong Kong to Lantao and land at the bay of Tung Chung it is worth while looking at the old fort which still exists near the hamlet of Lung Ching Tau. The walls are still in good preservation and inside there is a broad gun-platform with six cannon in position, one of which has an inscription on it showing that it dates from the middle of Chia-Ch'ing's reign.\n\nIt is known that a fort and garrison was maintained at Tung Chung during most of Chia-Ch'ing's reign (1796-1821) when a large and successful fleet of junks manned by Chinese pirates terrorized the coasts of Kwangtung and Kwangsi. There is documentary evidence that a fort was constructed at Tung Chung in the twenty-second year of Chia-Ch'ing's reign (1817).1\n\nIn 1834, during the few months when Lord Napier was Superintendent of British Trade at Canton and relations between the two countries were very strained, the fort at Tung Chung was again mentioned in Chinese documents. The Governor-General of the two Kwangs at that time, Lu K'un, in a 'memorandum' to the throne submitted at the beginning of\n\n1 See Lo Hsiang-lin, Hong Kong and its External Communications before 1842, Chinese text (Institute of Chinese Culture, Hong Kong, 1959) footnote on p. 236. An English translation of this book published under this title in May 1963 omits the footnotes.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v",
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    },
    {
        "id": 204680,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 161,
        "title": "RAS-1963",
        "content_text": "NOTES AND QUERIES\n\n145\n\nSeptember 1834 stated: \"The English barbarians have always been very cunning. Hitherto they have squatted in Macao and have coveted Ta Yu Shan.1 Towards the end of this memorandum he wrote: \"Moreover your minister has dispatched three hundred picked troops from [his] Regiment and appointed the tu-ssu2 (? 'Captain') Hung Fa-k'e to go to Macao to reinforce the garrison. As to the fort[s] on Ta Yü Shan we have sent an officer there to take measures for defence and secretly to make dispositions at every place, without arousing suspicion. As soon as it is ascertained that the barbarians are peaceful we will withdraw them.\"\n\nThese precautions were confirmed by an edict issued to the members of the Grand Council dated the 28th day of the 8th month of the 14th year of Tao-kuang's reign (30 September 1834) which contained the following words: \"Junior officers and men must be dispatched to the places both inside and outside the provincial capital and to the neighbourhood of Macao and to the forts of Ta Yü Shan, and patrolling must be increased without arousing suspicion, and precautions taken unostentatiously.\n\nInside the walls of the old fort there is now a flourishing Government-subsidised school and it all looks very neat and peaceful; very different from the time when active preparations were made there to repel a possible attack from the British.\n\nIt would be interesting to know more about this fort and also the one at Fan Lau. Can anyone add any further information?\n\nJ. L. CRANMER-BYNG.\n\n1 The Chinese name of the island called by foreigners Lantao. Text in Shih-liao hsün-k'an, #21, 765b, column 6.\n\n2 Ibid., 766, columns 11-12.\n\n3 There was another fort on Lantao at Fan Lau on the Southwest corner of the island,\n\n4 Tung-hua hsü-lu. Reprinted in Chiang T'ing-fu, Chin-tai Chung-kuo wai-chiao shih tzu-liao chi-yao, Vol. I, p. 10, columns 12-13.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
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    {
        "id": 204785,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 88,
        "title": "RAS-1964",
        "content_text": "76\n\nJ. W. HAYES\n\nOf these various groups of fishermen the trawlers were by far the most important. As has been said above, the Peng Wo Tong was organised from among them and does not appear to have included the fishermen from the smaller Tanka craft. This group seems to have based itself on Peng Chau for at least fifty years, and in all probability for a much longer period, between the formation of the Tong in 1857 and the destructive typhoon of 18th September 1906 which is said to have hit them very hard as many boats were at sea during the sudden storm and were lost. They were tied to the island by their links with the shopkeepers and wholesale fish dealers, or laans as they are known locally,20 The trawlers caught all kinds of fish and salted them in brine21 pending a return to harbour. There was a comparative lull in their fishing season between the Tin Hau festival in the third moon and the end of the seventh moon, when they returned to Peng Chau, gave their boats and tackle a thorough overhaul, allowed themselves the luxury of a holiday on land, and participated in religious activities which included the inevitable season of Chinese opera. The opera performances lasted for about five weeks, by tradition overlapping the end of the third moon and the beginning of the fifth. There is no doubt that these trawlers and their crews added considerably to the bustle and prosperity of the island.\n\nBesides the Tanka there were also Cantonese families who made their principal livelihood from fishing. I spoke to one old man of seventy-three (born 1891) whose whole life had been spent, as was his father's before him, \"on the surface of the sea” ✯❀ as he put it. This family were Puntis from Tung Kwun and my informant said he was the fifth generation on Peng Chau. There is no doubt that they were land people, but they earned their living from the sea using small boats called and operating several stake nets at various points round the island's coast. They fished mostly by day in the waters round Peng Chau, to which they returned at night-fall. There were over twenty of these boats when my informant was a boy.\n\nBeside the Cantonese fishermen, there were also some Hakkas with, at that period, as much interest in the sea as the land. The first ancestors of the CHUNG family came to Peng Chau at the beginning of the nineteenth century. An account of their",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
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    },
    {
        "id": 205145,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 101,
        "title": "RAS-1966",
        "content_text": "96\n\nHOLMES WELCH\n\nvisory Committee (1945-1949); and a vice-chairman of the Mongolian and Tibetan Affairs Commission (1947-1949).\n\n28 Probably he was not one of the two monks sent to Tibet for study earlier in 1937 (see p. 11).\n\n29 An interesting account of one such, Dorje Rimpoche, from Chamdo, who visited Hong Kong in 1935, is given in J. Blofeld, The Wheel of Life, London, 1959, pp. 40-56.\n\n30 The leading spirit of the society was Ch'ü Yang-kuang, formerly governor of Shantung and Chekiang and Minister of the Interior. This Bodhi Society (P'u-ti hsüeh-hui) had no connection with the Bodhi Society (P'u-ti She) established by T'ai-hsü in 1918.\n\n31 Chinese Year Book 1935-36, Shanghai, 1935, p. 1514, Huang was the editor of the Chinese Buddhist, \"an English magazine which was to link up China with foreign Buddhists.\" It ceased publication before he died in 1933.\n\n12 It was a common practice for Chinese monks to take their ordination vows a second or third time in order to strengthen their commitment to follow them, or in order to draw inspiration from an eminent ordaining monk. Hence, from the Chinese point of view, receiving the Theravada ordination meant supplementing, not replacing the Mahayana ordination.\n\n33 Their names were Pei-kuan, Teng-tz'u, Hsing-chiao and Chüeh-yuan. They were supposed to remain in Thailand four years. See Chinese Year Book 1936-37, Shanghai, 1936, p. 1446.\n\n34 Their Chinese religious names, followed by their Theravada names, were: Hsiu-lu (Kondanna), Wei-chih (Bhaddiya), Hui-sung (Vappa), Fa-chou (Mahanama), and Wei-huan (Assaji). Their later histories would make an interesting study in acculturation. Wei-huan disrobed within a few months and returned to China where he married. Eventually he became the principal English interpreter for the Chinese Buddhist Association established in Peking in 1953. Fa-chou married a girl of Dutch descent and eventually became a lecturer at the University of Ceylon. Hui-sung, who stayed longest, became mentally deranged. Wei-chih, after disrobing, went to Singapore, where he died during the war. Hsiu-lu, after disrobing, went to India where he pursued his studies at Santiniketan and/or Nalanda. Only the information about the first two is reliable. Another moot question is who sent them to Ceylon in the first place. Their Sinhalese hosts believed that they had been selected and sent by T'ai-hsü; and it is true that he acted as their guarantor (see Yin-shun, T'ai-hsü, p. 404). But another Chinese source states that their group was \"formed by the Chinese Buddhist Association in accordance with the proposal made by the Pure Karma Buddhist Association,\" both of which were housed in the same building in Shanghai. See Chinese Year Book 1936-37, p. 1446.\n\n35 Liao-ts'an (Dhammakiti) who went to Ceylon in 1945 returned to China about 1953 with Fa-fang's ashes, disrobed and became an instructor in Pali at the Chinese Buddhist Institute in Peking.\n\n36 Today many Theravada Buddhists have a very different attitude and publicly advocate tolerance and respect for Mahayana Buddhism. In 1956 the fourth Conference of the World Fellowship of Buddhists voted to abolish even the use of the terms \"Theravada\" and \"Mahayana\" (see Report of the 4th World Buddhist Conference, Kathmandu, no date, p. 2). There are some Theravadins, however, who even today believe that the world would be a better place if Mahayana was removed from it.\n\n37 He had gotten the information at first hand from Liao-ts'an (Dhamma-kiti) who had heard the complaints of members of the 1936 group. They are stated to have been novices (sha-mi) when they left China and the Theravada ordination they received on May 6, 1936 was also, apparently, the novice's ordination. Hence there would have been more justification for withholding the respect due to bhikkhus than in the case of Liao-ts'an and his fellow monk, who came in 1945. More information is needed.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt",
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    {
        "id": 205165,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 121,
        "title": "RAS-1966",
        "content_text": "116\n\nA. L. Y. CHUNG\n\nNOTES\n\n1 See H. S. Galt, History of Chinese Educational Institutions (London, 1951) pp. 364-65; also see K. S. Latourette, The Chinese, Their History and Culture (New Haven, Conn., Mar., 1945), pp. 187, 524-25,\n\n2 Huang-ch'ao tz'u-lin tien-ku (64 chüan in 20 ts'e, 1805, reprint 1887), 17:4b-5b, 18:1b, 49:17b-21b.\n\n3 Ch'ing-ch'ao t'ung-tien (ed. by Chi Huang and others, 100 chüan. Shanghai, 1935 reprint), p. 2162. For further understanding of the Nei-san-yüan, see A. W. Hummel, Eminent Chinese of the Ch'ing Period (Washington: United States Government Printing Office, 1943-44), vol. I, pp. 3, 308, 603.\n\n4 Shang Yen-liu Ch'ing-tai k'o-chü k'ao-shih shu-lu (Peking, 1956), p. 129; Ta-Ch'ing hui-tien shih-li (ed. by Li Hung-chang and others, 1220 chüan, preface dated 1886), 70:9a.\n\n5 See Ta-Ch'ing hui-tien (100 chüan in 10 ts'e, 1764 ed.), 84:1b.\n\n6 Ta-Ch'ing hui-tien, 84:5b.\n\n7 Ch'ing-tai k'o-chü k'ao-shih shu-lu, p. 129.\n\n8 Ch'ing (Huang)-ch'ao wen-hsien t'ung-k'ao (edited by Yung Hsüan and others, 300 chüan, 1882, Shih-t'ang ed. from ts'e 841-1000), 47:19a,\n\n9 Ch'ing-tai k'o-chü k'ao-shih shu-lu, p. 129.\n\n10 Ch'ing (Huang)-ch'ao wen-hsien t'ung-k'ao, 50:32a-b; Ch'ing-shih (8 vols., Taiwan, 1961), vol. 2, 1314.\n\n11 Shang Yen-liu, p. 129.\n\n12 Ta-Ch'ing hui-tien, 84:5b.\n\n13 Huang-ch'ao tz'u-lin tien-ku, 24:5a-b.\n\n14 Ta-Ch'ing hui-tien, 84:5b.\n\n15 Ku Ching-te Hsiu-ts'ai, chü-jen, chin-shih (Hong Kong, 1956), p. 30.\n\n16 Shang Yen-liu, p. 130.\n\n17 Huang-ch'ao tz'u-lin tien-ku, 23:21a-b.\n\n18 Ch'u Tui-chih, Wang Hui-tsu chuan-shu (in Chung-kuo shih-hsüeh ts'ung-shu, Shanghai, 1934), pp. 48-49.\n\n19 Huang-ch'ao tz'u-lin tien-ku, 18:1b.\n\n20 Ta-Ch'ing hui-tien, 84:1b.\n\n21 Ch'ing shih, vol. 2, 1375.\n\n22 Ta-Ch'ing hui-tien shih-li, 70:2a.\n\n23 Huang-ch'ao tz'u-lin tien-ku, 21:7a-b.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt",
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    },
    {
        "id": 205166,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 122,
        "title": "RAS-1966",
        "content_text": "THE HANLIN ACADEMY\n\n117\n\n24 Wang Hsien-ch'ien, Tung-hua lu (509 chüan in 30 ts'e, Taipei, 1963), K'ang-hsi, 3:26. 王先謙:東華錄康熙朝,\n\n25 Ibid., 3:3a.\n\n26 Ibid., 3:13b.\n\n27 Huang-ch'ao tz'u-lin tien-ku, 23:11a-b.\n\n28 Ibid.\n\n29 Ibid., 21:206.\n\n30 Ch'ing-shih, vol. 2, 1375.\n\n31 S. Van Der Sprenkel, Legal Institutions in Manchu China - A Sociological Analysis (London: Athlone Press, 1962), pp. 30-32. Also see J. K. Fairbank, The United States and China (New ed., completely rev. and enl.; Cambridge: Harvard University Press, 1958), pp. 94-5,\n\n32 Wang Hsien-ch'ien, K'ang-hsi, 4:9a.\n\n33 Huang-ch'ao tz'u-lin tien-ku, 21:22a-24a.\n\n34 Ibid., 24a-b.\n\n35 Ibid., 24b-25a.\n\n36 Ibid., 22:1b-2a.\n\n37 Ibid., 22:4a-4b.\n\n38 Wang Hsien-ch'ien, Ch'ien-lung, 3:34a.\n\n39 Ch'ing-shih, vol. 2, 1375.\n\n40 Ta-Ch'ing hui-tien, 84:4a-b.\n\n41 Ta-Ch'ing hui-tien, 84:3b.\n\n42 Huang-ch'ao tz'u-lin tien-ku, 22:12b.\n\n43 W. A. P. Martin, The Hanlin Papers: Essays on the Intellectual Life of the Chinese (London: Trübner & Co., New York: Harper Brothers, 1880), pp. 24-26.\n\n44 Huang-ch'ao tz'u-lin tien-ku, 23:20b.\n\n45 Consult Fa Shih-shan ... (16 chüan in 6 ts'e, preface dated 1799), Ch'ing-pi shu-wen ...\n\n46 Shang Yen-liu, p. 92; Huang-ch'ao tz'u-lin tien-ku, 24:19b-20a.\n\n47 Ta-Ch'ing hui-tien, 84:4b.\n\n48 Huang-ch'ao tz'u-lin tien-ku, 24:20b.\n\n49 Ibid., 24:28b-29a, 10a-10b.\n\n50 Ibid., 24:21a-21b.\n\n51 Ibid., 24:22a.\n\n52 Ta-Ch'ing li-ch'ao shih-lu ... (compiled by Man-chou ti-kuo kuo-wu-yüan, 4664 chüan, Tokyo, 1937-38), Shih-tsung, 44:9a-b.\n\n53 Huang-ch'ao tz'u-lin tien-ku, 24:22b-23a.\n\n54 Ibid.\n\n55 Ibid., 24:24a-25a.\n\n56 Ta-Ch'ing li-ch'ao shih-lu, Shih-tsung, 15:15a-b; also see The Chinese, Their History and Culture, 531-533.\n\n57 See The Hanlin Papers and Ho Ping-ti, Studies on the Population of China, 1368-1953,",
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    {
        "id": 205168,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1966",
        "page_number": 124,
        "title": "RAS-1966",
        "content_text": "The Hanlin Academy\n\n119\n\nAppendix II\n\nGlossary\n\nChang-yüan hsüeh-shih #4±\n\nChang-ch'un yüan ††E\n\nChi-chu kuan $\n\nChiang-yen E\n\nChien-t'ao at\n\nHsiu-chuan 174\n\nHsüeh-shih #+\n\nHu-tsung\n\nHung-Wu pao-hsün RAHM\n\nJih-chiang 14\n\nJu-chih shih-pan kuan 1fHT\n\nK'ang-hai R\n\nKuo-shih hsiu-shu ch'u XOTË\n\nLi-fan yüan JEAM\n\nLiao Chin Yüan-shih žƒ\n\nLiu-Li\n\nNan-shu fang 4*\n\nPan-shih kuan T\n\nPien-hsiu I\n\nSheng yü\n\nShih-chiang M\n\nShih-chiang hsüeh-shih 1444±\n\nShih-lu k\n\nShih-tu it\n\nShih-tu hsüeh-shih ***±\n\nShu-ch'ang kuan &*❀\n\nShu-chi-shih t\n\nSzu-k'u ch'üan-shu\n\nSzu-shu chi-chu #*#\n\nTa-hsüeh yen-i jih-chiang ★HA¤#\n\nYu-tieh #\n\nYung-cheng E",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811",
        "rank": 0
    },
    {
        "id": 205267,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 29,
        "title": "RAS-1967",
        "content_text": "22\n\nJEN YU-WEN\n\nolder than Hsien and Ping, was also reared by Young, being the younger sister of Shih. Hsien, the 2nd son, by virtue of being the offspring of the Queen, was regarded as the legitimate heir to the throne according to Chinese tradition. After being crowned, the boy emperor named his new reign Tê Yu () beginning with the next year (1275).\n\nIn the first year of Tê Yu (1275), the Mongol army under the premier Pê Yen (16) invaded South China and after many victories marched toward the capital Lin-an in the winter. The imperial court was alarmed and evacuated the Emperor's two brothers and sister under the care of mother Young and their uncles.3 Before departure, the two princes received new titles: I Wang (1) and Kuang Wang (1), respectively. Early in 1276 the royal party left Lin-an in a hurry heading for the south. It was the beginning of an itinerary of constant flight which would last for three full years.\n\nShortly afterwards, Emperor Hsien and the Queen Mother Ch'uan surrendered to the Mongols who subsequently took them to Peking. The Mongol Emperor Kublai Khan gave the dethroned Sung Emperor the new title of Duke of Ying Kuo (). Years later he was forced to become a Buddhist monk, was banished to Mongolia and died in exile there. It was said that his own son, who had been adopted by a Mongolian prince, would eventually become the last emperor of the Yuan (Mongol) Dynasty. The Ex-Queen Mother Ch'uan became a Buddhist nun and died of old age.4\n\nWhen the capital Lin-an fell, the royal evacuees arrived at Wuchow (##), Chekiang. They continued their flight toward the south. They had to travel on foot for seven days and the two young princes were carried by their uncles on their backs all the way throughout the rough journey. After reaching Wenchow (), a city near the seashore, they stayed for about three months trying to rally loyal supporters there. A few did come, such as a high official Lu Hsiu-fu (✯✯✯) and generals Chang Shih-chieh (*) and Su Liu-i (***) each bringing soldiers along. An army of considerable size was mustered. The Premier Ch'en I-chung (1), who had deserted the court after the Mongols entered Lin-an, also reported his presence at Wenchow, which was his native city. In view of the grave situation created by the capture of the young emperor, which thus",
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    },
    {
        "id": 205280,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1967",
        "page_number": 42,
        "title": "RAS-1967",
        "content_text": "The Travelling Palace of Southern Sung\n\n35\n\nits followers to a nearby islet, Ku-ta (†) or Ancient Pagoda, Tung-lung Island.19 In the autumn they proceeded to Ch'ien-wan (*) which is now definitely identified as Tsun-wan (now written) along the western coast of Kowloon. Two months later, the Mongol army, which had been pursuing them along the shore, began to attack. The boy Emperor sailed to Hsiu-shan (ƒ), now known as Hu-men or the Bogue. Continuously under pressure from the Mongols, Tuan Tsung passed by Hsiang-shan District (at present Chung-shan) and reached Tseng-o (#4), south of Macao, where his ship was badly damaged by a typhoon. He himself fell into the sea but was rescued. The terrible shock led him to contract a fatal disease. He was sick on board ship until the spring of 1278, when the whole fleet sailed northward back to the harbour at the mouth of the Pearl River. By that time Canton had been recaptured by some royalists and so they felt safe enough to anchor and encamp at Kang-chou which is identified as Ta-yu-shan or Lantau Island20.\n\nTwo months later he died there. His younger brother Ping succeeded him on the throne and became the last emperor of Sung. He named the new reign Hsiang Hsing (#) and the 1st year began in the next month, still 1278. In the 6th month the new emperor had to sail away with the whole fleet southwestward until they arrived at Ya-Shan of the Hsin-hui District. Finally, in the 2nd month of the next year (spring 1279), they fought the last battle against the Mongol forces commanded by the arch-traitor Chang Hung-fan (K). As a result of the defeat the whole army perished. The boy Emperor with his royal seal was tied to the body of his prime minister, Lu Hsiu-fu, who plunged into the sea, to be followed by thousands of court officials in a mass suicide. When the Queen Mother Young heard of the tragic and heroic death of the Emperor she also drowned herself, thus ending the long reign of 315 years of the Northern and Southern Sung Dynasty.\n\nBefore concluding this talk let me point out that besides the above story there is a deep and important meaning to be derived from our study of the Travelling Palace of Southern Sung in Kowloon. Throughout the Sung Dynasty, China was frequently invaded by neighbouring foreign tribes. Almost every year there was war, not only against the Hsi Hsia (the Tangut), but also, in turn, the Liao (Khitan), the Chin (Nuchen) and the Mongols.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
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    },
    {
        "id": 205281,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 43,
        "title": "RAS-1967",
        "content_text": "36 \n\nJEN YU-WEN \n\nAt the close of Southern Sung, the last two emperors had to flee and seek refuge by the shores of the sea, from where they led a hundred thousand odd officials and soldiers in the noble endeavour to restore the empire. The Kuan-fu area, with the three big characters Sung Wong Toi still remaining, commemorates one of the last portions of Sung territory on which the two emperors stood. Shortly afterwards they met their ultimate defeat and the whole country was lost to a foreign tribe for the first time in China's history. But what we commemorate is not this unfortunate event in our national history; it is the spirit of nationalism and patriotism displayed in the last struggle of the Sung patriots for the recovery of the mother country.\n\nThe independence and freedom of China had a higher claim to their lives. This unconquerable spirit, expressed in the unceasing revolutionary efforts of the Chinese people to fight against the Mongols ever since the last days of Kuan-fu and Ya-shan, was finally crowned with success in the overthrow of the Yuan Dynasty less than 90 years afterwards. Today, when we pass through the ancient site of the Travelling Palace and look at the Sung Wong Toi monument, we see the symbol of this same spirit, which is the essential quality necessary for the survival of any nation on earth.\n\nNOTES\n\n1 This lecture is a condensation of my Chinese article Sung Kuan-fu Hsing-kung K'ou (†‡3hB) published in the Continent Magazine (†\nA), Taiwan, September, 1966.\n\n2 Such as Ch'en Chung-wei, Erh-Wang Pen-mo (RR#i, =±**), Shu Mou-kuan, Hsin-an Hsien-chih (Chia-ch'ing), Gazetteer of Hsin-an District (**T. **\n**BA), K'o Wei-ch'i, Sung-shih Hsin-pien (MM. ER #), Chang Hsu, Ya-shan Chih (HM, AJA), Nan Sung Shu (ET).\n\n* Mother Yu was never again mentioned in historical records; probably she had died.\n\n4 For references, details and discussions on the royal itinerary from beginning to end, see my treatise Sung-mo erh-ti nan-ch'ien nien-lu k'ou (**=*64***) in Sung Wong Toi, a Commemorative Volume (edited and compiled by myself), Hong Kong, 1960, pp. 122-174 (X£b444).\n\n5 It is alleged that there were eight mountain ranges spreading over the peninsula which look like running dragons (lung), and that when the boy Emperor stayed at the place, people pointed out that he himself represented the ninth, as an emperor was commonly believed to be symbolized by a dragon. But the more rational and reasonable interpretation for the origin of the name would be that there are altogether nine mountain ranges spreading over the peninsula. According to Hsi-nan I Chuan (§§ AM) in Hou-han-shu (**後漢書**), the Ai-lao-i (‡‡✯ aboriginal tribe Lao) in Yunnan Province called back “k'ou\" and seat \"lung\". Hence to them, Kowloon meant",
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    },
    {
        "id": 205398,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1967",
        "page_number": 160,
        "title": "RAS-1967",
        "content_text": "NOTES AND QUERIES\n\n153\n\nLong before the arrival of the Europeans in south China (1514) the Chinese were manufacturing cannon. Examples of them, some bearing fourteenth century dates, may be seen in museums in north China. The earliest one known, bearing a date equivalent to 1332, is housed in the Historical Museum in Peking. For an illustration see my short article in ISIS55(no.180), June 1964, pp. 193-4. At the beginning of the sixteenth century a new type appears, apparently introduced from Java or Cochin-China. It is known in Chinese literature as fo-lang-chi (or Farangi-Franks), the name applied slightly later to the Portuguese. This type is remarked as early as 1510. (Cf. Pelliot in T'oung Pao, 1948, pp. 199-207.) In the struggles against the Japanese and other pirates who infested the coast during the Chia-ching reign (1522-66) these cannon were frequently put to use not only on land but also at sea. (See Chao Shih-chen, Shen-ch'i p'u i, published 1598. Chao knew what he was writing about, as he was a drafter in the Grand Secretariat at the court in Peking, concerned with military defense, and is said to have manufactured some firearms himself.) Ming dynasty illustrations of war vessels sometimes show cannon mounted on deck. (See Mao Yüan-i, Wu-pei chih, published 1621, chüan 117. Mao was an expert on military affairs, and saw service both in Liao-ning and Fukien.) In the effort to repel the Manchu invaders in the north the Ming court sought the aid of both the Spanish and the Portuguese. Huang K'o-tsuan, for example, reports that when he was serving in the ministry of war (up to 1619) he recruited people from Luzon who could manufacture cannon; they made twenty-eight pieces, which he sent up to the northeast frontier in Manchuria. These must have been formidable (or Huang was trying to impress his superiors) for one cannon is said to have weighed over three thousand catties, and a shot could dispose of some seven hundred barbarians! (Ming shih-lu, Hsi-tsung, 4/29b. I owe this reference to Dr. Ray Huang, visiting professor at Columbia University.)5\n\n*\n\nThe importation of cannon and cannoneers from Macao about this same time is well known. In 1621 the well-known Christian convert and high official Hsü Kuang-ch'i ordered a shipment sent up to Peking, and a year later he recommended that the Jesuit fathers, Nicolo Longobardi and Manuel Diaz, proceed to Macao to purchase ten cannon and a few soldiers to operate them. In",
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    },
    {
        "id": 205942,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 22,
        "title": "RAS-1970",
        "content_text": "MORE ON THE YUNG-LO TA-TIEN\n\nL. CARRINGTON GOODRICH\n\nHalf a century ago Dr. Lionel Giles wrote an informative article in the New China Review (vol. II, April 1920) on the Yung-lo ta-tien (hereafter abbreviated as YLTT). Others too, both before and since, have contributed something to our knowledge about this great compilation. It appears time, however, for another sketch and assessment, now that the Veritable Records of the Ming dynasty (Ming shih-lu) and other original sources have been made available.\n\nThe YLTT was unquestionably the major collective literary enterprise of the Ming period (1368 - 1644). The proposal for the undertaking was officially made by the Grand Secretary Hsieh Chin (1369 - 1415) and others on July 19, 1403. Essentially the purpose was to try to make one complete thesaurus of existing literature. At this point in history the Chinese were just beginning to recover from not one but several devastating conflicts. In the tenth century part of north China had been lost to the Khitan, and both Chinese and non-Chinese peoples had warred over the rest. After the Sung (960+) had come into control of the south and central areas, the Jurchen in the twelfth century drove out the Khitan and bit off part of the Sung domain, to be followed in the thirteenth by the Mongols who conquered all of China in over half a century of campaigning. For seventy years there was peace, and then the Chinese began to throw off the Mongol yoke as well as struggle amongst themselves for mastery. From 1350 to 1380 war raged again, and many a center of culture suffered. It is a wonder that there was anything of value left. But this was not all. The prince of Yen (Chu Ti) at the turn of the century made two attempts to seize the throne from his nephew, and this too resulted in destruction, particularly in the north. He finally achieved success on the second, entering the capital, Nanking, in July 1402, and proclaimed himself emperor, with his reign title as Yung-lo, in January 1403. One may perhaps assign to the invention of printing, both by woodblock and (to a less extent) by movable type, the merit of preserving, through all these centuries from A.D. 900 on, at least part of the literary heritage of the Chinese people.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
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    },
    {
        "id": 205944,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 24,
        "title": "RAS-1970",
        "content_text": "MORE ON THE YUNG-LO TA-TIEN\n\n19\n\ndictionary, the characters were arranged under four main tone groups, based on the Hung-wu chêng-yün, sponsored by the first Ming emperor. Kao Kung oversaw the first and second tone-groups, Ch'in Ming-lei (1518-93) the third, and Ch'en I-ch'in (1511-86) the fourth. On May 23, 1567, Hsü Chich (1494-1574), then chief grand secretary, submitted the duplicate copy to the throne. Great rejoicing must have ensued, for the shih-lu records a long string of honors and emoluments presented on that day to high officials at court. The original was now stored in the Wên yüan ko (Peking) and the duplicate in the Huang shih chêng (office of imperial 皇史宬 archives). In 1594 a number of scholars, among them Lu K'o-chiao (a chin-shih of 1577 and currently chancellor of the National University), agitated for the installation of a bureau for the compilation of a history of the Ming dynasty. Following the approval of their proposal, several historians began to busy themselves with various aspects of the work, and gather documents for their research. Lu at this time recommended that the YLTT be printed, the labor of doing so to be parcelled out to publishers in various parts of the country. Regrettably his suggestion, along with the initial proposal of a dynastic history, was never consummated, at least in Ming times. The war in Korea against the Japanese invaders, incursions by the Mongols in the north-west, and insurrections in the south-west were all then in progress, and the resources of the empire could not bear so heavy a burden. At the end of the dynasty, during the occupation of the capital by the rebel Li Tzu-ch'eng (d. 1645), the original set was entirely put to the flames, and a considerable portion of the duplicate (about one-tenth) likewise destroyed.\n\nFor over a century silence reigns, Ch'ing dynasty scholars seeming to be totally unconcerned about the YLTT. Then in 1771/72 Chu Yün (1729-81) suggested to the Ch'ien-lung emperor first that he launch a similar and even greater enterprise, and later that certain rare books contained only in the YLTT be reproduced in the new work, which came to be known as the Ssu-k'u ch'üan-shu. The emperor was pleased to accept both suggestions; as a result, 385 works in 4,946 chüan were made an important part of the latter. By this time only 9,677 volumes were available (although a report of Nov. 9, 1794, records\n\n+",
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    },
    {
        "id": 205946,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1970",
        "page_number": 26,
        "title": "RAS-1970",
        "content_text": "MORE ON THE YUNG-LO TA-TIEN\n\n21\n\nserved in the Legation Guard in Peking in 1900. The Chester Beatty Library (Dublin) has three volumes not otherwise accounted for (chüan 803/4, 805/6, and 10,110/1). The Wason Collection of Cornell University has chüan 13,853, and the National Central Library, Taipei, has chüan 7527, which Yang Chia-lo failed to reproduce. The number at present count then is 809 chüan out of the original total of 22,877 chüan (not counting the table of contents which has been separately published).\n\nWhat subjects are covered in the volumes that have been saved? Practically everything that concerned the Chinese around the year 1400, but in fragmentary fashion. Thought, morals, poetry of several kinds, frontier people (the Hsiung-nu and Hu, for example), geography, surnames, government, law, the spirits, biography, divination, architecture (gates, bridges, halls, storehouses, walls, offices), villages, capital cities, history, burial customs, astronomy, botany, grain, military matters, Buddhism, Taoism, travels, bronzes, food and drink, caves, dreams, scholars, drama, sacrifices, clothing, mathematics, images, carpentry, post stations, shamans, literary collections. Dr. Walter Swingle, writing on the YLTT in the Report of the Library of Congress (1922-23), asserted: \"It combined all existing Chinese books that were available to Yung-lo, excepting novels and possibly some plays.\" Fortunately, his remark was found to be in error when the Library of Congress acquired (1935) from the collection of Dr. H. A. Giles, professor of Chinese at Cambridge University, a copy of a \"short historical novel, Ch'ieh-fên-lu and a hsü-lu, purporting to describe the experiences of Sung Hui-tsung, made captive by the Chin in 1127.\" (The son of Dr. Giles, Lancelot, was in the British Legation during the siege in 1900, and doubtless picked it up then.) The first notice of the famous play P'i-pa chi (The Lute Song) also appears in a volume of the YLTT. Professor Pelliot has characterized as one of the most important volumes saved the sections from a great Yuan dynasty encyclopaedia (Ching-shih ta-tien, published 1331), including a part on courier stations (jamči), now in the Toyo Bunko. Among other interesting works saved, generally fragmentary, are geographical. Francis D. M. Dow of Australian National University has recently drawn attention to certain gazetteers preserved: one of the prefecture of Soochow, published in 1379, for example; and years ago (1929) the Metropolitan",
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    {
        "id": 205948,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1970",
        "page_number": 28,
        "title": "RAS-1970",
        "content_text": "MORE ON THE YUNG-LO TA-TIEN\n\nBIBLIOGRAPHY OF IMPORTANT WORKS CONSULTED\n\nMing shih-lu (Taiwan ed., 1962-66), Tai-tsung 0393, 0627, 1016;\n\nShih-tsung 8413; Mu-tsung 0204; Shên-tsung 5040;\n\nYung-lo ta-tien mu-lu (Peking 1960), preface;\n\nSsú-k'u ch'üan-shu tsung-mu (1930), 137/3a;\n\nKuo Po-kung, Yung-lo ta-tien k’ao (Changsha 1938, rev. ed. Taipei 1967);\n\nWu Kuang-ts'ing, Scholarship, Book Production, and Libraries in China (618-1644), manuscript (Chicago, Dec. 1944);\n\nPaul Pelliot, T'oung Pao 20 (1921), 175-77.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
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    },
    {
        "id": 206092,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1970",
        "page_number": 172,
        "title": "RAS-1970",
        "content_text": "HONG KONG BEFORE THE BRITISH\n\n167\n\nof Lantau as being the place where many loyal servants of Sung are buried.\n\nThe same scholar who identified the marquis Yang also states that the elder of the two kings died on Lantau. But this cannot be correct.22 The place of his death is Kong Chow and there is no reason to identify it, as he had done, with Tai Yü Shan or Lantau. After the defeat at Ts'ün Wan the movements of the fugitive court are not very clear and there are contradictions in the various accounts, but it seems that they fled as far as they could westwards from the battlefield. During their journey they met with a storm as a result of which the eldest Emperor, who was afterwards given the title of Tuan Tsung, fell sick. The texts on the subject often state that the storm they encountered was a typhoon, but commentators have been careful to point out that typhoons do not occur in winter and that it happened in the 12th moon. However, this is most unimportant.\n\nThe Mongol armies were bent on catching the Emperors since their death was to mean the end of all resistance in South China. The chief minister, Ch'en I-chung, who had accompanied the court so far, deserted them and fled to Annam, and many other desertions must have occurred at this time. Their army, which is said to have numbered 200,000, was concentrated mostly in boats and commanded by Chang Shih-chieh, somewhere west of the Canton estuary. A Mongol fleet equipped at Canton was searching for them in the estuary. Tuan Tsung died in the 4th moon of the year 1278. He was then eleven years old. His brother was declared Emperor by the chief minister Lu Hsiu-fu. He was eight years old.\n\nThe last Emperor Wei Wong or Ti Ping, to give him his posthumous title, still had a slender chance of regaining his kingdom if Wen Tien-chiang, the minister who was organising resistance on the Kiangsi-Fukienese border, had been able to gain a battle. In the 3rd moon, Wen Tien-chiang had advanced as far as Kan-chow and there was a chance of his being able to attack Canton and relieve the pressure on the Emperor's army. The new\n\n21 廣東新語\n\n22 Professor Hsu Ti-shan has, however, just published an article in which he reaffirms this theory. (See X).",
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    {
        "id": 206628,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 176,
        "title": "RAS-1972",
        "content_text": "170\n\nKEITH STEVENS\n\ncombination of an historical hero, with considerable legend surrounding him, and a mythical being who is very popular in Chinese folklore; thus creating a complicated and fabulous story. The second, Fa Chu Kung, was in all probability a historical being, the actuality of his origins lost in time, who now appears as a legendary being. The third, Cheng Ho, is a comparatively recent and well-documented historical being, deified by popular appeal, with little myth or legend added to his story.\n\nTwo of the three are popular Taoist spirits or gods (†‡) and believed to be beneficent whereas the third, T'ai Sui, is a feared Taoist god.\n\nThe detail of the development of each cult, the recognition features of each deity, the frequency of sightings and the identities of other deities co-located with the main deity described below are based on sightings and conversations in some two and a half thousand temples, and six god-carvers' shops located in Hong Kong and Macau, Taiwan, the Philippines and in most parts of South East Asia; and also from notes culled from many books, mostly written by Christian missionaries who so often vented their spleen on the subject of heathen idols.\n\nOne final prefatory note is necessary at this point, a short description of a novel which is one of the main sources of myth and legend about the gods.\n\nThe novel, the Feng Shen Yen I (#Ħ✯A), The Deification of the Gods*, written in about the fifteenth century about the supernatural, describes the historical struggle between the last king of the Shang Dynasty, King Chou (*†£) and the victor, the first king of the subsequent Chou Dynasty, King Wu (1). The capital of the Shang Dynasty was the ancient city of Anyang, where King Chou, infamous for his tyranny, cruelty and excesses is said to have reigned for thirty-three years, 1154-1121 B.C. King Chou was destroyed with the Shang Dynasty in the flames of his palace at the Deer Terrace after a crushing defeat by a rebellious army under Hsi P'o (‡) on the banks of the Yellow River. Hsi P'o founded the Chou Dynasty and is remembered as King Wu (1). This defeat of the Shang and the inception of the Chou is variously\n\n* See (in translation) Lu Hsun, A Brief History of Chinese Fiction, Peking, Foreign Languages Press, 1959, pp. 220-224, where the title is rendered Canonization of the Gods.",
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    {
        "id": 206640,
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        "document_key": "RAS-1972",
        "page_number": 188,
        "title": "RAS-1972",
        "content_text": "182\n\nCo-location of deities\n\nKEITH STEVENS\n\nIn Fukienese temples in Singapore and Malaya, the T'ai Sui images are often seen with Hsuan Tien Ta Ti (***) or with the Goddess of Mercy (##). In Cantonese and Amoy temples there, the T'ai Sui images are occasionally to be seen with the medical deities Lu Tung Pin (†) or Hua To ($) and in one temple with T'ai Shang Lao Chün (LB).\n\nIn another Fukienese temple in Singapore a triad occupying the centre altar was said by the temple keeper to be three of the Nine Emperors (g). Two were positively identified, one as the second brother of the main deity Chiu Hwang ( ). He is black skinned, bare footed, with one foot on a fire wheel, has protruding eyes, black beard, and his hair is wound into a top knot. His two arms are at his side, otherwise he is very similar to Fa Chu Kung (✯✯2). The second identified image is on the right of the main deity, and he is, without doubt, Wang Tien Kung (1A). The third unidentified image on the left of the main deity could easily be T'ai Sui. He is black faced and bearded, a standing general in armour, holding a bell in his left hand and a sword in his right; he has three eyes, ear tufts of hair, and wears a Taoist crown.\n\nIn one Fukienese temple in Taipei, Yin Ch'iao was seen together with Ch'ü Kung Chen Jen (AA). (Plate 19)\n\nIn North China in Kalgan his second brother Yin Hung ( *) is a special deity said to save people from the \"fifteen bad deaths\". He sits on the opposite side of the central deity, the Jade Emperor (11), from Yin Ch'iao. Both brothers are naked and, surprisingly, have claws, beaks and wings. Grootaers10 says that Yin Ch'iao is never to be seen except as an attendant to the Jade Emperor. It would appear that either the local god maker in Kalgan did not know the identification features of Yin Ch'iao and has confused him with the Thunder God; or that there is a local legend which we do not know about; or thirdly that Grootaers misidentified the two attendants of the Jade Emperor.\n\nC. B. Day bought a hand-painted scroll in Hangchow, depicting five Buddhist figures and six Taoist ones. This pantheon chart included T'ai Sui Ti Chün ( *#*#) together with the San Kuan\n\n10 W. A. Grootaers, Rural Temples around Hsüan Hua (Folklore Studies vol. 10).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    },
    {
        "id": 206655,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 203,
        "title": "RAS-1972",
        "content_text": "NOTES AND QUERIES\n\n197\n\nand his three small survey ships have given their names respectively to Sulphur Channel, Starling Inlet and Plover Cove.\n\nJ. R. JONES.\n\nCHINA'S EARLIEST PRINTING A NOTE\n\nLLL\n\nIn Volume 7 (1967) of this Journal I published a brief note entitled \"Printing, a new discovery.\" This told of a find in a stone stupa, standing in the courtyard of a temple called Pulguk-sa, in Korea, erected in 751, of a printed Buddhist sutra. The find was hailed by the Korean archaeologists as perhaps the oldest example of printing known, although the exact date of the printing still remains a mystery.\n\nRecently I have learned that the Chinese discovered another piece of printing as far back as 1944. (Somehow, perhaps because of the war, news of this had escaped my attention.) Known in Chinese as T'o-lo-ni ching chou (dharani sutra charm), it was unearthed in a T'ang dynasty grave site in Chengtu, Szechwan, inside the silver bracelet of a young woman. As Professor Max Loehr has written, it \"is a charm printed on a single sheet showing a six-armed Bodhisattva figure in the center of concentrically laid out Sanscrit words written in Lantsa letters.\" This is surprising, but not unreasonable. In the last half of the Tang, Chengtu happens to have developed into perhaps the chief center of printing, and, as everyone knows, by the middle of the eighth century Chinese civilization had reached one of its heights. It was the age of Li Po and Tu Fu, Wu Tao-hsüan and Wang Wei, and Buddhism was at the summit of its influence. With the demand for reduplication in every circle - Confucian, Buddhist, and Taoist - and with all the tools and techniques at hand, the printing of a highly popular charm seems natural. So it came about that there have come to light charms, printed within a few years of each other, in Korea (751?), China (757), and Japan (764-770).\n\nBibliography:\n\nChung-kuo pan-k'o lü-lu, compiled by the Peking Library (Peking 1961), pl. 1, text Vol. I, p. 7;",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    },
    {
        "id": 206672,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 220,
        "title": "RAS-1972",
        "content_text": "214\n\nBOOK REVIEWS\n\nWhen Sir Percival David undertook to translate the KKYL, he avoided one of the pitfalls of working with Ming books, and Ming editions of earlier work, by making sure he had a reliable edition. This he did in 1940 in Shanghai, when he acquired the earliest known edition of the book which is most probably the first edition of 1388. It would have been a relatively simple task to translate this original (\"original\" in the sense that it was the first book published in this name by Ts'ao Chao) work of three chapters. But later he also had the good fortune to acquire an equally rare 1462 printing of the enlarged edition of 1459 which had been swelled to thirteen chapters with additions made mainly by Wang Tso who brought out the 1459 edition. Sir Percival decided, bravely but perhaps not so wisely, to translate the enlarged edition. But then he failed to avoid the other pitfalls mentioned at the beginning of this review.\n\nFirst, there is the original three chapter edition. The copy acquired by Sir Percival, called \"O\" in the translation, is reproduced in full at the end of the book. Sir Percival thought it was \"the result of Ts'ao's study of actual specimens and ancient texts concerning them\". This is not so. For, with the exception of a few very brief entries on Sung porcelain and on lacquer, the whole book is a collection of mutilated passages extracted from similar works of the Sung and Yuan periods, such as Chao Hsi-ku's Tung-t'ien-ch'ing-lu-tsi (hereafter referred to as the TTCLT) and Hsia Wen-yen's T'u-hui Pao-chien. The latter is itself a notorious work of plagiarism.1 It should be noted here that the \"erudite\" manuscript notes in \"O\" written by a Ming reader consist mainly of sentences from the TTCLT which Ts'ao Chao omitted in his copying. Indeed Ts'ao was such a poor plagiarist that he made nonsense out of some of the most important passages in the TTCLT. For example, the detailed and accurate description of the cire perdue process of bronze casting in the TTCLT, incidentally one of the earliest Chinese accounts of this method of bronze casting, appears in the KKYL as (David's translation): \"Ancient moulds (reviewer's italics) for casting bronzes were made of wax. The patterns were finely and neatly carved as finely as a hair, and the strokes of their inscriptions were even and clear. They were inverted like roof-tiles, though not very deep.... \"The mistranslation of the word mo, meaning the original wax model of the bronze, into English \"mould\" is of course at least partly due to the brutal précis-ing of two long",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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        "rank": 0
    },
    {
        "id": 206791,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 68,
        "title": "RAS-1973",
        "content_text": "62\n\nCHIU LING-YEONG\n\nT'ang government to maintain the security and prosperity of these multi-racial cities harmoniously and peacefully.\n\nII\n\nIn T'ang China, apart from the capital Ch'ang-an and the Eastern capital Lo-yang, the most prosperous cities within the Empire were Kuang-chou, Yang-chou, Chiao-chou, and Ch'üan-chou.16 These cities were all centres of Persian and Arabian trade. There were a large number of Persians and Arabs living in these cities. In A.D. 760, when T'ien Shen-kung raided Yang-chou, it was recorded that several thousands of Persians and Arabs were massacred.17 It is not clear whether this was an isolated incident or an act of retaliation because the Persians and Arabs had sacked Canton in A.D. 758.18\n\nIt was also believed that Huang Chao had killed thousands of foreign merchants when he captured Canton in A.D. 878.19 The large number of Persians and Arabs killed in Yang-chou and Canton confirmed that the foreign population in these cities was indeed very large. Activities of Persians and Arabs in these cities were confined to maritime trade because the majority of them were merchants. There were also Islamic disciples who came to China with the intention to preach. In the reign of Wu-te (A.D. 618-626), four Islamic disciples were dispatched to China to spread the Mohammedan faith. Of these four, one was posted in Canton, one in Yang-chou and the other two were stationed in Ch'üan-chou.20 There is evidence that some of these Persians, Arabs and Uighurs were also engaged in the restaurant business in Yang-chou and Ch'ang-an. It was recorded that they made very good hu-ping, yu-chien ping and pi-lo.21 Ssu-ma Kuang mentioned in his Tzu-chih t'ung-chien that when Hsüan-tsung took his 'Imperial Excursion' to Szechuan during An Lu-shan's rebellion, the 'Excursion' set off so suddenly that the Emperor had no chance to bring his chef with him. His brother-in-law, Yang Kuo-chung therefore, had to buy hu-ping for him during their journey to the West China.22\n\nThe Persian and Arabian merchants brought to China precious stones and hsiang-yao; and they always could earn a fortune very easily by these commodities. Financially speaking, maritime trade had become very important in the beginning of the eighth",
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    },
    {
        "id": 206797,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 74,
        "title": "RAS-1973",
        "content_text": "68\n\nCHIU LING-YEONG\n\nbrother, Li Hsien and his sister Li Shun-hsien, also attained literary fame in late T'ang. Li Hsün's tz'u is very melodic and musical, Professor Lo Hsiang-lin points out that Li's work had stimulated the tz'u writing of the Northern Sung period.43\n\nLi Hsün, though a Persian, had activated the Pen-ts'ao and tzʼu writing of his time and also of the Sung Period.44\n\nChao Heng 朝衡\n\nChao Heng was a Japanese envoy who came to China with Chen-jen shu-tien A in A.D. 716. Chao Heng's original name was Abeno Nakamaro E. Chao Heng was his sinicized name. After reaching Ch'ang-an with Chen-jen shu-tien AA Chao Heng felt that Chinese culture was far superior to any other culture he knew, so he decided to stay in the Chinese capital and rendered his service to Emperors Hsüan-tsung and Su-tsung In Shang-yüan period (A.D. 760-762), he was sent to Annam as Tu-hu (Protectorate General). He died in A.D. 770.45\n\n#\n\nIV\n\nIt is interesting to note that foreigners in T'ang times had very high social standing in a multi-racial society and in the Court. Foreigners were not only offered senior posts in the government but also shared the responsibilities of policy-making for the empire.46 This, of course, was one of the reasons which led to An Lu-shan's 安祿山 rebellion.\n\nIt is mentioned earlier that Lu Chún had introduced the anti-foreign regulations when he was governor of Kuang-chou in A.D. 836. However, he also presented Li Yen-sheng, a Persian, to the Court in A.D. 847. Li was later given the title of chin-shih because of his literary achievement. It was a custom in Tang times to add two to three unusual surnames to the pass-list of the civil examinations which were held annually either in the capital or in the main cities. These unusual surnames were all those of foreigners. Those who were selected for inclusion in the pass-list were known as pang-huak.\n\nT'ang Emperors had shown no bias towards these foreigners in China. They even decreed, more than once, that Persians, Arabs and other nationals in Kuang-chou, Yang-chou and Ch'üan-chou",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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        "rank": 0
    },
    {
        "id": 206799,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 76,
        "title": "RAS-1973",
        "content_text": "70\n\nCHIU LING-YEONG\n\n7 Hsiang Ta, p. 35; Schafer, p. 20.\n\n8 See Ssu-Ma Kuang *, Tzu-chih t'ung-chien | (TCTC; Peking, 1956), chuan 225, pp. 7228-7237.\n\n9 Chang-Sun Wu-chi £**& and others eds., T’ang-lu shu-i |*| chuan 6; Ch'en Yü-ching, pp. 56-58.\n\n10 E. Renaudot, Ancient Accounts of India and China by Two Moham-medan Travellers (London, 1733), p. 13.\n\n11 Paul Wheatley, 'Geographical Notes on some Commodities involved in Sung maritime Trade', Journal of the Malayan Branch of the Royal Asiatic Society, Vol. 32, part II, 186:28-29 (Singapore, 1961).\n\n12 Chiu Ling-yeong, pp. 504-508; Tao Hsi-sheng, 'Tang-tai ch'u-li fan-shang chi fan-k'o i-ch'an ti fa-ling' ^££# # X ¶¤£***÷. Shih-huo * 4:9:14-15 (Shanghai, 1936).\n\n13 Ou-Yang Hsiu « and others, eds., Hsin T'ang-shu *M† (HTS; 1060 edited), chuan 163; Chiu Ling-yeong, p. 507.\n\n14 N. I. Konrad, 'The Source of Chinese Humanism' (GALEKH Ht), Journal of the Soviet Oriental Studies 3:72-94 (Moscow, 1957).\n\n15 Ch'en Yü-ching, pp. 74-77.\n\n1\n\n16 Ibn Khordadbeh, 'le livre des routes et des provinces', et annote par M. Barbier de Meynard, Journal Asiatique, serie VI, tome V. In this geo-graphical treatise, Ibn Khordadbeh gave a very vivid description of these trading ports: Khanfou, Kantou, Lonkin and Djanfon. Kuwabara was of the opinion that these four place-names are present Kuang-chou ★ ★. Yang-chou ##, Chiao-chou ★ and Ch'üan-chou ##. Cf. Kuwabara J.. 'T'ang-Sung mao-i-ching yen-chiu' ♫ ET &A”, Chinese translation by Yang Lien ## (Shanghai, 1935), pp. 64-154. Of these four place-names, Khanfou in the Khordadbeh's book was identified as Kuang-chou by Paul Pelliot and many other schools. Cf. M. Paul Pelliot, \"Deux itineraires de Chine en Inde, a la fin du VIII siecle', Bulletin de l'ecole francaise d'extreme Orient (Hanoi, 1904), p. 205, Place-names in T'ang period and with 'fu' is very common. Kuang-chou was called Kuang-fu . There were also Yang-fu, I-fu # and Chiao-fu X Cf. Li Fang # and others, eds., T'ai-p'ing kuang-chi ★★ (edited A.D. 978) chuan 437; Ts'en Chung-min |, Chung-wai shih-ti kao-cheng *** (Hong Kong, 1966), I, 295-296; Ch'en Yü-ching, pp. 13-18.\n\n17 HTS, chuan 144.\n\n18 Liu Hsü $ and others, eds, Chiu T'ang-shu (CTS, A.D. 945 edited), chuan 198.\n\n19 Chang Hsing-lang, Chung-hsi chiao-t'ung shih-liao hui-pien **££Ħ (Peking, 1933), 3, 132; Ch'en Yü-ching, p. 15; Maejima, S., 'Evaluation des sources arabes concernant la revolte de Huang Chao *‡, a la fin des Tang', International Symposium on History of Eastern and Western Cultural Contacts, Tokyo-Kyoto (1957), pp. 85-90. According to HTS, chuan 43, part I, it says the whole population in Canton at that time was not more than two hundred twenty-one thousand and five hundred. Huang Chao, in this case, could not have killed one hundred twenty thousand to two hundred thousand as the Arabs reported. To this point, see Ts'en Chung-min *, Sui-T’ang shih t★ ★ (Peking, 1957), pp. 503-504, n. 46.\n\n20 Ho ch'iao-yüan †, Man-shu ⚡, chapter 7.\n\n21 Hsiang Da, pp. 48-50.\n\nTCTC, chuan 218, p. 6972.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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    },
    {
        "id": 206815,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 92,
        "title": "RAS-1973",
        "content_text": "86\n\nCHUANG SHEN\n\nBeginning from the Northern Sung period, speaking in general, editing principles applied to writings of either individual works or history of painting or calligraphy were two-fold. According to the first principle, records or descriptions of either painting or calligraphy were separated as two unrelated sections. But according to the second principle, they were combined together into one chronicle.\n\nDuring the Sung periods, there were two kinds of writings completed in accordance with the first principle; namely, official compilations in contrast to private compilations. In regard to the former, for instance, the Hsüan-ho shu-p'u and the Hsüan-ho hua-p'u are both typical works edited under the imperial order of Emperor Hui Tsung (re. 1082-1135); whereas the Hai-yüeh shu-shih and Hua-shih, both written by Mi Fei (1051-1107) are the best examples of writing on the history of calligraphy and painting among private compilations. Apparently, however, after the Sung periods, official writings on history of either painting and calligraphy were scarcely compiled. The reflourishing of such a tradition was not brought back until the Ch'ing period during the late 17th century.\n\nNevertheless, the editing principle of separating records of painting and calligraphy into two unrelated sections had already become an influential tradition. After the Sung periods, a number of books dealing with either painting or calligraphy were edited in this way.\n\nDuring the Ming period, the most distinguished works on painting and calligraphy were probably the following three: firstly, the Shu-yüan 12 chuan and the Hua-yüan 4 chuan, both edited by Wang Shih-chen (1526-1590); secondly, the San-hu-wang hua-lu and San-hu-wang shu-lu (each of which has 24 chuan) both edited in 1643 by Wang Ko-yü; thirdly, the Tieh-wang san-hu edited in 1597 by Chu Ts'un-li (The first edition has 8 chuan altogether; 4 chuan are dedicated to painting and the other 4 to calligraphy. Yet, in its second edition amended in 1610, this record was expanded to 16 chuan, with 10 chüan for calligraphy and 6 for painting.) In these three works, the records of painting and calligraphy were all divided into two unrelated sections.\n\nDuring the Ch'ing period, many works that dealt with the history of either painting or calligraphy were compiled according to the",
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    },
    {
        "id": 206816,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 93,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n87\n\nsame tradition. For instance, Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao of 1682 (60 chüan altogether; 30 for painting and 30 for calligraphy); Ku Fu's P'ing-sheng chuang-kuan of 1692 (10 chüan altogether; 5 for painting and 5 for calligraphy); Wu Shêng's Ta-kuan-lu of 1712 (20 chüan altogether; for painting and calligraphy, 10 chüan each); An Ch'i's Mo-yüan hui-kuan of 1742 (There are mainly 2 chüan; one for painting and the other, calligraphy. However, near the end of this work there appears an additional chüan with simplified descriptions of painting); and finally, Ku Wên-pin's Kuo-yün-lou shu-hua-lu of 1882 (6 chüan for painting and 4 for calligraphy). All these important works on the history of either painting or calligraphy were edited by separating records of painting and calligraphy into two different sections.\n\nOn the other hand, speaking in general, works in which records of painting and calligraphy were put together as a combined chronicle were far fewer. From the earlier period, only Huang Po-ssu's Tung-kuan-yu-lun (2 chüan, edited in 1147 by the author's son, Huang Nai) and Chou Mi's Yün-yen kuo-yen-lu (4 chüan, edited probably around 1291) may be regarded as representative works in this line during the Sung and the Yüan.\n\nHowever, during the Ming and the Ch'ing periods, works in this line were innumerable. During the Ming period the most important were: Chu Ts'un-li's (1444-1513) San-hu-mu-nan (8 chüan); Tu Mu's (1458-1525) Yü-i-pien (only 1 chüan); Wên Chia's (1501-1583) Ch'in-shan-r'ang shu-hua-chi (1 chüan, edited in 1565); Chu Chih-ch'ih's Ao-an shu-hua-mu (1 chüan); Sun Feng's Shu-hua-ch'ao (1 chüan); Chen Chi-ju's (1558-1639) Ni-ku-lu (4 chüan); Tung Ch'i-ch'ang's (1555-1636) Hua-chan-shih sui-pi (4 chüan); and Li Jih-hua's (1565-1635) Wei-sui-hsüan jih-chi (compiled in 1616). In all these works, the records of painting and calligraphy of various dynasties were combined, forming one chronicle.\n\nThis type of books became even more numerous during the Ch'ing dynasty. Those completed in early Ch'ing were Sun Chêng-che's (1592-1676) Kêng-tzŭ hsiao-hsia-chi (8",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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    },
    {
        "id": 206817,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1973",
        "page_number": 94,
        "title": "RAS-1973",
        "content_text": "88\n\nCHUANG SHEN\n\nchuan; completed in the 16th year of the Shun Chih era, 1659); Wu Ch'i-chên's Shu-hua-chi (6 chüan; completed in the 16th year of the K'ang Hsi era, 1677); Kao Shih-ch'i's (1645-1704) Chiang-ts'un hsiao-hsia-lu (3 chuan; completed in the 32nd year of the K'ang Hsi era, 1693); and Miu Yüeh-tsao's (1682-1761) Yü-i-lu (6 chuan; completed in the 11th year of the Yung Chêng era, 1733). During the prosperous period of Ch'ing, there were Lu Shih-hua's (1714-1779) Wu-yüeh so-chien-shu-hua-lu (6 chüan; completed in the 41st year of the Chien Lung era, 1776); Chen Cho's Hsiang-kuan-chai yü-hsiang-pien (12 chüan; completed in the 47th year of the Chien Lung era, 1782). In mid Ch'ing, more works of this kind appeared, such as Pan Shih-huang's Hsü-ching-chai yün-yen-kuo-yen-lu (1 chüan; completed in the 9th year of the Tao Kuang era, 1820); Chang Ta-yung's Chih-i-chai shu-hua-lu (30 chüan; completed in the 12th year of the Tao Kuang era, 1832); Tao Liang's (1772-1857) Hung-tou-shu-kuan shu-hua-chi (8 chüan; completed in the 16th year of the Tao Kuang era, 1836); and Hu Chi-t'ang's Pi-hsiao-hsüan shu-hua-lu (2 chüan; completed in the 19th year of the Tao Kuang era, 1839). Still more were published during the late Ch'ing period. These were: Han Tai-hua's Yü-yü-t'ang shu-hua-chi (4 chüan; completed in the first year of the Hsien Fêng era, 1851); Chang Kuang-hsü's Pieh-hsia-chai shu-hua-lu (4 chüan; completed in the 4th year of the T'ung Chih era, 1865); Li Tso-hsien's Shu-hua-chien-yin (24 chüan; completed in the 10th year of the T'ung Chih era, 1871); Fang Chün-i's Mêng-yüan shu-hua-lu (24 chüan; completed in the first year of the Kuang Hsü era, 1875); Hsieh K'un's Shu-hua-so-chien-lu (3 chüan; completed in the 6th year of the Kuang Hsü era, 1880), Ko Chin-liang's Ai-jih-yin-lu shu-hua-lu (4 chüan; completed in the 7th year of the Kuang Hsü era, 1881); Lu Hsin-yüan's (1834-1894) Jang-li-kuan kuo-yen-lu (40 chüan; completed in the 18th year of the Kuang Hsü era, 1892); and Shao Sung-nien's Ku-yüan-ts'ui-lu (18 chüan; completed in the 29th year of the Kuang Hsü era, 1903).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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    },
    {
        "id": 206818,
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        "series_slug": "histsyn-rashkb-journal-engine",
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        "document_key": "RAS-1973",
        "page_number": 95,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n89\n\nIn a word, during the thousand years between the Sung and the Ch'ing dynasties, documentary records of calligraphies and paintings of past dynasties were never compiled by following editing principles other than these two: either joint or separate. Among the above listed Ch'ing art catalogues, five of them conformed with the separate principle, while eighteen others followed the joint principle. Thus from the ratio of 1:3.6 shown between the two groups, it is clear that although these two editing principles both made their appearance in the Sung dynasty, by the Ch'ing period, catalogues that conformed with the joint principle by far out-numbered those that followed the separate principle.\n\nThe Kwangtung Art Catalogues\n\nII\n\nThe compilation of the catalogues for the five Kwangtung collections is, in fact, closely related to the above-mentioned editing principles: either joint or separate. For example, in his Fêng-man-lou shu-hua-lu (4 chuan, completed around the 20th year of the Tao Kuang era, 1840) Yeh Mêng-lung (1775-1832) adopted the principle of separating records of calligraphy and painting of past dynasties into two independent sections. However, in the other four catalogues, i.e., Wu Yung-kuang's (1773-1843) Hsin-ch'ou hsiao-hsia-chi (5 chuan, completed in the 21st year of the Tao Kuang era, 1841); Pan Chêng-wei's (1791-1850) T'ing-fan-lou shu-hua-chi (5 chuan, completed in the 23rd year of the Tao Kuang era, 1843) and supplement (2 chuan, completed around the 29th year of the Tao Kuang era, 1849); Liang T'ing-nan's (1796-1861) T'ing-hua-t'ing shu-hua-pa (4 chuan, completed in the 5th year of the Hsien Fêng era, 1855); and Kung Kuang-tao's (1832-1880) Yüeh-hsüeh-lou shu-hua-lu (5 chuan, completed in the 11th year of the Hsien Fêng era, 1861), the compilers all followed the principle of combining the records of calligraphy and painting together in one chronicle.\n\nThus, among the five art catalogues, only one was edited in accordance with the separate principle, and the other four all adhered to the joint principle. This ratio of 1:4 seems to be quite close to the 1:3.6 ratio shown between catalogues respectively edited by",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206819,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 96,
        "title": "RAS-1973",
        "content_text": "90\n\nCHUANG SHEN\n\nfollowing either the joint principle or the separate principle throughout the Ch'ing dynasty.\n\nIt may also be worthwhile for us to look into the editing methods employed in the art catalogues of the five Kwangtung collectors. Starting from the middle of the Ming dynasty (the 16th century is taken here as the demarcating point), the editing methods used in Chinese art catalogues can also be classified into two types. Most of the catalogues completed during the Sung and the Yuan periods, as well as in early Ming, possessed the following three characteristics:\n\n(1) brief description of subject matter seen on the painting proper.\n\n(2) in regard to the colophons written on or outside the painting proper, most of the time only the names of colophon writers were recorded,\n\n(3) as to the seals stamped on or outside the painting proper, most of the time only the names of the seal owners were recorded.\n\nIn other words, before the Wan Li era of mid Ming, art catalogue compilers only gave limited attention to the content of colophons and to the text and shape of the seals. After the Wan Li era, however, in regard to the inscriptions and colophons, a number of innovations in the compilation of Chinese art catalogues began to appear.\n\nFirst of all, in his Tieh-wang san-hu, Chu Ts'un-li not only recorded the artists' own short inscriptions, but also recorded in detail the longer colophons written by the collectors' or the artists' friends on or outside the painting proper. As a result, in reading the catalogue, the reader would have a clear picture of the background of each painting, its history of transmission, as well as other people's opinion of it. In comparison with the editing methods employed in art catalogues of the previous few centuries, Chu Ts'un-li's editing method was undoubtedly a major change. Therefore, although after the publication of the Tieh-wang san-hu, certain compilers ignored Chu's editing method and still adhered to the traditional ways, there were actually a great number of others who accepted the new way readily. The San-hu-wang hua-lu, completed in the 16th year of the Ch'ung Chên era by Wang K'o-yü, was one of the more important art catalogues that first followed this new",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206821,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 98,
        "title": "RAS-1973",
        "content_text": "92\n\nCHUANG SHEN\n\ntion of old merits found in the Ming period art catalogues — the recording of quality and format of paintings, as well as inscriptions and colophons that appeared on them — and innovations of his own — the recording of measurements and seals — could be said to be the first complete art catalogue in the history of development of art catalogue editing systems. Later on, even the Shih-chü pao-chi\n\n*** (The first part was completed in the 10th year of the Chien Lung era, 1745; the second part, in the 58th year of the Chien Lung era, 1793, and the third part, in the 22nd year of the Chia Ching era, 1817), an art catalogue of the Ch'ing imperial household, followed exactly the editing methods introduced by Pien.\n\nIt can thus be said that before the Wan Li era of the Ming dynasty, the editing methods of Chinese art catalogues were mainly descriptive, whereas after the Wan Li era, the stress was shifted to documentary. The Ming compilers' contribution to the compilation of art catalogues lay in their inauguration of recording colophons and inscriptions on paintings, as well as the quality and format of all paintings. The Ch'ing compilers' contribution, on the other hand, was the introduction of records of seal text on the painting, as well as the measurements of all paintings. It was only when such essential elements as inscriptions and colophons, seals, quality, size, and format etc. were all fully recorded that an art catalogue could be said to have possessed all the necessary requirements.\n\nAlthough Pien Yung-yü's Shih-ku-t’ang shu-k’ao and Shih-ku-t’ang hua-k’ao, both completed in the 21st year of the K'ang Hsi era, were the most perfect works in the history of development of art catalogue compilation, some other art catalogues that were completed after the publication of Pien's works still adhered to the traditional editing methods used before the Wan Li era. For instance, there were Tso Lang's San-wan-liu-ch'ien-ch'ing-hu-chung hua-ch'uan-lu\n\n*# (completed in the 60th year of the Chien Lung era, 1795); Shêng Ta-shih's ★± Ch'i-shan wo-yu-lu A4 (first completed in the 21st year of the Tao Kuang era, 1833); and Huang Ch'ung-hsing's\n\nTsao-hsin-lou tu-hua-chi ******* in which no record\n\n* There is no date of completion. However, according to Tan Ting-hsien's ### preface dated in the 27th year of the Kuang Hsü era ✰✰ (1901), he was an old friend of Wang Ch'ung-hsing. Thus, it can be deduced that both were active during the Tung Chih and Kuang Hsü eras.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206822,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 99,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES \n\n93 \n\nwas given about the seals and the measurements of the paintings, and often, only the names of colophon writers and seal owners were included, without any entry of the text of colophons and seals. Nevertheless these works should only be regarded as exceptional cases, since after the publication of the Shih-ku-t’ang hua-k’ao, most art catalogue compilers adopted Pien Yung-yü's editing methods. \n\nAs mentioned above, there is some difference in the editing principles employed in the five Kwangtung art catalogues; in that Yeh and Liang adopted the separate principle, while Wu, Pan and Kung adopted the joint principle. On the other hand, in the matter of editing methods, all the five catalogues are similar to most of the catalogues compiled in the Ch'ing dynasty in that detailed records of the material, size and format of a painting are given, as well as inscriptions, colophons and seals appearing on it. In other words, in compiling catalogues for their own collections, these five collectors unanimously adopted the same editing methods, \n\nAlthough in actual fact, the system of including the five essential elements—material, size, format of painting, inscriptions and seals—were first initiated by Pien Yung-yü, however, according to the introductory notes of these four Kwangtung collectors' art catalogues* these elements originated not from Pien Yung-yü's Shih-ku-t'ang hua-k'ao, but from Kao Shih-ch'i's much later work, the Chiang-ts'un hsiao-hsia-lu. This point of view can be found in the introductory notes of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, in which Wu wrote, \n\nChiang-ts'un hsiao-hsia-lu was the first catalogue that recorded the measurements of scrolls and albums of painting. \n\nand again, Since the seals could not be copied, therefore those recorded in the Chiang-ts'un hsiao-hsia-lu were all written in the regular script and then enclosed by lines. This method is the best. \n\nthe same is adopted here. \n\nI am living in a peaceful and prosperous period, and is thus able to while away the time beneath the woods. In every respect, I shall follow the Chiang-ts'un hsiao-hsia-lu. \n\n* The introductory notes are not available in Yeh's catalogue.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206823,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 100,
        "title": "RAS-1973",
        "content_text": "94\n\nCHUANG SHEN\n\nIt should be noted here that the Shih-ku-t'ang hua-k’ao was completed in the 21st year of the K'ang Hsi era, and Kao Shih-ch'ï's Chiang-ts'un hsiao-hsia-lu, in the 32nd year of the K'ang Hsi era. Thus there were eleven years in between. As early as the 21st year of the K'ang Hsi era, Pien Yung-yü had already begun to record the measurements of painting, use the regular script to transcribe the seal text, and squares and rectangles to represent the original shape of the seals. Therefore, the Chiang-ts'un hsiao-hsia-lu was not as Wu Yung-kuang stated \"the first catalogue that recorded the measurements of scrolls and paintings\". Furthermore, neither did the method of \"enclosing seal text transcribed in the regular script by lines\" to record seals that appeared on paintings, as had been extolled by Wu Yung-kuang as the \"best\" method, originate from Kao Shih-ch'i. Kao was only one of those early art catalogue compilers who followed Pien's systems. However, in regard to these two compilers' writings, owing to the fact that no matter on the subject of the classics or literature, Kao by far out-numbered Pien in quantity. His reputation as a connoisseur was also far higher than Pien's. It was probably because of these reasons that Wu Yung-kuang only noticed Kao's Chiang-ts'un hsiao-hsia-lu and overlooked Pien's Shih-ku-t'ang hua-k'ao. Consequently Wu's editing methods adopted in his Hsin-ch'ou hsiao-hsia-chi followed exactly those of Chiang-ts'un-hsiao-hsia-lu. Undoubtedly, the editing methods adopted by Wu were the most perfect ones in the compilation of art catalogues. However, the fact that he was only aware of Kao Shih-ch'i and not Pien Yung-yü seems to show that he had put a wrong emphasis on the first and last, which is something regrettable.\n\nA catalogue that was completed earlier than the Hsin-ch'ou hsiao-hsia-chi was: Yeh Meng-lung's Fêng-man-lou shu-hua-lu. Unfortunately, Yeh Mêng-lung did not give any introductory note to explain his editing system. Therefore it is not known whether his inclusion of the five essential elements i.e. measurements, material, format, seals and colophons was under the influence of Pien Yung-yü or Kao Shih-ch'i. However, since Yeh and Wu were not only good friends, but also later became relatives1, it is possible that when compiling his Fêng-man-lou shu-hua-lu, Yeh Mêng-lung was somehow influenced by Wu Yung-kuang. Thus like Wu Yung-kuang, Yeh's adoption of the five essential elements was probably under the influence of Kao Shih-ch'i and not directly from Pien Yung-yü.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206825,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 102,
        "title": "RAS-1973",
        "content_text": "96\n\nCHUANG SHEN\n\nThus, instead of saying that the compilation method of the T'ing-fan-lou shu-hua-chi was an imitation of the system used in Wu Yung-kuang's art catalogue, rather, it would be more appropriate to say that Pan compiled it according to his own ideas,\n\nThirdly, if this assumption is reasonably correct, then the fact that Pan, in the preface of his T'ing-fan-lou shu-hua-chi regarded Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as one of the representative art catalogues in the Ch'ing dynasty was due to his high esteem for Kao's work, which incidentally was a view shared by Wu Yung-kuang. Moreover, it is possible that he came under Wu's influence while undertaking the collating work for the Hsin-ch'ou hsiao-hsia-chi, thus regarded Kao Shih-ch'i's work of special importance.\n\nFourthly, Pan Chêng-wei considered Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as the most representative art catalogues compiled in early Ch'ing. This point of view is worth our notice. It should be noted that though Sun's catalogue was completed in the 16th year of the Shun Chih era (1659), it was being collated only less than a century after its publication, by Ho Cho2 (1661-1722), a well-known scholar of the Chiang Nan district21 and active in the K'ang Hsi era. Moreover, in the Chien Lung period, distinguished scholars like Lu Wên-ch'aoAx 3 (1717-1795), Pao T'ing-po3* ty (1728-1814) and Yu Chi (1738-1823) at one time or other wrote prefaces and colophons for this catalogue3, and in particular, Pao T'ing-po even included it in his Chih-pu-chü-chai ts'ung-shu1 * F & *** in order to publicize it. Not long afterward, it was well appraised by the Ssu-k'u-ch'uan-shu tsung-mu t'i-yao★ATAIRE, an official catalogue completed in the 48th year of the Chien Lung era. Thus, it can be seen that during the 124 years between the 16th year of the Shun Chih era and the 48th year of the Chien Lung era, in regard to the connoisseurship of painting and calligraphy, no matter whether it was in Chiang Nan or in the capital, and regardless of whether privately or officially, there was no one who did not consider Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi as an important work for reference,\n\nHowever, the situation was not quite the same in Kwangtung. Probably up to the Chien Lung era, no Kwangtung scholar had ever noticed the Kêng-tzŭ hsiao-hsia-chi. Even Wu Yung-kuang and Yeh Mêng-lung, relatives who both served for a long time in the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206826,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 103,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES \n\n97\n\ncapital during the Chia Ch'ing and Tao Kuang eras, did not seem to be aware of the significance of the Kêng-tzu hsiao-hsia-chi. This was why when quoting a representative work among the art catalogues completed in the Ch'ing dynasty, Wu Yung-kuang only commended Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu, and completely ignored Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi. Finally it was only when Pan Chêng-wei wrote the preface for his own T'ing-fan-lou shu-hua-chi in the 23rd year of the Tao Kuang era (1843) that for the first time Sun and Kao's works were given equal attention. In other words, whilst Sun's Kêng-tzu hsiao-hsia-chi had already aroused attention among the scholars of Chiang Nan only half a century after its publication, it had to wait 184 years after its publication to be brought to the notice of Kwangtung art collectors. If Wu Yung-kuang's introduction of Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu to Kwangtung can be regarded as some kind of contribution to the art collectors in his native place, then Pan Chêng-wei's recommendation of Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi should in the same way be said to be one of his contributions to the Kwangtung art collectors. It was probably because of Pan's high recommendation of the Kêng-tzu hsiao-hsia-chi that this book later attracted the attention of two other Kwangtung art collectors. Therefore, although in the Chia Ch'ing and Tao Kuang eras, the earlier Kwangtung art collectors Wu Yung-kuang and Yeh Mêng-lung were not fully aware of the significance of the Kêng-tzu hsiao-hsia-chi, it seems that in the Hsien Fêng era, however, the later Kwangtung art collectors Liang Ting-nan and Kung Kuang-tao began to show a certain degree of respect for Sun's catalogue. Evidence for this can be obtained in the compilation system adopted in the art catalogues compiled by Liang and Kung.\n\nNow let us examine the editing system set down in Liang Ting-nan's T'êng-hua-t'ing shu-hua-pa and Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu. In the former there is a preface written in the 5th year of the Hsien Fêng era (1855) by Liang T'ing-nan himself, the last part of which reads,\n\nThis time when I came again to the province, I lived in seclusion ... I decided to keep this part after making a revision. As to this edition, I would not dare to compare it with the two works compiled by Sun and Kao respectively. Moreover, in the matter of the editing system, my book differs from theirs on many points.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206827,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 104,
        "title": "RAS-1973",
        "content_text": "98\n\nCHUANG SHEN\n\nNeedless to say, the two works by Sun and Kao mentioned in the text refer to Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Although Liang T'ing-nan pointed out that it would be unsuitable to compare his T'êng-hua-t'ing shu-hua-pa with the two works of Sun and Kao—which was, moreover, something that he would not venture to do—it could be deduced that, in his opinion, the two catalogues compiled by Sun Ch'êng-chê and Kao Shih-ch'i must have been held in reverence. Otherwise, it would be difficult to explain why he must necessarily take his work to compare with the Kêng-tzŭ hsiao-hsia-chi and the Chiang-ts'un hsiao-hsia-lu, and not with Pien Yung-yü's Shih-ku-t'ang hua-k'ao. According to Liang's remark, it is clear that owing to Pan Chêng-wei's recommendation of the Kêng-tzŭ hsiao-hsia-chi, Sun's work became an art catalogue capable of being compared with Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu in the mind of Kwang-tung art collectors some time later; while, on the other hand, Pien Yung-yü's work seemed to remain unnoticed, as it was during Wu Yung-kuang's time. It thus seems rather questionable whether Liang T'ing-nan was ever aware of Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao.\n\nAs to the origin of the editing method employed in Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, some hints may be obtained from the preface written by Li Ch'ao-t'ang, which reads,\n\nThe two brothers Huai-min and Shao-tang (i.e., Kung Kuang-yung and Kung Kuang-tao) had the largest collection of books in Kwangtung. At his leisure hours, Kung Kuang-tao compiled this catalogue by following the editing system set down in the catalogues of Sun Ch'êng-chê and Kao Shih-ch'i.\n\nThus, it can be seen that the origin of the editing method employed in the Yüeh-hsüeh-lou shu-hua-lu was also that used in the two catalogues of Sun Ch'êng-chê and Kao Shih-ch'i. From the time when Wu Yung-kuang completed his Hsin-ch'ou hsiao-hsia-chi to the time when Liang T'ing-nan completed his T'êng-hua-t'ing shu-hua-pa, 15 years had elapsed, and up to the completion of Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, 21 years. During these 21 years, apart from the fact that owing to Pan Chêng-wei's recommendation, Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi received more attention, and that Liang T'ing-nan's T'êng-hua-t'ing shu-hua-pa",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206828,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 105,
        "title": "RAS-1973",
        "content_text": "# FIVE ART CATALOGUES\n\n99\n\ndiffered somewhat from the two catalogues of Sun and Kao, by the time Kung Kuang-tao compiled his art catalogue, the editing method he adopted seemed to be, if not a continuation of that used in Sun's Kêng-tzŭ hsiao-hsia-chi and Kao's Chiang-ts'un hsiao-hsia-lu, at least unrelated to Pien Yung-yü's Shih-ku-t'ang hua-k'ao.\n\nIn a word, although these five Kwangtung art collectors had adopted a new editing system in their catalogues, they had not referred to the work of the compiler who first introduced this system. This is no different from one who counts the records but has forgotten one's ancestors, and can but be regarded as a very unreasonable incident in the history of art catalogue compilation.\n\n## III\n\n## Defects in the Catalogues\n\nAs mentioned above, though the five Kwangtung collectors' catalogues were all compiled by following the new editing method introduced in the compilation of art catalogue, it should be pointed out here that they are not without shortcomings and errors. These, on the whole, can be divided into 3 types, namely: unsuitable compilation method, carelessness in proof-reading, as well as erroneous chronology. Each of these will be discussed below.\n\n### A. Unsuitable Compilation Method\n\nIn Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, paintings done by the same artist are mostly grouped together. However Wu had at least in two instances separately recorded the paintings of two artists. As a result, the reader would feel rather confused when using this catalogue. For example, this catalogue has recorded two paintings by Ni Tsan (1301-1374) in chüan 4. One of these, the Yu-po-t'an-hua-t'u appears in chüan 4, p. 22b, and the other, Ho-lin-t'u, on p. 41a of the same chüan. They are thus nearly twenty pages apart. Between these two paintings, Wu recorded accordingly the hanging scrolls of calligraphy respectively done by Kung Su, Fêng Hai-su and Nao Nao, as well as a handscroll including calligraphies written by Liu Yu-ch'ing, Fan Kuo, Ouyang Ying, Yü Chi, Wu Ch'uan-chieh, Yü-fu-t'u, and Liu Kuan. In addition, in the space of nearly twenty pages, Wu also recorded Wu Chen's and Wang Fu's (1362-1416).\n\nPage 105\n\nPage 106",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206833,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 110,
        "title": "RAS-1973",
        "content_text": "104\n\nCHUANG SHEN\n\nlogue seems to be smaller than that found in Pan's catalogue. All in all, the lack of record of paintings and calligraphies listed in the table of contents in the text of a catalogue is the second type of deficiency in compilation found in the art catalogues of the Kwang-tung collectors.\n\nB. Carelessness in Proof-reading\n\nThe deficiency in proof-reading is the second type of deficiency in the art catalogue of the Kwangtung collectors. We may begin by examining Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi. The carelessness in the proof-reading of this catalogue can be seen in the two following examples. In the 51st year of the K'ang Hsi era (1712), Wu Shêng completed the 20 chüan of his famous catalogue Ta-kuan-lu. It is not known whether Wu Yung-kuang had read Wu Shêng's Ta-kuan-lu with care or not; however, after acquiring Ni Tsan's Yu-po-t'an-hua-t'u, he had made use of the entry of this painting in Ta-kuan-lu to collate with the inscriptions attached to the painting. Moreover, he mentioned the name of Wu Tzu-min?\n+ in his own colophon. Therefore, having known the literary name of Wu Shêng as Tzũ-min, Wu Yung-kuang could hardly be ignorant of Wu Shêng. Yet in his Hsin-ch'ou hsiao-hsia-chi, he was so careless as to record Wu Shêng's name wrongly. In chüan 5 of his catalogue, after entering Ch'iu Ying's Yü-tung hsien-yüan-tu玉洞仙源 he added,\n\nWang Shêng's12 Ta-kuan-lu has also recorded Shih-fu'sTX Yu-tung hsien-yüan-t'u1\n\n12\n+\n\nIn chüan 4 of Hsin-ch'ou hsiao-hsia-chi, Wu Yung-kuang had already mentioned that the compiler of Ta-kuan-lu was Wu Tzŭ-min11, yet in chüan 5 of the same book, he recorded the compiler of Ta-kuan-lu as Wang Shêng12. It is thus apparent that the mistake of calling Wu Shêng as Wang Shêng could not be due to Wu Yung-kuang's ignorance. Rather, it resulted from a mistake in his own handwriting, or from a mistake made while cutting the blocks for painting. Moreover, according to Ku Fu's P'ing-sheng chuang-kuan13 there was a calligrapher by the name of Wang Shêng active in the Southern Sung period. Thus, if the reader of Hsin-ch'ou hsiao-hsia-chi has complete faith in Wu Yung-kuang, would it not be very likely for the compiler of Ta-kuan-lu to be taken as a Sung figure of the mid 13th century instead of a Ch’ing figure of the mid 17th century?",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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        "rank": 0
    },
    {
        "id": 206836,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 113,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n107\n\nI was able to have a look at this scroll while I was in the capital in the year ping-shu. Now this scroll and the scroll of correspondence written by monk Fa-ch'ang are both in the collection of Ch'in-shan, minister of the Board of Agriculture 琴山農部. Wu Yung-kuang wrote this on the 9th day of the 12th month in the year chia-shu of the Tao Kuang era.\n\nIt should be noted that ping-shu was the 6th year of the Tao Kuang era (1826). After this year, there was no chia-shu in the Tao Kuang era. The years that have some connections with chia-shu are chia-wu (1834), mu-shu (1838) and chia-ch'en (1844). However Wu Yung-kuang died in the year before chia-ch'en. Therefore, the year chia-ch'en should undoubtedly be left out of consideration. What is more, even the combination of stems and branches of the years chia-wu and mu-shu are different from that given in Wu's own colophon. In all probability, it seems that the date \"chia-shu of the Tao Kuang era\" recorded in the colophon inscribed in Ch'ien Hsüan's Li-hua-chüan should be a slip of the pen for either the year chia-wu (14th year of the Tao Kuang era) or mu-shu (18th year of the Tao Kuang era), in the former of which, Wu was 62 years old, while in the latter, he would already be 66. In a word, the 14th year of the Tao Kuang era was the beginning of the last decade of Wu Yung-kuang's life. No matter whether the date when he put down by mistake the year chia-shu is chia-wu or mu-shu, by that time, he must have begun to show signs of old age. Otherwise in his Hsin-ch'ou hsiao-hsia-chi, he would hardly commit a mistake as to remember incorrectly the date of happenings that he himself had experienced. If, however, this catalogue had been carefully checked through before it was published, then such kind of chronological mistake could very likely be entirely avoided. Yet the fact that neither chia-wu nor mu-shu, but instead chia-shu of the Tao Kuang era had been printed in the Hsin-ch'ou hsiao-hsia-chi shows clearly that in the process of proof-reading, Wu Yung-kuang was indeed most careless.\n\nNOTES\n\n1 At the beginning of Yeh Mêng-lung's *** Fêng-man-lou shu-hua-lu, **** it is stated that Yeh Ying-ch'i ***, son of Yeh Mêng-lung, was one of the collators of that catalogue. On checking Wu Yung-kuang's autobiography (Tzü-ting nien-p'u), the following information is",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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        "rank": 0
    },
    {
        "id": 206837,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 114,
        "title": "RAS-1973",
        "content_text": "108\n\nCHUANG SHEN\n\nobtained under the entry of the 8th year in the Tao Kuang era (1828), \"In the third month, my daughter named Hsi married Yeh Ying-ch'i\". In chuan 2 of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia chi, there is an entry about Mi Yu-jen's Yün-shan tê-l-t'u #4#★#, which according to Kung Kuang-tao's LAM Yüeh-hsüeh-lou shu-hua-lu *****, should bear a square seal, the text of which reads, \"Nan-hai nu-shih Yeh Wu Hsiao-ho hsieh-yün-lou shu-hua-chih-yin” ✯✯✯±‡*+*Z*#‡‡<¢ \"seal of calligraphies and paintings in the Hsieh-yün-lou collection of Madam Yeh Wu Hsiao-ho, native of Nan-hai”. Ho-wu is one of the style names of Wu Yung-kuang, and so he gave his daughter Wu Hsi the style name of Hsiao-ho. Furthermore, above Hsiao-ho's surname, it is added her husband's surname (Yeh). Thus it is evident that the Yün-shan tê-t-t'u was one of the items in her dowry when she was married off to Yeh Ying-ch'i. However, in the opening part of chuan 3 in Wu Yung-kuang's Shih-yün-san-jen fen-t'l-shih-hsuan, it is stated that one of the collators was his son-in-law, whose name, however, was recorded as Yeh Ying-hsin #44.\n\n2 At the end of his Kêng-tzŭ hsiao-hsia-chi chiao-wên ✯TMIERZ - \"Collatery Note of the Kêng-tzŭ hsiao-hsia-chi\" Ho Cho put down the date of \"K'ang Hsi kuei-ssu\" which is equivalent to the 52nd year of the K'ang Hsi era (1713). Ho's collatery note can be found in Ku-hsüeh-hui-k'an **✰★, vol. II, No. V, published by Kuo-ts'ui hsüeh-pao shê @##★#, 1923, and reprinted by Li Hsing Book Co. ★1⁄2, Taiwan. (The collatery note is found in pp. 2585-2601 of this reprint.)\n\n3 Pao T'ing-po's colophon, which is attached to the Kêng-tzŭ hsiao-hsia-chi, was completed in the 20th year of the Chien Lung era ✯✯ (1755). Yu Chi's colophon and Lu Wên-ch'ao's preface were both written in the 26th year of the Chien Lung era (1761).\n\n4 There are altogether 18 collections in Chih-pu-tsu-chai ts'ung-shu ÞILIIT. The fourth collection includes only Sun Ch'êng-chê's Hsien-chê-hsüan-tieh-k'ao §**** (which is now attached to the end of Kêng-tzŭ hsiao-hsia-chi. However, it is included in the occasional publication of the Chih-pu-tsu-chai. Nowadays, an edition that was published separately in the 26th year of the Chien Lung era (1761) is available.\n\n5 See Ssŭ-k'u-ch'üan-shu tsung-mu ti-yao **** chuan 113. Only the last sentence in this discussion is quoted here, since it already suffices to reflect the whole situation by this, \"Though the man can be slighted, his writing is however something that we cannot pass over slightly.\"\n\n6 A hand-written copy of the T'ing-fan-lou shu-hua-chi and its supplement is found in the collection of the Feng Ping-shan library, University of Hong Kong.\n\n7 The Feng Ping-shan library in the University of Hong Kong has in its collection a wood block printed version of the T'ing-fan-lou shu-hua-chi in 5 chuan and its supplement in 2 chuan, the beginning section of both of which are missing. Therefore, the date and place when this catalogue was printed is now known.\n\n* The type printed version of the T'ing-fan-lou shu-hua-chi and its supplement is available in Mei-shu ts'ung-shu *#*# vol. IV, part VII. This catalogue was first printed by the Kuo-ts'ui hsüeh-shê # in the 3rd year of the Hsuan Tung era ✯ (1911). The second edition came out in 1928. The copy used in this paper is the fourth edition published by Shen-chou kuo-kuang shê **B£* in 1947.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206838,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 115,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n109\n\n9 In chuan 4 of Hsin-ch'ou hsiao-hsia-chi pp. 22b-33a, after entering Ni Tsan's Yu-po-t'an-hua-t'u and inscriptions and recording the three colophons written by Tung Ch'i-ch'ang and emperor Chien Lung, Wu Yung-kuang's own colophon follows, beginning thus,\n\nThis painting agrees with the one recorded in Wu's Ta-kuan-lu\n\n4. It was after this painting had been dispersed from Chiêng Chi-pa's collection that Wu Tzu-min came across it. Soon it was acquired by the imperial household.....\n\nIn saying that \"this painting agrees with the one recorded in Wu's Ta-kuan-lu”, it is apparent that Wu Yung-kuang must have used Wu Sheng's Ta-kuan-lu in order to make a comparison between the inscriptions recorded in this catalogue and those appeared on the painting.\n\n10 See Hsin-chou hsiao-hsia-chi chuan 5, p. 54b.\n\n11 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 23a.\n\n12 Ibid chuan 5, p. 54b.\n\n13 See Ping-sheng chuang-kuan chuan 3, p. 20; published in Shanghai, 1962.\n\n14 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 39a.\n\n15 Refer to footnote 10.\n\n16 An Ch'i's description of Yü-tung hsien-yüan-t'u can be found in Mo-ylian hui-kuan chuan 3. However he recorded it as Tao-yuan hsien-ching-t'u, which is somewhat different from that recorded by Wu Yung-kuang.\n\n17 See Pien Yung-yu's Shih-ku-t'ang hua-k'ao chuan 37. The edition used here is a photo copy of this catalogue in the collection of Mr. Chiang's Mi-chün-lou, made by Ying-yin chien-ku shu-she of the Cheng Chung Book Co., Taiwan in 1958, p. 4966. (The Chêng Chung Book Co. shows its ignorance in combining two pages of the original book into one page, and instead of following the original page number, gives each page a new number).\n\n18 The titles of these three scrolls of painting can be found in T'êng-hua-t'ing shu-hua-pa chuan 1, which are: Pai-l'ou an-ch'un tu p. 35b; Hua-kuo-r'u, p. 36a; Lan-hua-t'u, p. 36b.\n\n19 Among the documents that were completed in the Ch'ing dynasty and mainly dealt with biographies or names of the Ch'ing painters, the following are, in general, regarded as the most important:\n\n(1) Chang Kêng's Kuo-ch'ao-hua-chêng-lu in 3 chuan, supplement in 2 chuan. According to his own preface, this book was completed in the 13th year of the Yung Chêng era (1734).\n\n(2) P'êng Yün-ts'an's (1780-1840) Hun-shih hui-chüan\n\n史棠傳 in 70 chuan and appendix in 2 chuan.\n\n(3) Fêng Chin's Li-tai hua-chia hsing-shih pien-lan in 7 chuan, published in the 6th year of the Tao Kuang era (1826).\n\n(4) Lu Chün's Sung Yüan i-lai hua-jen hsing-shih-lu in 37 chuan. The preface written by Tang Chin-ch'ao is dated in the 10th year of the Tao Kuang era (1830).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206839,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 116,
        "title": "RAS-1973",
        "content_text": "110\n\nCHUANG SHEN\n\n(5) Tou Chên's Ch'ing-tai shu-hua-chia pi-lu in 4 chuan, in which there is Tou's own preface written in the 3rd year of the Hsuan Tung era (1911).\n\n1\n\nHowever the name \"Fang Hsün-yüan\" could not be found in any one of them.\n\n20 The second parts of both the supplement of Chang Kèng's Kuo-ch'ao-hua-chêng-lu and Ch'in Tsu-yung's T'ung-yin lun-hua record Fang Shih-shu's literary name as Hsün-yüan.\n\n* Taiwan\n\n21 See Fêng Ch'êng-chi's Li-tai ming-jen nien-p'u chêwu, published in Wen-shih-chê hsüeh-pao National University, No. 12, pp. 45-52, printed in Taipei, 1963.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 207028,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 99,
        "title": "RAS-1974",
        "content_text": "NOTES ON THE SOURCES OF DE MAILLA\n\n93\n\nof Chin Lü-hsiang ✯✯✯(1232-1303), and a supplementary section prepared by Shang Lu j (1415-86) and others under imperial order of 1476, was available to de Mailla in the edition of 1708.1 But it carries Chinese history only to the end of the Yuan dynasty, whereas the Histoire générale in its final form includes the Ming and Ch'ing periods to 1780, the 45th year of the Ch'ien-lung reign,\n\nSince de Mailla's manuscript was sent to France in 1737,2 where it remained unpublished for forty years, it is evident not only that the author relied on sources other than the T'ung-chien kang-mu to continue his record beyond the Yuan period, but also that the final chapters are not his at all. There is no secret involved in these facts, credit generally being given where due by the published Histoire générale. But the usual tendency to consider the matter as closed when one has attributed the work to de Mailla and indicated the T'ung-chien kang-mu as his source is misleading. Volumes I-IX represent an abridged translation of the Kang-mu; for Vol. X, which treats of the Ming period, four other Chinese sources were employed. They are indicated in the editor's footnote to Vol. X, pp. 1-3, as follows:\n\n+\nLes trois auteurs que le Père de Mailla a suivis sur ce qui concerne les MING, sont le docteur Kou-yng-tai, examinateur des lettrés du Tché-kiang, dont l'ouvrage, intitulé Ming-ssé-ki-sse-pen-mo ou Faits historiques de la dynastie des MING a été publié par Fou-y-tché, premier ministre de Chun-chi, empereur des TSING: ce ministre en faisant tant de cas, que non content d'en être l'éditeur, il y a ajouté une preface de sa façon. Le second auteur, d'après lequel le Père de Mailla a rédigé l'histoire des MING, est Tchu-tsing yen docteur du premier ordre & gouverneur de Nan-yang-fou du Ho-nan. Son ouvrage, fait sur le modèle du Tong-kien-kang-mu, a pour titre, Tong-kien-ming-ki-tsuen-tsai, c'est-à-dire, Suite complette de la dynastie des MING-Tchang-yn, president du tribunal des Rits & ministre d'état, le publia la trente-cinquième année du règne de Kang-hi. Enfin le troisième écrivain, que le Père de Mailla a consulté sur les MING est le fameux lettré Tchong-pé-king, qui vivoit sous cette dynastie, au temps qu'elle perdit le sceptre impérial. Son Ouvrage, intitulé Ming-ki-pien-nien; c'est-à-dire, Annales de la dynastie des MING, fut rendu public la quarante-septième année de Kang-hi, plus de cinquante ans après la mort de l'auteur.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
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    },
    {
        "id": 207034,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 105,
        "title": "RAS-1974",
        "content_text": "NOTES ON THE SOURCES OF DE MAILLA\n\n99\n\nNOTES\n\n1 Cf. Robert des Rotours, Traité des Examens, traduit de la Nouvelle Histoire de T'ang (Paris, 1932), 82, n. 1. As des Rotours writes, \"C'est cet ouvrage qui a été traduit par de Mailla, en partie sur la version mandchoue.”\n\n2 de Mailla, Vol. I, xxvii.\n\n3 Cf. Eminent Chinese of the Ch'ing Period, 1:426. (Hereafter abbreviated as ECCP).\n\n4 This work's original title (1658) was later changed to Ming-shih chi-shih pen-mo, by which it is generally known. Cf. W. Franke, An Introduction to the sources of Ming history (Kuala Lumpur, 1968), 2.2.11. (Hereafter abbreviated as Franke, Introduction.)\n\n5 Edition of 1930, 49/6b. (Hereafter abbreviated as SKCS catalogue.)\n\n6 This paragraph of appraisal is based on the SKCS catalogue, loc. cit.\n\n7 See biography of Chang Tai by Fang Chao-ying in ECCP, I:53.\n\n8 This paragraph on the origin of Ming-ch'ao chi-shih pen-mo is based on Hsieh Kuo-chen, Wan-Ming shih-chi k'ao (Peiping, 1931), 1/26-28.\n\n9 A native of Te-ch'ing, Chekiang, who graduated as chin-shih in 1673. Hsieh Kuo-chen, loc. cit.\n\n10 A native of Chia-shan, Chekiang, who later moved to Hua-t'ing, Nan-Chihli. He flourished in the last years of the Ming and into the K'ang-hsi period. Cf. Hua-t'ing-hsien chih (1878-9 ed.), 15/38a. On his book, see C. O. Hucker's essay on the Tung-lin in J. K. Fairbank (ed.), Chinese Thought and Institutions (Chicago, 1957), 369, n. 12.\n\n11 See Shang-yü-hsien chih (1890), 11/20b.\n\n12 See Nan-yang-fu chih (1807), 4b.\n\n13 Franke, Introduction 1.3.9. (d).\n\n14 idem. 1.3.9, (c).\n\n15 His biography in ECCP, I:64, is also by Fang Chao-ying.\n\n16 A great favorite of the emperor, he was known to the Jesuit missionaries at court as Cham ym. See P. Pelliot's discussion of the Brevis Relatio (1701) on the rites question in T'oung Pao, 23 (1924), 365.\n\n17 L. C. Goodrich, “Korean interference with Chinese historical records,\" JRAS, No. China br., 68 (1937), 32.\n\n18 L. C. Goodrich, The Literary Inquisition of Ch'ien-lung (Baltimore, 1935), 138, n. 3.\n\n19 Hsieh Kuo-chen, op. cit., 1/20a; J. J. L. Duyvendak, T'oung Pao, 32 (1936), 343.\n\n20 Franke, Introduction, 1.3.8.\n\n21 SKCS catalogue, 193/6b, sub entry on Ming shih kuei.\n\n22 See Walter Fuchs, Beiträge zur Mandjurischen Bibliographie und Literatur (Tokyo, 1936), 124. The T'ai-tsu shih-lu bao-xun is included in the Ming shih-lu fulu, published in Taipei, 1967.\n\n23 de Mailla, op. cit., Vol. XI, 50. Cf. ECCP I: 109, sub Cheng Ch'eng-kung.\n\n24 de Mailla, op. cit., Vol. XI, 52.\n\nPage 105\n\nPage 106",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    },
    {
        "id": 207050,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 121,
        "title": "RAS-1974",
        "content_text": "THE HONG KONG REGION\n\n115\n\nVarious local accounts show that many craft came from northeast Kwangtung and elsewhere for the seasonal fishing. The presence of pirate fleets, sometimes in very large numbers, was also a feature of the local scene.\n\nThis activity, and the importance it gave to the local seaways is reflected by the Chinese records. The Kuang-tung K’ao-ku Chi-yao gives what at first appears as a disproportionately large amount of space to the subject of coastal defence.3 The provincial gazetteer devotes many pages to maps of the coast line and the off-shore islands, and it is significant that these are included in the coastal defence section and not in that dealing with administrative boundaries.4 Another long work, the Kuang-tung T'u-shuo, which deals with the administrative geography of the province, gives maps that show the outer islands in the districts on each side of the Pearl River delta. Some of these maps showing outlying areas are blank, for all but a corner of a page, but have still been included. It also lists the garrisons and naval forces responsible for the area.\n\nIn the Hong Kong region, Lantau and the islands are the subject of much of an article by Hsü Tei-shan on Hong Kong and its past, included in the compendium to the exhibition of Kwangtung Culture assembled at the University of Hong Kong in 1940.6 As is to be expected, the fall of the Sung takes up much of his attention,7 but he then considers Lantau itself. Hsü's discussion on one of its Chinese names, Tai Yue Shan, is relevant here because it\n\n1 Orme, para 53; CR 1947, p. 10.\n\n2 Lo-shu Fu, p. 597 has a long note on pirates in the Ladrones c. 1779-1810.\n\n3 KTKKTY 30/1-11. See also chuan 28 on military matters.\n\n4 KTTC, vol. 2, pp. 2394-2433, especially 2406-2410 for the islands between and outside Hong Kong and Macau, the Ladrones. Two chüan, 123-124, (pp. 2359-2442) deal with coastal defence. The district maps for the Delta are in chuan 83, Hsin-an at pp. 1454-5 and Hsiang-shan at 1464-5. The late Ming work Wu-pei Chih lists posts, garrison strengths and ships for the Central, East and West lu of Kwangtung; chüan 215/12-13, 15-16 and 17, 18 being of special relevance to Hsin-an and the adjoining area. The maps for the outlying parts of the Canton Delta are in chüan 210/9-10 and 215/6-7. For this work see Franke, p. 209. Ku Yen-wu's celebrated T'ien-hsia chün-kuo li-ping shu has eight chüan (97-104) on Kwangtung, much of which is devoted to military organisation and defence.\n\n5 See the general map at the beginning, 1-2, and detailed maps under reference chuan 11-12/7-9.\n\n6 KTWW, pp. 425-426,\n\n7 ibid. He gives a clear exposition of the various problems surrounding the identification of the various places at which the last struggles of the Sung occurred.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    },
    {
        "id": 207063,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 134,
        "title": "RAS-1974",
        "content_text": "128\n\nJAMES HAYES\n\nbe feared, but internecine wars are almost always raging between some or other of the villages: and these wars, although often arising from trivial causes, are not mere temporary quarrels, but are often long-continued and sanguinary'.1 He gives a description of these feuds, and relates one example in which the District Magistrate, even with a force of 1,000 men, was unable to restore peace, and could not even save his face without the mediation of a neighbouring village. The device that secured this, Krone comments, had no influence at all upon the dispute, fighting being carried on afterwards just as before\".2\n\nThere are several documented examples of intervillage and clan wars from the mainland New Territories at this time which indicate that Krone was not exaggerating the situation in mid century. Halls to 'martyrs' killed in these struggles were provided in at least four local temples, each containing memorials to slain heroes. These are to be found in the temples at Shek Kong (Pat Heung), Miu Kong (Tsuen Wan), Lam Tsuen, and Yuen Long (Shap-pat Heung). The Tsuen Wan memorial tells of a three year feud between the Tsuen Wan villagers and Shing Mun Pat Heung, beginning in the first year of the Tung Chih reign (1862-1863) and ended only after eventually successful mediation by elders of neighbouring villages. During this time, the Tsuen Wan villages—their men being outnumbered according to the tablet—were invaded and left in ruins, and 17 local men were killed in the prolonged struggle.3\n\nBaker gives other local and contemporary examples of these clan wars taken from genealogies and village tradition in the northern New Territories. He also draws attention to the feuds that occurred within local lineages, including frequent fights between the Ping Shan and Ha Tsuen branches of the Tang lineage. These persisted into the British period. In 1921, in his administrative report for that year, the District Officer North mentions trouble that 'assumed very serious proportions' over water rights between\n\n1 Krone, p. 114.\n\n2 Krone, pp. 125-126.\n\n3 The hall at Miu Kong is entitled the I-yung Tz'u (義勇祠) and that at Yuen Long the Ying-yung Tz'u (英勇祠). In the Pat Heung temple the tablet is in the Ching-chung Tz'u (清忠祠). At Lam Tsuen there is no named hall, but a side room contains a tablet bearing the characters jang hsiang ch'ang sheng lu wei (...).\n\n4 Baker, 1968, pp. 167, 183 and 187.\n\n5 Baker, 1968, p. 188 and Baker 1965, pp. 39-41.",
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    },
    {
        "id": 207135,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 206,
        "title": "RAS-1974",
        "content_text": "200\n\nNOTES AND QUERIES\n\n1885), records the establishment of the temple about that time. It consists mostly of the names of the many contributors to the building fund, spread over several tablets. The tablet shows that a large number of persons contributed to the building fund, many of them presumably connected with the construction industry in Hong Kong in one way or another. They are grouped according to their home districts and include persons from no less than 22 districts (hsien) of the Kwangtung province including many from the districts round Canton, adjoining Hong Kong. A group from what may be Mangalore in India (????) is also listed among the subscribers.\n\nBesides the inscriptions inside the temple, there are 2 outside the building. One commemorates the establishment of a school premises by the Kwong Yut Tong in the 38th year of the Chinese Republic (1949-50). Another, earlier, one dated in the year (1924-25) explains the ownership of the land on which both temple and school stand.\n\nIt appears that, as Carl Smith relates above, the temple had been built on the land bought by the Chinese consortium in 1883, but that no deed had been drawn up between it and the temple's managers, then or later known as the Kwong Yut Tong. After Li Po Lung (son of the leading member of the consortium) sold most of his local property interests in 1921, the Tong's managers discovered that the temple site had been included in the sale. After discussion with the new owners the latter agreed to make over the land to the temple; that is, to the Tong. This satisfactory outcome is recorded in the tablet. The only point of difference between the tablet and the official records consulted by Carl Smith is that the records state that the new owners sold to the Tong for $4,222.40 whereas the tablet indicates it to have been a gift with a then market value of about $40,000!\n\nLu Pan (in the Northern romanisation) (??)\n\nAs is usually the case in China, Lu Pan was a mortal man become a god; and as is equally common, there are different versions of his origin. E.T.C. Werner in his Dictionary of Chinese Mythology (1961 reprint with introduction by Hyman Kublin; pp 281-282) gives the following account which, in its essentials, may be taken as typical of the life stories and miracles attributed to many Chinese deities.",
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    },
    {
        "id": 207136,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 207,
        "title": "RAS-1974",
        "content_text": "NOTES AND QUERIES\n\n201\n\nLU PAN―The God of Carpenters. President of the Celestial Ministry of Public Works. Family name Kung-shu, personal names Pan and I-chih. Born at Yen-chou Fu, Shantung, the ancient feudal kingdom of Lu, whence his name Lu-Pan, i.e. Pan of Lu. His father was Kung-shu Hsien, his mother being of the Wu family. He was born in 506 B.C. As a youth he practised and became skilled in all kinds of metal, stone and wood work. At 40 years of age he retired to live the life of a hermit on Li Shan, Mount Li, in Shantung, and was initiated into miracle-working, being able to rise into the air and ride on the clouds. In the reign of Yung Lo (A.D. 1403-25) of the Ming dynasty he received the title of Grand Master, Sustainer of the Empire. Artisans who pray to him have their requests granted immediately.\n\nC\n\nAnother biography gives his name as Kung-shu Tzu, adds that he was called Pan and describes him as a clever man of Lu. Some say he was the son of Mu, duke of Lu. He carved wooden magpies which could float in the air for three days, and constructed a wooden coachman which drove an automobile, as well as engines of war for battering down the walls of cities.\n\nStill another account of his life states that Lu Pan belonged to Tung-huang Hsien, Kansu. He made a wooden kite, on which his father could fly long distances in the air. When he flew to Wu-hui, Kiangsu, the people mistook him for a devil and killed him. Angered at this, Pan constructed an Immortal in wood which, on pointing its finger in the direction of the town, caused a drought which lasted three years. When the inhabitants ascertained the cause, they sent him presents to appease him and he cut off the image's hand, whereupon copious rain fell in Wu.\n\n44\n\n+\n\nThese differences can only be reconciled by concluding that Lu Pan and Kung-shu Tzu were two different persons, the one having lived in Shantung in the time of the Six Kingdoms (3rd cent. B.C.), and the other in Kansu after the time of the Emperor Ming-ti (A.D. 58-76) of the Han dynasty, when Buddhism was officially recognised in China. At the present day, Lu Pan is worshipped, without regard to the question whether the name belongs to one man or to two. Temples dedicated to Lu Pan are still maintained. He is especially worshipped (on the thirteenth day of the fifth and on the twenty-first day of the seventh",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    },
    {
        "id": 207137,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 208,
        "title": "RAS-1974",
        "content_text": "202\n\nNOTES AND QUERIES\n\nmoon) by carpenters and varnishers (the latter generally worship his two wives).\" \n\n[Note the different date on which worship is carried on in Hong Kong. The above is given without the Chinese characters found in the original.]\n\nThe Kwong Yut Tong states that between 1000-1500 persons visit the temple annually on Lo Pan's birthday, drawn mostly from bosses and workers in the construction trades. The God must be considered to be effectual, since deities who perform no miracles soon lose support and patronage.\n\nThe hillside adjoining the temple has recently been cleared of squatter huts, and it is hoped to develop it as a public park,\n\nLady Ho Tung Hall, University of Hong Kong\n\nAccording to the HKU's Jubilee publication The First Fifty Years (HKU Press, 1962) this women's hall of residence was donated by Sir Robert Hotung a few years after the War, to be named after his deceased wife. The foundation stone was laid on 14th August 1950 and the hall opened on 16 March 1951. It provided accommodation for 85 of the 206 woman students then enrolled, and was in addition to two other halls of residence for women administered by religious bodies.\n\n(2) VISIT TO OLD WANCHAI\n\nFRIDAY, 5 APRIL 1974\n\nBackground and Early Development\n\nWanchai is one of the oldest districts of British Hong Kong. Under the name Ha Wan or 'Lower Bay', it was one of the 5 wan, alternatively 'bay' () or 'circuit' (#), a term used in the 1850's and 1860's to describe the residential and commercial areas largely developed by the new Chinese population of the Island. (See The China Review Vol. 1 (1872) p. 333 for an article \"The Districts of Hong Kong and the Name Kwan-Tai-Lo'.)\n\nThe area is described as follows in a list of the city districts, with boundaries, given in the Government gazette in 1857:\n\n'Ha Wan, District No. 5.\n\nFrom Murray Barracks to Observation Point',\n\nFootnote: Those members who visited the Lu Pan temple at Ching Lin Terrace, Kennedy Town, in January may wish to know that there is an article on this subject in Colonel V. R. Burkhardt's Chinese Creeds & Customs, Vol. 2, pp. 117-120. The statement therein that the temple was built in 1928 is misleading: the entrance is dated in 1884-85.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    },
    {
        "id": 207203,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 274,
        "title": "RAS-1974",
        "content_text": "Plate 5.\n\nA Singapore carving of Lu Tung-pin the physician (呂洞賓).\n\nPlate 7.\n\nTaiwanese mud god showing its stuffing of rice husks.\n\nPlate 6. Teochew carving of Kan Tien Ta Ti (乾天大帝) centre: with an Earth God (二土地) on each side. (The right hand one is a cheap and simple pottery image.)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    },
    {
        "id": 207361,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 129,
        "title": "RAS-1975",
        "content_text": "EMPLOYMENT OF FOREIGN MILITARY TALENT\n\n121\n\nallies, for example, occasionally directed their military efforts against, rather than for, the dynasty; and even the Uighurs sometimes became overbearing and troublesome.42 There were, moreover, tensions between barbarian and Chinese officers, as well as conflicts between various competing barbarian commanders. But perhaps the most vivid illustration of the dangers involved in utilizing foreigners was the famous rebellion of the \"mixed-breed\" barbarian, An Lu-shan, which the Uighur heir apparent had helped combat in its early stages. Contemporary observers saw this uprising not as a civil war between the central government and a local \"warlord,\" but rather as a conflict between the Chinese and a barbarian. Chinese historians went so far, in fact, as to maintain that the rebellion occurred \"because An Lu-shan and other barbarians were given important military and political offices.\"43 Whatever the merits of this view, we may safely assume that An did not rate a biography in Li Te-yü's I-yü kuei-chung chuan; and although foreign troops and individual barbarian commanders assisted in the restoration of imperial rule, and helped sustain the Tang dynasty for nearly a century and a half after the revolt, resentment and distrust of barbarians became increasingly evident as neo-Confucianism rose to prominence.\n\nThe Use of Foreigners in Post-T'ang Times\n\nChinese anti-foreignism, already on the rise in the later years of T'ang, received reinforcement from neo-Confucianism, with its emphasis on the superiority of Chinese culture and the closer identification of Confucianism with that culture. At the same time, the stress on civil virtues and the growing importance of the vaunted examination system as a channel for upward mobility led to a general decline in martial spirit.44 Yet even as China turned inward, her ever-present need for foreign military and administrative expertise assured that outsiders would continue to find their way into the Chinese service. This proved true in the Sung, when specially trained \"barbarian troops\" (fan-ping) operated against internal and external enemies, and barbarian commanders (fan-chiang) such as Kuo Yao-shih (a surrendered Liao officer) rendered similar service. Kuo is particularly noteworthy for having led a military force known as the Ever-Victorious Army (Ch'ang-sheng chün) which, in some respects, resembled the contingent with the same designation raised by Frederick Townsend Ward in the latter stages of the Taiping Rebellion (1850-1864).45",
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    },
    {
        "id": 207373,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 141,
        "title": "RAS-1975",
        "content_text": "EMPLOYMENT OF FOREIGN MILITARY TALENT\n\n133\n\n6 On this point, see John K. Fairbank, \"The Early Treaty System in the Chinese World Order,” in J. K. Fairbank, ed. The Chinese World Order (Cambridge, Mass., 1968). See also L. S. Yang's article entitled \"Historical Notes on the Chinese World Order\" in ibid., 22, for a discussion of Kuo Sung-t'ao's innovative outlook.\n\n7 See Fairbank's introductory essay in The Chinese World Order; also, John K. Fairbank and S. Y. Teng, “On the Ch'ing Tributary System,” Harvard Journal of Asiatic Studies, 6 (1941). An exception to the standard tributary view of China's foreign relations is John Wills' Pepper, Guns and Parleys (Cambridge, Mass., 1974).\n\n8 James Legge, The Chinese Classics (Hong Kong, 1961), 5:521. For the use of this phrase in various contexts, consult Li Te-yü, chüan 8: 59; Li Hung-chang, Li Wen-chung-kung ch'üan-chi [The collected works of Li Hung-chang] (Nanking, 1908), Letters to the Tsungli Yamen, 11:24b; Chang Ch'i-yün, Chung-kuo chin-shih shih-lüeh (A short history of Chinese military affairs] (Taipei, 1956), 115.\n\n9 Dai Kanwa jiten [Sino-Japanese Dictionary] (Tokyo, 1955-1960), 1926, 6437. For random examples of this common usage, see Su Ch'ing-pin, 1, 2, 35; Hsin T'ang-shu, 145:14b; Ch'ou-pan i-wu shih-mo [The management of barbarian affairs from beginning to end] (Peiping, 1930; hereafter, IWSM), TK, 72:34b, TC 4:25b; 5:51; 8:64b; 12:2b; 23:36b; etc.\n\n10 See the illuminating discussion in Mi Chu Wiens, \"Anti-Manchu Thought during the Early Ch'ing,\" Papers on China, 22A (May, 1969), especially 2-3.\n\n11 Legge, 2:253; Wiens, 2; Wu Hung-chu, \"China's Attitude towards Foreign Nations and Nationals Historically considered,\" The Chinese Social and Political Science Review, 10.1 (1926), esp. 17-19. On the reverse theme, consult Li Hung-chang, Letters to Friends, 1:9b; Lu Shih-ch'iang, Ting Jih-ch'ang yü tzu-ch'iang yün-tung [Ting Jih-ch'ang and the self-strengthening movement] (Taipei, 1972), 241-244.\n\n12 Chinese policy toward the \"sinicization\" of foreigners was not consistent, however. See Schafer, 22, 49, 291 note 75; also Ch'ien Hsing-hai and L. C. Goodrich, trans., Western and Central Asians in China under the Mongols, by Ch'en Yuan (Los Angeles, 1966), 6ff.\n\n13 Cited in Ch'ien and Goodrich, 9. I have modified the translation slightly after consulting the Chinese original. For a view contrary to Ch'en Yuan's, see Legge, 5: 355: \"If he is not of our kin, he is certain to have a different mind”—an oft-cited passage from the Tso-chuan. These two conflicting views suggest a central question: What constituted a barbarian? Unfortunately, no clear answer can be given. Liang Ch'i-ch'ao noted in the late nineteenth century that the implications of the term had changed over time (see Wiens, 1); but even his comparatively sophisticated analysis oversimplifies an enormously complex problem. Lacking an objective standard by which to judge barbarian-ness, one is perhaps best served by deferring to the Chinese chronicler. If, for whatever reason, an individual appears in the record as a barbarian, then that is what he is. Such an arbitrary classification is in many respects unsatisfactory, but it reflects accurately the Chinese viewpoint at a given time, and underscores the uncertain status of even the most \"sinicized\" barbarian. An argument against writing about China's relations with foreign peoples \"in the Chinese idiom and from the Chinese point of view\" may be found in Timothy Connor, \"Translating the 'Barbarians': A New Book in an Old Tradition,\" Harvard Journal of Asiatic Studies (hereafter, HJAS), 32 (1972).\n\n14 Cited in Benjamin Schwartz, \"The Chinese Perception of World Order, Past and Present,\" in Fairbank, The Chinese World Order, 280.",
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    },
    {
        "id": 207375,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 143,
        "title": "RAS-1975",
        "content_text": "EMPLOYMENT OF FOREIGN MILITARY TALENT\n\n135\n\nWu-ti's Northwestern Campaigns,\" HJAS, XXVI (1966), 170, 172-173; Yü, 14; Lattimore, 485. Northern barbarian cavalry units were designated Hu-ch'i; southern barbarian units were called Yueh-ch'i.\n\n29 Michael Loewe, \"The Case of Witchcraft in 91 B.C.,\" Asia Major, XV.2 (1970), 180-181 traces Chin's career, major offices, and impact. See also Han-shu, 7: 1b; 38: 21ff; 68: 2a-b, 20b; 112: 16a-b.\n\n30 G. Haloun, \"The Liang-chou Rebellion 184-221 A.D.,\" Asia Major, I (1949-1950), 119; 121. Note the interesting case of Chao Hsin, discussed in Loewe, \"The Campaigns,\" 79.\n\n31 WSM, TC 79; 11; WCSL, 129: 17.\n\n32 Cited in Ch'ien and Goodrich, 9.\n\n33 See, for example, Yü, 205; Chi Ch'ao-ting, Key Economic Areas in Chinese History (New York, 1963), 99; Eberhard, 126; etc.\n\n34 Mackerras, 56-61, especially 60-61.\n\n35 See Su Ch'ing-pin, 399; Yüan, 160; Gabriella Molé, The T'u-yü-hun from the Northern Wei to the Time of the Five Dynasties (Rome, 1970), 157, 163, 167, 169, 180.\n\n36 See Yüan, 153-163; Su Ch'ing-pin, 589.\n\n37 See Wang Kung-wu, The Structure of Power in North China During the Five Dynasties (Kuala Lumpur, 1962); also Su Ch'ing-pin, 399.\n\n38 The preface to this work is very illuminating. Therein, Li Te-yü describes the general circumstances of Wen-mo-ssu's submission, making repeated reference to past experience with submissive barbarians and lauding the present emperor's virtue. After extolling Wen-mo-ssu's merits, Li suggests that just as the Hsiao-ching (Classic of Filial Piety) defines the proper relationship of ruler and minister, father and son, so the I-yü kuei-chung chuan defines the proper behavior of foreign employees in the Chinese service. Implicit in the comparison is the idea that Li is to T'ang Wu-tsung what Tseng Ts'an was to Confucius. For further information on Wen-mo-ssu, see Chang Ch'ün, T'ang-tai hsiang-hu an-chih k'ao [An examination of the treatment of surrendered barbarians in the Tang dynasty]. Hsin-Ya hsieh-pao [New Asia College Journal], 1.1 (August, 1955), 310-311; James R. Hamilton, Les Ouïghours à l'époque des Cinq Dynasties d'après les documents chinois (Paris, 1955), 69, 71, 153-154; Su Ch'ing-pin, 397; Hsin T'ang-shu, 217(B) [lieh-chuan, 142 hsia]: 1-3; T'ang-shu, lieh-chuan, 145: 13-14.\n\n39 Li Te-yü, 2: 10-11; see also ibid., 7: 56; 8: 57; etc.\n\n40 Ibid., 2: 11.\n\n41 Ibid., 5: 29, 31; 5: 33-35; 7: 56; 8: 59-60; 13: 101-109; 19: 159-160.\n\n42 See Mackerras, 14-47; also Li Te-yü, 14: 116-119. Tseng Kuo-fan undoubtedly had the T'ang experience in mind when he wrote: \"Since ancient times outer barbarians (wai-i) have assisted China; but in each case, after success, there have been unexpected demands,\" IWSM, HF 71: 10b.\n\n43 Howard Levy, Biography of An Lu-shan (Berkeley, 1961), 17-20.\n\n44 See Richard J. Smith, “Chinese Military Institutions in the Mid-Nineteenth Century, 1850-1860,\" Journal of Asian History 8.2 (1974), 124-125; also Lo Jung-pang, \"The Decline of the Ming Navy,\" Oriens Extremus, 5 (1958), 165-168.\n\n45 Sung-shih, 472: 18-21; Liu Sheng-mu, Ch'ang-ch'u-chai hsü-pi [Supplementary writings from the Ch'ang-ch'u study] (preface date 1929), 5: 146.",
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    {
        "id": 207569,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 337,
        "title": "RAS-1975",
        "content_text": "328\n\nBOOK REVIEWS\n\nof George Eumorfopolos edited by Professor Perceval Yetts is certainly representative; and with respect to the latter, a good example is the first volume of the catalogue about the Charles Seligman Collection, on Chinese, Central Asian and Luristan bronzes, edited by Professor Howard Hansford.\n\nProfessor Li's latest publication, although independently associated with a book title, yet, by its nature, should be classified as an illustrated catalogue about a private collection of Chinese art, since every item discussed by the author in Volume I and illustrated in Volume II is from the collection of Dr Charles Drenowaltz in Switzerland.\n\nVolume I consists of 15 chapters. I propose to give a brief summary for each chapter before presenting other remarks about this book in this review. Chapter I:\n\nChapter II:\n\nChapter III:\n\nChapter IV:\n\nChapter V:\n\n\"Introduction\", gives a general account of how European collectors built up their collections of Chinese art. It also gives a survey of the general development of Chinese painting. \"Figure painting: Persistences and Transformation of the past\", Here the central discussion is focused on figure paintings by Chao Liu (ca. 1350-1370) of the late Yuan Dynasty, and Hsieh Shih-chen (1487-after 1567), Chen Hung-shou (1599-1652) and Ting Yün-peng (b. 1547) of the Ming Dynasty; also Chao Yuan of the late Ch'ing Dynasty. \"Landscape painting of Ming and Ch'ing: A point of view\", serves as a general introduction to this branch of Chinese painting over some 500 years. \"The Wu School: Re-establishment of the Yuan Tradition\", emphasis is laid upon works by five literati artists of the Ming Dynasty; Shen Chou (1427-1509), Wen Cheng-ming (1470-1559), Lu Chih (1496-1576), Ch'en Kuan (ca. 1570-1640). In addition, works by artists of the school of T'ang Yin (1470-1523), and an album painting by an anonymous artist are also discussed.\n\n\"The Wu School in the Seventeenth century: A Host of Little Masters\", points of view are based on works by the following seven artists: Ch'en Kuan, Ch'en Huan (act. 1600-20), Chang Hung",
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        "id": 207571,
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        "document_key": "RAS-1975",
        "page_number": 339,
        "title": "RAS-1975",
        "content_text": "330\n\nBOOK REVIEWS\n\nChapter XIV: \"The Nineteenth century: Looking Backward and Forward\", is mainly a discussion of the landscape paintings of the 19th century, represented by Ch'ien Tu (1763-1844) and Tai Hsi (1801-1860).\n\nChapter XV: \"Bird-and-flower painting: The end of a tradition”, five artists of the Ming Dynasty; Lu Chih, Hsiang Yuan-pien (1525-1590), Chou Chieh-mien (act. 1580-1610), Chang Hung, and Sun K’o-hung (1532-1610), and two artists from the Ch'ing Dynasty; Hua Yen (1682-after 1755) and the Empress Dowager Tz'u-hsi (1835-1908) form key figures for discussion.\n\nThe merits of this book are shown, first of all, by a detailed chronology of the artists of the Ming and Ch'ing Dynasties. This point can be clearly seen if the chronologies of the same group of artists as they appear in other writings on history of Chinese painting are compared with those in Prof. Li's new publication. In order to make this point clear, a concordance table about the chronology of many artists is provided below.*\n\nThe second merit of this book seems to be a new use of old editorial principles practised in Chinese historical writings. As stated, Volume I consists of 15 chapters. In every chapter, a detailed study of each picture is always preceded by an introductory essay. The origin for presenting such an essay in a descriptive catalogue, when old writings on Chinese painting are studied, can be traced back at least to the early 12th century work, Hsuan-ho hua-p'u *1#,\" a descriptive catalogue about paintings, in Emperor Sung Hui-tsung's imperial collection, the Ming Hua Lu ***;14 and also to \"Records of History of painting in the Ming Dynasty\", edited by Hsü Hsin in late 17th century, both edited according to this principle. In the former, the subject-matter of Chinese painting is classified by the anonymous editor into 10 categories; and in the latter, into 15 subdivisions. Using modern concepts to review Hsuan-ho hua-p'u and Ming hua-lu, each category in these two historical documents should evidently be read as an independent chapter. More significantly, introductory essays, no matter whether long or short, are always addressed to each chapter-like category.\n\np. 330.",
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        "rank": 0
    },
    {
        "id": 207576,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 344,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n335\n\nIn brief, the contents of the writing on each composition of the first 10 leaves have been collectively identified by the author as prose written by seven well-known literary figures; T'ao Ch'ien (365-427), Po Ch'u-i (772-846), Liu Tsung-yüan (773-819), Wang Yu-ch'eng (954-1001), O-yang Hsiu (1007-1072), Su Shih (1036-1101) and Sung Lien (1310-1381).\n\nThe nature of those writings inscribed on the last two leaves of the same album seem quite different from the foregoing. The first inscriptions are all prose and their authors are historical figures; while those appearing on the last two leaves are poem and their authorship is obscure. The literary implications of the prose are all associated with a unified theme; life in the future is hard to know, thus it is more suitable to seek one's personal comfort by way of enjoying nature. In contrast, this theme in leaves 11 and 12 becomes very weak. Instead, remarkable fantastic literary allusions are demonstrated by the poets. After having differentiated the nature as well as the forms of inscriptions on the last two leaves from the first ten, Prof. Li concludes that those unidentifiable poems are most probably verses by Chin Nung himself. The reason that they have been written in an unrealistic manner is because the artist-poet was trying to use those poems to console himself for failing to pass the Po-hsüeh-hung-tz'u degree examination in Peking in 1736.\n\nThis conclusion is theoretically sound, yet it is not convincing; for the poems inscribed on 11 and 12 are not as easily unidentifiable as Prof. Li has claimed. Consequently, because of these poems the date of this album has to be changed. Therefore, the authenticity of this collection of 12 landscapes is also to be questioned.\n\nIn the mid-18th century, at Yang-chou, the richest economic center in China at that time,23 Ma Yueh-kuan (1688-1745) and his younger brother, Ma Yüan-lu (1687-1766?) were not only active as leading salt merchants but also as central figures in terms of their patronage towards literature and art. Amongst those who were closely affiliated to the Ma brothers, was a well-established poet, Li E (1692-1752). Although a native of Ch'ien-t'ang from Chekiang province, he happened to be the most important literary figure whenever he was in Yang-chou.\n\nWhen\n\nIn the winter of 1748, the 13th year of the Ch'ien-lung era, Chin Nung was doing his extensive travels in the north, seven poets,",
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    },
    {
        "id": 207581,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 349,
        "title": "RAS-1975",
        "content_text": "340\n\nBOOK REVIEWS\n\nChinese bronze is again by Prof. S. Umehara and was separately published in Kyoto in 1961.\n\n2 The Senoku Seisho is sub-divided according to nature of bronzes, into two parts. The first part dealing with ritual vessels is by Prof. K. Hamada while the next part, devoted to Chinese bronze mirrors, is edited by Prof. Yoshito Harada.\n\n3 In addition to these catalogues about the Sumitomo collection, in 1951 Prof. S. Umehara has also edited Kakkaku Kikkin Senshu (Selected specimens of the Chinese Bronze collection in the Hakkaku Art Museum), an illustrated and descriptive catalogue on Chinese bronzes housed in a private museum possessed and financed by Mr. Jihei Kano in Kobe.\n\n4 For instance, among his various studies on ancient Chinese bronzes, there are three catalogues. The first, \"Bronzes in the Hellström Collection\", is in the Bulletin of Museum of Far Eastern Antiquities (hereafter abbreviated as BMFEA) (1948, Stockholm), No. 20, while the second, \"A catalogue of the Chinese Bronzes in the Alfred F. Pillsbury Collection\" was published in Minneapolis in 1951. The third, \"Bronzes in the Wessen Collection”, is in BMFEA, (1958, Stockholm), No. 30.\n\n5 For instance, his Fruhe chinesische Bronzen aus der Sammlung Trautmann (1939, Peking).\n\n6 For instance, the Chinese Bronzes from the Buckingham Collection, (1946, Chicago), jointly edited by M. C. Chen and Charles F. Kelley.\n\n7 Alfred Salmony (1890-1958): Archaic Chinese Jades from the Edward and Louis B. Sonnenschein Collection (1952, Chicago).\n\n8 W. Perceval Yetts (1878-1957): The Georg Eumorfopoulos Collection: Catalogue of the Chinese and Corean Bronze, Sculpture, Jade, Jewellery, and Miscellaneous objects (1929-32, London).\n\n9 Howard Hansford: The Seligman Collection of Oriental Art, Vol. I, (1957, London).\n\n10 Yoshito Yonezawa: Painting of the Ming Dynasty, (1956, Tokyo).\n\n11 Osvald Siren: Chinese painting, Vol. VII, (1958, London).\n\n12 Victoria Contag: Chinese Masters of the 17th Century (1969, London).\n\n13 The date of Hsuan-ho hua-p'u is not known. But a general date, 1120, the second year of the Hsuan-ho era during the reign of the Emperor Hui-tsung of the Northern Sung Dynasty, associated with its preface, is normally considered to be the date of completion of its compilation. Regarding its authorship, it has been previously suggested by scholars in the Ch'ing Dynasty, such as Wang Wan, as having been edited by Emperor Hui-tsung himself, and by Chou Chung-fu as being by Tsai Ti, and by Pien Yung-yu as being by Hu Kuan. But according to Yu Shao-sung, a 20th-century specialist on the historiography of Chinese art, none of these old identifications are reliable. Instead, a possible editor of this imperial catalogue is perhaps an anonymous eunuch of the Northern Sung palace. For detailed discussion see his Shu-hua shu-lu chieh ti (hereafter abbreviated SHSLCT), \"A Collection of Summary of content and Studies of Titles of Books on Chinese calligraphy and painting\", (1931, Peking).\n\n14 Although it carries a preface by the author, this book is undated. In general, as Yu Shao-sung has suggested (SHSLCT Chuan 12, p. 9), Hsu Hsin must have lived in the transitional period of Ming and Ch'ing but the book itself is written in early Ch'ing.\n\n15 See Yen-Tzu chun-chiu, Nei pien, 10th chapter of the Tsa-hsia section. This book is generally regarded as a work of the 6th century B.C.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
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    },
    {
        "id": 207583,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 351,
        "title": "RAS-1975",
        "content_text": "342\n\nBOOK REVIEWS\n\n34 This observation is mainly based on the fact that the first poem from his own collection is entitled \"Chin shou-men has shown me a rubbing of the inscription taken from the bronze bells being made for the Ching-lung Monastery during the Tang Dynasty.”\n\n毒門见示所裁唐景龍觀錘髭拓本 In Li E's Fan-hsieh SFC, chuan 1, p. 1 under this poem, the date of its completion is recorded by the combined used of the Chinese cyclical characters: chia-mu which according to Li E's chronology, is to be identified as 1714 (the 53rd year of the Kang-hsi era).\n\n35 Ever since 1963, the Kwang-tung ying-jen chuan, “A Biographical study of the seal-carvers in Kwang-tung\", edited by Ma Kuo-chuan, has continuously appeared in the -lin section of Hong Kong's Ta Kung Pao Daily News. His study about Chang Hsiang-ming in particular, appeared in Ta Kung Pao, December 19, 1965. In October 1974 this biographical information was edited and published by the Nan Tung Company in Hong Kong, still entitled Kwang-tung ying-jen chuan. The portion concerning Chang Hsiang-ning is to be seen in this book edition p. 98.\n\n36 This is based on Takikawa Shiteru's colophon being inscribed on Hsiao Yün-ts'ung's painting entitled Li Sao T’u. A full reproduction of this painting has been printed in 1924 in Tokyo by Seigei Omura as one item of his edited Zubon Sosho. In addition, Takikawa's colophon was also quoted by Professor Akiyama Mitsuo in his Sho Sekiboku to Shuzan Koryo zu which appeared as the last article, being collected in the same author's Nihon bijusisu ronko (1943, Tokyo), pp. 413-414.\n\n37 According to Tzu Hai (1967, Taiwan edition), Appendix V (A conversion chart British, Japanese and Metric Lengths), each Japanese feet equals 0.3030 metre. Thus, 40 Japanese feet equal 12.12 metre. On the other hand, since the Drenowaltz handscroll measures 1302 cm; namely, 13.02 metre, the lengths of this painting, now in Switzerland, and the Li Sao Tu, once in Japan, are certainly very close.\n\n38 See Hu I: \"Hsiao Yun-ts'ung Nien-p'u” “A Biographical study of Hsiao Yün-ts'ung on A Yearly Basis”, in Mei-shu Yen-chiu (1960, Shanghai), No. 1.\n\n39 For these literary men who were gifted artists as well as members of the Fu She Association, these were, in addition to Hsiao Yün-ts'ung, many others, such as Li Sui-chlu from Kwangtung province, Wan Shou-ch'i (1603-1652), Wu Wei-yeh (1609-1671), Chi Pao-chia (middle 17th century) and Mao Hsiang (1611-1693) from the Kiangsu province, Fang I-chih (1611-1671) from the An-hui province, and Yang Wen-ts’ung (1597-1645) from the Kwei-chou province. These were all example-figures of such a type.\n\n40 Hsiao Yün-ts'ung name is listed in Fu She Hsin-Shih Lu \"Records of Members of the Fu-she Association\" first volume, p. 7a. This rare book is now owned by the Institute of History and Philology, Academia Sinica at Nankang, Taiwan.\n\n41 Hsieh Kuo-chen: \"Nan-ming shih-luch\" “A Brief History of the Southern Ming Period\" (1957, Shanghai), pp. 12-13.\n\n42 S. W. Stephen: Chinese Art, 2 vols. (1904-06, London).\n\n43 Ch'eng Wei: “A primary study on the Origin and Development of Ancient Bird-and-flower paintings\" in Wen-wo (1963, Peking), No. 10, p. 22-29. This article probably serves as the only research on the history of Chinese painting by using one single painting collection as its basis. Yet unlike the work done by Professor Li",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
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    },
    {
        "id": 207912,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 300,
        "title": "RAS-1976",
        "content_text": "NOTES AND QUERIES \n\n285 \n\nNOTES ON HO CHUNG A 19TH CENTURY ARTIST IN \n\nKWANGTUNG \n\nFrom a view-point of the history of painting in Kwangtung, as I have pointed out in my other study1, the rich city of Nan-hai ♬ \n\nalways acts as a centre. As early as the late 15th century, Lin Liang, a native of Nan-hai, had been a reputed artist for the subject of bird-and-flower in Peking2. Later, since the latter part of the 17th century and particularly in the 18th century, landscape formed the major interest for Kwangtung painting. The most significant landscapist in the 18th century was certainly Li Chien (1747-1799), an artist of Shun-te. In the first half of the 19th century, Hsieh Lan-sheng ✯ (1760-1831), a native of Nan-hai was again a reputed landscape artist in Kwangtung. With regard to bird-and-flower painting, although it had not been popularly favoured until the second half of the 19th century, yet the most appreciated artist for this subject at that time was Ho Chung *#; once again a native of Nan-hai. \n\nInfluenced by a long cultural tradition and in order to express the elegant taste of the literati, Chinese artists have customarily liked to choose a short but poetic term for their personal and literary name. Similarly, they could also choose a short but poetic phrase to name their studio. This cultural tradition had produced the same influence on Ho Chung. In the past, artists have been very pleased to call themselves as a mountain of some sort. In the 14th century, the name of an outstanding goldsmith was Chu the Blue-mountain. In the 16th century, the leading artist Wen Cheng-ming (1470-1559) was also called Heng-shen #j, a mountain of equilibrium; while one of his chief followers, Lu Chih (1496-1576) was called Pao Shan 1,; a covered mountain. In the 18th century, Wang Fu-chih (1619-1692) a scholar, and Chang Wen-tao (1764-1814) an artist, both called themselves Chuan-shan #u; a boat-like mountain. Active in between of these two figures, Tung Pang-ta (1699-1769) a court artist in Peking had styled himself as Tung-shan, i.e. 'an Eastern mountain' Later, in Kwangtung, Chang Wei-ping * (1780-1859) artist of Pan-yu \n\nwas known for his literary name, Nan-shana mountain in the south. Similar to those artists just listed, Ho Chung had chosen Tan-shan A, a red mountain, as his first literary name. \n\nPage 300\n\nPage 301",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
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    },
    {
        "id": 207917,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 305,
        "title": "RAS-1976",
        "content_text": "290\n\nNOTES AND QUERIES\n\ncareer, since this Nan-hai artist had continuously worked as a professional over half a century; and finally his works were mainly sold at a very reasonable price.\n\nNOTES\n\n1 See Chuang Shen: \"Some observations on Kwangtung paintings\" in Kwangtung Painting (1973, published by the Urban Council, Hong Kong), pp. 9-24.\n\n2 According to the 6th chuan of Ming-hua-lu, “Records of painting in the Ming Dynasty\", edited by Hsu Hsin in the early years of the Ch'ing Dynasty, Lin Liang was active in the Hung-chih era (1488-1505), mainly in the late 15th century.\n\n3 Chu Pi-shan was famous for his specially designed silver wine cup in the shape of a hollow tree. For a colour reproduction of such a cup, dated 1345 by Chu's own carved inscription, see \"The selected Handcrafts from the collections of the Palace Museum\", edited by the Palace Museum, (1974, Peking), pl. 34.\n\nA similar silver wine cup, also dated 1345 by Chu's own carved inscription, in the form of a boat made of a hollow tree in which Chang Ch'ien is seated, is owned by Lady David of London. For its reproduction, see Perceval David: Chinese Connoisseurship (New York, 1971), pl. 19C.\n\n4 The origin of this name seemingly inspired by a famous line of the 5th century poet Tao Chien, in the 5th poem of his \"Drinking wine\". This line reads:\n\n\"Culling chrysanthemums by the eastern hedge, 悠然見南山\n\nI see afar the South hills.\"\n\nFor the English translation of this poem, see Robert Kotewall and Norman L. Smith: The Penguin Book of Chinese Verse (1962, Middlesex), p. 9.\n\n5 In \"Lo-yu-yüan\", the mid-9th century poet Li Shang-yin (813-858) wrote:\n\n\"The setting sun has boundless beauty\n\nonly the yellow dusk is so near.\"\n\nSee also Robert Kotewall and Norman L. Smith; ibid, p. 25.\n\n6 See Wang Chao-yung \"Lin-nan hua-cheng-yueh\" 'A Brief Document on Kwangtung painting' (1927, Shanghai), chuan 10, p. 7.\n\n7 The most important literary man who loved plums during the Sung China was no one but Lin Pu (967-1028). As a native of Chekiang, Lin Pu lived in a mountain overlooking the West Lake of Hangchow. When he lost his wife he had not re-married. Having planted a lot of plum trees near his house, he began to regard the plum blossoms as his wife. For this blossom he had this famous line written:\n\n\"Your slanting shadow reflects on the clear, shallow lake 斜水清淺\n\nYour elusive fragrance floats about in the yellow of the evening moon”.\n\nFor the English translation of this poem, see Max Perleberg: Lin Ho-ching (1952, Hong Kong), p. 15.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
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    },
    {
        "id": 208026,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 65,
        "title": "RAS-1977",
        "content_text": "A JOURNEY TO YENAN 1946\n\n49\n\nit was mid-winter, the countryside around was bare, brown, and dusty, and many people wore white surgical masks to keep out the fine dust. The hillsides in Yenan and on the way there were all seriously eroded, and there was little sign of the spectacular reclamation work on terracing slopes and damming streams of later years, the result of which can be seen by today's visitors.\n\nOccasions in Yenan\n\nHaving unloaded our cargo, checked the manifests, and visited the hospital, we spent a day servicing the trucks. We were staying at the Guest House, a row of very comfortable caves with a terrace and a courtyard in front. We were in the middle of servicing, with petrol drums and wheels scattered around, ourselves under the trucks greasing and checking, when we were informed that Chairman Mao Tse-tung was coming to see us! The courtyard was rapidly tidied, overalls and dirt removed, and the party went to the ketang to wait. We then discovered that the Chairman had been at the Guest House for some time seeing someone else and had arrived unnoticed while we were under the trucks. We were all introduced and thanked for our assistance and help, to which I replied that this was part of our normal work and not something to earn especial thanks. The impression, which I recorded then, was of great confidence and quiet strength.\n\nTwo or three days later, we were invited to a performance of the well-known opera \"Ta Ming Fu\" (★1⁄2#) part of the \"Liang Shan P'o\" (b) series, which has a very suitable theme. We found ourselves sitting three rows behind the Chairman and other leading Party members, including Marshal Chu Te, all of whom enjoyed themselves as there was a strong cast with some excellent comic character performances. This was, of course, well before the growth of revolutionary opera.\n\nOn one evening, we were entertained by, I think, members of the Lu Hsun Academy of Art (or the Anti-Japanese Revolutionary University). There was a yang ke dance team with a performance extolling improved methods of pest control on crops, some songs, and then dancing for all, mostly folk dances but including some foxtrots and quicksteps played on er hu and pi pa. We were presented with a set of woodcuts by various artists working there, including Zhang Wan, Yan Han, Xia Feng, Gu Yuan, and Weng",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
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    },
    {
        "id": 208033,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 72,
        "title": "RAS-1977",
        "content_text": "56\n\nJ. T. KAMM\n\n2 Throughout these essays, mention will often be made of a truly \"watershed\" event in the history of Hsin-An: the evacuation of the South China coast, ordered by the Kang Hsi Emperor, from 1661 to 1668. The step was taken to hinder the activities of the Ming loyalist-pirate Cheng Ch'eng-Kung, best known to the West as Coxinga.\n\n3 Field work in Kam Tin took place from May to September, 1973. Other research was undertaken into the Government Archives, Colonial Secretariat Library, and the Fung Ping Shan Library of the University of Hong Kong\n\nESSAY 1: PERPETUAL TENANCY IN HSIN-AN\n\nA cursory examination of the available evidence on the Ch'ing economy of Hsin-An reveals a seeming paradox: a large tenant population farming a limited amount of cultivatable land, yet enjoying relative prosperity. We shall begin this essay by dissolving the paradox.\n\nThe amount of cultivable land in the Tung Lu section of Hsin-An has probably never amounted to more than 15% of the total surface acreage. While the percentage of arable land was higher in the Hsi Lu, Chinese accounts of the area have always stressed the hilly, barren nature of the terrain. For the period we are studying, cultivated land probably accounted for no more than 20% of the land surface of the county.\n\nIn general, ownership of productive resources (agricultural fields, fishing grounds, oyster beds, quarries, and salt pans) were concentrated in the hands of landlords who leased them to tenants. Land was seldom worked by the holder of the hung ch'i (lit: “red deed”). In short, Hsin-An during Ch'ing was essentially a tenant economy.\n\nLockhart, in his Report on the Extension of the Colony of Hong Kong, describes the population as follows:\n\n\"The inhabitants, by no means wealthy, seem to be, as a rule, comfortably well off, and able to earn an honest livelihood without difficulty. Few signs of anything approaching destitution were seen, and only a few beggars were met.\"\n\nLockhart's observations are borne out by an examination of three indices of relative prosperity: 1) low rent and tax burdens, 2) increase in market activity, and 3) population growth through immigration.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
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    },
    {
        "id": 208038,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 77,
        "title": "RAS-1977",
        "content_text": "TWO ESSAYS ON THE CH'ING ECONOMY OF HSIN-AN\n\n61\n\nabide by the clan regulations, thereby consoling the souls of their ancestors.\n\nAfter the passage of time, the temple became dilapidated. In the 47th year of Kang-Hsi, Tang Shih-chieh and others repaired the temple. ... It was then decided to hold two sacrifices each year, to be handled in rotation by the five branches of the clan. The rents from ancestral lands in Hsin-An were to be collected in the current year and kept for use at the spring sacrifice of the following year. Similarly, the rent collected from ancestral land in Tung-Kuan was collected one year prior to its use for expenses of the winter sacrifice.19\n\nThough the origins of Tang ancestral holdings date to Sung and Ming times,20 all land was evidently subject to re-registration after issuance of the edict which permitted the villagers to return. The following account of Tang lands on Hong Kong appears in the Hsiang-Kang Teng-Ch'u-shui-mau Ts'ung-ch'eng:\n\nIn the first year of Kang Hsi, the villages were abandoned and the fields were left fallow in accordance with the imperial order. In the 8th year, the villagers returned.\n\nIn the 10th year of Kang Hsi, Tang Tien-lu began recultivating his land. The various plots of land, called Ch'ek Ch'ue Shan, Fok Tam, Wang Lik, Yim Tin, Tai Low, Har Lok, and Chi Lung, totalled 368.75925 mow.\n\nIn the 23rd year of Kang Hsi, Tang Tien-lu also recultivated plots of land at Fok Tam, Tai Tam, Wong Lik, Hong Kong, Tai Low, Har Lok and Chi Lung. The total area amounted to 332.16 mow.\n\nIn the 30th year of Kang Hsi, Tang Tien-lu's son, Tzu-yung, re-cultivated plots of land, situated at Kong Chi Ling, Wang Ts'ung, and Sung Muk Kong, totalling 102.7 mow.\n\nBesides the above mentioned, there are several other plots of land the details of which are unclear.21\n\nThough the Tangs themselves never cultivated the land, holdings were consistently registered as \"acquired through cultivation.\"22\n\n* In Cantonese.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208047,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 86,
        "title": "RAS-1977",
        "content_text": "70\n\nJ. T. KAMM\n\nout to private concessions. So pervasive was tax farming in this regard that the Kowloon Customs itself joined with the local magistracy in insuring its maintenance. CSO15 of 1900 records the case of the Ying Yi Farm which was granted the concession for supplying services to trading junks at Lai Chi Kok (*** ) in exchange for supplying free water to customs cruisers.4\n\nDespite its significance for late Ch'ing finance, little has been written concerning the origins and structure of tax farming in China. C.M. Chang's case study of auctioned revenue collection in Ching-Hai Hsien **), Hopei, remains our most authoritative account. Chang, who focuses on the workings of the brokerage tax farm, ascribes the origins of tax farming in China to the growth of miscellaneous taxes imposed after the Taiping Rebellion, an assertion decisively rebutted by Lien-sheng Yang, who traces the institution as far back as the fifth century. In general, we can say that tax farming arose at various times in Chinese history to meet the demands of the specific era and locality.\n\nThere was indeed a remarkable increase in miscellaneous taxes imposed on Hsin-An in the late nineteenth century. In an appendix to his report on the New Territory, Lockhart lists a number of \"extra\" taxes and rents not found in the gazetteer of 1819. This list, in turn, is borne out by an investigation of the data contained in the Kwangtung Ts'ai-cheng Shuo-ming-shu (*****). Lockhart, distrusting the figures supplied by the Nam Tau Magistrate, persuaded an informant in Sham Chun () to provide him with an unofficial assessment of the revenue collected annually in the Tung Lu. As expected, Lockhart discovered a great number of omissions and discrepancies between the \"official\" and \"unofficial\" revenues. Lockhart observed that the magistrate and his superiors benefit substantially from these discrepancies, but noted that \"not a small portion of it (the difference between reported and collected revenue) is secured by those who farm various items of revenue, for which they pay much less than they make out of them.\"\n\nDespite the surge of miscellaneous taxes and the consequent rise in the activity of farmers in the trade sector, the origins of tax farming in the East River counties of the Kwangchow Prefecture can be traced to earlier times. I propose to show that tax farming evolved in the agricultural sector, and was the direct result of the failure to effectively implement the official li-chia system.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208331,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 55,
        "title": "RAS-1978",
        "content_text": "MILITARY EDUCATION IN CHINA, 1842-1895\n\n100 Powell, 56-59; Peake, 20-22; Wang, Huai-ch'in, 363; etc.\n\n39\n\n101 Wang Chia-chien, \"Pei-yang wu-pei hsüeh-tang,\" 1, 8; Powell, 235-236.\n\n102 Chinese Times, April 30, 1887; Ayers, 118.\n\n103 See Ernest Young, \"Nationalism, Reform and Republican Revolution,\" in James Crowley, ed., Modern East Asia: Essays in Interpretation (New York, etc., 1971), 160-162; Yoshihiro Hatano, \"The New Armies,” in Mary Wright, ed., China in Revolution (New Haven and London, 1968), and Powell, passim.\n\n104 For abundant documentation on the dilution of traditional values and loyalties at the Tientsin Military Academy, see Wang, \"Pei-yang wu-pei hsüeh-tang,\" 9, 11-12, 19-20, and notes, Li Hung-chang had pointed out the need to study the Classics and History \"in order to strengthen the root,\" but Wang claims that the students tended to adopt a foreign-worship mentality, ignored China's legendary heroes, and (in the words of a contemporary critic) neither discussed the virtues of integrity (chih) and duty (i), nor knew of honesty (lien) and shame (ch'ih). Cf. Chou Sheng-ch'uan's army song (Sheng-chün hsün-yung ko), CWCK, \"supplement,\" 1: 50-52b.\n\n105 The evidence, contained in CWCK, remains to be gathered systematically, but even a brief glance at Chou's nien-p'u and his extensive writings suggests these conflicts.\n\n106 CWCK, 1.4: 30-47b, esp. 33b and 37.\n\n107 Ibid., 1.1: 20a-b; 1.1.1: 10a-b; 1.1.2: 15b, 19b-20, 23b (on bullets and rations), 40b-41; etc.\n\n108 CWCK, \"introductory chuan (Chou's nien-p'u)\" 31b-56 passim. Ironically, after Chou's death, the Sheng-chün was employed in work on the grounds of the Tientsin Military Academy. Chinese Times, May 28, 1887.\n\n109 For Chou's concern with positive attitudes toward the military, see CWCK, \"supplement,\" 1: 20b-21, 22b-23, 50-52b. For Chou's esteem for civil status, see CWCK, \"introductory chuan,\" 57n. Cf. sources cited in note 72.\n\n110 These tensions were not, of course, fully resolved — but neither were such tensions in the West. See Barnett, \"The Education of Military Elites,\" esp. 21, 27, etc. On the emphasis on technical education at the Tientsin Military Academy, see the sources cited in note 104.\n\n111 Ernest Young, The Presidency of Yuan Shih-k'ai (Ann Arbor, 1977), 58-59.\n\n112 Ibid., 56.\n\n113 Powell, 160.\n\n114 Wang, \"Pei-yang wu-pei hsüeh-tang,\" 8; Biggerstaff, 63.\n\n115 Young, Yuan Shih-k'ai, 56-64; Powell, 79-81; Jerome Ch'en, \"Defining Chinese Warlords and Their Factions,\" Bulletin of the London School of Oriental and African Studies, 31.3 (1966), and especially Wang, \"Pei-yang wu-pei hsüeh-tang,\" 12-19, which discusses the careers of over 60 individuals from the academy. Young, 56, notes that of thirty \"leading military participants\" singled out by Liu Feng-han for \"their subsequent prominence in the early republic,\" twenty-five had attended the Tientsin Military Academy before joining Yuan Shih-k'ai at Hsiao-chan (in the period 1895-1899). See Liu Feng-han, Hsin-chien lu-chün, 113-125.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208338,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 62,
        "title": "RAS-1978",
        "content_text": "46\n\nKEITII STEVENS\n\nMu. The whole is best known as a Taoist Heaven (*). The temple at its peak bears the title of Fan Ch'ih Kung (£) \"The Palace of the Essence of Brahma\". The slip of paper in Tou Mu's back relates that Huang Wen-yuan, a sincere believer, born on the 27th day, 11th moon of the Year i wei (about December, 1835), residing south of Lu Ling City, Chi An Prefecture, Kiangsi Province, together with the whole of his family, on a lucky day of the 9th moon, of the Year keng wu during the Tung Ch'ih reign (about October, 1870), prayed before Tou Mu stating, \"I respectfully implore Most Reverend Tou Mu, a heavenly Goddess of Sacred Virtue, having the immense brilliance of T'ien Hou, generosity, the magic powers of suppressing demons and spirits, and the ability to produce amulets and prescriptions for saving people with serious afflictions, to effectively respond to my earnest prayers and wishes, and wield her supernatural powers to protect all the members of my family and to increase not only the number of children but also all kinds of happiness and prosperity\".\n\nOf the score or so images, only three deities are categorically identifiable, Kuan Ti, Kuan Yin, and Chao Kung-ming, the deities of loyalty, mercy and wealth respectively. Two of the images seem to be local Earth Gods (+) (Plate 8). They are of a style very commonly seen but with what are probably provincial characteristics. They are seated old men, clutching a fly whisk by the end of its handle allowing the handle itself to rest along the forearm and the whiskers to hang from about the elbow. They have a \"shoe\" of gold in their left hand, long white beards, white eyebrows and white hair under a green floppy form of skull cap with their hair drawn up into a bun through a hole in the top of it. They are wearing long robes bound by a red belt tied in a bow at the front, and black shoes. A female carved in the same pose, holding a fly whisk in the same manner, and dressed in a floral robe but without the “shoe\" of gold, has unbound feet, and hair, without a cap, drawn into two short pigtails. She may perhaps, be the consort of the Earth God.\n\nA final image, unidentified, has a spectacular face (Plate 9). He is an unidentified monk, seated cross-legged on a bench and with the ends of his robes hanging beneath him concealing the bench. He holds a fly whisk in his right hand in the same manner as the Earth God and in his left hand he holds a rosary. He has the face of an elderly man but with the characteristics more frequently",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208403,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 127,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n111\n\nsuch as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process.\n\nI regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression.\n\nNOTES\n\n1 Nigel Cameron, \"Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977).\n\n2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha\" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199.\n\n3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47.\n\n4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci\" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160.\n\n5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165.\n\n6 \"Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162.\n\n7 Op. cit. Ref. 2.\n\n8 \"Gong Yi Ming Cheng Fushan\" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37.\n\n9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961).\n\n10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f.\n\nThis theory is discussed more fully in: Fredrikke Skinsnes Scollard, \"Destruction and Creation: The Impact of Revolution on Shekwan Pottery\", Leverhulme Conference, University of Hong Kong, 1977, (In press).\n\n11 Manuel da Silva Mendes, \"Barros de Kuang Tung\", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208462,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 186,
        "title": "RAS-1978",
        "content_text": "170\n\nC. MARTIN WILBUR\n\nof the Chinese terms the writer obtained the help of Dr. Robert R. Gailey and Mr. Ma Yü-fen (4), both of Peiping. Dates and prices have been included when they were given.\n\nI. THE SUBJECT IN GENERAL (LA)\n\nChou Ch'eng (MB); Summary of Local Government in Shansi (縣政概要). Shanghai, Hsien Tai Book Store (現代書局). $1.40.\n\nCh'en Han-sheng (£); The Relation of Rural Products to Feudalistic Society (農村生產關係與封建社會). Shanghai, National Central Research Bureau (國立中央研究院). $0.30.\n\nChou Ku-ch'eng (&); New Theories Regarding Rural Social Organization (農村社會組織的新論). Shanghai, Far Eastern Book Company (遠東圖書公司).\n\nCh'u Shih-chen (RM); Questions and Answers about Government in Districts, Villages and Hamlets (區村自治問答). Shanghai, San Min Company (三民公司).\n\nFeng Kuo-chen (*); The A.B.C. of Village Government (村治常識). Shanghai, Ching Yun Book Company (景雲書局).\n\nFeng Ho-fa (*); Principles of Rural Sociology (農村社會學大綱). Shanghai, Li Ming Book Store (黎明書局). $2.20.\n\nHo Ping-hsien (MMK); Problems of Local Self-Government (地方自治問題). Shanghai, Hsien Tai Book Store (現代書局). $0.40.\n\nHsing Chen-chi (#✯✯); Principles of Village Government in Shansi (山西村政綱要). Shansi Rural Government Bureau (山西村政處).\n\nJen Hsi-lu (****); Laws for Self-Government in Village Confederations (聯村自治法). Peiping, Li Ta Book Store (立大書局), 1931.\n\nKu Fu (#); Rural Sociology (農村社會學). Shanghai, The Commercial Press (上海商務印書館), 1928.\n\nLang Ching-hsiao (***); Theory and Practice of the Pao-chia System for Maintaining Public Order (保甲制維持治安之理論與實際). Shanghai, Ta Tung Book Store (大同書局). $0.20.\n\nLectures on Local Self-government (地方自治講義). Shanghai, T'ai Tung Book Store (上海泰東書局).\n\nLiang Shu-ming (***); The Most Recent Expressions of Concern for National Salvation as Revealed in the Chinese Peoples' Enterprises for Saving the Country (中國民族自救運動之最近動向). Peiping, Rural Government Monthly Publication Bureau (鄉村建設月刊社), 1932. $1.20.\n\nThe New Era of Village Local Self-Government (鄉村自治的新時代). Peiping, Fu Wen Chai Book Dealers (輔文齋書莊). $1.00.\n\nNiu Jen-yen (BMT); A Complete Book of Local Self-Government (地方自治全書). Shanghai, Kung Min Book Store (公民書局), 1930. 4 vols. $5.00.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208466,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 190,
        "title": "RAS-1978",
        "content_text": "174\n\nC. MARTIN WILBUR\n\nLu Shao-chi (£##); General Discussion on Rural Education ($#** \n#4). Shanghai, Ta Tung Book Store (£#££$5). $1.00. Wang Tsun-sheng (144); Reconstruction of China's Rural and Village Life-the Central Emphasis in Education ( **+s+£*£#£ i). Shanghai, The Commercial Press (1###/##). $1.20.\n\nYü Mo-lich (†); Rural Education (**). Shanghai, The Commercial Press (##). $0.65.\n\nVIII. PERIODICALS (H)\n\nAgriculture Weekly (★★★). Nanking, Huang-ni-kang, Chinese Agricultural Society(南京黃泥冈。中國農學社 ).\n\nAgriculture Weekly (★★4). Nanking, Agriculture Weekly Publication Bureau(南京大王府巷,農業週報社).\n\nCh'i-hsia Semi-monthly (★★+A#). Ch'i-hsia Rural Normal School (#E鄉村師苑)\n\nCoöperation Monthly (4† A 7). Shanghai, Chinese Cooperative Society (L*+*+***). V. 1-4, 1929. $0.60 per year.\n\nFarmers' Voice (#). Canton, Nung-sheng Publication Bureau, National Chung-shan University (AHB>+»£$£$*£**HA).\n\nHonan Village Government Magazine (Thrice-Monthly) ($#*«7). Honan Provincial Affairs Bureau (HRÆRHLA).\n\nHopei Village Government Monthly (TA). Hopei Provincial Affairs Bureau (XRkXƒ¥¤Â ).\n\nKiangsu Agriculturalist (★L). Chenkiang, Kiangsu Agricultural Bank (辑江、江蘇農民銀行。\n\nMinistry of Interior Record (*). Nanking, Ministry of Interior (南京内政部), (****). $4.00 per year.\n\nNew Agriculture and Forestry Magazine (****). Nanking, Kinling University (**££*********). $0.60 per year. Shansi Village Government Magazine (Thrice monthly) (†æk á] 7] ).\n\nShansi, Rural Government Office (4*). $3.60 per year.\n\nVillage Government Monthly (H&AN). Peiping, Rural Government Monthly Publication Bureau (+#AMμ). (V. 1-3). $1.40 per year.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208470,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 194,
        "title": "RAS-1978",
        "content_text": "178\n\nDAVID H. S. CHAU\n\nThe fact that in the Tsin Dynasty (#), 303-379 AD, the technique had been widely used, and about the seventh or eighth century the Chinese already used woodblock to print calendars (Æ†).\n\nThe oldest woodblock printed book still in existence, so far as we understand, is the Diamond Sutra (✨#∞) a Buddhist text (**) printed in the year 868 AD, which was found along with thousands of manuscripts from Mokao (†) the Caves of the Thousand Buddhas (†) at Tun-huang ( ). Tun-huang, a city situated on the outskirt of the Lob Desert in western Kansu Province (+), was once the main gate of the Old Silk Road (***). From the first century until the fourteenth century, merchants, caravans, travellers, monks, and armies leaving for the West all passed through Tun-huang on their way to the Middle East, the Mediterranean, and Europe. The Italian merchant Marco Polo („§ +) used the same route to come to China.\n\nHollowed out in irregular tiers along the face of a steep cliff, the cave temples of the Thousand Buddhas were known in the Tang Dynasty () as Mokao or “Grottos of Surpassing Height\". They are located a few miles southeast of Tun-huang City. There had been huge Buddhist monasteries at the place for centuries, but it became forgotten when the Ming Dynasty (#9) began trading with the West by sea, and since then most of the caves had been buried by the shifting sand of the desert. In the late nineteenth century, it was rediscovered by a Taoist Priest called Wang Yuan-lu (10*), but by then all the wooden structures of the monasteries had vanished, and only the stone caves used as shrines remained.\n\nMokao is more than five thousand feet in length and consists of four hundred and ninety-two caves of various sizes. Over two thousand Buddhist statues and numerous huge murals can still be found in the caves. If we could have all the murals linked together, they would be at least twenty-five miles long.\n\nIn the year 1899, Wang Yuan-lu discovered an old monastery library in a walled-up chamber behind a mural in one of the caves. In the chamber, he found more than twenty thousand volumes of manuscripts and woodblock-printed documents and books, among them the Diamond Sutra. The news of the discovery soon spread abroad. In 1907 an Englishman, Sir Aurel Stein, traded with the priest and carried away 29 cases of manuscripts and books. More",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    },
    {
        "id": 208761,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 218,
        "title": "RAS-1979",
        "content_text": "RELIGIOUS LIFE IN PRESENT-DAY TAIWAN\n\n191\n\n10 See M. Saso, The Teachings of Master Chuang. New Haven and London: Yale University Press, 1978.\n\n11 Journal of Buddhist Culture, Fo-Chiao wen-hua hsüeh-pao,*** published by the Institute for the Study of Buddhist Culture since 1972. Articles are in Chinese or English.\n\n12 Journal of Taoist Culture, Tao-chiao wen-hua,Maxit published by the Taoist Culture Journal Association since 1976. Articles are in Chinese.\n\n13 Examples are: Fo-kuang hsüeh-pao,1*£* published by the Buddhist monastery on Fo-kuang mountain near Kaohsiung, since 1975 or 1976; Boahedrum, Pw-ti-shu,### Taichung: Hui-châ, & Torch Wisdom, Taipei; Hal Ming-tao, published in Tounan (Yünlin district).\n\nof\n\n14 See E. Ahern, The Cult of the Dead in a Chinese Village, Stanford: Stanford University Press, 1973.\n\n15 See L. G. Thompson, \"Notes on Religious Trends in Taiwan\", Mon. Ser., vol. 23 (1964), 319-350.\n\n16 See A. P. Cohen, \"Fiscal Remarks on some Folk Religion Temples in Taiwan\", Mon. Ser., vol. 32 (1976), 85-158.\n\n17 See Liu Chih-wan, Taipei-shih Sung-shan ch'i-an chien-chiao chi-tien (Great Propitiatory Rites of Petition for Bene-ficence at Sungshan, Taipei, Taiwan), Taipei: Academia Sinica, Institute of Ethnology, (monographs no. 14), 1967, Liu Chih-wan, Chung-kuo min-chien hsin-yang lun-chi (Essays on Chinese Folk Belief and Folk Cults), Taipei: Academia Sinica, Institute of Ethnology (monographs no. 22), 1974.\n\nM. Saso, Taoism or the Rite of Cosmic Renewal, Washington State University Press, 1972.\n\n18 See St. Harrell, \"Modes of Belief in Chinese Folk Religion\", in JSSR, vol. 16 (1977), 55-65.\n\n19 See D. Jordan, Gods, Ghosts and Ancestors. Folk Religion in a Taiwanese Village, University of California Press, 1972, G. Seaman, Temple Organization in a Chinese Village (Asian Folklore and Social Life Monographs, vol. 101), Taipei: Chinese Association for Folklore, 1978,\n\n20 See D. Overmyer, \"The Saying of Master Lu\", Unpublished paper, given at the joint panel of the CASA and the CSSR on Chinese Religion at the Conference of the Learned Societies in Saskatoon, May, 1979.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
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    },
    {
        "id": 208908,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 70,
        "title": "RAS-1980",
        "content_text": "38\n\nJIANN HSIEH\n\nbecause of high heterogeneity and rapid local social mobility, kinship networks are difficult to perpetuate. For this reason, it seems impossible to organize traditional clan associations based on genealogical ties, even though the Hakka are much concerned about maintaining their culture, especially their kinship system. However, instead of clan associations, the Waichow Hakka have organized six surname associations based on fictive kinship. For instance, Tz'eng-tzu (曾子), as a cultural hero of ancient China, was assigned the rank of common ancestor in one surname association in order to consolidate all the Ts'engs from Waichow. In other words, kinship as a fictive concept rather than as traced in a concrete genealogy is still an important principle manipulated by the Waichow Hakka in organizing voluntary associations in urban situations.\n\nThe very mixed origins of residents, the complex differentiation of occupations, and the rapid social mobility in Hong Kong have also rendered the maintenance of traditional guilds and associations, based on occupation and often combined with locality and/or kinship principles difficult (Ho, 1966: 101; Gamble, 1929:168). Taking the Waichow Hakka as an example, although they established the Waiyang (Hweiyang) Trade Union after the Second World War, its nature today is more that of a locality association than that of an occupational association. In addition, the Waichow Hakka from Tsu-chin District established the 紫金縣同鄉會 (Tse Kam District Countrymen's Association); nineteen of the forty-one members of its executive committee or board of directors are concerned with construction work and the association has been very active in recruiting its members as employees for that business. But still it cannot be called a guild because of the nature of its regulations.\n\nI wish to stress that dialect as an organizing principle of voluntary associations is not necessarily identical with locality. As mentioned before, Waichow, as a prefecture in the Ch'ing Dynasty, included ten districts inhabited by two dialect groups: the Hakka, who stem mostly from the districts of Hwei-yang (惠陽), Po-lo (博羅), Hsin-feng (新豐), Ho-yuan (河源), Lung-chuan (龍川), Tzu-chin (紫金), Lien-ping (連平), and Ho-ping (和平), and the Hoklos, who came mostly from the districts of Haifeng (海豐) and Lu-feng (陸豐) (Lo, 1933:102). Because Hakka constitute the absolute majority of the Waichow population, most members of",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 208911,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 73,
        "title": "RAS-1980",
        "content_text": "# PERSISTENCE & PRESERVATION OF HAKKA CULTURE\n\n41\n\nlocality associations. These are the Tse-kam (Tsu-chin) District Countrymen's Association (1948), Loong-chuen (Lung-chuan) Native Association (1954), Pok-law (Po-lo) District Association (1954), Ho-yuen (Ho-yuan) Clansmen's Association (1963) and the Wai-yeung (Hwei-yang) Merchants Association. However, the Wai-chow Hoklos from the district of Hai-feng and Lu-feng, due to cultural and language differences, cannot fully participate in the Waichow associations, principally composed of Hakkas. This is why the Waichow Hoklos, besides having their own district-level associations (the Luk-fung District Countrymen's Association in 1967 and the Hoi-fung District Countrymen's Association in 1968), have often attempted to establish relationships with the Hoklos from other areas.\n\nIn August 1972, several directors of the Waichow Clansmen General Association were discontented with their chairman's leadership, so they organized the Ten Districts of Waichow Association in order to challenge the Waichow Clansmen Association's authority. This resulted in a public split at the pinnacle of the power pyramid and had certain serious effects on the internal structure of the Waichow Hakkas. The most obvious consequence was that each association claimed to be the rightful representative of the Waichow people in Hong Kong and the two therefore competed to seek support from the secondary level Waichow associations, thus forming different association clusters within the same group. In other words, under and within the common locality name of Waichow, there are actually three association clusters in Hong Kong: The Waichow Hakka, as the majority group, have two clusters centering around the Waichow Clansmen General Association and the Ten District of Waichow Association respectively, and the Waichow Hoklos, as the marginal group, constitute another cluster with the Luk-fung District Countrymen's Association and the Hoi-fung District Countrymen's Association as its nucleus (see Fig. 1).\n\n## III. VOLUNTARY ASSOCIATIONS AND CULTURAL PERSISTENCE\n\nWith regard to the role of voluntary associations in urban situations, most contemporary anthropologists, as already mentioned-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 208980,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 142,
        "title": "RAS-1980",
        "content_text": "110\n\nJULIAN F. PAS\n\na transliteration from the Syriac. If this is correct, it would provide serious evidence of historical contacts between Taoism (Lü Tung-pin) and Nestorianism.\n\nHowever, besides the doubt concerning the actual language of these stanzas, another difficulty lies in some of the terminology used in the transcription of Syriac: in the stanzas quoted, the Chinese transliteration of 'Jesus' is I-sha-ho. Although a variety of Chinese characters may be used to transliterate the same foreign terms or expressions, some doubt can be expressed in this case, since in other Nestorian texts, translated into Chinese, the more common transliteration for 'Jesus' is I-shu #(a) or I-shu **(b).45 Therefore, since the presence and meaning of these enigmatic verses remain so far unsolved, it is premature to conclude to a positive Nestorian influence.\n\nLü Tung-pin's possible contacts with Nestorianism are not limited to these verses. Although he is better known under his Taoist name, his personal name was Lü Yen, and has been identified by Saeki with Lü Hsiu-yen & who wrote the calligraphy for the text on the Nestorian Monument in 781.46 If this identification is correct, Lü Yen (born in 755)47 was at that time a junior official in the imperial civil service.\n\nLu's contacts with Nestorianism are nowhere else positively attested. In his biography, however, there are passages that could be interpreted as doctrinal borrowings from Christianity: examples are stories told about Lü similar to narratives in the Gospels, such as the transformation of wine into water, or the feeding of a large group of monks with only a little food.49\n\nIf Lü Tung-pin's contacts with Nestorianism can be historically established, there still is a long way to go before the main theme of this paper can be affected by it. There is, however, another sinologist, who has tried to link Taoism and Nestorianism. L. Wieger50 claims that the \"Mystic Taoism\" of the T'ang dynasty was connected with Basilides.\n\nHe further states that in 741 (or 742?) Lao Tzu appeared to emperor Hsuan-tsung with the message that his statue would be found at Chou-chih near Ch’ang-an.51 After the emperor received the statue a Nestorian service was celebrated in the palace by seven priests. All this again is circumstantial evidence suggesting that\n\nT",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 208985,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 147,
        "title": "RAS-1980",
        "content_text": "SYMBOLISM OF THE NEW LIGHT\n\n115\n\nBuddhist influence in the Chinese Nestorian Church), JIBS, VI (1957), 138-139; H.1. Lo, T'ang-yuan Erh-tai chih Ching-chiao (Nestorianism in the T'ang and Yüan Dynasties) (Hong Kong, 1966).\n\n1951.\n\n4* P. Y. Saeki, The Nestorian Documents and Relics in China, Tokyo,\n\n44 Lo H.-1. Tang-yuan erh-tai chih Ching-chiao, Hong Kong, 1966.\n\n4 P. Y. Saeki, Nestorian Documents, p. 121.\n\n+\n\nThe Nestorian Monument in China, p. 56.\n\n47 E. T. C. Werner, A Dictionary of Chinese Mythology (New York: The Julian Press, Inc., 1969), p. 298, gives as the dates of Lü Tsu, identified as Lu Tung-pin or Lü Yen: 755-805. This is in contrast with E. Schafer, Pacing the Void (University of California Press, 1977), who believes that Lu Yen, later to become one of the Eight Immortals, failed the great examinations during the second half of the 9th century. However, in Lü's biography Lü-tsu ch'üan-shu (p. 28) one finds the statement that he was born in the 14th year of the chen-yuan period or 798, during the reign of emperor Te-tsung.\n\n48 Lü-tsu ch'üan-shu (Tao-tsang ching-hua, Series 9, vol. 4), p. 146. Cp. Lo H-1, op. cit., p. 146.\n\n49 See Lo H.-1, p. 147.\n\n50 L. Wieger, A History of the Religious Beliefs and Philosophical Opinions in China. (New York: Paragon Reprint Corp., 1969; or original ed.: 1927), pp. 519 and 567. With regard to Basilides, it must be kept in mind that he was a Gnostic teacher of the 2nd century A.D., who had influenced Manicheism, rather than Nestorianism. (See Encyclopedia of Religion and Ethics, vol. 2, pp. 426-433).\n\n» Chou-chih is the location of a great Nestorian monastery, the site where the famous Nestorian monument would be erected in 781.\n\n12 L. Wieger, History, pp. 507-8.\n\n53 K. Schipper, Le Fen-Teng, pp. 33-38.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209027,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 189,
        "title": "RAS-1980",
        "content_text": "NOTES AND QUERIES\n\nANOTHER (MISSING?) LIBRARY\n\n157\n\nIn 1935, after two years' travel and study in China, Gerald Yorke's book China Changes was published by Jonathan Cape of London. In Chapter Eight, entitled \"In Search of a Hermitage\", the following extract (p. 159) refers to a library at, it would appear from the final paragraph, \"the temple of the Mountain Cave (Tung Yuan) above Lanchi.\" This is county in Chekiang Province.\n\n\"In the meantime Li [Li Yuen-tzu, his companion, interpreter and friend, to whom the book is dedicated] had heard of a temple in the hills behind the town. It was not easy to find, and at first sight proved disappointing; for a family of peasants were in charge. But a draper's assistant, whose master had failed, was staying there to study. I had stumbled on a library presented by a scholar (Chao Ke-lao) in the first quarter of the sixteenth century. A tablet in his handwriting still bears witness to the gift. The books are in their original bindings and as fresh as if printed yesterday. Several appear to be of great age. This is hardly surprising, as the Tripitaka, the Bible of Chinese Buddhism in over one thousand volumes (the San Ts'ang), was first struck off wood blocks in the nine hundred and seventy-second year of Our Lord.\n\nThe draper's assistant knew his way about and picked out for me volumes with exquisite woodcuts as frontispieces. Unfortunately, he never distinguished between the dynasty in which a book had been written or translated, and the century in which it had been printed. I longed for a bibliophile to enlighten me. Over two thousand books printed before the year 1500 survive in as clean a condition as anyone could wish. Before taking them from their cases, sticks of incense and candles are lit by the peasant in charge. It gave me a real thrill to find such a treasure so respected in the hills. The veneration in which learning is held in China has no counterpart in the West.\n\nThere were too many people living at the temple of the Mountain Cave (Tung Yuan) above Lanchi. I decided to return to the Ch'ientang gorges, where the temple of the Master of the Water Rushes (Lu Su Chen Kung) had attracted me with its name.\"\n\nDoes anyone know if this library still exists?\n\nHong Kong. January, 1981.\n\nJAMES HAYES",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209059,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 221,
        "title": "RAS-1980",
        "content_text": "BIBLIOGRAPHY OF TAOISM\n\nLiang, Jung-mao. Pao-p'u-tzu yen chiu. Taipei, 1977. 梁榮茂,抱朴子研究,台北,牧童出版社, 1977.\n\n189\n\nLC\n\n2, 2, 173 p.\n\nLing-hsüeh shih i. Taipei, 1970.\n\n靈學釋義,謝冠能編輯,台北,世界紅卍字台灣分會,1970.\n\n28 p.\n\nLC\n\nLiu, Ming-jui, Chiao-ch'iao tung chang. Taipei, 1965. 劉名瑞.敲蹻洞章.台北,真善美出版社,1965.\n\n9, 63, 4, 71 p.\n\nSA\n\nLiu, Tsun-jen. Ho-feng-tang tu shu chi. Hongkong, 1977. 柳存仁,和風堂讀書記.香港,龍門書店,1977. 2v.\n\nLC\n\nLun tao lu. Chengtu, 1921.\n\n論道錄.成都,聚昌公司,1921. 21 double leaves.\n\nCA\n\nMan-Mō hokushi no shūkyō bijutsu. Tokyo, 1943–44. 滿蒙北支の宗教美術,逸見梅榮編,東京,丸善,1943-44.\n\n8 v.\n\nMori, Mikisaburō, 1909– “Mu” no shisō. Tokyo, 1969.\n\n“無”の思想,森三樹三郎,東京,講談社,1969.\n\n216 p.\n\nLC\n\nBC, LC\n\nMou, Tsung-san. Ts'ai hsing yü hsüan li. Kowloon, 1962. 牟宗三,才性與玄理,九龍,人生出版社, 1962.\n\n3, 5, 384 p.\n\nLC\n\n205 p.\n\nOhama, Akira, 1904– Chūgoku kodai no ronri. Tokyo, 1950. 大濱晧,中國古代の論理,東京,東京大學出版會,1950.\n\nLC\n\nOyanagi, Shigeta, 1870-1940. Dōkyō gaisetsu. Taipei, 1966. 小柳司氣太,道教概說,台北,台灣商務,1966.\n\n2, 92 p.\n\nBC, CA\n\nOyanagi, Shigeta, 1870–1940. Dōkyō no ippan. Tokyo, 1935. 小柳司氣太.道教の一斑,東京,東方書院,1935.\n\n1 v.\n\nCA\n\nOyanagi, Shigeta, 1870-1940. Rō-Sō kenkyū no gendaiteki igi. Tokyo, 1939.\n\n小柳司氣太,老莊研究の現代的意義.東京,啟明會, 1939. 47, 25 p.\n\nBC",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209061,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 223,
        "title": "RAS-1980",
        "content_text": "BIBLIOGRAPHY OF TAOISM\n\n191\n\nTao shu shih ĕrh chung. Shanghai, 1913.\n\n道書十二種,上海,江東書局,1913. 16 v.\n\nCA\n\nTao-tsang. Shanghai, 1924–26.\n\n道藏,上海,商務,1924-26.\n\n1200 v. in 128 cases.\n\nCA, SA\n\nTao-tsang chi yao. Taipei, 1971.\n\n道藏輯要,賀龍驤校勘,台北,考正出版社,1971.\n\n25 v. (11308 p.)\n\nLC, SA\n\nTao-tsang ching hua lu. Shanghai, 1922.\n\n道藏精華錄,丁福保編纂,上海,醫學書局,1922.\n\n12 v.\n\nCA\n\nTao-t'ung ta ch'eng. Taipei, 1975.\n\n道統大成,汪東亭輯,台北,新文豐出版公司,1975.\n\n2 v.\n\nLC\n\nTs'ao, Wen-i. Ling yüan ta tao ko pai hua chieh. Taipei, 1964.\n\n曹文逸. 靈源大道歌白話解,台北,自由出版社,1964.\n\n1 v.\n\nLC, SA\n\nWan, Shang-fu (Ming dynasty). T'ing hsin chai k’o wen. Taipei, 1966.\n\n萬尚父,聽心齋客問,台北,台灣商務,1966.\n\n13 p.\n\nSA\n\nWei, Po-yang. Ku pen Chou-i ts'an-tung-ch'i chi chu. Taipei, 1974.\n\n魏伯陽,古本周易參同契集註,台北,自由出版社,1974.\n\n398 p.\n\nSA\n\nWu shang mi yao. Taipei, 1966.\n\n無上秘要,撰人不詳,台北,台灣商務,1966. 8 p.\n\nSA\n\nYen Ling-feng, 1903- Tao-chia ssu tzu hsin pien. Taipei, 1968.\n\n嚴靈峯,道家四子新編,台北,台灣商務,1968.\n\n2, 6, 2, 858 p.\n\nLC\n\nYoshioka, Yoshitoyo, 1916– Eisei e no negai. Kyoto, 1970.\n\n吉岡義豐, 永生への願、道教, 京都,淡交社,1970.\n\n271 p.\n\nLC\n\nYü-ch'iao-tzu. Hsüan-hsüeh mi lu. Taipei, 1975.\n\n玉樵子,玄學秘錄,再版增訂本. 台北, 1975.\n\n[41] double leaves.\n\nLC",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209070,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 232,
        "title": "RAS-1980",
        "content_text": "200\n\nWILLIAM Y. CHEN\n\nLiu, I-ming. Ta tao p'o i chih chih. Taipei, 1960. 劉一明,大道破疑直指,台北,自由出版社,1960.\n\n1V\n\nLC, SA\n\nLiu, Ming-jui. Tao yüan ching wei ko. Taipei, 1965. 劉名瑞,道源精微歌,台北,真善美出版社,1965.\n\n3, 70, 95 p.\n\nLC, SA\n\nLu, Hsi-hsing. Fang-hu wai shih, Taipei, 1970.\n\n陸西星,方壺外史,增訂再版.台北,自由出版社,1970.\n\n2 v. (652 p.)\n\nLC, SA\n\nLu, Tan-t'ing. Shang cheng hsiu tao mi chih ssu chung. Taipei, 1974.\n\n盧丹亭,上乘修道秘旨四種,台北,自由出版社,1974.\n\n1 v.\n\nLC, SA\n\nLu, Tan-t'ing. Tan-t'ing chen jen ch'uan tao mi chi. Taipei, 1976.\n\n盧丹亭, 丹亭真人傳道密集,台北,自由出版社,1976.\n\n511 p. in various pagings.\n\nLC\n\nLü, Yen, b. 798. Lü-tsu chih-hsüan-p'ien mi chu. Taipei, 1959. 呂燕,呂祖指玄篇秘註.台北, 財團法人恩修宮, 1959.\n\n37 double leaves.\n\nCA\n\nLü, Yen, b. 798. Lü-tsu hsin-fa wu-p'ien chu. Taipei, 1960, 呂嵓,呂祖心法五篇註,台北, 自由出版社,1960.\n\n1 v.\n\nLC, SA\n\nP'eng, Shun-i. Ch'eng chih lu. Taipei. 1960.\n\n彭純一,承志錄.台北,自由出版社,1960.1v.\n\nLC, SA\n\nShang ch'eng hsiu chen ta ch'eng chi. Taipei, 1961. 上乘修真大成集,明老人等傳述,台北,自由出版社, 1961. 4, 127 p.\n\nLC, SA\n\nTao miao tsao wan kung k'o ching i. Taipei, 1969.\n\n道廟早晚功課經義,趙家焯編訂.台北, 道學雜誌社, 1969. 8, 18, 112 p.\n\nLC\n\nYang, Chien-hsing. Chih-tao-chen-ch'uan Shou-shih-pao-yüan ho k'an, Taipei, 1966.\n\n揚踐形,指真導詮,壽世保元合刊.台北,自由出版社, 1966. 4, 6, 138, [70] p.\n\nLC, SA",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209073,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 235,
        "title": "RAS-1980",
        "content_text": "BIBLIOGRAPHY OF TAOISM\n\n203\n\nWu, Shou-yang. Ku pen Wu-liu hsien-tsung ch'üan chi. Taipei, 1962.\n\n伍守陽, 古本伍柳仙宗全集, 台北, 真善美出版社, 1962.\n\n716 p.\n\nLC, SA\n\nWu-neng-tzu. Taipei, 1965.\n\n無能子, 撰人不詳, 台北, 台灣商務, 1965. 52 p.\n\nSA\n\n7. RELATIONSHIP WITH CONFUCIANISM AND BUDDHISM 與儒佛等之關係\n\nChang, Shang-te. Ju Tao sheng ming che-hsüeh. Taipei, 1976.\n\n張尚德, 儒道生命哲學, 台北, 帕米爾書店, 1976.\n\n5, 3, 143 p.\n\nLC\n\nChao, Ling-ling, 1947- Hsien Ch'in Ju Tao liang chia hsing shang ssu hsiang ti yen chiu. Taipei, 1977.\n\n趙玲玲. 先秦儒道兩家形上思想的研究. 台北, 嘉新水泥公司文化基金會, 1977.\n\n2, 166 p.\n\nLC\n\nChao, Yü-hsiu. San-chiao yüeh yen. Hongkong, 1971.\n\n趙聿修. 三教約言. 香港, 圓玄學院, 1971. 40, 39 p.\n\nBC\n\nChu, Ching-chou. Wu-cheng Fo fa yü Chung-kuo wen hua. Taipei, 1968.\n\n朱鏡宙, 五乘佛法與中國文化. 台北, 樂清朱氏詠莪堂, 1968.\n\n3, 4, 261 p.\n\nLC\n\nHuang, Shang. San-chiao ho tsung lo yü t’ang yü lu. Taipei, 1962.\n\n黄裳. 三教合宗樂育堂語錄, 台北, 自由出版社, 1962.\n\n1 v.\n\nLC, SA\n\nHung, Tzu-ch'eng. Hung-shih hsien Fo ch'i tsung. Taipei, 1960.\n\n洪自誠, 洪氏仙佛奇蹤, 台北, 自由出版社, 1960.\n\n2 v.\n\nLC, SA\n\nJu Dō shishi meigen ko. Tokyo, 1978.\n\n儒道四子名言考, 五十嵐一郎, 東京, 空間書院, 1978.\n\n225, 4 p.\n\nLC",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209151,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 54,
        "title": "RAS-1981",
        "content_text": "40\n\nEDGAR WICKBERG\n\nThe small Hakka village of Shui Lau Tin was quite different. This was essentially a two-lineage village. The Tsois was the more numerous and owned most of the houses. But the one Tang lineage was quite prosperous as were many of the Tsois. Yet, while the largest landowners among both Tsois and Tangs owned much of their lands away from the village, and more to the west near Yuen Kong, other lineages and other villages owned land right up to the walls, so to speak, of Shui Lau Tin. Without tracing the affiliations of each of these surname groups it would be difficult to classify Shui Lau Tin in any typology of New Territories lineage villages.\n\nFinally, the large village of Yuen Kong, a mixed Hakka-Punti village nearest to Kam Tin of any I have looked at. Here, the Leung surname was preeminent, since Leungs owned almost 30 percent of the houses in the village, twice as many as any other of the major surnames of the village, and they also owned 26 percent of the cultivated land in the village area. There were seven lineage trusts - one for each of the major surnames and five religious associations. 75 percent of the cultivated land around the village was locally-owned, but there were important enclaves of ownership by the Kam Tin Tangs, the Wang Toi Shan Tangs, and individuals from Shui Lau Tin, Lin Fa Tei and Sheung Tsuen.\n\nHaving surveyed the area in this way, I find myself puzzled by what appears to have been an absence of Kam Tin influence east of Kam Tin, other than in the way we know about: that is, the earlier overlordship. Is it possible they never held land in the Pat Heung other than within a mile or two of their own gates? To the west of Kam Tin there were Tang branches, large-scale land ownership, market control, and overlordship over ha-lu. It would seem that the Kam Tin Tangs expanded to the west, but not much to the east. If so, why? Surely, the Pat Heung, a fertile area, was attractive.\n\nI can think of some possibilities. One might be united local opposition. We know that, strong though they are, Tang branches could be successfully opposed when several groups united. The Pat Heung opposition to overlordship discussed above is one instance; the Taipo Market case is another. Was there a united Pat Heung organization well before 1900 and well before the opposition to Tang overlordship, perhaps centering on the Tong Yick Tong, or something like it, that could prevent sales of land to Kam Tin? A second possibility: were there, perhaps, village-level agreements not to sell land to Kam Tin, but rather, if one must sell, to sell to another surname in the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt",
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    },
    {
        "id": 209179,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 82,
        "title": "RAS-1981",
        "content_text": "68\n\n1968).\n\n \n\nHUBERT SEIWART\n\nCf. Holmes Welch, The Buddhist Revival in China. (Cambridge, Mass.\n\nCf. Y. Raguin, \"Buddhismus auf Taiwan\", in Buddhismus der Gegenwart, ed. by H. Dumoulin (Freiburg 1970) pp 113 – 116.\n\na \"Taoism' (by A. K. Seidel), in The New Encyclopaedia Britannica, Macropaedia, p 1042.\n\nFor example, the Taoist Association of the Republic of China is run mostly by laymen who try to get rid of many of the more \"vulgar\" practices of religious Taoism and to restore the intellectual tradition of former times. These efforts seem not to be supported by many of the Taoist priests, possibly since they make their living by performing these practices.\n\n10\n\n \n\nSee for example G. G. H. Dunstheimer, “Religion et magie dans le mouvement des Boxeurs”, in T’oung Pao, 47 (1959) pp 323 - 367; G. Miles, \"Vegetarian Sects\", in The Chinese Recorder, 33 (1902) pp 110; D. H. Porter, \"Secret Sects in Shantung\", in The Chinese Recorder, 17 (1886) pp 1 – 10, 64 – 73; M. Topley, \"Chinese Religion and Rural Cohesion in the Nineteenth Century\", in JHKBRAS 8 (1968), pp 9 - 43.\n\n11\n\nCf. Wing-tsit Chan, Religioses Leben im heutigen China, (München, 1955) pp 109-156.\n\nT'ai-pei-shih\n\n12 Such a healing-cult is treated by Wang Chih-ming Chi-lung-lu ti i-ko min-su i-sheng he t'a-ti hsin-t'u-men (unpublished B.A. thesis, National Taiwan University, Dept. of Archaeology and Anthropology, 1971)\n\n13 An example of this is the Sheng-hsien-t’ang community in Taichung. The publications of the revelations of the mediums of this temple are distributed and read everywhere in Taiwan.\n\n14\n\nSome sects (e.g. Li-chiao), however, are copying Buddhist or Taoist ceremonies and dress so that it is difficult to decide whether the performers are priests or laymen.\n\n16 Some of the \"new religions” are treated in Hsiao Ching-fen, “The current situation of new religions in Taiwan\", Theology and the Church, 10:2 – 3 (Tainan, 1971) pp 1 -- 28;\n\n10 I-kuan is actually derived from a passage in the Confucian Analects (IV, 15).\n\n17\n\nThe popular name is Ya-tan chiao. Other names are Tien Tao chiao, K'ung-tzu chiao, Ta Tao chiao, Lao-mu chiao\n\n4. Cf. Tung Fang-yüan, Tai-wan min-chien tsung-chiao hsin-yang (Taipei 1976) p 123.\n\n18 Tung, op. cit., p 123f. According to Su Ming-tung, T'ien-tao kai-lun (Kaohsiung, 1979) p 197, there are more than 300,000 followers of I-kuan Tao in Taiwan today.\n\nLi Shih-yü, Hsien-tsai Hua-pei mi-mi-tsung-chiao (Chengtu, 1948, repr. Taipei, 1975) p 32.\n\n20 It seems certain, however, that the I-kuan Tao has followers outside Taiwan, esp. in Hong Kong, Japan and Singapore. In contrast to Taiwan, in these places the sect is not forbidden by the government and can operate openly (cf. Su Ming-tung, op. cit., p 198f). For the propaganda of the Communist government",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt",
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    {
        "id": 209287,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 190,
        "title": "RAS-1981",
        "content_text": "176\n\nNG LUN NGAIHA\n\nthe Chinese population. This was to make Sun different from Ho Kai and other intellectual or bourgeois reformists whose interest in economic reform was centred more on industry and commerce. He maintained that improving agricultural productivity was the most urgent and important reform in China. He found it deeply regrettable that in the recent westernization movement undertaken by the Government, agricultural affairs had been neglected as no one was sent abroad or into agricultural college to learn Western techniques. It was perhaps for these reasons that he offered to serve the state, to promote agricultural reforms. He did not claim to have specialized training in this field. But \"for many generations my family had been engaged in farming, and I was able to gain some experience in it\", and \"when I was educated abroad, I often read books concerning Western farming methods, geology and other science subjects\". He admitted that practical knowledge was essential and he was ready to go abroad to study sericulture and other Western agricultural methods.\n\nDr. Sun Yat-sen's years in Hong Kong being an essential part of his formative age, had a significant influence on his intellectual development. He mentioned more than once in his recollections that his revolutionary ideas germinated in Hong Kong, and in his few early essays that can be found, it is evident that he also shared some reform notions of the time. Much of this thinking then, as expressed in his presentation to Li Hung-chang in 1894, was also nurtured by his experience and observations in Hong Kong.\n\nNOTES\n\n1\n\nAccording to Wang Teh-chao, this was published in the September and October (1894) issues of the Wan-kuo kung-pao. It was then republished in issue No. 19 of Yu-shih. See Wang Teh-chao, “Tungmeng hui shih chi Sun Chung-shan hsien-sheng k'o-ming szu-hsiang ti fen-hsi yen-chiu”, Chung-kuo hsien-tai shih ts'ung-k'an, vol. 1 (Taipei, 1960), p. 66, note 3.\n\n2 ibid. note 4.\n\n3\n\nFeng Tzu-yu, “K'o-ming i-shih” (Taipei reprint, 1957), and K'ai-kuo chien k'o-ming shih (Taipei reprint, 1954); Ch'en Shao-pei, Hsing-Chung hui k'o-ming shih-yao (Canton, 1934). See also Chou Hung-jan, \"Kuo-fu 'shang Li Hung-chang shu' chih shih-tai pei-ching”, Ta-lu tsa-chih 23.5, pp. 157–161.\n\n4 The pamphlet, Kidnapped in London, was published in England in 1897. In this, Sun recalled that a Ch'ing official in the Chinese legation said to him, \"You have previously sent in a petition for reform to the Tsung-li yamen in Peking asking that it be presented to the Emperor.\" See Kuo-fu ch'uan-chi vol. 5 (Taipei, 1973), p. 16.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m",
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    },
    {
        "id": 209515,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 172,
        "title": "RAS-1982",
        "content_text": "150\n\nLAURENT SAGART\n\nSC: ui; KHW: -ü:\n\nSC: -ue;\n\nSC: -0: KHW: -u: SC: -00:\n\nEk'ü2 ‘he';\n\n'female' but also\n\nyül 'rain'\n\nhül 'go' ✯ nül\n\nsül 'book' and\n\nlu4 'road'; pul 'cloth' tyu3 'ancestor' but also ku3 'old' and\n\nful 'father'\n\nIn addition to this we find that words classified in the Sung dynasty rhyme-book Yun Jing # as belonging to the 1st division of the Xiao rhyme-group have merged in SC with those /-o/ finals that are the result of the lowering of /-00/, as detailed above. In KHW, the same words have merged instead into the lax /-aw/ final, in which they coexist with words from the Liu rhyme-group, which have SC final /-au. Hence the correspondence:\n\nSC: -0:\n\nSC: -au:\n\nThus, KHW\n\n'clown', and 'save' etc.\n\nKHW: -aw:\n\nkaw? 'high'; # ty'aw3 'grass' lawi 'old' but\n\nmaw4 'hat';\n\nalso ty'aw3 'clown' and\n\nkawl 'save'\n\nty'aw3 'grass' is homophonous with #ty'aw3 kawl 'high' is homophonous with kawl\n\nApart from those SC /ui/ finals that were derived from an earlier /-ue/ after certain initials as detailed above, the /-ui/ final of SC also includes words classified in the Sung rhyme-tables as belonging to the labialized finals of the Zhi it & and Xie rhyme-groups. In KHW, these Zhi and Xie rhyme group words appear with the final /-oy/, together with words with non-guttural initials from the non labialized 1st division of the Xie rhyme-group. These non labialized Xie rhyme group words with non guttural initials in SC have the final /-oi. Hence the correspondence:\n\nSC: -ui; SC: -oi;\n\nKHW: -oy:\n\nsoyl 'tax'; # tyoyl 'drunk'; # toyl 'pair' but also ty'oyl 'vegetable'\n\nThus, some words with the SC final /-ui/ and some with the final /-oi/ have merged into the KHW final /-oy/. I can only",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
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    },
    {
        "id": 209717,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 374,
        "title": "RAS-1982",
        "content_text": "352\n\nBOOK REVIEWS\n\ndescriptions of most of the more important local festivals and rituals, arranged on a month-by-month basis. Each festival is introduced by a \"where to go\" section (which includes \"how to get there\") and includes brief, but clear and concise descriptions of the ceremony, of the god in question, of any unusual or striking rituals, and of the significance of the festival within traditional local society. At the end are notes on the Ta Chiu and On Lung ceremonies, neither of which is held on any fixed day.\n\nIntermingled with the written descriptions are 85 colour plates, most of which are of the most superb quality, and many of which are of rituals either almost completely unrecorded or else never recorded so vividly and well (e.g. the photographs of the On Lung ceremony, or of the village ladies making cakes for the New Year). It should be noted that the plates are not designed strictly as illustrations of the text. Several rituals not separately described in the text, such as funerals, weddings, and Tun Fu ceremonies, are given plates and short marginal comment. Other rituals dealt with somewhat sketchily in the text such as the Ta Chiu and On Lung rituals - are profusely illustrated in the plates. This is obviously designed, and is to be welcomed: each part of the book is of independent value in itself and the book must be treated as a whole to get the best from it. It is clear from this volume that Hong Kong has in Joan Law a photographer with a real natural genius in the photography of ceremonial. It is to be hoped that this volume is the first of many that will be illustrated by her.\n\nThe book, while describing village rituals adequately, also pays attention to urban rituals such as the Chiu Chow Hungry Ghost (Yue Laan) Festival, the Sau Mau Ping Monkey God Festival, the T'am Kung Festival and the Lu Pan Festival. Of course, in a book such as this it is not possible to cover all festivals or rituals, but it will be found that very few of any real significance in Hong Kong are omitted.\n\nThe photographs are so good, and their reproduction so excellent, and the text is so readable and alluring that it is difficult to conceive of anyone previously unacquainted with Chinese festivals looking at the book and not wishing to go straight out",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
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    },
    {
        "id": 210088,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 59,
        "title": "RAS-1984",
        "content_text": "38 \n\nSample No. 6 (B-55) \n\nJULIAN PAS \n\nLu Tung-pin's oracles have been printed in booklet form both in Taiwan and in Hong Kong. Several editions only carry the oracle verses without any extra commentary. Only the Hong Kong edition has short commentaries. (See bibliography: Lu Ti ling-ch'ien hsien-fang; Po-chi hsien-fang, and Fu-Yu Ti-chun), \n\n息陽 \n\n陰盛於 \n\n柔順而靜 \n\n只不均 \n\n若此消息 只待羊兎相宜 \n\n坤之六爻皆吉 \n\n不怕亢龍之悔 \n\n宜悔者 \n\n若陰柔 第 \n\n第 \n\n五 \n\n得一天明不宜順蓬 \n\n第一 \n\n意陽地 在來自當 \n\n秋已無三 時復私五 \n\n他正行東 方好舟關 \n\n下圖仙玉 地全賜桃 長計方香 \n\n籖 \n\n必男水萊",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
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    },
    {
        "id": 210093,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 64,
        "title": "RAS-1984",
        "content_text": "43\n\nB-2\n\nB-2 Pai-shou ling-ch'ien, Ku-shih chu-chieh ti by Cheng Chin-ling $436. Tsoying, Kaohsiung, 1976.\n\nM. Published\n\nKuan-sheng Ti-chun ying-yan t'ao-yian ming-sheng ching E KNMVTÆ. Published by the Fu-ch'uan Fo-t'ang in Kang-shan, Kaohsiung. QUI÷HES, 1971. (The oracles are in the Appendix).\n\nB-6 Kuan Yin ling-ch'ien chu-chieh, erh-shih-szu shou Pi. Taichung: Jui-ch'eng Bookstore, 1975.\n\nB-34 Ch'ien-shu chu-chieh, Tien-shang Sheng-mu, lished by the Nan-yao Temple in Changhua M, R, LTE. Pub Mä, 1977.\n\nB-54 Huang Ta-hsien (Wong Tai Sin) ling-ch'ien, ku-pen chu-chieh A¶ LASER. Published by the Wong Tai Sin Temple in Kowloon, HK, n.d. (purchased in 1980).\n\nB-55 Po-chi hsien-fang 1981;. Taiwan (no exact place indicated but stamped by the Tz'u-yu Temple in Taipei, BMK), 1951.\n\nB-55 Lu Ti ling-ch'ien hsien-fang, PPARI), Hsinchu: Chu-lin Book-store 新竹市竹林書局,1977.\n\nB-55 Fu-yu Ti-chün chüeh-shih ching, Lü-tsu ling-ch'ien chi hsien-fang Fili MEIM.NG MAUZERO/2A07), Hong Kong, N.T., SEDILE. 8-0 1976.\n\n+ Wu-nien ch'ien-sui ling-ch'ien chu-chieh 1F, Published the Chen-an Temple (2000) of Ma-ming-Shan in the county of Yiin lin, Taiwan, 1963.\n\n(ii) Taiwan Oracles: Temple Samples\n\nWerner Banck, Das Chinesische Tempelorakel PPE (part 1: Sources), Taipei: Ku-t'ing Bookstore, fillaliliPVM, 1976.\n\n(iii) Canton Temple Oracles, collected by the Library of the Center of Asian Studies, University of Hong Kong (not included in Banck's source edition)\n\n1. Kuan-shih-yin ling-ch'ien, #, published by Wu-kui t'ang 4, in Canton, n.d. (circa 1940?) block print reproduction; contains 100 oracles).\n\n2. Hung-sheng-wang ch'ien 1, published by I-wen tang in Canton, n.d. (blockprint reproduction; contains 64 oracles).\n\n3. K'ang-kung ling-ch'ien 12, published by T'ien-pao Printing Co.: Ch'an-shan, Canton, dated 1855 (nice wood block print edition)\n\n+ 4. Fu-shen T-u-ti ch'ien (@J:22, published by Wen-tang Bookstore, **W in Yue-tung ch'an shan 40, dated 1859. (woodblock print; 30 oracles).\n\n5. Shang-ti ling-ch'ien (zar, published by Wen-t'ang Bookstore, Z, n.d. (wood block print; 50 oracles).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
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    },
    {
        "id": 210297,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 268,
        "title": "RAS-1984",
        "content_text": "37. Ten Zo:\n\na. Nu Rai Fo Chu\n\nb. 6 paths and 4 species Kit\n\nc. The Heaven Honorific of origin 元始天線\n\nd. Dragon kings of the 4 seas 14.\n\ne. Male and female orphan spirits 男女孤魂\n\nf. The great Jade Emperor LAWS\n\n38. the City God WP!\n\n39. The Earthgod\n\n40. Chi-zo k\n\n41. T'ien Hau APE\n\n42-43. Generals Han and Ha\n\n44-45. T'ien Hau\n\n46. Kwan T'I IPEXY\n\n47-48. Kwan Ping and Chau Chan PPT-MAT\n\n49. Kwan T'I MÝ\n\n50-51. Kwan Yin (Kannon) 19:*\n\n52-54. The Earthgod sitt laY\n\n55-57. Tzi Nan Kung W E\n\n58. The Lord of the Heaven A^ L\n\n6 paper-made tablets were hung on a paper-made 5 colours lantern.\n\nIt was a Japanese term (see Soo, 1981: 59-60). Most of the informants\n\n247\n\ndid not know what it was and no one talked about it, and no offering was made to it, either.\n\nH Decoration, except the roof, was the same as the Ming-che.\n\nH\n\nRJapanese Earthgod\nRT'ien Hau's Guardmen,\nRThe substitutes of T'ien Hau.\nRThe main God of the Temple.\nRThe guardmen of Kwan T'i.\nRSubstitute of Kwan T'i\nRThe Goddess of Mercy and her substitute.\nRThe god and his substitutes.\nQThe name was a Temple's name. The god of the temple was Lu Tzu ( ) 56 and 57 were his substitutes.\n\nIn addition there was 4 paper-made messenger-and-horses (f†). One of them was burnt after every 'Reporting' ritual and the 'Thanking' ritual of the last day.\n\nNotes:\n\nQ = Incense bowl(s) and offerings only\n\nR = Porcelain Statue\n\nT = paper-tablet\n\nH = paper-made house\n\nF = paper-made figure\n\nP = painting\n\nL = paper-made lantern",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
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    },
    {
        "id": 210416,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 23,
        "title": "RAS-1985",
        "content_text": "BARTHOLOMEW P.M. TSUI\n\nfire. At first, thirty to forty came to seek cures, but after five months as many as fourteen thousand came each day and the Patriarch cured most of them. Among the more noted cases of cure was that of Li Tsung-yao (), brother of Li Tsung-jen (), the Vice-President of the Republic. Li Tsung-yao had an incurable disease. His intestines were exposed. Lo cured him completely, to the surprise of the then famous German physician called Otto, who pronounced the event as inexplicable.12\n\nThe message of this new god did not stop with curing. He demanded the establishment of an institution with a body of beliefs and a group of disciples. This he revealed on the eighth day of the first month (January 31, 1936). This god, who could not really be named, was provisionally called the Supreme Deityx), and the name of the new belief was called Tan Tse Tao () or the Revealed Truth.13 The Patriarch soon made a number of disciples who were endowed with healing powers equally with himself. Of these the most successful was Ms Liu Han-lien (劉漢廉女士). In 1936, that is, almost immediately after her initiation, she worked in Hui-chou () and Lung-kang Market() and cured over ten thousand sick people. In 1937, two other disciples, Li Han-kun () and Han-lun (), went to Hsin-hui (#) and cured over a thousand people there. Han-lin (***) and Han-ts'ai (#) worked in Wu-chou (梧州) and Han ch'üan (漢全) in Ts'ung-hua(從化).14\n\nThe Patriarch's work in Canton lasted only a few years. Eight months before Japanese soldiers marched into Canton, he was instructed by the Supreme Deity to come to Hong Kong and to establish his religion there. At first, with the help of Mr. Wong Yiu-tung, J.P. (), Lo set up his office at Tung-lu (). Shortly afterwards, he found a plot of land in Ping Shan in the New Territories and built his worshipping hall there where he continued the work of curing and converting disciples. He died in 1981 and his religion is actively carried on by his disciples.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x",
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    },
    {
        "id": 210423,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 30,
        "title": "RAS-1985",
        "content_text": "11\n\nand thrifty. 2. Be trustworthy and loyal. 3. Know yourself. 4. Be self-controlled. 5. Be content and know your limits. 6. Be careful of your words and be watchful when alone. 7. Be filial to your parents. 8. Respect your elder brother. 9. Be friendly with your neighbour. 10. Love your own people.\n\nAlthough nominally a Taoist sect, Tan Tse Tao does not make use of any Taoist scripture or any other traditional scripture for that matter. The Patriarch's two books, T'ai-hsüan's Discourse on Truth and T'ai-hsüan's Discourse on Various Topics, are distributed to believers and function as a kind of scripture.\n\nV. Method of Healing\n\nThe method of healing in Tan Tse Tao is one of the most striking things about this sect. It employs absolutely no medicine, not even placebos, acupuncture, surgery, hypnotism, massage or breath-cultivation (chi-kung). Externally, the healer uses certain hand and eye gestures. Occasionally, he uses a talisman (fu-lu). Internally, the healer must have a deep devotion to the Supreme Deity. He employs his original breath and original spirit. Among his paraphernalia are the treasure sword, the gourd for imprisoning the demon, the fly-whisk and the five thunder palm. None of these are actual objects but are only imaginary within the healer's mind.\n\n39\n\n40\n\nWhat is amazing is that there is no physical contact between the healer and the patient. Indeed, healing can take place at a distance, with the patient at another room or in a house a hundred yards away. Healing can take place with several patients at the same time. There is no limit to the kind of physical ailments cured. All kinds of diseases are cured, including those declared incurable by Western medical doctors.\n\nDuring the cure, the patient can sometimes feel power surging in his limbs or heat in certain parts of the body. Sometimes the body vibrates on its own accord or the patient uncontrollably bends forwards and backwards. A lame person may straighten up and walk away.\n\nPage 30\nPage 31",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
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    },
    {
        "id": 210995,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1987",
        "page_number": 57,
        "title": "RAS-1987",
        "content_text": "32\n\nlooking as though they would roll down any moment, it formed a dramatic and distinctive backdrop to the Walled City.\n\nThe City was primarily a garrison town. In 1898, the garrison numbered 544, with a civilian population of only 200, largely dependents of the military. By then the watch towers were being used as family dwellings. Besides the several official buildings there was also the Lung-chin i-hsüeh ## (Lung-chin Communal School), named after the small Lung-chin river nearby. The school's raison d'etre is significant. Just as the British presence in Hong Kong had necessitated strengthening the civil and military establishment at Kowloon, so had it highlighted the need to strengthen the inhabitants' moral fibres against Western decadence and materialism. The Hsin-an Magistrate, commenting on the founding of the school in 1847, declared that since Kowloon had become a point of interaction with barbarians, the inhabitants needed to be fortified morally, thus making a school necessary, and he even hoped that they might exert a civilizing influence on the intruders.\n\n10\n\nBuilt of blue baked bricks on a granite foundation, with granite lintels and frames to the entrance, the school was an imposing building with two main halls and two courtyards, much like the grander ancestral halls of the New Territories. Local literati were elected to the school board each year. The source of fund was irregular. A generous official occasionally made a donation; in the 1880s, a special rate was levied on the sale of suckling pig meat to subsidize the school expenses. Characteristically, public meetings, often attended by officials, were also held there. Its reflecting wall bore the characters \"Hai-pin Tsou Lu\" to denote a place of high moral and academic excellence by the sea, emphasizing how strongly Confucian orthodoxy still prevailed in this outpost of Empire. In 1897, an annex, a fine two-storeyed building called the K'uei-hsing ke (Kuei-hsing pavilion) was added, K'uei-hsing being the god who protected the literati. This shows that fifty years after its foundation, the school was still a going concern.\n\n14\n\nA small paper-burning pavilion stood near the East Gate. Traditionally, the Chinese literati revered the written word and, to",
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    {
        "id": 211008,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 70,
        "title": "RAS-1987",
        "content_text": "45\n\ndencies (Hong Kong: Kelly & Walsh, 1920) p. 130; S.H. Peplow and M. Barker, Around and About Hong Kong (2nd revised and enlarged edition, 1931), p. 10.\n\n59\n\nFor example, Chao Chun-hao, Yueh-Kang-Ao tao-yu #5 (A guide to Canton, Hong Kong and Macao) (Shanghai: China Travel Agency, 1938) p. 58; Wen Te-chang. ii) Kuang-Chiu t'ieh-lu lu-hsing chih-nan\n\nRířili (A guide to travel on the Canton-Kowloon Railway) (1922) p. 139; T'u yun-fuzli Hsiang-kang tao-yu fi (A guide to Hong Kong) (Shanghai: China Travel Agency, 1940) p. 15.\n\n60\n\nChiang-shan ku-jen, “Feng-kuang”, part 163. This was a Mr. Liu T'ao §‡ who had descended from one of the original inhabitants of the City. In 1931, he was living in the K'uei-hsing ke. He had copied every inscription there was in the City for sale to visitors.\n\n61\n\nJarrett, vol. 3, p. 611; \"Report on the New Territories, 1899-1912”, Hong Kong Sessional Papers, 1912, pp. 43-63, p. 47.\n\n62\n\nHsing-che 1, \"Lung-chin shih-ch'iao” ¡¡¡\n\n(The Lung-chin bridge [jetty]) in Li Chin-wei $ (ed) Hsiang-kang pai-nien shih dred years of Hong Kong history) (Hong Kong, 1948) p. 93.\n\n#2(One hun-\n\n63\n\nJohn Stuart Thomson, The Chinese (London: T. Werner Laurie, Clifford's Inn, n.d.) p. 62; Jarrett, vol. 3, p. 611.\n\nSiu, Chiu-lung ch'eng, p. 38.\n\nQuoted by Wesley-Smith, Unequal Treaty, p. 127; an interesting account of the City in the 1930s-50s is provided in Chapter 7. The Colonial Office file dealing with the removal problem in 1933-4 is CO129/546; for the Chinese side of the story, see Wu Pa-ning \"Chiu-lung ch'eng chu-min san-t'u pei pi-ch’ien ching-kuo\" JuffDWIDE-LOK MESA (An account of the three occasions on which residents of the Kowloon City were forcibly evicted) in Li Chin-wei, p. 89 and Chih-che IL “Chiu-lung ch'eng shih-chien ti chiao-she\" ** (Negotiation over the Kowloon City incident) in ibid., pp. 98–101.\n\nז' 1\n\nOther secondary works on the subject include N.J. Miners, \"A Tale of Two Walled Cities\", Hong Kong Law Journal vol, 12; no. 2 (1982); Peter Wesley-Smith, \"Forlorn, Forbidden and Forgotten: Kowloon's Walled City\" Kaleidoscope vol. I: no. 3 (February, 1973) 26-33; Mike Davis, “Inside the Walled City” ibid., vol. IV; no. 6 (August, 1976) 5-11; Michael Chiang, \"The Development of the Kowloon Walled City\" (Student's thesis, School of Architecture, University of Hong Kong. 1979-80).",
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    {
        "id": 211054,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1987",
        "page_number": 115,
        "title": "RAS-1987",
        "content_text": "90\n\nese pronounced exactly like Wang) after becoming a hermit at Mt. Luofu. Thus the foundation for a subsequent merger of the two \"Yerens” was created. According to Soymie, \"Le Lo-feouchan\", pp. 110-111, another immortal of the mountain, Wang Tijing, was also occasionally referred to as Huang Yeren. Today, however, he seems to be totally disconnected from the \"Yeren\" figure,\n\n21 Su Dongpo Ji [collected works of Su Dongpo], Shanghai, Shangwu Yinshu Guan (Commercial Press), 1933, Vol. 2, p. 58. In this volume there are numerous references (poems as well as letters and essays) to Luofu. Su Dongpo was exiled to Huizhou from the Song capital, and went to Luofu Mountain soon after (in 1094) arriving in Huizhou (this probably indicates the fame of Luofu among men of letters and politicians). What attracted him, no doubt, was the name of Ge Hong. Su is said to have spent about two years (of his four years in Huizhou) in Luofu. (Source: Luofushan Fengwuzhi, p. 105).\n\n22 Guangdong Xinyu, Hong Kong, Zhonghua Shuju (Chung Hwa Book Company), 1975 (reprint), pp. 729-730.\n\n23\n\nThe reference is in Tan Cui's work Chuting Baizhu Lu (Records of precious pearls from Chuting [old name of Guangzhou], reprinted in October 1982 by Guangdong Renmin Chubanshe). This work contains a rather detailed account of Luofu Mountain and most (possibly all) of the temples which existed in the mountain in the 18th century.\n\n24 According to the Luofushan Fengwuzhi, the original temple at Luofu was built in 405 A.D., and was called Ge Hong Ci. Later in the early Tang, a large one called Ge Xian Ci was built. Another source (Lingnan Gu Jin Lu or Records of old and present Lingnan [Guangdong], edited by Xu Xu, well-known Guangzhou-based scholar, Hong Kong, Shanghai Book Company, 1984) states that a small temple was built at Luofu in 742 A.D., called Ge Xian Ci. During the Song dynasty, a Taoist temple was built, called the Duxu Guan, later renamed the Chongxu Guan. The deities worshipped in the central shrine of the temple (they have superseded Ge Hong, perhaps from as early as the Southern Han dynasty) are the three gods residing in the 35th (San Qing Tian) of the 36 heavens (Tianbao Jun, Taishang Daojun and Taishang Laojun). They are the mightiest among the \"shenxians\" (the fairies and saints [immortals]). They are normally understood by worshippers to be the Jade Emperor and his two closest officials.\n\n25 We learned this from the interviews at Luofu, especially from an interview with Mr. Zhang Zongquan, the presiding Taoist at a smaller temple, the Jiutian Guan (devoted to Beidi, the \"northern emperor\"), on the plain near the mountain several kilometres from the main temple. Mr. Zhang had been an officer in the anti-Japanese forces of the area in the 1930's. The provincial Fengwuzhi (Guangdong Fengwuzhi, Guangzhou, Huacheng Chubanshe, 1985, p. 151) also mentions worship of Ge Hong together with worship of Huang Yeren and the mute tiger often mentioned in folk-tales. This account refers to the situation prior to the restoration.\n\n26 See the picture of the Red Pine Fairy in Zhongguo Shenhua Chuanshuo Cidian (Dictionary of Chinese myths and legends), Shanghai, Cishu Chubanshe (Lexiographical publishing company), 1985, p. 185.\n\n21 One Taoist whom we interviewed (see note 25) dismissed the importance of the differences in the biographies of the two Huangs with the remark that the spirit of Huang Chuping entered (or could enter) into the person of the later Huang Yeren. He was the only one we met who explicitly used this strategy to rationalize the merger of the two Huangs into one figure at the Chongxu Guan. It is possible that",
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    {
        "id": 211407,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 123,
        "title": "RAS-1988",
        "content_text": "Table 1: Genealogy of the Chan Family\n\nChan Tak Youg (Violet's great grandfather)\n\nChan Jok Jun\n\nGeorge, Harry, Henry\n\nChan Jok Chiu (b. 1845) m (1) Au (Violet's grandparents)\n\n(2) Leong\n\nYung Kam in Yim (First Paternal Aunt)\n\nGeorge Goon Hop (adopted) m (1) Auyoung\n\n(2) Liu\n\n  \n    Gladys Yung Hoy m Lan Kwai\n  \n  \n    Claudia in George Murphy\n    David, Michael\n  \n  \n    Calvin m Barbara\n    Jennifer, Jason, Jeffrey\n  \n  \n    Kwock Wah m Mona Lew\n    Paula, Donna, Marcha, David, Jonathan\n  \n  \n    Lorna (adopted) m\n    Lawrence, Paul, Yolanda, Twila-dawn, Keith, Robin\n  \n\nChan Ping Wing (First Paternal Uncle) m Ching (Concubine: \"Small Aunt\")\n\nChan Po Ling m (1) Auyoung\n\n(2) Kan (Concubine: Kam)\n\n  \n    Linda, Judy, Lillian, Robert, Chi Fai, Anthony, m Dorothy (5 daughters)\n  \n  \n    Rosita, m Robert Ting (1 child)\n  \n\nChan Ping I (Second Paternal Uncle) m Auyoung\n\nToby in Louise Dung\n\n  \n    Melody m Johnson Chen, Carol m John Lee, Sonja in Tai Min Wan, Jade m Eddy Lin, Lloyd m Deborah, Lena m Jeffrey Lu\n  \n\nHelen m Tong\n\nCharles (children)\n\nGeorgette m Lu Bing Leong (daughter) Moo Yun\n\nTing Cheong (2 sons, 2 daughters)\n\nMoo Sau\n\nChan Ping Yip m Jong (Violet's parents)\n\nRuth\n\nViolet m John Lew m\n\nMe Yuk\n\n  \n    Helen m (1) Edmund Tin Wai Tong\n  \n  \n    Edmund Yee Sing m (1) Susan Loui\n    Kevin\n  \n  \n    (2) Gertrude Kristiansen\n    Syrilyn, Clayton\n  \n  \n    (2) Tso-yu Fu\n    Lynnette Wen-chu\n  \n  \n    Russell m (1) Lila Kung\n    Dora m Tso-chien Shen\n  \n  \n    Eugene m Nancy Chun\n    Wendell, Celia\n  \n  \n    (2) Susan Carter\n    Russell\n  \n  \n    Gilbert m Christine Liao\n    Warren, Tabitha\n  \n\ndaughter m Leong Ting Bau (Second Paternal Aunt)\n\nYung Yik m Auyoung (Third Paternal Aunt)\n\nSuk Jun, m So (4 sons, 3 daughters)\n\nSuk Num, (3 daughters, 1 son), Suk Chiu, (2 sons, 2 daughters) Chan Ping Lim (d. 1903) (Fourth Paternal Uncle)\n\nChan Jok Sau\n\nL-6 sons (including Dai Mec, Ngit Chiu and Dai Geng)\n\nChan Jok Sui\n\nNgit Chiu (adopted) d 1924 in Honolulu\n\nChan Jok King\n\nJu Dai, Dai Geng (adopted)\n\n99",
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    },
    {
        "id": 211591,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 6,
        "title": "RAS-1989",
        "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nHON. TREASURER'S REPORT\n\nHON. LIBRARIAN'S REPORT\n\nARTICLES:\n\nDan Waters\n\nLIBRARIES\n\n138 1937. vii\n\nAR\n\nIn the Steps of Lu Pan: Reminiscences of Building in Hong Kong\n\nK.J.P. Lowe\n\nHong Kong, 26 January 1841: Hoisting the Flag Revisited\n\nKeith Stevens\n\nThe Jade Emperor and his Family, Yu Huang Ta Ti\n\nKeith Stevens - Fukienese Wang Yeh (Ong Ya [Hokkien])\n\nP.H. Munro-Faure\n\nThe Kiukiang Incident of 1927\n\nA.D. Blackburn\n\nHong Kong, December 1941 July 1942\n\nChan Ka-yan\n\nJoss Stick Manufacturing: A Study of a Traditional Industry in Hong Kong\n\nP.H. Hase\n\nCheung Shan Kwu Tsz, An Old Buddhist Nunnery in the New Territories and its Place in Local Society\n\nJ.H. Haan\n\nThalia and Terpsichore on The Yangtze, Survey of Foreign Theatre and Music in Shanghai 1850-1865\n\nFred Dagenais\n\nJohn Fryer's Early Years in China: I. Diary of His Voyage to Hong Kong\n\nChan Wing-hoi\n\nThe Dangs of Kam Tin and Their Jiu Festival\n\nxxi\n\nxxiii\n\n8\n\n18\n\n34\n\n61\n\n77\n\n94\n\n121\n\n158\n\n252\n\n302\n\nNOTES AND QUERIES:\n\nE. Sinn\n\nNotes on the Robert Hart Papers at the University of Hong Kong Library\n\n376\n\nP.H. Hase\n\nA Song from Sha Tau Kok on the 1911 Revolution\n\n382\n\nP.H. Hase\n\nThe Mutual Defence Alliance (Yeuk) of the New Territories\n\n384\n\nP.H. Hase - More on The Man the Emperor Decapitated\n\n388\n\nIssei Tanaka\n\nThe White Tiger\n\n389\n\nKeith Stevens - British Chinese Labour Corps Labourers Buried in England\n\n390\n\nAnthony Siu Kwok-kin\n\nThe History of Hong Kong: From A Village to A City\n\n391\n\nAnthony Siu Kwok-kin\n\nHistorical Records\n\nAnthony Siu Kwok-kin\n\nBOOK REVIEWS\n\nTai Yu Shan from Chinese\n\n394\n\nA Tung Lo Wan\n\n399\n\n400\n\nV",
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    },
    {
        "id": 211612,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 27,
        "title": "RAS-1989",
        "content_text": "2\n\nfor 1959 and 1972 when he was on leave). After the Kwong Chow was demolished, these events were held in the Ying King Restaurant, in Wanchai. Many architects, engineers, surveyors, Public Works Department staff, and contractors attended these functions. Speeches were made, and all present, at a given moment, paid their respects by bowing three times to a portrait of Lu Pan.\n\nBut a builder's life is not all brandy and shark's fin soup. Steep, rugged, rocky Hong Kong is not ideal terrain for many projects. In the early days of the Colony, when roads and reservoirs were built (the first reservoir, at Pok Fu Lam, was completed in 1864), there was little in the way of mechanical equipment. It was not until 1962 that the first crane was used to construct a building, the Hilton Hotel (originally named the American Hotel).\n\nEven today, for structures up to 150 metres high, the ubiquitous bamboo, which typifies an exemplary man's life in that it grows tall, straight, and yet is flexible and versatile, with rings marking important achievements in a person's career — is still used for scaffolding. It bends rather than breaks and is about one-third the price of steel. Bamboo is, or has been, also used for making (among other things) chipboard, woven bed mats, furniture, water pipes, fishing rods, summonses for secret-society meetings, and Chinese medicine. In addition, bamboo shoots provide a tasty dish.\n\n10\n\nAlthough some old building techniques, like bamboo scaffolding, are still in use, many have long since disappeared, along with the ancient structures built using them.” A few of the latter are, however, still left.\" These include \"walled\" villages, such as Kat Hing Wai at Kam Tin, and the 600-year-old, three-storey Tsui Shing Lau at Ping Shan in the New Territories. This was built in a geomantically favourable location to placate the God of Literature and originally had seven floors. But the upper part was damaged in typhoons. This Man Pat (its local name) Pagoda was built to improve the performance of the Tang clan of Ping Shan in the imperial examinations. Academic results indicate the edifice proved effective.\n\nIn the urban area, Victoria Prison, off Arbuthnot Road in Central, which was completed in 1843, is said to be the oldest jail still in use for that purpose in the Commonwealth. Hangings used to take place there (the last in Hong Kong was at Stanley Prison on November 6, 1966),",
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    },
    {
        "id": 211649,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 64,
        "title": "RAS-1989",
        "content_text": "39\n\nmajor festival held every five years, hence their title. The ten are Chang (H), Hsu (1), Keng (I), Wu (5), Ho (FPJ), Hsuch (B‡), Feng (B), Chao (#), T'an (M) and Lu (F).\n\nThe generally accepted leader of the Pestilence Wang Yeh is Chih Wang Yeh (1) who is also known by other honorifics, as are other Pestilence Wang Yeh, as Chih Fu Wang Yeh (b); Chih Fu Yuan Shuai (EBD); Chih Fu Ch'ien Sui (af); Chih Fu Tai Hsun (£FF{X); Chih Ch'ien Sui (-1) or Tai T'ien Chin Fu (RX##). In Singapore and Malaysia a not uncommon title for the Pestilence Wang Yeh is 'Great One' (Ta Jen AA), a title more frequently given to non-Pestilence Wang Yeh in Taiwan. In Ang Mo Kio in Singapore three Pestilence Wang Yeh, Li, Liu and Chin who occupy the main altar are referred to both as Ta Jen and Wang Yeh in temple notices. They are prayed to not only for protection from disease but also for tranquility in the home. In Taiwan and South-East Asia a number of what would be non-Pestilence Wang Yeh in Fukienese communities are referred to as Lao Yeh (Em) and Ta Jen. They are mainly in Hakka communities and are very local deified and revered worthies.\n\nPestilence Wang Yeh are identifiable by the honorific 'Touring and Inspecting on behalf of Heaven' (Tai T'ien Hsun Shou X). The various other titles borne by Pestilence Wang Yeh in Taiwan include Tsun Wang (Honourable Prince), with the three on the altar being the First, Second and Third Honourable Princes (AZE); Ch'ien Sui (Prince or Excellency T); En Wang (Prince of KindnessE); Wang Kung (Prince 4), and 'An Emissary for Disaster Relief' (Hsing Ts'ai Shih Chih 77(K).\n\nA number of temple keepers differentiate between a Wang Yeh and a Ch'ien Sui. The former they claim to be permanent whilst Ch'ien Sui are only temporarily on Earth 'for less than one thousand years'. The Wang Yeh are said to be the senior, promoted on orders from Heaven, whilst the Ch'ien Sui are deities promoted by popular acclaim. They are, however, prayed to in the same way, for the same things and with the same results. The latter are also the patrons of sorcerers (wushih ZEL) who use them as a go-between between them and their spiritual contacts. There is little functional differentiation as all are believed to be capable of fending off disasters and curing sickness.\n\nIn one instance, and probably in others too, the full title of a particular",
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    },
    {
        "id": 211654,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 69,
        "title": "RAS-1989",
        "content_text": "44\n\nCommander of the Main Army [ff]) and the Yu Ying Kung share the sanctified premises and all offerings. The stalls in front of the temple sell 'gold paper' for the Wang Yeh and 'silver paper' for the Yu Ying Kung together in one bundle. Worshippers have to pay their respects at both temples or their prayers will not be answered. These are special characteristics of this temple.\n\nThe temple was completed in 1824 and Wang Te-lu (E), an Escort to the Crown Prince and a native of Taiwan, went to Nan K’un Shen to pay his respects to the Wang Yeh. It was generally believed at that time that such deities are incarnated officials and are feared by demons. The way to test whether a deity is a genuine incarnation or not is for a living high official to kick the effigy of the god and if it is a demon in disguise then the effigy will fall over. Wang Te-lu kicked an image of one of the Five Wang Yeh with his boot but the image did not budge.\n\nThe Yu Ying Kung is known in this temple as The Lord of the Myriad Kindnesses (Wan Shan Yeh). He is also referred to colloquially as the Infant Duke (FA).\n\nAccording to legend, one of the Five Wang Yeh of Nan K'un Shen in 1820 made a tour of inspection to the north of their area and encountered the local magistrate also on tour, in what is now Chia I. Neither would give away to the other and a dangerous confrontation took place. A nearby illiterate farmer suddenly had supernatural powers and wrote in the soil with his hoe, \"Representing Heaven in order to deal with both the Yin and Yang worlds. Hope that the bad government will change for the better\". The magistrate seeing these words hurriedly gave way. The local Prefect heard of the incident and decided that he would like to test the power and genuineness of the Wang Yeh. By coincidence the Wang Yeh was on his way to Tainan, where the Prefect had his Yamen, in the course of his inspection tour. So the Prefect ordered his men to tie an effigy of the Wang Yeh on the altar to a large tree stump and announced that if the effigy was unable to free itself from the tree stump then he, the Prefect would chop the effigy up for firewood. Nothing happened for two days and then, on the third day at midday two large black dogs appeared, jumped on to the shrine and tore away the large tree stump. The Prefect was very impressed and pledged that he would go each year to the shrine to worship before the Wang Yeh.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211658,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 73,
        "title": "RAS-1989",
        "content_text": "48\n\nOne of the more interesting Wang Ch'uan is in the Hai Ling Temple on the Pescadores. In Tainan there are some boats as big as small buses, and at the Ma Tsu temple at Lu Erh near Tainan, there is a multi-storey boat. The captains and crew of the large wooden models are portrayed by small images, the largest being the captain dressed in Ch'ing mandarin robes, seated in an open cabin on the aftercastle overlooking the whole junk. The crew consists of sailors manning the ropes and tiller, and marines with weapons including cannon. The captain (or comptroller) of the Pestilence Wang Yeh junk is sometimes portrayed holding a writing brush and scroll. One such image in Tung Kang is seated on a throne on a small altar table before his large and magnificent boat, smoking a real cigarette which smoulders down to a stub before being replaced by one of the temple staff.\n\nSimilar images make up miniature military units representing the armies of the Pestilence Wang Yeh; some dozen or so soldiers in V formation with a senior officer at the apex (see Plate 12). Such armies of the Pestilence Wang Yeh, to be seen only in Taiwan and not in South-East Asia, consist of tamed and therefore 'good' demons and are portrayed on side altars on a few temples only. One temple keeper explained that the Pestilence Wang Yeh soldiers were all difficult spirits of dead humans who had been beyond reform during purgatory, but who had been invited to join the army of the Wang Yeh on condition that they would obey orders implicitly, and in return they had been promised rehabilitation and even the possibility of rebirth to the human world should they toe the line. They are referred to as depraved or evil spirits (Hsieh shen 邪神).\n\nThe armies are led by generals and marshals under the overall command of the Wang Yeh. The armies referred to as 'The Office of Military Affairs' (Chung Chun Fu), the main defensive forces for the prefecture in the fight against the demonic forces, are represented in some Pestilence Wang Yeh temples by a single seated image of an anonymous general surrounded by a varying number of soldiers in varying robes and uniforms, each small group of six or eight representing subordinate formations and units. In the Wang Yeh temple at Nan K'un Shen the Wang Yeh army is called “The Grand Defender of the Office of Military Affairs (Chung Chun Fu Chen Shou)\".\n\nThe Pestilence Wang Yeh army in the temple at Hsi Yu on the Pescadores consists of a general in charge, (Assistant Regional",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211662,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 77,
        "title": "RAS-1989",
        "content_text": "52\n\nA second legend also tells of five scholars, again during the T'ang dynasty, on their way to the capital to take the imperial examinations when they overheard demons plotting to poison a village well with pestilence pills. The villagers themselves would not believe the scholars so the five jumped into the well and polluted it with their corpses. The Jade Emperor was impressed by their self-sacrifice and appointed them Pestilence Wang Yeh. This story was originally specifically told by people from Ch'uanchou in Fukien.\n\nA third legend claimed that five men, Li, Chih, Wu, Chu and Fan became blood brothers in order to serve the man who, after his military campaign, established the T'ang dynasty and became its first emperor, Kao Tsu. The five were appointed to various offices of state, served the country well, and after they died were appointed Celestial Inspectors, known colloquially as Pestilence Princes, Wen Wang (HE).\n\nTwo further legends date the origins of the Pestilence Wang Yeh to the Ming, some four hundred and sixty years after the T'ang. The first tells of 36 literati ordered by an early Ming emperor to travel forth beyond the borders of China to tell the world about China's greatness and in particular about the history of the great Tang dynasty. On one of the voyages all 36 were lost in a storm at sea and according to one of the surviving sailors, an auspicious pink cloud drifted over the roaring waves and celestial music was heard as the 36 were borne aloft. The emperor ordered a new ship to be built to be called the Ship of the Wang Yeh into which was placed a tablet for each of the 36 together with a decree personally written by the emperor requiring the officials at every port where the ship docked to welcome and honour the spirits of the dead literati.\n\nYet another local legend claims that towards the end of the Ming era five literati, Chih, Li, Chu, Hsing and Chin, on their way to invigilate at the local imperial examinations at Ch'uanchou fell ill and died of plague. They lost their lives in the service of the people of the town and have been worshipped ever since as the Five Excellencies (Wu Fu Wang Yeh).\n\nIn a popular story teller's tale, the Feng Shen Pang, recorded during the Ming dynasty, Lu Yueh, a Taoist with his four disciples fought for the last of the Shang dynasty against the Chou forces, using germ warfare (pestilence weapons). All five were on the losing side and",
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    },
    {
        "id": 212111,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 53,
        "title": "RAS-1990",
        "content_text": "30\n\n26\n\nfestivals in the New Territories. Besides Faure's 1986 book The Structure of Chinese Rural Society which touched on the festival, printed work by local scholars arising from these studies is yet to appear.\n\n27\n\nTwo museums, first the History Museum of Hong Kong, and later the Sam Tung Uk Regional Council Museum, have taken photos and videos of the festivals since 1983, following Mr. Hugh Gibb's film of the Ha Tsuen Jiao, taken in 1974. However, only the Jiao festival in Cheung Chau and the 1985 Kam Tin festival have been fully recorded. These are not as yet available in print.\n\nFollowing the sad deaths of Prof. Ward and Dr. Lu, the 1980s also saw the quick decline in interest in Jiao festivals in Hong Kong. This is, perhaps, due to two not completely unrelated reasons: firstly, Jiao festivals in Hong Kong are studied only for their contribution towards the understanding of rural society. Therefore, when a researcher changes his interest to societies of another locality, study of Jiao festivals in Hong Kong becomes irrelevant. Another reason perhaps is a matter of \"time\". Whether it is a diachronic or synchronic study, or even an independent ethnographical report, the physical demands of observing a Jiao are often considerable. Planning for a Jiao festival may take one whole year, starting from fixing the date and selection of representative worshippers to the final purification of the community and households rituals. Moreover, if one intends to observe Jiao festivals held at different times, a long term commitment and interest is necessary since many Jiao festivals in the New Territories are celebrated only once in ten years. A comprehensive study of Jiao festivals cannot be done by a short term survey.\n\nDuring my visits to two Jiao celebrations in 1990 (Lam Tsuen and Fanling), the only other researchers I met were a scholar from the Music department of the CUHK, and some members of an amateur research group.\n\nb. Sources\n\n24\n\n+4\n\n-\n\nSchipper noted that [Jiao festival] simply was ignored in the writings of the bureaucracy, and remained an immensely important factor in the lives of the common people ....29 Studies of Jiao festivals in Hong Kong have so far depended heavily on ethnography",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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        "rank": 0
    },
    {
        "id": 212122,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 64,
        "title": "RAS-1990",
        "content_text": "41\n\nKong: Oxford Univ. Press, 1983), 156-160 & 163-164, on the Jiao festivals celebrated between 1964 and 1972 in Ma Tau Wai, Nga Tsin Wai, Tung Chung and Tai O.\n\nN Mathias, John R.G., Study of the Jiao: a Taoist Ritual in Kam Tin in the Hong Kong New Territories (unpublished D.Phil. thesis, Oxford University, 1977-78).\n\n#I Kani, Hiroaki, \"Hồn Kôn Chugokujin no shukyo shiso no ichidan nitsuite\" Shigaku 40, no. 2 & 3 (1967).\n\n22\n\nObuchi, Ninji, “Hon Kon no tokyo girei\" |Daoist ritual in Hong Kong] in Ikeda Sueri Hakase Koki Kinen Toyo Gaku Ronshu (Tokyo, 1980), 753-769.\n\n27 Yoshihara, Katsuo. \"Shukyo\" [Religion] in Kani Hiroaki (ed.) Motto Shiritai Hon Kon (Tokyo: Kobundo, 1984), 184-191.\n\n11\n\nSee note 37.\n\n14\n\nI have been told that Dr. Faure had a manuscript on the Jiao festival sent to a publisher in Hong Kong. However, due to whatever reasons, it has not yet been published. See also Hayes, 164, about Faure's book on Jiao festivals.\n\n36 I was probably the only researcher who participated in the 1980 Kau Lau Wan Jiao festival when I was first introduced by the late Prof. B.E. Ward and Dr. S.H. Wang to the Jiao festival celebrated by the fishing village. In October the same year, Dr. Faure and I attended the Jiao festival at Pak Kong, Sai Kung. In November, the late Dr. Lu Bin-chuan of the Music Department of CUHK, Dr. Lu's student Mr. Chan Wing-Hoi and I attended the Jiao festival in Fanling. Dr. Faure, Prof. Ward and Prof. Tanaka also came. The Jiao festival of Fanling and that of other areas are mentioned here and there in Faure's 1986 book. In December 1980 students of CUHK under the guidance of Dr. Faure, Dr. Wang and Prof. Ward started an ethnographical research on the Jiao festival in Ho Chung, Sai Kung. A detailed report of daily rituals was written by Lee Lai-mui and Cheng Shui Kwan, two CUHK students majoring in History and minoring in Anthropology. The report was sent to interested scholars. Unfortunately it has never been published. Two students of the CUHK at that time should perhaps be mentioned here: Chan Wing-hoi, who specializes in music and computer, was employed by the History Museum of Hong Kong to study the Kam Tin Jiao festival in 1985, a report of which was published in the Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989). Chan's master's thesis on folk music in Hong Kong also includes a chapter on the ritual music played by the Taoists at the Jiao festival. Chan also has an ethnography on the 1986 Shek O Jiao festival published in the Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. The master's thesis of Leung Chor-on, now Ph.D. candidate of Cambridge University, submitted to the Anthropology Department of the CUHK gives a good account of the ritual symbols of the festival. Chan, Leung and I held a seminar on Jiao festivals on Dec. 11, 1988 for the \"Research Circle of the Regional Society of Southern China\" focusing on musical, ritual and social aspects of the festival.\n\n27 Locally published works besides those by Faure and my own are:\n\n-\n\n(a) Chamberlain, Jonathan, \"Introduction” in Chamberlain J. and Iam Lambot The Bun Festival of Cheung Chau (Hong Kong: Studio Publication, 1990). This is largely a collection of photos. Chamberlain's introduction is very descriptive but no sources are quoted.\n\n(b) Chan Wing-hoi, “Observations at the Jiu [Jiao] festival of Shek O and Tai Long Wan, 1986\" Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. Chan recorded meticulously what he was told and observed about the 'settlement', the 'participants', the \"ritual site\", the \"local gods\" and the \"events\".\n\n(c) Xiao, Kuo-jian (Anthony K.K. Siu), Xianggang Xiandai Shehui [Pre-modern society of Hong Kong] (Hong Kong: Chung Wah, 1990), 86-97. Xiao attempts to illustrate three reasons why the communities in Hong Kong celebrate the Jiao. The first reason is to plead for fortune, to pay sacrifices to the gods, to drive away evils and to prevent\n\n4",
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        "document_key": "RAS-1990",
        "page_number": 298,
        "title": "RAS-1990",
        "content_text": "275\n\nfew fishermens' houses, and a newly-built hotel.\n\nThis dispute in 1875 did not end the matter. It broke out again between 1902 and 1905. The documents which discuss this last conflict make it clear that the decisions of Tin On-pong in 1875 had not been fully implemented. In 1902, all the land behind the landing stage, which Tin On-pong had ordered to be sold by the Yuens to the Cheungs, was still in the hands of the Yuens. The right to collect toll, however, was wholly in the hands of the Tung Ping Kuk, and the Yuens were not collecting their four-tenths. Presumably the Yuens had passed this right to the Kuk, so long as their land-owning rights were left untouched. The Cheungs seem to have been left with nothing, other than what they could get by their dominance of the Tung Ping Kuk of the “Transit Toll\" income.\n\nBetween 1875 and 1902 conditions on the Sham Chun River had changed. Firstly, from the mid-1890s steam launches had begun to trade with Sham Chun. These vessels were less dependent on the tide than were the junks, since they were more manoeuvrable, so that they could turn within the river. They were, therefore, less dependent on the landing place behind the Ching Shui River island. They had come to dominate the local trade by 1902: by 1904 the Wa Lu company had achieved a virtual monopoly in the steam launch business here.\n\nIn addition, in 1898 the New Territories lease had included within the territory of Hong Kong all the waters of the Sham Chun River up to the high water mark on the north bank.\n\nThe Yuens saw in these circumstances the opportunity to regain their position. They sought a lease from the Hong Kong Government of a 2,000-foot-long strip of the main river bed on which to erect a wooden wharf. This would connect with their agricultural land by a wooden bridge which would pass over the wastes of the river banks, thereby side-stepping any claims to ownership of the tolls put forward by the District Magistrate on the grounds of imperial ownership of the wastes. The wharf so built would have blocked the exit from the channel behind the island at the mouth of the Ching Shui River. The Yuens produced this plan in conjunction with the Wa Lu steam-launch company. The plan would have ended at one stroke the use of the old landing place, and would have rendered all sailing junks using",
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    {
        "id": 212512,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 66,
        "title": "RAS-1991",
        "content_text": "46\n\nshi lue, 16 juan.\n\n17\n\nHistory and Statecraft: Chou ren zhuan, 46 juan, started between 1797 and 1799 but not completed and printed until 1810, was the first effort of any Chinese scholar to put in chronological order summaries of the lives and works of 242 Chinese and 38 non-Chinese astronomers and mathematicians, thus providing materials that made possible a systematic history of mathematics and its related field, astronomy, as well. Ruan Yuan also wrote biographies of scholars, including those who were not officials and therefore would not have been included in official compilations, in Guo shi ru lin zhuan and Guo shi wen yuan zhuan, 1810. Discourse on contemporary administrative issues included Liang Guang yen fa zhi (Salt administration in Guangdong and Guangxi), Hai yun kao, 2 juan (sea transport), 1805, Hai tang zhi, 30 juan (Coastal Gazetteer of Haining), and an essay putting forth his suggestions on the most efficient way to transport tribute grain, Liang chuan liang mi jie fa shuo, composed while he was director of grain transport.\n\nHistorical Geography: In addition to encouraging other scholars to compile provincial and local gazetteers, Ruan Yuan himself compiled two provincial gazetteers, Guang dong tong zhi, 334 juan in 1818-1822, and Yun nan tong zhi gao, 216 juan, in 1835, when he was governor-general in the respective provinces.\n\nBibliography: As a scholar, Ruan Yuan relished in collecting books. He made sure that cataloguing of well-known collections, such as that of the Fang Family in Ningbo, was brought up to date, in Tian yi ge shu cang shu mu, 4 juan, 1804. He established libraries that included Classical as well as contemporary works in the Lingyin Monastery (Hangzhou) and the Jiaoshan Monastery off Zhenjiang, and compiled catalogues for the collections. As director of studies in Shandong, he drew up a list of books for young students to peruse, Shan dong xue zheng Ruan Yuntai shi tong sheng shu mu, 1 juan.\n\n20\n\nLiterature and Other Collectanea: Ruan Yuan collected and published works of literally thousands of poets, including women and other social minorities, whose work would not have otherwise survived. Liang Zhe you xuan lu, for instance, contained 9,241 poems by 3,133 poets from Zhejiang, including 381 poems by 183 women poets, and 314 poems by 117 monks and priests, together with biographical notes of the poets. His own essays and poems are also published in Yan jing shi ji, 54 juan,",
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    },
    {
        "id": 212517,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 71,
        "title": "RAS-1991",
        "content_text": "51\n\ndistinguished scholars, Wang Chang (1725-1806) and Sun Xinyen (1753-1818) were invited by Ruan Yuan to serve as senior lecturers at the academy he established in Hangzhou, the Gu jing jing she.\n\nWang Chang, a man-of-letters with expertise in such diverse fields as the Classics, linguistics, Buddhist scripture, border warfare, and copper administration, had attained the jinshi degree in 1754 and had served as a clerk in the Grand Council. After a long career that included serving on the personal staff of Wen-fu (d. 1771), the Manchu President of the Board of Barbarian Affairs during the ten military campaigns of the mid-Qianlong reign, he retired to join Ruan Yuan in Hangzhou. Wang had been one of the three chief compilers of Ping ding liang Jin chuan fang lue [Official history of the Jinchuan war] 136+17 juan, printed 1800, and wrote a dozen or so major works of his own, including Yun nan tung zheng chuan shu [The complete work on copper administration in Yunnan], 50 juan, completed in 1787 (now listed as lost), Qing pu xian zhi [Local gazetteer of Qingpu], 40 juan, 1768, and Tai cang xian zhi [Gazetteer of Tai cang], 65 juan, printed in 1803, Shan sheng lü lie [Statutes and precedents of Shanxi province], 50 juan, c.1786, and many others.\n\nSun Xingen, a leading Classicist, specialist in astronomy, Buddhist scripture, geography and mathematics, never attained the jinshi degree but had passed the provincial examination in 1786. He was a friend of such noted scholars as Yuan Mei (1716-1798), Hong Liangji, Duan Yucai, Sun Zhizu, Gui Fu, Wu Yi and Wang Zhong. He met Ruan Yuan during the latter's tenure as director of studies in Shandong. Before joining the Gu jing jing she, Sun also served as director of the Jishan Academy, Hangzhou (1800) and in 1811 was appointed director of Zhongsan Academy in Nanjing. He participated in the compilation of several local histories but made his reputation as a Classical scholar by meticulously correcting the mistakes made throughout the centuries and publishing new editions of ancient texts. He compiled his own local histories — Lu zhou fu zhi [Gazetteer of Lu zhou in Anhuai], printed in 1803 and Sung jiang fu zhi [Gazetteer of Sungjing, including Shanghai], printed in 1819. His considerable literary works were collected in Sun Yen ru shi wen ji [Poems and essays by Sun Xinyen]. Sun was also a noted calligraphist, specializing in the seal script. His wife, Wang Cai wei (1753-1776), and a daughter, Sun Yi hui (married Xiao), both accomplished in poetry and literature, published poems.",
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    {
        "id": 212521,
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        "page_number": 75,
        "title": "RAS-1991",
        "content_text": "55\n\nintellectually lethargic. It was also from Liu's diaries we discover that Ruan Yuan's house was burned down on April 2, 1823 with heavy losses, including Ruan's entire library.1\n\n31\n\nThe founding of the Xue hai tang in Canton brought to Ruan Yuan a number of Cantonese scholars. Besides Chen Li, who was cited by Hiromu Momose in Eminent Chinese of the Ch'ing Period as perhaps \"the most brilliant among a group of Cantonese scholars who developed eclectic theories mid-way between Sung Neo-Confucianism and the School of Han Learning,\" the others included Lin Botun, Wu Lanxiu, Ma Fuan, and Xu Rong, Tan Rong from Nanhai, who had passed the provincial examination in 1824 and had been appointed to the Xue hai tang by Ruan Yuan but had chosen not to take the metropolitan examination, nevertheless persuaded his friends, the Wu Family hong merchants, to print the large collectanea, Yue ya tang cong shu, consisting of 180 titles.\n\nIt is disappointing that the personalities and idiosyncrasies of these scholars cannot be discerned from reading their writings. Employing the techniques of detective novelists by investigating whatever might be construed as clues that come my way, I have been able to reconstruct the person of Ruan Yuan to a certain extent, but the scholars around him have completely eluded my attempts. They were not easy prey. Neither were they easy to manage. At times their eccentricities hindered progress of Ruan's work.\n\nThe completion of Shi san jing zhu shu fu jiao kan ji was delayed considerably because of personality conflict among the compilers. The idea for such a project had originated with Lu Wen chao (1717-1796), a scholar-official from Hangzhou who had spent a greater part of his time copying various old editions of the Classics by hand, noting the differences and printing the corrected texts. After Lu's death his student, Zang Rong, who was working on Jing ji zuan gu, persuaded Ruan Yuan to undertake the project to print the Jiao kan ji as well. In 1799, after consulting his staff, a much more ambitious project became envisaged, to print the Thirteen Classics together with all the notations throughout the ages.\n\nBeing then Governor of Zhejiang with resources at his command, Ruan Yuan asked Duan Yucai (1735-1815), a Classicist with expertise in etymology and phonetics, to take on the responsibility as editor. Considering the task too arduous for a single man, Duan recommended his friend Gu Guangchi (1776-1835) to share the work. Gu, in turn, brought other scholars.\n\n33\n\nPage 75\nPage 76",
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        "id": 212527,
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        "document_key": "RAS-1991",
        "page_number": 81,
        "title": "RAS-1991",
        "content_text": "Liang Zhe fang hu (ling qin ci mu) lu (REHE)* Zhejiang kao\n\nKu jing jing she wen ji 詁經精社文集\n\n(Wang fu zhai) zhung ding kuan shi (E) H**\n\nXue shi zhong ding kuan shi 薛氏鐘鼎款識\n\nJiao shan ding-kao 焦山定陶鼎考\n\nHuang Qing bei ban lu\n\nHai tang zhi 海塘志\n\nJi gu zhai zhung ding yi qi kuan shi ****\n\n海連考\n\nHai yun kao I\n\nLiang Zhe jin shi zhi 兩浙金石志\n\nShi san jing zhu shu fu jiao kan ji +¶EAH\n\nYang zhou Ruan shi jia miao bei 揚州阮氏家廟碑\n\nYen jing shi wen ji 擘經室文集\n\nSui Wen xuan lou ming\n\nYing zhou shu ji 瀛舟書記\n\nQu jiang ting ji 曲江亭記\n\n**\n\nSi ku wei shou shu mu ti yao 四庫未收書目提要\n\nTian yi ge shu mu 大一閣書目\n\nLing yin shi shu zang mu\n\nChou ren zhuan AM\n\nShi san jing jing fu +*\n\n****!\n\nYi li shang fu da gong zhang zhuan zhu chuan wu Kao x\n\n功章傳注舛考\n\nHan Yen xi xi yue Hua shan bei kao ✶✶U**\n\nRu lin zhuan kao ####N\n\nGuo shi wen yuan zhuan 國史文苑傳\n\nJiao shan shu cang shu mu 焦山書藏書目\n\n(Song ben) shi san jing zhu shu (**)+***\n\nJiang su shi zheng #\n\nJiang xi gai jian gong yuan hao she bei ji 江西改建貢院號舍碑記\n\nGuangdong tong zhi 廣東通志\n\nGai jian Guangdong xiang shi wei she zhuo bei ji *****\n\n碑記\n\nShi shu gu shun 詩書古訓\n\nYen jing shi ji 擘經室集\n\nChong xiu Ruan shi zu-pu CEE**\n\nHuang Qing jing jie 皇清經解\n\nXue hai tang zhi 學海堂集 Yen jing shi shi lu 擘經室詩錄 Shi hua ji 石畫記\n\n61",
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        "page_number": 211,
        "title": "RAS-1991",
        "content_text": "192\n\nA CHINESE MEMORIAL HALL\n\nDEDICATED TO\n\nWANG TE LU\n\nA CLAN HERO\n\nKEITH STEVENS\n\nAncestral halls are the family or clan memorial chapels which every respectable clan or family throughout China had, and in Taiwan and amongst overseas Chinese communities in South-east Asia, still has. Known as Tz'u-t'ang they are fine buildings in honour of family ancestors whose tablets stand in regular order on the main altar according to their respective generations.\n\nThere were, however, also the memorial halls each dedicated to nationally renowned worthies, individuals who had served their emperors faithfully to the end of their days and had had conferred upon them posthumous honours in addition to any conferred during their lives; they were also canonised with a title which, added to the family name, reverently designated their memory.\n\nNeither the ancestral temples nor the memorial halls to nationally renowned worthies should be confused with the Portrait Gallery of Heroes of Hall of Worthies, Ling-yen Ke, in which stood the tablets and portraits of heroes who assisted in the founding of a dynasty and supported it in the succeeding years.\n\nA typical example of special temples erected in the memory of a renowned worthy were those built in, amongst other places, Peking, Tientsin, Shanghai, Nanking and Soochow, in honour of one of the most famous Chinese of the nineteenth century, Li Hung-chang, a statesman and diplomat [1823-1901]. He was posthumously granted by the Ch'ing emperor the honorary title of Grand Tutor, the name Wen-chung, the hereditary rank of Marquis of the first class, whilst his name was entered in the Temple of Eminent Statesmen.\n\nYet another form of honour, in this case of a comparatively minor mandarin albeit probably the most senior of all Taiwanese during the Ch'ing dynasty, is to be seen reflected down the side walls of the shrine hall of one such Clan temple, the Wang Memorial Chapel in rural central Taiwan. The walls are covered in memorabilia dedicated",
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    {
        "id": 212658,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 212,
        "title": "RAS-1991",
        "content_text": "193\n\nto and honouring the memory of Wang Te-lu, an Imperial fleet commander who helped clear the Straits of Formosa of pirates during the early years of the nineteenth century. The Wang Clan Temple in T'ai-pao village in Chia I county in central Taiwan was an elegant building first built during the late 19th century by the proud clan whose surname Wang Te-lu bore. It was rebuilt in 1979, this time a modern metal frame construction retaining the comparatively small single hall in which there is but one altar on which stands one large multi-ancestor tablet and three ancestral tablets. The flanking walls bear texts, with Wang Te-lu referred to in a number of the captions as Wang Ta-jen, i.e. His Excellency Wang, and paintings of Wang Te-lu stage left and of his primary wife stage right.\n\nAlthough we know little about Wang's early life apart from what has been retrieved from local folk memory which, as with all family recollections, is highly subjective and probably exaggerated out of all reality, we do have official records of the highlight of his life. This \"five minutes of glory\", depicted in a painting hanging in his Memorial Chapel illustrating the incident, was his victory over pirates who had been causing immense and terrible problems up and down the coasts of the southern provinces of Chekiang, Fukien and Kuangtung since the late 1790s. One pirate fleet in particular had sailed the Fukien coast under its dreaded Fukienese leader, Ts'ai Ch'ien. The Chinese Imperial naval commander, Li Ch'ang-keng, commanding the joint fleets of Fukien and Chekiang province, determined to suppress them, successfully defeated the pirates on a number of occasions but was killed in action in 1808, following which his two subordinate admirals, of whom Wang was one, were entrusted with continuing the task. Wang, in charge of the Imperial Fukien fleet, together with the Chekiang fleet under Admiral Ch'iu, fought the major battle in September 1808 near the Tai-chou islands off the Chekiang coast. The pirate fleet was destroyed with Ts'ai Ch'ien going down with his ship.\n\nWang was born and named Te-lu, literally meaning \"To become prosperous and happy\", in 1771, the thirty-fifth year of the emperor Ch'ing Ch'ien Lung, in Kiangsi's provincial city of Nanch'ang, and in later years acquired the courtesy name of Pai-ch'u, literally \"All Honours are concentrated within Him\"; and the literary name, Yü-feng, literally meaning \"The Jade Peak\". He died at the age of 71 in 1842 on the Pescadores, an archipelago in the middle of the Straits of Formosa, and having been borne in honour back to Taiwan, was buried in Hsin-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
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    },
    {
        "id": 212659,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 213,
        "title": "RAS-1991",
        "content_text": "194\n\nKang district of Chia I county where his grave is flanked by a pair of stone civil and military guardians and stone horses. Wang was created an Earl, granted the posthumous name Kuo-min, \"Determined and Beneficial\", and the posthumous title of T'ai-tzu T'ai-pao, the Grand Guardian of the Heir Apparent. Votive tablets bearing the name Wang Te-lu can be seen in a number of temples in Taiwan, including the Lung-shan Ssu in Taipei, reflecting the importance with which he is held within the island.\n\nHis paternal grandfather was a lieutenant in the force sent to Taiwan to put down the revolt by Chu I-kuei against the Manchu Ch'ing dynasty in 1721. He was killed in battle in Feng-shan county, and was followed to Taiwan by his sons and grandsons who settled in the area now known as T'ai-pao village in T'ai-pao district of Chia I county, places bearing Wang's posthumous honour of Grand Guardian, T'ai-pao.\n\nAccording to folk memory Wang Te-lu was a feckless youth causing his parents to fear humiliation. They took the extreme step of constructing a secure area within the home where he was incarcerated and fed three meals a day by his elder brother's wife who perceived that his face bore the fateful signs of a formidable future. One day she failed to follow the instructions of her parents-in-law, left open the door to the secure area which permitted Te-lu to escape. He was ever beholden to his sister-in-law, and after she died and was buried in Pai-ho district of Tainan county, he memorialised the throne requesting she be raised posthumously to the \"Lady of the first official grade”. \n\nIn 1786 Lin Shuang-wen led a revolt in Taiwan against the Manchu Ch'ing dynasty in support of the campaign to \"Restore the Ming”. Although Wang Te-lu was a mere youth at the time, he would have been 15, he nevertheless became involved in the struggle to suppress the revolt and after the troubles were over was awarded Hung-ting Hua-ling: (the red button and the peacock's feather), mandarin's rank and an imperial honour.\n\nLocal history maintains that in 1821 Wang was transferred to be the staff of the provincial military commander of the two provinces of Chekiang and Kiangsi, and in 1828, during the siege of Chia I led by Chang Ping, Wang Te-lu's service with the imperial force protecting the town and building up the town's walls resulted in him being awarded the honour of the Imperial Grand Guardian of the Apparent.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
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    },
    {
        "id": 212661,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 215,
        "title": "RAS-1991",
        "content_text": "196\n\ntelling. Folk stories have it that the eldest son of one of the Ch'ing emperors visited Taiwan in disguise. Some say that the prince was the son of the emperor Ch'ien Lung others, the emperor Chia Ch'ing. Still others suspect that it might have been long before during a previous dynasty but what matters here is that legend claims that the prince came under attack from robbers and was saved by a local hero. Some claim the hero to be Wang Te-lu whilst others are quite positive that it was Li Yung, one of Chu I-kuei's lieutenants during the revolt of 1721 who was captured by the Ch'ing forces and executed in Amoy. Images of Li Yung, known as Sui-chia Wang [The Prince Who Followed the Imperial Carriage], can be seen in at least two temples in Nantou county in central Taiwan where the legend is recounted with great zest. In another version Chia Ch'ing, whilst still crown prince, was said to have visited Taiwan in disguise, with the general in charge of his guards said to be Li Yung. When the crown prince was informed that he was about to be ambushed by the Hsiao family using Taiwanese hill tribesmen to do the dirty deed, he immediately instructed Li Yung to attack the Hsiaos. Li forced the Hsiaos to retreat but was himself killed in the struggle. He was later deified and his festival is celebrated annually in Nantou on the 12th of the fourth lunar month. Intriguingly there would appear to be no substance to the story that any crown prince ever visited Taiwan.\n\nA fascinating story is told in Nan Kun-shen, the cult centre for five pestilence Wang-yeh, gods of pestilence, just north of Tainan in southern Taiwan. It is believed that the Wang-yeh are all deified officials and feared by demons; however, there have been occasions when demons have disguised themselves as Wang-yeh to take advantage of people and the only way to identify whether the image of a Wang-yeh on an altar is occupied by a genuine deity was for a senior mandarin to kick the image. If the occupant is a demon in disguise then the image will fall over. Wang Te-lu is said to have been taken to Nan Kun-shen where he kicked the image of the most senior Wang-yeh with his official boot without the image budging, proving that the deity was genuine.\n\nThis short biography of Earl Wang Te-lu reveals how little we know about him. What is interesting, however, is that unlike virtually every other biography of Chinese mandarins there is no reference to him winning high praise for his academic achievements, and his entry into officialdom, if folk memory is to be believed, was to all intents and purposes a commission awarded in the field, and his career, as far as we can perceive it, spent entirely in military capacity.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
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    },
    {
        "id": 212732,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 41,
        "title": "RAS-1992",
        "content_text": "26\n\nname had eventually appeared in the Peking Gazette. In 1871, he added, he was recommended for special honours on account of distinguished services on the field of battle and received the order of merit called Yung Hao with the title of Ying Yung Pa-t'u-lu [i.e. ‘Brigadier-General, the title of Knight Ying of the Order of Pa-t'u-lu, Mesny\"]. Mesny was awarded the Ying-yung for having penetrated a Miao stronghold with a few Chinese riflemen and turned the tide of battle from defeat into victory. In April 1896 Mesny wrote: 'Having lived in Hankow for some years and acquired some notoriety amongst the Chinese there, if not actual fame, the characters Wen-kao 'Eminent', were chosen and given me as a Hao or familiar by my friends.' His Chinese name is Mai Wen-kao or using a transliteration 'Mai-shih-ni [i.e. mai-knee) and his rank, Tsung-ping **General**]. In another autobiographical 'obituary' printed after his death in the Celestial Empire, a Shanghai paper, he described himself as 'I, Wen-kao William Mesny, F.R.G.S., Brevet Lieutenant-General of the Chinese Army; Knight, Ying Yung of the Order of the Pa-t'u-lu..................\n\nMesny noted on one occasion long after he had completed his military service that he had come across a battalion of Kueichou field troops with the men wearing the cuirass-shaped uniform or Pa-t'u-lu vesture, invented by Mesny in 1868 for the An-ting and Ko-i Rifle Brigades. [\"The ancient Manchu Knights of the order of the Pa-t'u-lu wore such vests as uniform when not wearing the metal cuirass, hence its significant name Pa-t'u-lu.']\n\n[NOTE: Liu Ming-ch'uan, Governor of Taiwan 1884-1891, referred to in the text as having met Mesny, initially was a freebooter who, during the Taiping Rebellion supported Li Hung-chang and the Imperial forces, and opposed the Taipings. He was at that stage a fairly lowly officer and is recorded as having received 'the honorary title of military merit, baturu': Later, when more senior he was awarded the much greater award of the Yellow Riding Jacket.]\n\nMesny was awarded the 'flowery plume' [hua-ling ##4] in 1869 together with the brevet rank of colonel after battles with the Miao tribesmen. He was also presented with the Pao-hsing in 1869. He refers to the Pao-hsing #, the Precious Planet [or decoration of the Star of China] implying that it was the same decoration as the Double Dragon Jewelled Star which he also later referred to. It was, he said, instituted after the Taiping Rebellion as a form of reward for foreigners who",
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    },
    {
        "id": 212733,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1992",
        "page_number": 42,
        "title": "RAS-1992",
        "content_text": "27\n\nrendered eminent service to the Imperial cause. The Double Dragon Jewelled Star (Shuang-lung Pao-hsing) was, he repeated, conferred on him in Kueichou during his first campaign in that province (1867-1869). He described it in his second note as consisting of a pure heavy gold [2oz or more] medal rather than a star, about one and a half inches in diameter, with a hole in the centre about half an inch in diameter, filled by a light sapphire globe revolving on a gold pin inserted through it. On one side were two dragons in high relief, on the other, four characters, also in high relief, viz. Ta-Ch'ing Feng-tseng meaning 'a title of honour bestowed by the Ch'ing dynasty'. The jewelled globe in the centre was intended to represent the light blue button and rank of colonel which Mesny then held. Had the medal been conferred by the Emperor, Mesny added, he would have worn it in Europe in 1878 but as it was the gift of a provincial viceroy he did not. Mesny also wrote that he preferred his ordinary Chinese rank and decorations, the Flowery Plume or single-eyed Peacock's Feather and, later, the ordinary order of Pa-t'u-lu with special designation of Ying yung, the Penetrating Knight, awarded to him by the Emperor.\n\nMayers, again, in The Chinese Government wrote about this minor award;\n\n'Isolated distinctions have indeed been conferred in China on foreigners of various nationalities, principally for services rendered in the command of drilled troops during the Taiping rebellion, and subsequently in the collection of the Customs revenue, which are known, with reference to the European term 'star', by the designation pao-hsing; but as these are bestowed, for the most part, by provincial authorities, and without the sanction of any established rule or recognised statutes, such as are required to constitute what is commonly known as an 'Order', the badges thus conferred can scarcely be regarded as having any real value as authentic marks of distinction.'\n\nMesny was recommended for 4th Degree civil rank in 1866 which, if it had been awarded, would have entitled him to wear a mandarin square 'wild goose' breast badge. He recorded that the fourth degree civil rank had the right to wear and were distinguished by a dark blue button on their official cap. The embroidered robe, mang pao, had but eight dragons with five claws on each foot. The dress badge worn by civil officers and all ladies of their class and degree bore the semblance of a swan",
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    {
        "id": 212734,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1992",
        "page_number": 43,
        "title": "RAS-1992",
        "content_text": "28\n\n[yun-yen].\n\nIn October 1874, at the age of 32, Mesny returned to Hankow from Kueichou with the rank of Major-General and, he claimed, an excellent letter of recommendation from the Governor of Kueichou, addressed to Prince Kung and the Ministers of the Tsung-li Yamen in Peking. In 1886 he was promoted to the brevet rank of Lieutenant-General.\n\nIn his autobiographical ‘obituary' in the North China Herald, Mesny wrote \"The confirmation of my rank as a Major-General in the Chinese Army with the decoration of the Kualing [hua-ling] Plume, the order of the Pa-t'u-lu and promotion to be Brevet Lieutenant-General, with ancestors ennobled for three generations, was published in the Peking gazette, and the documents handed to me by the British Legation officials at Peking, and by the British Consul at Canton\": His decoration, the San-tai Erh-pin Kao-feng, an honorary title and patent of retrospective rank conferred upon meritorious officials, their wives and their immediate ancestors for three generations, was recommended to the Throne by the Governor of Kueichou, Ts’en Yü-ying, in 1879. [Grandfather Guillaume Mesny, who had died many, many years earlier and who was now presumably in the Afterworld, must have been most surprised, to say the least!]\n\nMesny also handed out awards and decorations: During his first campaign in Kueichou, Mesny had a supply of Meritorious Warrants (kung-p'ai [which confers the right of the recipient to wear a button on his hat, normally the fifth or sixth degree with blue feathers]). His supply was already sealed with the commander-in-chief's seal, and Mesny bestowed them on meritorious men after each battle, adding the name of the recipient, the date, etc., and Mesny's own seal. He also had hundreds of the Military Silver Medal [Chung-kung Yin-pai] made during the war in Kueichou from 1867-1874, at his own expense, and bestowed them as rewards to deserving soldiers. It consisted of a thin piece of silver about three and a half inches at its longest diameter, with a slit in it for a ribbon, and the character Shang \"Bestowed\" in repoussé work stamped upon it.\n\nHis ranks and grades during his service with the Chinese Imperial forces are a more complex subject and one that is far from clear from Mesny's own writings. He portrayed himself as having 'senior' mandarin rank, and this has been reflected in one of the postage stamps produced by the Jersey Post Office in 1992, on which he is depicted as a 'Mandarin'.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
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    },
    {
        "id": 212751,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 60,
        "title": "RAS-1992",
        "content_text": "45 \n\nworks recommended by Pioneer [i.e. Mesny] through Governor Chang Chih-tung of Shansi, are now, or soon will be, in full operation in various parts of China, though with no other advantage to the conceiver of those useful nineteen undertakings than that of having done just so much good, gratis, for the benefit of China and her millions of industrious people, to whom we wish long continued peace, happiness and prosperity.\" However, whenever China attempted anything which would lead to modernisation, Mesny leapt into print to congratulate whoever was putting the modernisation in train stressing that it was in line with his suggestions of so many years ago. \n\nIn his early days he displayed extraordinary qualities - audacity, determination, adventurousness and a depth of interest in everything he came across; later, however, when in his declining years he had reverted into a petty entrepreneur, he displayed his achievements on his sleeve and at times waved them above his head just in case they might be overlooked. His rank as a brevet Lieutenant General1 in the Chinese Imperial army with the award of the Pa-r'u-lu and the peacock's feather is stressed right to the end of his life. He is an FRGS and a FR Hist S; and in the very last years of his life he even records in his curriculum vitae as one of his qualifications his membership of the Royal Asiatic Society, North China Branch, into which he was elected as late as 1914 when he was 72. This despite having written for the Journal back in 1891 and his son having been elected in 1911. An outstanding question regrettably remains unanswered. Well we might ask why Mesny was promoted brevet Lieutenant General in 1886, so many years after he had completed his active military service in 1874? Balleine may have the answer. He wrote that Mesny volunteered for active service in 1883: whereupon he was sent to Yunnan, and in 1884 to Foochou. In 1885 he was in charge of two arsenals in Canton and the following year was promoted i.e. whilst still working at the arsenals. \n\nMesny explained that officers as junior as Lieutenant Colonel, when in command of troops, were referred to by the honorific title of General. Mesny began his service in 1868 as a company commander rising to brevet Colonel in 1869 and technically in command of troops, though as he himself does not make this point, we can assume that he was never referred to as 'general'. In 1873 he was promoted to Major-General during the latter days of the second Kueichou campaign when, though he again does not say so, he would have been referred to as 'general'. \n\nPage 60\n\nPage 61",
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    {
        "id": 212755,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 64,
        "title": "RAS-1992",
        "content_text": "49\n\nDespite the feeling we have acquired simply from his own writings that he had many acquaintances and few friends, that he was neither a European nor a Chinese and was held at arms length by both, that he was God's gift to the girls, that he offered guidance and good advice with great foresight to the Chinese, and was either ignored or his ideas purloined by others, the obituaries, possibly following a policy of avoiding speaking ill of the dead, described him as ‘a great traveller, a great scholar, a soldier, an author and publisher. A cheery man who most people knew, who at 77 walked briskly to and from his office, beloved by many, although not rich in the world's goods he was always ready to help others, and was of a very cheerful disposition. He endured many shrewd blows of fortune but always came up smiling.'\n\nHe must have been regarded both in Shanghai and in Hankow as an eccentric and colourful old man. Everyone would know of him but to what extent he was accepted socially we shall probably never know unless, that is, someone's private correspondence in which he is mentioned comes to light.\n\nNOTES\n\nMason was a young British official in the Chinese Customs on the Yangtze who organised the shipment of arms to and became involved with Nien rebels. Mesny, who knew nothing of Mason's schemes and plot, found himself officially ostracised after being accused by Li Hung-chang of being a rebel leader.\n\nIt is strange that there appears to be no reference to the typhoon in the available Shanghai papers of the day. Also, in view of his complaints about people's refusal to face up to disaster by taking out insurance, why did he not have the Rink insured? Probably, considering his circumstances, he was unable to afford the premium.\n\nThe Tsar-li Hui has been variously described as a minor religious cult, in Shantung province in particular, or as survivors of the White Lotus Society, an anti-dynastic body since its foundation in the fourteenth century through to its final defeat in Shansi in 1815. A number of members then joined the Nien revolt, and here we have a link perhaps between Li Hung-chang's accusation that Mesny was a leader of a Nien rebels during the Mason case.\n\n$\n\nMesny's Chinese Miscellany: Volume 2 item 1431 page 362\n\nBat'uru: 'A kind of Manchu Distinguished Service Order [DSO]' Johnston RF Lion and Dragon in Northern China. Murray: London 1910\n\nWilliam Mesny always referred to himself as 'Knight Ying of the Pa-t'u-lu' BA\n\nThis decoration was intended to correspond to European Orders [sic].\n\nGarrett, Valery M Mandarin Squares. Oxford University Press. Hong Kong. 1990",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
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    {
        "id": 212756,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1992",
        "page_number": 65,
        "title": "RAS-1992",
        "content_text": "50\n\nHis experience when assaulted by Chinese soldiers in Wu-chang during his holiday outing.\n\n10 Mesny's Chinese Miscellany: Volume 2: 10 September 1896: page 449\n\nIn 1992 Miss Lucie Mesny in Jersey explained that as a child she had never encountered any elderly lady, a member of family, called Lydia, who had been only two years younger than William Mesny and therefore would have been only in her mid-sixties when Miss Lucie was a child, if of course Lydia had still been alive\n\n12 Mesny was referring to what had been a very recent incident when the Germans had sent a few hundred soldiers to I-chou in Shantung province 'to bring the local populace to their senses.'\n\n13\n\nPresumably the good Doctor Dudgeon was John Dudgeon, who lived in Tientsin towards the end of the nineteenth century, the author of Chinese Arts of Healing, a series in the Chinese Recorder in 1869/70; The Great Medical College at Peking (in the Chinese Recorder February 1870); The Disgusting Nature of Chinese Medicines (also in the Chinese Recorder in March 1870); The Worship of the Moon (Chinese Recorder in Mar/Apr 1882), \"The Beverages of the Chinese: and finally Kung-fu or Taoist Medical Gymnastics (Tientsin: 1895).\n\n14\n\nIt is strange that Mesny should have been unaware of the legend of the powerful and ubiquitous Northern Emperor, 玄天上帝 a deity whose aides are a turtle and snake, frequently portrayed wrapped around each other at the feet of the image of the deity in Taoist and folk religion temples, and referred to as Generals.\n\n15 Yun-yü, the Clouds and Rain, is a common euphemism for sexual intercourse\n\n16\n\nThis was recorded in his Miscellanies in 1896 as Tsung-ping: translated as 'Regional Commander', rank 2a in the Chinese military forces of the Green Standards [lu-ying], subordinate to the Provincial Military Commander and Province Governors. [Hucker C.O., A Dictionary of Official Titles in Imperial China: Stanford University Press: 1985]\n\n11 Colquhoun A R: China in Transformation: Harper and Bros: New York and London. 1898 (and other books)\n\nScidmore E R. China - The Long-lived Empire: MacMillan & Co. London: 1900\n\nAppendix A\n\nMesny's Chinese Miscellany\n\nEach weekly issue of the Miscellany, edited and printed in Shanghai during 1896, 1899 and 1905, with a run of one thousand copies, began with Notes on China and Chinese Subjects later renamed Anglo-Chinese Notes, an arbitrary, catholic and unstructured collection of items ranging from natural subjects such as the names in English and Chinese of trees, plants etc with a short description presumably culled from a major tome on the subject, to historical and mythological items, geographical descriptions mostly in western China, and a long section",
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        "document_key": "RAS-1992",
        "page_number": 76,
        "title": "RAS-1992",
        "content_text": "61\n\nNovember 1862\n\n1863 March\n\n1863 May 1864 April\n\n1864\n\n1864-1865\n\n1867 Winter\n\n1867\n\nhis junk and three others\n\nCaptured at Fu-shan-chan by Taiping rebels. Mesny held first in Soochow and Chang-shu, then at Pao-ying the Taiping camp, and finally in Nanking\n\nRescued by Adkins, the British Consul at Chin-kiang aboard HMS Slaney and taken back to Chin-kiang\n\nJoined Chinese Imperial Customs Service, Hankow\n\nResigned from Customs Service after fourteen months Involved in cotton broking\n\nEstablished the Hankow Horse Bazaar, a private hotel in Hankow, and set up Hupei Iron and Brassworks, Han-yang Romantic interlude with a Chinese widow in Hankow Mesny called on Tso Tsung-tang during the latter's visit to Hankow and was appointed his French and English Secretary, and was further offered the opportunity to accompany Tso on his campaign to the Northwest. Mesny also claimed that he had made recommendations to Marquis Tso Tsung-tang for a number of undertakings to help modernise China\n\nSold the Huper Iron and Brassworks to officials of the Viceroy of Szechuan province\n\nMesny's trek to war\n\n1868 June\n\nLate July or early August Late August\n\nSeptember\n\nLeft Hankow, after five year's residence, for Szechuan to become a drill instructor with the Szechuan Force\n\nArrived Chungking\n\nDeparted Chungking for Kueichou to join the Szechuan Force suppressing the Miao rebellion: he accepted employment as a military instructor (wu-chiao hsi)\n\nArrived Niu-ch'ang, the headquarters of the Szechuan Force in Kueichou\n\nSeptember 1868-May 1874 Involved in the military campaigns to suppress the Miao\n\nThe Advance: Late Summer 1868-March 1869\n\n1869\n\nPromoted Colonel, awarded the Star of China and the Flowery Plume The Retreat: Summer 1869-Summer 1870 1870/1871\n\n1871\n\n1872\n\nHelped form a joint stock company in Kuei-yang to \"recover mercury\"\n\nThe Withdrawal: mid-August 1870-Lunar New Year 1871\n\nca 1873\n\n1873\n\n1874 Spring\n\nEstablished a small day school for poor boys and girls in the Jade Emperor temple in Kuei-yang, importing suitable books and paying a Chinese teacher, a struggling student painter, Chin Yü-t'ang Siege of Hsin-ch'eng in upper Kueichou (Mesny involved in preparations for the siege during 1871)\n\nWent to Szechuan with General Chou Ta-wu\n\nPromoted Major-General and awarded the Ying-yung Pa-t'u-lu Left Kueichou for Szechuan: Margary expected to meet Mesny in",
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    {
        "id": 212770,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 79,
        "title": "RAS-1992",
        "content_text": "64\n\nSeptember 1885 March\n\nJune\n\nca 1885\n\n1886 January\n\nca 1886\n\nca 1886\n\n1887\n\n1889/1890\n\n1889 23 January\n\n1890\n\nLived in the Chang-fa Chen, an hotel in Shanghai\n\nHis first child, Pin Mesny, also known as Hu-sheng, born in Shanghai Departed Shanghai aboard the Yangtze for Canton and appointed for service in both Arsenals [claimed that during the years 1884/1887 whilst living in Canton, he suffered from boils, eczema and prickly heat]\n\nMany of Mesny's notes lost in Chungking during the destruction of the CIM missionary premises. Mesny had left them for safe keeping with the Rev G Nicoll\n\nOffice Bearer of the Keystone Royal Arch Chapter of Masons in Shanghai\n\nPromoted to the brevet rank of Lieutenant-General [ennobled for three generations: previously claimed to have been bestowed in 1879] In charge of the China Branch of the New York Life Office, in Shanghai\n\nRepresentative of the Lartigue Railway Construction Company in Shanghai\n\nIntention to publish a monthly magazine in Shanghai to be called Yüleh Pao together with Chiang Chao-ling (friend and sworn brother). to be the organ of the Reform Party\n\nMade two journeys through Anhui and northern Kiangsu in connection with famine relief\n\nJourney through Anhui, around Lake Chao from Wu-hu to Lu-chou Fu, returning 5 February 1889\n\nVisited Wu-chang to warn Chang Chih-tung that he was erecting the Iron and Steel Works in Wu-chang in an unsuitable place\n\n1891 7 September Typhoon destroyed the Olympia Skating Rink, his property in Lloyd\n\n1892 January\n\n1894\n\nMay\n\n1895 September\n\n1896 Mar/Sep 1898\n\nMay/June\n\nDecember 1899 Mar/Oct\n\nRoad, Shanghai, ruining him financially.\n\nMesny involved in the Mason case\n\nInvited to organise a naval brigade for service on the Hsiang and Han rivers\n\nStormy interview with Li Hung-chang in Tientsin Visited Peking and had breakfast with Manchu Prince Su Claims to have volunteered for service in Manchuria [Sino-Japanese War]\n\nEn route to Manchura: Visited Liu K'un-1, Generalissimo of Chinese Forces [afloat and ashore] at his headquarters at Shan-hai-kuan Mesny refused permission to visit camps of Wu Ta-cheng and Wei Kuang-tao at or near to T'ien-chuang-tai Liu advised Mesny to return to Tientsin.\n\nHis second and only other child, his daughter, Marie Wan-er, born in Shanghai\n\nBegan the publication of his Chinese Miscellany Volume 1 in Shanghai\n\nPublication of Volume 2 of his Chinese Miscellany\n\nLegally married to Lady Han, mother of Hu-sheng [or Pin] and Marie Wan-er\n\nTrip by chartered boat to Hangchou\n\nVisited Nanking\n\nPublication of Volume 3 of his Chinese Miscellany",
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    {
        "id": 212782,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1992",
        "page_number": 91,
        "title": "RAS-1992",
        "content_text": "76\n\nThe Chinese Government, Mayers does not refer to the Lien-chûn Ying. Mesny's ambiguous descriptions are confusing though it would seem that there were four separate bodies, the Banner Forces, the ill-trained Green Standard armies under provincial control, the Disciplined Battalions formed from the Green Standards forces, and the local defence train bands.\n\nThe standing army was divided into two great classes, the Banner Forces, [Ch'i-ping], and the Militia Forces (Chih-ping]. The real Chinese National Army also called Ying-ping generally styled by foreigners as the Green Banner Force [Lu-ch'i Ying'] derived its title from the colour of their triangular standard, green satin with a red satin scalloped border and a golden dragon embroidered in the centre. Each province had a separate army corps under a C-in-C styled Ti-tu Chün-men [one such force was the Kueichou Provincial Force operating alongside the Szechuan Force in which Mesny served]. The forces consisted entirely of Chinese and were, in fact, a part of the local militia. Three centuries ago, wrote Mesny, it was the finest military force in the world: as it was in 1895, he added. The force was beneath criticism.\n\nThe Disciplined Army battalions, the Lien-Chün Ying [troops trained by and after foreign advisers], was a new organisation instituted by Ts'en Yü-ying, formerly Governor of Yunnan, Kueichou, Fukien and subsequently Governor-General of the Yun-kuei provinces. It consisted of detachments from the various Territorial Green Regiments formed into battalions and bearing the same territorial name as the regiment from which they had been detached and of which these detachments actually formed or constituted a fighting or field battalion. The Disciplined Battalions were armed with obsolete rifles but far superior to anything opposed to them in Yunnan or Kueichou. These Disciplined Armies, often referred to as the Anhui and Hunan Armies, were originally privately raised and financed by Tseng Kuo-fan and Li Hung-chang to combat the Taiping rebel armies and were under the personal command of Han Chinese generals. Later, they employed westerners such as Mesny to assist China's programme of 'self-strengthening', primarily in the sphere of armaments.\n\nAlthough Mesny explained that there was a lack of uniformity in organisation throughout the whole of China he went into some detail, and added that each provincial army corps was considered a regular",
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    {
        "id": 212787,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 96,
        "title": "RAS-1992",
        "content_text": "81\n\nin an office which bore the same name and in which there was a staff of clerks etc. It corresponded to all intents and purposes with the western orderly room in which was transacted nearly all the business concerning the force of which it formed a part. Before the Taiping rebellion military secretaries and clerks were all military officers but after it civil service men got the appointments owing to the fact that so few military men could read or write sufficiently well to carry on the correspondence of the force. All offenders against military laws, whether soldiers or civilians, were first of all examined by the military secretariat or a delegate appointed by him. Some viceroys had several such secretaries, each attached to some department with the chief of them styled Tsung-lu Ying-wu-ch'u, i.e., Chief Director of the Army Secretariat. Soldiers in attendance wore the name of the office on their uniforms. In provincial Governors' staff brigades, Fu-piao Ying, warrant officers and NCOs were employed as couriers and runners.\n\nStandards and standard bearers were frequently referred to in Mesny's accounts: each standard being displayed to make known the location of the unit or official represented. A number of the petty unit and formation supporting officials had the character for 'flag' [ch'i] within their title. Examples of these were the Quartermaster in charge of ammunition depots and reserves in a Field Force who displayed a red flag and was known as The Red Flag [Hung-ch'i] and the QM in charge of provisions was the Blue Flag [Lan-ch'i]. These officers were subordinate to the Quartermaster [Chün-chuang] who was responsible for all stores and clothing, and who in turn was subordinate to the Headquarters' Commissary Officer [Liang-t'ai].\n\nCoolies were paid three taels of pure silver per month of thirty days [or forty days for An-hui troops], private soldiers four taels two mace, decurions four taels five mace, orderly officers eight taels, vice commanders of companies twelve taels and one servant, commanders of companies eighteen taels and two servants, vice-commander of a battalion received thirty-two taels and three servants, the commander of a battalion received one hundred and eight taels and forty coolies, besides extras, brigadiers got two hundred taels for each battalion in their brigade besides their battalion pay and perquisites. Mesny continued: the company commanders in the Force in which he served in Kueichou made about double their pay every month in perquisites of all kinds. The battalion commanders made about seven hundred taels a month, but added Mesny, he had heard that the company and battalion commanders",
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    },
    {
        "id": 213285,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 107,
        "title": "RAS-1994",
        "content_text": "87\n\nGreen, or greenish-blue (linked to wood), stands for growth, youthfulness, freshness, posterity and tranquility. It is the colour of harmony. It is the colour of the dragon. Blue is an ambiguous colour. It can mean death. White (the glint of metal) is the colour of autumn and purity. It can also stand for mourning. Black (signifying water), the colour of winter and the north, is seen by some Chinese as lucky. But it is also the colour of bruising and therefore, frequently, not popular. It can be seen as the colour of calamity, guilt and evil.\n\nOften a fung shui consultant will select colours, when decorating a flat, not only bearing in mind the Five Elements, but also depending on its orientation (east, south, west, north and centre in the Chinese order). Colour can affect mood and disposition. In this respect, there is some similarity with the West where emphasis on colour, light and sound are important. As one Chinese friend told the author, who had engaged a fung shui expert to advise him about the colours for his new flat, \"The trouble is that a colour which is \"right\" for me, depending on my time and year of birth, I may not be happy living with.\"\n\nDecor should, however, be in harmony with the natural elements. Colours should be selected with equilibrium and striking a balance in mind. Yang colours are warm, solid, bright and masculine. Yin colours are feminine, cool and liquid. There is again similarity between East and West in that, while China links colours to the Five Elements, some western artists see people, depending on their characters, as colours. For example, a phlegmatic man can be viewed as 'grey'.\n\nMoving on from the Five Elements, structural proportions are obviously important, too, in both western and Chinese architecture. But the Chinese believe some dimensions actually encourage good fortune while other measurements are to be avoided. Nevertheless, the use of special formulae, and the ancient Lu Pan (the patron saint of builders) check (ruler), used in ancient times by carpenters and other craftsmen to encourage auspiciousness, has become almost a lost art. With this 'door ruler', as it is sometimes called, all main measurements of a structure should correlate with propitious numbers (Lung, 1991: 26). It is something like a module system in the West.\n\nThe Chinese believe also that a square is not a 'perfect square' and an 'idealised' or 'symbolised' square is 'more perfect'. In some ways, again,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
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    },
    {
        "id": 213340,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 162,
        "title": "RAS-1994",
        "content_text": "144\n\nSee Henry Lethbridge, Hong Kong Stability and Change (Hong Kong, Oxford University Press, 1978), p 200\n\n144\n\nWith an Additional Note by Professor Lo Hsiang-lin, JHKBRAS 7 (1967), pp 152-7\n\nSee the introduction to Ray Huang's 1587, A Year of No Significance (New York, Columbia University, 1988) \"Fu\", meaning wealth, is a felicitous rendering of \"Goodrich\"\n\nHe is mentioned in Robin Hutcheon's SCMP, The First Eighty Years (Hong Kong, SCMP, 1983) A photo showing him at ARP drill is at p 84\n\n12 See JHKBRAS 29 (1989), pp xvii-xx\n\n11 Ibid\n\n14 Samuel Couling, Encyclopaedia Sinica (Shanghai, Kelly and Walsh, 1917), p 378\n\n14 Ibid\n\n16 I was to be constructed in three separate stages Work had begun on the main contracts in 1981 and 1982, with completion forecast in 1984 and 1985, at an estimated cost (end 1982 figure) with all ancillary related contracts of HKD16 millions Information provided by the Engineering Development Department, HKG\n\n17 Same The likely cost at 1980 figures had been estimated at HKD7.3 billions\n\n18 See JHKBRAS 23 (1983), p. 129. One was dedicated to the famous Kwan Tai, the God of War, and the other to Yo Fei, a celebrated general and statesman of the Sung dynasty\n\n19\n\nThe 1872 Hong Kong Blue Book listed 72 stone quarries at Shaukeiwan See JHKBRAS 10 (1970), p 186\n\n20\n\nSee P Wesley-Smith, Unequal Treaties 1898-1997, China, Great Britain and Hong Kong's New Territories (Hong Kong, Oxford University Press, 1980), especially chapters 7 and 10, and Elizabeth Sinn, \"Kowloon Walled City: Its Origin and Early History\", in JHKBRAS 27 (1987), pp 30-45\n\n21 See Jackie Pullinger, Crack in the Wall, Life and Death in Kowloon Walled City (London, Hodder and Stoughton, 1989)\n\n22 for a progress report on the clearance project, see e.g. SCMP, 24 September 1987\n\n23 Mr Lu Hau-Luen\n\n24\n\nOnly two are listed in the annual reports printed in the 1988 and 1989 Journals, but three were made, as noted in Vol 28 (1988), p ix",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213363,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 185,
        "title": "RAS-1994",
        "content_text": "168\n\n23\n\nNg Lun Ngai-ha, Village Education in Transition, JHKBRAS, vol 22 (1982) pp 252-70. David Faure, Sai Kung. The Making of the District and its Experience during World War II\", Ibid, pp 161-216\n\n26 David Faure, The Structure of Chinese Rural Society. Lineage and Village in the Eastern New Territories, Hong Kong (Hong Kong Oxford University Press, 1986)\n\n27\n\nThis is most clearly expressed in Faure's latest work, Unity and Diversity Local Cultures and Identities in China, edited by Tao Tao Liu and David Faure, (Hong Kong University Press, 1996)\n\n28\n\nAmong these histories are Nigel Cameron, Power the Story of China Light (Hong Kong Oxford University Press, 1982), Austin Coates, A Mountain of Light the Story of the Hong Kong Electric Company (London Heinemann, 1977), Robin Hutcheon, Wharf the First Hundred Years (Hong Kong Wharf (Holding, 1986), Katherine Mattock, Hong Kong Practice Dr Anderson and Partners, the First Hundred Years (Hong Kong Dr Anderson and Partners, 1984), and of course Frank HH King's monumental history of the Hong Kong and Shanghai Banking Corporation in 4 volumes published by the Cambridge University Press\n\n29 It would be useful to examine the policies and thinking behind the establishment and expansion of these bodies but it is beyond the brief of this paper to do so. But the economic power which makes these possible is very obvious\n\n30\n\nFor a brief introduction to its work, see The Heritage of Hong Kong (Hong Kong Antiquities and Monuments Office, Recreation and Culture Branch, 1992), for an account of how the AMO was founded, see Elizabeth Sinn. Modernization without Tears Attempts at Cultural Conservation in Hong Kong, Seminar paper presented at the Symposium on Cultural Heritage and Modernization, Hong Kong Institution of the Promotion of Chinese Culture and Goethe Institute of Hong Kong, Hong Kong, 29 September - 2 October, 1987\n\nWhen Mr Lu Yan (real name, Liang Tao, died, the author went to see his collection of materials which literally jammed his small flat, and was impressed by the rarity of some of the items Obviously an avid and passionate collector, his willingness to sacrifice the physical comfort of home for the love of research, is much to be admired\n\n32 Barbara E Ward, Social and Cultural Heritage in the New Territories, p 123\n\n11\n\nJoan Law and Barbara E Ward Festivals in Hong Kong (Hong Kong South China Morning Post, 1982, republished by Hong Kong Guidebook Company Ltd, 1993)\n\n14\n\nHugh DR Baker, Ancestral Images 3 volumes (Hong Kong South China Morning Post 1979-81) and Hong Kong Images. People and Animals (Hong Kong University Press 1990)\n\n15\n\nThese include Chen Qian, A Record of Things Seen and Heard in Hong Kong (in Chinese) (Hong Kong Zhongyuan, 1987); Liu Zesheng, Hong Kong Past and Present (in Chinese) (Guangzhou, 1988). He Hongching (ed) Hong Kong Yesterday, Today and Tomorrow (in Chinese) (Beijing, 1994)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
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    {
        "id": 213583,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1995",
        "page_number": 179,
        "title": "RAS-1995",
        "content_text": "149\n\nmentioned that incense trees in fung shui woods were ever harvested. Iu (1983) claims that the misunderstanding may have been caused by the reference to another incense producing species Aquilaria agallocha which was commonly grown in north Vietnam.\n\nAnother resource, long since exhausted, were the forest trees used for charcoal burning, once a flourishing local industry all over the New Territories. The memory of this occupation remains in one of the place names at Shing Mun, known as Tan Chong or \"charcoal factory”, in which some houses were already abandoned by the early years of this century (Hayes, 1983). An account of the charcoal industry, which was carried out by outsiders for trade, is given by Shen (1971).\n\nThe village hill areas were the main suppliers of fuel, usually in the form of grass cut in autumn, but also as pine and brushwood gathered to augment a villager's income. Firewood was taken to market as it was one of the three basic staples, including rice and vegetables, that was required by the rapidly growing urban population. Firewood from Shatin was brought on foot to Kowloon (Sessional Papers 1903, p209) which list 66,521 loads of firewood, each of 90lbs. The Kowloon Lok Sin Tong levied a small weighing charge on each load of firewood sold in Kowloon City market, for charitable works. The annual output of one acre (0.4ha) was 11 piculs (640kg), (Hong Kong Annual Report 1938 p59). Gathering firewood was the main occupation of the village women. A typical headload would be in region of 90-100lbs (45kg) and would be collected twice a week, (Hayes, 1983).\n\nFirewood was used in earthenware stoves, known as \"feng-lu\", for cooking family meals and special food at festival times. Grass gathered from the hill side in autumn and the stalks from the first crop of rice were the universal fuel used for heating water and pigswill. Firewood was still being used up until 1964 in the urban encroached village of So Uk in west Kowloon for cooking at Chinese New Year, as it was better for baking (Hayes, 1983).\n\nWhen a bride came to live in her husband's village, the older women would show her those areas from which fuel could be gathered and those areas, usually the fung shui woods, where it could not be gathered. This information was often learned by means of a 12 line poem or song to name those areas where the young wife should not gather fuel.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
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    {
        "id": 213619,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1995",
        "page_number": 215,
        "title": "RAS-1995",
        "content_text": "Canton He founded the Meditative School, Ch'an Men (9) which taught that the Buddha was to be sought within the mind and not learnt from books. His image is to be seen alone on a number of altars, revered in his own right.\n\nThe second Patriarch is Shen Kuang (4) the Spiritual Light, who lived some 107 years, dying in AD 593, some sixty years after the death of Bodhidharma. When he was forty he went to the Shao-lin Monastery near Loyang in Honan province following a vision and there received from Bodhidharma the robe and the sacred alms bowl. Bodhidharma also changed Shen Kuang's name to Hui K'o (7) Intelligent Ability. Many years later the emperor T'ang Te Tung bestowed upon him the title of T'ai-tsu Ch'an-shih ().\n\nThe Third Patriarch, Seng-ts'an (), is said to have introduced himself to Hui K'o and as a result of the conversation the Patriarch realized that he had met his successor. He explained and taught Seng-ts'an all he knew and when dying appointed him as his successor. Seng-ts'an died in 606.\n\nThe Fourth Patriarch, Tao-hsin (), was a precocious youth who became a disciple of Seng-ts'an and eventually his successor. He lived during the period when the first two emperors of the T'ang ruled China, with the reign of the second, Tai Tsung, regarded as one of unrivalled brilliance and glory, and died in 651. He appointed Hung-jen as his successor. Legend describes how Tao-hsin saw a beggar woman and her child at the side of the road and learnt that she had been driven from her home by her parents having become conceived her child miraculously, it being a reincarnation of an aged wood gatherer who had sought instruction from Tao-hsin. Tao-hsin immediately recognised the child as his successor and having sought his mother's consent to the boy entering a monastery. Tao-hsin instructed him and changed his name to Hung-jen, Vast Endurance.\n\nHung-jen (L), the Fifth Patriarch, died some 24 years after his appointment. Hung-jen, and to a greater extent his successor, Hui-neng, founded the Ch'i-su Chiao, the Buddhist Vegetarian sect. To select this successor he held a verse competition, more a hymn with a moral purpose, and Lu Hui-neng being judged the winner became the Sixth and final Patriarch of Chinese Buddhism.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
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    },
    {
        "id": 213620,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 216,
        "title": "RAS-1995",
        "content_text": "The Sixth, Liu Tsu (NL) and last Patriarch of the Ch'an sect of Chinese Buddhism lived during the 7th century AD and is best known by his name in religion, Hui Neng (E). He is commonly called Ch'an-tsung Liu Tsu Hui Neng (AE). Hui Neng studied under the Fifth Patriarch, Hung Jen, in Hupei province, was chosen by him to be his successor and, as the Buddhist Law was by that time well established in China, Liu Tsu did not feel the need to proclaim his successor, in particular. He founded the “Sudden Enlightenment School\". He was born into the Lu family in Hsin-hsing county in Kuangtung province in 637. Stories are told about his upbringing in the province by poverty-stricken parents and as an illiterate youth his employment as a common labourer in the kitchen of the Fifth Patriarch. Also, whilst still a youth he amazed monks and nuns with his miraculous ability to understand the chanted sutras.\n\nIn 676 he took holy orders in the Kuang-hsiao Ssu in Canton, the temple where Ta Mo had stayed on his arrival from India some 150 years earlier, and insisted on working in the fields until old age prevented it. He was a great proponent of the saying he first created \"One day no work, one day no food\". A special pagoda was erected in the grounds of the temple and the hair shaved from the head of Hui Neng was stored there as a relic.\n\nHe died in 713 in the Kuo-en Monastery in Kuangtung where his corpse, which proved to be incorruptible, was enshrined. It was lacquered and looked for all the world as it did whilst still living. His mummified body is still kept in the Nan-hua Monastery, built by Hui Neng on Nan-hua mountain, a prime site some twenty miles from Shaoguan, north of Canton.\n\nThe Ch'an cult developed in the Nan-hua Monastery. Liu Tsu has been adopted by Buddhists as the protective genius of the province of Kuangtung and was, for example, successfully prayed to for rain in 1900 during a prolonged drought. His image still stands in the temple of the Six Banyans in Canton city, and has been seen on altars in Cantonese communities in SE Asia and in Hong Kong and Macau, and also in one of Hong Kong's clan associations as the patron of the Lu clan, with his image amidst slips and tablets dedicated to the departed Lu's.\n\nThe standard image of Liu Tsu, in the likeness of the mummified body, portrays him as an elderly monk, sitting cross-legged, head bent forward with his hands resting palms upward on his lap. In one or two images he is portrayed wearing the bodhisattva's five-leaf crown. One of the best-known Shekwan potters, Ch'en Wei-yen [18th century] had been ill for some time. His mother prayed to Liu Tsu and promised that",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
        "rank": 0
    },
    {
        "id": 213623,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 219,
        "title": "RAS-1995",
        "content_text": "192\n\nAnother claim suggests that Ch'iu was the adviser to the Yuan emperor Shih Tsu [better known as the Great Kublai Khan] though as Ch'iu is said to have died in AD 1227 this would be impossible; yet another claim which is again fanciful, Ch'iu is said to have been the author of the dramatic version of the \"Journey to the West\" the well-known story in which Monkey [Ch'i-t'ien Ta-sheng] aids a famous monk to carry Buddhist scriptures to China from India.\n\nHis mausoleum was in the influential Taoist White Cloud Monastery, the Sect centre, in Peking. Temple records in the Pai-t'a Dagoba in the Pei Hai in Peking noted that he died at the age of 80 in AD 1227.\n\nHis image is to be seen on two altars in Hong Kong, both in Taoist monasteries where he is portrayed as a seated Taoist figure dressed in robes, blue in one monastery and golden in the other, with a black beard. He is wearing the tiny Taoist crown and holds a fly switch in his right hand. He has no unique identifying characteristics, though in private images he is often depicted with his blue robes decorated with pa-kua signs. His image, in both monasteries, is on a secondary altar in a main hall dedicated to Wang Ch'ung-yang, with Lu Tung-pin being the sole deity in the other secondary altar. These three Immortals are known collectively as the Three Generations, with Lü the eldest, Wang the second generation and Ch'iu the third generation and the junior.\n\nHis great weakness, which he had to overcome, was his impatience. He was renowned for his propensity to butt in and offer his opinion, often after reaching conclusions prematurely.\n\nIn Peking, his image in the Tan-chi Kung depicted him as a young man without eyebrows or whiskers and with a whey-coloured face. In Singapore, his old gilded image stands on an altar in an old temple in Telok Blangah where he shares a shrine on an altar with Lu Tung-pin, one of the Eight Immortals, with the other shrine occupied by images of Ho Hsien-ku, another of the Eight Immortals, and Sun Fu-jen, an unidentified matron.\n\nCh'iu was deified by the Yuan dynasty emperor Shih Tsu [Kublai Khan, ca AD 1260] as: Ch'ang-ch'un Yen-tao Chu-chiao Chen-jen (MIÈ3⁄4Ç^). Later, at the time of Yuan Wu Tsung [ca. AD 1308],",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
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    },
    {
        "id": 213771,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 123,
        "title": "RAS-1996",
        "content_text": "94\n\nlonger recorded in genealogies. While this article limits itself to the case of the Hakka, preliminary investigation suggests that the practice is probably also found among some Cantonese-speaking lineages.*\n\nThe Nature of Ordination Names\n\nMany Hakka genealogies contain names for ancestors described as faming, langming, or duming. The three are used interchangeably. The first and third of these terms can be translated respectively as “magic/religion name” and “ordination name”, and the second refers to the form of such names. The ordination names found in Hakka genealogies are of two varieties: the first with Fa as the first character of the given name, reminiscent of the titles of some Buddhist monks and the Hakka “Daoist” ritual specialists. The other is a non-numeric character followed by a number and the word “Lang”, reminiscent of some Japanese given names such as Junichiro in the name of the famous novelist Tanizaki Junichiro. The ordination names for earlier times, perhaps during the Song, tended to be of a simpler form: just a numeral followed by lang. The non-numeric character could have been a refinement to the system for telling generations apart. The “Japanese” pattern is also found in the names of some of the gods of the Lu Shan tradition of sorcerers, which I shall discuss later.\n\nThe two styles of ordination titles are identical to those found as the Daoist titles in Yao documents from Qujiang county of Northern Guangdong prepared for an ordination ceremony.* Information on the Yao of Thailand and Laos provided some hints as to why two different styles of names are used. There was more than one level of initiation. Although there are variations in the specifics, the following example would help to illustrate the point:\n\n[A] Yao man is introduced to the Taoist Pantheon through the Kwa tang “hanging the lamps” ceremony. Its main purpose is to entitle him to perform some rituals, and to confer on him a first “official” degree in the celestial hierarchy. As a result, he will be granted a religious name fa bua [faming] when he will drop his middle generation name and replace it by the word fa, “The Law (of Tao)”. For example, somebody whose adult name reads Tang (family) Fu (generation) On (personal) will then be called Tang Fa On, that is ‘the faithful On of the Tang family’, in all religious documents and ceremonies, including",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213772,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 124,
        "title": "RAS-1996",
        "content_text": "95\n\nhis own funeral\n\nAt the next level in the hierarchy he proceeds to mastership (tou sai) through a still more important ceremony. But this already high position can be still further improved, to two higher levels with more important qualifications of varying degrees. Henceforth, they will use, in similar religious contexts, what one may call a 'knightly' or 'gentlemanly' name. For instance, a man who has already been granted a fa boa, as in the example Tang Fa On' given above, will now change it to Tang On yet-long' if he is a first-born, meaning 'On, the First Squire of the Tang Family'. If he is a second or third son, this will also be stated in a similar way.\n\nThis tradition is claimed to have descended from Zhang Zhao Er Lang, who, as we shall see, is known as a disciple of Lu Shan Jiu Lang since before 1220.7 I am not sure if the two styles of ordination names among the Hakka correspond in detail with this practice of the Yaos of Thailand; the Yao data suggest at least they could indicate different levels of initiation.\n\nA similar custom, though less detail is available, is found among the She minorities of China, an initiation rite for men who have reached the age of 16. The ceremony, known variously as jiaoming (perhaps corrupted form of zhouming “submitting a name for celestial/royal approval”), dushen (“ordination”), and rulu (“entering the [Daoist?] register”), although it is often described as jizu (“worship of ancestors”). Those who have been initiated through the ceremony obtain a faming, \"religious title\". Evidence suggests that the \"religion\" concerned is traced to the traditions of Lù Shan and Mao Shan, from where the first ancestor of the She is claimed to have learned magic. Literature on the She is more fragmentary on the format of the \"religious title\". It is known that those initiated can be called after death lang in the case of men, and niang in the case of women. It is also known that the She used the characters Da, Xiao, Bo, Qian, Wan and Nian to indicate generations. Examples of actual names confirm that those formed with numeric characters and lang follow the same style of ordination names as those of the Hakka.\n\nIt should be pointed out clearly that this should not imply that the Hakka have descended from the Yao or She. There are clear evidences",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213778,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 130,
        "title": "RAS-1996",
        "content_text": "101\n\nSouthern China, as the Liannan document saying the Lü Shan Jiu Lang (written Lu Shan Jiu Lang) buried his father on a mountain in Gaozhou.\n\nOne major source of information of religious practice during the Song is the Southern Song work of anecdotal literature, the Yi Jian Zhi. It made frequent mentions of the well-known styles of Daoist magic such as the Thunder Magic and the Tian Xin Zheng Fa, the Buddhist Weize spell related to the Yujia style of exorcism, as well as various popular gods, and magicians who were neither Daoist or Buddhist. Some of these lay magicians practiced magic of the Daoist and Buddhist varieties mentioned above. Noticeably some of those lay magicians blew the horns [of animals] in their rites, and some were practicing what is called Mao Shan magic. It curiously made no mention of Lú Shan Jiu Lang or his immediate disciples found in Bar's passage.\n\nBut as I have mentioned, sources on Chinese religion of ancient times do have many examples of divinities with names of the same form as the Lú Shan Jiu Lang and his colleagues. The latter appear to be part of the trend between Tang and the Five Dynasties during which many of these other divinities are recorded. Some of the popular gods mentioned in Yi Jian Zhi do bear four character names ending with a numeric character and lang, resembling the names of Lü Shan Jiu Lang. Earlier examples include the Zhu Wang San Lang shen mentioned during the Southern Dynasties, which the book alleges to be the name in use at its time of writing in Yielang county in the present Sichuan Province, although in this example San Lang referred to three people rather than one. During the Tang, a work of anecdotal literature recorded that during the Emperor's visit to the mountain god of Huayue, he was told about a San Lang, who appeared to be a son of the god. Another work of anecdotal literature of about the same time recorded a female shaman(?) who specialized in communicating with the Jin Tian Wang (God of Hua Shan) and his son Hua Yue San Lang. This name, and many others, which are closer to Lu Shan Jiu Lang in form, is also found in Tang stories included in the Song compilation Taiping Guang Ji. During the Five Dynasties the Lu Yi Ji recorded a Pan Gu San Lang temple in a Guangdu county of the present Sichuan Province. An early Song work on the history of the Five Dynasties mentioned that in the year 932 the Emperor of Hou Tang conferred a title (styled \"General\") to a Tai Shan San Lang. Early during the Song it is reported\n\n41",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213779,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 131,
        "title": "RAS-1996",
        "content_text": "102\n\nthat around what is now northern Jiangxi Province there were many temples dedicated to a god known as Jiu Lang. A story in the Song work Yi Jian Zhi mentioned that a god of a Sichuan temple “was popularly known as Er Lang.\" This last example is also important in that it testifies the persistence of the lang title: although the god had more prestigious titles from the Emperors, the oral tradition still used the old one. In the Yao document from Liannan one sees a list of five gods each associated with the Five Yue Mountains in a similar form, from Dong Yue Yi Lang to Zhong Yue Wu Lang.\n\nLang as a title for sorcerers is also mentioned in the Tang compilation Dao Dian Lun in the Daoist Canon, which quoted Mingzhen Ke, an earlier work, saying that ritual experts of “excessive cults\" called themselves gu (for female) and lang (for male).\n\nThe use of lang for man as a title is found not later than the Han dynasty. According to Zhao Yi, during the Han officials of higher ranks were allowed to appoint their sons as lang. Therefore, according to this work of Qing dynasty, people's sons were called lang as an address of respect. Earliest examples of such usage include the Tang dynasty scholar-official Han Yu's short composition to mourn his elder brother's son, a Shi Er (12) Lang. The Song work of anecdotal literature Yi Jian Zhi also mentions quite a lot individuals bearing names of this form. In two cases explanations seem to be suggested for those names: one because he was wealthy, the other because he knew how to communicate with gods. In both cases the use of a name in the lang form seems to imply respect. This may explain partly why this form of name was adopted as a title of gods as well as sorcerers and initiates of magic.\n\n54\n\nWe have relatively more information about Lú Shan Jiu Lang's disciples, who appear to be masters of magic rather than the son of mountain gods. The Cantonese priests' manual contained an entry for Zhang Zhao Er Lang, the last in Bai Yuchan's list. We learn that Zhang Zhao Er Lang were two persons, both from Huainan Xian, probably within the present Anhui province, origin. They studied under Lu Shan Jiu Lang, giving up their positions as high-ranking officials of Qingzhou and Zhangzhou, two prefectures I have failed to identify, to practice magic. One of them was called Zhang Zhao Wu (5) Lang who conquered crocodiles and other sea monsters in the sea of...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
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    },
    {
        "id": 213796,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 148,
        "title": "RAS-1996",
        "content_text": "119\n\nprestige since the Tang dynasty. I shall return to this point later\n\nGenealogies that are available now are the result of many updates and only then prefaces can be dated. Some of those in the collection of Luo, op. cit. contain a preface dated 1269 (p. 363), another a preface dated 1406 (p. 48), another was first compiled during the same period (p. 67). As the prefaces do not usually dwell on the many different names of ancestors, we cannot expect prefaces to indicate ordination names as such. The earliest dated preface in the collection to mention ordination names was written in 1780. It drew attention to early ancestors whose achievements as officials are not known but are immortals in the celestial count, referred to by their religious names. It would be useful to examine unabridged genealogies to find mention of ordination names in early prefaces.\n\n1. Check the Golden Lotus for ordination of a male child. Ordination in a funeral seems to appear in the famous Qing novel, the Red Chamber.\n\nNJ\n\nHu Bo'an's *Zhonghua Chuanguo Lingji*, reprinted 1990, Zhengzhou: Zhongzhou Guji Chubanshe, *shang bian*, j. 1, p. 82 describes a practice in Tianjin province of Buddhist ordination; the child will later become a layman again in a rite to be carried out at the age of 12.\n\n21 Qu Dajun, *Beijing: Zhonghua*, 1985, pp. 302–303. The passage is repeated by Yihe Dong Biji, written around the 18th century (the author Li Diaoyuan obtained his Jinshi degree during the Qianlong period, 1736-1795). If the passage in *Guangdong Xinyu* was copied from some earlier book, the original would not have been written before 1569, when Yong'an was first established as a separate county.\n\n\"The Third Gazetteer of Yong'an, j. 1, p. 207 in the reprint by Chengwen Chubanshe, 1974.\n\nThe Changle County Gazetteer, j. 4, p. 247 in a reprint in the 70s (2) in Taiwan. According to the *Gongguo Difang Zhi Zonghe Mulu* ('Comprehensive Catalogue of Chinese Gazetteers'), the earliest version, of circa 586 and circa 663 respectively, still exist.\n\n21 The passage does mention that the area has Yao and Liao minorities, but the sentence about the sorcerers seems to refer to Han villagers. See Hu, op. cit., *shang bian*, j. 8, p. 50.\n\n24 Op. cit., j. 1, pp. 8b-9a.\n\n1\n\nJl,\n\n* Michel Strickmann, in 'The Longest Taoist Scripture', in *History of Religions*, 1978, p. 349, suggests that the appearance of the name Satan here attests to the influence of Manichaeism in Southeastern China. The Satan was worshipped by some circles of agnostics, according to the entry in Mircea Eliade, ed., *The Encyclopedia of Religion*, New York: Macmillan, 1987.\n\n26 Interpreted as King of Skanda by Strickmann, op. cit.\n\n27 In some cases written as Mei Shan, Mei Shan, Lu Shan, or Lu Shan.\n\n* Li and Huang, ed., *Liannan Bapai Yanjiu Ziliao*, published by Guangdong Sheng Shehui Kexueyuan in the 1980s. See, for example, p. 554 and p. 564 for King of Asura, p. 433 for",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    },
    {
        "id": 213840,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 192,
        "title": "RAS-1996",
        "content_text": "165\n\n55\n\nrepresentatives of the rocket associations bid for the rockets Physical violence is avoided, but competition remains keen among bidders who strive to show superiority over each other in terms of wealth and power' To decide who in the winning group can take the representation of the god home, another ceremony should be held whereby the temple keeper, after placing on the temple altar a list of members of the rocket association and reciting a “song to invite the god\" (#), casts the divining blocks thrice for each member The winner is he who passes the divination three times in a row.\n\n1\n\n50\n\nIn addition to the representative associations from villages such as Mok Ka's Yu-ch'ing tang W, upper Ling Per's Ch'un-ying t'ang #*, Ngau Au's Ch`un-lu t’ang San Tau's Ch'un-ch'ing tang # , and so on, other units such as social clubs and recreational societies also form their own rocket associations. According to Hayes's observation in the 1960s of the concomitant celebration of the Houwang feast day and the reopening of the Houwang Temple after the first major repair in 1909, among the rocket associations, two were fishermen's groups, (one from Tung Chung and the other from Tai O) and one was formed by the Seamen's Union from Hong Kong which came to Tung Chung for the festival for many years.\" Many native Tung Chung seamen had joined the union. By forming the associations and attending the festival, members of the same profession can also exchange information and news of their trade. In this sense, the festival functions tend to promote solidarity not only among villagers, but also among colleagues.\n\nFor local residents of different surnames and various social backgrounds, the Houwang worship and its all-pervasive influence provide them with the social bond of union and the ideology of territory identity, through which the Tung Chung community seems to have become a culturally self-sufficient entity Even the fishermen settled in the district seldom visit the Empress of Heaven Temple at Chak Lap Kok or Ma Wan. Like other Tung Chung villagers, they pay homage mainly to the Houwang, the principal deity of the locale, and participate quite actively in the “bid-for-rockets” contest during the annual feast day festival.\n\nThe Houwang's Birthday celebration also provides the local community with an opportunity for contact with the outside world.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    },
    {
        "id": 213846,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1996",
        "page_number": 198,
        "title": "RAS-1996",
        "content_text": "171\n\nhad become sailors, and those who had emigrated overseas. Some men also moved away to work in the city or foreign countries during the depression in the 1950s, which hit farmers particularly hard as the price of produce, especially rice, fell. As a result, female villagers gradually came to outnumber their male counterparts during the period from the early 20th century to the 1950s. In the meantime, emigrants from Hai-lu-feng and Ch'ing-yuan in south China flocked to Tung Chung's Sha Tsui Tau and Ma Wan Chung. Some of them became managerial farmers, specializing in vegetable growing and animal husbandry, keeping chicken runs and piggeries, etc., thus changing the area's traditional farming pattern. Later, when Ma Wan Chung rose to be Tung Chung's business centre, after the construction of the pier there, these new immigrants started to diversify their investments, going into the grocery business and becoming shopowners in the vicinity of the pier. The owner of the Shun-ch'ang Store, for example, is a San-shui native.\n\nIn need of financial and human resources, Tung Chung seems to be especially tolerant of “outsiders” who invest in the community and eventually settle in one of the villages. Normal practice requires that a newcomer first makes application for permanent residency to the village head, who will then solicit opinions from the villagers. Should there be no objection, permission signed by the village head is issued. Finally, the new settler will host a banquet to entertain villagers, who come to show their goodwill and welcome the newcomer. Since the 1950s, most of the latecoming settlers in Tung Chung have resided and made a living in Ma Wan Chung. Thus, this area has the highest male-to-female ratio among all villages in the entire district. According to a statistical source, the gender structure of Ma Wan Chung's population as compared to that of Shek Mun Kap, for example, in the early 1960s was as follows:\n\n| Village | Male | Female | Children |\n\n| --- | --- | --- | --- |\n\n| Ma Wan Chung | 27.1% | 27.1% | 45.8% |\n\n| Shek Mun Kap | 11.5% | 42.4% | 46.1% |\n\nLike Shek Mun Kap, other villages also had far fewer male residents than did Ma Wan Chung. In terms of manpower resources, therefore, Ma Wan Chung undoubtedly enjoys favourable conditions for sponsoring the Houwang's Birthday Festival. For these more recent settlers in Tung Chung, supporting the festivities becomes an important",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    },
    {
        "id": 213855,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1996",
        "page_number": 207,
        "title": "RAS-1996",
        "content_text": "180\n\nThe\n\nIssei, \"The Jiao Festival in Hong Kong and the New Territories,\" in Julian F. Pas, ed., Turning of the Tides: Religion in China Today (Hong Kong: Oxford University Press, 1989), pp. 271-298\n\nInterviews: K'ung Chao-hsiang (age 79), Lung Tseng Tau, Jul 6, 1991; Hsieh Ch'i, op. cit.\n\nInterview of Mo Shu-ling (age 65), Mok Ka, Jun 29, 1991\n\nInterview of Lo Ch'uan, op. cit., Jul 8, 1991\n\n[hid]\n\n\"Ho, op. cit.; while some villagers did not remember the role of the Houwang in the rituals, an old man, who had witnessed the festival three times, indicated that the Houwang idol would be \"invited\" from the temple and enshrined on an altar set up for the ceremony (Interview of Lo Ch'uan, op. cit., Chap Mun Tau, Jun 22, 1991)\n\n\"Tanaka, op. cit., pp. 273-274\n\n*Faure, 1986, op. cit., p. 84\n\n14\n\nJames Hayes, The Rural Communities of Hong Kong: Studies and Themes (Hong Kong: Oxford University Press, 1983), pp. 159-160\n\n\"Ho, op. cit., p. 6\n\n16\n\nInterviews: Cheng P'o, op. cit.; K'ung Chao-hsiang, op. cit.\n\n\"Interviews: Cheng Man-hung, op. cit.; the Tung Chung Public School, Jul 1991; Tseng Kuan-hsing (age 60+), Upper Ling Pei, Jul 12, 1991\n\n*Interview of K'ung Chao-hsiang, op. cit.\n\n14\n\nJCH\n\nIbid.; Interviews: \"Uncle Li\", op. cit.; Cheng Man-hung, op. cit.; the Tung Chung Rural Committee, Aug 12, 1991\n\nInterview of Feng Po (age 65), Ma Wan Chung, Jun 16, 1991\n\nBrum, op. cit.\n\n*James Hayes, \"Chinese Temples in the Local Setting,\" in Some Traditional Chinese Ideas and Conceptions in Hong Kong Social Life Today, Week-end symposium, Oct 2, 1966, the Hong Kong Branch of the Royal Asiatic Society, p. 92\n\n\"Faure, 1981, op. cit., p. 76\n\n**\"Ch'ung-hsiu Houwang-miao pei-chih,\" IV, 1910, collected in K'o Ta-wen, Lu Hung-chi, & Wu Lun Ni-hsia, comp., Hsiang-kang...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    },
    {
        "id": 213915,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 267,
        "title": "RAS-1996",
        "content_text": "244\n\nKong Fuk Yee Chi 廣福義祠\n\nTai Ping Shan Street, Central: Also known as Pak Shing Temple. Built in 1856, repaired in 1895 and 1977*. Bell 1858.\n\nPak Ka Temple\n\nWong Nei Chung: Removed to the present site in 1971. No bell.\n\nNgok Wong Temple 岳王廟\n\nNorth Point. No information. No bell.\n\nChai Kung Temple 濟公廟\n\nWanchai: Built in 1899, removed, and completely disappeared since 1981. No bell\n\nTai Shing Temple\n\nChai Wan: Built in 1973. No bell.\n\nLu Pan Temple 魯班廟\n\nWest Point: Built in 1884*, repaired in 1894*, 1897*, 1902*, 1907*, 1910*, 1924*, 1927, 1949* and 1951*. Bell 1888.\n\nShui Ching Pak Temple\n\nTai Ping Shan Street, Central: Built in 1890, repaired in 1895, 1901 and 1976. No bell.\n\nYee Pak Kung Temple 二伯公廟\n\nQuarry Bay: Built in 1889*, repaired in 1929 and 1966*. No bell.\n\nThe number of temples found in each area is as follows-\n\n1. Central: 5\n\n2. Wanchai: 4\n\n3. Causeway Bay: 1\n\n9. Chai Wan: 2\n\n10. Shek O: 2\n\n11. Tai Long: 1",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213994,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 63,
        "title": "RAS-1997",
        "content_text": "29\n\nway while working\n\nMore accidents happen when scaffolding is being dismantled than when being erected. Most trades have their written and unwritten rules and, with bamboo scaffolding, it is generally accepted that, whoever erects a scaffold, then the same scaffolders should also dismantle it. The argument is that the craftsmen who put it up know the peculiarities of the scaffold and they are in the best position to take it down. There have been disputes between main contractors and scaffolding subcontractors resulting in the latter walking off the job. In the end, in most cases, the main contractor had to relent as no-one else was prepared to take the scaffold down.*2\n\nDeities\n\nFor all employers and employees in the building industry, Lu Pan is worshipped as a general deity. His birthday is celebrated on the 13th day of the Sixth Moon. In addition, the patron saint for bamboo scaffolders, performers in opera troupes, goldsmiths and silversmiths, and incense and funeral-paper shop staff, also worship Wah Kwong (Hua Kuang). He is sometimes described as the God of Fire.* As one mature scaffolder proudly told the author, 'We have three sz foo masters [sic].' He included, of course, Yau Chao Shi, who was mentioned at the start of this paper, as well as Lu Pan and Wah Kwong.\n\nThe last is said to have defied the Heavenly Jade Emperor's order to destroy all bamboo opera stages on earth as punishment for an opera performance that had insulted his Majesty. As a result, Wah Kwong gained the undying gratitude of scaffolders. It is important to remember that Wah Kwong is a powerful, cleanshaven god with a third eye in his forehead. He often has a piece of gold in his hand. He is a destroyer of demons and is rarely prayed to by individuals, but, more likely, by groups. There is a temple dedicated to Wah Kwong in Tai O, a small market town and fishing port to the west on Lantau Island. There is also an effigy of Wah Kwong Sz Foo in the Lit Shing Kung (“temple”), adjacent to the Man Mo Temple, in Hollywood Road.*34 Master Wah Kwong's birthday is observed on the 28th day of the Ninth Moon,*35 The author has, however, been told by scaffolders that the birthday of Wah Kwong is on the 18th day of the Ninth Moon. The author has, however, been told by scaffolders that the birthday of Wah Kwong is\n\n75",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
        "rank": 0
    },
    {
        "id": 213995,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 64,
        "title": "RAS-1997",
        "content_text": "30 \n\non the 18th day of the Ninth Moon. \n\nBamboo scaffolders seldom use a rule. They set the spacing of the bamboo members by their eye, without the use of blueprints or plans. To do this, so many believe, they are assisted by Wah Kwong's third eye. Scaffolders, however, will usually submit a sketch to a client if they are going to erect, say, a matshed to house opera performances. \n\nIn the past, incense, fruit and pork were offered up to both Wah Kwong and Lu Pan on an altar at the time of starting work (hoi kung) on a building project. Such rituals are frequently still carried out today. When the author asked the mature scaffolder mentioned earlier, who said scaffolders had three masters, whether he would be going to the Lu Pan Temple in Kennedy Town on the Sage's birthday (the 13th day of the Sixth Moon), which was due to be held the following day, he replied that he would not. But his employer would be going. The old scaffolder said, however, that he would be attending a dinner to honour Lu Pan, when everyone would pay their respects. The author recalls attending these annual dinners, from 1955 to 1972, on a regular basis.37 \n\nConclusions \n\n36 \n\nSome people prophesied, in the 1950s, that the end had come for scaffolding and that western style metal scaffolding would take over. Although there has been a move in that direction metal has by no means taken over. In fact, the switch to metal scaffolding has been faster in places like China and Singapore than in Hong Kong. Bamboo is light and flexible and has many advantages, especially for smaller jobs. These include 'Cantilevering out', from high up on a building, to erect, say, a signboard. \n\nIn addition to the trade having its ups and downs, and being on the slow decline, bamboo is significantly cheaper. At mid-1997 prices single-layer bamboo scaffolding costs about HK$20 per square metre, double-layer bamboo scaffolding HK$36 per square metre and metal scaffolding HK$80 per square metre. Such figures are given only as a rough comparison. Prices vary, to some degree, depending on the job in question. For example, especially with metal scaffolding, the taller the scaffold the more expensive it will be.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
        "rank": 0
    },
    {
        "id": 213998,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 67,
        "title": "RAS-1997",
        "content_text": "33\n\n\"Lee, loc cit, and Keith Stevens, Chinese Gods. The Unseen World of Spirits and Demons,\n\nCollins and Brown (UK 1997), p. 63\n\n14\n\n77\n\nThe Lu Shong Kung Temple adjoins the Man Mo Temple in Hollywood Road, on Hong Kong Island. Walt Kwong is the second god on the right as you enter. He has two attendants.\n\nBarbara E. Ward and Joan Law, Chinese Festivals in Hong Kong, Guidebook Co. Ltd (Hong Kong, 1993), pp. 75 and 92)\n\nThe Author went to the Lu Pan Temple on Lu Pan's birthday, in 1997. In spite of rain, a large number of contractors and building trade workers came to pay their respects, including some scaffolders. There were also two television teams, one of which interviewed the author.\n\nDan Waters, \"In the Steps of Lu Pan: Reminiscences of Building in Hong Kong\", The Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 29, 1989 (1991), pp. 1-7",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
        "rank": 0
    },
    {
        "id": 214014,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 82,
        "title": "RAS-1997",
        "content_text": "48\n\nThe Fifth Son, Yang Yen-tet known most commonly as Yang the Fifth, Yang Wu LangB, is also known in individual temples as Marshal Yang, Yang Fu Ta-jen and Wu Shih-yeh. He was driven to despair by the occupying Tatar forces and became a monk on Wu T'ai Shan where he secretly performed great deeds in the forlorn hope that he could force the Tatars to leave China. After his death stories of his deeds spread and a separate cult grew up around his memory. There are at least seven temples in Taiwan in which the Fifth Son is the main deity, as well as being the main deity on secondary altars in numerous other temples. The Fifth Son is also known in Taiwan as Wang Kung, as well as by the Buddhist titles of Ta-te Ch'an-shih, Yang Fu Ch'an-shih and Ch'an Shih-kung禪帥公.8\n\nHis image also occupies a secondary altar in a nunnery on Wu T'ai Shan, the Wu Lang Miao where he is depicted as a Buddhist monk and is very popular with visiting Chinese tourists.\n\nHe is a minor deity on side altars in three temples in Macau, three in Hong Kong and in a number of temples in Singapore, Thailand, Malaysia and Indonesia. In Macau a temple keeper explained that the Fifth Son is prayed to everywhere as a protective deity and is not usually a deity from whom people normally sought other favours. However, it had become the custom in the Macanese temple for the deity to be asked for racing tips and for good luck in betting.\n\nThe three temples in Hong Kong were all Ch'ao-chou immigrant squatter temples built on the slopes above Kowloon [and now long gone, the temporary temples being demolished by the Hong Kong Government during rehousing projects] where he was known as the Vanguard General, Hsien-feng Chiang-chünoro.\n\nThe few images of Yang Wu Lang, as he is best known, have no unique identifying characteristics other than when he is portrayed as a Buddhist priest under his Ch'an title, sitting cross-legged and wearing the Buddhist tiara. One image only depicts him astride a horse, the legs of which are bound with numerous red threads by devotees seeking help, possibly due to misunderstanding by devotees as this practice tends to be limited to the Green Horse, the Messenger to Heaven [Lu.Ma].",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
        "rank": 0
    },
    {
        "id": 214043,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 111,
        "title": "RAS-1997",
        "content_text": "78\n\n47\n\n#\n\nGovernment Press\n\nThe total land area of Fanling and Sheung Shui was 13,184 acres (20.6 square miles). See Heung Yee Kuk, Xin Jie Xiang Yi Ju Cheng Li Lu Shi Zhou Nian Jin Dian Te Kan (The Special Issue for the New Territories Heung Yee Kuk's 60th Anniversary [published in 1986]), p. 182\n\nA name list of successful applicants was posted on the village notice-board in 1991. A total of 69 ding houses were allowed to be built. But unsuccessful applicants tore down the list and then submitted objections to the District Office. They complained that some successful applicants were found to be living abroad, some came from the same family, and that most village council members of Fanling Wai (cun wei hui cheng yuan) were successful applicants. The result was considered unfair because many of these successful applicants were said to have bribed the Village Representatives for their applications. So the District Officer and Village Representatives had to set up new criteria for reconsidering the applications.\n\n\"The detail of the criterion is as follows (Data collected from the Fanling Wai village notice-board in 1994): (1) Villagers having large families and those whose present living conditions were comparatively less desirable. (1) Villagers who could afford the construction costs of the houses and were unlikely to dispose of the completed houses to outsiders. (11) Villagers who were enthusiastic towards serving fellow villagers and were benevolent towards the affairs of the village. (iv) Villagers who had submitted applications before June 1989. (v) Applicants who were or had been members of either the village committee, or Da Jiao Committee or Village Guard would be considered to have served their fellow villagers and to be benevolent towards the affairs of Fanling Wai. (Da Jiao is a lineage-based religious festival, see footnote 10). (vi) Where two or more applicants having a father and son relationship were successful in this selection exercise, only one application would be selected for allocation of a Small House site.\n\n\"Some villagers anticipated that their building rights would not be realized in their lifetime due to the keen competition or to their lack of money, so they decided to sell their \"right to build\" (ding quan) to land developers to profit. That is, land developers have offered villagers money to make use of their building rights to apply to build houses elsewhere. During my fieldwork, I found a total of seven Pangs who had successfully applied to build ding houses outside Fanling Wai. Six were built in San Wai of Lung Yeuk Tau (the Tang lineage settlement in Fanling), and one in Long Chai, Fanling. In fact, the phenomena of selling ding quan by villagers to make a profit has been a common one. For example, according to the Far Eastern Economic Review, ten villagers living abroad who had no intention of returning to Hong Kong made a total profit of $500,000 by selling their ding quan to land developers (1982: 55, quoted in Allen Chun, op. cit., p. 222).\n\n* In 1976, in order to discourage villagers from making profits by selling their ding wu, the government amended the policy to pay the government full market value premium if houses are sold within five years of the end of construction work.\n\n27. The emigrant Mans also built new village houses in San Tin as the ultimate proof of their stake in the community of their birth. See James Watson, op. cit., p. 165",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
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    },
    {
        "id": 214130,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 198,
        "title": "RAS-1997",
        "content_text": "169\n\nRAS VISIT TO HUIZHOU\n\nDan Waters\n\nOn Saturday 15 November, 1997, 14 stalwart members of the Royal Asiatic Society Hong Kong Branch (RASHKB) set off by coach on a two-day visit to Huizhou (Waichau or Waichow) and the surrounding region in eastern Guangdong Province.\n\nHuizhou has a population of about 600,000, making it larger than Macau. In this part of Guangdong, where Westerners attract a certain amount of attention, we visited scenic spots like the West Lake (see Plate I), the Xizhou Pagoda and the Su Dongbo Well as well as his Monument (see Plate II).1 Su Dongbo was a leading poet and a member of the literati in Northern Song times. He was also concerned with the building of bridges, improving dams and constructing water supply schemes. Madam Wang (1062-96), his Concubine, was a native of Hangzhou. Su was disgraced and banished to Guangdong and subsequently to Hainan Island.\n\nOur RAS Group also visited one of the most famous Taoist temples (the Lu Dong Bin Temple) in Guangdong Province, situated at Loh Fau Shan. Lu Dong Bin is one of the Eight Immortals and a patron saint of the literati. He uses a fly whisk to sweep away the clouds and carries a magic sword associated with healing.\n\nOn the following day (Sunday 16 November) the RAS Group drove to the unspoiled Nine Dragon Mountain (named 'Kowloon' like in Hong Kong) and its comparatively well-known Tam Kung Temple which was visited by a group of RASHKB members in November 1995. Research has previously been carried out and RAS visits have been made to various Tam Kung temples both in Hong Kong and in Macau, including during the Tam Kung Festival. Also, an illustrated lecture was given on the Hakka Boy Deity, Tam Kung, in 1996, to the RASHKB by Professor Anthony Siu and Geoffrey Roper. There is little point in repeating similar information here.\n\nOne of the tasks that the RAS group set itself, in November 1997, was to find two buildings in Huizhou which were used by the British Army Aid Group (BAAG) during World War Two. Both sites were",
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    },
    {
        "id": 214951,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 47,
        "title": "RAS-2000",
        "content_text": "2\n\nthis paper to examine the role of tea in relation to opium and the resulting conflict. For tea, too, was an addiction of sorts, though perhaps without all the deleterious effects of opium.\n\nTea and the Chinese\n\nThe origin of tea is hidden in the remote mists of antiquity and more than enough theories of its discovery exist, mostly legendary. One date keeps cropping up - 2737BC - the legendary year that attempts to pinpoint the discovery, and attribute it to the Chinese emperor Shen Nung, the Divine Healer. Like many great discoveries, it was reputedly made by chance. Shen Nung, concerned about hygiene, used to boil his water for drinking. One day, while boiling water, a gust of wind blew leaves from a branch burning under the pot into the water. A marvellous aroma overtook Shen Nung. The branches came from a tree whose formal name today is Camellia sinensis.\n\nWhile other theories may claim a different origin (a Buddhist connection has been suggested), no one questions that tea as an industry began in China. Did the plant originate in China? Chinese sources claim that the tea tree is indigenous to Hunan Province, in Southwest China, where it grew wild in the mountains, where no other plant could grow. Cultivation of tea, however, appears to have begun around 350AD along the Yangtze River, in Sichuan Province, spreading to Yunnan and through southwest China into the central provinces. By the 5th century AD, tea had joined other products as a popular article of trade. It is not surprising, therefore, that tea's excellent qualities were known to the Chinese since early times, and that drinking tea as a pleasurable pastime had spread throughout the country. A brief attempt to tax tea, in 780 AD, was met with wide public outcry and had to be rescinded. This was also the year in which the first book on tea was published - an important milestone in its history. It was a monumental work in which the author Lu Yu of the Tang Dynasty dealt with tea in detail and from every possible aspect. One can only wonder at Lu Yu's deepest knowledge of the subject. His description of various shapes of different leaves verges on poetical. He described the code of conduct in relation to tea, from which the Japanese had probably derived their tea ceremony, and which in China had evolved into a social custom bordering on ritual. Some would assert that after the conquest of the Songs, at the end of the 13th century, the Tangs' romance of tea disappeared and tea",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
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    },
    {
        "id": 214998,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 94,
        "title": "RAS-2000",
        "content_text": "50\n\nDoe who was serving at that time with the 51 Signal Company [RE] and based, I think, at Bailleul, was hoping to watch a football match. As the Chinese were running loose, armed with improvised weapons, he, with others, was ordered to shoot the Chinese to quell this mutiny. Eight were shot on the pitch and 93 were captured. In West Outre British Cemetery, Heuvelland, Belgium, there are the graves of 3 members of the CLC killed on Christmas Day, 1917, namely Chang Cheh-te [43804], Chang Hung-an [39540] and Wu En-lu [43913], all of the 105th Company, CLC. Three members of the CLC were charged with mutiny and striking: on 9 May 1918, 1968, for mutiny and striking, was sentenced to two years hard labour. Also on the 9 May 1918 40749 was charged with the same offences and sentenced to one year hard labour. On 12 May 1918, 25348 was charged with mutiny, insubordination and disobedience for which he was sentenced to six months hard labour though this sentence was revised and later quashed.\n\nNumbers of those Recruited and Fatalities\n\nOver 94,500 Chinese, recruited for the British Chinese Labour Corps, served in France and, of these, 1834 died in France, 279 died at sea on the way home and 32 could not be traced. These figures are quoted from Summerskill and conflict with those given in an article in the Sunday Times magazine, \"Chinese dig Britain's trenches\" by J. Hamilton-Paterson. He quotes the British Government as saying that 93,474 had been recruited of which number 91,452 labourers had been returned to China, 1949 had died in Europe and 73 had died on the return journey. The figures cannot be considered as accurate as a small proportion of men had gone to ground in France and some detached themselves in Canada. Some Labourers formed attachments with French women and oft times children were born. At a later date they returned to China with their wives and children. The exact number is not known, but French sources quote about 30,000, which appears excessive.\n\nThese figures may be further confused if those in Norman Mellor's article9 are taken as correct. He stated that 97,934 were recruited by the British and at the end of the War there were 195 Companies working in the areas of the five armies or on the Lines of Communication. He does not quote a figure. Mellor was posted to the 4th Bedfordshire Regiment in March 1918, his 19th birthday, saw action on the Albert-Bapaume road and remained with his regiment until the Armistice. Being too",
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    },
    {
        "id": 215102,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 198,
        "title": "RAS-2000",
        "content_text": "155\n\nIMAGES ON CHINESE POPULAR RELIGION\n\nALTARS\n\nOF THE HEROES\n\nINVOLVED IN THE SUPPRESSION\n\nOF\n\nTHE AN LUSHAN REBELLION [AD 755 - 763]\n\nKEITH STEVENS\n\nChina suffered a major internal political upheaval between 755 and 763 when General An Lushan led a rebellion against the Tang emperor. It took some seven years for it to be decisively suppressed by government forces.\n\nFrom some records it would appear that An Lushan was half Turkish and half Soghdian, the son of a Soghdian officer and known as Rokhshan before he took the Chinese name of An Lushan. Recent histories written by foreigners only rarely refer to An Lushan prior to his command of a punitive expedition against the Khitan in 736. This campaign was a failure to such an extent that his superior general considered having him executed. Within ten years, however, he became one of the most powerful of the generals, ruling most of the north-east of what was then China, and in particular holding the governorship of three frontier cities, Pinglu, Fanyang and Hedong, along the northern borders of present day Hebei and Shanxi provinces. This meant that he commanded the best and largest armies of the Empire.\n\nProfessor Giles' provided An Lushan's biography in some detail, and although very dated it is still of great interest:\n\nAn Lu-shan died in AD 757. He was born in Luk-chak, of Turkic descent, whose original name had been K'ang. [Presumably Giles was quoting Chinese sources when he related that]... An Lu-shan's mother had been a witch who had prayed for a son on the Ya-lao mountains and at his birth, a halo was seen around the house, and the beasts of the fields cried aloud. The authorities sent to have the child put to death, but he was successfully concealed by his mother. His father died young and his mother re-married, a man named An;",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
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    },
    {
        "id": 215326,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 103,
        "title": "RAS-2001",
        "content_text": "31\n\nexecution of Qin Gui, the famous \"traitor,\" as well as Wang Lun and Sun Jin, and the hanging of their heads in the streets to show to the public. For this, he was demoted to a post in Fuzhou (in 1138), from where he was transferred to Xinzhou in Guangdong province in 1142. Six years later, he was falsely accused by a man called Zhang (a member of Qin Gui's 'Death clique'), because of a couplet he wrote called Haoshijin, and was moved to the Jiyang military district. He retired to the Pearl Cliff to write a manual for officials, and set up a school. After the accession of the new emperor, he returned to the fray, holding a number of important posts before retiring in 1171. He died in 1180 at the age of 78.\n\nZhao Ding was a Minister of State and a steadfast opponent of Qin Gui and his policy of making peace with the Tatars, for which he was banished to various places. He was born in Shanxi and died in a distant post at Jiyang, on the south-west tip of Hainan, in 1147.\n\nb] The Three Marquises, San Gong, is a separate group of deities, scholar-officials of the 9th and 10th centuries AD whose images or tablets have only been seen on altars in Hainanese temples on Hainan Island. The three are Li Deyu [one of the Five Marquises: q.v.], Lu Duoxun 廬多遜 and Ding Wei 丁謂,\n\nThe second of the Three, Lu Duoxun, also a senior official exiled to Hainan, died some 136 years after Li Deyu. He was born in Henan province and he too became President of the Board of War in 979. La served a later dynasty, the Northern Song, and was also banished to Hainan following court intrigue. His poetry achieved the distinction of being remembered and quoted.\n\nThe third, Ding Wei, was also a high official of the Song and the only one of the three to survive his banishment. He returned home from Hainan to die in 1040. Ding was born in Jiangsu province and rose to become a Minister of State. He was degraded and banished following accusations of witchcraft and of oppressive rule. He also wrote a large collection of poems whilst in Hainan.\n\nc] Su Shi is probably better known as Su Dongpo, and is referred to in Hainan as Su Gong. He is one of the eight famous men of letters of the Tang and Song eras and lived from AD 1036-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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    },
    {
        "id": 215992,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 291,
        "title": "RAS-2002",
        "content_text": "225\n\nA recently prepared description of the area from local sources can be seen, along with fuller descriptions of this famous mountain and its history, in Bóluóxiàn zhì (The Gazette of Bóluó District) (Bóluó: Guangdong Provincial Cultural History Research Library, 1988), pp. 69-79, 325-329.\n\n16. These are drawn from Legge's notes in \"Journal of a Missionary Tour\" and materials from 19th century gazettes (fangzhi) from the Nanbai district of western Guangdong province.\n\nA description of the refurbishing and building up of the temple complex dedicated to Master Kong in Poklo, initiated in the seventh year of the Kangxi emperor (1668) is rehearsed in Bóluóxiàn zhì, pp. 315-316. In the third year of the Qiánlóng reign (1738) yellow tiles were added to the roof reflecting imperial honour and a decorative sign was added to the main temple, honouring Master Kong as one yǔ Tiān Dì gēn (“a Partner with Heaven and Earth\"), a phrase from the Zhongyong which Legge translated \"[Confucius] may with Heaven and Earth form a ternion\" (Ch. 22, CC1, p. 416). Three other similarly adulatory signs were added in the fourth year of the Jiaqing emperor (1800), during the Dàoguāng reign (1821-1850), and the second year of the Tongzhi reign (1863).\n\n17. See Chinese Classics, Volume 1 (CC1), prolegomena, pp. 112-127. The following footnote (p. 113) provides the necessary details for understanding the layout and furnishing of the \"temples (diàn) of Confucius\". [Transliterations replace characters in the original text, which can be looked up in the attached glossary. Here I use standard Pinyin for the sake of easier identification.]\n\nThe principal hall, called Dàchéng diàn, or 'Hall of the Great and Complete One,' is that in which is his own statue or the tablet of his spirit, having on each side of it, within a screen, the statues, or tablets, of his 'four Assessors.' On the east and west, along the walls of the same apartment, are the two xù, the places of the shí'èr zhé, or 'twelve Wise Ones,' those of his disciples, who, next to the 'Assessors,' are counted worthy of honour. Outside this apartment, and running in a line with the two xù, but along the external wall of the sacred inclosure, are the two wǔ, or side-galleries, which I have sometimes called the ranges of the outer court. In each there are sixty-four tablets of the disciples and other worthies, ... Behind this principal hall is the Chong shèng cídiàn, sacred to Confucius's ancestors, whose tables are in the centre, fronting the south, like that of Confucius....\n\nFrom a rubbing of a stele portraying the arrangement of the sacred tablets in the Beijing temple dedicated to Master Kong, it is seen that the \"four Assessors” are (from left to right when facing the Sage) Mèngzǐ (“Mencius,” c. 372 B.C. - c. 289 B.C.), Zēngzǐ (noted for his filial piety, 505 B.C. - 436 B.C.), Yánhuí (noted for his humane virtue, the Master's favourite student, 521 B.C. - 490 B.C.), and Zǐsī (a grandson of the Sage who edited and/or wrote the Zhongyóng, one of the four books Legge first called it the Doctrine of the Mean, but later gave it the more preferable title, the State of Equilibrium and Harmony (see CC1, p. 383).\n\n18. See Legge's descriptions of these ceremonies and some of their prayers to the Sage in CC1, prolegomena, pp. 91-93.\n\n19. According to the journal record, Legge and Ch'ea had preached in the grounds of the Confucian temple at Lung Ch'un on May 15, 1861.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
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        "id": 216030,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 329,
        "title": "RAS-2002",
        "content_text": "263\n\nafter a siege of 49 days. Most accounts claim that they died by their own hands rather than fall into those of the enemy.\n\nOur interest lies in Zhang. He was born in Henan in AD 709 and died with Xu on either the 15th of the second or the 9th of the tenth lunar months in 757. Zhang was the military mandarin in Suiyang and is occasionally referred to in temple records as Zhang Suiyang. Before being posted to Suiyang he had been employed in military operations in Central Asia where his discipline was legendary. In 756 during the rebellion of An Lushan he fought many battles, was wounded on a number of occasions and performed prodigies of valour. The climax was reached by his heroic defence of the Henan provincial city of Suiyang against the rebel army commanded by An Lushan's son. Zhang refused to yield and even sacrificed his favourite concubine to no avail. The enemy broke in and as he scorned to owe allegiance to his conqueror was immediately put to death. It is said that during the siege his patriotic rage caused him to grind his teeth so that after his death it was found that all but three or four had been worn down to the very gums.\n\nIn central China the rain and crop deity, the Bodhisattva of the Whole of Heaven, Doutian Pusa or the Marshal of the Whole of Heaven, Doutian Yuanshuai, was believed to be an incarnation of Zhang who, it was said, had intervened to assist the imperial forces during the Taiping wars ca. 1855 and had been awarded the title of Zhangwei. His major local shrine is some distance outside the southern gate of Zhenjiang, a little beyond the shell of a Ming pagoda. There was also a shrine to him in the city's new main street, Ma Lu; another in a village on the road to the Bamboo Grove, and yet another in the village of Doutian Miao where the Imperial battery had been located on the north shore of the Yangzi abreast of Jiao Shan. Annually, during the Fourth lunar month, Zhenjiang was crowded with country folk who came to enjoy the procession of gods being borne through the streets of the city, including the image of Doutian Pusa.\n\nWhen the Tang dynasty collapsed China fell back into feudal kingdoms, one of which was the Xiu dynasty of Nantang. Under their rule the walls of Zhenjiang were repaired. Xiu Lijing succeeded his father in 946 and during his reign he annexed what today is Fujian province and added it to his dominion of Jiangxi, most of Anhui and Jiangsu, thus becoming one of the largest states in China at the time.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
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    },
    {
        "id": 216079,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2002",
        "page_number": 378,
        "title": "RAS-2002",
        "content_text": "312\n\n* Li Zee-min (1950) Chinese Potpourri. Hong Kong: Oriental Publishers [He relates a local Hong Kong legend about the arrival of the young emperor escorted by Lu in what is now Kowloon, fleeing ahead of the Mongols. Li claims that the headman of the Hakka walled village of Kowloon was Tan Gong who died during the last battle with the Mongol fleet when Lu, with the emperor in his arms, jumped overboard to their deaths].\n\nCouling, Samuel (1917) Encyclopaedia Sinica. Shanghai: Kelly and Walsh\n\n11 Yu Dayu is recorded as being a native of Fujian who died in 1573 having made his name as the victor in the struggle to defeat the Japanese pirates along the coast of China and in particular that of Zhejiang.\n\n12 Yang Xiuqing as one of the leading lights of the Taiping Rebellion, to whose military genius much of the early success of the movement was due. He was known as the Taiping Eastern King [Prince], and professed to be the spokesman of God. After the capture of Nanjing by the Taipings he established his palace in the yamen of the former Viceroy and lived in great state. By 1856 he had begun a campaign of political and religious intrigue to usurp the position of leader and to overthrow Hong Xiuquan, the founder. His plans were uncovered and he, his family and thousands of his supporters were slain by Wei Changhui, the Taiping Northern King.\n\n13 extracted from the Transcription of the letters written from China to Milcote, Stratford on Avon by Thomas Adkins between 1855 and 1879 by courtesy of Theo Christophers of Dorridge, West Midlands : November 1999\n\n14 Hymes, Robert P. (1986) Statesmen and Gentlemen: The Elite of Fu-chou, Kiangsi, in Northern and Southern Sung. Cambridge: Cambridge University Press\n\n15 Although the name was known much earlier Mao Shan has always been the centre of a Daoist sect. [see Kita Aziya gakuho, a Japanese Journal, Vol. 2]\n\n16 Doré, Henri S.J. (1914) Recherches sur les Superstitions en China. Shanghai [Zikawei] : La Mission Catholique : Vol. XI\n\n17 Werner, E.T.C (1932) A Dictionary of Chinese Mythology. Shanghai: Kelly and Walsh",
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    {
        "id": 216182,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2002",
        "page_number": 481,
        "title": "RAS-2002",
        "content_text": "415\n\nAnd even after the first Opium War in 1841 the secret of tea remained an enigma. As it became possible to travel in China the Royal Horticultural Society of London sent botanist Robert Fortune to procure 'the finest varieties of the Tea-plant, as well as native manufacturers and implements, for the Government Tea plantations in the Himalayas.' (Goodwin p.12) Goodwin describes the torturous process that resulted in the first Assam tea reaching London in 1839. (Goodwin p.148) It was not a huge success, mainly because no one in India knew how to process tea.\n\nFinally, in 1848 Fortune determined that green and black tea came from the same plant, the only difference being in their manufacture. The secret was in a process referred to as fermentation, which is entirely unrelated to fermentation of sugars and starches to make alcohol. It is actually manipulation of the leaves to promote the oxidation of the leaves. (Goodwin p.132/3)\n\nportable greenhouses\n\nEmploying the latest technology Fortune successfully transported tens of thousands of Chinese tea plants to India. (Kit p.61) Goodwin describes this success as a 'mummy's curse' because Chinese teas crossed with Indian teas to ‘become a shrubby Frankenstein's monster, popping up all over the place and spoiling the planters' rest' (Goodwin p.121). Despite this unfortunate genetic engineering disaster by the 1880's Indian teas overtook Chinese teas in the ever-expanding British market. (Goodwin p.221) Initially Chinese teas were blended with Assam tea but ultimately Assam teas held their own. The massive outbound migrations of Fujianese on tea clippers were a direct result of the collapse of the tea industry in China, as the world markets became less dependent on Chinese tea. Hopefully the current intellectual property issues and trade imbalances between China and the USA will be resolved more amicably than those of the 19th century.\n\nWhile Chinese were reluctant to divulge details of the tea manufacturing process there were other sources of information. Lu Yu's Tea Classic of the Tang Dynasty describes the growing and manufacturing process in enough detail for practical purposes. Even if the book was not available in China it was in Japan where it formed the foundation of the tea ceremony. Japan, too, had a thriving tea industry. It is surprising the resourceful tea hunters did not try there.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
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    },
    {
        "id": 216307,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2003",
        "page_number": 66,
        "title": "RAS-2003",
        "content_text": "15\n\nHOW OLD IS SHANGHAI'S LONGHUA TEMPLE?\n\nERIC N. DANIELSON ·\n\nShanghai's Longhua Temple (Longhua Si) is a functioning Buddhist temple with a large resident monk population belonging to the Chan sect (Chan zong) of Mahayana Buddhism. It is by far the largest one in Shanghai, and probably counts among the largest in China. Located southwest of the Xujiahui shopping district, the main temple complex sits on the north side of Longhua Lu, while its seven-story pagoda stands by itself across the street on the south side. Although it has often been said by many authors that this is supposedly the only pagoda in Shanghai, that is true only if one has a very narrow definition of what Shanghai is. Within the Shanghai Municipality (Shanghai Shi) there are a total of 16 historic pagodas, the other 15 being of equal age and historical authenticity but located out in the surrounding counties of Songjiang, Qingpu, and Jiading.\n\nThe temple's long history\n\nLonghua Si undoubtedly has a long history, but the question is how long? The answer is debatable. In all likelihood, it is about 900 years old, rather than the 1800 years sometimes claimed for it. Very little evidence exists to support the often heard claims that the temple and pagoda were supposedly first built in 242 A.D. and 247 A.D. by Sun Quan, the King of Wu, during the Three Kingdoms (San Guo). Furthermore, maps of Shanghai's geological history contained in Zhou Zhen He's 1999 Shanghai Lishi Ditu Ji show that most of this area was underwater until the Tang Dynasty (618-907). Some sources also make vague claims that the temple was built by the Tang Dynasty Empress Wu Ze Tian sometime during her reign (690-705 A.D.), but later destroyed at some unspecified date during the rebellion of Huang Zhao (879-884 A.D.) against the Tang Xi Zong Emperor (873-888). The first specific year to appear in most accounts is a supposed rebuilding of a new temple on the same site as the earlier San Guo and Tang temples by the Wu Yue regional kingdom in 977 A.D. If these earlier versions of Longhua Temple did in fact exist, they were ephemeral and have left no lasting traces.\n\nSubstantial documented evidence of the temple's origins begins to",
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