[
    {
        "id": 209962,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 221,
        "title": "RAS-1983",
        "content_text": "199\n\nA pair of Chinese drums, each with writhing dragons, with colours still surprisingly bright considering their age, is on show. There are Chinese caricatures of British soldiers and a red lion rears on the ensign which flew from a piquet boat in the attack on Chusan in 1842.\n\nThe regiment was one of those honoured by being allowed to carry the China dragon on its badge and it still features today, with the word \"China\" underneath, on the buttons and badges of the Border Regiment. The museum has a good collection of belt plates and cap badges bearing the dragon.\n\nThere is an interesting Chinese map, epaulettes and medals of the First China War. A banner seized by the 55th now in Kendal Church is the subject of a separate note.\n\nMore modern memories of Hong Kong are housed in the museum of the Middlesex Regiment, in Bruce Castle, Tottenham, London. The museum was closed for re-organisation when I visited but I was kindly shown the relevant items in the collection. The role of this distinguished regiment in the 1941 battle for Hong Kong is well known. There are several weapons which were used in the battle. One machine gun was buried to prevent its capture by the Japanese and it was recovered after the Allied victory. A Japanese machine gun is also held.\n\nThere is a framed menu card which was used on the regiment's Albuhera Day, 10th May 1943, in a Hong Kong prison-of-war camp. Sketched on the front is a guard tower and those present have signed their names. A Japanese flag bears the Rising Sun. Other reminders of POW life are the 1st Battalion's bugle which was used in Hong Kong, and later in Japanese prison camps and a small wireless set which was used secretly in the prison-of-war camp here. For refusing to divulge its whereabouts Colonel L.A. Newnham was tortured and executed. He was posthumously awarded the George Cross.\n\nThe museum also has a small flat fan with a pagoda painted on it which belonged to Captain Kyodo Shigeru of the Lisbon Maru. A poignant reminder of the incident is a sketch which shows the stern of the ship already under water and the decks crowded with desperate men. The drawing was kept for over two years concealed in a bamboo stick by Major C.M.M. Man,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
        "rank": 0
    },
    {
        "id": 211824,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 239,
        "title": "RAS-1989",
        "content_text": "214\n\nJacob Grimes: F. Shannons\n\nThese performances drew the largest audiences of the season\", which statement causes some surprise seeing that it had only just started. But the house was filled in every part and a good number of ladies in the dress circle graced the occasion, while the parterre was so crowded that many of the spectators had to stand\". Noteworthy were the scenery, painted by Captain Hamilton; and, in Crinoline Mr. PHILLIPS as the jealous husband “which would be considered excellent on the boards of the Adelphi” (NCH 14.3.1863).\n\n16.3.1863 (Mon)\n\nRepeat of the former.\n\n26.3.1863 (Thur)\n\nJ.M. MORTON: \"Fitzsmythe of Fitzsmythe Hall\" (1860)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Where There's a Will There's a Way” (1849) T: Comic drama (1 act)\n\nC: Amateurs (Local and British officers)\n\nTh: N.N. (G?)\n\nR: Casts:\n\nWhere There's a Will:\n\nDona Francesca: Mr. W. Hyslop (of Gibb, Livington & Co)\n\nDon Manuel: D.A.C.G. Ewing\n\nDon Lopes Avila: Mr. Raymur\n\nDona Blanche de Tavora: Mr. A. Broom (of Jardine, Matheson & Co)\n\nDon Scipio de Pompolino: D.A.C.G. Cooksley\n\nFitzsmythe:\n\nFitzsmythe: D.A.C.G. Cooksley\n\nHis wife: D.A.C.G. Hayter\n\nPenelope, their daughter: Mr. A. Broom\n\nFrank Tottenham: Mr. Raymur\n\nGregory, servant: D.A.C.G. Ewing\n\nIt was remarked about Mr. Raymur that \"this gentleman was of a backward turn in his orthography\". So a pseudonym after all; the hint though does not make it clearer. There is no Raymur, nor a \"Rumyar\" (which would be a very strange name indeed) in the \"Shanghai Almanac for 1862” — the last one available. Could it be Mr. E.I. Remier? Although the review of the 13th February had not been negative, tonight's performances were, in the eyes of the Herald. \"upon the whole an improvement on those of the first subscription night, and the audience expressed their approbation in a more decided manner, so that everybody seemed pleased with the evening's entertainment\", Where There's a Will There's a Way, an elegant drawing room play situated in 18th century Portuguese royal circles, \"was placed on the stage in a very creditable manner, considering the slender means and appliances as being tasteful, rich and, we presume, correct for the period, while the ladies looked quite charming in their elegant dresses; the whole apparently got up 'regardless of expenses as the London playbills have it\". In Fitzsmythe the best piece of acting was that of Mr. HAYTER as the old lady who, like Mr. Jourdain, was \"ambitious of having \"quality\" friends and finery, while in her domestic occupations she revelled in jam and soapuds The \"languishing Penelope\" of Mr. BROOM was also quite fascinating”. (NCH 28.3.1863).\n\n17.4.1863 (Fri)\n\nConcert by amateurs in aid of the Lancashire Relief Fund.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 216477,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 236,
        "title": "RAS-2003",
        "content_text": "186\n\nalthough for the first few years after their wedding, the family home remained in Suffolk while he went to sea. It was in the village of Hoxne that their eldest son Robert Benjamin was born in 1860 to be followed by Emily Ada in 1864. Young Samuel came along in 1866 after the family had moved to Framlingham and was given the second name Cornell. It would appear from an entry in Harriet Plant's New Ladies' Memorandum Book 1829 in which she recorded important family events, that Cornell was a family name, possibly the maiden name of her mother or Samuel's mother. One entry records a visit to Chedburgh, a village in Suffolk, by a Mr and Mrs TH Cornell. Whatever the origin, Cornell was the name by which he was known throughout his life both inside and outside the family. Cornell's younger brother Charles Henry was born in 1870 and it was not long after that time that the family moved to London and into a house in Tottenham. Perhaps this move away from the country into the big city came about as a result of Samuel Plant's promotion to becoming a ship's master.\n\nIn 1881 he was in command of the Iron Ship Reigate, made of iron but powered by sail, for the trade with India. It so happened that the 1881 Census took place on the very day that Reigate was in Middlesbrough when, in addition to Captain and crew, those on board included Harriet Plant, the Master's wife, with Cornell and Charles, the Master's sons, all shown as passengers. But in truth, none of them were passengers - the 14-year-old Cornell had joined the ship for his first voyage while his mother and brother were there to see him off.\n\nThe start of a life at sea\n\nThe Reigate set sail from Middlesborough in early May, 1881 for the long passage round the Cape of Good Hope to Madras with no stops along the way. This was young Cornell's introduction to a life at sea and being a dutiful son, he spent some time every Sunday writing a few paragraphs of a voyage letter to his mother in strong, well-formed copper plate writing. It is a remarkably well written letter for a fourteen-year-old young man that now forms part of the Plant Archive at the National Maritime Museum, Greenwich. Although the letter is in good condition, the writing on one side of the paper occasionally obscures the writing on the other side but it is still clear enough to make a full transcription. The letter is almost 2,000 words long but the following extracts give some idea of the young man who wrote them and the dramatic events that he experienced.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    }
]