[
    {
        "id": 211267,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 328,
        "title": "RAS-1987",
        "content_text": "303\n\ncultivation of controlled accidents, synthesis of East and West: \"Chinese brushwork is really individual, like Western color. Good brushwork is so beautiful. It can make you look at it many times... It's just like with voice when I hear one song, if the voice is good I want to hear another song. It's the same voice, but each time it's a little bit different: that attracts me so much. . . .” (p. 42).\n\nOther notable scholars and critics who have written about artist-collector-connoisseur Wang have also been allowed to speak with their own voices, which gives the story a clarity and authenticity rarely achieved in a scholarly book. Moreover, the book is lavishly illustrated not only with Mr. Wang's works of all periods but also with the paintings that were most influential in building his style.\n\nIn addition, Professor Silbergeld recounts the long history of C. C. Wang as collector, and how he has been a central figure in influencing the growth of major collections of Chinese art in the West, notably that of the Metropolitan Museum of Art, through the sale of his own collections.\n\nMind Landscapes has been laid out with great beauty and intelligence. It would have been impossible to produce such an outstanding volume without financial support. This was provided through grants from the Henry Art Gallery Association, PONCHO, the University of Washington Press, and the J. Paul Getty Trust. Yet it is rare to have such a thoughtful and handsome product even if one has the resources. Kudos are also due to the designer, Douglas Wadden.\n\nThe publication of Mind Landscapes coincides with a major retrospective of C. C. Wang's work and serves as a catalogue to it. This book is a fitting climax to Mr. Wang's career and sets a standard of excellence in its field. Let us hope that young scholars in Asia and the West will take note.\n\nJOAN LEBOLD COHEN*\n\n* Joan Lebold Cohen, art historian and photographer, is a lecturer at Tufts University and the School of the Museum of Fine Arts, Boston. Her most recent books discuss various aspects of contemporary Chinese painting: The New Chinese Painting, 1949-1986 (1987) and Yunnan School, a Renaissance in Chinese Painting (1988).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 212023,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 438,
        "title": "RAS-1989",
        "content_text": "413\n\nMind Landscapes has been laid out with great beauty and intelligence. It would have been impossible to produce such an outstanding volume without financial support. This was provided through grants from the Henry Art Gallery Association, PONCHO, the University of Washington Press and the J. Paul Getty Trust. Yet it is rare to have such a thoughtful and handsome product even if one has the resources. Kudos is also due to the designer, Douglas Wadden.\n\nThe publication of Mind Landscapes coincides with a major retrospective of C.C. Wang's work and serves as a catalogue to it. This book is a fitting climax to Mr. Wang's career and sets a standard of excellence in its field. Let us hope that young scholars in Asia and the West will take note.\n\nJOAN LEBOLD COHEN\nTufts University\n\nPamela Atwell, British Mandarins and Chinese Reformers: the British Administration of Weihaiwei (1898-1930) and the Territory's Return to Chinese Rule, Hong Kong, Oxford, New York: Oxford University Press, 1985. 302 + xxiii pp. Appendices, Notes, Bibliography, Glossary (with Chinese characters), Index.\n\nThe year was 1898 and the sun was setting on the Ch'ing dynasty which had ruled the Chinese Empire since 1644. China's defeat by Japan in 1895 had revealed its weaknesses once more to the world. Foreign powers sought to take advantage of the vulnerability of the Ch'ing government to intensify their demands for territorial and economic concessions. The powers rushed, or \"scrambled\", to attain their objectives before others could get to them first.\n\nIn one respect, they had the support of Chinese officials, who, implementing traditional Chinese policy of using barbarians to control barbarians, sought to achieve a balance of power in China. By 1898, the Russians had built a naval base at Port Arthur while the Germans had established their presence over the province of Shantung. In April 1898, the Chinese government leased Weihaiwei to Britain. Weihaiwei, at the tip of the Kiaochow Peninsula in northern Shantung, was then occupied by the Japanese. It was hoped that, from this vantage, the British would be able to counter Russian and German strength in North China, and all of them would keep out the Japanese.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    }
]