[
    {
        "id": 204326,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 94,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n90\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n\"build for me a temple on the Ts'ui-p'ing Hill that I may be worshipped for a certain period and thereafter I can be reincarnated.\" When she awoke, she cried bitterly, and told the request to Li Ching. Li Ching was exasperated, and blamed his son once more for the disaster he had brought on them. No-cha repeated his request in vain on several successive nights and at last he warned the mother, \"You know that my temper is bad. If I lose my control over it, you know who will suffer.\" The mother was scared and sent some servants to go secretly to the Hill and build the temple with an image of No-cha set up in it. The temple of No-cha attracted many pilgrims and the incense burnt to him was ever increasing.\n\nOne day, after inspecting his troops at drill Li Ching, with a troop of soldiers, was passing the place. He saw many pilgrims flocking to the place and asked his aid-de-camp, \"Why is this hill thronged with people?\" \"For the last six months the god of this temple has performed miraculous deeds and answered the prayers of his worshippers. Therefore pilgrims from every quarter come to worship him,\" the officer answered. \"What is the name then of this god?\" Li Ching asked. \"The temple is called the Spiritual Palace of No-cha.\" \"No-cha! What!\" Li Ching was enraged, and ordered, \"Stop! I want to go to the temple myself.\" He dismounted at the entrance to the temple and entered the hall in which a lifelike image of his son was erected with some idols as his retinue. Li Ching pointed to the image and rebuked it, \"While you were living you were a source of trouble to your parents. And now, look, you even deceive the people after your death!\" He wielded his whip and smashed the image to pieces, and kicked away the other images. He ordered his troops to set fire and burn down the temple, and the multitude dispersed.\n\nWhen his father visited the temple No-cha had just entered into meditation in such a way that his spirit disappeared from the throne. On his return he found the temple had been burnt to ashes, and his retinue came to him with tears in their eyes. After he was told what had happened, No-cha grumbled, \"I have returned what I got from you and broken off all our relations. Why should you come here to molest me, burn down my place and leave me with no fixed abode?” No-cha's souls after half-a-year had acquired some nourishment through the food offered to him and was somewhat visible, so he went instantly to Mt. Ch'ien-yüan and appealed to his master. The Immortal T'ai-I said, \"Since you returned the flesh and bones to your parents, Li Ching had no right to interfere with the offerings. But Chiang Tzu-ya is soon to descend from the K'un-lun Mountain to help King Wu and",
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    {
        "id": 206083,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 163,
        "title": "RAS-1970",
        "content_text": "158 \n\nS. F. BALFOUR \n\nwant to avoid the mandatory officer of the Emperor, to betake their horrid presence to the South within three days. If they do not do so in three days, I shall wait five days. If they do not do so in five days I shall wait a week. If they do not do so in a week it will mean that they definitely refuse to go, and therefore that they do not recognise the prefect nor obey his words. In other words, they are so stupid and bestial that although their prefect speaks to them they neither listen nor understand. Now those who disregard the words of the mandatory officer of the Son of Heaven and who refuse to go away, and those who are too stupid to listen and harm the people deserve to be put to death. Therefore I, the prefect, shall select good archers among the soldiers and people who will use their bows and poisoned arrows to shoot the crocodiles until they are all dead. And let them not complain then, for it will be too late.” \n\nA year after, Han Yü was pardoned and allowed to return to North China. His passage in these parts was remembered by the first educated Chinese immigrants and Mount T'un Mun was provided with an inscription (§4§—)13 signed with his name which still stands on a rock at the summit in commemoration of his visit. \n\nDuring the period between the T'ang and Sung dynasties our region was governed from Canton by local kings who styled themselves emperors of the Southern Han dynasty. During this period one or two facts about this region are recorded. One is that in 969 Mount T'un Mun was named as a sacred mountain. The ceremony may have been conducted by the Emperor himself performing the sacrifice. From then onwards Mount T'un Mun was called Shing Shan or \"sacred hill.\" Its modern name of Ts'ing Shan or Green Hill dates from much later. Its Buddhist name is Pu Tu Shan. \n\nFrom another source we learn for the first time that pearl fishing was carried on in this region during the Southern Han dynasty. The text is a petition from a local Chinese of the Yüan dynasty to the Government saying that pearl fishing and the enslavement of the fishers was reviving in the Taipo Sea where it had not been practised since the Southern Han dynasty, and that a repetition of \n\n13 It was written by the ancestor of the Tang clan. See the next section.",
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    },
    {
        "id": 206085,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 165,
        "title": "RAS-1970",
        "content_text": "S. F. BALFOUR\n\nto be found. In the pearl sea the local Tan and Man14 live near the oyster beds but they are more wretched and starved than the poorest people and are not allowed to get pearls for themselves.\n\nIt is not possible to locate the parts of the Taipo Sea where this fishing was done. No doubt the appellation Taipo Sea was used, just as T'un Mun, to denote a large indefinite area possibly including most of Mirs Bay. There are, nowadays, oysters on the Canton estuary side only, and these do not give pearls. This text, which can be found in the Topography, gives a picture of the conditions existing when the population of our region was composed mainly of soldiers and aborigines.\n\nNo doubt cultivation was practised in the neighbourhood of these garrisons by the soldiers themselves or by a few families of Chinese peasants, but rice cultivation on a large scale, such as exists now on all the plains, cannot have existed a thousand years ago. Much of the country must have been jungle. The presence of elephants is shewn by an inscription dated A.D. 962 at a Buddhist temple not far from the present frontier. The inscription describes the erection of a pagoda on a site where elephant bones were collected and buried in order to pacify herds of elephants which were doing great damage in the neighbourhood. A description15 of the event runs as follows:\n\nIn Ts'ư Fu Shih, a Buddhist temple in Tung Kun district, a stone pagoda was built in the 5th year of the reign of Ta Pao of the Southern Han dynasty with the intention of pacifying the elephants which at that time were doing much damage to the crops. Elephant bones were collected in a heap, and the pagoda raised over them so as to keep the elephants in control.\n\nWe have already seen that crocodiles were common in South China during the T'ang dynasty, but the presence of elephants as late as the tenth century is a remarkable testimony of the change that the region underwent during less than a thousand years. It seems likely that the nature of the region changed after a process of deforestation.\n\n14 i.e. Tanka and Hoklo.\n\n15 BRÂES, Volume I, page 12.\n\nPage 165\n\nPage 166",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
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    },
    {
        "id": 206097,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 177,
        "title": "RAS-1970",
        "content_text": "172 \n\nS. F. BALFOUR \n\nDuarte Coelho, a captain who arrived at T'un Mun a little before Fernando d'Andrade, had had to fight no less than 35 engagements with local pirates, and his fleet was almost decimated by pirates while he was away in Canton. Besides pirates, they had to put up with a local boycott. The inhabitants had refused to help when their ships had been wrecked in a typhoon and gave them no provisions. It was natural that Simon Andrade decided to solve these problems by building a fort with forced labour and by making raids on the pirates' bases. The Chinese themselves recognised this, for one of the arguments that was put before the government for continuing trade negotiations was that the Portuguese were suppressing piracy at Lo Man Shan and other places. \n\nThe Chinese officials might in fact have tolerated the outrages committed by Simon Andrade if he and his companions had not designed to annex territory at T'un Mun and organise a trading colony under the Portuguese flag. The inscription with the arms of Portugal had been one of the signs of this intention; the fort Andrade built was another. The Chinese government, which had heretofore encouraged colonies of foreign traders, now felt that their liberality was being exploited. A Chinese text explains the situation as follows: \"Some time near the end of Ching Tê's reign (1506 to 1522) a people not recognised as tributary to China known as the Feringhis (1) together with a crowd of riff-raff filtered into the harbours between T'un Mun and Kwai Ch'ung and set up barracks and a fort, mounted many cannon to make war, captured islands, killed people, robbed ships and terrorised the population by their fierce dominion over the coast. Their ambition being to annex territory they made a survey and set up boundary stones and tried to administer the various other foreign traders within this area.\"28 \n\nIn this text Kwai Ch'ung must refer to a village of that name south-east of Tsün Wan and opposite Tsing I Island. The harbour between the mainland and Tsing I Island is one of the most sheltered in the whole region and must, I think, have been one of the main anchorages of the foreign ships. The place referred to as T'un Mun O is Castle Peak Bay itself and this was undoubtedly the place where the subsequent battle between the Portuguese and \n\n28 Chang T'ien-tse connects these boundary stones with the tablet bearing the Portuguese arms mentioned by Barros.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
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    },
    {
        "id": 206335,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 152,
        "title": "RAS-1971",
        "content_text": "146\n\nJ. C. Y. WATT\n\nindicates that they are highly localised and probably all come from the kilns of Fu-shan, the area which produce the famous Shih-wan (Shek-wan) wares of a later period. The most common type found in Nim Shu Wan is one that has been attributed to the late T'ang period (Plate 1 and note1). The stoneware and porcelain finds consist almost exclusively of various greenish glazed wares, the detailed description of which is beyond the scope of this paper. However, discussion in very general terms may not be out of place.\n\nThe great majority of these greenish wares consist of bowls and dishes of various sizes. The most common shapes and style of potting are similar to the bowls found in Puerto Galero, Mindoro, (see L. & C. Locsin, Plates 118 and 119). These bowls are usually decorated either on the inside or outside, or both, with a comb-like instrument used with great boldness and flourish. (Plate 7). The inside designs are usually some kind of floral pattern and the designs on the outside are either of the type described as \"chrysanthemum petals\" (closely spaced slanting lines radiating from the base of the bowl), or the type which is generally described as \"lotus petals\". The chrysanthemum petals as well as the floral designs which are woven into \"scrolls” in either a coherent or a \"dissolved\" manner are very similar to those found at the Hsi-ts'un kilns in Canton2, as well as some Fukien kilns, and show common features with certain designs found on celadon wares of the north, especially the Yao-yao varieties; while the \"lotus petals \" (Plate 8) seem to have directly descended from a class of decoration commonly found on Han earthenwares of Kwangtung13 and on the early Yueh wares. The Han potter, in his turn, probably derived his design from the decoration found on some Han bronzes. If this is the case, then this kind of \"lotus petals\" had nothing to do with the lotus plant in its beginnings. However, it is quite conceivable that the Wu and the Yuch people turned this pattern into a variety of the lotus design during the Six Dynasties when the lotus was greatly sung in the Yueh-fu ballads of South China origin because it punned with the word for “love” or “sympathy\". Thus this design can claim to be one of the chief characteristics of wares from South China from the Han to at least the Sung period.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
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    },
    {
        "id": 206348,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 165,
        "title": "RAS-1971",
        "content_text": "SUNG-TYPE POTTERY FINDS IN HONG KONG\n\n149\n\namong the sites, will at least be an important step towards an understanding of the overall pattern of early cultural and trade relations between China and South-east Asia over a period of several centuries. This comparative study will, of course, become more meaningful still when the pottery traditions of South China are better known,\n\nNOTES\n\n1 A report of the finds at Shek Pik by Hayes and Watt appeared in the Journal of the Hong Kong Archaeological Society, Vol. I, 1968, pp. 19-23.\n\n2 Jao Tsung-i: Kowloon in Historical Records of Sung Period, Hong Kong 1959.\n\n3 Lo Hsiang-lin: Hong Kong and Its External Communications before 1842, Chapter on “Last of the Sungs\", Hong Kong 1963.\n\n4 According to the survey sheets and land ownership schedules kept in the District Office, Islands, New Territories Administration.\n\n5 WW 1963.1, pp. 27-35.\n\n6 WWTKTL 1958.2, pp. 34-37 and WW 1959.6, pp. 62-71.\n\n7 WWTKTL 1958.2, p. 37.\n\n8 L. and C. Locsin: Oriental Ceramics discovered in the Philippines, Tuttle, 1968.\n\n9 Ku-Kung Po-wu-yuan Yuan-k'an, No. 2, 1960, pp. 121-123.\n\n10 WW 1965.2, pp. 26-31.\n\n11 UKK 1965.6, pp. 287-288.\n\n12 Kuang-chou Hsi-ts'un Ka-yao I-tzu, 1958.9, Wen Wu Press.\n\n13 See, for example, Plate V, KKTH 1956.4. Also Plate XVI (2) in J. C. Y. Watt: A Han Tomb in Lei Cheng Uk, Hong Kong, City Museum Handbook, 1970.\n\n14 WWTKTL 1955.10.\n\n15 See notes on pp. 161-3 JHKBRAS Vol. 9, 1969.\n\n16 KK 1962.8 pp. 414-415 and KK 1964.4 pp. 196-199.\n\nWWTKTL = Wen-wu-ts'an-k'ao-tzu-liao\n\nWW = Wen-wu\n\nKKTH = K'ao-ku-t'ung-hsün\n\nKK = K'ao-ku\n\nChinese Names and Terms\n\nNim Shu Wan 稔樹灣 Kai Tak 啟德\n\nPage 165\n\nPage 166",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
        "rank": 0
    },
    {
        "id": 206801,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 78,
        "title": "RAS-1973",
        "content_text": "72\n\nCHIU LING-YEONG\n\n40 See Liu Ts'un-yan #, \"The Taoists' Knowledge of Tuberculosis in the XIIth Century', a paper presented to the twenty-eighth International Congress of Orientalists, Canberra, January, 1971.\n\n41 Li Hsin's name had been mentioned by B. Laufer, P. Pelliot, G. Ferrand and many other sinologists in the beginning of this century. Cf. O. W. Wolters, Early Indonesian Commerce, a Study of the Origin of Srivijaya (New York, 1966), chapters 9 and 10, also pp. 307-307, n. 13.\n\n42 P. Huard and M. Wong, 'Evolution de la matière medicale chinoise\", Janus 47: (Leiden, 1958); and also their work La mèdecine chinoise au cours des siècles (Paris, 1959).\n\n43 F. S. Drake, pp. 222-223.\n\n44 Ibid.\n\n45 I am indebted again to Professor Lo Hsiang-lin's article 'T'ang-shih yu Chung-Jih wen-hua chiao-liu chih kuan-hsi' ✯✯ ZREALMA T'ang-tai wen-hua shih, pp. 194-220.\n\n46 Sun Kuang-hsien, Pei-meng so-yen. It records during the reign of Hsuan-tsung ✯ (A.D. 847-860) and I-tsung ✯✯ (A.D. 860-873) that secretaries in the Inner Court were all foreigners (#, *£*^); HTS, chuan 217, part II.\n\n47 Ch'üan-Tang wen, chuan 767; Ch'ien I &, Nan-pu hsin-shu **** (Hsüleh-ching t'ao-vüan ## edition) records: A › Ü*** › ÄR 三二人,姓氏稀僻者,謂之色目人,亦謂曰牌花口\n\n4 Sung Ming chiu it fed, Tang huiyao (Peking, 1959), chüan 10, p. 64, Tai-ho third year, the emperor decreed that:\n\n南海蕃舶,本以慕化而來,囿在榷以恩仁,使其感孚,如開癘疫,嗟怨之聲達於殊俗;況朕方寶勤儉,豐愛退遐?深慮遐邇未安,榷稅猶重,思有矜恤,以示綏撫。其嶺南、福建及揚州蕃客,宜委節度觀察使,常加存問,除舶稅、市、進奉外,任其來往通流,自行交易,不得重加榷稅。",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
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    },
    {
        "id": 206815,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1973",
        "page_number": 92,
        "title": "RAS-1973",
        "content_text": "86\n\nCHUANG SHEN\n\nBeginning from the Northern Sung period, speaking in general, editing principles applied to writings of either individual works or history of painting or calligraphy were two-fold. According to the first principle, records or descriptions of either painting or calligraphy were separated as two unrelated sections. But according to the second principle, they were combined together into one chronicle.\n\nDuring the Sung periods, there were two kinds of writings completed in accordance with the first principle; namely, official compilations in contrast to private compilations. In regard to the former, for instance, the Hsüan-ho shu-p'u and the Hsüan-ho hua-p'u are both typical works edited under the imperial order of Emperor Hui Tsung (re. 1082-1135); whereas the Hai-yüeh shu-shih and Hua-shih, both written by Mi Fei (1051-1107) are the best examples of writing on the history of calligraphy and painting among private compilations. Apparently, however, after the Sung periods, official writings on history of either painting and calligraphy were scarcely compiled. The reflourishing of such a tradition was not brought back until the Ch'ing period during the late 17th century.\n\nNevertheless, the editing principle of separating records of painting and calligraphy into two unrelated sections had already become an influential tradition. After the Sung periods, a number of books dealing with either painting or calligraphy were edited in this way.\n\nDuring the Ming period, the most distinguished works on painting and calligraphy were probably the following three: firstly, the Shu-yüan 12 chuan and the Hua-yüan 4 chuan, both edited by Wang Shih-chen (1526-1590); secondly, the San-hu-wang hua-lu and San-hu-wang shu-lu (each of which has 24 chuan) both edited in 1643 by Wang Ko-yü; thirdly, the Tieh-wang san-hu edited in 1597 by Chu Ts'un-li (The first edition has 8 chuan altogether; 4 chuan are dedicated to painting and the other 4 to calligraphy. Yet, in its second edition amended in 1610, this record was expanded to 16 chuan, with 10 chüan for calligraphy and 6 for painting.) In these three works, the records of painting and calligraphy were all divided into two unrelated sections.\n\nDuring the Ch'ing period, many works that dealt with the history of either painting or calligraphy were compiled according to the",
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    },
    {
        "id": 206816,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1973",
        "page_number": 93,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n87\n\nsame tradition. For instance, Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao of 1682 (60 chüan altogether; 30 for painting and 30 for calligraphy); Ku Fu's P'ing-sheng chuang-kuan of 1692 (10 chüan altogether; 5 for painting and 5 for calligraphy); Wu Shêng's Ta-kuan-lu of 1712 (20 chüan altogether; for painting and calligraphy, 10 chüan each); An Ch'i's Mo-yüan hui-kuan of 1742 (There are mainly 2 chüan; one for painting and the other, calligraphy. However, near the end of this work there appears an additional chüan with simplified descriptions of painting); and finally, Ku Wên-pin's Kuo-yün-lou shu-hua-lu of 1882 (6 chüan for painting and 4 for calligraphy). All these important works on the history of either painting or calligraphy were edited by separating records of painting and calligraphy into two different sections.\n\nOn the other hand, speaking in general, works in which records of painting and calligraphy were put together as a combined chronicle were far fewer. From the earlier period, only Huang Po-ssu's Tung-kuan-yu-lun (2 chüan, edited in 1147 by the author's son, Huang Nai) and Chou Mi's Yün-yen kuo-yen-lu (4 chüan, edited probably around 1291) may be regarded as representative works in this line during the Sung and the Yüan.\n\nHowever, during the Ming and the Ch'ing periods, works in this line were innumerable. During the Ming period the most important were: Chu Ts'un-li's (1444-1513) San-hu-mu-nan (8 chüan); Tu Mu's (1458-1525) Yü-i-pien (only 1 chüan); Wên Chia's (1501-1583) Ch'in-shan-r'ang shu-hua-chi (1 chüan, edited in 1565); Chu Chih-ch'ih's Ao-an shu-hua-mu (1 chüan); Sun Feng's Shu-hua-ch'ao (1 chüan); Chen Chi-ju's (1558-1639) Ni-ku-lu (4 chüan); Tung Ch'i-ch'ang's (1555-1636) Hua-chan-shih sui-pi (4 chüan); and Li Jih-hua's (1565-1635) Wei-sui-hsüan jih-chi (compiled in 1616). In all these works, the records of painting and calligraphy of various dynasties were combined, forming one chronicle.\n\nThis type of books became even more numerous during the Ch'ing dynasty. Those completed in early Ch'ing were Sun Chêng-che's (1592-1676) Kêng-tzŭ hsiao-hsia-chi (8",
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        "id": 206817,
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        "document_key": "RAS-1973",
        "page_number": 94,
        "title": "RAS-1973",
        "content_text": "88\n\nCHUANG SHEN\n\nchuan; completed in the 16th year of the Shun Chih era, 1659); Wu Ch'i-chên's Shu-hua-chi (6 chüan; completed in the 16th year of the K'ang Hsi era, 1677); Kao Shih-ch'i's (1645-1704) Chiang-ts'un hsiao-hsia-lu (3 chuan; completed in the 32nd year of the K'ang Hsi era, 1693); and Miu Yüeh-tsao's (1682-1761) Yü-i-lu (6 chuan; completed in the 11th year of the Yung Chêng era, 1733). During the prosperous period of Ch'ing, there were Lu Shih-hua's (1714-1779) Wu-yüeh so-chien-shu-hua-lu (6 chüan; completed in the 41st year of the Chien Lung era, 1776); Chen Cho's Hsiang-kuan-chai yü-hsiang-pien (12 chüan; completed in the 47th year of the Chien Lung era, 1782). In mid Ch'ing, more works of this kind appeared, such as Pan Shih-huang's Hsü-ching-chai yün-yen-kuo-yen-lu (1 chüan; completed in the 9th year of the Tao Kuang era, 1820); Chang Ta-yung's Chih-i-chai shu-hua-lu (30 chüan; completed in the 12th year of the Tao Kuang era, 1832); Tao Liang's (1772-1857) Hung-tou-shu-kuan shu-hua-chi (8 chüan; completed in the 16th year of the Tao Kuang era, 1836); and Hu Chi-t'ang's Pi-hsiao-hsüan shu-hua-lu (2 chüan; completed in the 19th year of the Tao Kuang era, 1839). Still more were published during the late Ch'ing period. These were: Han Tai-hua's Yü-yü-t'ang shu-hua-chi (4 chüan; completed in the first year of the Hsien Fêng era, 1851); Chang Kuang-hsü's Pieh-hsia-chai shu-hua-lu (4 chüan; completed in the 4th year of the T'ung Chih era, 1865); Li Tso-hsien's Shu-hua-chien-yin (24 chüan; completed in the 10th year of the T'ung Chih era, 1871); Fang Chün-i's Mêng-yüan shu-hua-lu (24 chüan; completed in the first year of the Kuang Hsü era, 1875); Hsieh K'un's Shu-hua-so-chien-lu (3 chüan; completed in the 6th year of the Kuang Hsü era, 1880), Ko Chin-liang's Ai-jih-yin-lu shu-hua-lu (4 chüan; completed in the 7th year of the Kuang Hsü era, 1881); Lu Hsin-yüan's (1834-1894) Jang-li-kuan kuo-yen-lu (40 chüan; completed in the 18th year of the Kuang Hsü era, 1892); and Shao Sung-nien's Ku-yüan-ts'ui-lu (18 chüan; completed in the 29th year of the Kuang Hsü era, 1903).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206819,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 96,
        "title": "RAS-1973",
        "content_text": "90\n\nCHUANG SHEN\n\nfollowing either the joint principle or the separate principle throughout the Ch'ing dynasty.\n\nIt may also be worthwhile for us to look into the editing methods employed in the art catalogues of the five Kwangtung collectors. Starting from the middle of the Ming dynasty (the 16th century is taken here as the demarcating point), the editing methods used in Chinese art catalogues can also be classified into two types. Most of the catalogues completed during the Sung and the Yuan periods, as well as in early Ming, possessed the following three characteristics:\n\n(1) brief description of subject matter seen on the painting proper.\n\n(2) in regard to the colophons written on or outside the painting proper, most of the time only the names of colophon writers were recorded,\n\n(3) as to the seals stamped on or outside the painting proper, most of the time only the names of the seal owners were recorded.\n\nIn other words, before the Wan Li era of mid Ming, art catalogue compilers only gave limited attention to the content of colophons and to the text and shape of the seals. After the Wan Li era, however, in regard to the inscriptions and colophons, a number of innovations in the compilation of Chinese art catalogues began to appear.\n\nFirst of all, in his Tieh-wang san-hu, Chu Ts'un-li not only recorded the artists' own short inscriptions, but also recorded in detail the longer colophons written by the collectors' or the artists' friends on or outside the painting proper. As a result, in reading the catalogue, the reader would have a clear picture of the background of each painting, its history of transmission, as well as other people's opinion of it. In comparison with the editing methods employed in art catalogues of the previous few centuries, Chu Ts'un-li's editing method was undoubtedly a major change. Therefore, although after the publication of the Tieh-wang san-hu, certain compilers ignored Chu's editing method and still adhered to the traditional ways, there were actually a great number of others who accepted the new way readily. The San-hu-wang hua-lu, completed in the 16th year of the Ch'ung Chên era by Wang K'o-yü, was one of the more important art catalogues that first followed this new",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206820,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 97,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES \n\n91\n\nediting method. In it, Wang not only accepted the method introduced by Chu Ts'un-li by recording faithfully all the inscriptions and colophons that appeared on each painting; but more than that, he also entered details about the quality and format of each painting, which were things Chu had overlooked.\n\nIn early Ch'ing, Pien Yung-yü's Shih-ku-t’ang hua-k’ao was the more significant in terms of editing methods. To begin with, Pien not only conformed with Chu Ts'un-li and Wang Ko-yü in entering details of the quality and format, as well as the inscriptions and colophons of a painting, but also recorded all the seals stamped on or outside it. It should be noted here that although the use of seals could be traced back to the T'ang dynasty, it seems that its common use by artists started only in early Ming. In particular, after Ho Chên's Wan School took over the place of the Chê School (founded by Wên Chia, compiler of the Chin-shan-fang shu-hua-chi) and engraved a large number of seals for the scholars during the transitional period of the Ming and Ch'ing dynasties, the use of seals became so popular that it surpassed all such practices in the past. It is very likely that in view of the growing importance of seals, Pien Yung-yü began to record the seals that appeared on old paintings. His ways of recording seals are as follows:\n\n(1) keeping to the original order of the seal text, he rearranged them by recording the transcriptions in the regular script. (2) he denoted the original shape of the seals by enclosing the transcriptions recorded in the regular script in squares or rectangles.\n\n(3) beneath the seals, he added explanatory notes in small characters to indicate the method used in carving the seal (The characters carved in relief are called chu-wên and the incised ones are called pai-wên).\n\nAnother major contribution made by Pien Yung-yü in the matter of methods employed in the compilation of art catalogues was the recording of sizes of paintings and calligraphies. Although Wang Ko-yü had already recorded the quality of paintings in his San-hu-wang hua-lu, nevertheless he had neglected the importance of the measurements. This problem, overlooked by art catalogue compilers in the Ming dynasty, was not given full attention until Pien Yung-yü compiled the Shih-ku-t'ang shu-k'ao and Shih-ku-t'ang hua-k'ao in early Ch'ing. Therefore Pien's work, a combination...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206822,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 99,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES \n\n93 \n\nwas given about the seals and the measurements of the paintings, and often, only the names of colophon writers and seal owners were included, without any entry of the text of colophons and seals. Nevertheless these works should only be regarded as exceptional cases, since after the publication of the Shih-ku-t’ang hua-k’ao, most art catalogue compilers adopted Pien Yung-yü's editing methods. \n\nAs mentioned above, there is some difference in the editing principles employed in the five Kwangtung art catalogues; in that Yeh and Liang adopted the separate principle, while Wu, Pan and Kung adopted the joint principle. On the other hand, in the matter of editing methods, all the five catalogues are similar to most of the catalogues compiled in the Ch'ing dynasty in that detailed records of the material, size and format of a painting are given, as well as inscriptions, colophons and seals appearing on it. In other words, in compiling catalogues for their own collections, these five collectors unanimously adopted the same editing methods, \n\nAlthough in actual fact, the system of including the five essential elements—material, size, format of painting, inscriptions and seals—were first initiated by Pien Yung-yü, however, according to the introductory notes of these four Kwangtung collectors' art catalogues* these elements originated not from Pien Yung-yü's Shih-ku-t'ang hua-k'ao, but from Kao Shih-ch'i's much later work, the Chiang-ts'un hsiao-hsia-lu. This point of view can be found in the introductory notes of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, in which Wu wrote, \n\nChiang-ts'un hsiao-hsia-lu was the first catalogue that recorded the measurements of scrolls and albums of painting. \n\nand again, Since the seals could not be copied, therefore those recorded in the Chiang-ts'un hsiao-hsia-lu were all written in the regular script and then enclosed by lines. This method is the best. \n\nthe same is adopted here. \n\nI am living in a peaceful and prosperous period, and is thus able to while away the time beneath the woods. In every respect, I shall follow the Chiang-ts'un hsiao-hsia-lu. \n\n* The introductory notes are not available in Yeh's catalogue.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206823,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 100,
        "title": "RAS-1973",
        "content_text": "94\n\nCHUANG SHEN\n\nIt should be noted here that the Shih-ku-t'ang hua-k’ao was completed in the 21st year of the K'ang Hsi era, and Kao Shih-ch'ï's Chiang-ts'un hsiao-hsia-lu, in the 32nd year of the K'ang Hsi era. Thus there were eleven years in between. As early as the 21st year of the K'ang Hsi era, Pien Yung-yü had already begun to record the measurements of painting, use the regular script to transcribe the seal text, and squares and rectangles to represent the original shape of the seals. Therefore, the Chiang-ts'un hsiao-hsia-lu was not as Wu Yung-kuang stated \"the first catalogue that recorded the measurements of scrolls and paintings\". Furthermore, neither did the method of \"enclosing seal text transcribed in the regular script by lines\" to record seals that appeared on paintings, as had been extolled by Wu Yung-kuang as the \"best\" method, originate from Kao Shih-ch'i. Kao was only one of those early art catalogue compilers who followed Pien's systems. However, in regard to these two compilers' writings, owing to the fact that no matter on the subject of the classics or literature, Kao by far out-numbered Pien in quantity. His reputation as a connoisseur was also far higher than Pien's. It was probably because of these reasons that Wu Yung-kuang only noticed Kao's Chiang-ts'un hsiao-hsia-lu and overlooked Pien's Shih-ku-t'ang hua-k'ao. Consequently Wu's editing methods adopted in his Hsin-ch'ou hsiao-hsia-chi followed exactly those of Chiang-ts'un-hsiao-hsia-lu. Undoubtedly, the editing methods adopted by Wu were the most perfect ones in the compilation of art catalogues. However, the fact that he was only aware of Kao Shih-ch'i and not Pien Yung-yü seems to show that he had put a wrong emphasis on the first and last, which is something regrettable.\n\nA catalogue that was completed earlier than the Hsin-ch'ou hsiao-hsia-chi was: Yeh Meng-lung's Fêng-man-lou shu-hua-lu. Unfortunately, Yeh Mêng-lung did not give any introductory note to explain his editing system. Therefore it is not known whether his inclusion of the five essential elements i.e. measurements, material, format, seals and colophons was under the influence of Pien Yung-yü or Kao Shih-ch'i. However, since Yeh and Wu were not only good friends, but also later became relatives1, it is possible that when compiling his Fêng-man-lou shu-hua-lu, Yeh Mêng-lung was somehow influenced by Wu Yung-kuang. Thus like Wu Yung-kuang, Yeh's adoption of the five essential elements was probably under the influence of Kao Shih-ch'i and not directly from Pien Yung-yü.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206824,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 101,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n95\n\nThe next catalogue completed soon after the Fêng-man-lou shu-hua-lu and Hsin-ch'ou hsiao-hsia-chi was Pan Chêng-wei's T'ing-fêng-lou shu-hua-chi. One paragraph in the preface is of particular importance here,\n\nIt was Tu Mu's Yü-i-pien which initiated the practice of selecting paintings and calligraphies belonging to masters of past dynasties, and cataloguing them in one chronicle. After that, the most distinguished works were Chu Ts'un-li's San-hu mu-nan and Chang Ch'ou's ## Ch'ing-ho shu-hua-fang **★✰★ · In our period, there was Sun Ch’êng-chê's Kêng-tzu hsiao-hsia-chi, in which in addition to his own collection, Sun also included records of other people's collections. Then there was Kao Shih-ch'ï's Chiang-ts'un hsiao-hsia-lu in which Kao entered details such as the material used (whether paper or silk), the format (album or scroll), the measurements (the length and breadth) of paintings that he had seen, and a full record of all his colophons was also given. Recently the minister Wu Yung-kuang has edited a catalogue entitled Hsin-ch'ou hsiao-hsia-chi in which he adopted the system set down by Sun Ch'êng-chê and Kao Shih-ch'i. He has also selected a few items from my own collection and included them in his work. Moreover, he urged me to compile a catalogue for my own collection and have it published. Thus, following his way, I edited this book.\n\nIn this preface by Pan, there are a few points worth our notice: Firstly, among the art catalogues compiled in the Ch'ing dynasty, he had only mentioned Sun Ch’êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Based on this fact, either Pan was entirely ignorant of Pien Yung-yü's Shih-ku-t'ang hua-k'ao or at least he must have held it in low esteem. This attitude is no different from that shown by Wu and Yeh.\n\nSecondly, although Pan Chêng-wei humbly admitted that the compilation methods of his T'ing-fan-lou shu-hua-chi followed that of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, in fact, this was only a polite remark made by him. In the opening part of the Hsin-ch'ou hsiao-hsia-chi, it has been clearly stated that this catalogue was compiled by Wu Yung-kuang, but was collated jointly by his brother Wu Mi-kuang ✯ ✯ Ł. Ch’ü Shu-ch’ên # and Pan Chêng-wei. This means that in the course of compiling the Hsin-ch'ou hsiao-hsia-chi, Wu Yung-kuang had consulted Pan Chêng-wei.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206825,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 102,
        "title": "RAS-1973",
        "content_text": "96\n\nCHUANG SHEN\n\nThus, instead of saying that the compilation method of the T'ing-fan-lou shu-hua-chi was an imitation of the system used in Wu Yung-kuang's art catalogue, rather, it would be more appropriate to say that Pan compiled it according to his own ideas,\n\nThirdly, if this assumption is reasonably correct, then the fact that Pan, in the preface of his T'ing-fan-lou shu-hua-chi regarded Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as one of the representative art catalogues in the Ch'ing dynasty was due to his high esteem for Kao's work, which incidentally was a view shared by Wu Yung-kuang. Moreover, it is possible that he came under Wu's influence while undertaking the collating work for the Hsin-ch'ou hsiao-hsia-chi, thus regarded Kao Shih-ch'i's work of special importance.\n\nFourthly, Pan Chêng-wei considered Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as the most representative art catalogues compiled in early Ch'ing. This point of view is worth our notice. It should be noted that though Sun's catalogue was completed in the 16th year of the Shun Chih era (1659), it was being collated only less than a century after its publication, by Ho Cho2 (1661-1722), a well-known scholar of the Chiang Nan district21 and active in the K'ang Hsi era. Moreover, in the Chien Lung period, distinguished scholars like Lu Wên-ch'aoAx 3 (1717-1795), Pao T'ing-po3* ty (1728-1814) and Yu Chi (1738-1823) at one time or other wrote prefaces and colophons for this catalogue3, and in particular, Pao T'ing-po even included it in his Chih-pu-chü-chai ts'ung-shu1 * F & *** in order to publicize it. Not long afterward, it was well appraised by the Ssu-k'u-ch'uan-shu tsung-mu t'i-yao★ATAIRE, an official catalogue completed in the 48th year of the Chien Lung era. Thus, it can be seen that during the 124 years between the 16th year of the Shun Chih era and the 48th year of the Chien Lung era, in regard to the connoisseurship of painting and calligraphy, no matter whether it was in Chiang Nan or in the capital, and regardless of whether privately or officially, there was no one who did not consider Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi as an important work for reference,\n\nHowever, the situation was not quite the same in Kwangtung. Probably up to the Chien Lung era, no Kwangtung scholar had ever noticed the Kêng-tzŭ hsiao-hsia-chi. Even Wu Yung-kuang and Yeh Mêng-lung, relatives who both served for a long time in the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206826,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 103,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES \n\n97\n\ncapital during the Chia Ch'ing and Tao Kuang eras, did not seem to be aware of the significance of the Kêng-tzu hsiao-hsia-chi. This was why when quoting a representative work among the art catalogues completed in the Ch'ing dynasty, Wu Yung-kuang only commended Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu, and completely ignored Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi. Finally it was only when Pan Chêng-wei wrote the preface for his own T'ing-fan-lou shu-hua-chi in the 23rd year of the Tao Kuang era (1843) that for the first time Sun and Kao's works were given equal attention. In other words, whilst Sun's Kêng-tzu hsiao-hsia-chi had already aroused attention among the scholars of Chiang Nan only half a century after its publication, it had to wait 184 years after its publication to be brought to the notice of Kwangtung art collectors. If Wu Yung-kuang's introduction of Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu to Kwangtung can be regarded as some kind of contribution to the art collectors in his native place, then Pan Chêng-wei's recommendation of Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi should in the same way be said to be one of his contributions to the Kwangtung art collectors. It was probably because of Pan's high recommendation of the Kêng-tzu hsiao-hsia-chi that this book later attracted the attention of two other Kwangtung art collectors. Therefore, although in the Chia Ch'ing and Tao Kuang eras, the earlier Kwangtung art collectors Wu Yung-kuang and Yeh Mêng-lung were not fully aware of the significance of the Kêng-tzu hsiao-hsia-chi, it seems that in the Hsien Fêng era, however, the later Kwangtung art collectors Liang Ting-nan and Kung Kuang-tao began to show a certain degree of respect for Sun's catalogue. Evidence for this can be obtained in the compilation system adopted in the art catalogues compiled by Liang and Kung.\n\nNow let us examine the editing system set down in Liang Ting-nan's T'êng-hua-t'ing shu-hua-pa and Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu. In the former there is a preface written in the 5th year of the Hsien Fêng era (1855) by Liang T'ing-nan himself, the last part of which reads,\n\nThis time when I came again to the province, I lived in seclusion ... I decided to keep this part after making a revision. As to this edition, I would not dare to compare it with the two works compiled by Sun and Kao respectively. Moreover, in the matter of the editing system, my book differs from theirs on many points.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206827,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 104,
        "title": "RAS-1973",
        "content_text": "98\n\nCHUANG SHEN\n\nNeedless to say, the two works by Sun and Kao mentioned in the text refer to Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Although Liang T'ing-nan pointed out that it would be unsuitable to compare his T'êng-hua-t'ing shu-hua-pa with the two works of Sun and Kao—which was, moreover, something that he would not venture to do—it could be deduced that, in his opinion, the two catalogues compiled by Sun Ch'êng-chê and Kao Shih-ch'i must have been held in reverence. Otherwise, it would be difficult to explain why he must necessarily take his work to compare with the Kêng-tzŭ hsiao-hsia-chi and the Chiang-ts'un hsiao-hsia-lu, and not with Pien Yung-yü's Shih-ku-t'ang hua-k'ao. According to Liang's remark, it is clear that owing to Pan Chêng-wei's recommendation of the Kêng-tzŭ hsiao-hsia-chi, Sun's work became an art catalogue capable of being compared with Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu in the mind of Kwang-tung art collectors some time later; while, on the other hand, Pien Yung-yü's work seemed to remain unnoticed, as it was during Wu Yung-kuang's time. It thus seems rather questionable whether Liang T'ing-nan was ever aware of Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao.\n\nAs to the origin of the editing method employed in Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, some hints may be obtained from the preface written by Li Ch'ao-t'ang, which reads,\n\nThe two brothers Huai-min and Shao-tang (i.e., Kung Kuang-yung and Kung Kuang-tao) had the largest collection of books in Kwangtung. At his leisure hours, Kung Kuang-tao compiled this catalogue by following the editing system set down in the catalogues of Sun Ch'êng-chê and Kao Shih-ch'i.\n\nThus, it can be seen that the origin of the editing method employed in the Yüeh-hsüeh-lou shu-hua-lu was also that used in the two catalogues of Sun Ch'êng-chê and Kao Shih-ch'i. From the time when Wu Yung-kuang completed his Hsin-ch'ou hsiao-hsia-chi to the time when Liang T'ing-nan completed his T'êng-hua-t'ing shu-hua-pa, 15 years had elapsed, and up to the completion of Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, 21 years. During these 21 years, apart from the fact that owing to Pan Chêng-wei's recommendation, Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi received more attention, and that Liang T'ing-nan's T'êng-hua-t'ing shu-hua-pa",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206828,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 105,
        "title": "RAS-1973",
        "content_text": "# FIVE ART CATALOGUES\n\n99\n\ndiffered somewhat from the two catalogues of Sun and Kao, by the time Kung Kuang-tao compiled his art catalogue, the editing method he adopted seemed to be, if not a continuation of that used in Sun's Kêng-tzŭ hsiao-hsia-chi and Kao's Chiang-ts'un hsiao-hsia-lu, at least unrelated to Pien Yung-yü's Shih-ku-t'ang hua-k'ao.\n\nIn a word, although these five Kwangtung art collectors had adopted a new editing system in their catalogues, they had not referred to the work of the compiler who first introduced this system. This is no different from one who counts the records but has forgotten one's ancestors, and can but be regarded as a very unreasonable incident in the history of art catalogue compilation.\n\n## III\n\n## Defects in the Catalogues\n\nAs mentioned above, though the five Kwangtung collectors' catalogues were all compiled by following the new editing method introduced in the compilation of art catalogue, it should be pointed out here that they are not without shortcomings and errors. These, on the whole, can be divided into 3 types, namely: unsuitable compilation method, carelessness in proof-reading, as well as erroneous chronology. Each of these will be discussed below.\n\n### A. Unsuitable Compilation Method\n\nIn Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, paintings done by the same artist are mostly grouped together. However Wu had at least in two instances separately recorded the paintings of two artists. As a result, the reader would feel rather confused when using this catalogue. For example, this catalogue has recorded two paintings by Ni Tsan (1301-1374) in chüan 4. One of these, the Yu-po-t'an-hua-t'u appears in chüan 4, p. 22b, and the other, Ho-lin-t'u, on p. 41a of the same chüan. They are thus nearly twenty pages apart. Between these two paintings, Wu recorded accordingly the hanging scrolls of calligraphy respectively done by Kung Su, Fêng Hai-su and Nao Nao, as well as a handscroll including calligraphies written by Liu Yu-ch'ing, Fan Kuo, Ouyang Ying, Yü Chi, Wu Ch'uan-chieh, Yü-fu-t'u, and Liu Kuan. In addition, in the space of nearly twenty pages, Wu also recorded Wu Chen's and Wang Fu's (1362-1416).\n\nPage 105\n\nPage 106",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206831,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 108,
        "title": "RAS-1973",
        "content_text": "102 \n\nCHUANG SHEN \n\n2. Wang Yuan-ch'i £ß \n\n3. Wang Yuan-ch'i \n\n4. Wang Yuan-ch'i \n\n5. Wang Chien £ \n\n6. Wang Chien \n\n7. Wang Hui \n\n8. Fang Shih-shu \n\n9. Hua Yen 華嵒 \n\nhanging scroll of the Fu-ch'un Mountain 富春山軸 \n\nhanging scroll of landscape executed in the style of Huang Kung-wang 黄公望 and Ni Tsan 倪瓒 handscroll of landscape in the style \n\nof former masters. \n\nYün-ho sung-yin-t'u *** H \n\n, hanging scroll \n\nTs'êng-luan-sung-ts'ui-t'u \n\n翠圖 hanging scroll \n\nHsia-k'ou tai-tu t'u \n\n#* \n\nalbum of landscape, figure and flower \n\nhanging screens of flower and bird \n\n10. Wang Shih-min E \n\n11. Liang Pei-lan \n\n12. Ch'ien Tsai \n\nhanging scroll executed in the style of Huang Kung-wang \n\nhanging scroll of poems written in the running script \n\nhanging scroll of orchid and bamboo executed in ink monochrome \n\nAmong the three different kinds of edition available today, no matter whether it is hand-written, or wood block printed, or type printed, all the texts in chuan 5 of this T'ing-fan-lou shu-hua-chi have left out ten items of painting and calligraphy; i.e., from the landscape album executed by the Sung and Yüan artists up to Ch'ing-chieh-t'u executed by Ch'ien Hsi-pai of the Sung dynasty. And similarly, all the texts in chuan 2 of the supplement of the same catalogue have omitted record of the 12 items of painting and calligraphy; i.e., from Wang Hui's hanging scroll executed in the style of Wang Meng up to Ch'ien Tsai's hanging scroll of orchid and bamboo executed in ink monochrome. For the same item of painting, the table of contents in this book lists its painter, its title as well as the format, and yet all these details have not been entered into the text. Such inconsistency cannot but be regarded as a shortcoming in compilation, the more so since this shortcoming arises not because of the difference in edition, but entirely due to the carelessness of the compiler.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206838,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 115,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n109\n\n9 In chuan 4 of Hsin-ch'ou hsiao-hsia-chi pp. 22b-33a, after entering Ni Tsan's Yu-po-t'an-hua-t'u and inscriptions and recording the three colophons written by Tung Ch'i-ch'ang and emperor Chien Lung, Wu Yung-kuang's own colophon follows, beginning thus,\n\nThis painting agrees with the one recorded in Wu's Ta-kuan-lu\n\n4. It was after this painting had been dispersed from Chiêng Chi-pa's collection that Wu Tzu-min came across it. Soon it was acquired by the imperial household.....\n\nIn saying that \"this painting agrees with the one recorded in Wu's Ta-kuan-lu”, it is apparent that Wu Yung-kuang must have used Wu Sheng's Ta-kuan-lu in order to make a comparison between the inscriptions recorded in this catalogue and those appeared on the painting.\n\n10 See Hsin-chou hsiao-hsia-chi chuan 5, p. 54b.\n\n11 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 23a.\n\n12 Ibid chuan 5, p. 54b.\n\n13 See Ping-sheng chuang-kuan chuan 3, p. 20; published in Shanghai, 1962.\n\n14 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 39a.\n\n15 Refer to footnote 10.\n\n16 An Ch'i's description of Yü-tung hsien-yüan-t'u can be found in Mo-ylian hui-kuan chuan 3. However he recorded it as Tao-yuan hsien-ching-t'u, which is somewhat different from that recorded by Wu Yung-kuang.\n\n17 See Pien Yung-yu's Shih-ku-t'ang hua-k'ao chuan 37. The edition used here is a photo copy of this catalogue in the collection of Mr. Chiang's Mi-chün-lou, made by Ying-yin chien-ku shu-she of the Cheng Chung Book Co., Taiwan in 1958, p. 4966. (The Chêng Chung Book Co. shows its ignorance in combining two pages of the original book into one page, and instead of following the original page number, gives each page a new number).\n\n18 The titles of these three scrolls of painting can be found in T'êng-hua-t'ing shu-hua-pa chuan 1, which are: Pai-l'ou an-ch'un tu p. 35b; Hua-kuo-r'u, p. 36a; Lan-hua-t'u, p. 36b.\n\n19 Among the documents that were completed in the Ch'ing dynasty and mainly dealt with biographies or names of the Ch'ing painters, the following are, in general, regarded as the most important:\n\n(1) Chang Kêng's Kuo-ch'ao-hua-chêng-lu in 3 chuan, supplement in 2 chuan. According to his own preface, this book was completed in the 13th year of the Yung Chêng era (1734).\n\n(2) P'êng Yün-ts'an's (1780-1840) Hun-shih hui-chüan\n\n史棠傳 in 70 chuan and appendix in 2 chuan.\n\n(3) Fêng Chin's Li-tai hua-chia hsing-shih pien-lan in 7 chuan, published in the 6th year of the Tao Kuang era (1826).\n\n(4) Lu Chün's Sung Yüan i-lai hua-jen hsing-shih-lu in 37 chuan. The preface written by Tang Chin-ch'ao is dated in the 10th year of the Tao Kuang era (1830).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206850,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 127,
        "title": "RAS-1973",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES: KAM TIN 121\n\nis called Lo Foo Ts'z T'ong (老虎祠堂), Tiger Hall. The floor of the cave is quite smooth with a lot of small stones almost like a mosaic. Though the actual site of the school is not known, old tiles have been found from time to time on the hillside, and one of these can be seen in a house called Cheung Ch'un Yuen (祥泉園) of Shui Tau (水頭) village. In the same house is a flower vase of interest that was dug up on Hong Kong island about 30 years before the British settled there.\n\nAs mentioned before, four of the \"five Yuens\" eventually left Kam Tin and founded branches of the Tang family elsewhere, and it has even been said that Yuen Leung, the ancestor of the Kam Tin branch, moved to Mok Ka Tung (莫家洞) near Shek Lung, but this removal is generally attributed to Yuen Leung's daughter-in-law, a princess of Sung dynasty whose story reads almost like a romance. She was a daughter of the Emperor Ko Tsung (高宗) of Sung Dynasty, who before becoming emperor of China was Prince Hong Wong (康王). The Tartars at that time were attacking the North of China, and in the 2nd year of Tsing Hong (靖康) A.D. 1127 they entered the Sung capital, captured the two emperors Fai Tsung (徽宗) and Yam Tsung (欽宗) together with both the mother and wife of Hong Wong, who was himself away in another part of the kingdom fighting the Tartars as he held the appointment of Tin Ha Ping Ma Tai Yuen Sui (天下兵馬大元帥), the commander-in-chief of all the emperor's forces. Hong Wong's little daughter was only ten years old and she was protected by her women servants who fled with her to the South. In the 3rd year of Kin Yim (建炎) A.D. 1129 they arrived in the Kiangsi province where Yuen Leung was district officer of Kung Yuen (贛縣) district. He was very zealous to help the Emperor and had collected together an army of soldiers, with the intention of marching North. Kiangsi was full of the Tartar forces, and the princess found herself surrounded by enemies. One day she saw the Sung flag over the encampment of Yuen Leung's army and she went to him for protection. She stayed with Yuen Leung, moving about with his soldiers, and eventually when he returned to Kam Tin he brought her back with him. He did not know who she was, as the servants had told him only that she was the daughter of a high official in the North. The princess found happiness and security in Kam Tin. She was like a daughter in Yuen Leung's house, helped with the household duties and was quite content. Eventually she revealed",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 207002,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 73,
        "title": "RAS-1974",
        "content_text": "DOGS AND HORSES IN ANCIENT CHINA\n\nBIBLIOGRAPHY\n\n67\n\nPrimary Sources\n\nChou Li, Ssu-pu Ts'ung K'an, ts'e 9-14, Commercial Press, Shanghai, 1920-1922.\n\nMu Tien Tzu Chuan, Ssu-pu pei-yao, ts'e 1129, Chung-hua shu-chu, Shanghai, 1927-1935.\n\nSsu Ma Ch'ien, Shi Chi; Er. Shih-Ssu pen, Wu Chou Tung, Wen Shu Chu, Shanghai, 1903.\n\nSecondary Sources\n\nANDERSSON, J. G. Children of the Yellow Earth, Kegan Paul, London 1934.\n\nBIOT, Edouard Le Tcheou Li, Wen Tien Ko, Peking 1929, (reprinted 1939).\n\nBURKHARDT, V. R. Chinese Creeds and Customs, South China Morning Post press, Hong Kong 1955 and 1958.\n\nCHANG Kwang-chih The Archeology of Ancient China, New Haven, Yale University Press, 1963.\n\nCHAVANNES, Edouard Les Memoires Historiques de Se Ma Ts'ien, Brill, Leiden (reprinted 1939).\n\nCHENG Te-K'un Archeology in China, Vols. I, II, III, Heffer, Cambridge 1960.\n\nCOUVREUR, S. Le Li Ki, Imprimerie de la Mission Catholique, Ho Kien Fu 1913.\n\nCREEL, Herrlee G. Studies in Early Chinese History, Kegan Paul, London 1938.\n\nDUBS, Homer The History of the Former Han by Pan Ku, Waverly Press, Baltimore 1955.\n\nERKES, Eduard (1) \"Der Hund im Alten China\" in T'oung Pao, Vol. 37 (1944) 186-225.\n\n(2) \"Das Pferd im Alten China\" in T'oung Pao, Vol. 36 (1940-42) 27-36.\n\nKARLGREN Grammata Serica, Museum of Far Eastern Antiquities, Bulletin No. 12, Stockholm, 1940.\n\nLAUFER, Berthold Chinese Pottery of the Han Dynasty, Brill, Leiden 1909.\n\nSCHAFER, Edward The Golden Peaches of Samarkand, University of California Press, Berkeley and Los Angeles, 1963.\n\nSCHINDLER, Bruno (1) \"The Development of the Chinese Conception of Supreme Being\" in Hirth Anniversary Vol., 298-366.\n\n(2) \"On Travel, Wayside and Wind Offerings\" in Asia Major, Vol. 45 (1924) 624-656.\n\nYETTS, Perceval \"The Horse; A factor in Early Chinese History\" in Eurasia Septentrionalis Antique, Vol. 9 (1934) 231-235.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207029,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 100,
        "title": "RAS-1974",
        "content_text": "94\n\nR. G. IRWIN\n\nCes trois historiens des MING sont particulièrement distingués à la Chine, & personne n'y révoque en doute les faits qu'ils rapportent; c'est sur leur réputation de fidélité & d'exactitude que le Père de Mailla les a adoptés de préférence aux autres. II a encore puisé dans un recueil de discours & instructions de HONG-VOU, fondateur des MING, que Chun-chi des TSING a fait traduire en tartare pour son usage particulier dans le gouvernement de son nouvel empire & pour l'instruction des grands de sa cour. Ce recueil est intitulé, Ming-kou-lou-hong-vou-han-y-oyong-tatsi-yen; c'est-à-dire, Documens importans de l'empereur HONG-VOU, de la dynastie des MING.\n\nThese authors and their works may well have been renowned at the time of de Mailla, but two centuries later their very identification presents a problem, the results of which are herewith summarized:\n\n1. Ku Ying-t'ai (T. Keng-yü),3 who is credited with the authorship of Ming-ch'ao chi-shih pen-moa by the editors of the Ssu-k'u ch'üan-shu tsung-mu¤$£$#!' was a native of Feng-jun, Pei-Chihli. After taking the chin-shih degree in 1647 he held a secretaryship in the ministry of Revenue, and later in the Chekiang provincial board of education. The history, a work in 80 chüan, each devoted to a separate topic, carries a preface dated 1658.6 On the whole, it is a well-ordered record of the Ming period. Factual errors, which occur, for example, in connection with Chu Yün-wen, who reigned as Emperor Hui (1399-1402), and again with Chang Ma, better known as Empress I-an (consort of Chu Yu-chiao, emperor of the T'ien-ch'i period, 1621-27), are accounted for by the lack of any such standard source as the official history at the time of composition. But the Ssu-k'u editors are of the opinion that the author has handled the available material well.\n\nWhether Ku should be given entire credit for its authorship is open to question, however, since it seems to have been based on Shih-kuei ts'ang-shu♬ §#*, for which he is reported to have paid Chang Tai of Shan-yin, Chekiang, some 500 pieces of gold. Fu I-li# » † (fl. 1862-74), in a colophon, discusses the problem at length, concluding that Chang Tai's material passed through the hands of Hsu Ch'ao-li, who re-wrote it. Ku, in turn, re-worked this, and cannot be accused of out and out plagiarism.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207105,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 176,
        "title": "RAS-1974",
        "content_text": "170\n\nSUNG HOK-PANG\n\nShui T'au village in the Shing Fa years of Ming dynasty, and at the same time, Tang Wan Kuk #Tang Shuk Lun and Tang Kwai Yin started the village of Shui Mei, while Tang Chung, Tang Shue and eight others formed the village Ying Lung Waai near Yuen Long Market. When these villages were built on the advice of “fung shui\" men a pagoda was also erected to the west of them, called Man Ch'eung Kok. In the 30th year of To Kwong, A.D. 1850, of Ts'ing dynasty the Tang family seemed to have reached the height of their prosperity. Many of them had passed the highest government examination and a census taken in that year shewed that there were more than eighteen hundred males living, belonging to the family. Not content, the elders consulted with ignorant \"fung shui\" men as to how to increase their numbers even more. They were advised to pull down the pagoda, to alter the course of the river, making three ponds, and to build a school that would hide part of the river from the view of the village. From that time the family decreased considerably, and many of them regretted having taken the advice of the \"fung shui\" men. In 1930, however, they repaired the banks of the river and built houses called Ch'eung Ch'un Lei near where the pagoda had stood, and since then the Kam T'in people declare that more male children have been born and family is once again on the increase.\n\n[5]\n\nDuring and since the Ming dynasty Kam T'in has been able to boast of many scholarly and notable sons. Tang T'ing Ching who passed the Kui-yan degree in the 7th year of Shing Fat of Ming dynasty, A.D. 1471, of Maan On was appointed to the office of Kau Yue district in Kiangsi province, promoted later to District Magistrate of T'ang Yuen Kwangsi. He was a great friend of Hau Kui, a well-known poet of the New Territories. His poems are included in an anthology named \"Ling Naam Chue Yuk\" and also in the Record book of San On and among them is a poem written as a farewell to Tang T'ing Ching when he left to take up his new official post. The oldest family tree book of the Tang family of Kam T'in in existence now was compiled by Tang T'ing Ching.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207110,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 181,
        "title": "RAS-1974",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n175\n\nfound in Wing Lung Wai where his portrait in military officer's uniform is to be seen.\n\nTang Ming Luen, the son of Tang Kuen Hin, was another military officer. He was a very powerful man with exceptional strength in his arms. When he was young and before he studied the military arts, he came across, one day, two water buffaloes fighting in a road. The people standing by were unable to pass and yet could do nothing to separate the animals. Tang Ming Luen, seeing this, seized each buffalo by the horn, wrenched them apart, and stopped the fight. It happened that a newly passed Kui Yan named Tang T'in K'ei, who came from Tung Kwun district, was visiting Kam T'in to worship at the ancestral hall, and, according to old Chinese custom, to report the good news of his degree to his ancestors. He witnessed Tang Ming Luen's feat of strength and greatly admiring him, he encouraged him to study for the army, giving him ten taels of pure silver sycee as a reward. Tang Ming Luen passed his Mo Sau Tsoi in the 25th year of Ka Hing, A.D. 1820, and the Mo Kui Yan in the following year.\n\nThere is another story that Tang Ming Luen dug up some hidden treasure in his orchard, which was near Sui T'au Ts'un. To the North of the garden, there was a large banyan tree and close by it a rock covered with creeping plants. On dark days, it was said that a light used to shine near this rock and at a distance, it appeared like a big white horse. One day, Tang told a labourer to dig a hole for planting a fruit tree in a corner of the garden where a lot of long grass was growing. In doing so, the man dug up a large earthenware jar with a lid on it, which was full of silver sycee. He seized a handful of them and started to carry them home, but at once, his eyes became dim-sighted and he was unable to see his way. Thinking that it must be a punishment for trying to take money that did not belong to him, the man put the coins back in the ground, and his sight recovered at once. When he told Tang of his discovery, Tang had the ground thoroughly dug, and many more jars, each full of silver coins, were found.\n\nTang Kuen Hin was born in the 20th year of Kin Lung, A.D. 1755, and he built a school called So Lau Yuen in Shui Tau Tsuen, one of the Kam T'in villages. This building has a curious carving inside, rather like the face of a clock with Roman lettering on it, the origin of it being unknown. Another building called Ch'eung Tsun Yuen was built by one of his descendants.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207115,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 186,
        "title": "RAS-1974",
        "content_text": "180\n\nNote.\n\nSUNG HOK-PANG\n\nSze Taan is the man to whom the silver coins flew through the air (see “Ngan Tau Laan” (✯✯) H.K.N. VII pp. 251, 252 and VIII plate 8).* This is the only record that we can find which proves that Sz Taan was alive in the 47th year of Kin Lung, A.D. 1782.\n\nMany of Tang Kwong Yue's descendants are rich men, and fine scholars, having passed the Sau Ts'oi (††) and Kung Shang (†*) degrees.\n\nSz Shing Tong (A) is the ancestral Hall of Tang Ts'ing Lok (***) and is to be found at the western end of Shui T'au. Tsing Lok was the grandson of Tang Hung Yee (*) and the son of Tang Yam (#), (see H.K.N. VII pp. 161 and 251). The Hall was built by Tang Mung Woo (*) and Tang Mung Pik (*), and later repaired by Tang Mung Siu (†), Tang Mung Hung (p), Tang Wun Yat (−) and Tang Kwing Yue ($). A rule was made that on every Ts'un Fan (✯✯), vernal equinox and Ts'au Fan (✯✯), autumnal equinox, the two great days of reverence to ancestors, a certain amount of roast pork was to be presented to the above men or their descendants in recognition of their merit in building and repairing the hall, and this custom is carried on up to the present time.\n\nThe date of the building of the Hall is not known, but a large tablet which is hung inside with the three characters Sz Shing T'ong is dated the 2nd month of the 59th year of Kin Lung (A.D. 1794). These characters were written by a high government official, Ch'oh P'aang Ling (✯✯✯), a native of Loi Yeung district (*) in Shangtung province. He was a Hon Lam Yuen P'in Sau (✯✯E*) during the Kin Lung period. For a reference to Hon Lam Yuen (see H.K.N. VIII, p. 110). A Pin Sau was a second class Hon Lam compiler. Ch'oh Paang Ling held the office of Yue Sz (#), a member of the \"To Ch’aat Yuen” (**) (Court of Censors) at Peking, whose duty it was to keep the Emperor informed on all matters of public importance. He had the good name of Kang Chik Kam Yin (✯✯✯), “one who has the courage of his opinions,\" and finally he was given the high office of Kung Po Sheung Shue (***), the President of the Board of Works, in Peking. His written characters are not easy to come across now, so the tablet in Sz Shing Tong is very much valued in Kam T'in.\n\n*See p. 163-4 above, and Plate 35.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207116,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 187,
        "title": "RAS-1974",
        "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n181\n\nIt is an ancient custom in China when a man passes a Government degree examination or is appointed as a Government official, for him to have his new official title carved on a wooden tablet and hung in the Hall of his ancestors. By this means the good news is reported to the ancestors that their descendant has become a man of rank, and at the same time an example is set to future generations to encourage them to do their best to rise to the same honour, as the tablet is left hanging in the hall permanently. There are many of these title-tablets hung in Sz Shing Tong, put there not only by Kam T'in men, but by other descendants of the Tang family who have sent their tablets from places far away, where they have gone to live. The oldest among them is the \"Man Fui” or Kui Yan degree put there by Tang Ting Ching who passed it in the 7th year of Shing Fa, A.D. 1471. The most highly honoured title-tablets are the two from Tang Yung Keng from Tung Kwun district. He passed his Kui Yan degree in the 3rd year of Tung Chi, A.D. 1864 and became \"Hon Lam Yuen Shue Kat Sz\" (H.K.N. VIII, p. 110) in the 10th year of T’ung Chi, A.D. 1871. He held the office of On Ch'aat Sz (Provincial Judge) of Kiangsu province, and in 1900 during the Boxer trouble he was appointed by Lei Hung Cheung, the Prime Minister and then Viceroy of Kwangtung and Kwangsi provinces, to be the Superintendent of volunteers in Kwangtung.\n\nTang Ts'ing Lok's eldest son, Tang Wan Kuk was a very rich man, and he owned a lot of cultivated land in San On District. During his time there were twenty-eight Sau Ts'oi (B.A.'s) and nine very rich men all members of his family and living in the same street where his house was situated in Shui Mei village. His house was called Kam Ts'un Tong \"ornamental stream hall\"; it has long since been destroyed and a vegetable garden is on the site of where it once existed, but the remains of a large stone gateway can still be seen (plate 20). Tang Wan Kuk owned a large library in this house, and a fine stone fish-tank, made of pink coloured stone, 2 Chinese feet high, 14 wide and 24 long. (Plate 19). Two scholars of the Tang Family have written inscriptions about this tank, speaking very highly of it, but it now lies in a destroyed school building in Shui T’au village, and no-one cares about it. The dates of Tang Wan Kuk's birth and death are not recorded, but we know that his grave, which is in Noh Mai Ham about seven li from Kam T'in was made before the 8th year of Ching",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    },
    {
        "id": 207119,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 190,
        "title": "RAS-1974",
        "content_text": "184 \n\nSUNG HOK-PANG \n\nagain, and the judas tree revived, and soon it was covered with blossoms and looked a beautiful sight. \n\nFrom this story the three Tangs had learnt a lesson, and realizing that any one branch of the family was unable to build a hall alone, they combined together and completed one hall, naming it Mau King T'ong \"The luxuriant judas-tree Hall.” Although there is no record of the year that the hall was completed, the following is what is known of its history. The building was started by Tang Mau Wai, who passed the Tsun Sz degree in the 24th year of Hong Hei, A.D. 1685. The hall was rebuilt by Tang Shiu Chau (RA) who passed Sui Kung A† degree in the 1st year of Kin Lung, A.D. 1736; and was repaired twice, first by Tang Hei Sui (###) who passed Yan Kung Shaang in the 21st year of Ka Hing, A.D. 1816, and secondly by Tang Ming Shiu (*) a Lam Shaang during the To Kwong period (the 1st year of To Kwong was A.D. 1821.) \n\nThe T'in Hau Temple (A) Queen of Heaven Temple, in Shui Mei village, was first built during the Hong Hei period (A.D. 1662-1722) of Ts'ing dynasty and possesses a fine bell of 180 catties in weight which was presented by Tang Ch'un Fooi (**) a Kung Shaang in the 10th year of Kin Lung, A.D. 1745. It is said that the tone of the bell is very clear and can be heard from ten Chinese miles away. The Kam T'in people say that one of the past Governors of Hong Kong heard about it and visited Kam T’in to try the bell, which he agreed was as beautiful as reported. For a long time the temple was in a bad state of repair, and the bell had to be kept in a private house where those wishing to, were allowed to see it. Lately the temple has been repaired and the bell re-instated in it; also an incense burner that was presented by Tang Yiu King (*) and his son Tang Chan Suen (**) in the 11th year of Kin Lung A.D. 1746, \n\nKwong Yue T'ong (***) in Taai Hong village is the ancestral hall of Tang Man Wai, who was the only man to pass the Tsun Sz degree in the New Territories (See H.K.N. IV. p. 106). The building is quite a large one, and the ancestral fund belonging to this hall is a very large sum and is considered the richest in the New Territories. For many years $100 was given each year to each family of Tang Man Wai's descendants for their New Year expenses.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207570,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 338,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n329\n\nChapter VI:\n\nChapter VII: (1577-after 1668), Sheng Mao-yueh (act. 1620-40), Hsiang Sheng-mo (1597-1658), Yün Hsiang (1586-1655) and Shen Hao (act. 1630-50).\n\n\"The Sung-chiang School: Triumph of a New Theory\", under this headline five artists of the Ming Dynasty, Mo Shih-hung (ca. 1540-1587), Tung Ch'i-chang (1555-1636), Ku Shau-yu (act. early 17th century), Li Liu-fang (1575-1629), and Pien Wen-yü (act. 1620-1670) are discussed.\n\n\"Various Directions of Late Ming: A Mixture of Old and New\", this chapter covers Mi Wan-chung (1595-1628), Chang Jui-t'u (1576-1641), and Lan Yü (1585-1664).\n\nChapter VIII: \"The Orthodox Masters of Early Ch'ing: The Great Synthesis”, discussions are concentrated on Wu Li (1632-1718), Wang Hui (1632-1717) and Wang Yuan-ch'i (1642-1715).\n\nChapter IX:\n\nChapter X:\n\nChapter XI:\n\nChapter XII:\n\n\"The Lou-tung School: Homage to Wang Yuan-ch'i\", in this chapter the Lou-tung school artists are represented by Huang Ting (1660-1730), Chang Tsung-ts'ang (1686-still alive in 1755) and Wang Ch'en (1720-1797).\n\n\"The Yu-shan School: Homage to Wang Hui”, in this chapter, Chiao Ping-chen (act. 1680-1720), Wang Chiu (act. later 18th century) and Prince Yung-jung (1744-1790) are taken as being representatives of this School,\n\n\"The Anhwei School: Transformation of the Ni Tsan Tradition\", four early Ch'ing artists: Hsiao Yün-ts'ung (1596-1673), Yao Sung (1648-after 1717), Hung-jen (1610-1663), and Mei Ch'ing (1623-1697) are discussed in this chapter.\n\n\"Monks and Hermits: A silent Revolution”, another four early Ch'ing artists; K’un-ts'an (b. 1612-ca. 1673), Kung Hsien (b. 1617-1618, d. 1689), Chu Ta (1626-ca. 1705), and Tao-chi (b. 1641-d. before 1720), are discussed under this heading.\n\nChapter XIII: \"The Yang-chou School: Haven of the creative mind”, two Yang-chou school artists; Chin Nung (1687-1765) and Huang Shen (1687-1768) are discussed in detail.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207574,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 342,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n333\n\n\"On the Road to Mt. T'ien-chu” (or as Prof. Li prefers, \"On the Road to the Peak that holds up the sky\"). This very Mt. T'ien-chu is geographically located in the present western An-hui Province16, south of the Huai River. During the 6th century B.C. (or the active period of Yen Tsu), the area which included Mt. T'ien-chu was part of the territory of the State of Ch'u17. Thus, to associate the oranges of Ch'u to Mt. T'ien-chu is but to relate some old historic and geographic references to the real scenery that Huang Shen might have seen in 1729.\n\nSecondly, in structure and in style, as far as those example-characters in the \"Dictionary of Six Different Scripts for Characters of Chinese Calligraphy\" is concerned, the 16th character hand-written by Huang Shen for leaf 9 of his landscape album, certainly bears more physical resemblances to 'ch'u' rather than ‘yeh'. \n\nThus, there seems to be reason enough to conclude that this problematic Chinese character 'yeh' should be more properly identified as 'ch'u' instead of ‘yeh'. This is not only because the new identification has more possibilities to conform with the old geographical and historical information, but also because it is able to fit in with other calligraphical references as a whole.\n\nThe second example of this nature happens to be Prof. Li's failure in identifying a literary reference. In Volume II, Plate CVII illustrates a fan-painting attributed to K'un-ts'an. In Volume I, p. 203, Prof. Li's English translation, together with the original poem in Chinese inscribed by the artist himself, are presented side by side. It does seem essential to quote them both here again:\n\n“Leisurely I sit in my boat below the valley\n\nIn the vast twilight of dusk, smoke rises gently from an old house;\n\n水屋蒼冥起昏煙;\n\nthe autumn scene is there for me to sing and\n\nto enjoy, 自有秋光共嘯傲,\n\nand one needs no money to own mountains\".\n\nI47#★¶¤·\n\nIt is obvious that after comparison, the literary implication of the term \"Chang-tou\" which appears in the last Chinese line has not been rendered by any literary equivalent in the English version. In fact, this term happens to be not only the key word in terms of an overall understanding of the last line but seems a key point in interpreting the poet's intention as expressed by the whole poem. Documentarily, “Chang-tou” §§ is a reference to Juan Hsiu #k.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207575,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 343,
        "title": "RAS-1975",
        "content_text": "334\n\nBOOK REVIEWS\n\na literary figure of the Chin Dynasty. In his biography it has been recorded that whenever he travelled alone he always tied 100 coins on top of his stick, and wherever he found a wine shop he always drank with pleasure, as much as possible. He did not care what his wife prepared for her meals.19 Juan Hsiu is stated by the same source of information as a step-son20 of Juan Chi ✯ (210-263), one of the eccentric masters of a literary circle collectively known as \"the Seven Talents of the Bamboo Groves\".21 Juan Hsiu's alcoholical love, therefore, might have been a reflection of the deep spiritual influence of Juan Chi.\n\nBecause of this reference, it is clear that to tie 100 coins onto a stick, could certainly be interpreted as to have some private money, which can be taken one step further to mean wine money. Thus, the literary meaning of K'un-ts'an's last line, as far as the surface implication is concerned, should read as \"there is no need to take wine money to own mountains\". According to such an understanding, if this line is to be rendered into English, but still taking Prof. Li's same basis for using no explanation of the term \"Chang-tou\", then it suggests as \"I would rather take money to buy wine but not to consider a piece of land.”\n\nA second but more weighty problem is, once again, one of identification. In the Drenowaltz collection there is a 12-leaved album of landscape painting by Chin Nung. This album is dated 1736, the first year of the Ch'ien-lung era, by the artist's own inscription. According to Prof. Li's study of Chin Nung's life, the artist was in Peking in that year, and had attempted to pass the Po-hsueh-hung-tz'u22 degree examination but failed. In this album each leaf contains a landscape painting completed in an extra elaborate manner. This is quite noticeable since the normal subject-matter of this artist, as Prof. Li has rightly pointed out, happens to be either Buddhist figures, horses, bamboo, or plum blossoms, all in ink. Moreover, such stylistic continuity achieved by the careful but conscious use of the brush in these landscapes seems to be extraordinarily unusual for Chin Nung. In addition, in each of these 12 leaves, the un-used space in each composition is always completely filled up by a good number of small but regular characters written in Chin Nung's peculiar Ch'i-shu script. The contents of these inscriptions on each leaf of this album have been identified by Prof. Li. However, this brings up a second type of problem of identification.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 208050,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 89,
        "title": "RAS-1977",
        "content_text": "TWO ESSAYS ON THE CH'ING ECONOMY OF HSIN-AN\n\n73\n\nThe areas over which the Kowloon and Fuk-Wing Deputy Magistrates exercised jurisdiction were referred to as ssu, a common administrative term throughout the prefecture commonly translated as \"township.\" Some idea of the distribution of villages within tu can be had by surveying the data in the table below:\n\nTable I: The Hsiang-Tu-Ts'un System\n\n  \n    Jurisdiction\n    Tu\n    Number of villages\n  \n  \n    1st\n    19\n    \n  \n  \n    Kowloon:\n    \n    6\n  \n  \n    Nam Tau:\n    \n    13\n  \n  \n    2nd\n    34\n    \n  \n  \n    Kowloon:\n    \n    13\n  \n  \n    Fuk-Wing:\n    \n    5\n  \n  \n    Nam Tau:\n    \n    16\n  \n  \n    3rd\n    59\n    \n  \n  \n    Kowloon:\n    \n    11\n  \n  \n    Fuk-Wing:\n    \n    35\n  \n  \n    Nam Tau:\n    \n    13\n  \n  \n    4th\n    11\n    \n  \n  \n    Nam Tau:\n    \n    1\n  \n  \n    Tai-Pang:\n    \n    3\n  \n  \n    Kowloon:\n    \n    5\n  \n  \n    Fuk-Wing:\n    \n    2\n  \n  \n    5th\n    10\n    \n  \n  \n    Kowloon:\n    \n    10\n  \n  \n    6th\n    32\n    \n  \n  \n    Kowloon:\n    \n    32\n  \n  \n    7th\n    264\n    \n  \n  \n    Nam Tau:\n    \n    11\n  \n  \n    Tai-Pang:\n    \n    98\n  \n  \n    Fuk-Wing:\n    \n    10\n  \n  \n    Kowloon:\n    \n    145\n  \n\nIt is important to notice that no longer are discrete tu placed under sole jurisdiction of superordinate officials (with the exception of the 5th and 6th tu, all tu are divided amongst one or more officials). By the mid-nineteenth century, the artificial and largely arbitrary tu had lost whatever significance they may have had for purposes of civil administration.14\n\nIn any event, it is obvious that the land registration system was structurally disjoint from the tax collection system in mid-nineteenth century Hsin-An. This fact is further borne out by the mass of evidence which suggests the inaccuracy of the land registers and the consequent shrinkage in the size of the taxable base. Given the limited staff at his disposal, the magistrate gave priority to the fulfillment of tax quotas over the keeping of accurate records. This in turn led to increasing dependence on the rural leadership. Krone",
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    },
    {
        "id": 208058,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 97,
        "title": "RAS-1977",
        "content_text": "TWO ESSAYS ON THE CH'ING ECONOMY OF HSIN-AN\n\n81\n\nbuyers and sellers of commodities and to effect a transaction between them.” By the late 1920's, \"its importance to the Hopei provincial finance was only second to that of the land tax.\" It is difficult to weigh the relative importances of the various taxes in Hsin-An, but we do have figures on the revenue collected on trade between local markets in November 1911, which indicate a relatively low volume of local trade (see Imperial Maritime Customs, 1902-1911, Volume II, p.156). Also, refer to Appendix II, which Lockhart credits as a reliable source. The Tangs of Kam Tin and Lung Kwat Tau (A) were apparently farmed the monopolies of collecting market taxes in Un Long Kau Hui (±##4) and Tai Po Kau Hui (£# #). The Tongs who oversaw the markets in turn \"sub-leased\" the brokerages to traders, merchants, and shop-owners.\n\n4 The CSO files held in the Government Archives of Hong Kong constitute one of the richest stores of first-hand knowledge about local political economy and society in Hsin-An during the period 1890-1910. I am very grateful to Mr. Ian Diamond, Government Archivist, and his staff for their assistance in helping with my research.\n\n5 C. M. Chang, op. cit., pp. 826-828.\n\n6 Lien-sheng Yang, \"Buddhist Monasteries and Four Money-Raising Institutions in Chinese History,\" in his Studies in Chinese Institutional History, pp. 198-199n.\n\n7 Yeh-chien Wang draws heavily on the Ts'ai-cheng Shuo-ming-shu for his research on the land tax in China (Land Taxation in Imperial China, 1750-1911). On the basis of the material presented in this paper, Hsin-An conforms to his general thesis of the declining relative importance of the land tax throughout late Ch'ing.\n\n8 Correspondence Respecting the Extension of the Boundaries of the Colony (hereafter Extension Papers), p. 60.\n\n9 For a fuller discussion of li-chia, see Kung-chuan Hsiao's Rural China, Imperial Control in the Nineteenth Century, pp. 84-143.\n\n10 The annual rotation of these positions (44) constituted the primary mechanism whereby the local magistrate attempted to maintain some measure of centralized power by restricting the excesses of local magnates.\n\n11 Hsiang-kang Teng-ch'u-shui-mau Ts'ung-ch'eng (44¥Æ#*# Z), p. 2: \"All together the cultivated land measured 8 ch'ing 3 mau 6 fen 1 li 9 hau 2 ssu 5 hu (i.e., 803.61925 mau) and was registered under the name of Tang Tin-luk, 6th tu, 7th p'i, 2nd chia. In addition, Tang Chi-cheung and others had purchased from Ho Ch'iu-ping and others plots of land at Wong Nei Chung... having a total area of 1 ch'ing 89 mau registered in Tung-Kuan under the name of Tang Chi-fu of the 2nd tụ, 18th p'i, last chia.\" The formula is often repeated in the land memorials held at the Land Office of the Registrar General in Hong Kong.\n\n12 Kwangchow Fu-chih (1759), ch'uan 4: 43a-b, 46b.\n\n13 Hsin-An Hsien-chih (1819), ch'uan 2.\n\n14 Kwangtung T'u-shuo, Hsin-An Hsien-t'u.\n\n15 Krone, \"A Notice of the Sunon District\", originally published in the Transactions of the China Branch of the Royal Asiatic Society, 6:5, 41-105. This quote, as all the others, is from the reprinted copy in the Hong Kong Branch of the Royal Asiatic Society V: p. 119.\n\n16 Tung-Kuan Hsien-chih (1797), 10:10b-11.\n\n17 Lockhart, in the Correspondence Respecting the Affairs in China, writes: \"Small villages and hamlets often place themselves under the protection of large and influential clans to which they refer all complaints and from which they expect assistance in case of attack, robbery, and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
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    },
    {
        "id": 208060,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 99,
        "title": "RAS-1977",
        "content_text": "TWO ESSAYS ON THE CH'ING ECONOMY OF HSIN-AN\n\n83\n\ninto Tung or Divisions. Each council of a Tung contains representatives of the villages which make up the Tung. In addition to a council of a Tung there is a general council for the whole of the Tung Lo or Eastern Section, which is practically that portion of the district of San On contained in the map attached to the Convention. This general council is styled the Tung Ping Kuk or Council of Peace for the Eastern Section. It has its council chamber at the market town of Sham Chun, which is regarded as the centre of the Eastern Section.\n\nIf the decision of the council of the Tung or of the General Council is not regarded as satisfactory, an appeal lies to the magistrate of the district.\" (pp. 55-56, Extension Papers.).\n\n32 Extension Papers, p. 34.\n\n33 Ibid., p. 174.\n\n34 K'ang Nan-hai Kuan-chih I (***T**), pp. 15-16.\n\n35 Philip A. Kuhn, Rebellion and its Enemies in Late Imperial China, pp. 91-92.\n\n36 K'ang Nan-hai, op. cit., p. 15.\n\n37 Other evidence which supports this hypothesis is drawn from the fact that the production and distribution of agricultural produce within the tung tends to be regulated by specific and unique processes. Hence, the tau chung (#), or local measures for payment of rent in kind, differs from tung to tung. Lockhart, in his Report on the New Territory at Hong Kong (Presented to both Houses of Parliament, November, 1900), relates the problems encountered in rationalizing land tenure: \"But even this tau varies in different localities. The Kun Tau, or Chinese official standard measure of 10 shing, is adopted at Tai Po, in the Sheung Yu District, and at Shat'aukok. The Ts'ong Tau, or grain measure of 11 shing, is used throughout the Un Long District. The Ts'in Tau of 8 shing is employed in the Ts'un Wan (ed. previously Kowloon District) and some other Districts. (p. 6). Moreover, the schedules of periodic markets within tung tend to complement each other, while they often clash with the schedules of markets in a neighboring tung.\n\n38 See petition from Tung Wo Kuk (\"i.e., the Committee appointed to deal with the affairs of the Shataukok Division\"). pp. 318-320.\n\n39 In a rough translation of a pamphlet obtained by the German missionary Schaub in Tung-Kuan, local gentry propose a strategy for obtaining funds for fighting the British: \"It is the best plan that the six confederations (six market places) keep together as we hear. But the outlay for the soldiers should not be collected by an extraordinary field tax. It is not right that the various confederations should pay the costs.... We should use the usual field tax. Let first the six confederations come together and ask our Government for help. Will the soldiers not come to help us, then let us ask the Mandarin for the present not to collect the field tax, that we can use the money to meet the barbarians. This would not be rebellious. Afterwards in peaceful times, we could pay our duties to the Government. (Extension Papers, p. 347.) See also, K'ang Nan-hai, op cit., p. 15.\n\n40 CSO433 in 1899,\n\n41 The British often experienced great difficulty in distinguishing landlords from taxlords, especially since members of large, gentry clans like the Tangs were one and the same. In a memorandum on the work of the Land Court, Lockhart writes: \"The most serious matter of all, however, is the stand taken by the farmers against the clans, their former landlords.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
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    {
        "id": 208237,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 276,
        "title": "RAS-1977",
        "content_text": "260\n\nLIST OF MEMBERS\n\nORDINARY OVERSEAS MEMBERS:\n\nANDERSON, Dr. E. N.\n\nBERKOWITZ, Prof. M. I.\n\nBEVERIDGE, R. J.\n\nBINGHAM, Mrs. A.\n\nBRAGA, J. M.\n\nBUNGER, Prof. K.\n\nCHAR, Tin Yuke\n\nCLARK, Mrs. A. T.\n\nDANSEY-BROWNING, Mrs. S. M.\n\nEITZEN, Mrs. J.\n\nGARD, Dr. R. A.\n\nGOODRICH, Prof. L. Carrington\n\nHARRISON, Prof. B.\n\nHAYWARD, G. W.\n\nHEATHERINGTON, Mrs. E.\n\nKRAMERS, Dr. R. P.\n\nLAWTON, D.\n\nLIU, Prof. Ts'un-yan\n\nLU, Mrs. S.\n\nLYNCH, Rev. P. F.\n\nMACLEAN, R.\n\nMACPHERSON, J. A.\n\nDept. of Anthropology, University of California, Riverside, Cal. 92502, U.S.A.\n\nDept. of Sociology, Brock University, St. Catherines, Ontario, Canada.\n\n13 Hartwell Hill Road, Hartwell, Victoria 3124, Australia.\n\nWelby Croft, Chapel-en-le-Frith SK12 6CY, Cheshire, England.\n\nNational Library of Australia, Canberra, Australia.\n\n53 Bonn-Bad Godesberg, Lukas-Cranach-Strabe 14, Germany.\n\n3898 Diamond Head Road, Honolulu, Hawaii 96816, U.S.A.\n\nWilliams & Glyns Bank Ltd., Hottsbank Kirkland House, Whitehall, London S.W.1., England\n\n155 Mount Pleasant Road, Singapore 11.\n\nThe Institute for Advanced Studies of World Religions, 531-2 Melville Library, State University of New York, Stony Brook, Long Island, New York 11790, U.S.A.\n\n640 West 238th Street, The Bronx, New York 10463, U.S.A.\n\n26 The White House, St. Paul's Bay, Malta.\n\nWhite Mill End, 5 Granville Road, Sevenoaks, Kents, England.\n\nc/o Col. & Mrs. Raymont, 270 Park Road, Rockcliffe Park, Ottawa K1M 0E1, Canada.\n\nOstasiatisches Seminar, Der Universitat Zürich, Mühlegasse 21, 8001 Zürich, Switzerland.\n\nTime-Life News Service, c/o Associated Press, P.O. Box 775, Bangkok, Thailand.\n\nDept. of Chinese, Australian National University, Canberra, A.C.T., Australia.\n\nc/o U.S. Embassy, 581 Merchant Street, Rangoon, Burma.\n\nMaryknoll Centre House, 120 San Min Road 1st Section, Taichung City 400, Taiwan.\n\nThe Singapore International Chamber of Commerce, Denmark House, Singapore 1.\n\nThe Library, Cabrillo College, 6500 Soquel Drive, Aptos, California 95003, U.S.A.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208829,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 286,
        "title": "RAS-1979",
        "content_text": "OVERSEAS ORDINARY MEMBERS\n\nKNEEBONE, Mrs. Susan, c/o 65-79 Riverside Avenue, South Melbourne 3205, Victoria, AUSTRALIA.\n\nKRAMERS, Dr. R. P., c/o Ostasiatisches Seminar, Der Universitat Zurich, Muhlegasse 21, 8001 Zurich, SWITZERLAND.\n\nLEIMAN, Mrs. R. M., 14-17 Nishi-Azabu, 4-chome, Minato-ku, TOKYO 106, JAPAN.\n\nLEIMAN, Mr. R. M., 14-17 Nishi-Azabu, 4-chome, Minato-ku, TOKYO 106, JAPAN.\n\nLIU, Prof. Ts'un Yan, F.R.A.S., c/o Dept. of Chinese, Australian National University, Canberra, A.C.T., AUSTRALIA.\n\nLOVELL, Mrs. Hin-Cheung, 2 Dunbar Walk, SINGAPORE, 15.\n\nLU, Mrs. Sylvia, Rangoon, Dept. of State, Washington, D.C., 20520, U.S.A.\n\nLYNCH, Rev. Francis M. M., Maryknoll Centre House, 120 San Min Road, Ist Sect., Taichung City 400, TAIWAN.\n\nMACLEAN, Mr. Roderick, c/o The Singapore International Chamber of Commerce, Denmark House, SINGAPORE 1.\n\nMATHIAS, Dr. John R. G., 36 Bradbury Court, St. John's Park, Blackheath, LONDON, SE3 7TP, UNITED KINGDOM.\n\nMCCOY, Dr. John, Division of Modern Languages, Cornell University, Ithaca, New York, 14850, U.S.A.\n\nMORGAN, Mrs. Carole, 5 Avenue Vion Whitcomb, Paris 75016, FRANCE.\n\nMYERS, Mr. John T., Dept. of Anthropology, Indiana University, Bloomington, Indiana 47401, U.S.A.\n\nNUTTER, Baroness Joanna Von, 3802 Castle Rock Drive, MALIBU, California 90265, U.S.A.\n\nREDFERN, Mr. O'Donnell S., Maison de la Foret, Chemin de la Becassiere, 1290 Versoix, SWITZERLAND.\n\nROMER, Mr. J. D., 11, Cecilia Road, Preston, Paignton, Devon, TQ3 1BD, GREAT BRITAIN.\n\nSELWYN, Mr. J. B., 26 Fairway, Merrow, Guildford GUL 2XJ, Surrey, UNITED KINGDOM.\n\nSMITH, Dr. Ralph B., School of Oriental & African Studies, Malet Street, LONDON, W.C.1., UNITED KINGDOM.\n\nSTEEDS, Mr. David, Dept. of International Politics, University College of Wales, Aberystwyth, UNITED KINGDOM.\n\nSTOKES, Mr. John, 427 Banbury Road, Oxford, UNITED KINGDOM.\n\n259",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
        "rank": 0
    },
    {
        "id": 208843,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 5,
        "title": "RAS-1980",
        "content_text": "204\n\nDAVID FAURE\n\nhsü 12 (1886). In the Kau Sai Hung Shing Temple, the lintel is dated Kuang-hsü 15 (1889), and the altar Kuang-hsü 20 (1894); and in the Hang Hau T'in Hau Temple (besides the 1840 bell), the lintel is dated Kuang-hsü 1 (1875), a tablet Kuang-hsü 2 (1876), an altar is of the same year, a wooden board of Kuang-hsü 4 (1878), a shrine of Kuang-hsü 10 (1884), a pair of stone lions of Kuang-hsü 13 (1887), and a pair of incense burners of Kuang-hsü 20 (1894). The bell and the incense burner at the Tin Ha Wan T'in Hau Temple are both undated, but Mr. Ip Ch'un, who lived nearby, told us that the temple was already in disrepair over fifty years ago. Historical inscriptions found in Sai Kung and elsewhere in Hong Kong and the New Territories have been transcribed as a special project and may be found in David Faure, Alice Ng, and Bernard Luk, \"A collection of historical inscriptions in Hong Kong\". The report is available in the Institute of Chinese Studies, Chinese University of Hong Kong, and will, it is hoped, be published shortly.\n\n7\n\nMr. Hoh Taai of Ko Tong, aged over 60, knew of the whereabouts of a charcoal burner, but never saw it in operation (Int. 10.6.81). Lime kilns were reported in Wong Yi Chau, Wong Keng Tei, Tai Mong Tsai Tso Wo Hang, Tai Wan, Kiu Tsui, Sha Ha, Pak Sha Wan, Che Keng Tuk, Ta Ho Tun, Tai Tan, and Yau Yu Wan (Ints. Mr. Yau T'aam Shang 15.5.81, 22.5.81, Mr. Wong Yung Ts'ing 20.5.81, Mr. Tang Kei Faat 25.6.81, Mr. Lei Yau 28.6.81, Mr. Wong Ping Lin 29.6.81, Madam Liu 20.5.81, Mr. Lau Lui Faat 23.6.81, Mr. Tse Wing 9.6.81, Mr. Tse Shui Kam 24.6.81, Madam Lo Koon Mooi 21.6.81, Mrs. Hoh née Lei 28.6.81, Mr. Chung 23.7.81, and Madam Lam Yau Ch'un 19.8.81.) The Liu family at Kiu Tsui built the ancestral hall that can be seen today on the main road into Sai Kung Market. For an impression of the long history of lime making in Sai Kung, it should be noted that Madam Lo Koon Mooi was 85 and Mr. Yau T'aam Shang 87 in 1981, and it was their fathers who were engaged in the lime business. Mr. Yau continued working the kilns until his early 40's. Brick kilns were reported in Chek Keng and Pak Tam Chung (Ints. Mr. Chiu Sz 7.5.81 and Mr. Yau T'aam Shang 15.5.81, 22.5.81). The lime industry, of course, also provided income for fishermen who collected coral for the kilns. See \"Return of the approximate number of fishermen employed in taking coral and shell from the sea adjoining the New Territory\", in Hong Kong Legislative Council, Sessional Papers, 1901, p. 685.\n\n\"The best indication of the growing importance of the trade in pigs is a set of account books that belonged to Mr. Yung Sz Ch'iu of Pak Sha O, a photocopy of which is held by the Oral History Project. See also ints. Mr. Chan Tsz K'eung 28.5.81 and Mr. Hoh King 5.6.81.\n\n• There are many instances of seamen recruited by recruitment firms (haang shuen koon); see, eg. Mr. Chiu Sz (Int. 7.5.81). Remittance from abroad was sent back to the village through import-export houses (kam shan tsong), see Mr. Yau T'aai Hong (Int. 11.8.81).\n\n10 Mr. Cheung T'o's grandfather was a cook on Hong Kong Island, and his father was employed on the Kowloon-Canton Railway. Mr. Cheung, of Ho Chung, was c. 70 in 1981 (Int. 15.6.81). Mr. Tsang Yau of Tai Mong Tsai (age unknown, but who married before World War II) worked in a shop started by his father in Shaukiwan on Hong Kong Island (Int. 23.6.81).\n\n11 Ints. Mr. Cheng Chung Ting 21.5.81, Mr. Chan P'aang Hing 29.5.81, Mr. Chan T'aai 22.7.81; Bernard Williams, \"Visit to Ho Chung and Sheung Yeung villages in the Sai Kung area”, in Marjorie Topley, ed. Aspects of Social Organization in the New Territories, Hong Kong, 1965, pp. 46-47, and \"The Chan family of Tseung Kwan O\", JHKBRAS 7 (1967), pp. 158-160.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 208923,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 85,
        "title": "RAS-1980",
        "content_text": "PERSISTENCE & PRESERVATION OF HAKKA CULTURE\n\n53\n\nCHTCH\n\n1970 Chiao-kang Huei-chow tung-hsiang-huei Ch'üan-wan fên-huei t'e-kan (A Special Publication of the Waichow Main Union, Tsuen Wan Branch).\n\nCHTH\n\n1964\n\nCHTPC\n\n1973\n\nСРТНН\n\n1976\n\nCTTH\n\nChiao-kang Huei-chow tung-hsiang tsung-huei huei-kan (Journal of the Waichow Clansmen General Association, Hong Kong, Ltd.).\n\nChiao-kang Huei-chow tung-hsiang tsung-huei Ping-chow fên-huei t'e-kan (A Special Publication of the Waichow Clansmen General Association, Hong Kong, Ltd., Peng-Chau Branch).\n\nChiao-kang Po-lo tung-hsiang-huei huei-kan (A Publication of the Pok-law District Association).\n\n1969 Chiao-kang Tzu-chen tung-hsiang-huei huei-kan (A Publication of the Tze-kam District Countrymen's Association, Ltd.).\n\nHKCCTH\n\n1971 Ch'ung-chêng tsung-huei chin-hsi ta-ch'ing t'e-kan (A Publication in Commemoration of the 50th Anniversary, Tsung Tsin Association).\n\nHSKOCT\n\n1973\n\nHTSCT\n\n1978\n\nSSHTTL\n\n1978\n\nSTTCCS\n\n1978\n\nSTTCCY\n\n1976\n\nYHTTL\n\n1969\n\nHuei-chow shih-shu kong-huei chêng-li chi-nien t'e-kan (A Publication in Commemoration of the Grand Opening of the Ten-Districts of Waichow Association).\n\nHuei-chow tung-hsiang tsung-huei san-shih ch'ou-nien chi-nien t'e-kan (A Publication in Commemoration of the 30th Anniversary of the Waichow Clansmen's General Association).\n\nHsin-chiai Shang-shui Huei-chow tung-hsiang-huei ti-êrh-chiai li-chien-shi chiu-chih t'ien-li t'e-kan (A Publication in honor of the Second-Term Members of the Executive and Supervisory Committees, the Waichow Union Sheung Shui Branch, Hong Kong).\n\nShih-chieh Tsêng-shih tsung-ch'in-huei Chiu-lung fên-huei chêng-li san-ch'ou-nien chi-nien t'e-kan (A Publication in Commemoration of the Third Anniversary, the Kowloon Branch of Tsang Clansmen Association, Ltd.).\n\nShih-chieh Tsêng-shih tsung-ch'in-huei Chiu-lung-fên-huei chêng-li san-ch'ou-nien chi-nien t'e-kan (A Publication in Commemoration of the First Anniversary, the Kowloon Branch of Tsang Clansmen Association, Ltd.).\n\nYi-lan-lang Huei-chou t'ung-hsiang-huei ti-san-chiai li-chien-shi chiu-chih t'ien-li chi huei-yüan lien-huan ta-hui t'e-kan (A Publication in Honor of the Third-Term Members of the Executive and Supervisory Committees and the General Meeting, Waichow Un Long Residents Association).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 209104,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 7,
        "title": "RAS-1981",
        "content_text": "216\n\nA Republican Book of Receipts in United College Library\n\nThe Hong Kong Collection in United College, Chinese University of Hong Kong, acquired this book of receipts several years ago from a local second-hand book-seller. The volume bears no title. As the Chinese characters in the upper margin (tan-chi chan-ts'un pu*) indicate, a collection of receipts are glued onto its pages. The receipts are dated the 9th year of the Republic, that is, 1920.\n\nThe receipts are of two sorts. A substantial number are receipts for payment for telegrams sent from Hong Kong, chiefly to Shanghai and Macau, but occasionally also to Amoy, Chicago, Havana, San Francisco, Vancouver, Kuala Lumpur and Ipoh. The more interesting ones are acknowledgements of sums ranging from several hundred to 40,000 Hong Kong dollars paid by Sun Fo (Sun Yat-sen's son). Chu Chih-hsin**, Ku Hsiang-ch'in\n\nand others (on their relationship to Sun Yat-sen in 1920, see below). It will take someone with a better knowledge of the political history of the Republican era than this writer to identify all the recipients of these payments. Quite a few, however, are undoubtedly military commanders or warlords: Li Fu-lin acknowledged receipt of 10,000 Hong Kong dollars; 20,000 was paid to commander Hsü at the military headquarters in Swatow, in addition to 9,700 acknowledged on a sheet bearing the heading, \"Office for Raising Military Funds in Swatow and Mei hsien, Kwangtung\". A receipt for 30,000 dollars was made out to Sun Fo by the Kwangtung Provincial Treasury, and another one for 5,000 made out to him states explicitly that this sum was derived from donations by overseas Chinese. The fleet at Fu-men (\") received two payments, of 600 and 1,000 Hong Kong dollars respectively. Some receipts were also made out for purchases (several field telephones, 1,000 items of clothing; 2,000 water flasks). Most of these purchases were not substantial, the exception being a deposit for 40,000 dollars for an unspecified machine. Documents pasted on the first page consist of enquiries made about rice-mill-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m",
        "rank": 0
    },
    {
        "id": 209263,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 166,
        "title": "RAS-1981",
        "content_text": "152\n\nWEI PEH-TH\n\n8\n\nThe killing of a Chinese man and wounding of three boys in P'an-yü by a member of the crew of a British vessel, the London, on 27 November 1820, was the first major crisis handled by Juan Yüan involving jurisdiction over foreigners who had committed crimes against Chinese nationals. On 27 November 182o, in broad daylight, a cutter from the London, a ship belonging to the East India Company, sailed “a considerable distance\" beyond Whampoa into a branch stream of the Pearl River, in search of fresh water. On the cutter was the fifth mate of the London, a man by the name of Pigott, and five other crewmen. They had a musket with them. Upon landing at P'an-yü, the men were taunted by a number of boys throwing stones and shouting \"obscenities\" at the foreigners. To frighten away the boys, Pigott fired two volleys, the first one loaded with peas and the second what he thought was \"blank cartridge” but which turned out to be live ammunition. A Chang Shun-ts'un who was hanging up laundry at the stern of a Chinese rice boat nearby, shouted at the boys to disperse. Pigott's second shot entered Chang's chest on the left side, killing him instantly. Meanwhile, three boys all surnamed Ch'en, were wounded on the nose, foot and toes, respectively. While there was pandemonium ashore, the cutter departed, pursued by two Chinese boats, thus it was ascertained that the cutter had come from the London. Later on, despite Pigott's assertion that he had fired what he believed to be blank cartridge, indicating that at least he had known something of the consequences of his shooting at that time, the British spokesman claimed that they had known nothing about the incident until two days later, when Puiqua brought them the news that a warrant had been issued by the Chinese for the arrest of the murderer at P'an-yü.\n\nNormal Chinese procedures under the circumstances would be to stop the offending ship from discharging and loading cargo, while demanding that the criminal be remanded to Chinese justice. After being informed of the incident, Juan Yuan gave instructions to the hong merchants to notify the supercargo of the East Indian Company in the British factory in Canton to bind the murderer over to Chinese authorities. Although the security merchant in this case was Exchin, because of the seriousness of the case, it was Puiqua who went to the British factory to apprise the Select Committee of the existence of the warrant. The Committee then proclaimed that they had known nothing about the incident until that moment. They suggested that Puiqua bribe the Chinese officials, but the hong merchant did not support the idea. Meanwhile, the Committee's primary consideration was “to avoid trouble and embarrassment to the Company's trade\", but Juan Yüan had already placed an embargo on the London.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt",
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        "rank": 0
    },
    {
        "id": 209278,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 181,
        "title": "RAS-1981",
        "content_text": "60\n\nJUAN YUAN'S MANAGEMENT OF SINO-BRITISH RELATIONS IN CANTON, 1817-1826 167\n\nIbid., 1:22b-23. Court letter to Juan Yuan et al., TK 2/5/25 (1822/7/13). 07 After Juan Yuan left Canton, his successor as Governor-General of Kwangtung and Kwangsi, Li Hung-pin, established a system of patrol boats to check on opium smuggling. Each boat received a monthly bribe to permit the illicit trade. Liang, Kuang-chou shih-san hang k'ao, p. 299.\n\nChang Shun-ts'un #\n\nTao-Kuang ch'ao\n\nCh'en 陳\n\nCh'en-Li shih ★BA\n\nchin f\n\nchüan-na ‡Ã1⁄4\n\nfen 分\n\nHsiang-shan J\n\nHsin-hui hsien-chih Hsi Nai-chi 許乃濟 Hsüeh-hai t'ang***\n\nHu-Kuang Hu-pu 户部\n\nHuang I-ming *** I-li-pu 伊里布\n\nJuan Yuan 阮元\n\nKuang-tung shih-san hang k'ao\n\nKuang tung tung chi là ki\n\nKung-chung-tang\n\nkung-hong 2Ấ\n\nKuo-Liang shih\n\nLi Hung-pin 李鴻賓 Liang Chia-pin 梁嘉彬 Liang-Kuang✯ Liang-Kuang yen-chih\n\nch'ou-pan i-wu shih-mo\n\ntao-t'ai\n\nTi-tzu chi, for (Lei-t'ang-an-chuɃ‡ƒ‡ ti-tzu chi)\n\nTs'an-chan ta-ch'en ★★★E ts'un += 1/10 Chinese foot) Wai-chi-tang >-*#\n\nWai-chiao shih-liao ££* Wu Kuo-yung Wu-lung-a\n\nWu Shou-ch'ang ££ 3\n\nWu Ts'ung-yao 14\n\nWu Tun-yuan {£✶ ̃\n\nyang-hang *{1\n\nyang-shang 洋商\n\nYeh Huan-shu #£#\n\nYeh Hsia 葉及\n\nYen-ching shih-chi &*£✯ Yun-Kuei +\n\nNei-wu-fu\n\nPan-yü 番禺 pao-chia 保甲\n\nTa-Ku\n\n#",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt",
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    },
    {
        "id": 210939,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 1,
        "title": "RAS-1987",
        "content_text": "NOTES AND QUERIES\n\nTHE PO TAK TEMPLE\n\nIN SHEUNG SHUI MARKET\n\nThe Po Tak Temple (Temple to repay a virtuous deed), also known as the Ts'un Foo Temple (The Governor's temple), in Sheung Shui Market now occupies only a small flat in a multi-storeyed building on Tsun Fu Street, but it was a sizable building until it was burnt down in the fire in 1955. For a long time, it was also the political focus of the Punti villages in the northern and eastern New Territories.\n\nThe temple was built to commemorate Chau Yau-tak (H), Governor-General of Kwangtung and Kwangsi from 1670 to 1673, and Wong Loi-yam (E), Governor of Kwangtung in 1669, the two officials who were instrumental in petitioning the Emperor to end the coastal evacuation from 1662 to 1669. No-one remembers when it was built. According to the 1819 edition of the San On Gazetteer, it was one of three temples devoted to these two officials in the county, the other two being located north of Sham Chun Market. This record must not be taken to be exhaustive: there was at least one more devoted to these two officials in Kam Tin (the Chau Wong I Kung Shue Uen).\n\nVillage elders remember that before the Second World War and in the 1950s sacrifice was offered annually at the Po Tak Temple to the two officials by two separate but overlapping groups referred to as the Old Alliance (Kau Yeuk) and the New Alliance (San Yeuk). The Old Alliance sacrificed on the nineteenth of the Fifth Month and the New Alliance on the first of the Sixth Month. The account books of both groups are fortunately extant, and they provide valuable documentation on these two important inter-village organizations.\n\nTwo copies of the Old Alliance account book are available. Both have written on the front covers: Po Tak Temple temple celebration volume, 12th year of the Republic, Lung Shaan copy (報徳祠神誕冊,民國十二年立,龍山冊). We have compared the introductory texts, and they are identical. It seems",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 211382,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 98,
        "title": "RAS-1988",
        "content_text": "74\n\nTang family had the right of building shops there, and a stone with an inscription to that effect, was put up in the temple of T'in Hau Kung(g) which can still be seen in old Tai Po market.\n\nWhen the Man family lost their case a wealthy friend called a big meeting of the elders of the seven districts round about Taai Haang (林村), Fan Ling(K), Lam Ts'un(#1), Yip Woh(), Sheung Wan(), Ting Kok(TM) and Cheung Shue Tan(). At his suggestion, and financed by him, they built a new market where the present market now stands. It was called Taai Woh Shei (utmost friendship market)(★Fifi) and was officially opened on the twenty-third day of the 6th month of the twentieth year of Kwong Sui, A.D. 1894. All the trade at once went to the new market and the old one gradually fell into disuse and can now be seen as a very poor and derelict village.\n\nNote. 1. The district of Sun On was formed in the sixth year of Lung Hing() A.D. 1572 of Ming dynasty. Fourteen years later the **History of Sun On District** was written by Yau Tai Kin the district magistrate. It was revised for the first time in the eighth year of Sung Ching(), but this edition was not published until eight years later when a third magistrate Chau Hei Yiu(2) added slightly to it. A second edition was published in the eleventh year of Hong Hei(E) A.D. 1672 of Ts'ing dynasty, a third appeared sixteen years later, and the present edition was published in A.D. 1819.\n\nNote. 2. The second character(W) is read yeuk in Cantonese but in the New Territories dialect it is read as Kwat.\n\n#\n\nNote. 3. Lam Fung is \"Limahong\" (= Lim a hong, not Li ma hong) whose name is already mentioned in the history of the Philippine Islands. It is also translated as in some Japanese books, and Limahong or Lin Ah Hong in some of the European books.\n\n=\n\nLam Fung\n\nLimahong was a native of Raoping district(ATM) In the 10th month of the 2nd year of Lung Hing(), A.D. 1568 of Ming dynasty, he took sixty-two battleships with 2,000 sea-soldiers, 1,500 women, and a large store of food and ammunition to attack the Philippines. He was defeated and his fleet dispersed by the soldiers of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
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    },
    {
        "id": 211384,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 100,
        "title": "RAS-1988",
        "content_text": "76\n\nLEGENDS AND STORIES OF\n\nTHE NEW TERRITORIES\n\n[E\n\nTS'ING SHAAN UI OR CASTLE PEAK*\n\nSUNG HOK-P'ANG\n\nThe original name of Tsing Shaan was Yeung Haang Shaan (meaning \"Sheep or Goat Ditch Hill\", and nearby there is still a village called Yeung Siu Haang \"Sheep or Goat Little Ditch\", but later on the Peak was called simultaneously Shing Shaan “Saint Hill\", and T'uen Moon Shaan “Military Colonist Gate Hill\". The latter name was given because in olden times the Chinese Emperor sent soldiers there to cultivate the soil, and at the same time protect the countryside from the numerous pirates that infested the coast.\n\nIn A.D. 428 a certain monk named Pooi To became abbot of the monastery, and then the name of Pooi To Shaan was used.\n\nNearly five and a half centuries later, in the 12th year of Taai Po of Naam Hon dynasty, on the 18th day of the 2nd month (A.D. 969) the Emperor gave the hill the special name of Sui Ying Shaan \"Good omen hill\", and caused a stone tablet to be erected on which was carved the history of the monastery. This stone recorded that in the 11th year of K'in Woh A.D. 954 a military officer named Ch'an Ts'un had paid a stone mason to carve a figure of Pooi To which he put in a cave near the monastery, and which can still be seen. In the 4th year of Yuen Yau A.D. 1089 of Sung dynasty a general in Canton named Tseung Chi K'ei wrote an account of the hill, and put it on a stone tablet in place of the old one. This second one has now disappeared, but fortunately the account is in the \"History of the Sun On District\", and from it can be learnt that formerly there was a castle at the north of the hill, and to the west\n\n* The Hong Kong Naturalist July 1935.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211705,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 120,
        "title": "RAS-1989",
        "content_text": "Weights and Measures \n\nLength \n\n1 fen \n\n1 ts'un (Chinese inch) \n\n1 ch'ih (1 Chinese foot) \n\n1 li (1 Chinese Mile) \n\nWeight \n\n1 chin (1 Chinese catty) \n\n1 tan (100 Chinese catties) \n\nArea \n\n1 mu \n\n \n\nMetric \n\n3.725 mm \n\n3.715 cm \n\n37.15 cm \n\n648-681 m \n\n604.8 g \n\n60.48 kg \n\n1/6 acre \n\n95 \n\nIncense Cultivation \n\nJoss stick manufacture is a branch of the incense industry, which is a traditional activity in Hong Kong dating back at least 400 years. It was first developed as a primary industry concentrating on the cultivation of and trade in incense trees. Then the industry gradually expanded into the manufacturing sector as incense wood was ground into incense powder before being exported. After the exhaustion of the incense trees, the industry expanded completely into the industrial secondary sector, making joss sticks from imported incense powder. \n\nAquilaria sinensis, the fragrant incense tree, was once cultivated in Hong Kong. In the late Ming period, the county of Tung-kuan was renowned for the quality of its incense. Until 1572, Tung-kuan county included the area subsequently forming the county of Hsin-an (including the present day New Territories area). Tung-kuan incense was famous throughout China, but was particularly favoured in the lower Yangtze area around Su-chou. In Kuang-tung hsin-yü, it is noted that many Tung-kuan people made their fortune from Kuan-hsiang (meaning incense from Tung-kuan) which was so popular that the annual sales values amounted to tens of thousands of taels. The business boomed, especially during the mid-autumn festival when people around Su-chou and Sung-chiang burnt incense overnight to \"fumigate the moon\". As a result, the stock of Kuan-hsiang was sold out in as short a period as one night.' \n\nPage 1\n\n \n\n \n\nPage 121",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211719,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 134,
        "title": "RAS-1989",
        "content_text": "109\n\noff the loose powder, which is immediately swept into the pile with the ends of the sticks acting as a brush. This step is repeated several times until all the sticks are well covered with incense.\" The handful of joss sticks is then spread out horizontally on the work bench and any sticking together are separated.\n\nThe processed joss sticks are then put, handles downwards, into a wooden bucket placed beside the worker on the work bench. The bucket is made of a hard wood, such as the kind of wood used for railway sleepers, and is designed to suit the length of the joss sticks. When the bucket is almost full, it will be rolled back and forth on two pieces of wood to make the powder compact. The right hand of the worker is, at the same time, continuously slapping the joss sticks to prevent them from slipping out of the bucket. After five to eight minutes of rolling, the joss stick worker slides the whole bucketful of sticks into a box with its top and front removed. The sticks are then left to dry while the worker continues with the other sticks. After two to three such boxes are prepared, the joss stick worker will go back to the first, and repeat the process, until sufficient coats of incense have been put onto the bamboo core.\n\nEach joss stick is made up of layers of many coatings. For joss sticks with lengths of 6 ts'un 8 fên and 8 ts'un 8 fên, only three coats of incense powder are needed. The innermost layer is made up entirely of shang shih and the middle and outer layers vary with the fragrance. For joss sticks of such lengths, however, only two types of fragrances are produced. The first type is Tan-hsiang with the outer layer having a higher proportion of sandalwood. The second type is called Hsi-ts'ang hsiang (14) which is produced with a mixture of cypress powder and a strong perfume.\n\nFor joss sticks of 7 ts'un, 9 ts'un, 1 ch'ih 4 ts'un, 1 ch'ih 5 ts'un and 1 ch'ih 6 ts'un, five coats of incense are required. The innermost layer, commonly called ta-tai (fundamental coat, T), is invariably made up of shih fên and the ratio of shih-ch'ing to shang-shih varies with the proposed price of the final products. The three middle coats, called t'ou-kou (first coat,), êrh-kuo (second coat, —¡§) and san-kuo (third coat,) respectively, are usually made up of increasing proportions of fragrant incense powder, the grade of which in turn gets higher outwards from the bamboo core. The outermost layer, kuang-p'i (outer coat, :), is a mixture of the most odoriferous incense powder",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211720,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 135,
        "title": "RAS-1989",
        "content_text": "110 \n\nand colour powder. The colour powder is either mei-hong-fên (rose red powder, *) which is red in colour, or chiai-huang-fên (mustard yellow powder), which is yellow in colour. As these joss sticks are coated only five times, they are called Hsiang-ts'ai, literally meaning \"little joss sticks\" (f). \n\nBesides these, some thickly coated joss sticks are also produced. Joss sticks of lengths 9 ts'un, 1 ch'ih 2 ts'un and 1 ch'ih 5 ts'un are sometimes wrapped with seven coats of incense powder and are called Ta-hsiang (large joss stick, ). For such lengths sawdust is often used in lieu of fragrant incense powder, and the joss sticks produced are called \"longevity joss sticks” (ch'ang-shou hsiang, EBA). \n\nThe prepared joss sticks are then collected and spread under the sun for drying. This process is best accomplished under the sun, as the sunlight, in evaporating the water content of the incense powder, keeps the scent and the colour of the sticks. Drying takes 5-6 hours under bright sunlight and 8-9 hours on cloudy days. Halfway through the drying process, an odd-job man will collect the joss sticks and dye the handles of the joss sticks with red paint. The dyed sticks are then spread out once again under the sun for drying. Finally, quality control is done by the joss stick worker so that joss sticks which are crooked, broken or stuck together are rejected. \n\nNuo-hsiang Method () \n\nThe second method by which joss sticks are fabricated is by the Nuo-hsiang method, that is, rubbing against a wooden slab. In contrast to Lin-hsiang, by which joss sticks are mass produced, manufacture of joss sticks by the Nuo-hsiang method requires individual attention to each stick. Moreover, the dyeing process for Nuo-hsiang is done before any of the manufacturing processes, unlike in the Lin-hsiang method. The scrutiny of the bamboo canes is also stricter since those bamboo canes which are flattened or which are not uniform in their width cannot be rubbed under the wooden slab. Meanwhile, glutinous incense powder and fragrant incense powder are mixed with water and kneaded to form a dough. These joss sticks are made by rubbing the incense paste onto the surface of a bamboo cane, then colour powder is rubbed onto the outer surface. A slab is used to smooth over the roughness.* In contrast to the lin-hsiang method, by which several coats of incense powder are put onto the sticks in several stages, joss sticks manufactured by Nuo-\n\nPage 135\n\nPage 136",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211721,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 136,
        "title": "RAS-1989",
        "content_text": "111\n\nhsiang have one coat of incense powder only. The joss sticks produced do not necessarily have to be dried under the sun. They can either be blown dry or put under the sun for 5-6 hours. The joss sticks produced by this method vary in lengths from 6 ts'un 8 fên to 1 ch'ih 6 ts'un. The shorter ones may have their handles dyed red, but it is more common for them to be wrapped in silvery paper.\n\nMoulding Method\n\nJoss sticks of still greater lengths and widths are produced by moulding. By this method, joss sticks of 1 ch'ih 5 ts'un, 2 ch'ih, 3 ch'ih 6 ts'un, 4 ch'ih 8 ts'un and up to 6 ch'ih are manufactured. The corresponding diameters are 5 fên, 6 fên, 2 ts'un, 5 ts'un and 7 ts'un. To support such a thick coat of incense, a stick bamboo, rather than a bamboo sliver, is used as the core material. The manufacturing process is done entirely with bare hands. Incense paste is moistened with water to such a consistency that it is easily stretchable. It is then put on top of a bamboo cane and moulded in a downward direction by squeezing and working with the hands until the bamboo is evenly covered with incense paste. The excess paste is then removed. The outer coat of the joss stick is put on by means of rolling on a pile of coloured fragrance and then a wooden slab is used to smooth the surface of the stick. Finally the sticks are hung in a sheltered but well ventilated place. Drying under direct sunlight is strictly avoided as the high speed of evaporation will result in cracks on the surface.\n\nWinding Method\n\n36\n\nThe last method is for the production of incense coils by winding. Incense paste squeezed into the shape of strings is wound around a metal ring, the width of the string determining the duration of burning. Incense coils are then classified into half-day coils, full-day coils, 7 day coils, 14 day coils and 30 day coils. Winding must be done on a flat surface in order that the strings can be coiled neatly. Then they have to be unfolded onto a rattan rack to allow free circulation of air. The unfolding is done dextrously by two incense coil workers.\n\nIn the early days, squeezing was done with a wooden press (mu t'ou cha). Though this wooden press is no longer in use, Osgood, writing in the mid-seventies, provides a detailed description,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211729,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 144,
        "title": "RAS-1989",
        "content_text": "119\n\nNOTES\n\n1 Ch'ü, Ta-chün, Kuang-tang hsin-yü [New Tales from Kuang-tung], Hong Kong: Chung-hua ch'u-pan-shê, 1974, reprinted from 1700 edition, p. 677.\n\n2 ibid, pp. 674-676.\n\n3 Yung-yen, “Hong Kong ti ming k'ao” [The Origin of Place Names in Hong Kong], in: Li Chun-wei (ed.) Hong Kong pai nien [Centenary History of Hong Kong], (Hong Kong: Nan chung pien yi ch'u-pan-shê, 1948), p. 68.\n\n4 Hong Kong Daily Press, February 5, 1873.\n\n5 Siu, A.K.K., “The Hong Kong Region Before and After the Coastal Evacuation in the Early Ch'ing Dynasty”, in: Faure, David, James Hayes and Birch (eds.), From Village to City, (Hong Kong: Centre of Asian Studies, University of Hong Kong, 1984), p. 2; Fêng K'ê-pin (ed.), Hsiang chien [Notes on Incense], in: Kuang pai ch'uan hsüeh hai (1), 1998. (Taipei: Hsin-hsing shu-chü, reprinted in 1970).\n\n6 Balfour, S.F., “Hong Kong Before the British”, Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 10, 1979, p. 176.\n\n7 Ch'ü, p. 677.\n\n8 Chang, Y.N., \"Hong Kong Ts'un (Hong Kong Village) and the Cultivation and Exportation of Incense from Kowloon and the New Territories”, in: Lo, Hsiang Lin (ed.), Hong Kong and Its External Communications Before 1842, (Hong Kong: Institute of Chinese Culture, 1963), p. 114.\n\n9 Tung-kuan Hsien-chih [Tung-kuan Gazetteer], compiled by Ch'ên Pai-tao, (Tung-kuan yang-hêng yin-wu-chü, 1910), Section 14, p. 13; Dunn, Stephen Troyte and William James Tutcher, Flora of Kwangtung and Hong Kong, (London: Her Majesty's Stationery Office, 1912), p. 9.\n\n10 Iu, K.C., \"The Cultivation of the Incense Tree (Aquilaria sinensis)”, Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 23, 1983, pp. 247-249.\n\n11 “Imports for the Year 1846”, Hong Kong Blue Book 1846, p. 200, 204, 207.\n\n12 “Imports for the Year 1847”, Hong Kong Blue Book 1847, pp. 200-212.\n\n13 “Imports for the Year 1848”, Hong Kong Blue Book 1848, pp. 251-254.\n\n14 Hsü, Kuang-ch'i (ed.), Nung chêng ch'üan shu [Encyclopedia on Agricultural Techniques], (1847), Section 18, pp. 13-15.\n\n15 Yung-yen, p. 68.\n\n16 Lockhart, S. \"Extracts from A Report by Mr Stewart Lockhart on the Extension of the Colony of Hong Kong on October 8, 1898”, Sessional Papers concerning the Acquisition of the New Territories 1899, p. 190.\n\n17 Nathan, cited by J.W. Hayes. \"Notes and Queries: Sandalwood Mills at Tsun Wan\". Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 16, 1976, pp. 282-283.\n\n18 'Report on the New Territories for the year 1925; B. Southern District\", Hong Kong Administrative Reports 1925, p. J13.\n\n19 'Report on the New Territories for the Year 1931; B. Southern District\" Hong Kong Administrative Reports 1931, p. J18.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 212163,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 105,
        "title": "RAS-1990",
        "content_text": "a cure. He was born in Anhui province during the latter part of the seventeenth century and was a kind and upright junior official. He was regarded as a local sage and much respected. Particularly skilled at medicine, he saved countless lives, and one year he successfully mediated between two fighting factions. He died in his bed and proved so popular that within a few years an image of him was carved and placed on a local altar. In 1714 a devotee from Hsing-an prefecture in Fukien province emigrated to Taiwan and brought the cult with him, building a shrine in his honour in Taiwan. Much later, a scholar from Taipei, visiting Tainan, the local capital, to sit his first examination, passed the shrine and knelt before the deity promising that if he were successful in his examination he would set up a similar altar in Taipei. He was successful and did as he had promised. Much later, when the cult had grown much larger, a temple was built in Taipei where the image of Hsin Ting now stands.\n\nThe third case of deification of a charismatic worthy is Ch'en Chang, born in Yunlin in central Taiwan during the reign of the Ch'ien Lung emperor. He was a noted philanthropist in the town of Tsao-t'un in Nantou county where he moved later in life. He did numerous good deeds and was greatly respected. His good works, however, annoyed a local petty tyrant who had Ch'en convicted on a trumped-up charge and imprisoned. Ch'en died in gaol. The locals mourned his death and built a shrine in his honour in which they first placed his tablet (later to be replaced by a standard image with no special identifying characteristics). His title then became General Ch'en despite the fact that he had never served in the army nor had he ever fought in any battle. He became the local protective deity with an annual festival on the 15th of the first lunar month.\n\nCults of the Deified Spirits of Insignificant People\n\nThe following are examples of legends and cults connected with ordinary people. Cults of twelve deceased very ordinary people have been chosen at random from the hundreds of such stories available. They highlight how their cults, some preserved by oral tradition and others with their histories now long forgotten, evolved.\n\nA young man in his early twenties was killed in a now forgotten accident near Kaohsiung in southern Taiwan. He was buried on the spot and, because he had been a brave settler, his family, the Ts'ais,\n\nPage 105\n\nPage 106",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212362,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 304,
        "title": "RAS-1990",
        "content_text": "281\n\nSee P.H. Hase “The Cheung Shan Kwu Ts'un: an Ancient Buddhist Nunnery in the New Territories, and its Place in Local Society”, in Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29, 1989, pp. 121-157.\n\nJournal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 7, 1967, pp. 104-137, reprinted from Transactions of the China Branch of the Royal Asiatic Society, Vol. 6, 1859, pp. 71-105.\n\nDer Evangelische Heidenbote, Jan. 1862.\n\nSee also P.H. Hase \"Ta Kwu Ling, Wong Pui Ling, and the Kim Hau Bridges\" elsewhere in this issue.\n\nKrone, loc. cit. says that missionaries were usually treated as neutral and ignored in fighting.\n\nDer Evangelische Heidenbote, Feb. 1906.\n\nSHA TAU KOK IN 1853\n\nThe Rev. Carl Smith drew my attention some time ago to the wealth of material available in the Basel Mission Archive on Sha Tau Kok in the middle of the nineteenth century. Through the courtesy of the Mission Archive, photostats of a number of documents were received and studied. Among them was a most interesting general description of the District and Market at Sha Tau Kok dating from 1853. Given its general interest, a translation of this document is printed below. Comments in square brackets are editorial clarifications.\n\n\"Tungfo.\n\nTungfo* | Tung Wo, 41, the formal name of Sha Tau Kok Market station is situated in the Province of Quang-tung [Kwangtung], in the District of Sinon [San On #1. The southern border of this District is formed by the China Sea, whereas, to the east and west, the borders are formed by inlets of this sea. The western inlet is the larger, although it is too small to be called a gulf. The English call it the \"Canton River\". The city of Canton is situated on this estuary. Because of the Canton River, traffic between Canton and Hong Kong is very easy, and\n\n* All placenames in this document are given in the original Hakka transcription. Placenames in Hong Kong are also given in square brackets according to the Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories; placenames in China are also given in square brackets in Cantonese transcription and characters.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 213559,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 155,
        "title": "RAS-1995",
        "content_text": "124\n\nThe book is laid out as follows (from top to bottom). A word or phrase is given in Chinese. The Chinese is in most cases the colloquial Cantonese of the time. To the right of the Chinese characters is the Cantonese pronunciation using the spelling convention of Dr Williams' Tonic Dictionary of the Canton Dialect (1856),\n\nBelow the romanized Chinese is the translation of the Chinese into standard English, and to the left of the English is a rendering of the standard English pronunciation using a syllabary based on colloquial Cantonese in Chinese characters. How Pidgin English fits into this, I shall come to later.\n\nWe want to convey to you that the phonetic transcription into Chinese characters of the English is rigorous and very effective. It is clear that the author is an un-sung hero of phonetic analysis, and ahead of his time in his observation. His transcription is based on three levels of refinement.\n\nFirst, where the standard Cantonese pronunciation of a Chinese syllable is close enough to the corresponding English syllable, the character is used. Where no suitable character is available, an ersatz syllable is created using the \"mouth\" radical and fan-qie method, according to the prevailing convention for reproducing colloquial Cantonese words which are not normally written down.\n\n#1\n\nHit\n\n年\n\nKeens\n\n#19\n\n候\n\n時令\n\nbe ling\n\nTeason\n\nhave - Time\n\n-\n\nYear\n\nYutsal Genvention\n\n夜晒上平看\n\n鄭拿染純\n\nHQ HH\n\nFig. 1. The lay-out of Tong Ting Shue's \"Ying Ü Tsap Ts'un\"\n\nI",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
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    },
    {
        "id": 213574,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 170,
        "title": "RAS-1995",
        "content_text": "139\n\ndollar; have go Hong Kong, tief man catchee he. He no have got one\n\ncash.\n\nAPPENDIX II\n\nYing U Tsap Ts'un\n\nThe Chinese and English Instructor\n\nby\n\nTong Ting-shue\n\nThe Author's Introduction\n\nOnce, I happened to be travelling to Macau with two or three friends. As we approached, we observed mandarin boats, gun emplacements and houses in a dilapidated condition. On enquiring about the cause, we were told that this was the work of foreigners.\n\nArriving at Macau, we observed how magnificent and enduring the foreigners' mansion and churches were, how well-built their fortresses and ships in complete contrast to the Mainland. I had a strange feeling and wanted to know where these people came from and what their abilities were. But knowing neither their language nor their script, I had no way of finding out. I had no alternative but to learn their language first so that I could communicate with them. I immediately resolved to engage a learned Portuguese as my tutor.\n\nTwo months later, an elderly man asked me what I was learning and I recounted my story to him. He said\n\n\"Why not learn English? England is better than Portugal: their technology is more advanced, and the English are the most numerous among those who trade with our country.\n\n\"You are quite right!\", I replied, and forthwith applied myself to several years' study of English. Thus I got to know the basics and went on to study in depth. I gained a thorough knowledge of the pronunciation and meaning. Thereupon, those engaged in foreign trade came to me for translations, and this came to be a burden on me. Accordingly, I prepared this book as a way to close the door on them and save myself",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
        "rank": 0
    },
    {
        "id": 213586,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 182,
        "title": "RAS-1995",
        "content_text": "152\n\nCountry Parks, currently plant around 300,000 trees a year for amenity, erosion control and the repair of fire damage. Usually only introduced trees such as Acacia will grow under the harsh conditions of bare and eroded slopes, but under more favourable conditions native tree species are also being planted for the benefit of wildlife. DAF organizes forestry camps where each summer around 2000 young people learn to care for trees. Each spring in the Country Parks DAF also organises community tree planting days in which 20,000 trees are planted by the public each year.\n\nREFERENCES\n\nChan, Ka-yan (1989). Joss Stick Manufacturing A Study of a Traditional Industry in Hong Kong Journal of the Hong Kong Branch of the Royal Asiatic Society 29 94-120\n\nChang, YN (1963) Hong Kong Ts'un (Hong Kong Village) and the Cultivation and Exportation of Incense from Kowloon and the New Territory in Lo, H. L. (ed) Hong Kong and its External Communications Before 1842 Hong Kong Institute of Chinese Culture P114\n\nCoates, A Myself a Mandarin (1968) Oxford University Press\n\nDaley, PA (1975). Man's Influence on the Vegetation of Hong Kong In Thrower, B (ed) The Vegetation of Hong Kong Hong Kong Branch of the Royal Asiatic Society 44-56\n\nDunn, S T (1907). Report on the Botanical and Forestry Department for 1907 Hong Kong Govt\n\nHase, P, Hayes, J W and Iu, K. C. Traditional Tea Growing in the New Territories (1984). Journal of the Hong Kong Branch of the Royal Asiatic Society 24 264-281\n\nHayes, J. (1977), Notes for the Royal Asiatic Society Visit to Tai Mo Shan, 3rd April 1976. Journal of the Hong Kong Branch of the Royal Asiatic Society 17 157-178\n\nHayes, J (1983) The Rural Communities of Hong Kong, Studies and Themes Oxford University Press\n\nHong Kong Daily Press 1873 February 5\n\nIu, Kwok-choy (1983) The Cultivation of the \"Incense Tree\" (Aquilaria sinensis), Hong Kong Quarterly Journal of Forestry July\n\nNichols, D (1978) Some Aspects of Vegetation in Hong Kong with Special Reference to Fung Shui Woods University of Leicester Dept of Geography Quoted in Thrower, S",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
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    {
        "id": 214694,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 109,
        "title": "RAS-1999",
        "content_text": "Tseuk Ming\n\nTseuk Sam\n\nTseuk Wa\n\nTseuk Wing\n\nwith Yung Fat\n\nwith Kam Ts01 &\n\nKwong Ip\n\nwith Tseuk Wa\n\nwith Tseuk Wing with Tseuk Wing &\n\nTseuk Wa\n\nwith Tseuk Sam\n\nwith Tseuk Sam &\n\nTseuk Wa\n\nTso Fat\n\nTso Fuk\n\nTso Hing\n\nTso Kwai\n\nTso Sang\n\nTsoi\n\nTsun Ming Tsun Shan\n\nUn Po\n\nWa [A]Wing\n\nWing San\n\nSP2/2\n\n0 05\n\n1 57\n\n0 18\n\n[0 05]\n\n0 23\n\n[0 19]\n\n[0 02]\n\n001\n\n3/3\n\n0 19\n\n0 02\n\nwith Shu\n\n1/1\n\nSee Tseuk Sam\n\nSee Yeung Fat\n\nSee Tseuk Hin\n\nSee Lam Hing\n\n004\n\nSP1/2\n\n0 28\n\nPredominantly Sha Po\n\n1/1\n\n0 19\n\n[0 73]\n\n0 52\n\n0 10\n\n041\n\nwith Fun Shan\n\n2/2\n\n2/2\n\nSP1/2\n\n035\n\nSee I Po\n\nPredominantly Sha Po\n\n73",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
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]